Păstorel Teodoreanu

970: 476: 1795:. In Teodoreanu's specific case, the authorities also recovered a fable of his from the 1930s, where he was ridiculing communism as the rally-call of rebellious donkeys. His newer poems were also recovered through the testimonies of some who had heard them. The presiding judge, Adrian Dumitriu, asked Teodoreanu why he ever felt the need to contribute such works. Păstorel noted that it was impossible for him to stop: "chickens lay eggs, and I compose epigrams"; he also added: "if there's nothing else we can do , let's at least suffer for her sake." Wald also attributes him another quote, from his response to the judges: "I've been joking around for fifty years, and you gentlemen, of all people, had to take me seriously?" 989: 1549: 2688: 1004: 2341:. He lives in continuous erotic frenzy, pushing himself on all available women, "without regard as to whether they were virgins or ripe women, not even if they had happened to be his cousins or his aunts". Still, he is consumed by his passion for the nubile Sanda, but she dies, of "chest trouble", on the very night of their wedding. The broken Trașcă commits suicide on the spot. These events are narrated with the crescendo of romantic novels, leading to the unceremonious punch line: "And it so happened that this Trașcă of the Draculas was ninety years of age." 2177: 740: 241: 31: 1804: 1634:. Ionel Teodoreanu died suddenly in February 1954, leaving Păstorel devastated. In the aftermath, he assisted Ștefana with destroying Ionel's manuscripts, burning each individual page after first reading it. He compensated for the loss of his brother by keeping company with other intellectuals of the anti-communist persuasion. His literary circle, hosted by the surviving Bucharest locales, included, among others, Jurgea-Negrilești, 1657:, the communist secret police. Pressure was put on him to divulge his friends' true feelings about the political regime. He avoided a direct answer, but eventually informed Securitate about Maria Tănase's apparent disloyalty. While harassed in this manner, Teodoreanu was already earning a leading place in underground counterculture, where he began circulating his new anti-communist compositions. According to literary critic 1260:'s diet, led Teodoreanu to declare himself an enemy of all things Czechoslovak. During his stays in Karlovy Vary, Păstorel corresponded with his employer, Rosetti, keeping with the events in Romania, but wondering if Romanians still remembered him. Upon his return, he was a recipient of the 1937 National Prize for Prose. The jury comprised other major writers of the day: Rebreanu, Sadoveanu, Cezar Petrescu, 1264:. Teodoreanu was especially proud about this achievement: in his own definition, the National Prize was an endorsement "worth its weight in gold". He impressed the other literati at the celebratory dinner, where he was "dressed to the nines" and drank with moderation. After the event, Teodoreanu turned his attention to his poetry writing: in 1938, he published the booklet 1619:. Păstorel was experiencing financial ruin, living on commissions, handouts and borrowings. He tried to talk Maria Tănase into using his poems as song lyrics, and stopped seeing her altogether when her husband refused to lend him money. Sadoveanu, meanwhile, had emerged as a major figure in the politics and cultural life of the new communist state. The 1949 novel 2311:) and an usurper of tradition, Panagake suffers defeat and ridicule, but his very presence in the narrative announces the end coming end of universal joy. As critic Doris Mironescu notes, characters experience an "entry into time", except "theirs is not Great history, but a minor one, that of intimate disasters, of homemaking tragedies and the domestic hell." 472:. Botez himself recalled that Păstorel would leave him endearing notes confessing to his weakness, noting that such exchanges helped to strengthen their friendship. He recalled that all three Teodoreanu brothers were outstanding and well-loved as boys, but also that Păstorel had made one enemy—his mathematics professor, the subject of his pranks and innuendo. 1791:. Although grouped together, these men and women were accused of a variety of seditious deeds, from engaging in "hostile conversations" to keeping company with Western visitors. One thing they had in common was their relationship with Noica: they had all attended meetings in Noica's home, listening to his readings from the letters of a banished philosopher, 840:. He also ridiculed Iorga's ambitions in poetry, drama, and literary theory: "Mr. Iorga doesn't get how things work, but he is able to persuade many others: he is dangerous." Teodoreanu was courted by the modernist left-wing circles, which were hostile to Iorga's traditionalism, and was a guest writer for a (formerly radical) art magazine, 1095:

an elaborate prank on Iorga and Osvald, announcing that he would show up at Iorga's home to deliver a public apology; he arrived late, pretended that he was in reality looking for a "Doctor Göldenberg", and left when told that he was in Iorga's home. Iorga then sued Păstorel for defamation, but gave up on his claim for compensation.

1771:, as a "structural transformation" of the Romanian psyche. Meanwhile, some anti-communist texts, circulated by Teodoreanu among the underground dissidents, were intercepted by the authorities. Those who have documented Teodoreanu's role in the development of underground humor note that he paid a dear price for his contributions. 1674:

spirit, unsuitable for political 'taming', Al. O. Teodoreanu had a rude awakening into a world where, perceived as a hostile element, he was unable to exercise his profession". In trying to salvage his career, he was forced to diversify his literary work. In 1956, his literary advice for debuting authors was hosted by the gazette

1173:, Romania's leading female vocalist. Still indulging in his pleasures, Teodoreanu was living beyond his means, pestering Călinescu and Cezar Petrescu with requests for loans, and collecting from all his own debtors. Ibrăileanu, who still enjoyed Teodoreanu's capers and appreciated his talent, sent him for review his novel, 580:, and also proofread for the former. Though he enjoyed an expensive lifestyle, he still had no steady income, and reportedly depended on his family, and especially his mother, for his material needs. At the time, he openly provoked his fellow citizens, who mocked for not having enough funds to entertain girls, by taking a 2263:"flowing with milk and honey": "Had this been in any way true, people would be glued to fences, like flies". Even the protagonist, Kostakel, is a writer, humorist and parodist, who has produced his own chronicle of "obscenities" with the stated purpose of irritating Ion Neculce (who thus makes a brief appearance 836:, the influential historian, poet and political agitator. According to Goga and Hodoș, Iorga's older brand of nationalism was unduly self-serving, irresponsible, and confusing. Teodoreanu followed up with satirical pieces, comparing the omnipresence of Iorga "the demigod" with the universal spread of novelty 2405:, and interested only in "pure comedy". In his narrator's voice, Păstorel mockingly complains that the banal was being replaced by the outstanding, making it hard for humorists to find subject matters. Such doubts are dispelled by the intrusion of a blunt, but inspirational, topic: "Can it be true that 1892:

at his house on Vasile Lascăr Street, in Bucharest's Armenian Quarter. Teodoreanu's friend and biographer, Alexandru Paleologu, calls his "an exemplary death". According to Paleologu, Teodoreanu had taken special care to render his suffering bearable for those around him, being "lucid and courteous".

425:) were his younger siblings, born after the family had moved to Iași. Osvald's father, Alexandru T. Teodoreanu, had previously served as City Mayor, while an engineer uncle, also named Laurențiu, was the first manager of the original Iași Power Plant. The Teodoreanus lived in a townhouse just outside 2787:

and "sonnet", which recorded in writing a couple's disjointed replies during the sexual act. Teodoreanu's artistic flair was poured into his regular letters, which fictionalize, rhyme and dramatize everyday occurrences. These texts "push into the borders of literature" (Hrimiuc), and are worthy of a

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came out, purchasing all copies because they could reach the voters; another version, favored by poet Ion Larian Postolache, is that the public itself made sure to buy it as soon as the shops opened, thus preventing the authorities from confiscating it. Postolache also recounts that Păstorel pulled

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Urban folklore and communist prosecutors recorded a wide array of anti-communist epigrams, attributed (in some cases, dubiously) to Al. O. Teodoreanu. In early 1947, the outlawed PNȚ was putting out leaflets featuring political satires of the new regime; PNȚ man Liviu Tudoraș argues that two such

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Critics have rated Teodoreanu as a Caragialesque writer, or a "Moldavian", "thicker", more archaic Caragiale. Hrimiuc suggests that Caragiale has become an "obligatory" benchmark for Teodoreanu's prose, with enough differences to prevent Păstorel from seeming an "epigone". Hrimiuc then notes that

2168:("Kostakel ye Tireleſs"). In several editions, they are bound together with various other works, covering several literary genres. According to biographer Gheorghe Hrimiuc, the latter category is less accomplished than the "chronicle". It notably includes various of Teodoreanu's attacks on Iorga. 1896:

Teodoreanu died at home, on March 17, 1964, just a day after Pienescu brought him news that censorship had been bypassed; in some sources, the date of death is given as March 15. Reportedly, death caught him reading volume sixteen of Ionel Teodoreanu's complete works. He was buried, alongside his

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noted with pessimism that "those who understood are all pretty much dead"; at the time, Păstorel's political works were still not publishable, and a full corpus of writings was therefore impossible. At that stage, Teodoreanu's non-political work was being used as an inspiration by a young poet,

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critical apparatus accompanying such intertextual dialogues is there to divert attention from Teodoreanu's narrative tricks and anachronisms. Hrimiuc suggests that, by pretending to read his own "chronicle" as a valid historical record, Păstorel was sending in "negative messages about how not to

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Teodoreanu was ultimately granted a reprieve on April 30, 1962, together with many other political prisoners, and allowed to return to Bucharest. Later that year, he paid his friends in Iași what would be his final visit, the memory of which would trouble him to his death. Teodoreanu returned to

1825:, Păstorel reportedly complained of having been brutalized by one of the guards. His much younger cellmate, Vasile Gavrilescu, recalls that Păstorel taught him and others to expand their cultural horizon beyond country affairs, advising them to prepare for an era of cultural openness. While in 1673:

As recalled by Ornea, Teodoreanu was still struggling financially. He walked about town in "shabby clothes, though always with a smile and a joke blossoming on his cheek". As noted by researcher Florina Pîrjol: "the scion of bourgeois intellectuals, with his liberal values and his aristocratic

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honored the Teodoreanu brothers' memory with a plaque, unveiled at their childhood home in Iași. A street in the industrial part of the city was also named after him. However, the Zlataust building was partly demolished by its new owners in 2010, a matter which fueled political controversies.

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with "mock dramaticism", and in fact poking fun at the vague political ambitions of Moldavian academics. As a Caragiale follower, Teodoreanu remained firmly within established genre. Doris Mironescu describes his enrollment as a flaw, placing him in the vicinity of "minor" Moldavian writers

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pages. Attributable to Teodoreanu, they are signed with various irreverent pen names, all of them referencing Iorga's various activities and opinions: Iorgu Arghiropol-Buzatu, Hidalgo Bărbulescu, Mița Cursista, Nicu Modestie, Mic dela Pirandola. In other such works, he took jibes at the

1593:. In May 1940, Teodoreanu had defined humor as "the coded language that smart people use to understand each other under the fools' noses". Resuming his food writing after 1944, he began inserting subtle jokes about the new living conditions, even noting that the widespread practice of 2129:. Păstorel's "so very Rabelaisian" writing has a "thick, big, succulent note, that will saturate and overfill the reader". Ornea expressed his dissatisfaction with such views, arguing that Teodoreanu was primarily a narrator in the "Moldavian style", and, even there, an original one. 1669:

is the only explicit negation of communism to have emerged from 1950s Romania. As other Securitate records show, the public was aware of Teodoreanu's visits to the Securitate, but distinguished between him, who was "called over" to confess, and those who made voluntary denunciations.

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Order, 2nd Class. From autumn 1939, when the start of World War II left Romania exposed to foreign invasions, Teodoreanu was again called under arms with the 24th artillery regiment. His commanding officer, Corneliu Obogeanu, found him to be useless, and ordered him to stay behind in

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Jurgea-Negrilești was present at one of the group's last meetings, recalling: "At the very last drop , he got up on his feet... there was gravitas about him, a greatness that I find hard to explain. In a voice that his pain had made hoarse, he asked that we leave him alone".

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two scathing articles against the latter. Pascu sued him for damages, this being one of several lawsuits in which the two men faced each other over time. Also in 1930, Teodoreanu joined the National Theater Iași directorial staff, where he supported the production of plays by

2718:, was one of Romania's "semi-failed intellectuals", loquacious and improvident. As an impish journalist, he always favored the ephemeral. Păstorel's work therefore includes many scattered texts, some of which were never collected for print. Gheorghe Hrimiuc assessed that his 1298:(a town which Teodoreanu described as unhygienic and "not at all attractive"); though not in active service, he put on hold his regular food chronicles. In a letter to Rosetti, he noted that the only event of this second period under arms was the passage of refugees from 1774:

On October 30, 1959, Teodoreanu was arrested, amidst a search for incriminating evidence. The Securitate relied on reports from its other informers, one of whom was Constantin I. Botez, the psychologist and academic. His manuscripts, including draft translations from

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and her "Blue Triangle" Association of Christian Women. The address culminated in a polite pun: "I finally understood that the Blue Triangle is not a circle, but a sum of concentric circles, whose center is Mistress Ileana, and whose radius reaches into our hearts."

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daily, he threatened onlookers not to intervene, brandishing a revolver. At Casa Capșa, where he was residing ca. 1929, Păstorel was involved in another publicized squabble, throwing cakes at a table where Rebreanu sat together with the modernists Voronca,

2383:("Free Elections") was well-liked by the communist literary establishment for discussing electoral fraud under the defunct Romanian monarchy. Other texts are diatribes with "bewildering imprecations": "one single page bears 57 proper nouns, from 3139:, which in fact sampled much of his lifetime work, while leaving out most of the mock-historical texts. Scholar Marcel Duță gave a poor review to this "minuscule anthology", noting that it had failed to underscore Păstorel's cultural relevance. 1933:

and her twin sons, and by cousin Alexandru Teodoreanu, himself a former, pardoned, detainee. Ștefana lived to age 97, and continued to publish as a novelist and memoirist, although from ca. 1982 she withdrew into near-complete isolation at

1821:, and permanent confiscation of his assets. Communist censors took over his manuscripts, some of which were unceremoniously burned. These circumstances forced Marta Teodoreanu to work nights as a street sweeper. Held in confinement at 3318: 1841:, indicating that he had "redeemed his past", and asking to be allowed back into the literary business. Păstorel made his comeback with the occasional column, in which he continued to depict Romania as a land of plenty. Written for 5323:

Virgil Dumitrescu, Vasile Gavrilescu, "Dacă vom învăța să ne ajutăm între noi, să ne bizuim unii pe alții, restul o să vină de la sine. 'De dorit ar fi să nu mai pătimim atît!' Interviul nostru cu scriitorul Vasile Gavrilescu", in

2788:"list of great epistolaries" (Crețu). Călinescu believes that such works should be dismissed, being "without spirit", "written in a state of excessive joy, that confuses the writer about the actual suggestive power of his words". 1077:

for/against Iorga Neculai") was published in 1931, reportedly at the expense of Păstorel's friends and allies, since it had been refused "by all of the nation's publishing houses". However, bibliographies list it as put out by a

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Elsewhere, Păstorel asks listeners to answer him a riddle: who has failing grades for conduct in school "but holds sway over the country"? The prize for respondents is "20 years behind bars." One other piece, written after the

1833:, whose President was Demostene Botez, made repeated efforts to obtain Păstorel's liberation. He himself was not informed of this, and was shocked to encounter Botez, come to plead in his favor, in the prison warden's office. 1128:(PNA), out of respect for Goga, who was its chairman. Active for a while within the PNA's Iași section (which only had some ten members in all), but ridiculed its chairman Florin Sion, asking his party colleagues Sadoveanu and 1829:, he filed an appeal: he admitted to having ridiculed communism, and to having distanced himself from Socialist Realism, but asked to be allowed a second chance, stating his usefulness in writing "propaganda". Reportedly, the 2298:

depicts a boyar humiliating himself in front of his promiscuous young wife—according to writer Crișan Toescu, this stands as a symbol of his entire class. Some scenes of merrymaking are played out for a melancholy effect. In

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A collection of Al. O. Teodoreanu's lampoons and essays, of which some were specifically directed against Iorga, saw print in two volumes (1934 and 1935). Published with Editura Națională Ciornei, it carries the title

