34:
567:). Oriole released nineteen Motown releases on their black and white Oriole American label, while seven albums appeared on the normal black and yellow Oriole label. The company was known as Tamla Motown outside the US, and these were some of its rarest releases.
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Ted
Sibbick and Bill Johnson, built into what was once an art gallery. In 1949, they segregated the work and the label, with Oriole Records Ltd moving into 104 New Bond Street, London, and with Levy moving out to a factory at
595:, and began the phasing out of the Oriole label. The Oriole company was officially renamed CBS Records in 1965. David Morris Levy originally stayed on as managing director, but severed all ties with CBS in 1967.
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All Stars'. It also, with permission, had added new words written by Ford. "Fanlight Fanny" was Ford's third UK chart hit and his most successful single, reaching 22 in the
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stores. The repertoire consisted of cut-price cover versions of
British pop hits of the day; the first releases were in November 1954. One such release was a version of "
543:-based company would begin its run of hits in the UK). Nonetheless, several of the singles have since come to be highly regarded, with recordings including "
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bought CBS Records in 1988 and renamed it
Columbia Records in 1991. Reissues from Oriole's releases are distributed by Columbia Records UK.
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This article is about the
British record label owned by the Levy Company. For the American record label owned by McCrory's, see
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namesake) revived the Oriole label in 1950. For a few years (ending in 1955) it was the exclusive UK licensee for the
American
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at
Nicholas Morris in London, and Edward Frederick, principal of Chelsea Music Publishing in London, are still active in the
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734:"Clinton Ford: Singer and entertainer whose versatility was both his strength and his weakness | Obituaries"
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On the long playing LP front, Oriole had a big success in 1954 with the original cast list recording of the hit
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The Oriole record company had two record pressing factories, one situated in Aston
Clinton and the other in
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Jacques Levy produced records beginning in 1931 at the West End studios at
Rosslyn House, 94-98
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catalogues, but none of the releases charted (it was not until a few years later, and on
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The owner, David Morris Levy, and his brother
Jacques (no relation to his
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in May and June 1927. The original label was discontinued in 1935.
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225:(it also sold bicycles and sewing machines) at 19 High Street,
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442:. In the 1960s Oriole licensed several recordings produced by
708:"Clinton Ford - Fanlight Fanny / Dreamy City Lullaby (Vinyl)"
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The label also had successes with tracks licensed from
377:'s "We Will Make Love", which reached number 2 in the
229:, and later moved to 139 High Street. Oriole recorded
255:, where they stayed until 1937 when they moved to 73
58:. Unsourced material may be challenged and removed.
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446:with performances by the Dowlands, Alan Klein and
475:of the hits of the day, which it released on its
419:in March 1962. It spent ten weeks in that chart.
331:in the late 1950s and early 1960s, including the
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768:"Clinton Ford | Biography & History"
385:of which ("Rainbow") reached number 4 in the
890:Defunct record labels of the United Kingdom
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598:David Morris Levy's sons, John Jacob, an
118:Learn how and when to remove this message
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609:The Oriole catalogue is now handled by
399:. Another success for Oriole came from
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495:), who did his best to impersonate
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327:Oriole achieved a few home-made
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553:You've Really Got a Hold on Me
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479:label, sold exclusively in
333:Chas McDevitt Skiffle Group
276:and Leslie Gouldstone from
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430:'s original recording of "
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357:Hello Muddah, Hello Fadduh
221:The Levy family founded a
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67:"Oriole Records" UK
880:F. W. Woolworth Company
818:"Oriole Out—Officially"
694:NME Rock 'N' Roll Years
571:Takeover by US Columbia
403:'s 1962 version of the
850:British record labels
692:Tobler, John (1992).
647:"My time at the Firs"
627:List of record labels
511:During the tenure of
471:Oriole also produced
21:Oriole Records (U.S.)
565:Little Stevie Wonder
448:Screaming Lord Sutch
52:improve this article
16:British Record Label
438:instrumental group
361:Amilcare Ponchielli
144:Levy Company, then
895:Jazz record labels
366:Dance of the Hours
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379:UK Singles Chart
297:Roulette Records
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339:" (featuring
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108:December 2009
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63:Find sources:
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41:This article
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826:. Retrieved
824:. 1 May 1965
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557:the Miracles
549:the Contours
510:
470:
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401:Clinton Ford
397:Kapp Records
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282:Baker Street
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130:Record label
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50:Please help
45:verification
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712:Discogs.com
672:7tt77.co.uk
589:CBS label's
491:(father of
286:Birchington
227:Whitechapel
223:record shop
180:CBS Records
844:Categories
633:References
611:Sony Music
561:Fingertips
501:Elton John
481:Woolworths
460:Salad Days
381:, and the
323:First hits
317:Patti Page
313:Vic Damone
184:Sony Music
78:newspapers
822:Billboard
668:"Mercury"
652:6 October
577:Colnbrook
537:Stateside
489:Don Arden
457:musical,
391:Billboard
345:Like I Do
270:Aylesbury
261:engineers
772:AllMusic
745:Archived
677:10 April
621:See also
600:attorney
559:), and "
515:manager
455:West End
444:Joe Meek
424:European
307:such as
828:2 March
802:9 April
777:9 April
751:9 April
717:9 April
593:Philips
541:Detroit
525:Fontana
513:A&R
477:Embassy
436:Swedish
407:song, "
393:Hot 100
373:), and
305:artists
301:Mercury
268:, near
235:England
217:History
160:Defunct
152:Founded
92:scholar
547:" (by
529:Motown
521:London
432:Volare
383:B-side
253:London
211:London
171:Closed
168:Status
94:
87:
80:
73:
65:
487:" by
347:" by
272:with
99:JSTOR
85:books
830:2013
804:2016
779:2016
753:2016
719:2016
679:2016
654:2022
615:Sony
551:), "
523:and
359:" –
355:'s "
329:hits
315:and
290:Kent
278:MD-1
163:1964
155:1925
71:news
581:CBS
563:" (
555:" (
535:'s
533:EMI
503:).
395:on
371:hit
363:'s
233:in
146:CBS
54:by
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