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used drum machines and layered his vocals, carefully crafted his albums, explaining to Lydia
Hutchinson in 2013, "I was an engineer, and I loved manipulating the sound. I love the technical side of recording. I had a recording studio back in the days when no one had a home studio. You had to rent a studio that belonged to a big conglomerate." Cale often acted as his own producer / engineer / session player. His vocals, sometimes whispery, would be buried in the mix. He attributed his unique sound to being a recording mixer and engineer, saying, "Because of all the technology now you can make music yourself and a lot of people are doing that now. I started out doing that a long time ago and I found when I did that I came up with a unique sound."
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400:" with "Slow Motion" as the B side. He distributed copies of the single to his Tulsa musician friends living in Los Angeles, many of whom were successfully finding work as session musicians. "After Midnight" would go on to have long-term ramifications for Cale's career when Eric Clapton recorded the song and it became a Top 20 hit. Cale found little success as a recording artist. Not being able to make enough money as a studio engineer, he sold his guitar and returned to Tulsa in late 1967. There he joined a band with Tulsa musician Don White.
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588:...So I had written the song in a Mose Allison bag, kind of cocktail jazz kind of swing...And Audie said, 'That's really a good song, John, but you oughta make that a little more rock and roll, a little more commercial.' I said, 'Great, man.' So I went back and recut it again as the thing you heard." The song's meaning is ambiguous, although Eric Clapton describes it as an anti-drug song. He has called the song "quite cleverly anti-cocaine", noting:
356:. Cale recalled, "I didn't really want to carry a gun and do all that stuff so I joined the Air Force and what I did is I took technical training and that's kind of where I learned a little bit about electronics." Cale's knowledge of mixing and sound recording turned out to play an important role in creating the distinctive sound of his studio albums.
778:. "I did the unplugged, live kind of thing in the '70's and the '80's," he told one interviewer. "I've gone to the other direction now that all that's become popular. Been there done that! They didn't call it unplugged in those days but that is what it was…There is a fascination about electronics…It is an art form in itself." 1994's
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or on reflection actually can be seen to be "anti"—which the song "Cocaine" is actually an anti-cocaine song. If you study it or look at it with a little bit of thought ... from a distance ... or as it goes by ... it just sounds like a song about cocaine. But actually, it is quite cleverly anti-cocaine.
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was Cale's second LP for
Silvertone. Compared to his albums in the '70s and '80s, he employed fewer session players for this album, yet still achieved his signature sound. Notoriously wary of the spotlight, Cale quietly went about his own business his way, delivering his own unique blend of musical
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In 1990 he explained in an interview, "In 1984 I was with a different record company, and it didn't seem to be working out too good, so I asked to get out of my contract, and that took a couple of years to shuffle the paper around. Then when I got through doin' that, I thought I'd take a little break
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was the first solo album Cale produced himself without long-time producer Audie
Ashworth, although Ashworth co-wrote the opening track "Shanghaid" with Cale. While the album has a travel theme, with titles like "Tijuana" and "New Orleans", Cale insisted he did not set out to make a concept album, and
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album Denny
Cordell, who ran Shelter Records at the time, and I had already finished the album, he said, "John, why don't you put 'After Midnight' on there because that is what people recognize you for?" I said, "Well, I've already got that on Liberty Records, and Eric Clapton's already cut it, so if
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came out of all of this stuff — was, like, volume and proficiency and virtuosity. There didn't seem to be any reasonable limit to that; it was just crazy. I wanted to go in the other direction and try to find a way to make it minimal, but still have a great deal of substance. That was the essence of
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It's no good to write a deliberate anti-drug song and hope that it will catch. Because the general thing is that people will be upset by that. It would disturb them to have someone else shoving something down their throat. So the best thing to do is offer something that seems ambiguous—that on study
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was produced by Audie
Ashworth, who would go on to produce Cale until 1983. Cale's second album further developed the "Tulsa sound" that he would become known for: a swampy mix of folk, jazz, shuffling country blues, and rock 'n' roll. Although his songs have a relaxed, casual feel, Cale, who often
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The album returns to the style and sound Cale became famous for – a mix of laid-back shuffles, jazzy chords, and bluesy rock and roll with layered vocals – but it also embraces technology, resulting in a cleaner sound than on Cale's earlier albums. Lyrically, Cale makes a rare foray into political
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Cale moved to
