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466: 439:, the guitars were mixed in last. Durante had recently purchased a triple-neck Fender steel guitar in Houston, and used it during recording sessions, but added a significant amount of distortion to it, making it sound like a "regular" guitar but giving it what he called a "sliding" sound. Konietzko also brought in a trio of horn players to perform on "Disobedience", saying he had always wanted a horn section in a KMFDM song, but that he had never been able to afford it before. 3020: 664: 659: 654: 649: 644: 38: 785:
said that "Juke Joint Jezebel" "swaggers like a Bourbon Street hooker, with crunching guitars and a swooping, gospelish chorus" at the time of the album's release, and in 2011, said the album put "a polished pop spin on industrial's characteristic harshness". Gill had similar praise, saying "few have
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before settling on ten final tracks. Watts came into the studio after the songs were mostly complete and added lyrics to a handful of songs, which he said was "actually quite liberating" in contrast to writing his own music from scratch. Konietzko described the album as being entirely foreplay,
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left the country, moving to Kelowna, British Columbia. In early 1994, Konietzko started working on new material, and Schulz came to Seattle to begin adding guitars to the tracks. Later that year, the group assembled in Los Angeles to rehearse for the upcoming Angstfest tour in support of
396:. Konietzko said of the trio's working together, "It was the breath of fresh air I had been hoping and waiting for. This short project took my mind off the problems with the KMFDM album and gave me a welcome change of perspective." Watts then stayed on with the group to begin work on 768:
praised the album, describing "milky organ pads" on "Disobedience" and "snarling guitars in spiky synth barbed wire" on "Juke Joint Jezebel", and saying of band leader Konietzko, "You won't find a more imaginative or effective keyboardist on the hard-core scene." Chris Gill of
518:. The band toured twice in 1995 in support of the album, first doing the Beat by Beat tour shortly after the album's release, and then the In Your Face tour later in the year. The album, which had "major buzz", had an initial shipment of 75,000 copies. 389:
before starting his own band, Pig, called Konietzko and asked if he would be interested in working on a small musical collaboration. Konietzko agreed, and Watts flew to Seattle, where the pair, along with Schulz, worked on an EP entitled
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without any resolution, and said it was the band's best album to date, a statement he believed he would be standing by for years. He also said its poppier sound was more his style. Konietzko produced the album with
484: 376:. Konietzko later said he was not happy with the sessions, explaining that nothing was coming together, and only two songs from the upcoming album, "Trust" and "Brute", had been completed to his satisfaction. 578:
Heatseekers chart, and was later labelled one of Wax Trax!'s commercial high points. By 2016, the album had sold a total of 209,000 copies, making it the band's top-selling album of all time, according to
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also praised the album, calling "Juke-Joint Jezebel" "an enduring and indispensable dancefloor favorite at goth/industrial clubs around the world." He further said that the production on
746:"a superb album that takes no prisoners from beginning to end," saying that the first three tracks are "nearly flawless" and calling "Disobedience" a "real standout." Andy Hinds of 482: 1587: 483: 1753: 1935: 368:
were joined by another guitarist, Mike Jensen, for a live show that featured up to four guitarists playing at once. Konietzko and Schulz, along with Dutch singer
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Artner, Alan; Christiansen, Richard; Kamin, Blair; Kart, Larry; Kot, Greg; Reich, Howard; Smith, Sid; von Rhein, John; Wilmington, Michael (December 31, 1995).
2013: 1672: 1640: 1325: 1265: 420:, Konietzko said: "I wasn't comfortable with the band scenario on that album, where everybody had input. It allowed for too many compromises. 1375: 3069: 2989: 1499: 1816: 1468: 1968: 1597: 1280: 760:
said the album "manages to stay fresh through the use of assorted sonic spices," adding that the album has "some canny accents."
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is the band's best-selling album. After the original release went out of print, a remastered version was released in 2007.
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was Wax Trax!'s best-selling album to date by the end of 1995, and went on to sell over 120,000 copies by August 1996.
