472:
688:, who allegedly said to Redding after a tour, "What are you griping about? You're on the road all the time. All you can look for is a little respect when you come home." An alternative story is told by Redding's friend and road manager, Earl "Speedo" Sims, who states that the song "came from a group I was singing with", and that even though Redding rewrote it, "a lot of the lyric was still there"; Sims adds: "He told me I would get a credit, but I never did". Sims also states that he sang the backing vocals in the chorus. Essentially a
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796:", which was characterized as "sorrowful country blues", and has "one of the most devastating pleading-man lead vocals in the entire Stax catalog." "Satisfaction" sounded so plausible that a journalist even accused the Stones of stealing the song from Redding, and that they performed it after Redding. Music writer
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charted in the United
Kingdom; the former spent 21 weeks and reached number six in 1966, and the latter spent 54 weeks and reached number seven in 1967. Two different pressings of the song "My Girl" also charted in the UK; a 7-inch single peaked at number 11 and charted for 16 weeks in 1965, and a
1763:, live recordings, and previously unreleased alternate mixes. Christgau graded the edition with four out of five stars, saying it "comes with many useless alternate takes, but also with live tracks that preserve for history Redding's country-goes-uptown style of fun".
749:" is again funkier. The song is about the club dancing in the so-called discothèques, which debuted in the early 1960s. The song was described as "a hard-swinging, full-throated 2:40 of precision ferocity with a force that would flat-out explode during his live sets."
42:
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to be "at the crossroads of pop, rock, gospel, blues and soul", with a series of "short, punchy" songs "flawlessly ordered to ebb and flow between stirring balladry and foot stomping exuberance", making it
Redding's "definitive statement". Harold, in
878:"the soul album that sealed world reputation as the soul singer. The one whose title, with hindsight, probably did most to establish the use of the word 'soul' to define the music previously known as R&B." It also served as evidence that "the
936:
journalist Eric
Klinger added that it was uniquely successful as a soul LP, noting that "outside of rock music, the album was a basically untapped medium. LPs were almost an afterthought, with a couple of recent hit singles and enough
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gritty, rich, and achingly alive, and an essential listening experience", showcasing "his talent unfettered, his direction clear, and his confidence emboldened". "Song for song, it's difficult to imagine a better soul record", wrote
4400:
4253:
1296:
described it as "Redding's true dictionary of soul, a stunning journey through the past and future vocabulary of R&B ... documenting a masterful artist rising to ... the immense challenge of his times." In
850:: "I've Been Loving You Too Long" charted for 11 weeks and peaked at number 21, "Respect" spent 11 weeks and reached number 35, and "Shake" spent six weeks and reached number 47. Both the stereo and mono versions of
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370:
is considered by critics to be
Redding's first fully realized LP and the definitive soul album of its period. It ranks frequently and highly on professional listings of the best albums, including
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1338:"a hell of a record, the crowning achievement of a man who could sound pained and celebratory and tender and gritty and proud all at once, with a voice that everyone from
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1373:" of the Stax house band. Similarly, Spencer praised "Cropper's stinging guitar and the atonal Memphis horns", saying it is "as much their album as Redding's", while
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sessions, Redding decided to recut 'I've Been Loving You Too Long' in stereo. The song had undergone substantial change since it was originally recorded in April.
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felt that the song "ratchets up both the gospel beatitude and the secular lust". The love song "I've Been Loving You Too Long" was co-written by
Redding and
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1396:, also praised the diverse sound, which, according to her, is a mixture of "Motown pop, the blues, British rock, and Southern Soul", although she cited
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17:
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reissued single in 1968 reached number 36 and charted for nine weeks. "Satisfaction" peaked at number 33 and "Shake" peaked at number 28 in the UK.
2635:
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692:, "Respect" is an uptempo and energetic song, which took "a day to write, 20 minutes to arrange, and one take to record", according to Redding.
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R&B and Pop charts. Redding shouted to a woman for more respect, while
Franklin ironically countered the song and transformed it into a "
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459:. Preparations for a third album followed soon after, which would also serve as Redding's second to be released through Volt Records, a
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has featured on many professional lists of the best albums. According to Lewis, it is "predictably named as a Top 100 album, the
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success for
Redding and proved one of his best-selling LPs with more than 250,000 copies sold. It was his first to top the US
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285:, among others. Three of the LP's eleven songs were written by Redding, and three others were written by fellow soul singer
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tunes. The lyrics deal with a man, who is "unable to escape the brutal realities of the blues", and has been compared with
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562:", placed as the opening track on the LP, was finished in sessions earlier than the other songs and later released as a
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noted how the performers' individual musical elements coalesce with "a beautiful precision which borders on a kind of
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hits, and original material". The album opens with the "mournfully harried" "Ole Man
Trouble", described by fellow
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1317:, Christgau appraised it as "the first great album by one of soul's few reliable long-form artists", while
793:
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298:
4612:
4527:
4032:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time"
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came to the studio to assist the recording, considering
Redding to be a "genius" alongside the likes of
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1433:" (2003), number 78 in a 2012 revised edition of the list, and number 178 in a 2020 revised edition.
608:
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331:
932:– proving hit singles were "no longer pop's most important money spinners and artistic statements".
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called it "the greatest album of his career arguably the definitive album of the soul era", while
918:
632:
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placed it at number 92 on the magazine's "All-Time 100 Greatest Albums". It has also appeared in
616:
1759:. It includes both the stereo and mono versions of the original album alongside bonus tracks in
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releasing it in the UK. The album sold more than 250,000 copies, according to music journalist
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624:
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387:
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293:
was recorded in the span of 24 hours from July 9 to 10, 1965, at the Stax recording studio in
4436:
4255:
Icons of R&B and Soul: An
Encyclopedia of the Artists Who Revolutionized Rhythm, Volume 1
3728:
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1730:
1574:
789:
738:
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828:
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831:" (1965), which, conversely, "languished in the R&B racks". The woman in the image, a
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woman on the cover in comparison to the self-representative cover of Redding contemporary
8:
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soul set in lists compiled by trendies who surely never bought it at the time." In 1993,
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only reached number 75 on the Pop LPs chart in 1966, three of its singles charted on the
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sorcery ... arguably the hottest and strongest half-hour in soul". Angus Taylor of
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album" and Patrin deemed it the "greatest studio-recorded soul LP" from the 1960s.
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ranked it 35th on the magazine's "Greatest Albums of All Time" issue and 405th on
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explained further that "Redding's powerful, remarkable singing throughout makes
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on piano. It was released as a single that month and became a number-two hit on
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4344:
3241:"A Change Is Gonna Come – Otis Redding : Listen, Appearances, Song Review"
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Redding (1966) performs in a forceful and energetic style throughout the album.
685:
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567:
512:
422:
355:
289:, who had died several months before the album was made. Except for one track,
221:
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was released on September 15, 1965, with Volt issuing the album in the US and
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3438:
3415:
Contemporary Black Biography: Profiles from the International Black Community
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1369:, crediting the singer's "effortlessly expressive vocals" and the "measured
651:, who had been shot dead in December 1964. According to Jason Mendelsohn of
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727:'s original, with whom Redding toured before the recording. Nate Patrin of
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are cover versions, including three songs originally by fellow soul singer
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302:
297:. As with Redding's previous records, he was backed by the Stax house band
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54:
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886:, who cites it among a series of mid-1960s rock LPs – the Rolling Stones'
719:"; a protest against racial segregation and disrespect for black people. "
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2623:
2619:
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2008:"I've Been Loving You Too Long" (Bonus track: Live at the Whisky a Go Go)
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into the pop market. Summarizing its mainstream impact, Alan Lewis from
3762:
3633:"Otis Redding – Otis Blue/Otis Redding Sings Soul: Collector's Edition"
3044:
2995:
2656:
All music guide to soul : the definitive guide to R&B and soul
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1113:
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127:
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1303:(2004), Paul Evans named it Redding's "first masterwork", and fellow
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773:
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magazine's "All-Time 100 Greatest Albums" (at number 92). A two-disc
363:
286:
256:
4288:
Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom
3856:
3765:; du Lac, Josh Freedom; McFarlin, Jim, eds. (1998). "Otis Redding".
