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influences in Vienna were the major forces in the so-called second or new "Vienna School" of art history: Max Dvořák, Karl Maria
Swoboda, whose assistant he was, and Julius von Schlosser, the latter supervising his dissertation on medieval painting in 1925 "Das Verhältnis von Bild und Vorwurf in der mittelalterlichen Entwicklung der Historiendarstellung", supervised by
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Unlike his colleagues and the
Germanic higher education model, where students moved from university to university to attend classes, Pächt remained in Vienna except for one semester in Berlin studying with Adolph Goldschmidt, and some contact with Wilhelm Pinder (q.v) in Leipzig. His principal
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He attended one of the 'Humanistisches
Staatsgymnasium' in Vienna – a grammar school in which the classical languages Latin and ancient Greek are taught as the basis of European culture. In 1920 entered university in Vienna to study art history.
158:, Oxford, which resulted in a 3-volume catalogue "Illuminated Manuscripts in the Bodleian Library", published in 1966, 1970 and 1973 together with his pupil J.J.G. Alexander. From 1945 he held an honorary lectureship in medieval art at
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46:, and his mother, née Josefine Freundlich, from Vienna. His mother was a member of the Israelitische Kultusgemeinde Wien, the body that represented Vienna's Jewish community.
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Pächt was born in Vienna on 7 September 1902 into a Jewish family. His father David Pächt, a Jewish industrialist who owned a successful textile factory in Vienna, came from
34:. He mostly wrote on the medieval and Renaissance art of Europe. An exile from the Nazis, he taught in England and United States, before returning to Austria in 1963.
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Rubinstein, William D.; Jolles, Michael A.; Rubinstein, Hilary L. (2011), Rubinstein, William D.; Jolles, Michael A.; Rubinstein, Hilary L. (eds.),
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212:, (Habilitationsschrift), Heidelberg, 1932. Published partially as: "Gestaltungsprinzipien der westlichen Malerei des 15. Jahrhunderts". In:
106:. With the rise of National Socialism in Germany in 1933, Pächt's university post was revoked and he returned to Vienna. Shortly before the
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in collaboration with
Sedlmayer). His doctoral dissertation (Habilitation) of 1932 was written on the painter
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Das Verhältnis von Bild und
Vorwurf in der mittelalterliche Entwicklung der Historiendarstellung, Phil. Diss.
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Photographs by Otto Pacht are held at the Conway
Library in the Courtauld, London, and are being digitised.
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Otto Pacht died in Vienna on 17 April 1988 and is buried in the city's
Neustifter Friedhof.
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253:"Die Gotik der Zeit um 1400 als gesamteuropäische Kunstsprache", in: Exhibition. cat.
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1982: "Officier de l'Ordre
National de Mérite de la République Française"
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Early
Netherlandish Painting. From Rogier van der Weyden to Gerard David
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Jewish emigrants from
Austria after the Anschluss to the United Kingdom
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at Heidelberg. It was published 1933 as a short article in the journal
239:"Early Italian Nature Studies and the Early Calendar Landscape". In:
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Venetian Painting in the Fifteenth Century. From Mantegna to Bellini
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Methodisches zur Kunstgeschichtlichen Praxis, ausgewählte Schriften
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315:, ed. by Monika Rosenauer, London: Harvey Miller Publishers, 1997.
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Gestaltungsprinzipien der westlichen Malerei des 15. Jahrunderts
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1976: Austrian Cross of Honor for Sciences and Art, First Class
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and in 1931 and 1933 edited the first (and only) two issues of
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98 (1956), part I (April): 110-116, part II (August): 267–79.
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Recipients of the Austrian Decoration for Science and Art
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Van Eyck and the Founders of Early Netherlandish Painting
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De atticus opuscula XL. Essays in Honor of Erwin Panofsky
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and one of the representatives of the second wave of the
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Van Eyck: Die Begründer der altniederländischen Malerei
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Gravesite of Pächt at the Neustifter Friedhof in Vienna
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Since 1967: Member of the Austrian Academy of Sciences
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1981: Ehrenmedaille der Bundeshauptstadt Wien in Gold
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Book Illumination in the Middle Ages. An Introduction
246:"The Avignon Diptych and its Eastern Ancestry". In:
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1971: Honorary Doctor from the University of Oxford
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287:The Practice of Art History: Reflections on Method
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464:Dictionary of Art Historians entry – Otto Pächt
397:The Palgrave Dictionary of Anglo-Jewish History
241:Journal of the Warburg and Courtauld Institutes
219:"Die historische Aufgabe Michael Pachers". In:
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260:"Panofsky's 'Early Netherlandish Painting'",
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321:. London: Harvey Miller Publishers, 2003.
309:. London: Harvey Miller Publishers, 1994.
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342:Austrian Decoration for Science and Art
226:"A Book of Hours by Jean Fouquet". In:
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134:From 1937 until 1941, he lectured in
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92:"Kunstwissenschaftliche Forschungen"
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435:"Who made the Conway Library?"
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381:Dictionary of Art Historians.
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340:*1976: Wilhelm Hartel Prize
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255:Europäische Kunst um 1400
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122:Life in London and Oxford
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61:Pächt was, alongside
180:University of Vienna
164:Princeton University
56:Julius von Schlosser
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273:Burlington Magazine
262:Burlington Magazine
192:Representative work
140:Courtauld Institute
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379:Otto Pächt
363:References
281:, Munich:
176:Otto Demus
148:Fritz Saxl
20:Otto Pächt
289:, London
108:Anschluss
445:17 March
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85:Wikidata
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