627:, in which, each spring, a shortened version of one of a G&S opera is presented at a school, with piano accompaniment, using NYGASP principals, and giving an opportunity to 40-60 6th grade students to act as the chorus. The music teachers teach the students their vocal parts, and then Bergeret and a NYGASP accompanist teach the students the staging and choreography of the show and refine the choral music. The children rehearse for a full day with the NYGASP principals and have the opportunity to ask any questions that may occur to them. Two performances are given by the students at their school. In addition, introductory programs are given in advance to each of the 5th and 6th grade classes in the school district, to acquaint the students with some of the material and any special concepts they may need to understand (such as "
366:, the company enjoyed good box office results and continued to perform at City Center most seasons thereafter until 2013. Moving to this large house increased NYGASP's level of recognition and its annual budget to nearly 1.5 million dollars. Since 2014, the company has used other venues for its New York seasons. Bergeret still serves as NYGASP's Artistic Director and General Manager, and Wofford continues to supervise the costumes and helps to run the company, along with other members of the NYGASP team, including executive director David Wannen (since 2006) and associate director and choreographer David Auxier (since 2008). In 2022, Bergeret received a Legend of Off Broadway award at the Off Broadway Alliance Awards, for "extraordinary contributions over many years".
334:. But the experiment proved too expensive for the company, and since then, NYGASP has stayed with G&S (and a few presentations of Sullivan collaborations with other librettists). NYGASP recovered from a financially difficult 1990 with the help of supporter contributions and a willingness of its audiences to pay higher ticket prices, and the company survived (after one dark season), and continued to grow, through the 1990s, outliving the other professional light opera companies in New York City, notably the year-round
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small groups of performers from NYGASP travel to private schools in New York City to give concert-classes about the music and satire of
Gilbert and Sullivan and other aspects of presenting G&S. The company also presents nearly full-scale or shortened versions of the shows at various schools throughout the school year, and sometimes invites school groups to see their shows for free or at reduced prices.
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131:'s opera workshop, and sang without compensation. Originally called "West Side Gilbert & Sullivan Players", the group originally performed scenes from Gilbert and Sullivan operas with a sound system and a cast of nine people in outdoor performances and in nursing homes and hospitals around New York City, with borrowed costumes, set pieces and an electric piano from the New York Grand Opera, the
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Bergeret was ambitious, and he wanted his company to grow and become fully professional. In May 1979, NYGASP hired its first 25-piece orchestra and began to pay performance fees to principal singers as the level of professionalism of its cast continued to increase. NYGASP scored a publicity coup on
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NYGASP usually presents a New Year's Eve gala and sometimes other special events, featuring pastiches or lesser-known
Sullivan music or company members' favorite songs in concert, and there is sometimes a segment where spontaneous audience requests are played, with orchestra, and with singers chosen
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at
Symphony Space. He remained as the company's principal comedian for five more of its New York seasons. His presence also attracted additional professional singers to NYGASP for the chance to perform with him, and he was able to impart some of his experience to company regulars. At a gala benefit
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Each season, NYGASP offers a few full-scale performances of its main stage productions to NYC public school groups free of charge (paid for by corporate sponsors). It also presents its "Family
Overtures" series of pre-show introductions for multi-generational audiences. In addition, Bergeret and
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wrote, "From a staging perspective, there is nothing remotely subtle about Mr. Bergeret’s approach. Spoken dialogue is emphatically underlined with endless mugging and exaggerated gestures. ... Still, all hands treat the music with style and respect. Mr. Bergeret drew playing of bouncy refinement
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after a protest by Asian-Americans about stereotypical elements of their production reflected in the company's publicity materials. The company redesigned its production after consulting with an advisory group of Asian-American theatre professionals and journalists and debuted the new concept in
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and other supporters. Their first indoor home was at the theatre in the B’nai
Jeshurun Community Center. Bergeret designed and built the sets and acted as stage and musical director. In 1975, the company incorporated as a not-for-profit organization under the current name.
544:
on the spot by the conductor. It also offers small groups of singers for concerts, private and corporate events and outdoor performances, under the name "Wand’ring
Minstrels" and its cabaret-style revue combining Gilbert and Sullivan with musical theatre,
319:
union. The company's repertoire expanded throughout the 1980s, and it gradually produced all of the extant
Gilbert and Sullivan operas. There was also a short-lived attempt in 1989 to broaden the company's repertory beyond G&S, when it presented
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in addition to its short New York seasons. By the early 1980s, NYGASP paid performance fees not only to principal singers, but also to choristers. The company was able to attract an increased level of contributions, including annual grants from the
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on Sunday afternoon, February 29, 1976 – the 30th birthday of the character
Frederic from that opera. Bergeret appeared on stage ahead of the performance, made up as the 120-year-old hero, and a large cake was cut and shared with the audience.