3487:
Designed for Dancing: How Midcentury Records Taught America to Dance
3177:
Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom
445:(1965) followed, with both performing well on the newly established
4541:
4167:"otis blue | full Official Chart History | Official Charts Company"
3672:
2956:
2654:
Vladimir Bogdanov; Chris Woodstra; Stephen Thomas Erlewine (2003).
2589:
1409:
1351:
976:
883:
701:
612:
547:
520:
4422:
2800:"Otis Redding – Otis Blue/Otis Redding Sings Soul (Album Review)"
923:
4503:
Complete & Unbelievable: The Otis Redding Dictionary of Soul
2030:"I'm Depending on You" (Bonus track: Live at the Whisky a Go Go)
1399:
Complete & Unbelievable: The Otis Redding Dictionary of Soul
835:, has never been definitively identified, but is believed to be
527:. The album was largely recorded in a 24-hour session between 10
4428:
1760:
800:
describes it as an "anarchic reading" of the Stones' original.
707:
689:
666:
563:
339:
274:
117:
3294:"Shake – Otis Redding : Listen, Appearances, Song Review"
1975:"Shake" (Bonus track: Live 1967, Stereo Mix of Single Version)
1920:"I've Been Loving You Too Long" (Previously unreleased / Mono)
1445:
magazine's "Best Soul Albums of All Time" and Robert Dimery's
788:", on which Redding sings "fashion" instead of "faction"; and
715:
The next song is an energetic version of Sam Cooke's ballad, "
2216:"I've Been Loving You Too Long" (Bonus track: Live in Europe)
658:
278:
122:
49:
2991:"Counterbalance No. 61: 'Otis Blue/Otis Redding Sings Soul'"
429:, he signed Redding to the label. The moderately successful
41:
3704:"British album certifications – Otis Redding – Otis Blue"
3443:
In the Midnight Hour: The Life & Soul of Wilson Pickett
3312:
3214:"Aretha Franklin – Charts & Awards – Billboard Singles"
1986:"Ole Man Trouble" (Bonus track: Live at the Whisky a Go Go)
1280:
has been regarded by music critics as Redding's best work.
3484:
Borgerson, Janet; Schroeder, Jonathan (October 19, 2021).
519:
on piano; and a horn section consisting of members of the
425:
after hearing him sing it at an audition in 1962. When it
3970:
3471:"5 Amazing Facts About Otis Blue/Otis Redding Sings Soul"
2346:
1414:
543:
am on Sunday to allow the house band to play local gigs.
2019:"Satisfaction" (Bonus track: Live at the Whisky a Go Go)
2749:
2041:"Any Ole Way" (Bonus track: Live at the Whisky a Go Go)
752:
The last five songs are all covers by popular artists:
2727:
2725:
2723:
2721:
2719:
2717:
684:"Respect" was possibly inspired by a quote of drummer
574:", had been previously recorded in April in mono with
320:
for the singer's exuberant and forceful performances.
3857:
Nathan Brackett; Christian David Hoard, eds. (2004).
2989:
Mendelsohn, Jason; Klinger, Eric (December 9, 2011).
2501:
Sales+streaming figures based on certification alone.
495:
Redding recorded the album with the Stax house band,
255:. It was first released on September 15, 1965, as an
3605:. London: Virgin Books In association with Muze UK.
2893:
2737:
673:
writer Claudrena N. Harold as one of Redding's most
4595:
Live at the Whisky a Go Go: The Complete Recordings
3761:
3155:
2714:
1997:"Respect" (Bonus track: Live at the Whisky a Go Go)
1422:in 2013. The album was also ranked at number 74 on
4343:
4285:
3766:
3483:
2658:. San Francisco, CA: Backbeat Books. p. 568.
2988:
2475:
949:, indicating 100,000 equivalent-units in the UK.
696:covered this song in 1967 and with it topped the
4797:Albums produced by Jim Stewart (record producer)
4783:
3835:. Straight Arrow. August 17, 2000. p. 114.
3131:"Otis Redding – Otis Blue (Collector's Edition)"
2773:"A Memphis-music landmark, lavishly re-released"
2678:
2636:List of number-one R&B albums of 1965 (U.S.)
1953:"Ole Man Trouble" (Previously unreleased / Mono)
952:
4620:The Dock of the Bay – The Definitive Collection
4342:Wyman, Bill; Coleman, Ray (November 20, 1990).
4325:Classic Tracks Back to Back: Singles and Albums
3173:
2766:
2764:
4641:Dreams to Remember: The Otis Redding Anthology
4588:Good to Me: Live at the Whisky a Go Go, Vol. 2
4346:Stone alone: the story of a rock 'n' roll band
4007:"The 500 Greatest Albums Of All Time: 500-401"
588:; it was re-recorded in stereo for the album.
4444:
3769:MusicHound R&B: The Essential Album Guide
3538:"Otis Redding Album & Song Chart History"
3291:
3238:
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3026:
3024:
3022:
3020:
3018:
2824:
4374:"Talkin' About Heart And Soul: Otis Redding"
4341:
4197:Soulsville U.S.A.: The Story of Stax Records
3333:
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3318:
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2249:"Satisfaction" (Bonus track: Live in Europe)
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1019:
981:
941:to justify the $ 2.98 cost." In 2022 it was
3895:
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3417:. Vol. 16. Cengage Gale. p. 180.
2946:
2944:
2942:
2770:
1742:
546:As with Redding's previous album, engineer
4451:
4437:
4316:Otis Blue album liner notes by Bob Rolontz
4092:"1001 Albums You Must Hear Before You Die"
3852:
3850:
3807:. Bauer Media. February 1993. p. 92.
3015:
607:s recording, from left to right: Cropper,
40:
4482:The Great Otis Redding Sings Soul Ballads
3596:
3594:
3337:
3324:
3063:
882:was here", according to music journalist
657:, the album is a "set of soul standards,
442:The Great Otis Redding Sings Soul Ballads
204:The Great Otis Redding Sings Soul Ballads
4131:
4129:
4127:
4125:
4123:
4121:
4119:
4117:
4115:
4113:
3603:The Virgin encyclopedia of popular music
3556:
3504:
3437:
3121:
3119:
3117:
3115:
3113:
2939:
2685:African Americans in the Performing Arts
1942:"Respect" (Previously unreleased / Mono)
1448:1001 Albums You Must Hear Before You Die
864:s commercial performance helped Redding
706:
595:
535:pm on July 10, 1965, with a break from 8
470:
247:) is the third studio album by American
4222:
4137:"Otis Redding – Awards : AllMusic"
4042:from the original on September 23, 2019
3847:
3653:from the original on September 19, 2011
3373:
3371:
3125:
2743:
2260:"Respect" (Bonus track: Live in Europe)
2227:"My Girl" (Bonus track: Live in Europe)
334:chart and also reached number 6 on the
14:
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301:, a horn section featuring members of
4627:The Very Best of Otis Redding, Vol. 1
4432:
4322:
4251:
4110:
4062:"The 500 Greatest Albums of All Time"
3824:
3822:
3679:. Race Point Publishing. p. 67.
3677:The Who: Fifty Years of My Generation
3630:
3626:
3624:
3622:
3600:
3579:from the original on October 23, 2012
3377:
3356:from the original on October 18, 2011
3220:from the original on January 13, 2011
3194:from the original on October 19, 2017
3180:. Canongate Books. pp. 183–184.
3161:
3110:
2984:
2982:
2967:from the original on November 7, 2021
2850:
2848:
2833:from the original on November 7, 2021
2755:
2238:"Shake" (Bonus track: Live in Europe)
2205:"Respect" (Bonus track: 1967 version)
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29:1965 studio album by Otis Redding
4372:Harper, Simon (September 18, 2015).
3946:from the original on January 9, 2009
3796:
3794:
3671:
3368:
2779:from the original on October 6, 2015
2688:. Infobase Publishing. p. 193.
