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became interested in
Kravchenko in 1900. Slastion highly praised the artism of Kravchenko and wrote about him in an article published in "Kievan Antiquities." The article made Kravchenko famous among folklorists throughout Ukraine and beyond. The Russian Geographical Society invited Kravchenko to
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wrote: "...Extremely valuable in his playing and singing was his ability to sing in
Ukrainian, with colorings which are not possible to notate, bending his voice with unusual fine melizmas and with his whole apparatus of performance, which was strikingly different from the professional."
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He was very poor because he not only supported his own family, but the family of his sick brother. In order to support two families he would also weave ropes for sale. This was a common occupation for the blind, but one which negatively influenced the art of the
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and lost his sight. At the age of 17 he began to learn to sing psalms from
Samiylo Yashny. Under whom else he studied we do not know. Literature states that he spent 9 months studying under Fedir Hrytsenko-Kholodny, but in his discussion with
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who was also involved with the organization of the conference wrote that the best performers were
Terentiy Parkhomenko, Pavlo Drevchenko and
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137:, Kravchenko made no mention of this. It is assumed that he spent time with other kobzars after his apprenticeship with Yashny.
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which was brutal suppressed by tsarist
Cossacks. The revolt and the subsequent repression were set by Kravchenko into two
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The hard life
Kravchenko led left its impact on the life of the kobzar. He died at the age of 59 - on April 22, 1917.
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to take part in an artisans exhibition in 1902. In the fall of that same year he was invited to
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had painted 5 portraits of the kobzar during the years of the most activity of the kobzar.
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104:: Кравченко Михайло Степанович; 1858-1917) was regarded as one of the most outstanding
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Mishalow, V. and M. - Ukrains'ki kobzari-bandurysty - Sydney, Australia, 1986
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At his performances at the XIIth
Archeological Conference in Kharkiv,
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who gave it to the
Myrhorod ethnographic museum where it lies today.
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The duma about the Escape of the three brothers from Oziv
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At the end of 1905 there was a revolt in the village of
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The duma about the
Captive's lament in Turkish slavery
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19th-century male musicians from the
Russian Empire
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261:The duma about the poor widow and her three sons
210:Mykhailo Kravchenko's last bandura was given to
93:Portrait of kobzar M. Kravchenko by O. Slastion.
46:but its sources remain unclear because it lacks
244:The duma about the Captive's lament on a galley
112:province of the late 19th early 20th century.
128:county in 1858. At the age of 15 he caught
77:Learn how and when to remove this message
258:The duma about the three Samara brothers
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254:The duma about Marusia Bohuslavka
222:During the expedition to collect
348:20th-century Ukrainian musicians
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167:XIIIth Archeological Conference
98:Mykhailo Stepanovych Kravchenko
163:XIIth Archeological Conference
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16:Ukrainian kobzar (1858–1917)
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165:. He also performed at the
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169:in Yekaterinoslav (modern
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32:This article includes a
120:Kravchenko was born in
61:more precise citations.
353:Ukrainian blind people
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228:(sung epic poems) by
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240:from M. Kravchenko.
148:The Myrhorod artist
288:Andriy Voloshchenko
122:Velyki Sorochyntsi
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34:list of references
234:Left-bank Ukraine
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283:Vasyl Shevchenko
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53:Please help
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343:1857 births
338:1917 deaths
291: [
267:Sorochyntsi
59:introducing
323:Bandurists
317:Categories
218:Repertoire
192:Professor
116:Biography
102:Ukrainian
277:Students
130:scrofula
126:Myrhorod
328:Kobzars
304:Sources
161:to the
159:Kharkiv
110:Poltava
106:kobzars
55:improve
179:Moscow
143:kobzar
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40:, or
299:Hudz
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