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The police records of
Schottmüller's arrest did not survive; the only surviving materials are the letters that she sent from prison. It is doubtful that she was honest in her writing, as she confessed that she did not know half the people that the Gestapo had said she knew, nor the fact that some of
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orchestra until it was destroyed by
British bombers on 30 January 1944. Reviews stated it was an "incarnation of plastic ideas, to which she visually transforms her own physicality". On 6 December 1941 she spent three months on tour in the Netherlands and France for the Wehrmacht and for the rest of
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In 1935, Schottmüller rented a studio on
Charlottenburg's Reichsstrasse 106. During this time her dances continued to evolve: instead of mythological creatures she changed to figures, and her dance's underlying structure and themes changed as well. The nomenclature of her dance names also changed to
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Perhaps due to the war and her unstable family life, Oda was considered unstable and had a laissez-faire attitude to life and work. Frida realised that spending any more time in the state school would have been a waste of time, so she asked Gerda
Schottmüller—another of Oda's aunts who worked at the
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In
October 1937, the Reich Chamber of Culture finally located Schottmüller and she was forced to complete an application and a course in German dance. She refused, and instead sent in reviews of her work to the Ministry which they seemed to accept. In February 1938 she was offered an opportunity to
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during her recovery. She remained in the sanatorium until 1912, and upon leaving, returned to her parental home in Berlin instead of her own home in Gdańsk. With an absentee mother, Oda was left to be raised in Gdańsk by her father, whose income was limited as he was paying his wife maintenance. In
238:. Her family would not support her dream to be a sculptor and dancer, something she had practised at the Odenwald School. In 1928, when she became of legal age to decide her own future, she studied dance at the Berlin School of Modern Artistic Dance with German dance teacher and choreographer
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Author and researcher
Geertje Andresen conducted an analysis of Schottmüller's estate, which resulted in the publication of a book on Schottmüller's life. Andresen's work describes a vindictive murder by the Nazi state of a German woman who was only tangentially linked to
487:"for aiding and abetting the preparation of a treasonable enterprise and enemy favouritism". Due to the number of executions that were being conducted, Schottmüller had to spend two months in solitary confinement. In March 1943 Schottmüller was sent to
459:. She initiated a love affair with Schumacher, unaware that he was married. They shared a common bond that led to friendship driven in their opposition to National Socialism and their common interest in sculptural design.
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The first tribute to
Schottmüller was in 1946 by German theatre critic Paul Fechter who reported on the first art exhibition after the war that spoke about Schottmüller and Schumacher. There have been many more.
362:. They reflected how she felt about the social and political reality that she found herself in as the Nazi state evolved. In August 1936 she participated in her first group performance as a dancer in the
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of the 1920s and combined masks and costumes to suit the mood and transform into mythological creatures. The names of the performances reflected the eccentric nature of the performances, such as
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who later became a well-known writer. Geheeb considered
Schottmüller to be unstable during the whole period she attended Odenwald School, but she managed to pass her Abitur in 1924.
215:—to arrange an interview between Headmaster Paul Geheeb and herself to determine if Oda could be admitted to that school. From 1922 to 1924 Oda attended Odenwald to prepare for her
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them were
Communists. In a letter to her father she states: "I was so glad of my stupidity + cluelessness about political things ... I'm entirely unaware of these things."
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343:. In 1940 a reviewer called Nohara wrote highly of Schottmüller. A few weeks before her arrest in 1940, a full page spread about Schottmüller's work appeared in the
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became
Chancellor of Germany and the fascists rose to power. From September 1933, all dancers in Germany were informed that they were required to register with the
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to conduct an analysis of the estate of Schottmüller. It resulted in the publication of a book and an exhibition that was created in cooperation with
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A granite slate on the left side of the house at Puschkinallee Ecke Bouchéstraße. Its text is now almost unreadable from street level.
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to work in the state archives. A year later, Dorothea suffered a severe nervous ailment and spent a substantial amount of time in a
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617:(Phd Thesis). Studien und Dokumente zu Alltag, Verfolgung und Widerstand im Nationalsozialismus, Bd. 3. (in German). Lukas Verlag.
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483:. She was accused of using her studio to host a radio set, which she denied. In January 1943, she was sentenced to death by the
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Wer war Oda Schottmüller? : zwei Versionen ihrer Biographie und deren Rezeption in der alten Bundesrepublik und in der DDR
347:(English: "The Young Lady") magazine that praised Schottmüller and noted she had gone on an Army tour to encourage the troops.
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against the Nazis, through her association with a Berlin-based anti-fascist resistance group that she met through the sculptor
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August 1919, when Oda was fourteen years old, Kurt died. Oda's aunt—professor Frida Schottmüller, who was a custodian at the
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In 1931, after passing the physical fitness examination that consisted of physical education and gymnastics, she joined the
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Wer war Oda Schottmüller?: zwei Versionen ihrer Biographie und deren Rezeption in der alten Bundesrepublik und in der DDR
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Wer war Oda Schottmüller?: zwei Versionen ihrer Biographie und deren Rezeption in der alten Bundesrepublik und in der DDR
135:(9 February 1905 – 5 August 1943) was an expressive dancer, mask maker and sculptor. Schottmüller was most notable as a
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Andresen, Geertje (February 2006). "Oda Schottmüller. Der Justizmord an einer Tänzerin im Nationalsozialismus".