2579:Earl Sims – backing vocals (track 2)
1931:"I'm Depending on You" (Bonus track)
819:, who notes its use of a photo of a
362:). Released at the beginning of the
338:, while three of its singles became
4581:Monterey International Pop Festival
4147:from the original on March 15, 2016
3923:
3693:
3518:from the original on March 15, 2016
3273:from the original on March 25, 2015
3267:"Otis Blue Deluxe – antiMUSIC News"
3035:Harold, Claudrena N (May 2, 2008).
2953:"Otis Blue/Otis Redding Sings Soul"
2827:"Black star's posthumous come-back"
2702:from the original on March 18, 2017
1772:(mono version) and selections from
591:
24:
4365:
4005:Barker, Emily (October 21, 2013).
3986:from the original on June 10, 2011
3930:Taylor, Angus (December 7, 2007).
3877:from the original on June 10, 2021
3863:. New York: Simon & Schuster.
3819:
3619:
3300:from the original on July 15, 2014
3247:from the original on July 15, 2014
3143:from the original on June 10, 2021
3089:Otis Blue: Otis Redding Sings Soul
3039:Otis Blue: Otis Redding Sings Soul
3003:from the original on June 10, 2021
2979:
2859:Otis Blue: Otis Redding Sings Soul
2845:
2825:David Belcher (January 14, 1984).
958:Retrospective professional reviews
745:. Redding's rendition of Cooke's "
481:Stax Museum of American Soul Music
25:
18:Otis Blue: Otis Redding Sings Soul
4823:
4634:Otis! The Definitive Otis Redding
4418:Otis Blue/Otis Redding Sings Soul
4402:Otis Blue/Otis Redding Sings Soul
4394:
4072:from the original on July 2, 2021
3860:The new Rolling Stone album guide
3791:
3342:Otis Blue—Otis Redding Sings Soul
3051:from the original on June 9, 2021
2914:Otis Blue/Otis Redding Sings Soul
2881:from the original on May 16, 2014
2806:from the original on May 22, 2012
2460:
1350:owes a debt to". Bruce Eder from
1311:called it "perfect". Writing for
1300:The New Rolling Stone Album Guide
1247:
1209:
1171:
1133:
1059:
1021:
983:
491:shown on an adjacent screen, 2013
238:Otis Blue/Otis Redding Sings Soul
213:Otis Blue/Otis Redding Sings Soul
35:Otis Blue/Otis Redding Sings Soul
4726:(Sittin' On) The Dock of the Bay
4458:
4200:. New York, NY: Schirmer Trade.
4098:from the original on May 8, 2012
2604:Yves Beauvais – reissue producer
2407:b/w "You Don't Miss Your Water"
1454:
1402:(1966) as Redding's best album.
1266:
1261:
1256:
1251:
1246:
1228:
1223:
1218:
1213:
1208:
1190:
1185:
1180:
1175:
1170:
1152:
1147:
1142:
1137:
1132:
1078:
1073:
1068:
1063:
1058:
1040:
1035:
1030:
1025:
1020:
1002:
997:
992:
987:
982:
277:hits, exploring themes from the
4574:In Person at the Whisky a Go Go
4187:
4159:
4084:
4054:
4024:
3998:
3974:. October 2, 1993. p. 29.
3958:
3889:
3755:
3721:
3665:
3530:
3477:
3463:
3431:
3406:
3285:
3259:
3232:
3206:
3174:Peter Guralnick (May 2, 2002).
3167:
2905:
2378:"I've Been Loving You Too Long"
2128:"I've Been Loving You Too Long"
1843:"I've Been Loving You Too Long"
1775:In Person at the Whisky a Go Go
1431:500 Greatest Albums of All Time
1323:regarded it as "the definitive
839:model Dagmar Dreger. Although
531:am on July 9 (a Saturday) and 2
378:500 Greatest Albums of All Time
4413:(streamed copy where licensed)
3899:; McLear, Colin, eds. (2007).
3514:. Allmusic. Rovi Corporation.
3413:Phelps, Shirelle, ed. (1997).
3378:Anon. (2007). "Otis Blue". In
3338:Christgau, Robert (May 2008).
3296:. Allmusic. Rovi Corporation.
3243:. Allmusic. Rovi Corporation.
3216:. Allmusic. Rovi Corporation.
2855:Fricke, David (May 15, 2008).
2791:
2672:
2647:
2068:
1783:
1593:
1466:
1330:In a retrospective review for
643:The majority of the tracks on
82:1965 for the mono version of "
13:
1:
4680:I've Been Loving You Too Long
4226:Otis!: The Otis Redding Story
3966:"Greatest Albums of All Time"
3734:Encyclopedia of Popular Music
3708:British Phonographic Industry
2798:John Metzger (May 19, 2008).
2641:
2057:(stereo) and selections from
1568:I've Been Loving You Too Long
1240:The Rolling Stone Album Guide
1052:Encyclopedia of Popular Music
953:Critical reception and legacy
947:British Phonographic Industry
572:I've Been Loving You Too Long
570:". The album's fifth track, "
475:Recording equipment from the
401:
344:I've Been Loving You Too Long
241:(often referred to simply as
84:I've Been Loving You Too Long
3085:Patrin, Nate (May 9, 2008).
2616:Haig Adishian – cover design
2509:
466:
342:hits: the Redding original "
7:
4613:The History of Otis Redding
3601:Colin, Larkin, ed. (2002).
2629:
2194:"You Don't Miss Your Water"
1964:"Any Ole Way" (Bonus track)
1909:"You Don't Miss Your Water"
10:
4828:
4740:You Left the Water Running
4733:Papa's Got a Brand New Bag
4318:. Atlantic Recording Corp.
2607:Bill Inglot, Dan Hersch –
2576:– backing vocals (track 2)
2323:
1555:, Babe Chivian, Joe Martin
803:
497:Booker T. & the M.G.'s
358:" (later repopularized by
299:Booker T. & the M.G.'s
4749:
4657:
4604:
4558:
4535:The Immortal Otis Redding
4519:
4466:
3631:Lewis, Alan (June 2008).
3500:– via Google Books.
2613:Pete Sahula – cover photo
2498:
2483:
2472:
2469:
2431:
2404:
2377:
2343:
2270:
2075:
2072:
2067:
1790:
1787:
1782:
1725:You Don't Miss Your Water
1603:
1600:
1597:
1592:
1476:
1473:
1470:
1465:
1334:, Patrin went on to call
970:
967:
794:You Don't Miss Your Water
197:
189:
168:
156:
140:
104:
92:
69:
61:
48:
39:
34:
3731:(2007). "Otis Redding".
3382:; McLear, Colin (eds.).
3319:Wyman & Coleman 1990
2380:b/w "Just One More Day"
1755:was released in 2008 by
1747:An expanded double-disc
1743:2008 collector's edition
499:(keyboardist/bandleader
479:studio preserved at the
394:was released in 2008 by
4763:Shake! Otis at Monterey
4705:Try a Little Tenderness
4223:Freeman, Scott (2002).
3573:Official Charts Company
3512:"Otis Redding – Awards"
3447:Oxford University Press
2802:. Musicbox-online.com.
455:), although not on its
313:, providing a rhythmic
263:subsidiary label Volt.
4323:Black, Johnny (2008).
4229:. St. Martin's Press.
4171:www.officialcharts.com
4068:. September 22, 2020.
3641:. Diamond Publishing.
3091:(Collector's Edition)"
2829:. The Glasgow Herald.
2775:. Contemporary Media.
723:" is a funky cover of
712:
640:
492:
269:is composed mainly of
251:singer and songwriter
4327:. Thunder Bay Press.
3473:. September 15, 2015.
2556:Gene "Bowlegs" Miller
2520:Otis Redding – vocals
710:
600:The Stax crew during
599:
474:
380:" (at number 78) and
4194:Bowman, Rob (1997).
3829:"Otis Blue review".
3801:"Otis Blue review".
2912:Bowman, Rob (2015).
2584:Additional personnel
2570:– baritone saxophone
2117:"Down in the Valley"
1832:"Down in the Valley"
829:In the Midnight Hour
741:in a hotel near the
681:'s "Ole Man River".
