20:
647:
752:
740:
728:
466:
twaddling in B-flat for half-an-hour, he ventures for a few bars into F, then returns to B, and there is an end." "As a singer is far below mediocrity, and he does not compensate for his vocal deficiencies by his personal address, which is abundantly awkward. In the theatre while singing the air "Nel furor delle tempeste"
468:
and accompanying himself, he had a narrow escape. The tempests proved contagious, and were beginning to manifest themselves in the galleries, and had he remained but a few moments longer on the stage, he would have witnessed a storm compared to which the roarings of his own
Vesuvius would have seemed
465:
elbowed him out and was instead engaged as a tenor soloist in another concert. Unfortunately both the work and Costa's singing met with ferocious criticism: " is one of the most tame, insipid things we were ever doomed to hear: a heap of common-place trash from the first to the last note. After
126:. As a result of this refusal he was captured and taken to Paris. Nevertheless, the Emperor was a great admirer of Zingarelli's music and soon gave the composer his liberty. In addition, Zingarelli was awarded a state pension.
195:, in which Zingarelli adopted some of the reform principles of French opera, won little favour in Paris; after that he eschewed innovation and contented himself with tried and tested formulae.
657:
506:
610:
532:
837:
802:
782:
583:
792:
710:
61:
706:
797:
787:
807:
817:
632:
568:
832:
827:
541:
812:
822:
134:
In 1813, Zingarelli moved to Naples, where he became director of the conservatory. Then in 1816 he replaced
700:
696:
90:
in 1793, and remained there until 1794, when he took up the prestigious post of maestro di cappella at the
198:
Zingarelli wrote 37 mainly comic operas in a prolific career. Between 1785 and 1803 he wrote mainly for
718:
181:
on 13 August 1781, which aroused some interest, although the public in Naples found it too “learned”.
454:
450:
91:
123:
744:
453:. This was the occasion for the memorably inauspicious début of his protégé and representative
662:
458:
119:
777:
772:
8:
178:
592:
135:
224:, achieved considerable success in his lifetime after its initial production in Rome.
170:
In his early career, Zingarelli concentrated on writing opera; his debut was with the
628:
564:
537:
527:
321:
216:
150:
79:
480:, composed for his own funeral, is said to embody his most devotional church style.
110:
in Rome. Seven years later he publicly refused, as an
Italian patriot, to conduct a
732:
556:
462:
139:
35:
457:, aged 19. The intention was that Costa should rehearse and conduct the work, but
493:
405:
146:
87:
68:
107:
95:
766:
651:
83:
186:
19:
756:
477:
423:
182:
64:
60:
Zingarelli was born in Naples, where he studied (from the age of 7) at the
611:
nl:Nicola
Antonio Zingarelli#Missen, cantates, oratoria en gewijde muziek
171:
596:
489:
507:
List of music students by teacher: T to Z#Niccolò Antonio
Zingarelli
650: This article incorporates text from a publication now in the
581:"Sir Michael Costa. Born, February 4, 1810. Died, April 28, 1884".
427:
419:
199:
115:
40:
431:
111:
677:
Caraci, Maria (1988). "Niccolò Zingarelli tra mito e critica".
446:
390:
There are 4 doubtful works; and 17 operas were lost including:
536:(6th ed.). New York: Schirmer Books. pp. 1948–1949.
435:
220:
is nowadays often considered his best opera. His last opera,
44:
751:
492:, which are the biggest corpus of partimenti after those of
472:
Less than a month before his death he produced an oratorio,
438:. For Loreto he composed 541 works, including 28 masses.
106:
In 1804, Zingarelli was appointed choir master of the
716:
82:and eventually returned to Italy. He was appointed
74:In 1789–1790 Zingarelli went to Paris to compose
764:
422:, Zingarelli devoted much of his attention to
202:of Milan, the first to be produced here being
142:, a position he held until his death in 1837.
78:. He left France hurriedly at the time of the
627:. Oxford University Press, USA. p. 86.
584:The Musical Times and Singing Class Circular
533:Baker's Biographical Dictionary of Musicians
39:; 4 April 1752 – 5 May 1837) was an Italian
622:
488:Zingarelli wrote two influential books of
711:International Music Score Library Project
707:Free scores by Niccolò Antonio Zingarelli
697:Free scores by Niccolò Antonio Zingarelli
526:
36:[nikkoˈlɔanˈtɔːnjoddziŋɡaˈrɛlli]
18:
765:
563:. Cambridge University Press. p. 724.