3175:("On the Trail of Al. O. Teodoreanu-Păstorel"). Since 1975, Iași has hosted an epigrammatists' circle honoring Teodoreanu's memory. Known as "Păstorel's Free Academy", it originally functioned in connection with 2777:, whose soldiers were still stationed in Moldavia. A later epigram locates the hotspot of prostitution in Bucharest: the "maidens" of Popa Nan Street, he writes, "are beautiful, but they're no maidens". In 1926, 2401:, "a witty writer can never be an obscene writer", and Păstorel had enough talent to stay out of the pornographic range. Similarly, Cioculescu describes his friend as an artisan of "libertine humor", adverse to 1423:"). His brother and sister in law followed the same line, the former with novels which had anti-Soviet content. In one other context, Păstorel defended his colleague Lesnea, who was publishing translations from 2379:) an "abstruse" dispute about the flight patterns of storks. Another piece shows a patient decaying irreversibly, but enthusiastically, after a hack doctor prescribes him alcohol for a misdiagnosed illness. 3131:; during this procedure, the authorities claimed that Teodoreanu's epigrams had been burned in 1960, and, as such, that any definitive evidence of wrongdoing had been lost before the author's prosecution. 3063:

With his constant networking, Păstorel Teodoreanu shaped the careers of other writers, and, indirectly, left a mark on Romanian visual arts. Some of his works came with original drawings: illustrations by

2639:("Tiny Songs from a Hospice"), written from the perspective of the dangerously insane. As Călinescu notes, they require "subtle humor" from the reader. For instance, some veer into delirious monologues: 1584:

demanded for him to be excluded from the Writers' Society, noting that he had "written in support of the anti-Soviet war". Ionel and his wife also faced persecution for sheltering wanted anti-communists

1066:'s Cantemir Lodge. The formal initiation had an embarrassing twist: Teodoreanu turned up inebriated, and, during the qualifying questionnaire, stated that he was "damned well pleased" to become a Mason. 2375:, but does not display either Caragiale's malice or his political agenda. His own specialty is the open-ended, unreliably-narrated, depiction of mundane events: the apparent suicide of a lapdog, or (in 2202:, during which Romanians adopted a decadent, essentially anti-heroic, lifestyle. A recurrent theme is that of the colossal banquet, in most cases prompted by nothing other than the joy of company or a 2307:

is Panagake, whom the other boyars detest. Kostakel exerts the collective retribution, by staging a situation in which he and a group of servants have intercourse with Panagake's wife. An outsider (

2710:. If their jokes had the same brevity, their humor was essentially different, in that Topîrceanu preserved an innocent worldview. In this class of poetry, Teodoreanu had a noted preference for 494:

in 1916. Over the following months, Osvald Teodoreanu became known for his support of prolonged neutrality, which set the stage for a minor political scandal. When, in 1916, Romania joined the

1185:("Frankincense and Poison"), and notably includes Teodoreanu's thoughts on social and cultural policies. The two books were followed in 1935 by another sketch story volume, eponymously titled 2702:

According to Ornea, Păstorel had an "inimitable charm", but much of his work could not be considered relevant for later generations. As a poet of the mundane, he shared glory with the other

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eaters". However, Teodoreanu was irritated by the contemplative traditionalism of Moldavian writers, and, as Cioculescu writes, his vitality clashed with the older schools of nationalism:

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informs that both Ionel and Păstorel had tried to appease the Guard, and were pressing to have Sadoveanu join its ranks (Sebastian partly attributes this account to Sadoveanu's daughter,

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as one of a "forgotten books" series, other competing editions were already being sold in the early 1990s. His anti-communist apocrypha have been featured in a topical volume, edited by

1884:, whose son was part of the hospital team, reports that Teodoreanu "always made efforts to ease things for his doctors", humoring them with his quatrains even moments after undergoing a 1161: 4421: 4668: 949:

tribunal received a legal complaint from Călugăru, who accused Teodoreanu of assault and repeated death threats. History does not record whether Teodoreanu was ever brought to court.

4259: 1513:. Lacking a stable home, he was hosted at The Royal Foundations Publishing House, and could be seen walking about its library in a red housecoat. At that stage, Romania was under a 762:("Your Appointment Has Been Received"), written in 1922, as Teodoreanu's only solo work as a playwright; he is known to have published another "sketch drama", eponymnously known as 2906:

had been murdered by the Soviets. Tradition also credits him with the corrosive joke about the Statue of the Soviet Liberator, a monument which towered over Bucharest from 1946:

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for his indifference to it. On the friendly side, the fashion of exchanging epigrams was also employed by Teodoreanu and his acquaintances. In one such jousting, with philosopher

1194: 1189:. In its preface, Teodoreanu announced that he refused to even classify this work, leaving classification to "morons and rubberneckers". The following year, the prose collection 3235: 1909:. They were not mandated to speak about the deceased, and kept silent, as did the Orthodox priest who was supposed to deliver the service. The writer had left two translations ( 930:

as a backward, "childish", play. The verdict infuriated Teodoreanu, who, according to press reports, visited Călugăru at his office, and pummeled him in full view. According to

6713: 1307: 1152: 1541:("the Americans couldn't care less about our country, they can't even locate us on a map"); Wald recalled the moment as one of comedic perfection since, just moments after, a 728:, reflected growing tensions between the modernist circles in Bucharest and the cultural conservatives in Iași. Visiting Bucharest in or around 1923, Păstorel met Aderca at 3668: 3190:

observed that communist censors had created a "wineless Păstorel", part of a "retouched literary history". From 1994, he was periodically honored in his native city by the

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public life, but was left without the right of signature, and was unable to support himself and Marta. In this context, he sent a letter to the communist propaganda chief,

776:, with whom he toured Moldavian towns in an anti-tuberculosis awareness campaign. In 1923, he published his "Inscriptions on a Coffeehouse Table" in the satirical magazine 1901:. Six hundred people were in attendance, but, owing to Securitate surveillance, the funeral remained a quiet affair. The Writers' Union was only represented by two former 2105:; he related to it as "the language I used to speak, but forgot", the voicing of one's "deep melancholy". He specified his models: the Moldavian chroniclers, Neculce and 452:, who spent time with Păstorel in the 1950s, cautions that, in addition to being a "jolly carouser", he was outstandingly educated in the classics, and could converse in 4347: 4286: 1337: 1565: 1332: 869:, a fellow poet and personal friend of Teodoreanu's, the book's history was intertwined with his growing disdain for Iorga. As noted by this source, Iorga had praised 584:

ride throughout the city, leaving his legs and hands to hang out; he then placed women's shoes on his hands, to make it appear that he was having public intercourse.

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expands Teodoreanu's range beyond the everyday, namely by showing the calamitous, entirely unforeseeable, effects of an erotic farce. The volume also includes a faux

6876: 6447: 1994:. Șerban Cioculescu once described his friend as a "wine nationalist" and George Călinescu suggested that Păstorel was entirely out of his element when discussing 3096:, the author of humorous poems about Moldavia's distant past and a recipient of the Hanul Ancuței literary prize. At age twelve, long before he had met Păstorel, 7031: 5240: 1630:

In 1953, aged 58 or 59, Păstorel married Marta Poenaru, daughter of the renowned surgeon Constantin Poenaru Căplescu and more distantly descended from architect

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of Romanian intellectual resistants. He spent some two years in prison, and reemerged as a conventional writer. He died shortly after, without having been fully

2077: 7111: 3168: 2232:", he has three narrative voices: that of the writer, Pantele; that of the skeptic reviewer, Balaban; and that of the concerned "philologist", with his absurd 6465: 3187: 2198:

Although the presence of anachronisms makes it hard to even locate the stories' time-frame, they seem to be generally referencing the 18th- and 19th-century

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After an unsuccessful but scandalous debut in drama, Teodoreanu perfected his work as a satirist, producing material which targeted the historian-politician

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touched Romanian communism, most restrictions on Teodoreanu's work were lifted. In July 1969, the Prosecutor General filed appeals for both Teodoreanu and

2733:, about whom Iorga had written a play. Teodoreanu's Dante addressed his Romanian reviver, and kindly asked to be left alone. Anti-Iorga epigrams abound in 2208:

mentality, but so excessive that they drive the organizers into moral and material bankruptcy. In all five episodes, Păstorel disguises himself as various

2097:. As both the writer and his reviewers have noted, Teodoreanu mixed the subversive "counterfeiting" of Neculce's history into his own loving homage to the 5367: 4226: 3186:

lifted communist restrictions, it became possible for exegetes to investigate the totality of Teodoreanu's contributions. Already in January 1990, critic

2486:, so much so that he believed it was easier, and more vulgar, for one to write in verse—overall, he preferred prose. He was entirely adverse to Romania's 1597:

made his texts seem "absurd". Traditionally, his cooking recommendations had been excessive, and recognized as such by his peers. He firmly believed that

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The Teodoreanu brothers were born to Sofia Muzicescu, wife of the lawyer Osvald Al. Teodoreanu. The latter's family, originally named Turcu, hailed from

317: 6260: 5966: 5301: 5071: 4949: 4762: 3276: 3152: 1241:, and, with its profits, financed young talents. In April 1935, the club lost Istrati, with Păstorel representing the Writers' Society at his funeral. 788: 7011: 5550: 3211: 1643: 1431: 1289: 2743: 2052:, and, critics argue, "one of his most valuable books", a "masterpiece". Nevertheless, the only commentator to have been impressed by the totality of 1209:, relocated to Bucharest. The other members and guests were literary, artistic and musical celebrities: Arghezi, D. Botez, Cezar Petrescu, Sadoveanu, 6754: 6619: 3203: 4989: 3855: 2061: 7001: 1732: 1430:

In November 1941, the National Theater Iași hosted dramatized stories by Caragiale and Păstorel's commentaries, put together into a single play by

870: 5417: 6723: 4967: 3008: 7016: 6658: 3395: 1038: 312: 5037: 4196: 1658: 1482:, a rural commune south of the capital. He was joined there by Maria Tănase and her husband of the time. In late June, he accompanied General 798:

s other celebrities, he toured the country and gave public readings from his works (1923). He also made an impact with his welcome speech for

6452: 3400: 1237:, and wrote a code of conduct for the visitors. The pub also tried to engender a literary society, dedicated primarily to the reformation of 1202: 3772: 1861:) had been made available in every neighborhood shop. His hangout was the Ambasador Hotel, where he befriended an eccentric communist, poet 7046: 5267: 5219: 4099: 7101: 6971: 3160: 837: 514:, uncharacteristic for his signature writing. As he recalled, his emotional father accompanied him as far west as the army would allow. 5041: 7076: 6856: 3065: 2696: 1121: 1090:

was Osvald Teodoreanu, who had been trying to relaunch his public career. Osvald is said to have toured the Iași bookstores on the day

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and Victor Frunză in 1996, but remain excluded from the standard Teodoreanu collections (including one published by Rodica Pandele at

2064:, who writes: "Păstorel may well be, as far as some care to imagine, peripheral in literature, but he is not at all a minor writer." 1710:("The Storks of Boureni"). Samples of his communist-era works were read out at the Bucharest Literary Week in December of that year. 676:) the rare wines, bringing them to the attention of other culinary experts. His first contribution to food criticism was published by 6966: 6956: 6851: 5107: 3210:). Also, under the new regime, food writing was again a profession, and Păstorel became a direct inspiration for gastronomes such as 1177:. Păstorel lost and barely recovered the manuscript, then, in his drunken escapades, forgot to review it, delaying its publication. 406: 3690: 7066: 6961: 6881: 6836: 6069: 893:

to be an inside joke for him and his friends, it was a national best-seller. It also earned him a literary award sponsored by the

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comprise some of Păstorel's ideas about the Moldavian ethos. The locals have developed a strange mystical tradition, worshiping

846:. His mockery of Iorga was widely distributed at a time when his own father, Osvald, was chairing a regional chapter of Iorga's 7026: 7021: 6841: 6698:

Florina Pîrjol, "Destinul unui formator de gusturi. De la savoarea "pastilei" gastronomice la gustul fad al compromisului", in

6332: 4766: 847: 5244: 468:. Years later, in one of his reviews for Botez's books, Teodoreanu confessed that he once used to steal wine from Botez's own 6861: 6577: 6530: 5461: 4975: 3578: 2255:

and candid stupidity. Pantele is a reader of Miron Costin, but seemingly incapable of understanding his literary devices. He

2847:

Other epigrams ridiculed the intellectual abilities of Groza's cabinet members, and especially the Minister of Agriculture,

1615:

The communists were perplexed by the Păstorel case, undecided about whether to punish him as a dissident or enlist him as a

1466:

which opened in July 1943 at Colorado Theater, Bucharest. In December, the author was scheduled to go on a literary tour of

475: 284:, which became his main source of literary inspiration, Păstorel was at once an opinionated columnist, famous wine-drinking 6806: 1475: 6157: 1287:, contributing to the government propaganda. The king returned the favor and, also in 1938, Păstorel was made a Knight of 7061: 6976: 3859: 3271: 2002:

was discovered in Romania); on the other, he issued loving, if condescending, remarks about Romanians being a people of "

2294:

are used for staging sexual farces; however, as Zarifopol argues, this type of prose does not seek to be "aphrodisiac".

1450:, Teodoreanu kept company with Jurgea-Negrilești. According to the latter, Păstorel had friendly contacts with novelist 7106: 5440: 4200: 1205:. Osvald Teodoreanu and his two living sons participated in the grand reopening of Hanul Ancuței, a roadside tavern in 969: 457: 440:

From 1906, Alexandru Osvald attended the National High School Iași, in the same class as the film critic and economist

4230: 2450:. The other main influence, as pinpointed by literary critics, remains Teodoreanu's personal hero, Anatole France. In 2434: 791:. While receiving his first accolades as a writer, Păstorel was becoming a sought-after public speaker. Together with 7091: 7056: 6941: 6916: 6886: 6762: 6653: 6627: 6295: 6264: 6139: 6131: 4909: 4646: 3720: 2521:, the Romanian Symbolist master. Paleologu notes that Păstorel is the more "lucid" answer to Macedonski's unlimited " 2125:

believes, Teodoreanu was naturally linked to the common source of all modern parodies, namely the fantasy stories of

562: 6733:

Alexandru Stănciulescu-Bîrda, "Contribuții la cunoașterea activității și personalității lui Nicolae Iorga (II)", in

5562: 4849: 7071: 6926: 6846: 6821: 2495: 2287: 2181: 2098: 747:

in 1923. Păstorel is pictured top row, third from the right, between his brother Ionel (second from the right) and

3436:"Viața și activitatea Margaretei Miller-Verghy în documentele Arhivei Istorice a Bibliotecii Naționale a României" 7086: 6921: 6871: 5970: 5305: 1748: 988: 88: 1498: 722:

theatrical companies of Iași, it only rarely staged Romanian plays. Aderca's antagonistic remarks, published in

7096: 7081: 6986: 6896: 2454:, Teodoreanu is, like France, a moralist. However, Călinescu notes, he remains a "jovial" and "tolerable" one. 2060:. His assessment was challenged, even ridiculed, by the academic community. The consensus is nuanced by critic 592: 572:

In 1919, upon demobilization, Alexandru returned to Iași. Like Ionel, he became a contributor to the magazines

486:

In 1914, just as World War I broke out elsewhere in Europe, he was undergoing military training at a Moldavian

364:

secret police. Beyond this facade conformity, he contributed to the emergence of an underground, largely oral,

2443: 1474:, but never showed up for his train (allegedly, because he was "comatose" drunk). In mid-1944, at the peak of 6946: 6911: 2510: 2417:, honoring the memory of one Nae Vasilescu. This stuttering tragedian, whose unredeemed ambition was to play 1132:

to take over; he eventually lost interest and quit the group. He had additionally had a running dispute with

6778:

Liviu Tudoraș, "Umor din spațiul concentraționar comunist românesc. Păstorel Teodoreanu și Petre Țuțea", in

4993: 3146:; the latter was to become "the most readily reedited" Teodoreanu work, down to 1989. Prefacing the former, 2956:. His unflattering verdict on this unexpected fusion of the political extremes was mirrored by co-defendant 1930: 1678:, an imprint of the Communist Party School of Literature. He also completed and published translations from 1327: 994: 550: 360:, making efforts to adapt his style and politics, then being driven into an ambiguous relationship with the 349:. His career peaked in 1937, when he received one of Romania's most prestigious awards, the National Prize. 265: 7051: 7006: 6996: 6936: 6811: 2801: 1830: 1624: 1514: 1365: 898: 672:, candidly accepted by Teodoreanu, was a reference to these drinking habits: he was said to have "tended" ( 434: 353: 6981: 3142:

1972 was a breakthrough year in Teodoreanu's recovery, with a selection of his poems and a new edition of

2800:. The latter is also ridiculed in one piece which is more generically about government policies after the 1548: 6931: 6901: 6891: 6826: 5066: 3195: 3183: 3012: 2830: 2739: 1253: 377: 368:

literature. In 1959, Teodoreanu was apprehended by the communist authorities, and prosecuted in a larger

352:

Teodoreanu was employed as a propagandist during World War II, supporting Romania's participation on the

288:, and decorated war hero. He worked with the influential literary magazines of the 1920s, moving between 260:; July 30, 1894 – March 17, 1964), was a Romanian humorist, poet and gastronome, the brother of novelist 2101:

and their verbal clichés. Archaic Moldavian, he explained in a 1929 interview, was highly distinct from

1517:, with only a marginal presence of other Allied armies. Returning to dine at Capșa with friends such as 6522: 6287: 5392: 4901: 3570: 3435: 3207: 1881: 1631: 799: 715: 553:, who became his wife. She was half French, and, through her, the Teodoreanus became cousins in law of 2792:

works were by Teodoreanu. Păstorel the purported author of licentious comments about communist writer

2582:

Such themes preoccupied him again as he was dying of cancer, including in what may have been his last

1747:

collaboration was supposed to grant Păstorel a "certificate of good citizenship". Under pressure from

1568:

in 1945, Teodoreanu's contribution to wartime propaganda had made him a target for retribution in the

1310:, an aristocrat and memoirist, who served under Teodoreanu and remained his friend in civilian life. 98:

Iorgu Arghiropol-Buzatu, Hidalgo Bărbulescu, Mița Cursista, Nicu Modestie, Mic dela Pirandola, Vălătuc

6412: 2286:, and regarding those who abstain from it as "enemies of the church". The author also highlights the 1083: 4947:

Liviu D. Dinu, Marius Popescu, "Studiu. Identificarea autorului — texte cu paternitate incertă", in

4688: 1721:("Let's Taste the Wine and See if It's Good"). From 1957 to 1959, he resumed his food chronicles in 1684: 1545:

officer in a "superb uniform" entered the room, glanced around as if looking for someone, and left.