4812:Volt Records albums
4807:Otis Redding albums
4802:Atco Records albums
4528:The Dock of the Bay
4258:. Greenwood Press.
4252:Gulla, Bob (2007).
3902:The Mojo Collection
3385:The Mojo Collection
3292:Matthew Greenwald.
3239:Matthew Greenwald.
2758:, pp. 401–408.
2466:
2106:"Change Gonna Come"
2064:
1821:"Change Gonna Come"
1779:
1749:collector's edition
1589:
1462:
1320:The Mojo Collection
959:
388:collector's edition
4666:These Arms of Mine
4605:Compilation albums
4425:(list of releases)
4292:. Back Bay Books.
3129:(April 29, 2008).
2869:. Straight Arrow.
2530:– keyboards, piano
2465:
2434:b/w "Any Ole Way"
2349:"Ole Man Trouble"
2052:
1767:
1587:
1543:Down in the Valley
1460:
1090:MusicHound R&B
957:
782:the Rolling Stones
721:Down in the Valley
713:
641:
609:Donald "Duck" Dunn
509:Donald "Duck" Dunn
493:
419:These Arms of Mine
348:the Rolling Stones
295:Memphis, Tennessee
65:September 15, 1965
4777:
4776:
4520:Posthumous albums
4357:978-0-670-82894-4
4334:978-1-59223-872-9
4299:978-0-316-33273-6
4265:978-0-313-34044-4
4236:978-0-312-30297-9
4207:978-0-8256-7284-2
3916:978-1-84767-643-6
3870:978-0-7432-0169-8
3775:Visible Ink Press
3612:978-1-85227-923-3
3399:978-1-84767-643-6
3269:. Antimusic.com.
2771:Stephen Deusner.
2665:978-0-87930-744-8
2564:– tenor saxophone
2507:
2506:
2502:
2458:
2457:
2321:
2320:
2267:
2266:
2161:"Wonderful World"
2084:"Ole Man Trouble"
2048:
2047:
1876:"Wonderful World"
1799:"Ole Man Trouble"
1739:
1738:
1583:
1582:
1523:Change Gonna Come
1275:
1274:
717:Change Gonna Come
447:R&B LPs chart
307:the Memphis Horns
234:
233:
230:
229:
16:(Redirected from
4819:
4510:King & Queen
4475:Pain in My Heart
4453:
4446:
4439:
4430:
4429:
4390:
4388:
4386:
4361:
4349:
4338:
4319:
4311:
4291:
4282:Guralnick, Peter
4277:
4248:
4219:
4182:
4181:
4179:
4177:
4163:
4157:
4156:
4154:
4152:
4133:
4108:
4107:
4105:
4103:
4094:. Rocklist.net.
4088:
4082:
4081:
4079:
4077:
4058:
4052:
4051:
4049:
4047:
4028:
4022:
4021:
4019:
4017:
4002:
3996:
3995:
3993:
3991:
3962:
3956:
3955:
3953:
3951:
3927:
3921:
3920:
3905:(4th ed.).
3893:
3887:
3886:
3884:
3882:
3854:
3845:
3844:
3826:
3817:
3816:
3798:
3789:
3788:
3772:
3759:
3753:
3752:
3741:. p. 1948.
3725:
3719:
3718:
3716:
3714:
3700:
3691:
3690:
3669:
3663:
3662:
3660:
3658:
3638:Record Collector
3628:
3617:
3616:
3598:
3589:
3588:
3586:
3584:
3565:
3554:
3553:
3551:
3549:
3534:
3528:
3527:
3525:
3523:
3508:
3502:
3501:
3481:
3475:
3474:
3467:
3461:
3460:
3435:
3429:
3428:
3410:
3404:
3403:
3388:(4th ed.).
3375:
3366:
3365:
3363:
3361:
3335:
3322:
3316:
3310:
3309:
3307:
3305:
3289:
3283:
3282:
3280:
3278:
3263:
3257:
3256:
3254:
3252:
3236:
3230:
3229:
3227:
3225:
3210:
3204:
3203:
3201:
3199:
3171:
3165:
3159:
3153:
3152:
3150:
3148:
3123:
3108:
3107:
3105:
3103:
3082:
3061:
3060:
3058:
3056:
3032:
3013:
3012:
3010:
3008:
2986:
2977:
2976:
2974:
2972:
2961:Rovi Corporation
2948:
2937:
2936:
2928:. 081227951856.
2909:
2903:
2897:
2891:
2890:
2888:
2886:
2852:
2843:
2842:
2840:
2838:
2822:
2816:
2815:
2813:
2811:
2795:
2789:
2788:
2786:
2784:
2768:
2759:
2753:
2747:
2741:
2735:
2729:
2712:
2711:
2709:
2707:
2680:Steven Otfinoski
2676:
2670:
2669:
2651:
2500:
2484:United Kingdom (
2467:
2464:
2328:
2327:
2275:
2274:
2070:
2065:
2051:
1785:
1780:
1766:
1595:
1590:
1586:
1468:
1463:
1459:
1428:
1271:
1270:
1269:
1265:
1264:
1260:
1259:
1255:
1254:
1250:
1249:
1233:
1232:
1231:
1227:
1226:
1222:
1221:
1217:
1216:
1212:
1211:
1195:
1194:
1193:
1189:
1188:
1184:
1183:
1179:
1178:
1174:
1173:
1164:Record Collector
1157:
1156:
1155:
1151:
1150:
1146:
1145:
1141:
1140:
1136:
1135:
1083:
1082:
1081:
1077:
1076:
1072:
1071:
1067:
1066:
1062:
1061:
1045:
1044:
1043:
1039:
1038:
1034:
1033:
1029:
1028:
1024:
1023:
1007:
1006:
1005:
1001:
1000:
996:
995:
991:
990:
986:
985:
960:
956:
909:Blonde on Blonde
871:Record Collector
863:
813:Atlantic Records
798:Robert Christgau
606:
592:Music and lyrics
585:
542:
539:pm Saturday to 2
538:
534:
530:
461:subsidiary label
436:Pain in My Heart
273:of contemporary
199:
198:
152:
151:
147:
81:
44:
32:
31:
21:
4827:
4826:
4822:
4821:
4820:
4818:
4817:
4816:
4782:
4781:
4778:
4773:
4745:
4691:Ole Man Trouble
4653:
4600:
4554:
4515:
4462:
4457:
4397:
4384:
4382:
4371:
4368:
4366:Further reading
4358:
4335:
4314:
4300:
4280:
4266:
4237:
4208:
4190:
4185:
4175:
4173:
4165:
4164:
4160:
4150:
4148:
4135:
4134:
4111:
4101:
4099:
4090:
4089:
4085:
4075:
4073:
4060:
4059:
4055:
4045:
4043:
4030:
4029:
4025:
4015:
4013:
4003:
3999:
3989:
3987:
3964:
3963:
3959:
3949:
3947:
3928:
3924:
3917:
3907:Canongate Books
3894:
3890:
3880:
3878:
3871:
3855:
3848:
3828:
3827:
3820:
3800:
3799:
3792:
3785:
3760:
3756:
3749:
3726:
3722:
3712:
3710:
3702:
3701:
3694:
3687:
3670:
3666:
3656:
3654:
3629:
3620:
3613:
3599:
3592:
3582:
3580:
3567:
3566:
3557:
3547:
3545:
3536:
3535:
3531:
3521:
3519:
3510:
3509:
3505:
3498:
3482:
3478:
3469:
3468:
3464:
3457:
3449:. p. 269.
3436:
3432:
3425:
3411:
3407:
3400:
3390:Canongate Books
3376:
3369:
3359:
3357:
3340:"Otis Redding:
3336:
3325:
3317:
3313:
3303:
3301:
3290:
3286:
3276:
3274:
3265:
3264:
3260:
3250:
3248:
3237:
3233:
3223:
3221:
3212:
3211:
3207:
3197:
3195:
3188:
3172:
3168:
3160:
3156:
3146:
3144:
3124:
3111:
3101:
3099:
3096:Pitchfork Media
3087:"Otis Redding:
3083:
3064:
3054:
3052:
3037:"Otis Redding:
3033:
3016:
3006:
3004:
2987:
2980:
2970:
2968:
2949:
2940:
2916:(Liner notes).