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NYGASP uses a number of different directors and conductors from time to time, but most of the productions are still directed and conducted by
Bergeret. Notable singers who have recently performed with the company include Broadway
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that had not been performed by a professional company for over seventy years. NYGASP continues to present broadly traditional productions of
Gilbert and Sullivan, usually with a number of topical references added in. In their
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At the beginning of 1976, the company began to offer runs in repertory on Sundays, the only day the theater was available, since the New York School of Opera used the space on other days. After several Sunday performances of
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Albert Bergeret founded the New York Gilbert and Sullivan Players in 1974, together with his wife, Gail Wofford (they married in 1978) and a few others. Bergeret, Wofford and most of the other founders were alumni of the
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NYGASP averaged four productions a year at Symphony Space during the 1980s and 1990s, each playing for about a week. In 1985, the orchestra was unionized, and in 1989 the company entered into an agreement with the
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praised the company's "roster of principals, mostly youthful, who treat the music with lilting grace, rhythmic bravado and patter virtuosity, as needed". A 2012 review called the company's
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187:– to be presented in rotation. Beginning in the fall of 1977, the company was performing full weeks runs of the operas, and the following year it moved into the 700-seat
195:. Bergeret traded his services as the first Technical Director of Symphony Space (and Wofford as House Manager) in exchange for office space, storage and theatre dates.
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For their recent New York seasons, NYGASP has generally programmed about three G&S operas, one or two of which are drawn from the "Big Three" (
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theatre in New York. The company was fully professional by the 1980s and began touring, presenting its full-scale productions at such venues as
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219:. The company expanded its audience further at Symphony Space as it celebrated the centennials of the G&S operas there, beginning with
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473:"a spectacularly entertaining show that channels decades of great theatrics, a little modern humor, and a perfectly picturesque staging."
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967:, Classical Source, November 8, 2015. Wannen and Auxier have also acted on stage with the company since 2003 and 1992, respectively.
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and a return to the International Gilbert and Sullivan Festival in England. In 2015, the company withdrew a planned revival of
520:, among other venues, often earning positive reviews. In 2004, the company presented two G&S productions in England at the
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277:. By the mid-1980s, NYGASP had attracted an independent Board of Directors to assist with fund raising and risk management.
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1237:"NY Gilbert & Sullivan Players to Sail Across the Pond for Harrogate's 2014 International G&S Festival, Aug 5-10"
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NYGASP Theatre Program, "Prime Time G&S: 20th Anniversary Celebration", April 24, 1994, Symphony Space, New York City
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centenary in April 1981 (hosted by Asimov). In the fall of 1981, NYGASP began touring its productions along the U.S.
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NYGASP has imported various guest stars over the years to appeal to a larger audience. In 1984, NYGASP hired
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several times. NYGASP also performs at schools and offers smaller touring groups and cabaret performances.
123:, on July 14, 1974 as part of a street fair. In the early years of the company, singers were drawn from
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for over 40 years. It performs an annual season in New York City and tours extensively in North America.
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assisted with the festivities. That autumn, the company had grown sufficiently to permit four shows –
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965:"New York Gilbert & Sullivan Players – Iolanthe – conducted & directed by Albert Bergeret"
67:, where it performed most of its annual New York seasons until 2013. It has also performed at the
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Gilbert and Sullivan Society, a New York City college theatre group that presented the operas of
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639:). Sometimes the children also travel to New York City to see a full-scale NYGASP production.
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in 2010. In addition, NYGASP groups have often performed on the "listening room" program on
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with piano accompaniment, the company hired its first orchestra in 1979 for its seasons at
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in Virginia, as well as its New York seasons. In 2002, NYGASP first rented the 2,750-seat
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in 1995, were criticized for their lack of experience in the genre, while others, like
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for the company at Symphony Space in 1987, Reed, dressed as the Lord Chancellor from
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1267:"New York City Production of 'The Mikado' Canceled Following Accusations of Racism"
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446:; NYCO), who have gone on to substantial opera careers. In reviewing the company's
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The company celebrated its 40th anniversary in 2014 with a New York season at the
303:. Later guest stars came mostly from a television background. Some of those, like
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595:. Recent New York seasons have played at the Sylvia and Danny Kaye Playhouse at
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and in other parts of the U.S. several times each year, performing regularly at
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946:, November 2, 2014, accessed July 19, 2016; and Fonseca-Wollheim, Corinna da.