1169:("Gastronomics"), mixing real and imaginary recipes. It was in Bucharest that he met and befriended 599:

Courthouse. He only spent a few months as a magistrate. Before the end of the year, he relocated to

6831: 2953: 2159: 1569: 1471: 1458:

in Bucharest. The story shows a high-strung Teodoreanu, who defied wartime restriction to obtain a

1346: 691: 398: 6742: 6193: 5917: 4998: 4693: 4066: 3788:

Teodoreanu & Ruja, p. 9. See also Călinescu, p. 1020, 1022; Ciobanu, p. 245; Lovinescu, p. 304

1982: 1586: 636: 631: 296: 226: 30: 3128: 2965: 2185: 1998:. On one hand, Păstorel supported illusory claims of Romanian precedence (including a story that 1369: 1125: 1106:("Small Satisfactions") with Cartea Românească; in 1933, with Editura Națională Ciornei—Rosidor, 444:. Young Păstorel had a vivid interest in literary activities and, critics note, acquired a solid 373: 6385: 5146: 3995:

Călinescu, p. 1020; Costin, pp. 254, 255–257; Hrimiuc, pp. 292, 298; Teodoreanu & Ruja, p. 9

1462:

and gloves, and dressed up for one of Morand's house-parties. One of his stories was used for a

1393:). Teodoreanu took employment as an Antonescu regime propagandist, publishing, in the newspaper 1306:. His military duties quickly dissolved into wine-drinking meals. This was attested by Corporal 6569: 4964:"Suveranii" universităților românești. Mecanisme de selecție și promovare a elitei intelectuale 3231: 1299: 1063: 854: 542: 522: 346: 6306:

Tudor-Radu Tiron, "O distincție românească efemeră: Medalia "Pentru Vitejie" (1953–1958)", in

2397:

pushed the jokes a little further, risking to be branded an obscene work. According to critic

1740: 1589:

and Pia Pillat-Fărcășanu. Păstorel's career was damaged by the full imposition, in 1947, of a

889:"for music lovers" (instructing them how to misbehave at concerts). While Teodoreanu expected 662:

In short while, Al. O. Teodoreanu became a popular presence in literary circles, and a famous

6540: 6470: 6352: 6269: 6162: 5975: 5376: 5310: 5249: 5224: 5046: 4854: 4771: 4651: 4629: 4235: 4205: 4108: 3673: 3498: 2899: 2774: 1977: 1961: 1925:), first published in 1957. As Pienescu notes, he had never managed to sign the contract for 1873:

spoke in Teodoreanu's favor, the book was included in the "fit for publishing" list of 1964.

732:

restaurant; the resulting fistfight was only interrupted by the intervention of a bystander,

596: 495: 2462:

Păstorel had very specific tastes in poetry, and was an avid reader of the first-generation

1845:

readers, just shortly after the peak of food restrictions, these claimed that luxury items (

703: 329:

dealt with social and political issues of the interwar, continuing in some ways the work of

6906: 6801: 6796: 3511:

Călinescu, p. 777; Ciobanu, p. 244; Hrimiuc, pp. 293, 295–296; Teodoreanu & Ruja, p. 13

3081: 2518: 2494:; even in his lyrical work of the 1930s, Teodoreanu recovered older, consecrated Symbolist 1918: 1743:. According to literary reviewer G. Pienescu, who worked with Teodoreanu in the 1960s, the 1553: 1390: 1314: 1222: 1148: 942: 815: 719: 648: 558: 534: 503: 322: 6991: 4426: 4264: 4123: 3907: 3073: 2945:

Elsewhere, Teodoreanu derided the communists' practice of enrolling former members of the

2707: 2126: 1935: 1817:

Teodoreanu received a sentence of six years in "correctional prison", with three years of

1635: 975: 613:. The group's activity was centered on Cluj's New York Coffeehouse. Together with another 549:

and died in April 1918. During the same interval, Ionel, still in Iași, fell in love with

338: 8: 6816: 6740:

Păstorel Teodoreanu, Liviu Călin, "Documente. Păstorel Teodoreanu către Al. Rosetti", in

6634: 6337: 6074: 5775:

Hrimiuc, p. 318. See also Costin, pp. 264–265; Lovinescu, p. 208; Mironescu (2008), p. 17

5422: 5116: 3695: 3360: 3319:"Personalități dorohoiene: Alexandru Oswald Teodoreanu (Păstorel) fiu al Dorohoiului (1)" 3132: 3097: 2762:) to regulate his prosody; Teodoreanu conceded that he could learn "writing from Noica". 2687: 2514: 2209: 2056:, and to have rated Păstorel as one of Romania's greatest humorists, is the aestheticist 2049: 1779:

and a novel, were confiscated. The writer became one of 23 intellectuals implicated in a

1776: 1703: 1647: 1574: 1284: 1238: 1003: 902: 748: 640: 479:

Osvald and Sonia Teodoreanu with their three sons (left to right): Păstorel, Puiuțu, and

445: 6547: 5580:

Călinescu, p. 776; Costin, pp. 256–257; Hrimiuc, p. 317; Teodoreanu & Ruja, pp. 9–10

2765:

Other short poems merely address the facts of life in Iași or Bucharest. His first ever

2722:, "inscriptions" and self-titled "banal paradoxes" must number in the dozens, while his 2471: 2283: 2072: 2018: 1880:, was receiving highly invasive treatment, which cause him additional suffering. Writer 1024: 566: 537:, escaping with the defeated armies into besieged Moldavia. His fighting earned him the 301: 6866: 3227: 2793: 2371: 2362: 2291: 2233: 1986:). Some exegetes have decoded proof of patriotic attachment in the writer's defense of 1303: 1143:

Eventually, Teodoreanu left Moldavia behind, and moved to Bucharest, where he rented a

1047: 832:, its staff polemicist. In the mid-1920s, Păstorel's satire had found its main victim: 622: 341:, he also published his celebrated "Jester Harrow" stories, mocking the conventions of 330: 177: 67: 2369:. Like him, Păstorel looks into the puny lives and "small satisfactions" of Romania's 1505:, Teodoreanu returned to regular journalism. His food criticism was again taken up by 6758: 6663:

Teatrul românesc: privire istorică. Vol. VIII: Teatrul românesc în perioada 1940—1950

6649: 6623: 6573: 6526: 6291: 6135: 5457: 4971: 4905: 4795: 4737: 4332:

Călinescu, p. 1020; Costin, p. 254; Hrimiuc, p. 292; Teodoreanu & Ruja, pp. 10–11

3716: 3574: 2406: 2308: 2044:

is, to at least some degree, an echo of "national specificity" guidelines, as set by

1846: 1842: 1662: 1590: 1526: 1483: 1358: 1210: 1156: 1074: 923: 768: 554: 460:, where he eventually graduated. He became friends with a future literary colleague, 413:. When Păstorel was born, on July 30, 1894, she and her husband were still living at 357: 315:, as well as food criticism which veered into fantasy literature. As an affiliate of 165: 6691: 6407: 6188: 5814:

I. Ștefănescu, "Alegerile, altădată. Spicuiri din literatura clasicilor noștri", in

2848: 1679: 953:

also took its distance from Teodoreanu, who received negative reviews in its pages.

6282:

Alternative translation, based on a slightly different version, in Ion C. Butnaru,

6123: 5262: 3864: 3124: 2751: 2715: 2498:

and lyrical tropes, such as the arrival of autumn and the departure of loved ones.

2487: 2463: 1987: 1906: 1788: 1639: 1627:; however, persistent rumors suggest that it was in fact ghostwritten by Păstorel. 1372:; for a while, Teodoreanu himself was presumed dead. Shortly after, Romania, under 1354: 1277: 1111: 894: 858: 752: 699: 546: 480: 402: 342: 281: 277: 261: 215: 205: 185: 2256: 2008: 1862: 739: 690:

in several cities, leaving written records of his drunken dialogues with linguist

6641: 6582:

Claudia Ciobanu, "Contextualizări cromatice în lirica lui Al. O. Teodoreanu", in

6555: 6535: 4460:

Călinescu, p. 1020; Hrimiuc, p. 292; Costin, p. 254; Teodoreanu & Ruja, p. 14

2903: 2439: 2322: 2252: 2190: 2122: 1889: 1760: 1752: 1751:, Teodoreanu was re-configuring his literary profile. Dropping all references to 1699: 1616: 1281: 1230: 1055: 807: 538: 511: 465: 461: 426: 6153: 3105: 1838: 1763:. Although the country was still undernourished, Păstorel celebrated the public 1170: 1124:

in his stage production at Iași (1932). Around that time, he agreed to join the

664: 521:

irreverence toward life and its cruelties". The future writer saw action in the

6705: 5661:

Costin, pp. 258–263; Hrimiuc, pp. 312–316, 321–322, 329–331; Mironescu (2008),

3669:"Ștefana Velisar Teodoreanu. Corespondență inedită: scrisori din roase plicuri" 3147: 3120: 2730: 2491: 2483: 2366: 2358: 2326: 2318: 2229: 2176: 2136:

comprises at least five parody "historical novels", independent of each other:

2086: 2057: 1910: 1898: 1869:("Writings"). The communist censors were adverse to its publishing, but, after 1858: 1727: 1530: 1522: 1491: 1424: 1412: 1295: 1261: 1218: 938: 909: 897:. He made frequent appearances in Bucharest, for instance participating at the 806:

Teodoreanu was also involved in the cultural and political quarrels of postwar

733: 604: 499: 441: 430: 394: 365: 334: 63: 4519:

Ciobanu, p. 246; Costin, p. 254; Hrimiuc, p. 292; Teodoreanu & Ruja, p. 14

2729:

In his attacks on Nicolae Iorga, the epigrammatist Păstorel took the voice of

325:

which ran against Iorga's own. Corrosive or contemplative, Păstorel's various

240: 6790: 5397: 3713:

Istoria debutului literar al scriitorilor români în timpul școlii (1820–2000)

3567:"Germanofilii". Elita intelectuală românească în anii Primului Război Mondial 3093: 2779: 2692: 2479: 2475: 2467: 2013: 1991: 1870: 1826: 1689: 1539:

nu le arde americanilor țara noastră, nici nu știu măcar unde suntem pe hartă

1534: 1443: 1420: 1400: 1378: 1245: 1214: 1129: 1116: 886: 866: 842: 833: 825: 773: 308: 5271:, Issue 1, May 2006. See also Boia (2012), p. 280; Tudoraș, pp. 175, 181–182 2635:

Teodoreanu's contribution to Romanian poetry centers on an original series,

1759:

slogans about "goodwill among men", before adopting in full the communists'

1374: 729: 724: 629:("Golden Pomegranate"). It was published by the Moldavian cultural tribune, 300:, and cultivated complex relationships with literary opinion-makers such as 3191: 3171:, critic Mircea Handoca published a travel account and literary monograph: 2759: 2447: 2425:—an efficient if dishonorable way to earning the actors' fear and respect. 2402: 2398: 2106: 2085:, Jester Harrow's tale reuses, and downgrades, the conventions of medieval 2031: 1885: 1803: 1764: 1736: 1463: 1455: 1386: 1382: 1249: 1099: 1059: 946: 814:, who criticized the country's antiquated social system; they proposed an " 811: 707: 618: 487: 326: 197: 4996:, "Fondul principal al culturii române. Un prieten pentru eternitate", in 1447: 1268:("Notebook"). The same year, Ionel joined his older brother in Bucharest. 744: 694:. At Iași, the Teodoreanus, including Ștefana, tightened their links with 639:

in late 1920. Some months later, Teodoreanu was co-opted by theatrologist

6561: 6514: 5784:

Hrimiuc, pp. 296–301; Teodoreanu & Ruja, pp. 10–11. See also Toescu,

5413: 5103: 3562: 3215: 3104:—which he kept around, but never published. A young author of the 1940s, 2957: 2797: 2747: 2388: 2199: 2102: 2090: 2038: 2027: 1995: 1877: 1822: 1792: 1784: 1694: 1653:

By 1954, Teodoreanu was being called in for questioning by agents of the

1502: 1451: 1257: 1234: 1197:. Also in 1936, Teodoreanu contributed the preface to Romania's standard 687: 600: 595:, and, in 1920, moved to the opposite corner of Romania, employed by the 285: 181: 1966: 1580: 1487: 1206: 918: 818:". In January 1925, Păstorel began writing for the Transylvanian review 609: 405:, a famous composer from Western Moldavia, and herself a teacher at the 290: 220: 6595:

Asachiana. Revistă de Biblioteconomie și de Cercetări Interdisciplinare

6584:

Asachiana. Revistă de Biblioteconomie și de Cercetări Interdisciplinare

4871: 2949: 2755: 2527: 2304: 2204: 2023: 1850: 1780: 1654: 1518: 1459: 1342: 1226: 1159:. He also became a professional food critic for the literary newspaper 588: 453: 449: 369: 361: 6434:

Ciobanu, p. 245; Ostap (2012), p. 54; Teodoreanu & Ruja, pp. 8, 16

3179:

newspaper, and was therefore controlled by the communist authorities.

