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Oskar Messter

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133: 511:" accompanying the projection of animated images, but it was not a simple "accompaniment" but to precisely match the series of musical pieces with moving images. In effect, to add sound to the silent cinema it was necessary to solve problems of synchronization, since the image and the sound were recorded and reproduced by separated devices, which were difficult to initiate and to maintain rigged. On August 31, 1903, Messter held the first sound projection that took place in Germany at the "Apollo" Theater in Berlin. The inventor of the Biophon can be congratulated of belonging to the modern world. 25: 304:" on the projectors to oscillatingly cause intermittent movement to advance the frames of the film. That being the case, on June 15, 1896, Oskar sold his first device. But Messter was not the only producer of film projectors in Germany. Robert W. Paul in London built projectors independently using this same mechanism for the advancement of the film almost at the same time, or Georg Bartling, belonging to the company of 192: 404:, although he gradually began to use arc reflectors that allowed him to work with a mixed light. However, after some years this study proved insufficient and he rented two more floors to build a hanging structure, which had an electric motor to move the reflectors or the cameras around the stage. 321:
had produced 64 projectors: 42 of these were sold in Germany and 22, in the rest of Europe. In just four years, the company's profits multiplied tenfold. Also in 1896, Messter rented a small theater that had gone bankrupt and inaugurated the second cinema hall in Berlin, since the first one was
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Oskar Messter was characterized for having an innovative mentality that he knew how to apply to the exploration of the new medium of cinematography, whether for scientific purposes or for commercial purposes. Among his most indicated contributions are:
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The realization a total of three hundred and twenty six silent films between 1896 and 1918. Until 1910, all of them were short films of very short duration and from 1911, they were already medium-length films and feature
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with four lamps, where you could work independently of sunlight and time. In 1901, he moved the studio to another very similar location due to the space available. Later, in 1905 Messter adapted a glass
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From 1896, Messter was interested in the search of a method of reproduction and synchronization of the sound effects of the cinematographic performance at the time of the "
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or workshop as a cinema studio with double height and adjacent rooms to store the sets and costumes of each performance. In this new study, he did depend on
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Until 1907 the Tonbilder branch of the German film industry was dominated by Oskar Messter, who had reached the following agreement with
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In the middle of 1896, Messter began to produce in series cameras and film projectors that were very successful. By the end of 1896,
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In 1892, his father's workshops became part of Oskar and he began to carry out his own experiments. Following in the footsteps of
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The reorganization of its cinematographic activities in a consortium made up of three companies differentiated in 1901: the
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synchronization mechanism that consisted of an electrical system that operated at the same speed the motors of a
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Between 1903 and 1910, Messter produced the first successful and popular series of silent films, including:
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opened by the envoys of the Lumière brothers that precise year. Subsequently, Messter debuted at the
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in 1896, among many others, Messter managed to develop his first projector to retransmit films of
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biophons to France, and that their respective devices would be sold by a joint consortium called
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In 1916, Oskar Messter founded with the director of cinema Sascha Kolowrat-Krakowsky, the
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sold well while he kept his technical superiority over other film producers in Germany.
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Various experiments in microscopic cinematography made between 1900 and 1910.
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The equipment of its electromechanical synchronization system with the
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The manufacture of high-speed military reconnaissance cameras in 1915.
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Construction of the first film studio in Germany in 1900, which had
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The construction of "stardom" through the promotion of the actress
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biophon in more than 500 cinemas between 1905 and 1913. It was an
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He donated his collection of historical film equipment to the
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was one of the dominant German producers before the rise of
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photograph of the blossoming of flowers in early 1897.