California in 1980 and became a recluse, living in a trailer without a telephone. In 2013, he reflected, "…I knew what fame entailed. I tried to back off from that. I had seen some of the people I was working with forced to be careful because people wouldn't leave them alone… What I'm
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The history on that deal was, the original "After
Midnight" I recorded was on Liberty Records on a 45-rpm, and it was fast. That was about 1967-68, maybe 69. I can't remember exactly. But that was the original "After Midnight", and that is what Clapton heard. If you listen to Eric Clapton's record,
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Long-time collaborator drummer Jim
Karstein remarked, 'You'll cut tracks with him and you'll listen to it and you'll think, "Well, I don't know about that one" and then he'll take the tapes away and he puts his secret sauce on 'em, you know, that nobody but he knows what it is that he does in the
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It's kind of ironic. When Andrew Lauder of
Silvertone said he'd like to put out some tapes, I just got a bunch together and they put 'em out as an album. It wasn't till I got to listening to the album that I noticed that I'd written a bunch of tunes in the last four or five years about towns, and
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magazine that when he heard
Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. I was in my thirties, so I was very happy. It was nice to make some money." Cale's version of "After Midnight" differs greatly from Clapton's frenetic version,
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is unremittingly grim. The cynical "Money Talks" ("You'd be surprised the friends you can buy with small change…"), "Hard Times", "Unemployment" and "Livin' Here Too" deal with harsh economic woes and dissatisfaction with life in general, while the provocative "Reality" is about using drugs to
642:, including "Sensitive Kind," "Lou-Easy-Ann," "Fate of a Fool," "Boilin' Pot," and "Don't Cry Sister." Lakeland also performs with Cale's band. While living in California in the late sixties, Cale worked in Russell's studio as an engineer. The footage was officially released in 2003 as
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instead of Nashville. David Teegarden, of Teegarden & Van Winkle, is a drummer who has a studio, so I told him to get the guys in Tulsa that we used to play with when we were kids. I cut some there, and had some demos I did here at the house, and I sent them all to Bas and to Mike
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review of the album, "As Cale's influence on others expanded, he just continued to turn out the occasional album of bluesy, minor-key tunes. This one was even sparer than usual, with the artist handling bass as well as guitar on many tracks. Listened to today, it sounds so much like a
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After making a name for himself in the seventies as a songwriter, Cale's own recording career came to a halt in the mid-1980s. Although he scored a handful of minor hits, Cale was indifferent to publicity, preferring to avoid the spotlight, so his albums never sold in high numbers.
977:, with Cale writing 11 of the 14 tracks on the album, with two cuts, "Any Way the Wind Blows" and "Don't Cry Sister", being re-recordings of songs that Cale recorded previously in the 1970s. In a 2014 interview with NPR, Clapton spoke at length about Cale's influence on his music:
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in 1956. As well as learning to play the guitar he began studying the principles of sound engineering while still living with his parents in Tulsa, where he built himself a recording studio. After graduation he was drafted into military service, studying at the
898:, and we'll hire all the guys who are still alive who played on the first albums." Audie said, "Great." I told him to book some studio time. But then he passed away, and I put the deal on hold. Eventually, I decided to do the same program, only go to
513:. As he put it in an interview with Russell Hall, "I knew if I became too well known, my life would change drastically. On the other hand, getting some money doesn't change things too much, except you no longer have to go to work." His third album
786:, with Cale employing the instrument on five of the twelve songs. Although the use of synthesizers may have seemed like a left turn for fans used to his laidback, rootsy sound, it was not new; Cale had used synthesizers on his 1976
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as well as playing at bars and clubs. Cale first tasted success that year when singer Mel McDaniel scored a regional hit with Cale's song "Lazy Me". He managed to land a regular gig at the increasingly popular
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commented, "'Lowdown' is typical Cale shuffle, 'Days Go By' gives a jazzy feel to a song about smoking a certain substance while the traditional 'Old Blue' reprises a song that many might first have heard with
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Although Cale would not have the success with his music that others would, the royalties from artists recording his songs would allow him to record and tour as it suited him. He scored another windfall when
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is the one that was responsible to get me singing. He was the one who turned me on to the Tulsa community. Bramlett produced my first solo album and "After Midnight" was on it, and those players played on
798:…me playing with the synthesizer, everybody hated. Audie Ashworth did the first eight albums, and those were kind of semi-popular, for an obscure songwriter like me. Then I started doing these albums in
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was recorded in studios in Nashville and North Hollywood, and while a more polished production, it continues Cale's exploration into a variety of musical styles that would become known as Americana.