1854: 1479: 1144: 678: 526: 6227:"Ox" is a colloquial synonym for "blockhead" or "idiot" in Romanian: 4611: 2882: 2784: 2522: 2237: 2217: 1623:

consolidated Sadoveanu as an exemplary writer within the confines of

1594: 1395: 829: 518: 491: 356:. From 1947, Păstorel was marginalized and closely supervised by the 84: 6519:

Capcanele istoriei. Elita intelectuală românească între 1930 și 1950

5589:

Călinescu, p. 776; Costin, pp. 255–258; Teodoreanu & Ruja, p. 10

2421:, took his revenge on the acting profession by becoming a real-life 1929:. Without children of his own, he was survived by his sister in law 1037:. He was involved in the dispute opposing Ibrăileanu to philologist 916:. The event brought Păstorel into collision with the modernists: at 5141: 4810: 3493: 3155:. Later communism only brought a bibliophile edition of Păstorel's 2876: 2766: 2719: 2571: 2470:, whose poems he had memorized to perfection, but he also imitated 2414: 2338: 2260: 2240:, "Harrow", is only present (and mentioned by name) in the rhyming 2110: 2048:. It is however also remembered as a most atypical contribution to 2003: 1957: 1756: 1666: 1604: 1322: 1244:

The Hanul Ancuței episode ended when Teodoreanu was diagnosed with

1198: 932: 193: 153: 4669:"Manipularea din presă în prima lună din al doilea război mondial" 4004:

C. I. Colhon, "Acasă la Coșbuc și Rebreanu. Cu George Lesnea", in

3007:

The political epigrams also record Teodoreanu's reception of the "

2964:. Teodoreanu's famous stanza is implicitly addressed to "Captain" 1865:. Helped by Pienescu, he was preparing a collected works edition, 1353:, had him immediately sacked. A passing mention in the diaries of 1317:, writing the editorial "Foreword" to Anestin's satirical review, 1233:. Păstorel tried to reform the establishment into a distinguished 1019:

Păstorel returned to food criticism, with chronicles published in

686:("From a Gastronomer's Notebook"). Teodoreanu integrated with the 533:", even when commanding his troops. He eventually withdrew during 529:, confessing in a rhyming letter that he was always "drink like a 4627:, "Actualitatea. Sindromul tribunalului și istoria literară", in 3222:". As such, Doris Mironescu suggests, Teodoreanu made it into "a 3041: 2946: 2796:

and her vagina, and about the "arselicking" communist associate,

2723: 2711: 2506: 2418: 2268: 1888:. Upon entering the terminal stages of disease, he was receiving 1599: 1542: 1385:. In summer 1941, the country joined in the German attack on the 1341:. In September, Carol was ousted and the FRN dissolved, with the 1248:. Sponsored by the Writers' Society, he treated his condition at 581: 530: 414: 273: 161: 135: 59: 6350:

Florin Davidescu, "Alexandru Paleologu – portret la 16 ani", in

4714:, Vol. XXI, 1997, pp. 201–202, 206. See also Ostap (2012), p. 57 1086:. According to one anecdote, the person most embarrassed by the 410: 6682: 6038:

Teodoreanu & Ruja, pp. 13–14. See also Ciobanu, pp. 246–247

5567: 5563:"Locul lui Paul Zarifopol. Note din dosarul receptării critice" 5180:"Preocupări cultural-artistice la clubul Dinamo București", in 4497: 4319:

Ioan Stoica, "Insolitul ospăț al unui devorator de arhive", in

3375: 2583: 2334: 1999: 1717:, the French-language communist paper, where he had the column 1082:

imprint. The book came out just after Iorga had been appointed

517:

According to Botez, the war only helped to bolster Păstorel's "

507: 469: 269: 201: 189: 157: 2433:("The Professors Are Upset"), fictionalizing the birth of the 1110:("A Swine of a Dog"). His work also included a translation of 5607:

Costin, pp. 255–258; Hrimiuc, p. 317; Mironescu (2008), p. 16

5456:, p. 181. Bucharest: Editura Biblioteca Bucureștilor, 2009. 2422: 2384: 1938:. The last-surviving of her sons died without heirs in 2006. 1467: 1408: 1050:; his colleagues there were Moldavian intellectuals from the 1033: 901:

functions—in November 1926, he attended the banquet honoring

173: 169: 4609:"Sociale-muncitorești. Concedieri la Muncă și Voe Bună", in 6614:

Gheorghe Hrimiuc, postface and notes to Al. O. Teodoreanu,

5643:

Hrimiuc, pp. 316–317, 325–326; Mironescu (2008), pp. 16, 17

4260:"Boema. La Capșa cu Ion Barbu, Păstorel, Șerban Cioculescu" 2290:' loose sexual mores: weak husbands are resigned cuckolds, 268:. He worked in many genres, but is best remembered for his 5555:"Paul Zarifopol, partizanul 'adevărului critic integral' " 1731:

and other such communist propaganda newspapers. Alongside

607:

employed him as a staff writer for his literary magazine,

4054:"Florile poeziei: Parfum și esențe (Rabindranath Tagore, 3634:

Ostap (2012), p. 56. See also Teodoreanu & Ruja, p. 9

2616:

Over millennia, who knows?, this skull that was so silly,

2513:

predecessors. According to critics such as Călinescu and

2446:), and noting that his "obvious model" was the memoirist 1147:

house. With help from the cultural policy-maker, General

376:. His work was largely inaccessible to readers until the 6566:

Avangarda românească și complexul periferiei: primul val

6552:

Istoria literaturii române de la origini pînă în prezent

6383:

Marcel Duță, "Disocieri. Selecții nereprezentative", in

6228: 4341:

C. Cristobald, "Din lumina reflectorului. Regizorul lui

2568:

To meet those golden-skinned and gemstone-inlaid snakes,

2251:, Teodoreanu's love for role-playing becomes a study in 1490:, for a festival commemorating Romania's national poet, 1062:. Like Sadoveanu and Codreanu, he was inducted into the 6189:"Între două povețe: spiritul exaltat și spiritul treaz" 6128:

The Păltiniș Diary: A Paideic Model in Humanist Culture

4710:în anii de luptă împotriva Diktatului de la Viena", in 4121:

Daniela Cârlea Șontică, "La un șvarț cu capșiștii", in

2627:

And with that die a second time, a lily on her breast.

1256:. The experience, which meant cultural isolation and a 490:, leading him to graduate from the Artillery School of 6730:, Issues 10–11, October–November 2011, pp. 90–93. 5652:

Hrimiuc, pp. 321–326, 330–332; Mironescu (2008), p. 17

5561:, Issue 388, February 2011; Andreea Grinea Mironescu, 1331:. He and Sadoveanu found additional employment at the 1276:

The Teodoreanu brothers were public supporters of the

1271: 6746:, Vol. LXXXVI, Issue 1, January 1991, pp. 87–89. 3589:

Ciobanu, pp. 244, 246; Teodoreanu & Ruja, pp. 8–9

2625:

Its fragrance as a flower may help it find some tart,

2623:

May then this head of mine in second-life be blessed:

2333:. The eponymous hero is a colossal and unpredictable 853:

Păstorel's editorial debut came only later. In 1928,

772:, an experimental literary newspaper managed by poet 702:; Păstorel greatly admired the group's doyen, critic 456:. The final two years of his schooling were spent at 6689:

Constantin Ostap, "Cu gândul la "Teodoreni"...", in

5872:

Călinescu, pp. 776–777; Teodoreanu & Ruja, p. 13

5757:

Costin, pp. 261, 264; Hrimiuc, pp. 316, 317–321, 330

1739:, he gave poetry readings for the sporting staff of 877:

for "downgrading the Romanian language". Păstorel's

280:

verse. His roots planted in the regional culture of

3234:. Formal public recognition came in 1997, when the 3226:national pantheon" of epigrammatists, with Lesnea, 2620:

To spring out in the light, as if my dreams of art.

2566:

And we head down to them, whichever road one takes,

2551:Și mergem toți spre ele pe-un drum sau pe alt drum, 2482:. Like Verlaine, Teodoreanu had mastered classical 1438:came out in 1942, followed in 1943 by a reprint of 1335:, as a councilor for the national leisure service, 545:. Meanwhile, Puiuțu Teodoreanu volunteered for the 6735:Anuarul Institutului de Istorie și Arheologie Cluj 6448:"Academia Liberă 'Păstorel' aniversează 37 de ani" 5012: 5010: 5008: 2244:("Foreword"), but is implicit in all the stories. 1956:Culturally, Teodoreanu belonged to the schools of 1798: 1071:Strofe cu pelin de mai pentru/contra Iorga Neculai 6775:, Vol. XI, Issue 3, March 1958, pp. 180–181. 3816: 3814: 3812: 2212:. He is, for instance, a decrepit General Coban ( 1698:). In 1957, he prefaced the collected sonnets of 1136:, and had rallied with the rival city newspaper, 865:("The Chronicle of Jester Harrow"). According to 6877:20th-century Romanian dramatists and playwrights 6788: 6593:– între 'specificul național' și modernism", in 6425:Pîrjol, pp. 19, 25; Teodoreanu & Ruja, p. 16 4566: 4564: 4562: 4560: 4558: 4556: 4554: 4552: 4447: 4445: 4398: 4396: 4180: 4178: 4079:Călinescu, p. 1022; Teodoreanu & Ruja, p. 10 3806:Costin, pp. 254–255; Teodoreanu & Ruja, p. 7 2682: 2555:Spre șerpi cu solzi de aur și ochi de nestemate. 2490:, most notably so when he ridiculed the work of 2089:—in Păstorel's text, the material for parody is 1427:and was therefore accused of being a communist. 997:and Ionel Teodoreanu in 1931, also by Dimitrescu 5395:, "Agendă. Ultimele miniaturi cu Păstorel", in 5005: 4605: 4603: 4219: 4217: 4215: 3748: 3746: 3606: 3604: 3496:, "Cronica edițiilor. Păstorel Teodoreanu", in 3451:Ciobanu, p. 244; Teodoreanu & Ruja, pp. 7–8 7032:Recipients of the Order of the Star of Romania 6767:Crișan Toescu, "Cărți noi. Al. O. Teodoreanu: 6205: 6203: 5471: 5469: 5454:Pantelimon Halippa neînfricat pentru Basarabia 5220:"Gheorghe Grigurcu în dialog cu Șerban Foarță" 5158: 5156: 5087: 5085: 5083: 5081: 4985: 4983: 4866: 4864: 4414: 4412: 4410: 4408: 3809: 3619:Păstorel Teodoreanu, "Inedit. Cenaclului", in 3333: 3331: 3023: 2976: 2914: 2859: 2812: 2647: 2594: 2547: 2509:, honoring the ghoulish genre invented by his 2163: 2153: 2147: 2137: 1725:, while also contributing culinary reviews in 333:. In the 1930s, inspired by his readings from 7112:Socialist Republic of Romania rehabilitations 6724:"Ștefan Baciu – colaborări și versuri uitate" 5726: 5724: 5673:Hrimiuc, pp. 321–322; Mironescu (2008), p. 16 5511:Hrimiuc, pp. 297–298; Mironescu (2008), p. 16 5388: 5386: 5030: 5028: 5026: 5024: 5022: 4735:Ion Mincu Lehliu, "Etcaetera. Vizita...", in 4549: 4442: 4393: 4390:Ciobanu, p. 245; Teodoreanu & Ruja, p. 13 4278: 4276: 4274: 4175: 3707: 3705: 3489: 3487: 3485: 3483: 3481: 3479: 3477: 3475: 3473: 2754:, Teodoreanu was ridiculed for overusing the 2618:May hold in it the seed of an ambitious lily, 2429:Teodoreanu is entirely himself in the sketch 5372:"Păstorel recomandă: piftie de cocoș bătrân" 5212: 5210: 5208: 4600: 4287:"Păstorel Teodoreanu, de la umor la conflict 4212: 4168: 4166: 4135: 4133: 3848: 3846: 3743: 3731:Ciobanu, p. 244; Teodoreanu & Ruja, p. 9 3642: 3640: 3601: 3553:Ciobanu, p. 244; Teodoreanu & Ruja, p. 8 3519: 3517: 2564:The graves they do await us, open crevasses, 1610: 1023:, a magazine directed by literary historian 647:literary salon, whose members militated for 7042:Romanian military personnel of World War II 6200: 6130:, pp. 22–23. Budapest & New York City: 5466: 5418:"Senzaționalul unor amintiri de mare clasă" 5153: 5078: 5058: 5056: 5042:"A existat disidență înainte de Paul Goma?" 5002:, Vol. XXIII, Issue 44, November 1980, p. 3 4980: 4861: 4597:Hrimiuc, pp. 333, 334. See also Popa, p. 91 4405: 4091: 4089: 4087: 4085: 3844: 3842: 3840: 3838: 3836: 3834: 3832: 3830: 3828: 3826: 3691:"Stéphane Lupasco și francmasoneria română" 3463: 3461: 3459: 3457: 3347: 3345: 3343: 3328: 3050:What a waste it has been kissing his butt! 2605:Și numai doar atuncea voi fi trăit din plin 2600:Să scoată la lumină printre scaieți un crin 2466:. Of all Symbolist poets, his favorite was 2026:. Philosophically, he remained indebted to 1755:, his food criticism became vague, reusing 1454:, who was the diplomatic representative of 1364:Returning to Bucharest, Păstorel stayed at 7037:Romanian military personnel of World War I 6589:Claudia Costin, "Alexandru O. Teodoreanu, 6284:The Silent Holocaust: Romania and Its Jews 6070:"Eveniment: Jurnalul lui Petru Comarnescu" 5950: 5948: 5918:"Radu Rosetti, un cronicar al lumii vechi" 5721: 5538:Costin, pp. 255–256; Hrimiuc, pp. 295, 311 5383: 5019: 4874:, "Cartea. Henri Wald față cu umorul", in 4841: 4839: 4837: 4835: 4833: 4831: 4829: 4731: 4729: 4271: 4251: 4249: 4247: 4245: 3968:Ghemeș, pp. 69–70. See also Costin, p. 254 3764: 3762: 3760: 3758: 3715:, p. 135. Bucharest: Aramis Print, 2002. 3702: 3470: 3387: 3385: 2236:(a parody of scientific conventions). The 1368:, until the building was destroyed in the 1098:More officially, Teodoreanu published two 1054:group: Mihail Sadoveanu, Demostene Botez, 506:. He had just published his first poem, a 7012:Costache Negruzzi National College alumni 6737:, Vol. XXIX, 1988–1989, pp. 553–569. 6714:Fundația Regală pentru Literatură și Artă 6597:, Vols. 2–3, 2014–2015, pp. 253–267. 6538:, "Amintiri despre Ionel Teodoreanu", in 6416:, Vol. XXII, Issue 253, April 1992, p. 10 6025: 6023: 6021: 5709:Costin, pp. 262–265; Hrimiuc, pp. 326–328 5205: 4799:, Vol. LII, Issue 35, December 1943, p. 2 4368: 4366: 4345:se ia la harță cu criticii teatrali", in 4323:, Vol. VIII, Issue 5, May 2018, pp. 14–15 4315: 4313: 4163: 4156: 4154: 4130: 4018: 4016: 3903: 3901: 3660: 3658: 3656: 3654: 3652: 3637: 3625:, Vol. XVI, Issue 41, October 1972, p. 14 3540: 3538: 3514: 2596:Peste milenii, poate că hîrca mea deșartă 1533:, Păstorel expressed his conviction that 1151:, he was employed as a book reviewer for 908:In 1929 the National Theater, chaired by 6586:, Vol. 2–3, 2014–2015, pp. 243–252. 5900: 5898: 5896: 5691:Hrimiuc, p. 322. See also Costin, p. 265 5484:Hrimiuc, p. 327; Mironescu (2008), p. 16 5129:Hrimiuc, p. 333; Pîrjol, p. 22; Toescu, 5053: 4793:Ion Mincu Lehliu, "Ecouri teatrale", in 4479: 4477: 4475: 4082: 3914:, Vol. XIII, Issue 16, August 1972, p. 9 3823: 3740:Leon, p. 54; Teodoreanu & Ruja, p. 9 3454: 3356:"Memoria culturală, prin grele pătimiri" 3340: 3310: 3308: 3306: 3304: 3302: 3300: 3298: 3288: 3286: 3263: 3261: 3259: 3257: 3255: 3253: 3251: 3173:Pe urmele lui Al. O. Teodoreanu-Păstorel 2968:, the Guard's founder and patron saint: 2686: 2598:Din pulberea rămasă din visul ei de artă 2549:Mormintele ne-așteaptă cu gurile căscate 2175: 1802: 1547: 1501:broke apart Romania's alliance with the 738: 474: 7002:Members of the Romanian Orthodox Church 6782:, Issues 45–46, 2003, pp. 175–186. 6646:Istoria literaturii române contemporane 6374:Tudoraș, p. 175. See also Pîrjol, p. 25 6333:"Prezența discretă a lui George Lesnea" 5945: 4953:, Vol. IV, Issue 1, January 2007, p. 43 4826: 4726: 4537:Boia (2012), pp. 126, 142, 148–149, 167 4242: 4010:, Vol. XXI, Issue 34, August 1977, p. 5 3755: 3382: 3373:Smaranda Sburlan, "Doamna Iașilor", in 3272:"Păstorel Teodoreanu, reeditat in 2007" 1607:of flour (that is, some 21 per pound). 1349:". Upon taking over as Labor Minister, 873:for a similar parody, while lambasting 758:Bibliographers list the one-act comedy 6789: 6018: 4878:, Vol. XII, Issue 134, May 1998, p. 41 4706:Valeria Căliman, "Viața și atitudinea 4363: 4310: 4151: 4013: 3898: 3649: 3535: 3135:had by then published a volume called 2714:, and, according to interwar essayist 2607:Murind a doua oară la sînul unei fete. 2344: 2317:satirizes the conventions of Romanian 2171: 1661:, the clandestine poetry of Păstorel, 1153:The Royal Foundations Publishing House 1041:, and, in December 1930, published in 978:'s portrait of Păstorel, published in 751:. Seated directly in front of them is 654: 23:Alexandru Osvald "Păstorel" Teodoreanu 7017:Alexandru Ioan Cuza University alumni 6749:Păstorel Teodoreanu, Alexandru Ruja, 6648:. Bucharest: Editura Minerva, 1989. 5893: 4741:, Vol. LI, Issue 12, March 1942, p. 5 4472: 4439:Teodoreanu & Ruja, pp. 5–6, 11–13 4040:Costin, pp. 254, 255; Hrimiuc, p. 295 3295: 3283: 3248: 3163:, and a selection of food criticism, 3058: 2937:Or could it be that your feet stunk? 2672:Still seems none but none caught word 2666:There's this horse that's going free— 1897:brother, in the Delavrancea crypt at 1876:Păstorel, having been diagnosed with 1713:With Călinescu, Teodoreanu worked on 1552:The restaurant section of a Romanian 956: 682:on December 31, 1921, with the title 464:, with whom he shared lodging at the 6105:Cernat (2007), p. 152; Ghemeș, p. 73 3017: 2970: 2908: 2853: 2806: 2641: 2603:A cărui mireasmă pe alții să desfete 2588: 2541: 2539:is an implicit celebration of life: 810:, taking the side of newcomers from 258:Alexandru Osvald (Al. O.) Teodoreanu 7047:National Agrarian Party politicians 6665:. Bucharest: Editura Minerva, 1981. 6606:December 1 University of Alba Iulia 5933:Hrimiuc, pp. 295–296; Pîrjol, p. 20 3088:). One of the first to borrow from 3048:Got to see that The Genius was not. 2553:Cum merg hipnotizate gazele de fum, 2457: 2119:Merrie Tales of Jaques Tournebroche 1509:, and then by the general-interest 1272:World War II and communist takeover 706:. A visitor, modernist poet-critic 13: 7102:Deaths from lung cancer in Romania 6972:Translators of William Shakespeare 6780:Memoria. Revista Gândirii Arestate 6695:, Issues 3–4/2012, pp. 53–57. 5924:, Issue 323, September 2011, p. 10 5441:Nicolae Iorga Institute of History 5265:, "Spovedania lui Steinhardt", in 4588:Teodoreanu & Călin, pp. 87, 89 3532:Călinescu, p. 777; Ciobanu, p. 244 2952:, nominal enemies, into their own 2839:We sent them Petru Groza as well! 2668:He was out drinking with his herd, 2570:Hypnotized by them, inert, we are 2121:. In addition, literary historian 885:, which also hosted his satirical 881:("Three Fables") were taken up by 458:Costache Negruzzi National College 407:Music and Declamation Conservatory 401:priest. Sofia was the daughter of 397:; Osvald's grandfather had been a 14: 7123: 7077:People detained by the Securitate 6857:Romanian male short story writers 6319:Teodoreanu & Ruja, pp. 10, 14 6132:Central European University Press 4579:Teodoreanu & Călin, pp. 87–88 4495:, "Fragmente despre Istrati", in 4100:"Acum optzeci de ani — Bătaie la 2674:About that, the horse inside me. 2022:circle and "its Moldavian pair", 1990:, and especially his ideas about 1783:, whose main victims were writer 1478:, Teodoreanu had taken refuge in 1399:, a panegyric dedicated to pilot 1193:("Wine and Water") was issued by 6852:20th-century short story writers 6702:, Issue 12/2011, pp. 16–26. 6600:Ileana Ghemeș, "Drumul revistei 6495: 6486: 6477: 6459: 6437: 6428: 6419: 6401: 6398:Teodoreanu & Ruja, pp. 15–16 6392: 6377: 6368: 6359: 6344: 6322: 6313: 6300: 6276: 6251: 6242: 6233: 6221: 6212: 6178: 6169: 6144: 6117: 6108: 6099: 6090: 6081: 6059: 6050: 6041: 6032: 6009: 6000: 5991: 5982: 5957: 5942:Teodoreanu & Ruja, pp. 11–12 5936: 5927: 5907: 5884: 5875: 5866: 5857: 5848: 5839: 5830: 5821: 5808: 5799: 5790: 5778: 5769: 5760: 5751: 5742: 5733: 5712: 5703: 5694: 5685: 5676: 5667: 5655: 5646: 5637: 5628: 5619: 5610: 5601: 5592: 5583: 5574: 5541: 5532: 5523: 5514: 5505: 5496: 5487: 5478: 5446: 5429: 5404: 5358: 5349: 5340: 5331: 5317: 5292: 5283: 5274: 5256: 5245:"Scriitori arestați (1944–1964)" 5231: 5196: 5187: 5174: 5165: 5135: 5123: 5094: 4956: 4941: 4932: 4923: 4914: 4898:Istoria stalinismului în România 4890: 4881: 4817: 4808:"Ecouri din țară. Oltenița", in 4802: 4787: 4778: 4753: 4744: 3910:, "Hotare de aer. Păstorel", in 3895:Ciobanu, p. 245; Hrimiuc, p. 292 3100:was writing epigrams modeled on 3072:); a portrait of the writer, by 2997:Your Guardsmen are not yet dead, 2931:Russian grunt, my Russian grunt, 2887:Mister Groza, way more sinister, 2746:for his alleged corruption, and 1951: 1946: 1706:, a selection of his own prose, 1572:press. Already in October 1944, 1313:In 1940, Teodoreanu worked with 1002: 987: 968: 525:: on August 25, 1916, he was in 502:in the 24th artillery regiment, 239: 29: 7067:Missing person cases in Romania 6882:Male dramatists and playwrights 6837:20th-century Romanian novelists 6686:, Issue 9/2008, pp. 16–17. 5067:"O zi din viața lui Conu Sache" 4966:, Vol. I, p. 154. Cluj-Napoca: 4767:"Memorie versus memorialistică" 4717: 4700: 4678: 4658: 4636: 4618: 4591: 4582: 4573: 4540: 4531: 4522: 4513: 4504: 4486: 4463: 4454: 4433: 4422:"Păstorel toarnă la Securitate" 4384: 4375: 4354: 4335: 4326: 4321:Bucureștiul Literar și Artistic 4307:Stănciulescu-Bîrda, pp. 563–564 4301: 4187: 4142: 4115: 4073: 4043: 4034: 4025: 3998: 3989: 3980: 3971: 3962: 3953: 3944: 3935: 3926: 3917: 3889: 3880: 3871: 3800: 3791: 3782: 3734: 3725: 3680: 3628: 3613: 3592: 3583: 3556: 3547: 3526: 3505: 3445: 3425: 3396:"Se stinge 'ulița copilăriei' " 2435:National Liberal Party-Brătianu 1799:Prison term, illness, and death 1603:cake required 50 eggs for each 1280:regime instituted, in 1938, by 766:. This was taken up in 1928 by 6616:Hronicul Măscăriciului Vălătuc 6591:Hronicul Măscăriciului Vălătuc 6410:, "Poetul Cezar Ivănescu", in 5289:Pîrjol, p. 21; Tudoraș, p. 175 3416: 3407: 3367: 3137:Hronicul Măscăriciului Vălătuc 2935:For all the nations to admire? 