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in Prague. From 1901, he performed abroad. He was a regular member of the
National Theatre between 1899–1901 and again in 1903–1907. Thereafter he sang on this first Czech stage as a permanent guest. In 1907 he left for Paris, where he continued to school his voice then in 1908–1918
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Otakar Mařák left a lot of records. The first were issued by Apollo-Walzen (Berlin 1901), Columbia
Cylinders (Prague 1902-03) and Edison Cylinders (Prague 1904), then followed discs for G&T (1903-07), Columbia (Prague 1905), Gramophone (Prague and Berlin 1908-12), Odeon (Berlin 1908-09, here
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a.o. Canio in complete "Pagliacci"), Pathé (Berlin 1913), Columbia (New York 1919-20), Artiphon (Prague 1923), Columbia (New York 1926 and Vienna 1929), Parlophon (Prague 1929) and
Ultraphon (Prague 1933).
190:, Mařák became an American citizen and went on to teach in the country between 1934–1937. A brain seizure in 1937 forced his to return to Prague where he died two years later.
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Rainer E. Lotz, Axel Weggen, Oliver Wurl und
Christian Zwarg: Otakar Mařák in "Discographie der deutschen Gesangsaufnahmen" Band 4, Birgit Lotz Verlag, Bonn 2005
141:, who perfected his vocal skills at Prague's School of Applied Arts as well as at the Czech Academy of Arts. At the same time he studied singing privately.
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129:– 2 July 1939
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105:Years active
73:(1939-07-02)
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402:1939 deaths
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249:La Traviata
215:, Lucas in
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160:'s opera
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109:1899–1934
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