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269:. The success of these recordings drew the attention of the entire recording industry to the previously unknown and out-of-the way studio. Putnam, Carrigan and Briggs were subsequently recruited by prominent music producers to move to Nashville, about 125 miles north. The three musicians left Muscle Shoals simultaneously to pursue separate careers in Nashville . Their replacements in Muscle Shoals became the second generation of the "
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in 1969 to build a new studio called
Quadrafonic in Nashville's' Music Row area. Putnam made technical innovations and newer equipment to improve recording quality and is credited with creating a wave of modernization of many Nashville studios. He laid the groundwork for Nashville's widening appeal
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Putnam's career unfolded in three phases. First, he spent twenty years working recording sessions. Next he became an entrepreneur building music publishing companies and recording studios; the third was producing records by other artists. As a producer, Putnam was responsible for work on
Nashville's
204:, a popular Nashville recording studio known as simply "Quad" by locals. Quadraphonic's success was in part because of Putnam's interest and experimentation in the technological details of sound recording. He retired from actively playing sessions in the early 1970s to be a
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After a long career in
Nashville, Putnam moved to Florence, Alabama, near his birthplace. In 2015, Putnam and his wife Sheryl purchased a nineteenth-century mansion there known as "Thimbleton" which they sold in 2019.
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Putnam's father played in a family band as a young man and when son
Norbert was growing up, an upright bass was in the household. In his mid-teens, Putnam played bass in a band in Florence with other teenagers
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to make demo recordings for a publishing company. In doing this, they learned how to work as a team to create arrangements for new songs. Putnam and his bandmates later followed Rick Hall to work at
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Schwartz, Seth (September 24, 2021). "An
Alabama Couple Returns to Hometown Splendor". Vol. 278, no. 72. The Wall Street Journal. p. M–1 (Mansion).
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237:. The boys were too young to drive then and Carrigan's father drove them to engagements. After a couple of years they were hired by Tom Stafford,
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output from the late 1960s to the early 1980s. His credits include works that established the popularity of performers such as
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388:"For Ol' Times Sake: An Interview with Norbert Putnam About Elvis"
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in attracting pop/rock artists. Putnam was inducted into the
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SoundOnSound.com. September 2003. Accessed 1 October 2007.
501:"NAMM Oral History Program/Norbert Putnam Interview/2013"
428:"Producer: Norbert Putnam – The Other Side Of Nashville."
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MixOnline.com. 1 November 2000. Accessed 1 October 2007.
527:"The Nashville Musician Interview: Norbert Putnam"
133:in 2019. He got his start as a bass player in the
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16:American record producer and musician (born 1942)
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137:and from there was recruited to move to
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349:Music Lessons Vol. 1: a Musical Memoir
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612:NAMM Oral History Collection
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363:On the Elvis recording of "
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451:Delta Business Journal
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365:Merry Christmas Baby
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202:Quadraphonic Studios
197:and other artists.
119:Norbert Auvin Putnam
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171:Tony Joe White
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622:Categories
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393:PopMatters
371:References
320:John Hiatt
224:Early life
167:J. J. Cale
62:1942-08-10
47:Birth name
531:Yumpu.com
324:J.J. Cale
296:Joan Baez
263:Tommy Roe
239:Rick Hall
214:Joan Baez
139:Nashville
505:namm.org
444:Archived
411:Archived
334:and the
267:The Tams
206:producer
123:musician
108:musician
565:July 1,
316:Donovan
151:Al Hirt
94:country
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277:Career
173:, the
82:Genres
603:IMDb
567:2019
539:2020
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480:ISBN
282:non-
265:and
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