2910:
2906:
2898:
2894:
2884:
2882:
2857:"Otis Redding:
2853:
2846:
2836:
2834:
2823:
2819:
2809:
2807:
2796:
2792:
2782:
2780:
2769:
2762:
2754:
2750:
2742:
2738:
2730:
2715:
2705:
2703:
2696:
2677:
2673:
2666:
2652:
2648:
2644:
2632:
2524:Booker T. Jones
2512:
2477:Certified units
2463:
2433:
2406:
2379:
2345:
2338:
2326:
2314:UK Album Chart
2282:
2273:
2268:
2049:
1745:
1740:
1656:Wonderful World
1638:Smokey Robinson
1584:
1487:Ole Man Trouble
1457:
1426:
1361:Stephen Deusner
1267:
1262:
1257:
1252:
1229:
1224:
1219:
1214:
1191:
1186:
1181:
1176:
1153:
1148:
1143:
1138:
1079:
1074:
1069:
1064:
1041:
1036:
1031:
1026:
1003:
998:
993:
988:
955:
861:
806:
770:Wonderful World
762:Smokey Robinson
754:the Temptations
743:Atlanta airport
735:the Impressions
694:Aretha Franklin
604:
594:
586:s R&B chart
583:
576:Booker T. Jones
560:Ole Man Trouble
540:
536:
532:
528:
501:Booker T. Jones
469:
457:pop counterpart
404:
360:Aretha Franklin
336:UK Albums Chart
225:
216:
207:
149:
145:
144:
79:
75:July 9–10, 1965
57:
30:
23:
22:
15:
12:
11:
5:
4825:
4815:
4814:
4809:
4804:
4799:
4794:
4775:
4774:
4772:
4771:
4766:
4759:
4753:
4751:
4750:Related topics
4747:
4746:
4744:
4743:
4736:
4729:
4722:
4715:
4708:
4701:
4694:
4683:
4676:
4669:
4661:
4659:
4655:
4654:
4652:
4651:
4644:
4637:
4630:
4623:
4616:
4608:
4606:
4602:
4601:
4599:
4598:
4591:
4584:
4577:
4570:
4567:Live in Europe
4562:
4560:
4556:
4555:
4553:
4552:
4549:Tell the Truth
4545:
4538:
4531:
4523:
4521:
4517:
4516:
4514:
4513:
4506:
4499:
4496:The Soul Album
4492:
4485:
4478:
4470:
4468:
4464:
4463:
4456:
4455:
4448:
4441:
4433:
4427:
4426:
4414:
4396:
4395:External links
4393:
4392:
4391:
4367:
4364:
4363:
4362:
4356:
4339:
4333:
4320:
4312:
4298:
4278:
4264:
4249:
4235:
4220:
4206:
4189:
4186:
4184:
4183:
4158:
4109:
4083:
4053:
4023:
3997:
3957:
3932:"Otis Redding
3922:
3915:
3909:. p. 57.
3888:
3869:
3846:
3818:
3790:
3783:
3754:
3747:
3720:
3692:
3686:978-1627887823
3685:
3664:
3618:
3611:
3590:
3569:"Otis Redding"
3555:
3529:
3503:
3496:
3476:
3462:
3455:
3439:Fletcher, Tony
3430:
3423:
3405:
3398:
3392:. p. 57.
3367:
3323:
3321:, p. 480.
3311:
3284:
3258:
3231:
3205:
3186:
3166:
3154:
3109:
3062:
3014:
2978:
2938:
2904:
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2817:
2790:
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2713:
2694:
2671:
2664:
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2628:
2627:
2626:
2617:
2614:
2611:
2605:
2602:
2596:
2581:
2580:
2577:
2571:
2565:
2559:
2549:
2546:Al Jackson Jr.
2543:
2537:
2531:
2521:
2511:
2508:
2505:
2504:
2496:
2495:
2492:
2489:
2481:
2480:
2474:
2471:
2462:
2461:Certifications
2459:
2456:
2455:
2452:
2451:R&B chart
2445:
2444:
2441:
2435:
2432:"Satisfaction"
2429:
2428:
2425:
2424:R&B chart
2418:
2417:
2414:
2408:
2402:
2401:
2398:
2397:R&B chart
2391:
2390:
2387:
2381:
2375:
2374:
2371:
2362:
2361:
2358:
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2341:
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2272:
2269:
2265:
2264:
2261:
2258:
2254:
2253:
2250:
2247:
2243:
2242:
2239:
2236:
2232:
2231:
2228:
2225:
2221:
2220:
2217:
2214:
2210:
2209:
2206:
2203:
2199:
2198:
2195:
2192:
2188:
2187:
2184:
2183:"Satisfaction"
2181:
2177:
2176:
2173:
2172:"Rock Me Baby"
2170:
2166:
2165:
2162:
2159:
2155:
2154:
2151:
2148:
2144:
2143:
2140:
2137:
2133:
2132:
2129:
2126:
2122:
2121:
2118:
2115:
2111:
2110:
2107:
2104:
2100:
2099:
2096:
2093:
2089:
2088:
2085:
2082:
2078:
2077:
2074:
2071:
2060:Live in Europe
2050:
2046:
2045:
2042:
2039:
2035:
2034:
2031:
2028:
2024:
2023:
2020:
2017:
2013:
2012:
2009:
2006:
2002:
2001:
1998:
1995:
1991:
1990:
1987:
1984:
1980:
1979:
1976:
1973:
1969:
1968:
1965:
1962:
1958:
1957:
1954:
1951:
1947:
1946:
1943:
1940:
1936:
1935:
1932:
1929:
1925:
1924:
1921:
1918:
1914:
1913:
1910:
1907:
1903:
1902:
1899:
1898:"Satisfaction"
1896:
1892:
1891:
1888:
1887:"Rock Me Baby"
1885:
1881:
1880:
1877:
1874:
1870:
1869:
1866:
1863:
1859:
1858:
1855:
1852:
1848:
1847:
1844:
1841:
1837:
1836:
1833:
1830:
1826:
1825:
1822:
1819:
1815:
1814:
1811:
1808:
1804:
1803:
1800:
1797:
1793:
1792:
1789:
1786:
1765:
1744:
1741:
1737:
1736:
1733:
1728:
1721:
1717:
1716:
1713:
1711:Keith Richards
1704:
1697:
1693:
1692:
1689:
1684:
1677:
1673:
1672:
1669:
1659:
1652:
1648:
1647:
1644:
1635:
1628:
1624:
1623:
1620:
1617:
1610:
1606:
1605:
1602:
1599:
1596:
1585:
1581:
1580:
1577:
1571:
1564:
1560:
1559:
1556:
1546:
1539:
1535:
1534:
1531:
1526:
1519:
1515:
1514:
1511:
1508:
1501:
1497:
1496:
1493:
1490:
1483:
1479:
1478:
1475:
1472:
1469:
1458:
1456:
1453:
1420:a similar list
1273:
1272:
1243:
1235:
1234:
1205:
1197:
1196:
1167:
1159:
1158:
1129:
1121:
1120:
1117:
1109:
1108:
1105:
1097:
1096:
1093:
1085:
1084:
1055:
1047:
1046:
1017:
1009:
1008:
979:
973:
972:
969:
965:
964:
954:
951:
894:the Beach Boys
825:Wilson Pickett
805:
802:
760:", written by
737:' lead singer
686:Al Jackson Jr.
675:phantasmagoric
593:
590:
513:Al Jackson Jr.