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from the orchestra. The principals were uniformly good." In a 2010 review of
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569:. In 2002, the company produced a Gilbert and Sullivan potpourri CD titled
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1292:"New York Gilbert & Sullivan Players Reveals Concepts for Reimagined
1008:"Gilbert and Sullivan Made Jokes About Costco and Smartphones? Who Knew?"
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theatre in New York, including a production celebrating the centenary of
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338:. In 1997 the company hired a professional touring management company.
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1202:, TalkEntertainment.com, January 12, 2009, accessed September 29, 2011
540:, as part of the U.S. leg of the 2010 International G&S Festival.
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Article about the local 802 musician's union negotiations with NYGASP
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299:, proposed marriage, on stage, to celebrity sex therapist and author
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October 28, 1979, when pictures of the cast performing excerpts from
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theatre company, based in New York City that has specialized in the
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839:"Reviews/Music; Gilbert and Sullivan Yield to Gershwin and Ryskind"
321:
183:
152:, NYGASP expanded its repertoire by premiering a new production of
862:, January 15, 2002, accessed July 22, 2016; and Kennerley, David.
107:, the company's home from 1978 to 2001 and occasionally thereafter
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696:"What Does Justin Bieber Have to Do With Gilbert & Sullivan?"
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477:
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870:, Vol. 3, issue 303, January 15–21, 2004, accessed July 22, 2015
1250:"G&S festival at Harrogate: organiser’s lot is a happy one"
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production, for instance, at one point the company performs a
398:. In 2007, NYGASP presented, at City Center, a performance of
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In 2001, Symphony Space closed for renovations. NYGASP rented
1215:, nytheatre.com, January 8, 2009, accessed September 29, 2011
533:
229:. NYGASP attracted such loyal fans and supporters as writer
708:"Barnard Gilbert and Sullivan Society to Give Two Operettas"
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and from the semi-pro New York theatre community, including
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Playbillarts.com, November 30, 2007, accessed 4 August 2010
394:) and at least one of which is one of the less often seen
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Recent and archived reviews of the company's performances
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856:"Operetta Review; Softhearted Pirates and One Sappy Guy"
548:, written and directed by David Auxier. The piece won a
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The 1981 season opened with NYGASP's celebration of the
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New York Times Review and Profile of the company (2004)
1143:, BroadwayWorld.com, June 15, 2015; and Peña, Susan L.
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NYGASP has an arrangement with the school district in
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Beginning in New York City in 1974 by performing the
423:. But mostly they stay close to Gilbert's libretti.
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and began to gain favorable and frequent reviews in
476:NYGASP continues to tour on the East Coast, in the
1288:Too Politically Incorrect to Be Fixed? Maybe Not."
1200:"Gilbert & Sullivan with a twist at the Triad"
1179:"New York Gilbert and Sullivan Players Return for
952:Too Politically Incorrect to Be Fixed? Maybe Not."
354:, for its 2002 season. During a three-week run of
982:& More Win 2022 Off Broadway Alliance Awards"
524:. It also presented two full-scale productions (
225:in 1979, eventually performing all of the extant
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1166:"H.M.S. Pinafore - W.S. Gilbert/Arthur Sullivan"
1120:"Those Brash Buccaneers, Pattering at Top Speed"
747:Current members of the NYGASP Board of Directors
288:, to join NYGASP for a centennial production of
1227:, Bistroawards.com, accessed September 29, 2010
614:
1309:"The opera business has found its voice again"
995:"The Rose of Persia: Sullivan Without Gilbert"
918:"A Satire with Targets Not So Well Remembered"
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561:radio in New York City and have been seen on
111:The nascent group's first performance was in
895:
893:
828:, January 7, 1995, accessed December 3, 2012
1671:People associated with Gilbert and Sullivan
1644:International Gilbert and Sullivan Festival
1414:NY Magazine feature, January 23, 2006 issue
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930:
845:, April 3, 1990, accessed December 26, 2013
522:International Gilbert and Sullivan Festival
69:International Gilbert and Sullivan Festival
25:David Wannen, Executive Director, of NYGASP
1639:Cultural influence of Gilbert and Sullivan
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1360:Profile of the company by Theatremania.com
807:, December 2001, accessed December 3, 2012
591:December 2016, receiving a warm review in
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1065:"All Hands on Deck for Absurd Relevance"
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23:Albert Bergeret, Artistic Director, and
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1661:List of compositions by Arthur Sullivan
1296:; Kelvin Moon Loh Joins Creative Team!"