3064: 2753: 475: 330:" is the band's most widely known song, with millions of copies sold over various releases. Widely praised by critics, 1726: 1556: 3054: 1385: 775:, conversely, said "the most interesting parts are Durante's steel guitar lines, which howl like revving engines". 2767: 2306: 2200: 2313: 1196: 424:
seems not organic to me." In another interview, he explained: "Contrary to the past, I wrote all the songs for
385: 2535: 1140: 2007: 1666: 1634: 1319: 1259: 3059: 3005: 2995: 2707: 2425: 2916: 2866: 2654: 549: 1507: 1844: 2432: 1339: 400:, which featured a core group of Konietzko, Schulz, Watts, and Esch, along with some input from 2689: 2471: 2439: 1592: 392: 110: 17: 754:
was "state of the art" and that KMFDM's sound was "quite polished and tight." Mark Jenkins of
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was released on March 6, 2007, along with a similar re-release of KMFDM's 1996 album
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both left Chicago, moving to Seattle and New Orleans, respectively. Lead guitarist
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Konietzko originally wrote thirty songs over a period of eight or nine months for
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was originally released on April 4, 1995. A digitally remastered re-release of
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The "swooping, gospelish chorus" from "Juke Joint Jezebel", KMFDM's biggest hit
448: 369: 218: 2143: 1873:"KMFDM make industrial music the old-fashioned way. They trash their hardware" 1845:"The Keys To The City: People Who Opened Doors In Chicago And The Arts In '95" 3038: 2911: 2901: 2881: 2834: 2820: 2813: 2806: 2792: 2510: 2418: 2383: 2334: 1877: 1149: 1075: 840: 836: 771: 697: 451: 380: 312: 2957: 2921: 2876: 2721: 2675: 2668: 2633: 2598: 2271: 2266: 1821: 1564: 1473: 1115: 1079: 1069: 956: 820: 596: 405: 401: 365: 316: 296: 261: 136: 2276: 1441:"Industrial Arts: Kmfdm Crafts The Lighter, Brighter Side Of Machine Rock" 2952: 2906: 2856: 2235: 1380: 1036: 1028: 431:
Konietzko stated that the band overused guitars on their previous album,
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received very favorable reviews from music critics. Heidi MacDonald of
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The album's first track, "Ultra", was featured in the U.S. release of
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being the other) that does not feature cover artwork by pop-artist
2827: 2446: 603:. The band would return to using Brute!'s work on the next album, 2967: 2253: 2173: 1969:"KMFDM Reflect on 3-Decade Career & Hating Their Biggest Hit" 1109: 1049: 1032: 824: 547:. "Juke Joint Jezebel (Metropolis Mix)" was featured in the film 350: 786:
succeeded in making the combination sound as natural as this".
562:. More than two million copies of the song sold in 1995 alone. 553:. The video for "Juke Joint Jezebel" includes footage from the 428:," adding that doing things that way caused "minimal problems". 2983: 2411: 1757: 1015:
All information from 1995 release booklet except where noted.
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Roberts, Jamie (April 19, 1995). Bob Gajarsky (ed.).