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Biophon to show films, in which a gramophone played "
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Messter 217:inventor and film tycoon in the early years of 349:, Messter sold his companies in Berlin and 131: 890:Oskar Messter, Erfinder und Geschäftsmann 886:Oskar Messter: Filmpionier der Kaiserzeit 524:to Germany and Messter would not provide 109:Learn how and when to remove this message 454:The market introduction of the standard 190: 539: 484:Vereinigte Mechanische Werkstätten GmbH 473:German Technical-Cinematographic Societ 229:, into which it was ultimately merged. 909: 494: 461:The foundation of the film newscast 328:A Skater at the West Railway Station 47:adding citations to reliable sources 18: 530:Gaumont-Messter-Chronophone-Biophon 13: 14: 958: 857: 842:(in European Spanish). 2012-01-17 758:Agnes Arnau and Her Three Suitors 750:The Lady, the Devil and the Model 364:in 1932. Messter died in 1943 in 355:Universum-Film Aktiengesellschaft 292:Later, he was chosen to repair a 371: 23: 903:, Berlin, 1936. Also in German. 339:Wiener Sascha-Messter Film GmbH 332:At the Brandenburg Gate, Berlin 312:Industrial Exhibition of Berlin 310:, exhibited a projector at the 34:needs additional citations for 828: 670:The Marriage of Luise Rohrbach 518:that Gaumont would not supply 1: 947:20th-century German inventors 922:19th-century German inventors 878: 873:Who's Who of Victorian Cinema 821: 742:The Adventure of a Ball Night 550:No Sin on the Alpine Pastures 345:. However, at the end of the 232: 7: 503:". So Messter invented the 341:, Viennese daughter of the 10: 963: 782:The Homecoming of Odysseus 431:World Fair in Saint Louis, 319:Messters-Projection Berlin 694:The Princess of Neutralia 558:He This Way, She That Way 488:Kosmograph Compagnie GmbH 456:Thaumatograph Modell XVII 167: 142: 130: 123: 884:Loiperdinger, M. (Ed.): 480:Messters-Projection GmbH 471:The organization of the 463:Die Messters-Wochenschau 942:Film people from Berlin 614:The Queen's Love Letter 927:German cinema pioneers 678:Frank Hansen's Fortune 207: 917:German film producers 901:Mein Weg mit dem Film 654:The Man in the Mirror 622:The Queen's Secretary 353:to the newly founded 202: 16:German cinema pioneer 710:Countess Kitchenmaid 540:Selected filmography 458:projector from 1914. 282:Thomas Alva Edison's 43:improve this article 766:The Ringwall Family 734:Martyr of His Heart 718:The Salamander Ruby 606:The Wandering Light 582:Lehmann's Honeymoon 393:artificial lighting 264:Robert William Paul 137:Oskar Messter, 1920 451:from 1910 to 1918. 300:, first adding a " 208: 806:Victim of Society 798:The Spinning Ball 495:Early sound films 416:electromechanical 343:Messter-Film GmbH 200: 189: 188: 119: 118: 111: 93: 954: 851: 850: 848: 847: 832: 630:The Giant's Fist 574:The Robber Bride 566:The Canned Bride 509:Unter den Linden 402:natural lighting 254:Filoteo Alberini 201: 174: 153:21 November 1866 152: 150: 135: 121: 120: 114: 107: 103: 100: 94: 92: 51: 27: 19: 962: 961: 957: 956: 955: 953: 952: 951: 907: 906: 881: 860: 855: 854: 845: 843: 834: 833: 829: 824: 774:Put to the Test 702:Precious Stones 686:Imprisoned Soul 662:Life Is a Dream 542: 497: 420:movie projector 374: 347:First World War 235: 191: 185: 176: 172: 171:6 December 1943 163: 154: 148: 146: 138: 126: 115: 104: 98: 95: 58:"Oskar Messter" 52: 50: 40: 28: 17: 12: 11: 5: 960: 950: 949: 944: 939: 934: 929: 924: 919: 905: 904: 897: 880: 877: 876: 