468:
465:
449:(published by
403:
400:
309:, and pianist
271:cover versions
232:
231:
228:
227:
222:The Soul Album
218:
209:
195:
194:
187:
186:
185:
184:
179:
172:
166:
165:
160:
154:
153:
142:
138:
137:
136:
135:
130:
125:
120:
115:
108:
102:
101:
94:
90:
89:
88:
87:
76:
71:
67:
66:
63:
59:
58:
53:
46:
45:
37:
36:
28:
9:
6:
4:
3:
2:
4824:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4789:
4787:
4780:
4770:
4769:"Otis" (song)
4767:
4765:
4764:
4760:
4758:
4755:
4754:
4752:
4748:
4741:
4737:
4734:
4730:
4727:
4723:
4720:
4719:Knock on Wood
4716:
4713:
4709:
4706:
4702:
4699:
4695:
4692:
4688:
4684:
4681:
4677:
4674:
4670:
4667:
4663:
4662:
4660:
4656:
4650:
4649:
4645:
4643:
4642:
4638:
4636:
4635:
4631:
4629:
4628:
4624:
4622:
4621:
4617:
4615:
4614:
4610:
4609:
4607:
4603:
4597:
4596:
4592:
4590:
4589:
4585:
4583:
4582:
4578:
4576:
4575:
4571:
4569:
4568:
4564:
4563:
4561:
4557:
4551:
4550:
4546:
4544:
4543:
4539:
4537:
4536:
4532:
4530:
4529:
4525:
4524:
4522:
4518:
4512:
4511:
4507:
4505:
4504:
4500:
4498:
4497:
4493:
4491:
4490:
4486:
4484:
4483:
4479:
4477:
4476:
4472:
4471:
4469:
4467:Studio albums
4465:
4461:
4454:
4449:
4447:
4442:
4440:
4435:
4434:
4431:
4424:
4420:
4419:
4415:
4412:
4408:
4404:
4403:
4399:
4398:
4381:
4380:
4375:
4370:
4369:
4359:
4353:
4348:
4347:
4340:
4336:
4330:
4326:
4321:
4317:
4313:
4309:
4305:
4301:
4295:
4290:
4289:
4283:
4279:
4275:
4271:
4267:
4261:
4257:
4256:
4250:
4246:
4242:
4238:
4232:
4228:
4227:
4221:
4217:
4213:
4209:
4203:
4199:
4198:
4192:
4191:
4172:
4168:
4162:
4146:
4142:
4138:
4132:
4130:
4128:
4126:
4124:
4122:
4120:
4118:
4116:
4114:
4097:
4093:
4087:
4076:September 14,
4071:
4067:
4066:Rolling Stone
4063:
4057:
4046:September 23,
4041:
4037:
4036:Rolling Stone
4033:
4027:
4012:
4008:
4001:
3985:
3981:
3977:
3973:
3972:
3967:
3961:
3945:
3941:
3937:
3935:
3926:
3918:
3912:
3908:
3904:
3903:
3898:
3892:
3876:
3872:
3866:
3862:
3861:
3853:
3851:
3842:
3838:
3834:
3833:
3832:Rolling Stone
3825:
3823:
3814:
3810:
3806:
3805:
3797:
3795:
3786:
3780:
3776:
3771:
3770:
3764:
3758:
3750:
3748:9780857125958
3744:
3740:
3739:Omnibus Press
3736:
3735:
3730:
3729:Larkin, Colin
3724:
3709:
3705:
3699:
3697:
3688:
3682:
3678:
3674:
3668:
3652:
3648:
3644:
3640:
3639:
3634:
3627:
3625:
3623:
3614:
3608:
3604:
3597:
3595:
3578:
3574:
3570:
3564:
3562:
3560:
3543:
3539:
3533:
3517:
3513:
3507:
3499:
3497:9780262044332
3493:
3490:. MIT Press.
3489:
3488:
3480:
3472:
3466:
3458:
3456:9780190252946
3452:
3448:
3444:
3440:
3434:
3426:
3420:
3416:
3409:
3401:
3395:
3391:
3387:
3386:
3381:
3374:
3372:
3355:
3351:
3350:
3345:
3343:
3334:
3332:
3330:
3328:
3320:
3315:
3299:
3295:
3288:
3272:
3268:
3262:
3246:
3242:
3235:
3219:
3215:
3209:
3193:
3189:
3187:9781847676375
3183:
3179:
3178:
3170:
3164:, p. 71.
3163:
3158:
3142:
3138:
3137:
3132:
3128:
3127:Spencer, Neil
3122:
3120:
3118:
3116:
3114:
3098:
3097:
3092:
3090:
3081:
3079:
3077:
3075:
3073:
3071:
3069:
3067:
3050:
3046:
3042:
3040:
3031:
3029:
3027:
3025:
3023:
3021:
3019:
3002:
2998:
2997:
2992:
2985:
2983:
2966:
2962:
2958:
2954:
2947:
2945:
2943:
2935:
2933:
2927:
2923:
2919:
2915:
2908:
2902:, p. 59.
2901:
2896:
2880:
2876:
2872:
2868:
2867:
2866:Rolling Stone
2862:
2860:
2851:
2849:
2832:
2828:
2821:
2805:
2801:
2794:
2778:
2774:
2767:
2765:
2757:
2752:
2746:, p. 77.
2745:
2740:
2734:, p. 57.
2733:
2728:
2726:
2724:
2722:
2720:
2718:
2701:
2697:
2695:9781438128559
2691:
2687:
2686:
2681:
2675:
2667:
2661:
2657:
2650:
2646:
2637:
2634:
2633:
2625:
2621:
2618:
2615:
2612:
2610:
2606:
2603:
2601:– supervision
2600:
2597:
2595:
2591:
2588:
2587:
2586:
2585:
2578:
2575:
2572:
2569:
2566:
2563:
2560:
2557:
2553:
2552:Wayne Jackson
2550:
2547:
2544:
2542:– bass guitar
2541:
2538:
2535:
2534:Steve Cropper
2532:
2529:
2525:
2522:
2519:
2518:
2517:
2516:
2503:
2497:
2493:
2490:
2487:
2482:
2478:
2473:Certification
2468:
2453:
2450:
2447:
2446:
2442:
2439:
2436:
2430:
2426:
2423:
2420:
2419:
2415:
2412:
2409:
2403:
2399:
2396:
2393:
2392:
2388:
2385:
2382:
2376:
2372:
2370:
2369:R&B chart
2367:
2364:
2363:
2359:
2357:
2354:
2351:
2348:
2342:
2336:
2333:
2330:
2329:
2316:
2313:
2312:
2308:
2306:
2305:R&B chart
2303:
2300:
2299:
2295:
2293:
2290:
2287:
2286:
2280:
2277:
2276:
2262:
2259:
2255:
2251:
2248:
2244:
2240:
2237:
2233:
2229:
2226:
2222:
2218:
2215:
2211:
2207:
2204:
2200:
2196:
2193:
2189:
2185:
2182:
2178:
2174:
2171:
2167:
2163:
2160:
2156:
2152:
2149:
2145:
2141:
2138:
2134:
2130:
2127:
2123:
2119:
2116:
2112:
2108:
2105:
2101:
2097:
2094:
2090:
2086:
2083:
2079:
2066:
2062:
2061:
2056:
2043:
2040:
2036:
2032:
2029:
2025:
2021:
2018:
2014:
2010:
2007:
2003:
1999:
1996:
1992:
1988:
1985:
1981:
1977:
1974:
1970:
1966:
1963:
1959:
1955:
1952:
1948:
1944:
1941:
1937:
1933:
1930:
1926:
1922:
1919:
1915:
1911:
1908:
1904:
1900:
1897:
1893:
1889:
1886:
1882:
1878:
1875:
1871:
1867:
1864:
1860:
1856:
1853:
1849:
1845:
1842:
1838:
1834:
1831:
1827:
1823:
1820:
1816:
1812:
1809:
1805:
1801:
1798:
1794:
1781:
1777:
1776:
1771:
1764:
1762:
1758:
1757:Rhino Records
1754:
1750:
1734:
1732:
1729:
1726:
1722:
1718:
1714:
1712:
1708:
1705:
1702:
1698:
1694:
1690:
1688:
1685:
1682:
1678:
1674:
1670:
1668:
1664:
1660:
1657:
1653:
1649:
1645:
1643:
1639:
1636:
1633:
1629:
1625:
1621:
1618:
1615:
1611:
1607:
1591:
1578:
1576:
1572:
1569:
1565:
1561:
1557:
1554:
1553:Solomon Burke
1550:
1547:
1544:
1540:
1536:
1532:
1530:
1527:
1524:
1520:
1516:
1512:
1509:
1506:
1502:
1498:
1494:
1491:
1488:
1484:
1480:
1464:
1455:Track listing
1452:
1450:
1449:
1444:
1443:
1438:
1437:
1432:
1425:
1424:Rolling Stone
1421:
1417:
1416:
1411:
1407:
1403:
1401:
1400:
1395:
1390:
1386:
1382:
1381:Southern soul
1378:
1377:
1372:
1371:accompaniment
1368:
1367:
1366:Memphis Flyer
1362:
1357:
1353:
1349:
1345:
1341:
1337:
1333:
1328:
1326:
1325:Southern soul
1322:
1321:
1316:
1315:
1310:
1306:
1305:Rolling Stone
1302:
1301:
1295:
1294:
1293:Rolling Stone
1289:
1285:
1284:
1279:
1244:
1242:
1241:
1237:
1236:
1206:
1204:
1203:
1202:Rolling Stone
1199:
1198:
1168:
1166:
1165:
1161:
1160:
1130:
1128:
1127:
1123:
1122:
1118:
1116:
1115:
1111:
1110:
1106:
1104:
1103:
1099:
1098:
1094:
1092:
1091:
1087:
1086:
1056:
1054:
1053:
1049:
1048:
1018:
1016:
1015:
1011:
1010:
980:
978:
975:
974:
966:
963:Review scores
961:
950:
948:
944:
940:
935:
931:
930:
925:
921:
920:
915:
911:
910:
905:
901:
900:
895:
891:
890:
885:
881:
877:
873:
872:
867:
860:
856:
853:
849:
847:
842:
838:
834:
830:
826:
822:
818:
817:Tony Fletcher
814:
810:
801:
799:
795:
791:
787:
783:
779:
775:
771:
767:
763:
759:
755:
750:
748:
744:
740:
736:
732:
731:
726:
725:Solomon Burke
722:
718:
709:
705:
703:
699:
695:
691:
687:
682:
680:
676:
672:
668:
664:
660:
656:
655:
650:
646:
638:
634:
633:Wayne Jackson
630:
626:
622:
618:
614:
610:
603:
598:
589:
587:
582:
577:
573:
569:
565:
561:
557:
553:
549:
544:
526:
525:Memphis Horns
522:
518:
514:
510:
506:
505:Steve Cropper
502:
498:
490:
489:Steve Cropper
486:
482:
478:
473:
464:
462:
458:
454:
453:
448:
444:
443:
438:
437:
432:
428:
424:
420:
416:
413:had released
412:
408:
399:
397:
396:Rhino Records
393:
389:
385:
384:
379:
375:
374:
373:Rolling Stone
369:
365:
361:
357:
353:
349:
345:
341:
337:
333:
329:
325:
321:
319:
318:accompaniment
316:
315:Southern soul
312:
308:
304:
300:
296:
292:
288:
284:
280:
276:
272:
268:
264:
262:
258:
254:
250:
246:
245:
240:
239:
224:
223:
219:
215:
214:
210:
206:
205:
201:
200:
196:
192:
188:
183:
182:Steve Cropper
180:
178:
175:
174:
173:
171:
167:
164:
161:
159:
155:
143:
139:
134:
133:Southern soul
131:
129:
126:
124:
121:
119:
116:
114:
111:
110:
109:
107:
103:
99:
95:
91:
85:
78:(except April
77:
74:
73:
72:
68:
64:
60:
56:
51:
47:
43:
38:
33:
27:
19:
4779:
4761:
4698:Satisfaction
4646:
4639:
4632:
4625:
4618:
4611:
4593:
4586:
4579:
4572:
4565:
4547:
4540:
4533:
4526:
4508:
4501:
4494:
4488:
4487:
4480:
4473:
4460:Otis Redding
4416:
4401:
4383:. Retrieved
4377:
4345:
4324:
4315:
4287:
4254:
4225:
4196:
4188:Bibliography
4174:. Retrieved
4170:
4161:
4149:. Retrieved
4141:allmusic.com
4140:
4102:November 15,
4100:. Retrieved
4086:
4074:. Retrieved
4065:
4056:
4044:. Retrieved
4026:
4014:. Retrieved
4010:
4000:
3988:. Retrieved
3969:
3960:
3948:. Retrieved
3933:
3925:
3900:
3891:
3881:December 15,
3879:. Retrieved
3859:
3830:
3802:
3768:
3757:
3732:
3723:
3711:. Retrieved
3676:
3667:
3655:. Retrieved
3636:
3602:
3581:. Retrieved
3546:. Retrieved
3541:
3532:
3520:. Retrieved
3506:
3486:
3479:
3465:
3442:
3433:
3414:
3408:
3383:
3358:. Retrieved
3347:
3341:
3314:
3302:. Retrieved
3287:
3275:. Retrieved
3261:
3249:. Retrieved
3234:
3224:February 17,
3222:. Retrieved
3208:
3196:. Retrieved
3176:
3169:
3157:
3145:. Retrieved
3134:
3100:. Retrieved
3094:
3088:
3053:. Retrieved
3038:
3005:. Retrieved
2994:
2971:February 17,
2969:. Retrieved
2951:Bruce Eder.
2931:
2929:
2918:Otis Redding
2913:
2907:
2895:
2883:. Retrieved
2864:
2858:
2835:. Retrieved
2820:
2808:. Retrieved
2793:
2781:. Retrieved
2751:
2744:Freeman 2002
2739:
2704:. Retrieved
2684:
2674:
2655:
2649:
2583:
2582:
2574:William Bell
2568:Floyd Newman
2514:
2513:
2499:
2448:
2437:
2421:
2410:
2394:
2383:
2365:
2352:
2301:
2288:
2058:
2054:
1773:
1769:
1752:
1746:
1731:William Bell
1701:Satisfaction
1681:Rock Me Baby
1642:Ronald White
1575:Jerry Butler
1492:Otis Redding
1446:
1440:
1434:
1423:
1413:
1405:
1404:
1397:
1393:
1388:
1374:
1364:
1355:
1340:John Fogerty
1335:
1331:
1329:
1318:
1312:
1309:David Fricke
1304:
1298:
1291:
1288:Neil Spencer
1281:
1277:
1276:
1238:
1200:
1162:
1124:
1112:
1100:
1088:
1050:
1012:
945:Gold by the
933:
927:
917:
907:
897:
887:
875:
869:
858:
857:
851:
845:
840:
808:
807:
790:William Bell
786:Satisfaction
778:Rock Me Baby
766:Ronald White
751:
739:Jerry Butler
728:
714:
697:
683:
679:Paul Robeson
670:
652:
644:
642:
629:Floyd Newman
621:Julius Green
617:David Porter
601:
580:
545:
503:, guitarist
494:
483:in Memphis;
450:
440:
434:
415:Otis Redding
407:Stax Records
405:
391:
381:
376:magazine's "
371:
367:
352:Satisfaction
323:
322:
303:the Mar-Keys
290:
283:love ballads
266:
265:
261:Stax Records
259:through the
253:Otis Redding
243:
242:
237:
236:
235:
220:
212:
211:
202:
191:Otis Redding
55:Otis Redding
50:Studio album
26:
4792:1966 albums
4757:Discography
4673:Mr. Pitiful
4648:Remember Me
4559:Live albums
4407:Adobe Flash
3763:Graff, Gary
3198:October 24,
2900:Bowman 1997
2732:Bowman 1997
2706:October 24,
2624:liner notes
2620:Bob Rolontz
2609:remastering
2599:Jim Stewart
2562:Andrew Love
2540:Donald Dunn
2528:Isaac Hayes
2053:Disco two:
1707:Mick Jagger
1667:Herb Alpert
1286:magazine's
929:A Quick One
914:the Beatles
833:stock photo
768:; Cooke's "
637:Isaac Hayes
625:Andrew Love
611:, engineer
556:Ray Charles
552:Bobby Darin
517:Isaac Hayes
439:(1964) and
411:Jim Stewart
332:R&B LPs
311:Isaac Hayes
177:Jim Stewart
4786:Categories
4350:. Viking.
