38:
175:'s providence. What is most peculiar and original to Burke's view of beauty is that it cannot be understood by the traditional bases of beauty: proportion, fitness, or perfection. The sublime also has a causal structure that is unlike that of beauty. Its formal cause is thus the passion of fear (especially the fear of death); the material cause is equally aspects of certain objects such as vastness, infinity, magnificence, etc.; its efficient cause is the tension of our nerves; the final cause is God having created and battled
1241:
205:
To make psychological observations, as Burke did in his treatise on the beautiful and the sublime, thus to assemble material for the systematic connection of empirical rules in the future without aiming to understand them, is probably the sole true duty of empirical psychology, which can hardly even
171:, causation can be divided into formal, material, efficient and final causes. The formal cause of beauty is the passion of love; the material cause concerns aspects of certain objects such as smallness, smoothness, delicacy, etc.; the efficient cause is the calming of our nerves; the final cause is
200:
critiqued Burke for not understanding the causes of the mental effects that occur in the experience of the beautiful or the sublime. According to Kant, Burke merely gathered data so that some future thinker could explain them.
118:. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. It attracted the attention of prominent thinkers such as
1090:
1318:
148:
is that which has the power to compel and destroy us. The preference for the
Sublime over the Beautiful was to mark the transition from the
1020:
17:
37:
1461:
1341:
1333:
1278:
302:
1419:
275:
1349:
1302:
1446:
921:
614:
92:
1456:
1451:
1414:
599:
524:
1223:
1150:
159:
The origins of our ideas of the beautiful and the sublime, for Burke, can be understood by means of their
1357:
1271:
749:
579:
456:
734:
1110:
894:
295:
81:
649:
1170:
1120:
544:
674:
1380:
1375:
1100:
1050:
807:
509:
375:
1407:
1264:
1228:
802:
777:
755:
664:
489:
462:
436:
370:
1326:
1190:
1070:
1060:
968:
941:
844:
365:
214:
164:
144:
624:
8:
1233:
1200:
1175:
1010:
963:
958:
772:
729:
719:
669:
554:
406:
360:
355:
350:
345:
288:
689:
1466:
1195:
1185:
1155:
1130:
916:
854:
714:
644:
514:
421:
340:
325:
1424:
1385:
1245:
1205:
1080:
973:
947:
589:
549:
484:
441:
416:
335:
330:
709:
659:
604:
519:
504:
451:
42:
A philosophical enquiry into the origin of our ideas of the sublime and beautiful.
1311:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
1041:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
594:
534:
411:
107:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
62:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
1180:
1160:
1030:
787:
739:
699:
634:
584:
564:
499:
235:
1440:
1210:
1000:
859:
782:
724:
639:
619:
479:
431:
197:
185:
149:
123:
119:
401:
1401:
1287:
814:
679:
559:
539:
391:
258:(International Archives of the History of Ideas, Vol. 206) (Springer, 2012)
115:
51:
983:
936:
792:
744:
704:
654:
446:
180:
168:
160:
153:
953:
931:
824:
609:
569:
529:
396:
311:
111:
97:
864:
834:
629:
574:
494:
426:
1165:
899:
849:
829:
694:
978:
926:
884:
869:
839:
256:
The
Science of Sensibility: Reading Burke's Philosophical Enquiry
141:
is that which is well-formed and aesthetically pleasing, whereas
1256:
911:
889:
819:
797:
137:
684:
280:
176:
905:
879:
874:
172:
242:, Library of Liberal Arts, 146, Bobbs-Merrill Co., 1965
1091:
The Work of Art in the Age of
Mechanical Reproduction
1438:
1319:Thoughts on the Cause of the Present Discontents
263:The Theory of the Sublime from Longinus to Kant
254:Vermeir, Koen and Funk Deckard, Michael (eds.)
240:First Introduction to the Critique of Judgment
1272:
296:
265:. Cambridge:Cambridge University Press, 2015.
1021:The Literary Mind and the Carving of Dragons
27:1757 treatise on aesthetics by Edmund Burke
1279:
1265:
303:
289:
206:aspire to rank as a philosophical science.