273:(December 5, 1938 – July 26, 2013) was an American guitarist, singer, and songwriter. Though he avoided the limelight, his influence as a musical artist has been acknowledged by figures such as
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J.J.'s music to me, apart from the fact that he summed up so many of the different essences of American music: rock and jazz and folk, blues. He just seemed to have an understanding of it all.
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with lines like, "The man in charge, he don't know what he's doing, he don't know the world has changed." "Stone River" is an understated protest song about the water crisis in the West.
923:, Texas. Among the performers was J. J. Cale, giving Clapton the opportunity to ask Cale to produce an album for him. The two ended up recording the album together, releasing it as
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differs from the albums he made in the seventies and early eighties in that while those records featured numerous top shelf session players, Cale provided the instrumentation on
1270:"I was always a background person. It took me a while to adjust to the fact that people were looking at me 'cause I always just wanted to be part of the show. I didn't want to
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and things begin to change," and adding "When reality leaves, so do the blues." When later asked how he had spent the 1980s he replied: "Mowing the lawn and listening to
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what he did was imitate that. No one heard that first version I made of it. I tried to give the thing away, until he cut it and made it popular. So, when I recorded the
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to promote the song, which would have moved it higher on the charts. Cale declined when told he could not bring his band to the recording and would be required to
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969:. Eric Clapton owned a mansion in Escondido in the 1980s and early '90s. The road referenced in the album's title is named Valley Center Road. The album won the
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Between 1996 and 2003, Cale released no new music but admiration for his work and musicianship only grew among his fans and admirers. In his 2003 biography
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writer Richard Cromelin as a "unique hybrid of blues, folk and jazz, marked by relaxed grooves and Cale's fluid guitar and iconic vocals. His early use of
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as a one-man band effort, it sounds remarkably relaxed and laid-back, like it was made with a seasoned bar band." In assessing the album, rock writer
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1979:
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A few years ago, before Audie passed away, I said, "I've been making synthesizer records; ain't nobody likes 'em but me. I'll come to
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Along with a number of other young Tulsa musicians, Cale moved to Los Angeles in late 1964, where he found employment as a
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659:, which continued Cale's tradition of giving his albums one word titles, was recorded in various studios in Nashville and
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LP, one of the few non-originals to ever appear on a Beefheart album. The song would also be recorded by Eric Clapton,
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It was suggested to Cale that he should take advantage of this publicity and cut a record of his own. His first album,
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and his unconventional mixes lend a distinctive and timeless quality to his work and set him apart from the pack of
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troubadour, but Cale's early 90s experimental synth-heavy output left him at odds with the music industry. 2004's
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with all synthesizers and me being the engineer. I liked those, but the folks wanted a little warmer kind of thing.
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1980:"Kevin Brown Trio - Kevin Brown Trio, Black Mountain Jazz, Kings Arms, Abergavenny, 25/10/2015. | Review"
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on guitar and background vocals and drummer James Cruce on the opener "Death in the Wilderness." In his
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is a city in San Diego County near Cale's home at the time located in the small, unincorporated town of
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580:," a song that would be a major hit for Eric Clapton the following year. In the 2004 documentary
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is best remembered for the change in sound from Cale's previous albums due to the prominence of
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roots music purists." His biggest U.S. hit single, "Crazy Mama", peaked at No. 22 on the U.S.
