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The arrival of the French group caused some controversy among the local
Portuguese intelligentsia, who were concerned at the excessive influence being given to the French in developing the cultural life of Brazil. In turn, the French were unhappy with political appointments such as the appointment of
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Henrique José da Silva as head of the school in place of
Lebreton, who had died in 1819. For this reason, Nicolas-Antoine Taunay returned to France in 1821, holding the title of Baron of Taunay, granted by the Portuguese king.
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Although his main interest was historical landscape painting, Nicolas-Antoine Taunay was also a skilled painter of portraits and battle scenes. His style reflects Dutch and classical French influences.
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143:. In 1784 he was admitted as an assistant at the Royal Academy of Painting and Sculpture. He was now able to exhibit at official shows. Taunay obtained a three-year scholarship to study at the
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Nicolas-Antoine Taunay became a member of the Royal School of
Sciences, Arts and Trades, later to become the Imperial Academy of Beaux-Arts, as professor of landscape painting.
102:(10 February 1755 – 20 March 1830) was a French painter known best for his landscapes with scenes from ancient and modern history, mythology, and religion.
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Journal des artistes: annonce et compte rendu des ouvrages de peinture, sculpture, architecture, gravure, lithographie, poésie, musique et art dramatique
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162:. He married Josephine Rondel (1768–1844) soon after his return. They had six children, one of them being the also painter
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Nicolas-Antoine Taunay died in 1830. During his lifetime, he was considered one of the greatest of the painters of the
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View of the bay and the entry of the city of Rio as seen from the terrace of the convent of Santo Antônio
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517:"A Corte no Brasil: Vida artística urbana: Escola Real de Ciências, Artes e Ofícios"
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135:. He specialized in painting landscapes. Taunay first exhibited his work at the
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590:, Paris: Société libre des beaux-arts, 4 April 1830, pp. 464–465.
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After the fall of
Napoleon, Taunay moved to Brazil as a member of the
178:(1793–1794). He returned to Paris in 1796 and joined the newly formed
188:'s campaigns in Germany. In 1806 he started contributing work to the
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250:. They were to form the nucleus of a royal art academy in Brazil.
600:. ARTHENA, Association pour la diffusion de l'histoire de l'art.
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After returning to France in 1787 Taunay exhibited in the Paris
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Bravery and patriotism of French soldiers detained in prison
230:. He had brought a group of artists to Brazil, arriving in
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Culture Wars in Brazil: The First Vargas Regime, 1930–1945
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View from the
Outeiro, the beach and the Church of Glória
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View of Rio de
Janeiro bay from the mountains in Tijuca
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commissioned many paintings of battle scenes from him.
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in Paris at the age of fifteen and became a pupil of
114:, France, in 1755. His father was an enamel painter.
594:Lebrun, Claudine; Taunay, Nicolas Antoine (2003).
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528:O Arquivo Nacional e a História Luso-Brasileira
320:Heroism of the sailors of the ship of the line
234:on 25 March 1816. These included the painter
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208:Portrait of the Marchioness of Belas (1816)
248:Auguste-Henri-Victor Grandjean de Montigny
218:(French Artistic Mission), funded by King
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166:, the father of French-Brazilian author
653:Encyclopédie Itaú Cultural arts visuels
649:"Taunay, Nicolas Antoine (1755 - 1830)"
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127:. He later studied in the studios of
624:Brazil Imagined: 1500 to the Present
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151:. While in Italy he met the artist
110:Nicolas Antoine Taunay was born in
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621:Sadlier, Darlene J. (2010-01-01).
597:Nicolas-Antoine Taunay (1755-1830)
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667:Williams, Daryle (2001-07-12).
184:. In 1805 he painted scenes of
35:Self-portrait (crayon on paper)
563:. Metropolitan Museum of Art.
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369:Carioca Square, Rio de Janeiro
170:. He lived with his family in
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627:. University of Texas Press.
481:Taunay, Nicolas Antoine: Itaú
435:
290:Le bivouac des sans-coulottes
720:19th-century French painters
715:18th-century French painters
555:Fahy, Everett (2005-01-01).
339:Le triomphe de la guillotine
168:Alfredo d'Escragnolle Taunay
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133:Francesco Giuseppe Casanova
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584:"Funérailles de M. Taunay"
141:Salon de la Correspondance
735:Missão Artística Francesa
673:. Duke University Press.
224:Missão Artística Francesa
215:Missão Artística Francesa
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730:French landscape artists
557:"Nicolas-Antoine Taunay"
539:Lebrun & Taunay 2003
526:. In: Arquivo Nacional.
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561:The Wrightsman Pictures
172:Montmorency, Val-d'Oise
125:Nicolas-Bernard Lepicié
324:under captain Renaudin
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145:French Academy in Rome
100:Nicolas-Antoine Taunay
23:Nicolas-Antoine Taunay
244:Charles-Simon Pradier
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190:Manufacture de Sévres
240:Auguste Marie Taunay
236:Jean-Baptiste Debret
120:École des Beaux-Arts
725:Painters from Paris
262:First French Empire
220:John VI of Portugal
153:Jacques-Louis David
117:Taunay entered the
522:2017-04-27 at the
429:Pastoral landscape
414:Napolitan Festival
246:and the architect
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181:Institut de France
129:Nicolas-Guy Brenet
634:978-0-292-77473-5
607:978-2-903239-36-7
570:978-1-58839-144-5
266:Goncourt brothers
226:was organized by
194:Empress Josephine
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164:Félix Taunay
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68:(1830-03-20)
710:1830 deaths
705:1755 births
106:Early years
82:Nationality
699:Categories
686:2014-02-15
659:2014-02-17
640:2014-02-15
613:2014-02-17
576:2014-02-17
436:References
90:Occupation
47:1755-02-10
460:Fahy 2005
441:Citations
401:, c. 1820
386:, c. 1817
520:Archived
186:Napoleon
137:Jeunesse
76:, France
57:, France
548:Sources
322:Vengeur
147:in the
93:Painter
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416:, 1824
371:, 1816
356:, 1816
341:, 1795
326:, 1795
307:, 1794
292:, 1790
222:. The
200:Brazil
192:. The
85:French
272:Works
160:Salon
112:Paris
74:Paris
55:Paris
675:ISBN
629:ISBN
602:ISBN
565:ISBN
139:and
131:and
63:Died
41:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