1281:"Review/Rock; Heavy Metal, With an Emphasis on Heavy" 454:, who had also engineered the band's previous album. 535:", the band's biggest hit, was featured in the film 372:, returned to Seattle to begin recording vocals for 311:. The album marked the return of former band member 1817:"KMFDM Will Let It Rip Monday at Saltair Pavilion" 1066:– guitars, vocals (2, 6), bass (5), pre-production 599:Instead, the cover was designed by Rieflin's wife 1786: 1724: 1310:(CD booklet). KMFDM. Philadelphia, Pennsylvania: 1250:(CD booklet). KMFDM. Philadelphia, Pennsylvania: 1197:"KMFDM History on April 4, 1997 from archive.org" 3036: 2059: 2057: 2055: 2033: 1814: 1754:"Beverly Hills 90210: Home Is Where the Tart Is" 930:Durante, Esch, Konietzko, Schulz, Shepard, Watts 902:Durante, Esch, Konietzko, Schulz, Shepard, Watts 2012:: CS1 maint: others in cite AV media (notes) ( 1870: 1671:: CS1 maint: others in cite AV media (notes) ( 1639:: CS1 maint: others in cite AV media (notes) ( 1324:: CS1 maint: others in cite AV media (notes) ( 1264:: CS1 maint: others in cite AV media (notes) ( 1191: 1189: 1929: 1927: 1925: 1497: 1466: 1373: 2194: 2131: 2052: 1617: 1615: 1585: 1278: 1242: 1240: 1238: 1808: 1789:"Cutting-edge Music Rides Japanimation Wave" 1554: 1409: 1236: 1234: 1232: 1230: 1228: 1226: 1224: 1222: 1220: 1218: 1186: 1056:(1, 3, 6), drums (6, 9), percussion (2, 3), 641: 315:and the first appearance of session drummer 2097: 2095: 2063: 1922: 1690: 1688: 1686: 1684: 1682: 1579: 1376:"KMFDM delves deeper into metal-industrial" 2201: 2187: 1727:"New Rock Order Migrates From Wicker Park" 1612: 1493: 1491: 416:Discussing the change in songwriting from 36: 2990:Don't Blow Your Cover: A Tribute to KMFDM 1933: 1438: 1434: 1432: 1430: 1428: 1405: 1403: 1215: 2092: 1998:(CD booklet). KMFDM. Chicago, Illinois: 1679: 1657:(CD booklet). KMFDM. Chicago, Illinois: 1625:(CD booklet). KMFDM. Chicago, Illinois: 589:is one of only two KMFDM studio albums ( 2127: 2125: 2123: 1815:Curtis, Larry D. (September 29, 1995). 1694: 1488: 1369: 1367: 1365: 1363: 1361: 1086: 3037: 2029: 2027: 2025: 2023: 1425: 1400: 983: 969: 2564:Naïve / The Days of Swine & Roses 2182: 1966: 1864: 1548: 1500:"Interview: KMFDM's Sascha Konietzko" 1176:Justin Gammon – layout (2007 release) 997: 951: 937: 923: 909: 895: 881: 867: 849: 813: 622: 612: 524:Street Fighter II: The Animated Movie 319:, and was mostly written by frontman 2120: 1725:Rothschild, David (April 14, 1995). 1358: 1155:Sam Hofstedt – assistant engineering 3070:Albums produced by Sascha Konietzko 2020: 1787:Rothschild, David (July 28, 1995). 1078:– vocals (1–3, 5, 7, 9), bass (5), 13: 1967:Kroll, Katy (September 12, 2016). 1871:Wiederhorn, Jon (August 8, 1996). 1586:McDonald, Sam (October 20, 1995). 464: 14: 3081: 2161: 1410:Yücel, Ilker (December 6, 2011). 1384:. The Daily Bruin. Archived from 1152:– engineering, production, mixing 643: 3019: 3018: 2768:20th Anniversary World Tour 2004 789: 662: 657: 652: 647: 642: 498:Problems playing this file? See 480: 307:, released on April 4, 1995, by 1988: 1960: 1893: 1836: 1780: 1746: 1718: 1647: 1522: 1129: 404:specialist Durante and drummer 2307:What Do You Know, Deutschland? 