530:(1978). "Zingarelli, Nicola Antonio".
206:. He achieved immediate success with
34:
838:Musicians from the Kingdom of Naples
666:. New York: Robert Appleton Company.
483:
803:19th-century Italian male musicians
783:18th-century Italian male musicians
13:
670:
656:Herbermann, Charles, ed. (1913). "
14:
849:
690:
623:Sanguinetti, Giorgio (May 2012).
793:19th-century classical composers
750:
738:
726:
645:
679:Nuova rivista musicale italiana
413:
55:
798:19th-century Italian composers
788:18th-century Italian composers
616:
603:
574:
550:
520:
1:
808:Catholic liturgical composers
591:(496): 321–323. 1 June 1884.
513:
441:In 1829, aged 80, he wrote a
818:Italian male opera composers
701:Choral Public Domain Library
122:, known as King of Rome, in
16:Italian composer (1752–1837)
7:
833:People from Torre del Greco
828:Neapolitan school composers
499:
10:
854:
658:Niccolò Antonio Zingarelli
227:Surviving operas include:
28:Niccolò Antonio Zingarelli
23:Niccolò Antonio Zingarelli
451:Birmingham Music Festival
418:Being a deeply religious
383:Berenice regina d'Armenia
129:
92:Basilica della Santa Casa
561:Donizetti and His Operas
287:Il mercato di Monfregoso
208:Il mercato di Monfregoso
165:
160:
813:Italian opera composers
613:on the Dutch Knowledge.
609:A list may be found at
101:
50:
32:Italian pronunciation:
24:
823:Composers from Naples
663:Catholic Encyclopedia
625:The Art of Partimento
474:The Flight into Egypt
377:Il bevitore fortunato
359:Il ratto delle Sabine
329:La morte di Mitridate
315:Gli Orazi e i Curiazi
62:Santa Maria di Loreto
22:
404:(1811) (libretto by
309:Il conte di Saldagna
124:St. Peter's Basilica
449:chapter 12 for the
138:as choir master of
84:maestro di cappella
528:Slonimsky, Nicolas
341:Carolina e Mexicow
295:(1793, revised as
275:Annibale in Torino
263:La morte di Cesare
245:Ifigenia in Aulide
185:revived it at the
136:Giovanni Paisiello
25:
634:978-0-19-539420-7
569:978-0-521-27663-4
484:Educational works
396:La secchia rapita
322:Giulietta e Romeo
297:Apelle e Campaspe
281:L'oracolo sannita
269:Pirro re di Epiro
217:Giulietta e Romeo
212:La secchia rapita
189:theatre in 1785.
157:for his funeral.
845:
755:
754:
743:
742:
741:
731:
730:
729:
722:
686:
667:
649:
648:
639:
638:
620:
614:
607:
601:
600:
578:
572:
557:William Ashbrook
554:
548:
547:
524:
463:Thomas Greatorex
155:sinfonia funebre
140:Naples Cathedral
38:
33:
853:
852:
848:
847:
846:
844:
843:
842:
763:
762:
761:
749:
745:Classical music
739:
737:
727:
725:
717:
693:
676:
673:
671:Further reading
655:
646:
643:
642:
635:
621:
617:
608:
604:
580:
579:
575:
555:
551:
544:
525:
521:
516:
502:
494:Fedele Fenaroli
486:
469:but a murmur."
416:
411:
406:Jacopo Ferretti
388:
168:
163:
147:Torre del Greco
132:
104:
88:Milan Cathedral
58:
53:
31:
17:
12:
11:
5:
851:
841:
840:
835:
830:
825:
820:
815:
810:
805:
800:
795:
790:
785:
780:
775:
760:
759:
747:
735:
715:
714:
704:
692:
691:External links
689:
688:
687:
672:
669:
641:
640:
633:
615:
602:
573:
549:
542:
518:
517:
515:
512:
511:
510:
501:
498:
485:
482:
415:
412:
410:
409:
399:
392:
387:
386:
380:
374:
371:Edipo a Colono
368:
362:
356:
350:
344:
338:
335:Ines de Castro
332:
326:
318:
312:
306:
300:
290:
284:
278:
272:
266:
260:
254:
248:
242:
236:
229:
167:
164:
162:
159:
131:
128:
108:Sistine Chapel
103:
100:
71:and Speranza.