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escape many of the problems he chronicles on the album, singing "One toke of reefer, a little
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1029:, a posthumous album made of previously unreleased material, was released on April 26, 2019.
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What seemed to evolve out of the '60s and into the '70s and then, in another way, the '80s —
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714:. Lyrically speaking, with the exception of "Takin' Care of Business", the subject matter on
318:
1864:"JJ Cale dead at 74: Tributes paid to singer songwriter after his death from a heart attack"
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for this album, Clapton declares of Cale, "He was a fantastic musician. And he was my hero."
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In 1970, it came to his attention that Eric Clapton had recorded Cale's "After Midnight" on
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1891:"JJ Cale passed away at 8:00 pm on Friday July 26 at Scripps Hospital in La Jolla, CA"
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from recording; maybe go in once or twice a year and record somethin' I'd written."
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reunited him with long-time producer Audie Ashworth, as he recalled to Dan Forte:
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and J. J. Cale who are the best electric guitar players." In the 2005 documentary
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929:. A number of high-profile musicians also agreed to work on the album, including
847:, Cale would take a second hiatus and not release another album for eight years.
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saying, basically, is I was trying to get the fortune without having the fame."
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contains some of Cale's most recorded songs. In the same year of its release,
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617:. Cale and Lakeland would later marry. As William Ruhlmann observes in his
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styles augmented by his laid-back vocal delivery. Ironically, in an era of
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recorded "I Got the Same Old Blues" (shortened to "Same Old Blues") for his
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rechristened Cale as J.J. Cale to avoid confusion with the John Cale in the
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663:. It boasts an impressive list of top shelf session musicians, including
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was poorly received, and he asked to be released from his contract with
476:, Cale recounts the story of being offered the opportunity to appear on
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J.J. Cale featuring Leon Russell: In Session at the Paradise Studios
451:, released on October 25, 1971, established his style, described by
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dark of night and then he'll come back out and you'll go "Wow!".
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in 2004, Cale acknowledged the dismay some fans felt, recalling:
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songwriting with "The Problem," an indictment of then-President
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In 2014, Eric Clapton & Friends released the tribute album
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as "really, really minimal", adding "it's all about finesse".
822:
review of the LP, Thom Owens writes, "Although he has recorded
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413:
638:. The previously unseen footage features several tracks from
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1437:"Songwriter J. J. Cale prefers to remain in the background"
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remarked, "Of all the players I ever heard, it's gotta be
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584:, Cale recalled, "I wrote 'Cocaine', and I'm a big fan of
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1890:
1838:"Eric Clapton and J J Cale : Notes on a Friendship"
1720:"LAID-BACK LEGEND J.J. CALE TELLS ME "THERE'S NO HURRY""
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participated on this album in one capacity or another.
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recorded at Russell's Paradise Studios in June 1979 in
1291:"Eric Clapton: JJ Cale got me through my darkest days"
1359:"Musicians will honor Whisky founder Elmer Valentine"
248:
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1044:. On it, Cale's tunes are covered by Clapton with
377:already performing there regularly, club co-owner
957:. In a coup, whether intended or not, the entire
441:I'm going to do it again I'm going to do it slow.
431:which is itself based on Cale's own arrangement:
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774:trends, Cale became immersed in electronics and
601:in 1979, Cale had also met singer and guitarist
1591:"Obituary: JJ Cale was music's towering figure"
385:. In 1966, while living in the city, he cut a
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971:Grammy Award for Best Contemporary Blues Album
743:only recognized it after he picked the songs:
2127:
1640:
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2404:Central High School (Tulsa, Oklahoma) alumni
1950:""Call Me The Breeze" - Eric Clapton Videos"
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1406:"The Great Rock Bible is under construction"
1019:, California, on July 26, 2013, following a
472:chart in 1972. In the 2005 documentary film
630:coincided with a notable live session with
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2055:
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1465:"After Midnight by Eric Clapton Songfacts"
994:in 1969, recalled in the 2005 documentary
874:, Cale's guitar style is characterized by
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1321:To Tulsa and Back: On Tour with J.J. Cale
1276:To Tulsa and Back: On Tour with J.J. Cale
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2529:21st-century American singer-songwriters
2484:20th-century American singer-songwriters
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882:was also effusive in his praise for the
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1515:Cromelin, Richard (February 24, 2009).
