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J. J. Cale

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used drum machines and layered his vocals, carefully crafted his albums, explaining to Lydia Hutchinson in 2013, "I was an engineer, and I loved manipulating the sound. I love the technical side of recording. I had a recording studio back in the days when no one had a home studio. You had to rent a studio that belonged to a big conglomerate." Cale often acted as his own producer / engineer / session player. His vocals, sometimes whispery, would be buried in the mix. He attributed his unique sound to being a recording mixer and engineer, saying, "Because of all the technology now you can make music yourself and a lot of people are doing that now. I started out doing that a long time ago and I found when I did that I came up with a unique sound."
2106: 2086: 2071: 2057: 400:" with "Slow Motion" as the B side. He distributed copies of the single to his Tulsa musician friends living in Los Angeles, many of whom were successfully finding work as session musicians. "After Midnight" would go on to have long-term ramifications for Cale's career when Eric Clapton recorded the song and it became a Top 20 hit. Cale found little success as a recording artist. Not being able to make enough money as a studio engineer, he sold his guitar and returned to Tulsa in late 1967. There he joined a band with Tulsa musician Don White. 40: 588:...So I had written the song in a Mose Allison bag, kind of cocktail jazz kind of swing...And Audie said, 'That's really a good song, John, but you oughta make that a little more rock and roll, a little more commercial.' I said, 'Great, man.' So I went back and recut it again as the thing you heard." The song's meaning is ambiguous, although Eric Clapton describes it as an anti-drug song. He has called the song "quite cleverly anti-cocaine", noting: 356:. Cale recalled, "I didn't really want to carry a gun and do all that stuff so I joined the Air Force and what I did is I took technical training and that's kind of where I learned a little bit about electronics." Cale's knowledge of mixing and sound recording turned out to play an important role in creating the distinctive sound of his studio albums. 778:. "I did the unplugged, live kind of thing in the '70's and the '80's," he told one interviewer. "I've gone to the other direction now that all that's become popular. Been there done that! They didn't call it unplugged in those days but that is what it was…There is a fascination about electronics…It is an art form in itself." 1994's 593:
or on reflection actually can be seen to be "anti"—which the song "Cocaine" is actually an anti-cocaine song. If you study it or look at it with a little bit of thought ... from a distance ... or as it goes by ... it just sounds like a song about cocaine. But actually, it is quite cleverly anti-cocaine.
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was Cale's second LP for Silvertone. Compared to his albums in the '70s and '80s, he employed fewer session players for this album, yet still achieved his signature sound. Notoriously wary of the spotlight, Cale quietly went about his own business his way, delivering his own unique blend of musical
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In 1990 he explained in an interview, "In 1984 I was with a different record company, and it didn't seem to be working out too good, so I asked to get out of my contract, and that took a couple of years to shuffle the paper around. Then when I got through doin' that, I thought I'd take a little break
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was the first solo album Cale produced himself without long-time producer Audie Ashworth, although Ashworth co-wrote the opening track "Shanghaid" with Cale. While the album has a travel theme, with titles like "Tijuana" and "New Orleans", Cale insisted he did not set out to make a concept album, and
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album Denny Cordell, who ran Shelter Records at the time, and I had already finished the album, he said, "John, why don't you put 'After Midnight' on there because that is what people recognize you for?" I said, "Well, I've already got that on Liberty Records, and Eric Clapton's already cut it, so if
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came out of all of this stuff — was, like, volume and proficiency and virtuosity. There didn't seem to be any reasonable limit to that; it was just crazy. I wanted to go in the other direction and try to find a way to make it minimal, but still have a great deal of substance. That was the essence of
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It's no good to write a deliberate anti-drug song and hope that it will catch. Because the general thing is that people will be upset by that. It would disturb them to have someone else shoving something down their throat. So the best thing to do is offer something that seems ambiguous—that on study
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was produced by Audie Ashworth, who would go on to produce Cale until 1983. Cale's second album further developed the "Tulsa sound" that he would become known for: a swampy mix of folk, jazz, shuffling country blues, and rock 'n' roll. Although his songs have a relaxed, casual feel, Cale, who often
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The album returns to the style and sound Cale became famous for – a mix of laid-back shuffles, jazzy chords, and bluesy rock and roll with layered vocals – but it also embraces technology, resulting in a cleaner sound than on Cale's earlier albums. Lyrically, Cale makes a rare foray into political