875: 870: 859: 858:External links 856: 853: 852: 826: 825: 823: 820: 819: 818: 814:Leap Into Life 810: 802: 794: 786: 778: 770: 762: 754: 746: 738: 730: 722: 714: 706: 698: 690: 682: 674: 666: 658: 650: 642: 634: 626: 618: 610: 602: 594: 586: 578: 570: 562: 554: 541: 538: 496: 493: 492: 491: 476: 469: 466: 459: 452: 445: 441: 427: 408: 405: 389: 386: 373: 370: 234: 231: 204:Akt-Skulpturen 187: 186: 177: 175:(aged 77) 169: 165: 164: 155: 144: 140: 139: 136: 128: 127: 124: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 959: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 918: 915: 914: 912: 902: 899:Messter, O.: 898: 895: 891: 887: 883: 882: 874: 871: 869: 865: 864:Oskar Messter 862: 861: 841: 837: 831: 827: 816: 815: 811: 808: 807: 803: 800: 799: 795: 792: 791: 787: 784: 783: 779: 776: 775: 771: 768: 767: 763: 760: 759: 755: 752: 751: 747: 744: 743: 739: 736: 735: 731: 728: 727: 723: 720: 719: 715: 712: 711: 707: 704: 703: 699: 696: 695: 691: 688: 687: 683: 680: 679: 675: 672: 671: 667: 664: 663: 659: 656: 655: 651: 648: 647: 643: 640: 639: 635: 632: 631: 627: 624: 623: 619: 616: 615: 611: 608: 607: 603: 600: 599: 598:Werner Krafft 595: 592: 591: 587: 584: 583: 579: 576: 575: 571: 568: 567: 563: 560: 559: 555: 552: 551: 547: 546: 545: 537: 535: 531: 527: 523: 522: 517: 512: 510: 506: 502: 501:silent movies 489: 485: 481: 477: 474: 470: 467: 464: 460: 457: 453: 450: 446: 442: 439: 438:United States 435: 432: 428: 425: 421: 417: 413: 409: 406: 403: 399: 394: 390: 387: 384: 380: 379: 378: 372:Contributions 369: 367: 363: 362:German Museum 358: 356: 352: 348: 344: 340: 335: 333: 329: 325: 320: 315: 313: 309: 308: 303: 299: 295: 290: 288: 287: 283: 279: 278:magic lantern 275: 271: 270: 265: 261: 260: 255: 250: 248: 247:magic lantern 244: 240: 230: 228: 224: 220: 216: 212: 211:Oskar Messter 205: 184: 180: 170: 166: 162: 158: 145: 141: 134: 129: 125:Oskar Messter 122: 113: 110: 102: 99:November 2018 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 900: 889: 885: 844:. 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His firm 911:Categories 879:Literature 846:2018-11-26 822:References 534:Tonbilders 424:gramophone 274:Birt Acres 149:1866-11-21 69:newspapers 790:Her Sport 526:Tonbilder 505:Tonbilder 412:Tonbilder 366:Tegernsee 314:in 1896. 276:with the 266:with the 256:with the 233:Biography 179:Tegernsee 590:Frau Eva 440:in 1904. 434:Missouri 334:(1896). 398:atelier 357:(UFA). 161:Prussia 83:scholar 894:German 817:(1924) 809:(1919) 801:(1919) 793:(1919) 785:(1918) 777:(1918) 769:(1918) 761:(1918) 753:(1918) 745:(1918) 737:(1918) 729:(1918) 721:(1918) 713:(1918) 705:(1918) 697:(1917) 689:(1917) 681:(1917) 673:(1917) 665:(1917) 657:(1917) 649:(1917) 641:(1917) 633:(1917) 625:(1916) 617:(1916) 609:(1916) 601:(1916) 593:(1916) 585:(1916) 577:(1916) 569:(1915) 561:(1915) 553:(1915) 465:(1914) 444:films. 422:and a 351:Vienna 324:Apollo 239:Berlin 219:cinema 215:German 206:(1903) 157:Berlin 85:  78:  71:  64:  56:  90:JSTOR 76:books 888:and 868:IMDb 646:Fear 381:The 307:GmbH 168:Died 143:Born 62:news 866:at 227:UFA 45:by 913:: 838:. 475:y. 436:, 368:. 289:. 272:, 262:, 181:, 159:, 896:. 849:. 426:. 151:) 147:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Berlin
Prussia
Tegernsee
Nazi Germany
German
cinema
Messter Film
UFA
Berlin
magic lantern
Filoteo Alberini
kinetograph
Robert William Paul
theatrograph
Birt Acres
Thomas Alva Edison's
kinetoscope
Geneva drive

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