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on the middle section. The similarities between the architecture of the New
Chambers and that of the Picture Gallery are such that the two buildings can be mistaken for the other.
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For paintings, the guest rooms have views of
Potsdam, which document the town's design under Frederick the Great and were specially commissioned for the guesthouse by the king.
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and held the terraces' potted plants during the winter months. Ramps, on which the tubs were taken in and out, serve as reminders of the building's original use. Master builder
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The real alteration occurred in the interior, where seven guest rooms and two ballrooms were created. The building is a highpoint of the late style of
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Frederick asked for the walls to be decorated with gilded reliefs of the liaisons of the ancient gods, which had been told of by the
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On the long side of the room is a mirror stretching almost to the ceiling, across from which, on the garden side, are French doors.
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was already largely set as the prevailing taste of the period. The halls were designed by Johann
Christian Hoppenhaupt.
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Since 1990 the palace and garden of
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The building's basic elements were left alone, as were its size and floor-to-ceiling
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Streidt, Gert; Frahm, Klaus (1996). Leuthäuser, Gabriele; Feierabend, Peter (eds.).
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The second, large ballroom, located in the eastern part of the New
Chambers is the
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In the middle of the building, under the cupola, lies the largest room, the
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of native woods decorated the entire wall from the ceiling to the floor.
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and the 18th century were attached to the background of red jasper.
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was commissioned to turn the orangery building into a guesthouse.
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Gallery, decorated in the style of French mirrored rooms.
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239:Room. The ballroom's walls are decorated with red
231:View from the Jasper Room towards the Ovid Gallery
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208:The guest rooms were decorated differently with
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442:Virtual tour of the New Chambers (Sanssouci)
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212:, painted, or inlaid cabinets, whose costly
153:The building, which stands to the west of
137:, Germany. They were constructed for King
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346:Palaces and Parks of Potsdam and Berlin
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402:Adelheid Schendel, Jerzy Prrzytański:
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309:Selected collection highlights
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265:. Decorated panels from both
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406:. Potsdam-Sanssouci 1987
263:Johann Christoph Frisch
259:Venus with her Retinue
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171:Georg Christian Unger
459:at Wikimedia Commons
340:World Heritage Site
145:from 1771 to 1775.
139:Frederick the Great
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483:Paintings of Venus
397:Additional reading
299:Johann David Räntz
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203:Neoclassical style
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188:Description
95:1990 (14th
92:Inscription
467:Categories
352:References
129:palace in
107:1992, 1999
104:Extensions
267:antiquity
243:and grey
210:lacquered
155:Sanssouci
127:Sanssouci
121:(German:
82:Reference
245:Silesian
193:Interior
163:orangery
73:Criteria
47:Location
376:Potsdam
149:History
143:Prussia
135:Potsdam
97:Session
62:Part of
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248:marble
241:jasper
237:Jasper
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182:cupola
86:532ter
289:Roman
253:Venus
415:ISBN
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301:and
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117:The
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