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Cale moved to California in 1980 and became a recluse, living in a trailer without a telephone. In 2013, he reflected, "…I knew what fame entailed. I tried to back off from that. I had seen some of the people I was working with forced to be careful because people wouldn't leave them alone… What I'm
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The history on that deal was, the original "After Midnight" I recorded was on Liberty Records on a 45-rpm, and it was fast. That was about 1967-68, maybe 69. I can't remember exactly. But that was the original "After Midnight", and that is what Clapton heard. If you listen to Eric Clapton's record,
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Long-time collaborator drummer Jim Karstein remarked, 'You'll cut tracks with him and you'll listen to it and you'll think, "Well, I don't know about that one" and then he'll take the tapes away and he puts his secret sauce on 'em, you know, that nobody but he knows what it is that he does in the
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It's kind of ironic. When Andrew Lauder of Silvertone said he'd like to put out some tapes, I just got a bunch together and they put 'em out as an album. It wasn't till I got to listening to the album that I noticed that I'd written a bunch of tunes in the last four or five years about towns, and
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magazine that when he heard Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. I was in my thirties, so I was very happy. It was nice to make some money." Cale's version of "After Midnight" differs greatly from Clapton's frenetic version,
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is unremittingly grim. The cynical "Money Talks" ("You'd be surprised the friends you can buy with small change…"), "Hard Times", "Unemployment" and "Livin' Here Too" deal with harsh economic woes and dissatisfaction with life in general, while the provocative "Reality" is about using drugs to
642:, including "Sensitive Kind," "Lou-Easy-Ann," "Fate of a Fool," "Boilin' Pot," and "Don't Cry Sister." Lakeland also performs with Cale's band. While living in California in the late sixties, Cale worked in Russell's studio as an engineer. The footage was officially released in 2003 as 902:
instead of Nashville. David Teegarden, of Teegarden & Van Winkle, is a drummer who has a studio, so I told him to get the guys in Tulsa that we used to play with when we were kids. I cut some there, and had some demos I did here at the house, and I sent them all to Bas and to Mike
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review of the album, "As Cale's influence on others expanded, he just continued to turn out the occasional album of bluesy, minor-key tunes. This one was even sparer than usual, with the artist handling bass as well as guitar on many tracks. Listened to today, it sounds so much like a
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After making a name for himself in the seventies as a songwriter, Cale's own recording career came to a halt in the mid-1980s. Although he scored a handful of minor hits, Cale was indifferent to publicity, preferring to avoid the spotlight, so his albums never sold in high numbers.
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in 1956. As well as learning to play the guitar he began studying the principles of sound engineering while still living with his parents in Tulsa, where he built himself a recording studio. After graduation he was drafted into military service, studying at the
898:, and we'll hire all the guys who are still alive who played on the first albums." Audie said, "Great." I told him to book some studio time. But then he passed away, and I put the deal on hold. Eventually, I decided to do the same program, only go to 513:. As he put it in an interview with Russell Hall, "I knew if I became too well known, my life would change drastically. On the other hand, getting some money doesn't change things too much, except you no longer have to go to work." His third album 786:, with Cale employing the instrument on five of the twelve songs. Although the use of synthesizers may have seemed like a left turn for fans used to his laidback, rootsy sound, it was not new; Cale had used synthesizers on his 1976 368:
as well as playing at bars and clubs. Cale first tasted success that year when singer Mel McDaniel scored a regional hit with Cale's song "Lazy Me". He managed to land a regular gig at the increasingly popular
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commented, "'Lowdown' is typical Cale shuffle, 'Days Go By' gives a jazzy feel to a song about smoking a certain substance while the traditional 'Old Blue' reprises a song that many might first have heard with
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Although Cale would not have the success with his music that others would, the royalties from artists recording his songs would allow him to record and tour as it suited him. He scored another windfall when
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is the one that was responsible to get me singing. He was the one who turned me on to the Tulsa community. Bramlett produced my first solo album and "After Midnight" was on it, and those players played on
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was recorded in studios in Nashville and North Hollywood, and while a more polished production, it continues Cale's exploration into a variety of musical styles that would become known as Americana.