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2288:The Breeze: An Appreciation of JJ Cale
1972:
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1041:The Breeze: An Appreciation of JJ Cale
335:Cale was born on December 5, 1938, in
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1696:from the original on January 12, 2022
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1302:from the original on January 12, 2022
312:In 2008, Cale and Clapton received a
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1914:"Writer of hits JJ Cale dead at 74"
1912:Castillo, Mariano (July 27, 2013).
626:album, it's scary." The release of
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2524:21st-century American male singers
2519:20th-century American male singers
1836:Westervelt, Eric (July 26, 2014).
325:
14:
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2281:Rewind: The Unreleased Recordings
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1936:"Cale's agent confirms his death"
1435:Hoekstra, Dave (April 15, 1990).
1357:Lewis, Randy (January 10, 2009).
2509:Singer-songwriters from Oklahoma
2494:21st-century American guitarists
2489:20th-century American guitarists
2424:American male singer-songwriters
2024:"Songbook, Haverom a J. J. Cale"
1718:Newton, Steve (March 27, 2016).
1288:Martin Chilton (July 25, 2014).
1085:Hungarian alternative rock band
2016:
1994:
1942:
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1657:Hutchinson, Lydia (July 2013).
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1564:Hutchinson, Lydia (July 2013).
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1007:was my kind of homage to J.J."
915:In 2004, Eric Clapton held the
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537:. "Cajun Moon" was recorded by
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2454:Musicians from Tulsa, Oklahoma
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1862:Gripper, Ann (July 27, 2013).
1786:Shakey: Neil Young's Biography
1489:Halsey, Derek (October 2004).
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1015:Cale died at the age of 74 in
748:places, and travellin' around.
350:Air Force Air Training Command
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1:
2539:Progressive country musicians
2504:American blues rock musicians
2499:Blues musicians from Oklahoma
1749:"Tribute – J.J. Cale in 1996"
1747:Wise, Brian (July 28, 2013).
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790:album. In an interview with
699:, among many others. 1982's
16:American musician (1938–2013)
2449:Musicians from Oklahoma City
1449:on June 3, 2013 – via
7:
2092:The Long Reach of J.J. Cale
1812:"J.J. Cale: Clapton Mentor"
1645:The Best of Everything Show
1032:
814:himself, augmented by wife
293:, a loose genre drawing on
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2469:American session musicians
1893:. JJ Cale official website
1252:. JJ Cale official website
1101:
919:, a three-day festival in
917:Crossroads Guitar Festival
18:
2434:American rock songwriters
2409:American blues guitarists
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2149:
1783:McDonough, Jimmy (2013).
990:Clapton, who toured with
967:Valley Center, California
523:Bluejeans & Moonbeams
345:Tulsa Central High School
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2514:Guitarists from Oklahoma
2429:American rock guitarists
2414:American male guitarists
2026:(in Hungarian). Songbook
2004:. Quimby. April 25, 2012
1663:Performingsongwriter.com
1621:performingsongwriter.com
1570:Performingsongwriter.com
1010:
872:: On Tour with J.J. Cale
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649:
597:By the time he recorded
558:Cowboys & Englishmen
19:Not to be confused with
2479:Shelter Records artists
2474:Reprise Records artists
2464:Liberty Records artists
2459:Mercury Records artists
1617:"Remembering J.J. Cale"
337:Oklahoma City, Oklahoma
78:Oklahoma City, Oklahoma
2419:American blues singers
1535:"J. J. Cale Biography"
1104:J. J. Cale discography
988:
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50:Background information
2534:Because Music artists
2439:American rock singers
2274:The Road to Escondido
1938:. The Rosebud Agency.
1410:Thegreatrockbible.com
1380:"Three Who Knew John"
979:
926:The Road to Escondido
892:
796:
745:
590:
433:
411:
343:, and graduated from
319:The Road to Escondido
2444:Grammy Award winners
1960:on November 29, 2014
1517:"J.J. Cale rolls on"
992:Delaney & Bonnie
509:" for their 1974 LP
373:in March 1965. With
360:Early musical career
1810:Forte, Dan (2004).