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as part of the accompanying program of the Olympic Games. She danced in the movement choir for a performance of
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theatre as a dancer. At the same time, she had a sculpture studio in Berlin that was in the same building as
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or stumbling block memorial to Oda Schottmüller that is located at Reichsstraße 106, Berlin-Westend, Germany
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300:. From that point onward, the type of expressive and experimental dance that Schottmüller performed in the
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On 16 September 1942, Schottmüller was arrested at her studio and sent to a holding cell in the prison on
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sculptor—became Oda's legal guardian and the two resided in Berlin. Oda lived with her aunt until 1922.
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but the aristocratic Pallandt family intervened to rename it in honour of her. On 23 September 2016, a
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966:"Ein Gedächtnis der StadtNach Frauen und Männern benannte Straßen, Plätze, Brücken in Hamburg"
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was prohibited. Schottmüller chose to not register and never caught the Ministry's attention.
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689:(in German) (3. Aufl ed.). Berlin: Militärverlag der Deutschen Demokratischen Republik.
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Oda Schottmüller: Die Tänzerin, Bildhauerin und Nazigegnerin Oda Schottmüller (1905–1943)
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Oda Schottmüller: Die Tänzerin, Bildhauerin und Nazigegnerin Oda Schottmüller (1905–1943)
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Oda Schottmüller: Die Tänzerin, Bildhauerin und Nazigegnerin Oda Schottmüller (1905–1943)
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Oda Schottmüller: Die Tänzerin, Bildhauerin und Nazigegnerin Oda Schottmüller (1905–1943)
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417:. Schwaen worked with Schottmüller to develop new dances to which he composed new music.
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Wegbereiterinnen: Berühmte, bekannte und zu Unrecht vergessene Frauen aus der Geschichte
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was renamed after Schottmüller. The street was formerly named after the bacteriologist
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382:. She was paid for this performance which gave some National Socialist respectability.
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Erfasst? : das Gestapo - Album zur Roten Kapelle : eine Foto - Dokumentation
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Die Tänzerin, Bildhauerin und Nazigegnerin Oda Schottmüller : 1905-1943 ;
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Die Tänzerin, Bildhauerin und Nazigegnerin Oda Schottmüller : 1905-1943 ;
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Her first solo dance performance was organised in March 1934 at the theatre at
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Between 1924 and 1927 Schottmüller completed an arts and crafts education in
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1936, die Olympischen Spiele und der Nationalsozialismus: eine Dokumentation
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Olympic Cities: City Agendas, Planning, and the World's Games, 1896 – 2016
877:(in German). Die "Rote Kapelle": SK Stiftung Kultur der Sparkasse KölnBonn
603:(in German), vol. 23, Berlin: Duncker & Humblot, pp. 503–504
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Nützmann, Hannelore (1997). "Ein Berufsleben : Frida Schottmüller".
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1328:] (in German) (Erstausg., 1. Aufl ed.). Berlin: Lukas-Verlag.
1031:. Kunsthistorisches Institut in Florenz, Max-Planck-Institut: 236–244.
932:] (in German) (Erstausg., 1. Aufl ed.). Berlin: Lukas-Verlag.
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708:(in German). Munich: Deutscher Taschenbuch Verlag. pp. 152–377.
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and Swiss dance teacher Berthe Trümpy. At the dance studio she met
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On 11 November 1941 Schottmüller gave her last public performance—
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Die Wahrheit. Autobiographie des "Grand Chef" der Roten Kapelle
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1942 she continued to tour before being arrested and murdered.
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The board was installed in 1979 in the foyer of the Volksbühne
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for Schottmüller was laid in front of the 106 Reichsstraße in
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Griebel, Regina; Coburger, Marlies; Scheel, Heinrich (1992).
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Deborah Ascher Barnstone; Elizabeth Otto (1 November 2018).
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In the autumn of 1938, Schottmüller met the German composer
1004:(in German). Berliner Geschichtswerkstatt e. V. p. 23
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and whose membership of the group constituted resistance.
1350:"Oda Schottmüller – Tänzerin, Bildhauerin, Nazigegnerin"
1280:(in German). WBV Wochenblatt Verlag GmbH. Archived from
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The Reich's Orchestra: The Berlin Philharmonic 1933–1945
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Mitteilungen des Kunsthistorischen Institutes in Florenz
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The dancer, sculptor and Nazi opponent Oda Schottmüller
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The dancer, sculptor and Nazi opponent Oda Schottmüller
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Geertje Andresen, formerly a research associate at the
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311:. Her style of dance was eccentric: it reflected the
995:"Widerstand gegen den Nationalsozialismus in Berlin"
1086:John R. Gold; Margaret M. Gold (6 September 2010).
811:(in German). Berlin: AG Stolpersteine Reinickendorf
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1118:(in German). Note 202: Lukas Verlag. p. 93.