273:(December 5, 1938 – July 26, 2013) was an American guitarist, singer, and songwriter. Though he avoided the limelight, his influence as a musical artist has been acknowledged by figures such as 986:
J.J.'s music to me, apart from the fact that he summed up so many of the different essences of American music: rock and jazz and folk, blues. He just seemed to have an understanding of it all.
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with lines like, "The man in charge, he don't know what he's doing, he don't know the world has changed." "Stone River" is an understated protest song about the water crisis in the West.
923:, Texas. Among the performers was J. J. Cale, giving Clapton the opportunity to ask Cale to produce an album for him. The two ended up recording the album together, releasing it as 1693: 810:
differs from the albums he made in the seventies and early eighties in that while those records featured numerous top shelf session players, Cale provided the instrumentation on
1270:"I was always a background person. It took me a while to adjust to the fact that people were looking at me 'cause I always just wanted to be part of the show. I didn't want to 727:
and things begin to change," and adding "When reality leaves, so do the blues." When later asked how he had spent the 1980s he replied: "Mowing the lawn and listening to
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what he did was imitate that. No one heard that first version I made of it. I tried to give the thing away, until he cut it and made it popular. So, when I recorded the
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to promote the song, which would have moved it higher on the charts. Cale declined when told he could not bring his band to the recording and would be required to
1290: 969:. Eric Clapton owned a mansion in Escondido in the 1980s and early '90s. The road referenced in the album's title is named Valley Center Road. The album won the 2403: 855:
Between 1996 and 2003, Cale released no new music but admiration for his work and musicianship only grew among his fans and admirers. In his 2003 biography
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writer Richard Cromelin as a "unique hybrid of blues, folk and jazz, marked by relaxed grooves and Cale's fluid guitar and iconic vocals. His early use of
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as a one-man band effort, it sounds remarkably relaxed and laid-back, like it was made with a seasoned bar band." In assessing the album, rock writer
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A few years ago, before Audie passed away, I said, "I've been making synthesizer records; ain't nobody likes 'em but me. I'll come to
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Along with a number of other young Tulsa musicians, Cale moved to Los Angeles in late 1964, where he found employment as a
1837: 1436: 659:, which continued Cale's tradition of giving his albums one word titles, was recorded in various studios in Nashville and 2468: 2433: 2408: 2091: 525:
LP, one of the few non-originals to ever appear on a Beefheart album. The song would also be recorded by Eric Clapton,
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It was suggested to Cale that he should take advantage of this publicity and cut a record of his own. His first album,
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and his unconventional mixes lend a distinctive and timeless quality to his work and set him apart from the pack of
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troubadour, but Cale's early 90s experimental synth-heavy output left him at odds with the music industry. 2004's
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with all synthesizers and me being the engineer. I liked those, but the folks wanted a little warmer kind of thing.
397: 2418: 2533: 2438: 1980:"Kevin Brown Trio - Kevin Brown Trio, Black Mountain Jazz, Kings Arms, Abergavenny, 25/10/2015. | Review" 1863: 289:, who described him as one of the most important artists in rock history. He is one of the originators of the 2443: 2234: 2178: 1516: 1358: 1199: 1135: 543: 2220: 2157: 1183: 1111: 1075: 447: 818:
on guitar and background vocals and drummer James Cruce on the opener "Death in the Wilderness." In his
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is a city in San Diego County near Cale's home at the time located in the small, unincorporated town of
2248: 1215: 916: 2097: 2192: 1151: 966: 672: 230: 2126: 1413: 974: 580:," a song that would be a major hit for Eric Clapton the following year. In the 2004 documentary 2171: 1127: 1082:, contained a track called "The Ballad of J. J. Cale", in tribute to Brown's musical inspiration. 557: 336: 77: 1913: 782:
is best remembered for the change in sound from Cale's previous albums due to the prominence of
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roots music purists." His biggest U.S. hit single, "Crazy Mama", peaked at No. 22 on the U.S.
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escape many of the problems he chronicles on the album, singing "One toke of reefer, a little
2273: 1029:, a posthumous album made of previously unreleased material, was released on April 26, 2019. 1020: 981:
What seemed to evolve out of the '60s and into the '70s and then, in another way, the '80s —
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for this album, Clapton declares of Cale, "He was a fantastic musician. And he was my hero."