57:
54:
52:
49:
15:
9:
6:
4:
3:
2:
850:
839:
836:
834:
831:
829:
826:
824:
821:
819:
816:
814:
811:
809:
806:
804:
801:
799:
796:
794:
791:
789:
786:
784:
781:
779:
776:
774:
771:
770:
768:
758:
753:
748:
746:
736:
734:
724:
723:
720:
712:
708:
705:
702:
698:
695:
694:
684:
680:
675:
674:
668:
665:
664:
659:
653:
652:public domain
636:
630:
626:
619:
612:
606:
598:
594:
590:
586:
585:
577:
570:
566:
562:
558:
553:
545:
543:0-02-870240-9
539:
535:
534:
529:
523:
519:
508:
504:
503:
497:
495:
491:
481:
479:
475:
470:
467:
464:
460:
456:
455:Michael Costa
452:
448:
444:
443:Cantata Sacra
439:
437:
433:
429:
425:
421:
407:
403:
400:
397:
394:
393:
391:
384:
381:
378:
375:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
336:
333:
330:
327:
324:
323:
319:
316:
313:
310:
307:
304:
301:
298:
294:
291:
288:
285:
282:
279:
276:
273:
270:
267:
264:
261:
258:
255:
252:
249:
246:
243:
240:
237:
234:
231:
230:
228:
225:
223:
219:
218:
213:
209:
205:
201:
196:
194:
190:
188:
184:
180:
176:
173:
158:
156:
152:
148:
143:
141:
137:
127:
125:
121:
117:
113:
109:
99:
97:
93:
89:
85:
81:
77:
72:
70:
66:
63:
48:
46:
43:, chiefly of
42:
37:
29:
21:
703:(ChoralWiki)
682:
678:
661:
644:
624:
618:
605:
588:
582:
576:
560:
552:
531:
522:
487:
478:requiem mass
473:
471:
442:
440:
417:
414:Sacred music
401:
395:
389:
382:
376:
370:
365:Clitennestra
364:
358:
352:
346:
340:
334:
328:
320:
314:
308:
303:Quinto Fabio
302:
296:
292:
286:
280:
274:
268:
262:
256:
250:
244:
238:
232:
226:
221:
215:
211:
207:
203:
197:
192:
191:
174:
169:
154:
144:
133:
118:'s new-born
105:
75:
73:
65:conservatory
59:
56:Early career
27:
26:
778:1837 deaths
773:1752 births
459:J. B Cramer
445:, based on
353:Il ritratto
177:, given at
172:opera seria
145:He died at
767:Categories
685:: 375–422.
514:References
490:partimenti
476:, and his
214:. However
187:Eszterháza
80:revolution
733:Biography
428:oratorios
402:Baldovino
251:Artaserse
233:Montezuma
179:San Carlo
175:Montezuma
151:Donizetti
149:in 1837.
559:(1983).
500:See also
432:cantatas
420:Catholic
347:Meleagro
257:Antigone
222:Berenice
200:La Scala
193:Antigone
153:wrote a
116:Napoleon
76:Antigone
69:Fenaroli
41:composer
719:Portals
713:(IMSLP)
709:at the
699:in the
654::
597:3356498
239:Alsinda
204:Alsinda
112:Te Deum
631:
595:
567:
540:
447:Isaiah
436:motets
434:, and
424:masses
398:(1793)
385:(1811)
379:(1803)
373:(1802)
367:(1800)
361:(1799)
355:(1799)
349:(1798)
343:(1798)
337:(1798)
331:(1797)
325:(1796)
317:(1795)
311:(1794)
305:(1794)
299:(1795)
293:Apelle
289:(1792)
283:(1792)
277:(1792)
271:(1791)
265:(1790)
259:(1790)
253:(1789)
247:(1787)
241:(1785)
235:(1781)
130:Naples
96:Loreto
67:under
757:Opera
593:JSTOR
505:See:
183:Haydn
166:Opera
161:Works
45:opera
629:ISBN
565:ISBN
538:ISBN
461:and
210:and
114:for
102:Rome
51:Life
660:".
120:son
86:at
769::
683:22
681:.
589:25
587:.
496:.
430:,
426:,
98:.
94:,
47:.
721::
637:.
599:.
571:.
546:.
509:.
408:)
30:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