2922:Sau fiindcă-ți put picioarele? 2783:published his French-language 2158:("Trașcă the Terrible, of the 2069:Hronicul Măscăriciului Vălătuc 2042:Hronicul Măscăriciului Vălătuc 1807:The aging and ill Teodoreanu, 1719:Goutons voir si le vin est bon 1031:, and in the left-wing review 863:Hronicul Măscăriciului Vălătuc 710:, reported seeing Păstorel at 561:(orphaned daughters of writer 429:. They were neighbors of poet 1: 7027:Romanian Land Forces officers 7022:20th-century Romanian lawyers 6842:Romanian historical novelists 6632:Aurel Leon, "Teodorenii", in 6544:, Issue 6/1970, pp. 4–5. 6507: 5881:Hrimiuc, pp. 296–297, 300–301 5171:Pîrjol, pp. 20–21, 22, 24, 26 4469:Costin, p. 254; Pîrjol, p. 25 3442:, Issues 1–2/2009, pp. 46, 62 3236:Museum of Romanian Literature 3194:literary society. Though the 3127:, effectively ensuring their 3108:, drew inspiration from both 3011:", which marked the onset of 2999:They live on as commie lads! 2889:Appointed an ox as minister. 2837:Just to top the bill, I tell, 2835:To send oxen to the Russians! 2683:Scattered texts and apocrypha 2670:But now hides inside of me... 2409:is an aphrodisiac?" In fact, 1808: 905:, who was visiting Romania. 857:publishers issued his parody 498:, Alexandru was mobilized, a 388: 264:and brother in law of writer 36: 6967:Russian–Romanian translators 6957:English–Romanian translators 6862:Romanian short story writers 6158:"Locuri de taină și desfrîu" 5827:Teodoreanu & Ruja, p. 11 4570:Teodoreanu & Ruja, p. 15 4451:Teodoreanu & Ruja, p. 14 4184:Teodoreanu & Ruja, p. 10 3860:"Corespondența lui Păstorel" 3196:Romanian Cultural Foundation 3027:Și-am văzut c-așa stă treaba 2802:Soviet occupation of Romania 2331:Cumplitul Trașcă Drăculescul 2259:metaphoric accounts about a 2155:Cumplitul Trașcă Drăculescul 2152:("The Captain's Purebred"), 1321:, and published a series of 1162:Adevărul Literar și Artistic 563:Barbu Ștefănescu Delavrancea 383: 89:People's Republic of Romania 7: 6962:French–Romanian translators 6807:20th-century Romanian poets 6635:Almanah Convorbiri Literare 6468:, "Adevărul din umbră", in 6310:, Vol. I, 2018, pp. 108–109 4900:, pp. 251, 565. Bucharest: 3752:Teodoreanu & Ruja, p. 9 3610:Teodoreanu & Ruja, p. 8 3413:Ostap (2012), pp. 53, 56–57 3337:Teodoreanu & Ruja, p. 7 3184:Romanian Revolution of 1989 3116:in his own humorous verse. 3031:L-am pupat în fund degeaba! 3025:La Kremlin s-a dat semnalul 2867:A făcut din bou – ministru! 2865:Domnul Groza, mai sinistru, 2820:L-am trimis pe Petru Groza! 2726:production was "enormous". 2505:, he is also a poet of the 2267:Harrow's "chronicle"). The 1009:Caricature of Păstorel, by 830:Alexandru "Ion Gorun" Hodoș 684:Din carnetul unui gastronom 587:Păstorel eventually took a 16:Romanian writer (1894–1964) 10: 7128: 7062:1940s missing person cases 6977:Romanian writers in French 6952:Czech–Romanian translators 6618:, pp. 292–334. Iași: 4994:Ștefana Velisar Teodoreanu 4615:, September 28, 1940, p. 5 3986:Stănciulescu-Bîrda, p. 563 3977:Cernat (2007), pp. 151–152 3797:Cernat (2007), pp. 270–271 3779:, Issue 302, December 2010 3773:"Mitul cafenelei literare" 2933:Did they put you up higher 2918:Te-au ridicat atât de sus, 2649:S-a ascuns în mine-un cal, 2337:, born with the necessary 2095:Letopisețul țărâi Moldovei 1915:Chronicle of Our Own Times 1328:Revista Fundațiilor Regale 1308:Gheorghe Jurgea-Negrilești 912:, staged a new version of 824:and became, together with 743:Romanian writers visiting 716:National Theater Bucharest 569:, the French philosopher. 433:and relatives of novelist 266:Ștefana Velisar Teodoreanu 7107:Burials at Bellu Cemetery 6096:Hrimiuc, pp. 292–293, 295 5890:Hrimiuc, pp. 297, 299–300 5818:, February 28, 1958, p. 3 5571:, Issue 10/2011, pp. 8, 9 5150:, December 19, 1957, p. 1 5144:, "Săptămîna cărții", in 3167:("On Food"). In 1988, at 2962:Waiting for the Last Hour 2818:Ca să completam noi doza, 1611:Censorship and show trial 1591:Romanian communist regime 1195:Editura Cultura Națională 1165:, with a column he named 899:Romanian Writers' Society 714:, "plotting" against the 311:and the literary scholar 238: 233: 211: 149: 141: 131: 102: 94: 73: 46: 28: 21: 7092:Inmates of Gherla prison 7057:Romanian anti-communists 6942:20th-century translators 6917:Romanian erotica writers 6887:Romanian fantasy writers 6197:, Issues 1–2/2007, p. 33 5426:, Issue 130, August 2002 5120:, Issue 285, August 2005 4231:"Întâmplări cu Păstorel" 3242: 3119:In the late 1960s, when 3046:And so it is that we all 2863:A făcut din cal senator! 2740:National Peasants' Party 2657:Că eu am în mine-un cal. 2653:Când îl adăpa, pe mal... 2517:, his main reference is 2146:("Marghiolița's Ring"), 2142:("Iancu's Confession"), 2132:A narrative experiment, 2067:According to Călinescu, 1905:contributors, Maniu and 1570:Romanian Communist Party 1566:National Theater Craiova 1472:Transnistria Governorate 1347:National Legionary State 692:Alexandru Al. Philippide 321:, he favored a brand of 7072:Formerly missing people 6927:Romanian male essayists 6847:Romanian male novelists 6822:Romanian epigrammatists 6710:Viața lui G. Ibrăileanu 6638:, 1990, pp. 53–56. 6611:, 2002, pp. 66–75. 5988:Călinescu, pp. 778, 779 5904:Mironescu (2008), p. 16 5748:Mironescu (2008), p. 17 5475:Ostap (2012), pp. 53–54 5435:Gheorghe G. Bezviconi, 4689:"Din tainele arhivelor" 4528:Ostap (2012), pp. 55–56 2984:Prin partidul comunist! 2966:Corneliu Zelea Codreanu 2920:Ca să te vadă popoarele 2816:Să dăm boii pentru rus! 2431:S-au supărat profesorii 2186:Danubian Principalities 1941: 1632:Pierre Charles L'Enfant 1470:, in the Romanian-held 1302:, who were fleeing the 1126:National Agrarian Party 848:Democratic Nationalists 621:, Teodoreanu wrote the 435:Mărgărita Miller Verghy 419:Ioan-Hipolit Teodoreanu 7087:Inmates of Aiud prison 6922:20th-century essayists 6872:Romanian propagandists 6356:, Issue 45/1993, p. 11 5922:Suplimentul de Cultură 4201:"Sadoveanu francmason" 3932:Călinescu, pp. 777–778 3502:, Issue 40/1992, p. 11 3232:Mircea Ionescu-Quintus 3198:put out an edition of 3070:Strofe cu pelin de mai 3038: 3024: 3021: 2991: 2977: 2974: 2929: 2916:Soldat rus, soldat rus 2915: 2912: 2902:of 1949, alleges that 2874: 2860: 2857: 2827: 2814:Armistițiul ne-a impus 2813: 2810: 2699: 2664: 2648: 2645: 2614: 2595: 2592: 2562: 2548: 2545: 2444:Dimitrie D. Pătrășcanu 2321:and of the commercial 2280:Pursângele căpitanului 2214:Pursângele căpitanului 2195: 2164: 2154: 2149:Pursângele căpitanului 2148: 2138: 1814: 1557: 1434:. A second edition of 1370:November 10 earthquake 922:, theatrical reviewer 780:, which was edited by 755: 718:, because, unlike the 551:Ștefana "Lily" Lupașcu 523:Battle of Transylvania 483: 347:Renaissance literature 276:, and less so for his 7097:Censorship in Romania 7082:Securitate informants 6987:Contimporanul writers 6897:Romanian food writers 6389:, June 28, 1967, p. 2 6087:Hrimiuc, pp. 292, 302 5971:"Mâncătorul de cărți" 5439:, p. 269. Bucharest: 5401:, Issue 30/1971, p. 2 5393:Vintilă Russu-Șirianu 5328:, June 27, 1996, p. 3 5184:, June 26, 1958, p. 2 4750:Hrimiuc, pp. 292, 334 4708:Gazetei Transilvaniei 4647:"Dovezi de admirație" 4633:, Issue 47/1999, p. 3 4139:Cernat (2007), p. 152 3959:Ghemeș, pp. 69, 70–72 3379:, Issue 2/1994, p. 24 3029:Ani de zile, genialul 2775:Imperial Russian Army 2690: 2651:Rătăcit de herghelie, 2525:". Together with the 2329:, particularly so in 2301:Neobositulŭ Kostakelŭ 2276:Neobositulŭ Kostakelŭ 2249:Neobositulŭ Kostakelŭ 2226:Neobositulŭ Kostakelŭ 2179: 2165:Neobositulŭ Kostakelŭ 2117:and Anatole France's 1960:nationalism, be they 1882:Vintilă Russu-Șirianu 1806: 1551: 800:Crown Princess Ileana 742: 637:National Theater Iași 478: 448:. Literary historian 6947:Romanian translators 6912:Romanian gastronomes 6672:lui Păstorel. De la 6609:Philologica Yearbook 6474:, Issue 4/1990, p. 5 6386:Scînteia Tineretului 6286:, p. 168. Westport: 6265:"Masca transparentă" 6175:Tudoraș, pp. 176–179 6015:Ciobanu, pp. 247–252 5997:Hrimiuc, pp. 293–295 5863:Hrimiuc, pp. 308–310 5854:Hrimiuc, pp. 305–306 5845:Hrimiuc, pp. 306–307 5805:Toescu, pp. 180, 181 5796:Hrimiuc, pp. 302–304 5739:Hrimiuc, pp. 325–326 5700:Hrimiuc, pp. 315–316 5682:Hrimiuc, pp. 313–315 5625:Hrimiuc, pp. 311–312 5280:Tudoraș, pp. 181–182 5147:Scînteia Tineretului 4814:, July 1, 1944, p. 4 4723:Massoff, pp. 109–110 4501:, Issue 4/1987, p. 3 4351:, June 1, 1947, p. 4 3877:Ciobanu, pp. 244–245 3569:, p. 95. Bucharest: 3169:Editura Sport-Turism 3082:Ion Valentin Anestin 2833:compelled our nation 2655:Însă nimenea nu știe 2637:Cântecèle de ospiciu 2519:Alexandru Macedonski 2210:unreliable narrators 1787:and the philosopher 1749:communist censorship 1715:La Roumanie Nouvelle 1564:was taken up by the 1554:consumer cooperative 1476:Allied bombing raids 1417:Scrisoare lui Stalin 1411:hosted his scathing 1391:Operation Barbarossa 1381:, became an ally of 1315:Ion Valentin Anestin 1149:Nicolae M. Condiescu 1064:Romanian Freemasonry 943:Ion Theodorescu-Sion 816:Integral nationalism 698:, and with novelist 635:, and staged by the 559:Henrieta Delavrancea 535:The Romanian Debacle 504:Romanian Land Forces 423:Laurențiu Teodoreanu 323:Romanian nationalism 7052:Romanian dissidents 7007:Romanian Freemasons 6997:People from Dorohoi 6937:Romanian columnists 6812:Romanian male poets 6769:Berzele din Boureni 6501:Ostap (2012), p. 56 6492:Ostap (2012), p. 57 6483:Ostap (2012), p. 55 6338:Convorbiri Literare 6308:Heraldica Moldaviae 6187:Dumitru Radu Popa, 6075:Convorbiri Literare 5718:Costin, pp. 265–266 5598:Costin, pp. 256–258 5520:Costin, pp. 255–256 5502:Hrimiuc, p. 320–321 5437:Necropola Capitalei 5423:Observator Cultural 5380:, Issues 51–52/2006 5326:Cuvîntul Libertății 5228:, Issues 51–52/2007 5117:Observator Cultural 4850:"Al. O. Teodoreanu" 4546:Boia (2012), p. 127 4381:Boia (2012), p. 114 4239:, Issues 51–52/2008 4070:, Issues 11–12/2013 4052:Elisabeta Lăsconi, 4031:Costin, pp. 255–258 3771:Constantin Coroiu, 3696:Convorbiri Literare 3689:Basarab Niculescu, 3467:Ostap (2012), p. 54 3361:Convorbiri Literare 3159:, with drawings by 3133:Editura Tineretului 3098:Alexandru Paleologu 3080:); and graphics by 3044:they issued a call, 2982:Garda merge înainte 2773:, poked fun at the 2515:Alexandru Paleologu 2377:Berzele din Boureni 2357:echo the classical 2345:Caragialesque prose 2296:Inelul Marghioliței 2261:Moldavian Princedom 2222:Inelul Marghioliței 2172:Particular episodes 2144:Inelul Marghioliței 2139:Spovedania Iancului 2050:Romanian literature 1777:William Shakespeare 1741:CS Dinamo București 1708:Berzele din Boureni 1704:Editura Tineretului 1702:, and issued, with 1648:Alexandru Paleologu 1239:Romanian literature 945:. At the time, the 903:Rabindranath Tagore 749:Ion Marin Sadoveanu 641:Ion Marin Sadoveanu 250:Păstorel Teodoreanu 6932:Romanian essayists 6902:Restaurant critics 6892:Romanian humorists 6827:Romanian fabulists 6668:Doris Mironescu, " 6456:, February 7, 2012 5075:, November 6, 2010 5016:Pîrjol, pp. 21, 25 4929:Pîrjol, pp. 20, 25 4870:Alexandru Singer, 4645:Simona Vasilache, 4148:Piru, pp. 160, 189 4060:Poeme într-un vers 4022:Călinescu, p. 1020 3950:Ghemeș, pp. 67, 69 3868:, October 22, 2009 3820:Pîrjol, pp. 19, 25 3280:, February 6, 2007 3270:Constantin Ostap, 3228:Cincinat Pavelescu 3059:In cultural memory 2861:Caligula imperator 2794:Veronica Porumbacu 2700: 2511:Romanian Symbolist 2372:petite bourgeoisie 2363:Ion Luca Caragiale 2272:decode the work". 