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In 1970, it came to his attention that Eric Clapton had recorded Cale's "After Midnight" on
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from recording; maybe go in once or twice a year and record somethin' I'd written."
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reunited him with long-time producer Audie Ashworth, as he recalled to Dan Forte:
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and J. J. Cale who are the best electric guitar players." In the 2005 documentary
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saying, basically, is I was trying to get the fortune without having the fame."
614: 426: 393: 378: 340: 282: 225: 210: 205: 605:, and the LP marks her first appearance on his albums. In the 2005 documentary 2333: 2164: 1811: 1748: 1446: 1119: 942: 909: 688: 577: 562: 530: 502: 389: 370: 365: 220: 137: 2001: 1464: 517:
contains some of Cale's most recorded songs. In the same year of its release,
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styles augmented by his laid-back vocal delivery. Ironically, in an era of
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recorded "I Got the Same Old Blues" (shortened to "Same Old Blues") for his
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rechristened Cale as J.J. Cale to avoid confusion with the John Cale in the
2319: 1935: 1868: 1772: 1395:, long-time friend and drummer Jimmy Karstein reflects on the early LA days 1061: 934: 875: 840: 783: 775: 696: 684: 676: 631: 623: 585: 458: 386: 313: 286: 132: 1093:, contained a track called "Haverom a J. J. Cale" ("My Buddy J. J. Cale"). 663:. It boasts an impressive list of top shelf session musicians, including 2362: 2255: 2101: 1223: 1025: 692: 680: 660: 635: 552: 538: 534: 526: 290: 142: 117: 2062: 710:
was poorly received, and he asked to be released from his contract with
476:, Cale recounts the story of being offered the opportunity to appear on 2213: 2076: 1175: 1053: 946: 860: 827: 799: 668: 664: 477: 298: 274: 127: 98: 609:, Lakeland says they met backstage at a prison benefit show featuring 1045: 1016: 895: 836: 728: 610: 408: 94: 20: 644:
J.J. Cale featuring Leon Russell: In Session at the Paradise Studios
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dark of night and then he'll come back out and you'll go "Wow!".
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in 2004, Cale acknowledged the dismay some fans felt, recalling:
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songwriting with "The Problem," an indictment of then-President
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In 2014, Eric Clapton & Friends released the tribute album
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as "really, really minimal", adding "it's all about finesse".
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review of the LP, Thom Owens writes, "Although he has recorded
767: 413: 638:. The previously unseen footage features several tracks from 2111: 899: 294: 122: 1490: 1437:"Songwriter J. J. Cale prefers to remain in the background" 863:
remarked, "Of all the players I ever heard, it's gotta be
306: 584:, Cale recalled, "I wrote 'Cocaine', and I'm a big fan of 2050: 1890: 1838:"Eric Clapton and J J Cale : Notes on a Friendship" 1720:"LAID-BACK LEGEND J.J. CALE TELLS ME "THERE'S NO HURRY"" 961:
participated on this album in one capacity or another.