1109:, DCMetroTheaterArts.com, June 30, 2012
578:Skirball Center for the Performing Arts
284:, the former principal comedian of the
1834:Gilbert and Sullivan performing groups
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722:
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611:, "the crowd ... exulted in delight."
605:there in 2018, Aaron Elstein wrote in
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1440:
1419:Profile of the company and review of
1382:Broadwayworld.com review of NYGASP's
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698:, TheatreMania.com, December 13, 2013
30:New York Gilbert and Sullivan Players
1298:, BroadwayWorld.com, October 6, 2016
997:, BroadwayWorld.com, 14 January 2007
674:"Decades of Polishing Up the Handle"
1803:
1189:, TheaterMania.com, October 5, 2021
1168:, CultureVulture.net, June 11, 2005
887:, TheatreScene.net, January 7, 2013
717:
13:
1829:Musical groups established in 1974
1331:"City Center: G & S Fest 2008"
1239:, BroadwayWorld.com, June 25, 2014
1225:"Bistro Award Hall of Fame" (2010)
759:"Operetta: Gilbert and Sullivan's
635:or the British class structure in
378:is another mainstay of the company
275:New York State Council on the Arts
14:
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1149:judged perfect, perfect, perfect"
984:, BroadwayWorld.com, May 24, 2022
599:. Of the company's production of
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1793:
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1676:Works about Gilbert and Sullivan
1333:, PlayBillArts.com, June 8, 2008
714:, Vol. C, No. 97, April 18, 1956
536:, "I've Got a Little Twist", at
404:, a comic opera by Sullivan and
253:The company frequently performs
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1141:Delightfully Invades Wolf Trap"
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1282:Fonseca-Wollheim, Corinna da.
1029:at The Smith was effervescent"
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79:
1:
1839:New York City opera companies
1423:starring Frank Gorshin (2000)
1353:
1344:"High Standards and Hijinks".
940:"Naughty in Spite of Himself"
1396:NY Times review of NYGASP's
615:School and outreach programs
133:Bloomingdale School of Music
7:
1405:NY Post review of NYGASP's
1086:, New York G&S Players"
901:"When Yeomen Seek Yeowomen"
642:
10:
1855:
1649:W. S. Gilbert bibliography
1619:D'Oyly Carte Opera Company
864:"Fairies Gone Wild, Fa-la"
518:Saratoga Springs, New York
442:) and Brandon Jovanovich (
434:and tenors Keith Jameson (
350:, a 2,750-seat theatre in
286:D'Oyly Carte Opera Company
74:
1788:
1694:
1606:
1497:
1474:
1314:Crain's New York Business
1290:, December 30, 2016; and
1213:"I've Got a Little Twist"
682:, December 31, 2005, p. 9
608:Crain's New York Business
512:; the Shubert Theater in
482:Wolf Trap's Filene Center
1428:Review of the company's
822:a Steve Allen Treatment"
712:Columbia Daily Spectator
659:
649:Light Opera of Manhattan
538:Gettysburg, Pennsylvania
532:) and its cabaret-style
336:Light Opera of Manhattan
1576:The Yeomen of the Guard
1534:The Pirates of Penzance
1185:The Pirates of Penzance
1139:The Pirates of Penzance
1105:The Pirates of Penzance
633:The Pirates of Penzance
602:The Yeomen of the Guard
565:on Saturday morning on
546:I've Got a Little Twist
256:The Pirates of Penzance
222:The Pirates of Penzance
155:The Pirates of Penzance
514:New Haven, Connecticut
379:
259:
207:were displayed in the
108:
26:
1711:The Sapphire Necklace
1386:from January 18, 2005
1329:Hochswender, Woody.
801:"A Topsy-Turvy World"
799:Morrison, Michael A.
510:Princeton, New Jersey
372:
311:in 2008, fared well.
252:
210:Sunday New York Times
103:
22:
1634:Bridget D'Oyly Carte
1489:Richard D'Oyly Carte
1468:Gilbert and Sullivan
1342:Hochswender, Woody.
1273:, September 18, 2015
1254:Harrogate Advertiser
1118:Schweitzer, Vivien.
1080:Bernheimer, Martin.
938:Schweitzer, Vivien.
816:Oestreich, James R.
571:Oh Joy! Oh, Rapture!
348:New York City Center
91:Gilbert and Sullivan
65:New York City Center
46:Gilbert and Sullivan
36:) is a professional
1629:Rupert D'Oyly Carte
1317:, November 12, 2018
1265:Nguyen, Michael D.
1147:Pirates of Penzance
1045:Review of NYGASP's
976:Rabinowitz, Chloe.