1659:"JJ Cale interview"
1566:"JJ Cale interview"
1545:on January 18, 2013
1416:on October 23, 2020
1005:461 Ocean Boulevard
839:version during the
412:Cale in concert in
339:. He was raised in
2368:Christine Lakeland
2313:Call Me the Breeze
1070:Call Me The Breeze
1066:Christine Lakeland
816:Christine Lakeland
806:Produced by Cale,
603:Christine Lakeland
541:on his 1976 album
507:Call Me the Breeze
483:American Bandstand
418:
383:Velvet Underground
2376:
2375:
2295:Live in San Diego
2242:To Tulsa and Back
2002:"Quimby, Lemezek"
1753:Addicted to Noise
1692:. July 28, 2013.
1521:Los Angeles Times
1451:HighBeam Research
1442:Chicago Sun-Times
1378:Friedman, Barry.
1364:Los Angeles Times
1208:To Tulsa and Back
996:To Tulsa and Back
955:Doyle Bramhall II
888:To Tulsa and Back
870:To Tulsa and Back
607:To Tulsa and Back
582:To Tulsa and Back
519:Captain Beefheart
474:To Tulsa and Back
454:Los Angeles Times
354:Rantoul, Illinois
257:
256:
2546:
2351:Related articles
2136:
2129:
2122:
2113:
2112:
2108:
2088:
2073:
2059:
2054:
2053:
2051:Official website
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2020:
2014:
2013:
2011:
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1956:. Archived from
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1000:Delaney Bramlett
316:for their album
253:
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75:December 5, 1938
74:
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60:John Weldon Cale
57:
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2100:discography at
2065:discography at
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2017:
2007:
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1982:. The Jazz Mann
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1954:Ericclapton.com
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1647:, with Dan Neer
1643:
1636:
1626:
1624:
1623:. July 29, 2013
1615:
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1597:. July 28, 2013
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1091:Lármagyűjtögető
1089:'s 2009 album,
1078:'s 2015 album,
1035:
1013:
959:John Mayer Trio
853:
832:Rhythm Magazine
761:The 1992 album
759:
706:His 1983 album
652:
615:Waylon Jennings
572:The 1976 album
555:on their album
547:with vocals by
422:his debut album
416:, Germany, 1975
406:
394:Liberty Records
379:Elmer Valentine
366:studio engineer
362:
341:Tulsa, Oklahoma
333:
328:
326:Life and career
283:Waylon Jennings
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2043:External links
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1102:Main article:
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1095:
1094:
1083:
1073:
1064:, Cale's wife
1034:
1031:
1012:
1009:
943:Pino Palladino
910:George W. Bush
852:
849:
792:Vintage Guitar
758:
755:
723:, one shot of
689:Glen D. Hardin
651:
648:
567:Naked and True
563:Randy Crawford
531:Lynyrd Skynyrd
511:Second Helping
503:Lynyrd Skynyrd
405:
402:
398:After Midnight
396:of his songs "
371:Whisky a Go Go
361:
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259:Musical artist
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2305:Notable songs
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2228:Closer to You
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2150:Studio albums
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1192:Closer to You
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1058:Willie Nelson
1056:, Don White,
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1050:Mark Knopfler
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880:Mark Knopfler
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843:era." After
842:
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829:
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780:Closer to You
777:
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772:MTV Unplugged
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673:Wrecking Crew
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549:Cissy Houston
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459:drum machines
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375:Johnny Rivers
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279:Mark Knopfler
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88:July 26, 2013
87:
83:
79:
67:
63:
59:
53:
48:
41:
36:
29:
26:
22:
2293:
2286:
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2266:Other albums
2254:
2247:
2240:
2233:
2226:
2219:
2212:
2205:
2198:
2191:
2184:
2177:
2170:
2163:
2156:
2142:
2028:. Retrieved
2018:
2006:. Retrieved
1996:
1984:. Retrieved
1974:
1964:November 19,
1962:. Retrieved
1958:the original
1953:
1944:
1930:
1918:. Retrieved
1907:
1895:. Retrieved
1885:
1873:. Retrieved
1869:Daily Mirror
1867:
1857:
1845:. Retrieved
1841:
1831:
1819:. Retrieved
1815:
1805:
1785:
1778:
1768:
1756:. Retrieved
1752:
1727:. Retrieved
1723:
1698:. Retrieved
1689:
1678:
1666:. Retrieved
1662:
1652:
1644:
1625:. Retrieved
1620:
1611:
1599:. Retrieved
1595:Gulfnews.com
1594:
1585:
1573:. Retrieved
1569:
1559:
1547:. Retrieved
1543:the original
1539:Sing 365.com
1538:
1529:
1520:
1510:
1498:. Retrieved
1494:
1484:
1474:September 4,
1472:. Retrieved
1468:
1459:
1447:the original
1440:
1430:
1418:. Retrieved
1414:the original
1409:
1400:
1387:. Retrieved
1383:
1373:
1362:
1352:
1345:
1339:
1332:
1328:
1320:
1316:
1304:. Retrieved
1295:
1283:
1275:
1271:
1266:
1254:. Retrieved
1222:
1214:
1206:
1198:
1190:
1182:
1174:
1166:
1158:
1150:
1142:
1134:
1126:
1118:
1110:
1090:
1079:
1069:
1062:Derek Trucks
1039:
1024:
1021:heart attack
1014:
1004:
995:
989:
980:
951:Steve Jordan
935:Derek Trucks
924:
914:
906:
893:
887:
876:Eric Clapton
868:
856:
854:
851:Later career
844:
841:Gram Parsons
831:
823:
811:
807:
805:
797:
791:
787:
784:synthesizers
779:
776:synthesizers
771:
762:
760:
751:
746:
739:
737:
733:
715:
707:
705:
700:
697:Leon Russell
685:Reggie Young
677:James Burton
656:
653:
643:
639:
632:Leon Russell
627:
624:Dire Straits
606:
598:
596:
591:
586:Mose Allison
581:
573:
571:
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542:
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510:
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467:
452:
446:
444:
437:
434:
425:
419:
404:Rise to fame
363:
334:
317:
314:Grammy Award
311:
287:Eric Clapton
270:
266:
262:
261:
190:Years active
133:country rock
90:(2013-07-26)
44:Cale in 2006
25:
2399:2013 deaths
2394:1938 births
2363:Tulsa Sound
2358:Discography
2256:Stay Around
2200:Grasshopper
2102:MusicBrainz
2030:February 6,
2008:February 6,
1816:Ear Of Newt
1724:Ear Of Newt
1627:January 19,
1306:November 4,
1274:the show."
1250:"Biography"
1224:Stay Around
1160:Grasshopper
1098:Discography
1076:Kevin Brown
1026:Stay Around
983:heavy metal
701:Grasshopper
693:Ken Buttrey
681:Jim Keltner
661:Los Angeles
636:Los Angeles
539:Herbie Mann
535:Bryan Ferry
527:Bobby Bland
490:the words.
331:Early years
291:Tulsa sound
263:John Weldon
172:Instruments
152:Occupations
143:Tulsa sound
2389:J. J. Cale
2383:Categories
2235:Guitar Man
2214:Travel-Log
2179:Troubadour
2143:J. J. Cale
2098:J. J. Cale
2094:on MTV.com
2077:J. J. Cale
2063:J. J. Cale
1601:August 11,
1549:January 6,
1233:References
1200:Guitar Man
1176:Travel-Log
1136:Troubadour
1054:John Mayer
947:John Mayer
861:Neil Young
845:Guitar Man
828:Brian Wise
824:Guitar Man
812:Guitar Man
808:Guitar Man
800:California
788:Troubadour
740:Travel-Log
731:and rap."