36:
110:is a 1757 treatise (2nd edition 1759) on
1342:An Appeal from the New to the Old Whigs
1334:Reflections on the Revolution in France
14:
1439:
1260:
284:
24:
192:
25:
1478:
1420:Religious thought of Edmund Burke
269:
1350:Thoughts and Details on Scarcity
1303:A Vindication of Natural Society
1286:
1239:
1462:Modern philosophical literature
1415:Impeachment of Warren Hastings
310:
229:
13:
1:
248:
31:On the Sublime and Beautiful
1151:Aestheticization of politics
93:On the Sublime and Beautiful
18:On the Sublime and Beautiful
7:
1358:Letters on a Regicide Peace
10:
1483:
213:First Introduction to the
129:
1394:
1368:
1294:
1219:
1143:
992:
765:
472:
384:
318:
87:
77:
67:
57:
47:
35:
223:
1376:Edmund Burke Foundation
1171:Evolutionary aesthetics
1121:The Aesthetic Dimension
1447:1757 non-fiction books
1101:Avant-Garde and Kitsch
1051:Lectures on Aesthetics
221:
73:1757, 2nd edition 1759
1457:Works by Edmund Burke
1452:Aesthetics literature
1246:Philosophy portal
203:
1327:On American Taxation
1191:Philosophy of design
1071:In Praise of Shadows
1061:The Critic as Artist
276:Complete text online
215:Critique of Judgment
165:Aristotelian physics
134:According to Burke,
1201:Philosophy of music
1176:Mathematical beauty
58:Original title
32:
1196:Philosophy of film
1186:Patterns in nature
1156:Applied aesthetics
1131:Why Beauty Matters
917:Life imitating art
778:Art for art's sake
179:, as expressed in
30:
1434:
1433:
1425:Richard Burke Jr.
1386:Royal Bounty Fund
1254:
1253:
1206:Psychology of art
1081:Art as Experience
161:causal structures
103:
102:
78:Publication place
16:(Redirected from
1474:
1281:
1274:
1267:
1258:
1257:
1244:
1243:
1242:
1136:
1126:
1116:
1106:
1096:
1086:
1076:
1066:
1056:
1046:
1036:
1026:
1016:
1006:
305:
298:
291:
282:
281:
243:
233:
219:
69:Publication date
40:
33:
29:
21:
1482:
1481:
1477:
1476:
1475:
1473:
1472:
1471:
1437:
1436:
1435:
1430:
1411:(Thomas statue)
1390:
1364:
1290:
1285:
1255:
1250:
1240:
1238:
1215:
1139:
1134:
1124:
1114:
1111:Critical Essays
1104:
1094:
1084:
1074:
1064:
1054:
1044:
1034:
1024:
1014:
1004:
988:
761:
675:Ortega y Gasset
468:
380:
314:
309:
272:
261:Doran, Robert.
251:
246:
234:
230:
226:
220:
211:Immanuel Kant,
210:
195:
193:Kant's comments
163:. According to
132:
70:
43:
28:
23:
22:
15:
12:
11:
5:
1480:
1470:
1469:
1464:
1459:
1454:
1449:
1432:
1431:
1429:
1428:
1422:
1417:
1412:
1404:
1398:
1396:
1392:
1391:
1389:
1388:
1383:
1378:
1372:
1370:
1366:
1365:
1363:
1362:
1354:
1346:
1338:
1330:
1323:
1315:
1307:
1298:
1296:
1292:
1291:
1284:
1283:
1276:
1269:
1261:
1252:
1251:
1249:
1248:
1236:
1231:
1226:
1220:
1217:
1216:
1214:
1213:
1208:
1203:
1198:
1193:
1188:
1183:
1181:Neuroesthetics
1178:
1173:
1168:
1163:
1161:Arts criticism
1158:
1153:
1147:
1145:
1141:
1140:
1138:
1137:
1127:
1117:
1107:
1097:
1087:
1077:
1067:
1057:
1047:
1037:
1031:On the Sublime
1027:
1017:
1007:
996:
994:
990:
989:
987:
986:
981:
976:
971:
966:
961:
956:
951:
944:
939:
934:
929:
924:
919:
914:
909:
902:
897:
895:Interpretation
892:
887:
882:
877:
872:
867:
862:
857:
852:
847:
842:
837:
832:
827:
822:
817:
812:
811:
810:
805:
795:
790:
788:Artistic merit
785:
780:
775:
769:
767:
763:
762:
760:
759:
752:
747:
742:
737:
732:
727:
722:
717:
712:
707:
702:
697:
692:
687:
682:
677:
672:
667:
662:
657:
652:
647:
642:
637:
632:
627:
622:
617:
612:
607:
602:
597:
592:
587:
582:
577:
572:
567:
562:
557:
552:
547:
542:
537:
532:
527:
522:
517:
512:
507:
502:
497:
492:
487:
482:
476:
474:
470:
469:
467:
466:
459:
454:
449:
444:
439:
437:Psychoanalysis
434:
429:
424:
419:
414:
409:
404:
399:
394:
388:
386:
382:
381:
379:
378:
373:
368:
363:
358:
353:
348:
343:
338:
333:
328:
322:
320:
316:
315:
308:
307:
300:
293:
285:
279:
278:
271:
270:External links
268:
267:
266:
259:
250:
247:
245:
244:
236:Kant, Immanuel
227:
225:
222:
208:
194:
191:
183:'s great epic
131:
128:
101:
100:
89:
85:
84:
79:
75:
74:
71:
68:
65:
64:
59:
55:
54:
49:
45:
44:
41:
26:
9:
6:
4:
3:
2:
1479:
1468:
1465:
1463:
1460:
1458:
1455:
1453:
1450:
1448:
1445:
1444:
1442:
1426:
1423:
1421:
1418:
1416:
1413:
1410:
1409:
1405:
1403:
1400:
1399:
1397:
1393:
1387:
1384:
1382:
1379:
1377:
1374:
1373:
1371:
1369:Organisations
1367:
1360:
1359:
1355:
1352:
1351:
1347:
1344:
1343:
1339:
1336:
1335:
1331:
1328:
1324:
1321:
1320:
1316:
1313:
1312:
1308:
1305:
1304:
1300:
1299:
1297:
1293:
1289:
1282:
1277:
1275:
1270:
1268:
1263:
1262:
1259:
1247:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1221:
1218:
1212:
1211:Theory of art
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1149:
1148:
1146:
1142:
1133:
1132:
1128:
1123:
1122:
1118:
1113:
1112:
1108:
1102:
1098:
1092:
1088:
1083:
1082:
1078:
1073:
1072:
1068:
1062:
1058:
1053:
1052:
1048:
1043:
1042:
1038:
1033:
1032:
1028:
1023:
1022:
1018:
1013:
1012:
1008:
1003:
1002:
1001:Hippias Major
998:
997:
995:
991:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
950:
949:
945:
943:
940:
938:
935:
933:
930:
928:
925:
923:
920:
918:
915:
913:
910:
908:
907:
903:
901:
898:
896:
893:
891:
888:
886:
883:
881:
878:
876:
873:
871:
868:
866:
863:
861:
860:Entertainment
858:
856:
853:
851:
848:
846:
843:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
816:
813:
809:
806:
804:
801:
800:
799:
796:
794:
791:
789:
786:
784:
783:Art manifesto
781:
779:
776:
774:
773:Appropriation
771:
770:
768:
764:
758:
757:
753:
751:
748:
746:
743:
741:
738:
736:
733:
731:
728:
726:
723:
721:
718:
716:
713:
711:
708:
706:
703:
701:
698:
696:
693:
691:
688:
686:
683:
681:
678:
676:
673:
671:
668:
666:
665:Merleau-Ponty
663:
661:
658:
656:
653:
651:
648:
646:
643:
641:
638:
636:
633:
631:
628:
626:
623:
621:
618:
616:
613:
611:
608:
606:
603:
601:
598:
596:
593:
591:
588:
586:
583:
581:
578:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
551:
548:
546:
543:
541:
538:
536:
533:
531:
528:
526:
523:
521:
518:
516:
513:
511:
508:
506:
503:
501:
498:
496:
493:
491:
488:
486:
483:
481:
480:Abhinavagupta
478:
477:
475:
471:
465:
464:
460:
458:
455:
453:
450:
448:
445:
443:
440:
438:
435:
433:
432:Postmodernism
430:
428:
425:
423:
420:
418:
415:
413:
410:
408:
405:
403:
400:
398:
395:
393:
390:
389:
387:
383:
377:
374:
372:
369:
367:
364:
362:
359:
357:
354:
352:
349:
347:
344:
342:
339:
337:
334:
332:
329:
327:
324:
323:
321:
317:
313:
306:
301:
299:
294:
292:
287:
286:
283:
277:
274:
273:
264:
260:
257:
253:
252:
241:
237:
232:
228:
217:
216:
207:
202:
199:
198:Immanuel Kant
190:
188:
187:
186:Paradise Lost
182:
178:
174:
170:
166:
162:
157:
155:
151:
147:
146:
140:
139:
127:
125:
124:Immanuel Kant
121:
120:Denis Diderot
117:
113:
109:
108:
99:
95:
94:
90:
86:
83:
82:Great Britain
80:
76:
72:
66:
63:
60:
56:
53:
50:
46:
39:
34:
19:
1408:Edmund Burke
1406:
1402:Conservatism
1356:
1348:
1340:
1332:
1317:
1310:
1309:
1301:
1288:Edmund Burke
1129:
1119:
1109:
1079:
1069:
1049:
1040:
1039:
1029:
1019:
1009:
999:
946:
922:Magnificence
904:
754:
720:Schopenhauer
555:Coomaraswamy
473:Philosophers
461:
392:Aestheticism
262:
255:
239:
231:
212:
204:
196:
184:
158:
150:Neoclassical
142:
135:
133:
116:Edmund Burke
106:
105:
104:
91:
61:
52:Edmund Burke
1015:(c. 335 BC)
1005:(c. 390 BC)
984:Work of art
937:Picturesque
793:Avant-garde
750:Winckelmann
625:Kierkegaard
550:Collingwood
520:Baudrillard
447:Romanticism
417:Historicism
351:Mathematics
181:John Milton
169:metaphysics
114:written by
1441:Categories
954:Recreation
932:Perception
825:Creativity
525:Baumgarten
515:Baudelaire
397:Classicism
312:Aesthetics
249:References
112:aesthetics
98:Wikisource
1467:Treatises
959:Reverence
865:Eroticism
835:Depiction
808:Masculine
710:Santayana
670:Nietzsche
615:Hutcheson
605:Heidegger
590:Greenberg
545:Coleridge
510:Balthasar
495:Aristotle
457:Theosophy
452:Symbolism
427:Modernism
412:Formalism
138:Beautiful
1381:The Club
1329:" (1774)
1234:Category
1166:Axiology
1035:(c. 500)
1025:(c. 100)
900:Judgment
855:Emotions
850:Elegance
830:Cuteness
803:Feminine
766:Concepts
735:Tanizaki
715:Schiller
700:Richards
690:Rancière
660:Maritain
595:Hanslick
535:Benjamin
407:Feminism
376:Theology
356:Medieval
346:Japanese
341:Internet
209:—
154:Romantic
1395:Related
1229:Outline
1144:Related
1011:Poetics
979:Tragedy
969:Sublime
942:Quality
927:Mimesis
885:Harmony
870:Fashion
845:Ecstasy
840:Disgust
756:more...
725:Scruton
650:Lyotard
585:Goodman
565:Deleuze
500:Aquinas
490:Alberti
463:more...
442:Realism
422:Marxism
402:Fascism
385:Schools
371:Science
326:Ancient
152:to the
145:Sublime
130:Summary
1361:(1796)
1353:(1795)
1345:(1791)
1337:(1790)
1322:(1770)
1314:(1757)
1306:(1756)
1135:(2009)
1125:(1977)
1115:(1946)
1105:(1939)
1095:(1935)
1085:(1934)
1075:(1933)
1065:(1891)
1055:(1835)
1045:(1757)
912:Kitsch
890:Humour
820:Comedy
798:Beauty
740:Vasari
730:Tagore
705:Ruskin
645:Lukács
635:Langer
580:Goethe
505:Balázs
485:Adorno
366:Nature
331:Africa
48:Author
1427:(son)
1295:Works
1224:Index
993:Works
974:Taste
964:Style
745:Wilde
685:Plato
680:Pater
640:Lipps
600:Hegel
570:Dewey
560:Danto
540:Burke
361:Music
336:India
319:Areas
224:Notes
177:Satan
156:era.
948:Rasa
906:Kama
880:Gaze
815:Camp
695:Rand
630:Klee
620:Kant
610:Hume
530:Bell
218:, X.
167:and
143:the
136:the
122:and
88:Text
875:Fun
655:Man
575:Fry
173:God
96:at
1443::
1103:"
1093:"
1063:"
238:,
189:.
126:.
1325:"
1280:e
1273:t
1266:v
1099:"
1089:"
1059:"
304:e
297:t
290:v
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