2234:critical apparatus 2196: 2180:Domestic scene of 2099:Moldavian dialects 2078:Contes drôlatiques 1815: 1558: 1537:was irreversible: 1102:volumes: in 1931, 1048:Ion Luca Caragiale 756: 704:Garabet Ibrăileanu 574:Însemnări Literare 484: 331:Ion Luca Caragiale 83:Armenian Quarter, 68:Kingdom of Romania 6604:în 1925", in the 6578:978-973-23-1911-6 6570:Cartea Românească 6531:978-973-50-3533-4 6466:Dan C. Mihăilescu 6288:Praeger/Greenwood 6114:Ghemeș, pp. 73–75 6029:Călinescu, p. 779 6006:Călinescu, p. 777 5916:Doris Mironescu, 5616:Lovinescu, p. 208 5493:Călinescu, p. 776 5462:978-973-8369-64-1 5346:Pîrjol, pp. 21–22 5193:Pîrjol, pp. 22–24 4976:978-973-726-278-3 4938:Pîrjol, pp. 18–19 4796:Universul Literar 4738:Universul Literar 4625:Mircea Iorgulescu 4493:Mircea Iorgulescu 4483:Călinescu, p. 778 4427:Jurnalul Național 4402:Pîrjol, pp. 19–20 4265:Jurnalul Național 4258:Rodica Mandache, 4127:, August 28, 2006 4124:Jurnalul Național 3908:Baruțu T. Arghezi 3667:Cornelia Pillat, 3579:978-973-50-2635-6 3188:Dan C. Mihăilescu 3074:Ștefan Dimitrescu 3056: 3055: 3005: 3004: 2943: 2942: 2900:Tito–Stalin split 2895: 2894: 2845: 2844: 2742:(PNȚ), targeting 2708:George Topîrceanu 2680: 2679: 2633: 2632: 2580: 2579: 2127:François Rabelais 1936:Văratec Monastery 1843:Romanian diaspora 1663:Vasile Voiculescu 1636:Șerban Cioculescu 1625:Socialist Realism 1527:Mihail Petroveanu 1515:Soviet occupation 1338:Muncă și Voe Bună 1211:Cella Delavrancea 1157:Alexandru Rosetti 1073:("Stanzas in May 1029:Bilete de Papagal 976:Ștefan Dimitrescu 883:Bilete de Papagal 855:Cartea Românească 769:Bilete de Papagal 764:Margareta Popescu 760:V-a venit numirea 446:classical culture 399:Romanian Orthodox 343:historical novels 339:François Rabelais 247: 246: 212:Literary movement 166:erotic literature 7119: 6982:Adevărul writers 6773:Viața Romînească 6751:Tămâie și otravă 6743:Viața Românească 6721: 6548:George Călinescu 6541:România Literară 6502: 6499: 6493: 6490: 6484: 6481: 6475: 6471:România Literară 6463: 6457: 6445: 6441: 6435: 6432: 6426: 6423: 6417: 6405: 6399: 6396: 6390: 6381: 6375: 6372: 6366: 6365:Popa, pp. 91, 93 6363: 6357: 6353:România Literară 6348: 6342: 6330: 6326: 6320: 6317: 6311: 6304: 6298: 6280: 6274: 6270:România Literară 6259: 6255: 6249: 6246: 6240: 6237: 6231: 6225: 6219: 6216: 6210: 6207: 6198: 6194:Viața Românească 6186: 6182: 6176: 6173: 6167: 6163:România Literară 6152: 6148: 6142: 6124:Gabriel Liiceanu 6121: 6115: 6112: 6106: 6103: 6097: 6094: 6088: 6085: 6079: 6068:Andrei Stavilă, 6067: 6063: 6057: 6054: 6048: 6045: 6039: 6036: 6030: 6027: 6016: 6013: 6007: 6004: 5998: 5995: 5989: 5986: 5980: 5976:România Literară 5965: 5961: 5955: 5952: 5943: 5940: 5934: 5931: 5925: 5915: 5911: 5905: 5902: 5891: 5888: 5882: 5879: 5873: 5870: 5864: 5861: 5855: 5852: 5846: 5843: 5837: 5834: 5828: 5825: 5819: 5812: 5806: 5803: 5797: 5794: 5788: 5782: 5776: 5773: 5767: 5764: 5758: 5755: 5749: 5746: 5740: 5737: 5731: 5728: 5719: 5716: 5710: 5707: 5701: 5698: 5692: 5689: 5683: 5680: 5674: 5671: 5665: 5659: 5653: 5650: 5644: 5641: 5635: 5632: 5626: 5623: 5617: 5614: 5608: 5605: 5599: 5596: 5590: 5587: 5581: 5578: 5572: 5551:Alex. Cistelecan 5549: 5545: 5539: 5536: 5530: 5527: 5521: 5518: 5512: 5509: 5503: 5500: 5494: 5491: 5485: 5482: 5476: 5473: 5464: 5452:Ion Constantin, 5450: 5444: 5433: 5427: 5412: 5408: 5402: 5390: 5381: 5377:România Literară 5366: 5362: 5356: 5353: 5347: 5344: 5338: 5335: 5329: 5321: 5315: 5311:România Literară 5306:"Al doilea cerc" 5300: 5296: 5290: 5287: 5281: 5278: 5272: 5263:Gabriel Liiceanu 5260: 5254: 5250:România Literară 5241:Alex. Ștefănescu 5239: 5235: 5229: 5225:România Literară 5218: 5214: 5203: 5200: 5194: 5191: 5185: 5178: 5172: 5169: 5163: 5160: 5151: 5139: 5133: 5127: 5121: 5110:Tînărul Scriitor 5102: 5098: 5092: 5089: 5076: 5065:Adrian Neculau, 5064: 5060: 5051: 5047:România Literară 5036: 5032: 5017: 5014: 5003: 4987: 4978: 4962:Lucian Nastasă, 4960: 4954: 4945: 4939: 4936: 4930: 4927: 4921: 4918: 4912: 4894: 4888: 4885: 4879: 4868: 4859: 4855:România Literară 4847: 4843: 4824: 4821: 4815: 4806: 4800: 4791: 4785: 4782: 4776: 4772:România Literară 4761: 4757: 4751: 4748: 4742: 4733: 4724: 4721: 4715: 4704: 4698: 4686: 4682: 4676: 4666: 4662: 4656: 4652:România Literară 4644: 4640: 4634: 4630:România Literară 4622: 4616: 4607: 4598: 4595: 4589: 4586: 4580: 4577: 4571: 4568: 4547: 4544: 4538: 4535: 4529: 4526: 4520: 4517: 4511: 4508: 4502: 4490: 4484: 4481: 4470: 4467: 4461: 4458: 4452: 4449: 4440: 4437: 4431: 4420: 4416: 4403: 4400: 4391: 4388: 4382: 4379: 4373: 4370: 4361: 4358: 4352: 4339: 4333: 4330: 4324: 4317: 4308: 4305: 4299: 4297:(online edition) 4284: 4280: 4269: 4257: 4253: 4240: 4236:România Literară 4225: 4221: 4210: 4206:România Literară 4195: 4191: 4185: 4182: 4173: 4170: 4161: 4158: 4149: 4146: 4140: 4137: 4128: 4119: 4113: 4109:România Literară 4097: 4093: 4080: 4077: 4071: 4067:Viața Românească 4051: 4047: 4041: 4038: 4032: 4029: 4023: 4020: 4011: 4002: 3996: 3993: 3987: 3984: 3978: 3975: 3969: 3966: 3960: 3957: 3951: 3948: 3942: 3939: 3933: 3930: 3924: 3921: 3915: 3905: 3896: 3893: 3887: 3884: 3878: 3875: 3869: 3865:Ziarul Financiar 3854: 3850: 3821: 3818: 3807: 3804: 3798: 3795: 3789: 3786: 3780: 3770: 3766: 3753: 3750: 3741: 3738: 3732: 3729: 3723: 3709: 3700: 3688: 3684: 3678: 3674:România Literară 3666: 3662: 3647: 3644: 3635: 3632: 3626: 3617: 3611: 3608: 3599: 3596: 3590: 3587: 3581: 3560: 3554: 3551: 3545: 3542: 3533: 3530: 3524: 3521: 3512: 3509: 3503: 3499:România Literară 3491: 3468: 3465: 3452: 3449: 3443: 3434:Elena Cojuhari, 3433: 3429: 3423: 3420: 3414: 3411: 3405: 3404:, March 31, 2010 3393: 3389: 3380: 3371: 3365: 3353: 3349: 3338: 3335: 3326: 3325:, March 15, 2014 3316: 3312: 3293: 3290: 3281: 3269: 3265: 3212:Radu Anton Roman 3125:Vladimir Streinu 3078:Mici satisfacții 3033: 3018: 3013:De-Stalinization 2986: 2971: 2924: 2909: 2869: 2854: 2822: 2807: 2752:Constantin Noica 2716:Petru Comarnescu 2704:Viața Românească 2659: 2642: 2609: 2589: 2557: 2542: 2488:modernist poetry 2472:Henri de Régnier 2458:Symbolist poetry 2452:Tămâie și otravă 2411:Un porc de câine 2395:Un porc de câine 2365:, a standard in 2355:Un porc de câine 2351:Mici satisfacții 2288:Moldavian boyars 2230:found manuscript 2216:) and a retired 2167: 2157: 2151: 2141: 2046:Viața Românească 1988:Romanian cuisine 1983:Viața Românească 1907:Nichifor Crainic 1813: 1810: 1789:Constantin Noica 1676:Tînărul Scriitor 1644:Aurelian Bentoiu 1640:Vladimir Streinu 1587:Mihail Fărcășanu 1432:Aurel Ion Maican 1355:Mihail Sebastian 1351:Vasile Iașinschi 1345:establishing a " 1290:Meritul Cultural 1183:Tămâie și otravă 1155:, under manager 1112:Alfred de Musset 1108:Un porc de câine 1104:Mici satisfacții 1080:Viața Românească 1052:Viața Românească 1025:George Călinescu 1006: 991: 980:Mici satisfacții 972: 895:Romanian Academy 859:historical novel 797: 786: 753:Mihail Sadoveanu 712:Viața Românească 700:Mihail Sadoveanu 696:Viața Românească 688:bohemian society 632:Viața Românească 567:Stéphane Lupasco 547:French Air Force 541:and the rank of 481:Ionel Teodoreanu 403:Gavril Muzicescu 358:communist regime 302:George Călinescu 297:Viața Românească 282:Western Moldavia 262:Ionel Teodoreanu 243: 227:Viața Românească 206:political poetry 186:historical novel 80: 56: 54: 41: 38: 33: 19: 18: 7127: 7126: 7122: 7121: 7120: 7118: 7117: 7116: 6832:Symbolist poets 6787: 6786: 6785: 6755:Editura de Vest 6719: 6642:Eugen Lovinescu 6620:Editura Junimea 6556:Editura Minerva 6536:Demostene Botez 6510: 6505: 6500: 6496: 6491: 6487: 6482: 6478: 6464: 6460: 6443: 6442: 6438: 6433: 6429: 6424: 6420: 6406: 6402: 6397: 6393: 6382: 6378: 6373: 6369: 6364: 6360: 6349: 6345: 6328: 6327: 6323: 6318: 6314: 6305: 6301: 6281: 6277: 6273:, Issue 20/2010 6257: 6256: 6252: 6248:Tudoraș, p. 180 6247: 6243: 6238: 6234: 6226: 6222: 6218:Tudoraș, p. 179 6217: 6213: 6208: 6201: 6184: 6183: 6179: 6174: 6170: 6166:, Issue 49/2008 6150: 6149: 6145: 6122: 6118: 6113: 6109: 6104: 6100: 6095: 6091: 6086: 6082: 6065: 6064: 6060: 6056:Hrimiuc, p. 298 6055: 6051: 6047:Hrimiuc, p. 332 6046: 6042: 6037: 6033: 6028: 6019: 6014: 6010: 6005: 6001: 5996: 5992: 5987: 5983: 5979:, Issue 11/2008 5963: 5962: 5958: 5954:Hrimiuc, p. 293 5953: 5946: 5941: 5937: 5932: 5928: 5913: 5912: 5908: 5903: 5894: 5889: 5885: 5880: 5876: 5871: 5867: 5862: 5858: 5853: 5849: 5844: 5840: 5836:Hrimiuc, p. 308 5835: 5831: 5826: 5822: 5813: 5809: 5804: 5800: 5795: 5791: 5783: 5779: 5774: 5770: 5766:Hrimiuc, p. 325 5765: 5761: 5756: 5752: 5747: 5743: 5738: 5734: 5729: 5722: 5717: 5713: 5708: 5704: 5699: 5695: 5690: 5686: 5681: 5677: 5672: 5668: 5660: 5656: 5651: 5647: 5642: 5638: 5633: 5629: 5624: 5620: 5615: 5611: 5606: 5602: 5597: 5593: 5588: 5584: 5579: 5575: 5547: 5546: 5542: 5537: 5533: 5528: 5524: 5519: 5515: 5510: 5506: 5501: 5497: 5492: 5488: 5483: 5479: 5474: 5467: 5451: 5447: 5434: 5430: 5410: 5409: 5405: 5391: 5384: 5368:Constantin Țoiu 5364: 5363: 5359: 5354: 5350: 5345: 5341: 5337:Tudoraș, p. 175 5336: 5332: 5322: 5318: 5314:, Issue 37/2006 5298: 5297: 5293: 5288: 5284: 5279: 5275: 5261: 5257: 5253:, Issue 23/2005 5237: 5236: 5232: 5216: 5215: 5206: 5201: 5197: 5192: 5188: 5182:Sportul Popular 5179: 5175: 5170: 5166: 5161: 5154: 5140: 5136: 5128: 5124: 5100: 5099: 5095: 5090: 5079: 5062: 5061: 5054: 5050:, Issue 22/2008 5034: 5033: 5020: 5015: 5006: 4988: 4981: 4961: 4957: 4946: 4942: 4937: 4933: 4928: 4924: 4920:Hrimiuc, p. 302 4919: 4915: 4896:Victor Frunză, 4895: 4891: 4887:Massoff, p. 284 4886: 4882: 4869: 4862: 4858:, Issue 27/2007 4845: 4844: 4827: 4822: 4818: 4807: 4803: 4792: 4788: 4784:Massoff, p. 161 4783: 4779: 4759: 4758: 4754: 4749: 4745: 4734: 4727: 4722: 4718: 4705: 4701: 4697:, Issue 15/2011 4684: 4683: 4679: 4667:Lucian Vasile, 4664: 4663: 4659: 4655:, Issue 28/2009 4642: 4641: 4637: 4623: 4619: 4608: 4601: 4596: 4592: 4587: 4583: 4578: 4574: 4569: 4550: 4545: 4541: 4536: 4532: 4527: 4523: 4518: 4514: 4510:Hrimiuc, p. 295 4509: 4505: 4491: 4487: 4482: 4473: 4468: 4464: 4459: 4455: 4450: 4443: 4438: 4434: 4430:, June 25, 2007 4418: 4417: 4406: 4401: 4394: 4389: 4385: 4380: 4376: 4371: 4364: 4360:Leon, pp. 54–55 4359: 4355: 4340: 4336: 4331: 4327: 4318: 4311: 4306: 4302: 4285:Bianca Tănase, 4282: 4281: 4272: 4255: 4254: 4243: 4227:Constantin Țoiu 4223: 4222: 4213: 4209:, Issue 10/2008 4193: 4192: 4188: 4183: 4176: 4172:Ciobanu, p. 245 4171: 4164: 4159: 4152: 4147: 4143: 4138: 4131: 4120: 4116: 4112:, Issue 44/2009 4098:Dumitru Hîncu, 4095: 4094: 4083: 4078: 4074: 4049: 4048: 4044: 4039: 4035: 4030: 4026: 4021: 4014: 4003: 3999: 3994: 3990: 3985: 3981: 3976: 3972: 3967: 3963: 3958: 3954: 3949: 3945: 3940: 3936: 3931: 3927: 3923:Hrimiuc, p. 333 3922: 3918: 3906: 3899: 3894: 3890: 3885: 3881: 3876: 3872: 3852: 3851: 3824: 3819: 3810: 3805: 3801: 3796: 3792: 3787: 3783: 3768: 3767: 3756: 3751: 3744: 3739: 3735: 3730: 3726: 3710: 3703: 3686: 3685: 3681: 3677:, Issue 20/2001 3664: 3663: 3650: 3646:Leon, pp. 53–54 3645: 3638: 3633: 3629: 3618: 3614: 3609: 3602: 3598:Ciobanu, p. 246 3597: 3593: 3588: 3584: 3561: 3557: 3552: 3548: 3543: 3536: 3531: 3527: 3523:Ciobanu, p. 244 3522: 3515: 3510: 3506: 3492: 3471: 3466: 3455: 3450: 3446: 3431: 3430: 3426: 3421: 3417: 3412: 3408: 3391: 3390: 3383: 3372: 3368: 3351: 3350: 3341: 3336: 3329: 3314: 3313: 3296: 3291: 3284: 3267: 3266: 3249: 3245: 3204:Gheorghe Zarafu 3177:Flacăra Iașului 3165:De re culinaria 3102:Strofe cu venin 3061: 3052: 3049: 3047: 3045: 3035: 3030: 3028: 3026: 3001: 2998: 2996: 2994: 2988: 2983: 2981: 2979: 2960:, in the novel 2939: 2936: 2934: 2932: 2926: 2921: 2919: 2917: 2904:Georgi Dimitrov 2891: 2888: 2886: 2880: 2871: 2866: 2864: 2862: 2841: 2838: 2836: 2834: 2824: 2819: 2817: 2815: 2769:, published in 2685: 2676: 2673: 2671: 2669: 2667: 2661: 2656: 2654: 2652: 2650: 2629: 2626: 2624: 2622: 2621: 2619: 2617: 2611: 2606: 2604: 2602: 2601: 2599: 2597: 2576: 2569: 2567: 2565: 2559: 2554: 2552: 2550: 2460: 2440:I. I. Mironescu 2347: 2323:adventure novel 2309:Graeco-Romanian 2253:intertextuality 2191:Die Gartenlaube 2174: 2123:Eugen Lovinescu 1954: 1949: 1944: 1919:Prosper Mérimée 1890:palliative care 1811: 1801: 1753:Western cuisine 1700:Mihail Codreanu 1617:fellow traveler 1613: 1442:. Inhabiting a 1436:Bercu Leibovici 1274: 1231:Nicolae Tonitza 1223:Milița Petrașcu 1201:, assembled by 1187:Bercu Leibovici 1056:Mihail Codreanu 1017: 1016: 1015: 1014: 1013: 1007: 999: 998: 992: 984: 983: 973: 962: 808:Greater Romania 795: 784: 668:. The moniker 660: 593:Iași University 539:Star of Romania 512:unrequited love 466:boarding school 462:Demostene Botez 427:Zlataust Church 391: 386: 378:1989 Revolution 127: 82: 78: 58: 52: 50: 42: 39: 24: 17: 12: 11: 5: 7125: 7115: 7114: 7109: 7104: 7099: 7094: 7089: 7084: 7079: 7074: 7069: 7064: 7059: 7054: 7049: 7044: 7039: 7034: 7029: 7024: 7019: 7014: 7009: 7004: 6999: 6994: 6989: 6984: 6979: 6974: 6969: 6964: 6959: 6954: 6949: 6944: 6939: 6934: 6929: 6924: 6919: 6914: 6909: 6904: 6899: 6894: 6889: 6884: 6879: 6874: 6869: 6864: 6859: 6854: 6849: 6844: 6839: 6834: 6829: 6824: 6819: 6814: 6809: 6804: 6799: 6784: 6783: 6776: 6765: 6747: 6738: 6731: 6717: 6706:Alexandru Piru 6703: 6696: 6692:Dacia Literară 6687: 6666: 6656: 6639: 6630: 6612: 6598: 6587: 6580: 6559: 6545: 6533: 6511: 6509: 6506: 6504: 6503: 6494: 6485: 6476: 6458: 6436: 6427: 6418: 6408:Ion Negoițescu 6400: 6391: 6376: 6367: 6358: 6343: 6321: 6312: 6299: 6275: 6261:Cosmin Ciotloș 6250: 6241: 6239:Costin, p. 255 6232: 6220: 6211: 6199: 6177: 6168: 6143: 6116: 6107: 6098: 6089: 6080: 6078:, January 2005 6058: 6049: 6040: 6031: 6017: 6008: 5999: 5990: 5981: 5967:Al. Săndulescu 5956: 5944: 5935: 5926: 5906: 5892: 5883: 5874: 5865: 5856: 5847: 5838: 5829: 5820: 5807: 5798: 5789: 5777: 5768: 5759: 5750: 5741: 5732: 5730:Toescu, p. 181 5720: 5711: 5702: 5693: 5684: 5675: 5666: 5654: 5645: 5636: 5627: 5618: 5609: 5600: 5591: 5582: 5573: 5540: 5531: 5522: 5513: 5504: 5495: 5486: 5477: 5465: 5445: 5428: 5403: 5382: 5357: 5348: 5339: 5330: 5316: 5302:Al. Săndulescu 5291: 5282: 5273: 5255: 5230: 5204: 5195: 5186: 5173: 5164: 5152: 5134: 5122: 5093: 5077: 5072:Ziarul de Iași 5052: 5018: 5004: 4979: 4955: 4950:Idei în Dialog 4940: 4931: 4922: 4913: 4889: 4880: 4860: 4825: 4816: 4801: 4786: 4777: 4775:, Issue 6/2008 4763:Cosmin Ciotloș 4752: 4743: 4725: 4716: 4699: 4687:Monica Grosu, 4677: 4657: 4635: 4617: 4599: 4590: 4581: 4572: 4548: 4539: 4530: 4521: 4512: 4503: 4485: 4471: 4462: 4453: 4441: 4432: 4404: 4392: 4383: 4374: 4362: 4353: 4334: 4325: 4309: 4300: 4270: 4268:, May 12, 2012 4241: 4211: 4186: 4174: 4162: 4150: 4141: 4129: 4114: 4081: 4072: 4058:; Ion Pillat, 4042: 4033: 4024: 4012: 3997: 3988: 3979: 3970: 3961: 3952: 3943: 3934: 3925: 3916: 3897: 3888: 3879: 3870: 3822: 3808: 3799: 3790: 3781: 3754: 3742: 3733: 3724: 3701: 3679: 3648: 3636: 3627: 3612: 3600: 3591: 3582: 3555: 3546: 3534: 3525: 3513: 3504: 3469: 3453: 3444: 3424: 3415: 3406: 3381: 3366: 3354:Vasile Iancu, 3339: 3327: 3317:Mihai Haivas, 3294: 3282: 3277:Ziarul de Iași 3246: 3244: 3241: 3153:Cezar Ivănescu 3148:D. I. Suchianu 3129:rehabilitation 3121:liberalization 3060: 3057: 3054: 