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Demus was the consummate
Viennese art historian, trusting his eye and developing a massive visual repertoire through the painstaking first-hand inspection of monuments. This side of his activity was expressed in his major monographic studies. He was also, however, "the master of the short essay,
86:. Due to his Austrian background, in 1940 he was interned and sent to Canada for a brief period as a prisoner of war, after which he returned to Britain. The main scholarly fruits of his British years were his highly influential essay on middle Byzantine mosaic programs,
147:(1984). Having now turned 80, Demus undertook one final project, the documentation of the late medieval art of Carinthia, where he had served in the monuments service in his youth. Demus drove to the sites and took the photos himself, producing in the end the 750-page
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49:, receiving his Ph.D. summa cum laude. In the following years Demus travelled throughout Greece, photographing the mosaics of its Byzantine churches in color, a project that resulted in his first major publication,
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Late in life, already having turned 70, Demus embarked on the most ambitious scholarly project of his career, namely the restoration and documentation of the mosaics of
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in Venice. Demus was an untiring participant in the project, ascending the scaffolding daily to inspect the mosaics first hand, and the result was his monumental
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53:(1931), written together with Ernst Diez. He also worked for Austria's historical preservation service, documenting and restoring the medieval monuments of
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has been described as "one of the most important books on medieval art this century", and displays the imprint of the old master of
Viennese art history,
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109:(1960). In 1963, Demus was appointed Professor of art history at the University of Vienna, which he and the manuscript specialist
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the following year. Armed with this necessary qualification, Demus began to lecture on the history at the
University of Vienna.
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in
Washington, which allowed him time to continue his studies in Byzantine art. These researches resulted in a study of
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101:(Federal Monuments Office), a post he would occupy for nearly twenty years. He was a frequent fellow at
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34:, 17 November 1990) was an Austrian art historian and Byzantinist. He is considered a member of the
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which set him free from the demands of a 'serious' book." His highly intellectual and imaginative
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In 1946 Demus returned to
Austria, accepting a position as president of the newly organized
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R. Nelson, "To say and to see: ekphrasis and vision in
Byzantium," in R. Nelson, ed.,
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Demus's books from this period turned increasingly to western medieval art:
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Recipients of the Grand
Decoration for Services to the Republic of Austria
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128:) (1968), a thoughtful study masquerading as a coffee table book, and
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The church at San Marco in Venice: history, architecture, sculpture
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Eric Koch, Deemed
Suspect: A Wartime Blunder (Methuen, 1980), 156.
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Grand
Decoration of Honour for Services to the Republic of Austria
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Visuality before and beyond the
Renaissance: seeing as others saw
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Belting, xi: "Demus... might be called 'the eye' of art history."
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Recipients of the Austrian Decoration for Science and Art
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in 1939, where he found employment as a librarian at the
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Between 1921 and 1928, Demus studied art history at the
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Austrian Cross of Honour for Science and Art, 1st class
214:"Otto Demus - Social Networks and Archival Context"
70:in 1938, Demus decided to leave Austria, now under
132:(1970), the product of his Wrightsman Lectures at
57:. In 1936 he returned to Vienna, and defended his
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423:Corresponding fellows of the British Academy
398:Academics of the Courtauld Institute of Art
393:Academic staff of the University of Vienna
90:(1947), and his foundational study of the
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418:Academics of the University of Cambridge
117:" ("a mecca for medieval art history").
268:(Cambridge, 2000), 143-68, here 157-58.
194:Austrian Decoration for Science and Art
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16:Austrian art historian and Byzantinist
331:H. Belting, "Otto Demus, 1902–1990"
115:Mekka der Mittelalterkunstgeschichte
304:"Reply to a parliamentary question"
279:"Reply to a parliamentary question"
153:The late Gothic altars of Carinthia
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145:The mosaics of San Marco in Venice
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149:Spätgotischen Altäre Kärntens
347:Dictionary of Art Historians
36:Vienna School of Art History
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428:Historians of Byzantine art
388:University of Vienna alumni
161:Byzantine mosaic decoration
88:Byzantine mosaic decoration
51:Byzantine mosaics in Greece
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189:1969: Wilhelm Hartel Prize
130:Byzantine art and the West
84:Courtauld Institute of Art
74:control, and emigrated to
82:and as a lecturer at the
403:People from Sankt Pölten
309:(in German). p. 179
126:Romanesque wall painting
92:Mosaics of Norman Sicily
383:Austrian art historians
284:(in German). p. 60
171:Decorations and awards
122:Romanische Wandmalerei
333:Dumbarton Oaks Papers
43:University of Vienna
218:snaccooperative.org
134:New York University
345:Otto Demus at the
335:45 (1991), vii-xi.
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47:Josef Strzygowski
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373:1990 deaths
368:1902 births
313:11 February
288:11 February
223:23 December
165:Alois Riegl
362:Categories
352:See also:
326:Literature
200:References
155:) (1991).
111:Otto Pächt
24:St. Pölten
20:Otto Demus
141:San Marco
67:Anschluss
55:Carinthia
94:(1949).
28:Austria
192:1975:
186:(1985)
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176:1959:
45:under
32:Vienna
22:(born
354:Demus
307:(PDF)
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315:2013
290:2013
225:2022
72:Nazi
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