669:Carol Kaye
665:Hal Blaine
576:includes "
574:Troubadour
505:recorded "
478:Dick Clark
299:rockabilly
275:Neil Young
231:Silvertone
161:songwriter
128:swamp rock
99:California
71:1938-12-05
56:Birth name
2221:Number 10
2158:Naturally
1685:"JJ Cale"
1491:"JJ Cale"
1389:August 9,
1384:Daily Kos
1256:April 19,
1184:Number 10
1112:Naturally
1046:Tom Petty
1017:San Diego
963:Escondido
939:Taj Mahal
896:Nashville
837:The Byrds
763:Number 10
729:Van Halen
611:B.B. King
561:, and by
544:Surprises
468:Billboard
463:Americana
448:Naturally
438:Naturally
194:1958–2013
113:Americana
95:San Diego
32:J.J. Cale
21:John Cale
1986:April 4,
1920:July 27,
1897:July 27,
1875:April 9,
1821:June 26,
1758:June 30,
1729:June 25,
1700:April 5,
1694:Archived
1668:June 24,
1575:June 23,
1300:Archived
1033:Tributes
884:Oklahoma
820:AllMusic
770:and the
725:morphine
712:PolyGram
619:AllMusic
569:(1995).
488:lip-sync
216:PolyGram
164:producer
158:Musician
138:red dirt
2334:Cocaine
2249:Roll On
2067:Discogs
1847:July 3,
1500:July 4,
1420:May 10,
1216:Roll On
865:Hendrix
738:1989's
721:cocaine
671:of the
578:Cocaine
470:Hot 100
303:country
244:Website
226:Rounder
211:Mercury
206:Shelter
2193:Shades
2165:Really
2083:
1793:
1323:, 2005
1278:(2005)
1227:(2019)
1219:(2009)
1211:(2004)
1203:(1996)
1195:(1994)
1187:(1992)
1179:(1989)
1171:(1983)
1163:(1982)
1155:(1981)
1152:Shades
1147:(1979)
1139:(1976)
1131:(1974)
1123:(1972)
1120:Really
1115:(1971)
1087:Quimby
953:, and
921:Dallas
857:Shakey
768:grunge
695:, and
657:Shades
533:, and
494:Really
414:Munich
390:single
305:, and
285:, and
249:jjcale
221:Virgin
199:Labels
181:vocals
178:Guitar
106:Genres
101:, U.S.
80:, U.S.
2320:Clyde
1916:. CNN
1011:Death
1003:it...
900:Tulsa
757:1990s
650:1980s
551:, by
392:with
295:blues
267:J. J.
123:blues
118:Cajun
2172:Okie
2081:IMDb
2032:2020
2010:2020
1988:2017
1966:2014
1922:2013
1899:2013
1877:2015
1849:2019
1823:2019
1791:ISBN
1760:2019
1731:2019
1702:2017
1670:2019
1629:2022
1603:2013
1577:2019
1551:2013
1502:2019
1476:2013
1422:2021
1391:2013
1346:Ibid
1333:Ibid
1308:2015
1258:2019
1128:Okie
1080:Grit
975:2008
667:and
613:and
553:Poco
515:Okie
427:Mojo
387:demo
307:jazz
271:Cale
251:.com
85:Died
65:Born
2079:at
1842:NPR
998:, "
973:in
830:of
565:on
480:'s
352:in
2385::
2207:#8
1952:.
1866:.
1840:.
1814:.
1751:.
1739:^
1722:.
1710:^
1688:.
1661:.
1637:^
1619:.
1593:.
1568:.
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1519:.
1493:.
1467:.
1439:.
1408:.
1382:.
1361:.
1298:.
1294:.
1272:be
1241:^
1168:#8
1060:,
1052:,
1048:,
1023:.
949:,
945:,
941:,
937:,
933:,
859:,
716:#8
708:#8
691:,
687:,
683:,
679:,
675:,
646:.
529:,
322:.
309:.
301:,
297:,
281:,
277:,
269:"
97:,
2343:"
2339:"
2336:"
2332:"
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2318:"
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2311:"
2186:5
2135:e
2128:t
2121:v
2034:.
2012:.
1990:.
1968:.
1924:.
1901:.
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1799:.
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1478:.
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1424:.
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1367:.
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1260:.
1144:5
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