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recorded at Russell's Paradise Studios in June 1979 in
1291:"Eric Clapton: JJ Cale got me through my darkest days" 1359:"Musicians will honor Whisky founder Elmer Valentine" 248: 1683: 1289: 1044:. On it, Cale's tunes are covered by Clapton with 377:already performing there regularly, club co-owner 957:. In a coup, whether intended or not, the entire 441:I'm going to do it again I'm going to do it slow. 431:which is itself based on Cale's own arrangement: 2380: 774:trends, Cale became immersed in electronics and 601:in 1979, Cale had also met singer and guitarist 1591:"Obituary: JJ Cale was music's towering figure" 385:. In 1966, while living in the city, he cut a 1287: 971:Grammy Award for Best Contemporary Blues Album 743:only recognized it after he picked the songs: 2127: 1640: 1638: 2404:Central High School (Tulsa, Oklahoma) alumni 1950:""Call Me The Breeze" - Eric Clapton Videos" 1855: 1406:"The Great Rock Bible is under construction" 1019:, California, on July 26, 2013, following a 472:chart in 1972. In the 2005 documentary film 630:coincided with a notable live session with 2134: 2120: 2104: 2084: 2069: 2055: 1835: 1656: 1635: 1563: 1465:"After Midnight by Eric Clapton Songfacts" 994:in 1969, recalled in the 2005 documentary 874:, Cale's guitar style is characterized by 38: 1782: 1713: 1711: 1321:To Tulsa and Back: On Tour with J.J. Cale 1276:To Tulsa and Back: On Tour with J.J. Cale 1244: 1242: 2529:21st-century American singer-songwriters 2484:20th-century American singer-songwriters 1911: 1514: 1434: 882:was also effusive in his praise for the 407: 1928: 1861: 1742: 1740: 1515:Cromelin, Richard (February 24, 2009). 359: 2381: 2288:The Breeze: An Appreciation of JJ Cale 1972: 1717: 1708: 1488: 1239: 1068:, and others. In the video version of 1041:The Breeze: An Appreciation of JJ Cale 335:Cale was born on December 5, 1938, in 2115: 1809: 1696:from the original on January 12, 2022 1356: 1302:from the original on January 12, 2022 312:In 2008, Cale and Clapton received a 1746: 1737: 1377: 1914:"Writer of hits JJ Cale dead at 74" 1912:Castillo, Mariano (July 27, 2013). 626:album, it's scary." The release of 13: 2524:21st-century American male singers 2519:20th-century American male singers 1836:Westervelt, Eric (July 26, 2014). 325: 14: 2550: 2281:Rewind: The Unreleased Recordings 2042: 1936:"Cale's agent confirms his death" 1435:Hoekstra, Dave (April 15, 1990). 1357:Lewis, Randy (January 10, 2009). 2509:Singer-songwriters from Oklahoma 2494:21st-century American guitarists 2489:20th-century American guitarists 2424:American male singer-songwriters 2024:"Songbook, Haverom a J. J. Cale" 1718:Newton, Steve (March 27, 2016). 1288:Martin Chilton (July 25, 2014). 1085:Hungarian alternative rock band 2016: 1994: 1942: 1905: 1883: 1829: 1803: 1776: 1766: 1676: 1657:Hutchinson, Lydia (July 2013). 1650: 1609: 1583: 1564:Hutchinson, Lydia (July 2013). 1557: 1527: 1508: 1482: 1457: 1428: 1007:was my kind of homage to J.J." 915:In 2004, Eric Clapton held the 850: 537:. "Cajun Moon" was recorded by 403: 2454:Musicians from Tulsa, Oklahoma 2141: 1862:Gripper, Ann (July 27, 2013). 1786:Shakey: Neil Young's Biography 1489:Halsey, Derek (October 2004). 1398: 1371: 1350: 1337: 1326: 1314: 1281: 1264: 1097: 1015:Cale died at the age of 74 in 748:places, and travellin' around. 