4151:October 4,
3990:October 6,
3950:October 6,
3897:Irvin, Jim
3784:1578590264
3657:October 6,
3424:0787612251
3380:Irvin, Jim
3360:October 6,
3162:Black 2008
3102:October 6,
3045:PopMatters
2996:PopMatters
2885:October 6,
2756:Gulla 2007
2642:References
2440:Pop chart
2413:Pop chart
2386:Pop chart
1768:Disc one:
1549:Bert Berns
1394:PopMatters
1344:Swamp Dogg
1114:PopMatters
934:PopMatters
899:Pet Sounds
866:cross over
671:PopMatters
654:PopMatters
511:, drummer
507:, bassist
485:house-band
409:president
402:Background
193:chronology
4489:Otis Blue
4411:Radio3Net
4274:220310006
3980:0028-6362
3940:BBC Music
3934:Otis Blue
3841:0035-791X
3813:0955-4955
3713:August 6,
3673:Snow, Mat
3647:0261-250X
3544:. Hot 100
3542:Billboard
2932:Otis Blue
2875:0035-791X
2558:– trumpet
2515:Musicians
2510:Personnel
2449:Billboard
2438:Billboard
2422:Billboard
2411:Billboard
2395:Billboard
2384:Billboard
2366:Billboard
2356:Pop chart
2353:Billboard
2344:"Respect"
2339:position
2302:Billboard
2292:Pop chart
2289:Billboard
2283:position
2150:"My Girl"
2095:"Respect"
2055:Otis Blue
1865:"My Girl"
1810:"Respect"
1770:Otis Blue
1753:Otis Blue
1687:B.B. King
1663:Lou Adler
1601:Writer(s)
1573:Redding,
1529:Sam Cooke
1474:Writer(s)
1406:Otis Blue
1389:Otis Blue
1385:BBC Music
1356:Otis Blue
1336:Otis Blue
1332:Pitchfork
1278:Otis Blue
1102:Pitchfork
943:certified
904:Bob Dylan
889:Aftermath
880:album era
876:Otis Blue
859:Otis Blue
852:Otis Blue
846:Billboard
841:Otis Blue
809:Otis Blue
774:B.B. King
730:Pitchfork
698:Billboard
649:Sam Cooke
645:Otis Blue
602:Otis Blue
581:Billboard
467:Recording
463:of Stax.
452:Billboard
392:Otis Blue
368:Otis Blue
364:album era
328:crossover
324:Otis Blue
291:Otis Blue
287:Sam Cooke
267:Otis Blue
257:LP record
244:Otis Blue
4542:Love Man
4308:41950519
4284:(1999).
4245:47443887
4216:36824884
4176:June 17,
4145:Archived
4096:Archived
4070:Archived
4040:Archived
4038:. 2012.
4016:June 11,
3984:Archived
3944:Archived
3875:Archived
3675:(2015).
3651:Archived
3583:July 16,
3577:Archived
3548:July 16,
3522:July 16,
3516:Archived
3441:(2017).
3354:Archived
3304:July 16,
3298:Archived
3277:July 16,
3271:Archived
3251:July 16,
3245:Archived
3218:Archived
3192:Archived
3141:Archived
3049:Archived
3001:Archived
2965:Archived
2957:Allmusic
2930:For the
2879:Archived
2837:July 15,
2831:Archived
2810:July 16,
2804:Archived
2783:July 21,
2777:Archived
2700:Archived
2682:(2010).
2630:See also
2594:engineer
2590:Tom Dowd
2536:– guitar
2494:100,000
1588:Side two
1461:Side one
1352:AllMusic
977:AllMusic
919:Revolver
884:Mat Snow
702:feminist
665:covers,
613:Tom Dowd
548:Tom Dowd
523:and the
521:Mar-Keys
354:", and "
170:Producer
70:Recorded
62:Released
52: by
4687:Respect
4658:Singles
4423:Discogs
4385:June 9,
3936:Review"
3349:Blender
3147:June 9,
3055:June 9,
3007:June 9,
2548:– drums
2479:/sales
2470:Region
2405:"Shake"
2324:Singles
2139:"Shake"
1854:"Shake"
1761:B-sides
1661:Cooke,
1632:My Girl
1510:Redding
1505:Respect
1363:in the
1314:Blender
1307:critic
1014:Blender
924:the Who
874:called
848:Hot 100
804:Release
758:My Girl
704:hymn".
568:Respect
487:player
433:albums
427:charted
421:" as a
356:Respect
350:cover "
275:R&B
226:(1966)
217:(1965)
208:(1965)
118:R&B
98:Memphis
4354:
4331:
4306:
4296:
4272:
4262:
4243:
4233:
4214:
4204:
3978:
3913:
3867:
3839:
3811:
3781:
3745:
3683:
3645:
3609:
3494:
3453:
3421:
3396:
3184:
2873:
2692:
2662:
2334:Chart
2278:Chart
2271:Charts
2263:
2252:
2241:
2230:
2219:
2208:
2197:
2186:
2175:
2164:
2153:
2142:
2131:
2120:
2109:
2098:
2087:
2076:Length
2063:(1967)
2044:
2033:
2022:
2011:
2000:
1989:
1978:
1967:
1956:
1945:
1934:
1923:
1912:
1901:
1890:
1879:
1868:
1857:
1846:
1835:
1824:
1813:
1802:
1791:Length
1778:(1968)
1604:Length
1477:Length
1387:found
1348:Cee-lo
971:Rating
968:Source
939:filler
922:, and
837:German
690:ballad
667:Motown
635:, and
564:B-side
541:
537:
533:
529:
423:single
340:top 40
326:was a
141:Length
96:Stax (
93:Studio
80:
4712:Tramp
4689:" / "
4409:) at
4379:Clash
3136:Uncut
2922:Rhino
2491:Gold
2337:Peak
2331:Song
2281:Peak
2073:Title
1788:Title
1619:Cooke
1614:Shake
1598:Title
1471:Title
1427:'
1410:token
1283:Uncut
1107:10/10
862:'
821:White
747:Shake
659:blues
605:'
584:'
279:blues
158:Label
123:blues
106:Genre
4387:2021
4352:ISBN
4329:ISBN
4304:OCLC
4294:ISBN
4270:OCLC
4260:ISBN
4241:OCLC
4231:ISBN
4212:OCLC
4202:ISBN
4178:2022
4153:2012
4104:2011
4078:2021
4048:2019
4018:2024
3992:2011
3976:ISSN
3952:2011
3911:ISBN
3883:2020
3865:ISBN
3837:ISSN
3809:ISSN
3779:ISBN
3743:ISBN
3715:2022
3681:ISBN
3659:2011
3643:ISSN
3607:ISBN
3585:2012
3550:2012
3524:2012
3492:ISBN
3451:ISBN
3419:ISBN
3394:ISBN
3362:2011
3306:2012
3279:2012
3253:2012
3226:2012
3200:2012
3182:ISBN
3149:2021
3104:2011
3057:2021
3009:2021
2973:2012
2926:ATCO
2887:2011
2871:ISSN
2839:2012
2812:2012
2785:2012
2708:2012
2690:ISBN
2660:ISBN
1735:2:53
1715:2:45
1691:3:20
1671:3:00
1646:2:52
1622:2:35
1579:3:10
1558:3:02
1533:4:17
1513:2:05
1495:2:55
1436:Time
1119:9/10
827:'s "
792:'s "
776:'s "
764:and
663:rock
661:and
566:of "
554:and
477:Stax
417:'s "
383:Time
305:and
281:and
249:soul
163:Volt
128:rock
113:Soul
4421:at
4011:NME
3971:NME
2486:BPI
2443:31
2427:16
2416:47
2389:21
2360:35
2347:b/w
2296:75
2257:17.
2246:16.
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2069:No.
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2027:22.
2016:21.
2005:20.
1994:19.
1983:18.
1972:17.
1961:16.
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1467:No.
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