670:Vom Rosenkranz zur Roten Kapelle e. Lebensbericht
644:(in German). Frankfurt: S. Fischer. p. 392.
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253:At the same time she also studied sculpture with
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1062:(in German). AG SPAK Bücher. pp. 303–304.
186:In 1906, Kurt Schottmüller moved his family to
167:Oda Schottmüller was the daughter of archivist
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175:Stenzler), the granddaughter of the historian
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685:Elfriede, Paul; Küchenmeister, Wera (1987).
516:In November 2014, the Schottmüllerstraße in
402:and performance dances with names like e.g.
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975:. hamburg.de GmbH & Co. KG. p. 376
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672:(in German). Berlin: Verlag Neues Leben.
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1227:(in German). Lukas Verlag. p. 274.
1202:(in German). Lukas Verlag. p. 149.
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772:. Bloomsbury Publishing. p. 58.
16:German resistance fighter (1905–1943)
1274:"hamburg: Schottmüller – korrigiert"
1223:Geertje Andresen (1 November 2005).
1198:Geertje Andresen (1 November 2005).
1173:Geertje Andresen (1 November 2005).
899:Geertje Andresen (1 November 2005).
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1356:. German Resistance Memorial Center
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447:The Schulze-Boysen group in Germany
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687:Ein Sprechzimmer der Roten Kapelle
642:Lexikon des deutschen Widerstandes
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1252:(in German). Argon. p. 123.
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568:German Resistance Memorial Center
552:Memorial to the German Resistance
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37:Portrait of Oda Schottmüller 1928
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1177:. Lukas Verlag. p. 65.
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341:Deutsche Allgemeine Zeitung
273:dance performance with the
171:and Dorothea Schottmüller (
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1320:Andresen, Geertje (2005).
1156:. Souvenir Press. p. 149.
924:Andresen, Geertje (2005).
613:Andresen, Geertje (2011).
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1090:. Routledge. p. 89.
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704:Trepper, Leopold (1978).
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298:Reich Chamber of Culture
230:, pottery and enamel in
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1458:Libertas Schulze-Boysen
1248:Reinhard Rürup (1996).
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1944:Hansheinrich Kummerow
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1803:Hansheinrich Kummerow
1653:Lotte Bergtel-Schleif
1468:Cato Bontjes van Beek
1436:People of the German
1284:on 24 September 2015.
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1152:Aster, Misha (2010).
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1483:Elisabeth Schumacher
1478:Jan Bontjes van Beek
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364:1936 Summer Olympics
292:On 15 January 1933,
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1970:Rudolf von Scheliha
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1568:Hans Lautenschlager
1528:Gisela von Pöllnitz
867:Andresen, Geertje.
485:Reichskriegsgericht
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372:Berlin Philharmonic
313:expressionist dance
177:Konrad Schottmüller
94:Cause of death
1929:Wilhelm Fellendorf
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805:"Oda Schottmüller"
595:"Oda Schottmüller"
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137:resistance fighter
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1839:Bernhard Bästlein
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1728:Philipp Schaeffer
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1558:Herbert Engelsing
1306:978-3-86732-125-9
1259:978-3-87024-350-0
1234:978-3-936872-58-3
1209:978-3-936872-58-3
1184:978-3-936872-58-3
1162:978-0-285-63893-8
1125:978-3-86732-125-9
1097:978-1-136-89373-5
1069:978-3-945959-27-5
910:978-3-936872-58-3
779:978-1-5013-4487-9
522:Hugo Schottmüller
497:Plötzensee Prison
489:Plötzensee Prison
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169:Kurt Schottmüller
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73:(1943-08-05)
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1949:Fritz Lange
1924:Erna Eifler
1919:Beppo Römer
1864:Hilde Coppi
1773:Erna Eifler
1598:Anna Krauss
1588:Fritz Thiel
1538:Hilde Coppi
538:in Berlin.
353:Erring Soul
104:Nationality
2005:Categories
1975:Ilse Stöbe
1859:Hans Coppi
1688:Max Hübner
1623:Karl Böhme
1543:Hans Coppi
736:References
588:(29): 2–5.
574:Literature
564:Hans Coppi
536:Schöneberg
503:Resistance
388:Volksbühne
325:The Hanged
283:Volksbühne
221:Klaus Mann
213:Heppenheim
192:sanatorium
50:1905-02-09
1889:John Sieg
1708:Else Imme
1658:Ina Ender
1360:31 August
1134:cite book
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1037:0342-1201
730:Ina Ender
633:817538690
518:Eppendorf
380:Waldbühne
236:Frankfurt
232:Pforzheim
112:Education
1394:Archived
1382:Archived
724:See also
678:74777195
422:The Last
368:Heracles
275:Mandrake
973:Hamburg
560:Cologne
512:Honours
360:Tragedy
271:alraune
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475:Arrest
337:Dancer
331:, and
321:Wizard
261:Career
217:Abitur
188:Danzig
107:German
83:Berlin
1324:[
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1362:2019
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1120:ISBN
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1041:OCLC
1033:ISSN
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674:OCLC
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