350:Air Force Air Training Command 330: 1: 2539:Progressive country musicians 2504:American blues rock musicians 2499:Blues musicians from Oklahoma 1749:"Tribute – J.J. Cale in 1996" 1747:Wise, Brian (July 28, 2013). 1232: 790:album. In an interview with 699:, among many others. 1982's 16:American musician (1938–2013) 2449:Musicians from Oklahoma City 1449:on June 3, 2013 – via 7: 2092:The Long Reach of J.J. Cale 1812:"J.J. Cale: Clapton Mentor" 1645:The Best of Everything Show 1032: 814:himself, augmented by wife 293:, a loose genre drawing on 10: 2555: 2469:American session musicians 1893:. JJ Cale official website 1252:. JJ Cale official website 1101: 919:, a three-day festival in 917:Crossroads Guitar Festival 18: 2434:American rock songwriters 2409:American blues guitarists 2350: 2304: 2265: 2149: 1783:McDonough, Jimmy (2013). 990:Clapton, who toured with 967:Valley Center, California 523:Bluejeans & Moonbeams 345:Tulsa Central High School 243: 239: 198: 188: 171: 151: 105: 84: 64: 54: 49: 37: 30: 2514:Guitarists from Oklahoma 2429:American rock guitarists 2414:American male guitarists 2026:(in Hungarian). Songbook 2004:. Quimby. April 25, 2012 1663:Performingsongwriter.com 1621:performingsongwriter.com 1570:Performingsongwriter.com 1010: 872:: On Tour with J.J. Cale 756: 649: 597:By the time he recorded 558:Cowboys & Englishmen 19:Not to be confused with 2479:Shelter Records artists 2474:Reprise Records artists 2464:Liberty Records artists 2459:Mercury Records artists 1617:"Remembering J.J. Cale" 337:Oklahoma City, Oklahoma 78:Oklahoma City, Oklahoma 2419:American blues singers 1535:"J. J. Cale Biography" 1104:J. J. Cale discography 988: 905: 804: 750: 595: 443: 417: 50:Background information 2534:Because Music artists 2439:American rock singers 2274:The Road to Escondido 1938:. The Rosebud Agency. 1410:Thegreatrockbible.com 1380:"Three Who Knew John" 979: 926:The Road to Escondido 892: 796: 745: 590: 433: 411: 343:, and graduated from 319:The Road to Escondido 2444:Grammy Award winners 1960:on November 29, 2014 1517:"J.J. Cale rolls on" 992:Delaney & Bonnie 509:" for their 1974 LP 373:in March 1965. With 360:Early musical career 1810:Forte, Dan (2004). 1659:"JJ Cale interview" 1566:"JJ Cale interview" 1545:on January 18, 2013 1416:on October 23, 2020 1005:461 Ocean Boulevard 839:version during the 412:Cale in concert in 339:. He was raised in 2368:Christine Lakeland 2313:Call Me the Breeze 1070:Call Me The Breeze 1066:Christine Lakeland 816:Christine Lakeland 806:Produced by Cale, 603:Christine Lakeland 541:on his 1976 album 507:Call Me the Breeze 483:American Bandstand 418: 383:Velvet Underground 2376: 2375: 2295:Live in San Diego 2242:To Tulsa and Back 2002:"Quimby, Lemezek" 1753:Addicted to Noise 1692:. 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Bush 852: 849: 792:Vintage Guitar 758: 755: 723:, one shot of 689:Glen D. Hardin 651: 648: 567:Naked and True 563:Randy Crawford 531:Lynyrd Skynyrd 511:Second Helping 503:Lynyrd Skynyrd 405: 402: 398:After Midnight 396:of his songs " 371:Whisky a Go Go 361: 358: 332: 329: 327: 324: 259:Musical artist 258: 255: 254: 245: 241: 240: 237: 236: 234: 233: 228: 223: 218: 213: 208: 202: 200: 196: 195: 192: 186: 185: 183: 182: 179: 175: 173: 169: 168: 166: 165: 162: 