2134:"KMFDM Keeps Industrial Fresh" 2132:Jenkins, Mark (May 19, 1995). 2116:. GPI Publications: 120. 1995. 1467:Iwasaki, Scott (May 5, 1995). 1460: 1374:Gopalan, Nisha (May 3, 1995). 1332: 1300: 1279:Strauss, Neil (May 26, 1994). 1272: 1105:Jennifer Ginsberg – vocals (2) 962:Esch, Konietzko, Schulz, Watts 874:Esch, Konietzko, Schulz, Watts 860:Esch, Konietzko, Schulz, Watts 798: 25:1995 studio album by KMFDM 1: 2040:. Robert K. Haber. p. 15 2034:MacDonald, Heidi (May 1995). 1180: 1173:Chris Z – type (1995 release) 527:, and was the theme song for 411: 337: 2592:Help Us—Save Us—Take Us Away 2064:Gill, Chris (June 1, 1995). 1018: 1010: 7: 3006:List of KMFDM concert tours 2754:Sturm & Drang Tour 2002 2708:Sturm & Drang Tour 2002 2037:Best New Music: KMFDM Nihil 1934:Kot, Greg (April 6, 2011). 1199:. KMFDM.net. Archived from 531:'s anime catalog trailer. " 10: 3086: 2996:List of KMFDM band members 1936:"Wax Trax's greatest hits" 1881:. No. 740. p. 24 1439:Kot, Greg (May 26, 1995). 457: 326:The album's first single " 273:"Trust/Juke Joint Jezebel" 241:Released: 28 February 1995 15: 3065:Metropolis Records albums 3014: 2976: 2930: 2844: 2777: 2738: 2699: 2520: 2488: 2463: 2291: 2216: 2208: 1530:"Raymond Watts Interview" 1340:"Raymond Watts Interview" 808: 805: 802: 797: 630: 627: 284: 276:Released: 31 October 1995 267:Released: 31 October 1995 228: 217: 213: 176: 168: 147: 135: 119: 91: 80: 72: 57: 44: 35: 30: 3055:Wax Trax! Records albums 944:Esch, Konietzko, Schulz 916:Esch, Konietzko, Schulz 393:Sin Sex & Salvation 61:April 4, 1995 1072:– guitars (1, 5, 7, 9) 913:"Search & Destroy" 572:reached No. 16 on the 469: 18:Nihil (disambiguation) 1555:Powell, Eric (1995). 1254:. 2007. pp. 2–3. 1052:– vocals (1–3, 5–8), 739:CMJ New Music Monthly 686:CMJ New Music Monthly 541:and in an episode of 468: 348:multi-instrumentalist 254:Released: 30 May 1995 87:, Seattle, Washington 2747:Beat by Beat by Beat 1762:CBS Interactive Inc. 1412:"Returning to Earth" 1087:Additional personnel 618:Professional ratings 476:"Juke Joint Jezebel" 379:Former KMFDM member 16:For other uses, see 2536:Don't Blow Your Top 2314:Don't Blow Your Top 2146:on November 5, 2012 2008:cite AV media notes 1948:on November 8, 2012 1667:cite AV media notes 1635:cite AV media notes 1510:on February 9, 2000 1388:on February 3, 2014 1344:Convulsion Magazine 1320:cite AV media notes 1308:Don't Blow Your Top 1260:cite AV media notes 1135:Sascha Konietzko – 1098:Jim Christiansen – 1095:– vocals (4, 8, 10) 757:The Washington Post 619: 544:Beverly Hills 90210 529:Manga Entertainment 386:Don't Blow Your Top 3060:TVT Records albums 2627:Juke Joint Jezebel 2606:A Drug Against War 2426:Our Time Will Come 1536:. October 20, 1995 1312:Metropolis Records 1286:The New York Times 1252:Metropolis Records 1165:Francesca Sundsten 855:Juke Joint Jezebel 617: 613:Critical reception 601:Francesca Sundsten 533:Juke Joint Jezebel 470: 328:Juke Joint Jezebel 249:Juke Joint Jezebel 236:Juke Joint Jezebel 3032: 3031: 3001:KMFDM discography 2543:More & Faster 2086:HighBeam Research 2000:Wax Trax! Records 