3053: 3036: 3003: 3002: 2989: 2954:Workers' Party 2941: 2940: 2927: 2893: 2892: 2872: 2849:Romulus Zăroni 2843: 2842: 2825: 2731:Dante Aligheri 2691:Caricature of 2684: 2681: 2678: 2677: 2662: 2631: 2630: 2612: 2578: 2577: 2560: 2531:invitation in 2492:Camil Baltazar 2459: 2456: 2381:Alegeri libere 2367:Romanian humor 2359:sketch stories 2346: 2343: 2327:penny dreadful 2319:neoromanticism 2200:Phanariote era 2173: 2170: 2087:historiography 2058:Paul Zarifopol 1953: 1950: 1948: 1945: 1943: 1940: 1911:Anatole France 1899:Bellu cemetery 1859:Sibiu sausages 1831:Writers' Union 1819:loss of rights 1800: 1797: 1745:Glasul Patriei 1733:Victor Tulbure 1728:Glasul Patriei 1680:Jaroslav Hašek 1612: 1609: 1575:România Liberă 1531:Zaharia Stancu 1523:Paul Georgescu 1499:August 23 Coup 1492:Mihai Eminescu 1425:Sergei Yesenin 1419:("A Letter to 1413:anti-communist 1333:Labor Ministry 1273: 1270: 1262:Victor Eftimiu 1254:Czechoslovakia 1219:Panait Istrati 1084:Prime Minister 1008: 1001: 1000: 993: 986: 985: 974: 967: 966: 965: 964: 963: 961: 955: 939:Camil Baltazar 910:Liviu Rebreanu 871:Sandu Teleajen 789:Pamfil Șeicaru 734:Ilarie Voronca 659: 653: 605:Cezar Petrescu 500:Sub-lieutenant 496:Entente Powers 442:D. I. Suchianu 431:Otilia Cazimir 421:) and Puiuțu ( 390: 387: 385: 382: 366:anti-communist 335:Anatole France 272:texts and his 245: 244: 236: 235: 231: 230: 213: 209: 208: 151: 147: 146: 143: 139: 138: 133: 129: 128: 126: 125: 122: 119: 116: 113: 110: 106: 104: 100: 99: 96: 92: 91: 81:(aged 69) 77:March 17, 1964 75: 71: 70: 64:Dorohoi County 48: 44: 43: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 7124: 7113: 7110: 7108: 7105: 7103: 7100: 7098: 7095: 7093: 7090: 7088: 7085: 7083: 7080: 7078: 7075: 7073: 7070: 7068: 7065: 7063: 7060: 7058: 7055: 7053: 7050: 7048: 7045: 7043: 7040: 7038: 7035: 7033: 7030: 7028: 7025: 7023: 7020: 7018: 7015: 7013: 7010: 7008: 7005: 7003: 7000: 6998: 6995: 6993: 6990: 6988: 6985: 6983: 6980: 6978: 6975: 6973: 6970: 6968: 6965: 6963: 6960: 6958: 6955: 6953: 6950: 6948: 6945: 6943: 6940: 6938: 6935: 6933: 6930: 6928: 6925: 6923: 6920: 6918: 6915: 6913: 6910: 6908: 6905: 6903: 6900: 6898: 6895: 6893: 6890: 6888: 6885: 6883: 6880: 6878: 6875: 6873: 6870: 6868: 6865: 6863: 6860: 6858: 6855: 6853: 6850: 6848: 6845: 6843: 6840: 6838: 6835: 6833: 6830: 6828: 6825: 6823: 6820: 6818: 6815: 6813: 6810: 6808: 6805: 6803: 6800: 6798: 6795: 6794: 6792: 6781: 6777: 6774: 6770: 6766: 6764: 6763:973-36-0165-9 6760: 6756: 6753:. Timișoara: 6752: 6748: 6745: 6744: 6739: 6736: 6732: 6729: 6725: 6722:Mircea Popa, 6720:(in Romanian) 6718: 6715: 6712:. Bucharest: 6711: 6707: 6704: 6701: 6697: 6694: 6693: 6688: 6685: 6684: 6679: 6678:savoir mourir 6675: 6671: 6667: 6664: 6660: 6657: 6655: 6654:973-21-0159-8 6651: 6647: 6643: 6640: 6637: 6636: 6631: 6629: 6628:973-37-0003-7 6625: 6621: 6617: 6613: 6610: 6607: 6603: 6599: 6596: 6592: 6588: 6585: 6581: 6579: 6575: 6571: 6568:. Bucharest: 6567: 6563: 6560: 6557: 6554:. Bucharest: 6553: 6549: 6546: 6543: 6542: 6537: 6534: 6532: 6528: 6524: 6521:. Bucharest: 6520: 6516: 6513: 6512: 6498: 6489: 6480: 6473: 6472: 6467: 6462: 6455: 6454: 6449: 6444:(in Romanian) 6440: 6431: 6422: 6415: 6414: 6409: 6404: 6395: 6388: 6387: 6380: 6371: 6362: 6355: 6354: 6347: 6340: 6339: 6334: 6329:(in Romanian) 6325: 6316: 6309: 6303: 6297: 6296:0-313-27985-3 6293: 6289: 6285: 6279: 6272: 6271: 6266: 6262: 6258:(in Romanian) 6254: 6245: 6236: 6230: 6224: 6215: 6209:Pîrjol, p. 25 6206: 6204: 6196: 6195: 6190: 6185:(in Romanian) 6181: 6172: 6165: 6164: 6159: 6155: 6151:(in Romanian) 6147: 6141: 6140:963-9116-89-0 6137: 6133: 6129: 6125: 6120: 6111: 6102: 6093: 6084: 6077: 6076: 6071: 6066:(in Romanian) 6062: 6053: 6044: 6035: 6026: 6024: 6022: 6012: 6003: 5994: 5985: 5978: 5977: 5972: 5968: 5964:(in Romanian) 5960: 5951: 5949: 5939: 5930: 5923: 5919: 5914:(in Romanian) 5910: 5901: 5899: 5897: 5887: 5878: 5869: 5860: 5851: 5842: 5833: 5824: 5817: 5811: 5802: 5793: 5787: 5781: 5772: 5763: 5754: 5745: 5736: 5727: 5725: 5715: 5706: 5697: 5688: 5679: 5670: 5664: 5658: 5649: 5640: 5634:Ghemeș, p. 75 5631: 5622: 5613: 5604: 5595: 5586: 5577: 5570: 5569: 5564: 5560: 5556: 5552: 5548:(in Romanian) 5544: 5535: 5529:Pîrjol, p. 19 5526: 5517: 5508: 5499: 5490: 5481: 5472: 5470: 5463: 5459: 5455: 5449: 5442: 5438: 5432: 5425: 5424: 5419: 5415: 5411:(in Romanian) 5407: 5400: 5399: 5398:Contemporanul 5394: 5389: 5387: 5379: 5378: 5373: 5369: 5365:(in Romanian) 5361: 5355:Pîrjol, p. 24 5352: 5343: 5334: 5327: 5320: 5313: 5312: 5307: 5303: 5299:(in Romanian) 5295: 5286: 5277: 5270: 5269: 5264: 5259: 5252: 5251: 5246: 5242: 5238:(in Romanian) 5234: 5227: 5226: 5221: 5217:(in Romanian) 5213: 5211: 5209: 5202:Pîrjol, p. 23 5199: 5190: 5183: 5177: 5168: 5162:Pîrjol, p. 22 5159: 5157: 5149: 5148: 5143: 5138: 5132: 5126: 5119: 5118: 5113: 5111: 5108:"Anii '50 și 5105: 5101:(in Romanian) 5097: 5091:Pîrjol, p. 21 5088: 5086: 5084: 5082: 5074: 5073: 5068: 5063:(in Romanian) 5059: 5057: 5049: 5048: 5043: 5039: 5035:(in Romanian) 5031: 5029: 5027: 5025: 5023: 5013: 5011: 5009: 5001: 5000: 4995: 4991: 4986: 4984: 4977: 4973: 4969: 4968:Editura Limes 4965: 4959: 4952: 4951: 4944: 4935: 4926: 4917: 4911: 4910:973-28-0177-8 4907: 4903: 4899: 4893: 4884: 4877: 4873: 4867: 4865: 4857: 4856: 4851: 4848:G. Pienescu, 4846:(in Romanian) 4842: 4840: 4838: 4836: 4834: 4832: 4830: 4823:Pîrjol, p. 20 4820: 4813: 4812: 4805: 4798: 4797: 4790: 4781: 4774: 4773: 4768: 4764: 4760:(in Romanian) 4756: 4747: 4740: 4739: 4732: 4730: 4720: 4713: 4709: 4703: 4696: 4695: 4690: 4685:(in Romanian) 4681: 4674: 4670: 4665:(in Romanian) 4661: 4654: 4653: 4648: 4643:(in Romanian) 4639: 4632: 4631: 4626: 4621: 4614: 4613: 4606: 4604: 4594: 4585: 4576: 4567: 4565: 4563: 4561: 4559: 4557: 4555: 4553: 4543: 4534: 4525: 4516: 4507: 4500: 4499: 4494: 4489: 4480: 4478: 4476: 4466: 4457: 4448: 4446: 4436: 4429: 4428: 4423: 4419:(in Romanian) 4415: 4413: 4411: 4409: 4399: 4397: 4387: 4378: 4369: 4367: 4357: 4350: 4349: 4344: 4338: 4329: 4322: 4316: 4314: 4304: 4298: 4294: 4291: 4290: 4283:(in Romanian) 4279: 4277: 4275: 4267: 4266: 4261: 4256:(in Romanian) 4252: 4250: 4248: 4246: 4238: 4237: 4232: 4228: 4224:(in Romanian) 4220: 4218: 4216: 4208: 4207: 4202: 4198: 4194:(in Romanian) 4190: 4181: 4179: 4169: 4167: 4157: 4155: 4145: 4136: 4134: 4126: 4125: 4118: 4111: 4110: 4105: 4103: 4096:(in Romanian) 4092: 4090: 4088: 4086: 4076: 4069: 4068: 4063: 4061: 4057: 4050:(in Romanian) 4046: 4037: 4028: 4019: 4017: 4009: 4008: 4001: 3992: 3983: 3974: 3965: 3956: 3947: 3941:Ghemeș, p. 68 3938: 3929: 3920: 3913: 3909: 3904: 3902: 3892: 3883: 3874: 3867: 3866: 3861: 3857: 3853:(in Romanian) 3849: 3847: 3845: 3843: 3841: 3839: 3837: 3835: 3833: 3831: 3829: 3827: 3817: 3815: 3813: 3803: 3794: 3785: 3778: 3774: 3769:(in Romanian) 3765: 3763: 3761: 3759: 3749: 3747: 3737: 3728: 3722: 3721:973-8294-72-X 3718: 3714: 3711:Tudor Opriș, 3708: 3706: 3698: 3697: 3692: 3687:(in Romanian) 3683: 3676: 3675: 3670: 3665:(in Romanian) 3661: 3659: 3657: 3655: 3653: 3643: 3641: 3631: 3624: 3623: 3616: 3607: 3605: 3595: 3586: 3580: 3576: 3572: 3568: 3564: 3559: 3550: 3541: 3539: 3529: 3520: 3518: 3508: 3501: 3500: 3495: 3490: 3488: 3486: 3484: 3482: 3480: 3478: 3476: 3474: 3464: 3462: 3460: 3458: 3448: 3441: 3437: 3432:(in Romanian) 3428: 3419: 3410: 3403: 3402: 3397: 3392:(in Romanian) 3388: 3386: 3378: 3377: 3370: 3363: 3362: 3357: 3352:(in Romanian) 3348: 3346: 3344: 3334: 3332: 3324: 3320: 3315:(in Romanian) 3311: 3309: 3307: 3305: 3303: 3301: 3299: 3289: 3287: 3279: 3278: 3273: 3268:(in Romanian) 3264: 3262: 3260: 3258: 3256: 3254: 3252: 3247: 3240: 3237: 3233: 3229: 3225: 3221: 3220:à la Păstorel 3218:, who wrote " 3217: 3213: 3209: 3205: 3201: 3197: 3193: 3189: 3185: 3180: 3178: 3174: 3170: 3166: 3162: 3158: 3154: 3149: 3145: 3140: 3138: 3134: 3130: 3126: 3122: 3117: 3115: 3111: 3107: 3103: 3099: 3095: 3094:George Lesnea 3091: 3087: 3083: 3079: 3075: 3071: 3067: 3051: 3043: 3037: 3034: 3032: 3020: 3019: 3016: 3014: 3010: 3009:Secret Speech 3000: 2990: 2987: 2985: 2973: 2972: 2969: 2967: 2963: 2959: 2955: 2951: 2948: 2938: 2928: 2925: 2923: 2911: 2910: 2907: 2905: 2901: 2890: 2884: 2878: 2873: 2870: 2868: 2856: 2855: 2852: 2850: 2840: 2832: 2826: 2823: 2821: 2809: 2808: 2805: 2803: 2799: 2795: 2789: 2786: 2782: 2781: 2780:Contimporanul 2776: 2772: 2768: 2763: 2761: 2757: 2753: 2749: 2745: 2744:Zaharia Boilă 2741: 2736: 2732: 2727: 2725: 2721: 2717: 2713: 2709: 2705: 2698: 2694: 2693:Nicolae Iorga 2689: 2675: 2663: 2660: 2658: 2644: 2643: 2640: 2638: 2628: 2613: 2610: 2608: 2591: 2590: 2587: 2585: 2575: 2573: 2561: 2558: 2556: 2544: 2543: 2540: 2538: 2534: 2530: 2529: 2524: 2520: 2516: 2512: 2508: 2504: 2499: 2497: 2493: 2489: 2485: 2481: 2480:Jean Richepin 2477: 2476:Albert Samain 2473: 2469: 2468:Paul Verlaine 2465: 2455: 2453: 2449: 2445: 2441: 2436: 2432: 2426: 2424: 2420: 2416: 2412: 2408: 2404: 2400: 2396: 2392: 2390: 2386: 2382: 2378: 2374: 2373: 2368: 2364: 2360: 2356: 2352: 2349:Teodoreanu's 2342: 2340: 2336: 2332: 2328: 2324: 2320: 2316: 2312: 2310: 2306: 2302: 2297: 2293: 2292:Romani slaves 2289: 2285: 2281: 2277: 2273: 2270: 2266: 2262: 2258: 2254: 2250: 2245: 2243: 2239: 2235: 2231: 2227: 2223: 2219: 2215: 2211: 2207: 2206: 2201: 2193: 2192: 2187: 2183: 2178: 2169: 2166: 2161: 2156: 2150: 2145: 2140: 2135: 2130: 2128: 2124: 2120: 2116: 2112: 2109:; the modern 2108: 2104: 2100: 2096: 2092: 2088: 2084: 2080: 2079: 2074: 2070: 2065: 2063: 2059: 2055: 2051: 2047: 2043: 2040: 2035: 2033: 2032:aestheticists 2029: 2025: 2021: 2020: 2015: 2014:Nicolae Iorga 2011: 2010: 2005: 2001: 1997: 1993: 1992:Romanian wine 1989: 1985: 1984: 1979: 1975: 1974: 1969: 1968: 1963: 1959: 1952:Common themes 1947:Jester Harrow 1939: 1937: 1932: 1928: 1924: 1920: 1916: 1912: 1908: 1904: 1900: 1894: 1891: 1887: 1883: 1879: 1874: 1872: 1871:Tudor Arghezi 1868: 1864: 1863:Nicolae Labiș 1860: 1856: 1852: 1848: 1844: 1840: 1834: 1832: 1828: 1827:Gherla Prison 1824: 1820: 1805: 1796: 1794: 1790: 1786: 1782: 1778: 1772: 1770: 1766: 1762: 1761:wooden tongue 1758: 1754: 1750: 1746: 1742: 1738: 1734: 1730: 1729: 1724: 1720: 1716: 1711: 1709: 1705: 1701: 1697: 1696: 1691: 1690:Nikolai Gogol 1687: 1686: 1685:Soldier Švejk 1681: 1677: 1671: 1668: 1664: 1660: 1656: 1651: 1649: 1645: 1641: 1637: 1633: 1628: 1626: 1622: 1618: 1608: 1606: 1602: 1601: 1596: 1592: 1588: 1583: 1582: 1577: 1576: 1571: 1567: 1563: 1555: 1550: 1546: 1544: 1540: 1536: 1535:Sovietization 1532: 1528: 1524: 1520: 1516: 1512: 1508: 1504: 1500: 1495: 1493: 1489: 1485: 1481: 1477: 1473: 1469: 1465: 1461: 1457: 1453: 1449: 1445: 1444:semi-basement 1441: 1437: 1433: 1428: 1426: 1422: 1418: 1414: 1410: 1407:newspaper of 1406: 1402: 1401:Horia Agarici 1398: 1397: 1392: 1388: 1384: 1380: 1379:Ion Antonescu 1377: 1376: 1371: 1367: 1366:Carlton Tower 1362: 1360: 1356: 1352: 1348: 1344: 1340: 1339: 1334: 1330: 1329: 1324: 1320: 1316: 1311: 1309: 1305: 1304:Nazi invasion 1301: 1297: 1292: 1291: 1286: 1283: 1279: 1278:authoritarian 1269: 1267: 1263: 1259: 1255: 1251: 1247: 1246:liver failure 1242: 1240: 1236: 1232: 1228: 1224: 1220: 1216: 1215:George Enescu 1212: 1208: 1204: 1200: 1196: 1192: 1188: 1184: 1178: 1176: 1172: 1168: 1164: 1163: 1158: 1154: 1150: 1146: 1141: 1139: 1135: 1131: 1130:Ion Petrovici 1127: 1123: 1119: 1118: 1117:Le Chandelier 1113: 1109: 1105: 1101: 1096: 1093: 1089: 1085: 1081: 1076: 1072: 1067: 1065: 1061: 1057: 1053: 1049: 1044: 1040: 1036: 1035: 1030: 1026: 1022: 1012: 1005: 996: 990: 981: 977: 971: 959: 954: 952: 951:Contimporanul 948: 944: 940: 935: 934: 929: 925: 921: 920: 915: 911: 906: 904: 900: 896: 892: 888: 887:advice column 884: 880: 876: 872: 868: 867:George Lesnea 864: 860: 856: 851: 849: 845: 844: 843:Contimporanul 839: 835: 834:Nicolae Iorga 831: 827: 826:Octavian Goga 823: 822: 817: 813: 809: 804: 801: 794: 790: 783: 779: 775: 774:Tudor Arghezi 771: 770: 765: 761: 754: 750: 746: 741: 737: 735: 731: 727: 726: 721: 717: 713: 709: 705: 701: 697: 693: 689: 685: 681: 680: 675: 671: 667: 666: 657: 652: 650: 646: 642: 638: 634: 633: 628: 624: 620: 616: 612: 611: 606: 602: 598: 597:Turnu Severin 594: 590: 585: 583: 579: 575: 570: 568: 564: 560: 556: 552: 548: 544: 540: 536: 532: 528: 524: 520: 515: 513: 509: 505: 501: 497: 493: 489: 482: 477: 473: 471: 467: 463: 459: 455: 451: 447: 443: 438: 436: 432: 428: 424: 420: 416: 412: 408: 404: 400: 396: 381: 379: 375: 374:rehabilitated 371: 367: 363: 359: 355: 354:Eastern Front 350: 348: 344: 340: 336: 332: 328: 324: 320: 319: 314: 310: 309:Nicolae Iorga 305: 303: 299: 298: 293: 292: 287: 283: 279: 275: 271: 267: 263: 259: 255: 251: 242: 237: 232: 229: 228: 223: 222: 217: 214: 210: 207: 203: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 152: 148: 144: 140: 137: 134: 130: 123: 120: 117: 114: 111: 108: 107: 105: 101: 97: 93: 90: 86: 76: 72: 69: 65: 61: 57:July 30, 1894 49: 45: 32: 27: 20: 6779: 6772: 6768: 6750: 6741: 6734: 6727: 6709: 6700:Transilvania 6699: 6690: 6681: 6677: 6674:savoir vivre 6673: 6669: 6662: 6659:Ioan Massoff 6645: 6633: 6615: 6608: 6602:Țara Noastră 6601: 6594: 6590: 6583: 6565: 6551: 6539: 6518: 6497: 6488: 6479: 6469: 6461: 6451: 6439: 6430: 6421: 6411: 6403: 6394: 6384: 6379: 6370: 6361: 6351: 6346: 6341:, April 2002 6336: 6324: 6315: 6307: 6302: 6283: 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