159: 155: 153: 149: 148: 146: 145: 140: 135: 130: 125: 120: 115: 109: 107: 103: 102: 92:(aged 74) 86: 82: 81: 66: 62: 61: 58: 52: 51: 47: 46: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 2551: 2540: 2537: 2535: 2532: 2530: 2527: 2525: 2522: 2520: 2517: 2515: 2512: 2510: 2507: 2505: 2502: 2500: 2497: 2495: 2492: 2490: 2487: 2485: 2482: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2460: 2457: 2455: 2452: 2450: 2447: 2445: 2442: 2440: 2437: 2435: 2432: 2430: 2427: 2425: 2422: 2420: 2417: 2415: 2412: 2410: 2407: 2405: 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2386: 2384: 2369: 2366: 2364: 2361: 2359: 2356: 2355: 2353: 2349: 2342: 2338: 2335: 2331: 2328: 2324: 2321: 2317: 2314: 2310: 2309: 2307: 2305:Notable songs 2303: 2297: 2296: 2292: 2290: 2289: 2285: 2283: 2282: 2278: 2276: 2275: 2271: 2270: 2268: 2264: 2258: 2257: 2253: 2251: 2250: 2246: 2244: 2243: 2239: 2237: 2236: 2232: 2230: 2229: 2228:Closer to You 2225: 2223: 2222: 2218: 2216: 2215: 2211: 2209: 2208: 2204: 2202: 2201: 2197: 2195: 2194: 2190: 2188: 2187: 2183: 2181: 2180: 2176: 2174: 2173: 2169: 2167: 2166: 2162: 2160: 2159: 2155: 2154: 2152: 2150:Studio albums 2148: 2144: 2137: 2132: 2130: 2125: 2123: 2118: 2117: 2114: 2107: 2103: 2099: 2096: 2093: 2090: 2087: 2082: 2078: 2075: 2072: 2068: 2064: 2061: 2058: 2052: 2047: 2046: 2025: 2019: 2003: 1997: 1981: 1975: 1959: 1955: 1951: 1945: 1937: 1931: 1915: 1908: 1892: 1886: 1871: 1870: 1865: 1858: 1843: 1839: 1832: 1817: 1813: 1806: 1798: 1796:9781446414545 1792: 1788: 1787: 1779: 1773: 1769: 1754: 1750: 1743: 1741: 1725: 1721: 1714: 1712: 1695: 1691: 1690:The Telegraph 1686: 1679: 1664: 1660: 1653: 1646: 1641: 1639: 1622: 1618: 1612: 1596: 1592: 1586: 1571: 1567: 1560: 1544: 1540: 1536: 1530: 1522: 1518: 1511: 1496: 1495:Swampland.com 1492: 1485: 1470: 1469:Songfacts.com 1466: 1460: 1452: 1448: 1444: 1443: 1438: 1431: 1415: 1411: 1407: 1401: 1385: 1381: 1374: 1366: 1365: 1360: 1353: 1347: 1340: 1334: 1329: 1322: 1317: 1301: 1297: 1296:The Telegraph 1292: 1284: 1277: 1273: 1267: 1251: 1245: 1243: 1238: 1226: 1225: 1221: 1218: 1217: 1213: 1210: 1209: 1205: 1202: 1201: 1197: 1194: 1193: 1192:Closer to You 1189: 1186: 1185: 1181: 1178: 1177: 1173: 1170: 1169: 1165: 1162: 1161: 1157: 1154: 1153: 1149: 1146: 1145: 1141: 1138: 1137: 1133: 1130: 1129: 1125: 1122: 1121: 1117: 1114: 1113: 1109: 1108: 1105: 1092: 1088: 1084: 1081: 1077: 1074: 1071: 1067: 1063: 1059: 1058:Willie Nelson 1056:, Don White, 1055: 1051: 1050:Mark Knopfler 1047: 1043: 1042: 1037: 1036: 1030: 1028: 1027: 1022: 1018: 1008: 1006: 1001: 997: 993: 987: 984: 978: 976: 972: 968: 964: 960: 956: 952: 948: 944: 940: 936: 932: 931:Billy Preston 928: 927: 922: 918: 913: 911: 904: 901: 897: 891: 889: 885: 881: 880:Mark Knopfler 877: 873: 871: 866: 862: 858: 848: 846: 843:era." 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J. Cale 2383:Categories 2235:Guitar Man 2214:Travel-Log 2179:Troubadour 2143:J. J. Cale 2098:J. J. Cale 2094:on MTV.com 2077:J. J. Cale 2063:J. J. Cale 1601:August 11, 1549:January 6, 1233:References 1200:Guitar Man 1176:Travel-Log 1136:Troubadour 1054:John Mayer 947:John Mayer 861:Neil Young 845:Guitar Man 828:Brian Wise 824:Guitar Man 812:Guitar Man 808:Guitar Man 800:California 788:Troubadour 740:Travel-Log 731:and rap." 669:Carol Kaye 665:Hal Blaine 576:includes " 574:Troubadour 505:recorded " 478:Dick Clark 299:rockabilly 275:Neil Young 231:Silvertone 161:songwriter 128:swamp rock 99:California 71:1938-12-05 56:Birth name 2221:Number 10 2158:Naturally 1685:"JJ Cale" 1491:"JJ Cale" 1389:August 9, 1384:Daily Kos 1256:April 19, 1184:Number 10 1112:Naturally 1046:Tom Petty 1017:San Diego 963:Escondido 939:Taj Mahal 896:Nashville 837:The Byrds 763:Number 10 729:Van Halen 611:B.B. King 561:, and by 544:Surprises 468:Billboard 463:Americana 448:Naturally 438:Naturally 194:1958–2013 113:Americana 95:San Diego 32:J.J. Cale 21:John Cale 1986:April 4, 1920:July 27, 1897:July 27, 1875:April 9, 1821:June 26, 1758:June 30, 1729:June 25, 1700:April 5, 1694:Archived 1668:June 24, 1575:June 23, 1300:Archived 1033:Tributes 884:Oklahoma 820:AllMusic 770:and the 725:morphine 712:PolyGram 619:AllMusic 569:(1995). 488:lip-sync 216:PolyGram 164:producer 158:Musician 138:red dirt 2334:Cocaine 2249:Roll On 2067:Discogs 1847:July 3, 1500:July 4, 1420:May 10, 1216:Roll On 865:Hendrix 738:1989's 721:cocaine 671:of the 578:Cocaine 470:Hot 100 303:country 244:Website 226:Rounder 211:Mercury 206:Shelter 2193:Shades 2165:Really 2083:  1793:  1323:, 2005 1278:(2005) 1227:(2019) 1219:(2009) 1211:(2004) 1203:(1996) 1195:(1994) 1187:(1992) 1179:(1989) 1171:(1983) 1163:(1982) 1155:(1981) 1152:Shades 1147:(1979) 1139:(1976) 1131:(1974) 1123:(1972) 1120:Really 1115:(1971) 1087:Quimby 953:, and 921:Dallas 857:Shakey 768:grunge 695:, and 657:Shades 533:, and 494:Really 414:Munich 390:single 305:, and 285:, and 249:jjcale 221:Virgin 199:Labels 181:vocals 178:Guitar 106:Genres 101:, U.S. 80:, U.S. 2320:Clyde 1916:. CNN 1011:Death 1003:it... 900:Tulsa 757:1990s 650:1980s 551:, by 392:with 295:blues 267:J. J. 123:blues 118:Cajun 2172:Okie 2081:IMDb 2032:2020 2010:2020 1988:2017 1966:2014 1922:2013 1899:2013 1877:2015 1849:2019 1823:2019 1791:ISBN 1760:2019 1731:2019 1702:2017 1670:2019 1629:2022 1603:2013 1577:2019 1551:2013 1502:2019 1476:2013 1422:2021 1391:2013 1346:Ibid 1333:Ibid 1308:2015 1258:2019 1128:Okie 1080:Grit 975:2008 667:and 613:and 553:Poco 515:Okie 427:Mojo 387:demo 307:jazz 271:Cale 251:.com 85:Died 65:Born 2079:at 1842:NPR 998:, " 973:in 830:of 565:on 480:'s 352:in 2385:: 2207:#8 1952:. 1866:. 1840:. 1814:. 1751:. 1739:^ 1722:. 1710:^ 1688:. 1661:. 1637:^ 1619:. 1593:. 1568:. 1537:. 1519:. 1493:. 1467:. 1439:. 1408:. 1382:. 1361:. 1298:. 1294:. 1272:be 1241:^ 1168:#8 1060:, 1052:, 1048:, 1023:. 949:, 945:, 941:, 937:, 933:, 859:, 716:#8 708:#8 691:, 687:, 683:, 679:, 675:, 646:. 529:, 322:. 309:. 301:, 297:, 281:, 277:, 269:" 97:, 2343:" 2339:" 2336:" 2332:" 2329:" 2325:" 2322:" 2318:" 2315:" 2311:" 2186:5 2135:e 2128:t 2121:v 2034:. 2012:. 1990:. 1968:. 1924:. 1901:. 1879:. 1851:. 1825:. 1799:. 1762:. 1733:. 1704:. 1672:. 1631:. 1605:. 1579:. 1553:. 1523:. 1504:. 1478:. 1453:. 1424:. 1393:. 1367:. 1310:. 1260:. 1144:5 903:. 640:5 628:5 599:5 265:" 73:) 69:( 23:.

Index

John Cale
Cale in 2006
Oklahoma City, Oklahoma
San Diego
California
Americana
Cajun
blues
swamp rock
country rock
red dirt
Tulsa sound
Shelter
Mercury
PolyGram
Virgin
Rounder
Silvertone
jjcale.com
Neil Young
Mark Knopfler
Waylon Jennings
Eric Clapton
Tulsa sound
blues
rockabilly
country
jazz
Grammy Award
The Road to Escondido

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