1909:All Media Network 1705:All Media Network 1659:Wax Trax! Records 1627:Wax Trax! Records 1504:Consumable Online 1118:– drums (1, 3, 7) 1007: 1006: 976:Konietzko, Schulz 888:Konietzko, Schulz 731: 730: 581:Nielsen SoundScan 485: 309:Wax Trax! Records 288: 287: 209: 208: 3077: 3022: 3021: 2977:Related articles 2729:Live in the USSA 2242:Andee Blacksugar 2222:Sascha Konietzko 2203: 2196: 2189: 2180: 2179: 2156: 2155: 2153: 2151: 2142:. Archived from 2129: 2118: 2117: 2099: 2090: 2089: 2083: 2081: 2076:on June 11, 2014 2072:. 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2258:Rudolph Naomi 2257: 2255: 2252: 2250: 2249:Raymond Watts 2247: 2246: 2243: 2240: 2238: 2237: 2233: 2231: 2230: 2226: 2224: 2223: 2219: 2218: 2215: 2211: 2204: 2199: 2197: 2192: 2190: 2185: 2184: 2181: 2175: 2171: 2170: 2166: 2165: 2145: 2141: 2140: 2135: 2128: 2126: 2124: 2115: 2111: 2110: 2105: 2098: 2096: 2087: 2075: 2071: 2070:Guitar Player 2067: 2060: 2058: 2056: 2039: 2038: 2030: 2028: 2026: 2024: 2015: 2009: 2001: 1997: 1991: 1980:September 15, 1976: 1975: 1970: 1963: 1947: 1943: 1942: 1937: 1930: 1928: 1926: 1910: 1906: 1902: 1896: 1880: 1879: 1878:Rolling Stone 1874: 1867: 1852: 1851: 1846: 1839: 1824: 1823: 1818: 1811: 1796: 1795: 1790: 1783: 1767: 1763: 1759: 1755: 1749: 1734: 1733: 1728: 1721: 1706: 1702: 1698: 1695:Hinds, Andy. 1691: 1689: 1687: 1685: 1683: 1674: 1668: 1660: 1656: 1650: 1642: 1636: 1628: 1624: 1618: 1616: 1599: 1595: 1594: 1589: 1582: 1566: 1562: 1558: 1551: 1535: 1531: 1525: 1509: 1505: 1501: 1494: 1492: 1476: 1475: 1470: 1463: 1448: 1447: 1442: 1435: 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819: 816: 812: 796: 790:Track listing 787: 784: 783: 778: 774: 773: 772:Guitar Player 767: 766: 761: 759: 758: 753: 749: 745: 741: 740: 735: 726: 724: 723: 719: 718: 714: 712: 711: 707: 706: 702: 700: 699: 698:Guitar Player 695: 694: 690: 688: 687: 683: 682: 678: 676: 675: 671: 670: 640: 638: 635: 634: 626: 623:Review scores 621: 610: 608: 607: 602: 598: 594: 593: 588: 584: 582: 577: 576: 571: 567: 563: 561: 558: 557: 552: 551: 550:Mortal Kombat 546: 545: 540: 539: 534: 530: 526: 525: 519: 517: 513: 509: 503: 501: 477: 455: 453: 452:Chris Shepard 450: 445: 440: 438: 434: 429: 427: 423: 419: 409: 407: 403: 399: 395: 394: 388: 387: 382: 381:Raymond Watts 377: 375: 371: 367: 363: 362: 356: 355:Günter Schulz 352: 349: 345: 335: 333: 329: 324: 322: 318: 314: 313:Raymond Watts 310: 306: 302: 298: 294: 293: 283: 270: 263: 257: 250: 244: 237: 231: 230: 227: 224: 220: 216: 212: 203: 202: 198: 194: 193: 189: 185: 184: 180: 179: 175: 171: 167: 161:Chris Shepard 160: 158: 155: 154: 152: 150: 146: 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Index

Nihil (disambiguation)

Studio album
KMFDM
Bad Animals
Genre
Industrial rock
industrial metal
industrial dance
Label
Wax Trax!
Producer
Sascha Konietzko
KMFDM
Angst
Xtort
Singles
Juke Joint Jezebel
Juke Joint Jezebel
Brute
studio album
industrial
KMFDM
Wax Trax! Records
Raymond Watts
Bill Rieflin
Sascha Konietzko
Juke Joint Jezebel
Sascha Konietzko
multi-instrumentalist

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