954:, December 30, 2016
790:, December 22, 1988
784:With Some Opulence"
782:Pirates of Penzance
582:New York University
444:San Francisco Opera
301:Dr. Ruth Westheimer
245:The 1980s and 1990s
216:New York Daily News
205:Staten Island Ferry
125:Columbia University
97:from 1948 to 1991.
95:Columbia University
1767:The Rose of Persia
1719:The Contrabandista
1248:Chalmers, Graham.
1177:Stewart, Zachary.
1164:Sobelsohn, David.
1124:The New York Times
1092:, January 18, 2010
1069:The New York Times
1052:The New York Times
1033:Finger Lakes Times
1014:, December 3, 2012
1012:The New York Times
980:Harmony, Assassins
944:The New York Times
922:The New York Times
907:, January 21, 2013
905:The New York Times
860:The New York Times
843:The New York Times
826:The New York Times
788:The New York Times
767:The New York Times
694:Stewart, Zachary.
679:The New York Times
654:American Savoyards
593:The New York Times
453:The New York Times
401:The Rose of Persia
380:
260:
235:The New York Times
109:
27:
1816:
1815:
1686:Performing groups
1409:, January 8, 2007
1400:, January 8, 2007
1256:, August 23, 2014
854:Griffiths, Paul.
837:Holden, Stephen.
769:, January 1, 1984
757:Holden, Stephen.
625:Syosset, New York
494:Sarasota, Florida
352:midtown Manhattan
328:-winning musical
163:Radio's manager,
16:Repertory theatre
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1775:The Emerald Isle
1759:The Beauty Stone
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1307:Elstein, Aaron.
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1126:, 5 January 2014
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1035:, April 11, 2011
1023:Ciletti, Elena.
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672:Smith, Dinitia.
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506:McCarter Theater
486:Vienna, Virginia
241:, among others.
129:Vincent La Selva
32:(often known as
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1695:Sullivan operas
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1590:Utopia, Limited
1527:H.M.S. Pinafore
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1484:Arthur Sullivan
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1159:
1155:, March 2, 2009
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1101:Laxson, Erica.
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1090:Financial Times
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563:The Today Show
490:Van Wezel Hall
432:Kimilee Bryant
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331:Of Thee I Sing
326:Pulitzer Prize
317:Actors' Equity
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143:H.M.S Pinafore
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1808:WikiProject
1743:Haddon Hall
1703:Cox and Box
1681:Adaptations
1666:Grim's Dyke
1624:Helen Carte
1614:Savoy opera
498:Mann Center
305:Steve Allen
113:Straus Park
80:Early years
1823:Categories
1778:(1901) w/
1562:The Mikado
1354:References
1294:The Mikado
1286:The Mikado
1137:"NYGASP's
950:The Mikado
883:The Mikado
820:The Mikado
587:The Mikado
417:parody of
406:Basil Hood
364:The Mikado
309:Hal Linden
270:East Coast
239:Daily News
178:The Mikado
1569:Ruddigore
1084:Ruddigore
551:Backstage
516:; and in
460:Ruddigore
450:in 2008,
415:kick-line
282:John Reed
121:Manhattan
115:, on the
61:Wolf Trap
38:repertory
1798:Category
1548:Iolanthe
1541:Patience
1271:NBC News
818:"Giving
643:See also
526:Pinafore
500:outside
448:Pinafore
384:Pinafore
322:Gershwin
297:Iolanthe
265:Patience
237:and the
213:and the
201:Pinafore
184:Iolanthe
169:Pinafore
1735:Ivanhoe
1727:The Zoo
1607:Related
1506:Thespis
1384:Pirates
1027:Pirates
530:Pirates
478:Midwest
471:Pirates
429:soprano
411:Pirates
388:Pirates
356:Pirates
203:on the
173:Pirates
87:Barnard
75:History
1780:German
1770:(1899)
1762:(1898)
1754:(1894)
1746:(1892)
1738:(1891)
1730:(1875)
1722:(1867)
1714:(1867)
1706:(1866)
1498:Operas
1432:(2006)
1430:Mikado
1407:Yeomen
1398:Mikado
1054:, 2007
1047:Mikado
496:; the
463:, the
392:Mikado
362:, and
181:, and
34:NYGASP
660:Notes
631:" in
534:revue
1284:"Is
1183:and
948:"Is
559:WQXR
528:and
440:NYCO
161:WQXR
146:and
780:"A
761:Ida
580:in
567:NBC
508:in
492:in
484:in
436:ENO
390:or
324:'s
119:of
93:at
44:of
1825::
1322:^
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978:"
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