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Minnie Maddern Fiske

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deal of study. But even Shakespeare seems easy when compared with the thought that must be bestowed upon Ibsen. The beautiful verse, the wonderful character drawing of Shakespeare furnish solutions of perplexing problems, but Ibsen is so elusive. He fascinates by his aloofness. He is the Wagner of the drama. Wagner struggled for understanding just as Ibsen has struggled.
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to learn that a constantly increasing body of cultured, artistic people are beginning to regard the young British buffoon, Charles Chaplin, as an extraordinary artist as well as a comic genius. Many thoughtful persons are beginning to analyze the Chaplin performances to discover his secret. It is the
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Ibsen is of interest to the actor because properly to understand a role you must study the character from its earliest childhood. Most Ibsen men and women have lived their lives before the curtain rises. Shakespeare has often been pronounced tedious by actors because his characters require a great
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on hats, raised awareness of the cruelties of fur trapping, and changed the treatment of cattle on ranges. Because she was well-known and loved, people followed her example and she was able to broadly influence animal reform. She was twice named one of the twelve greatest living American women
298:, but they divorced shortly thereafter. Two years later, she married Harrison Grey Fiske in March 1890, and took three years off from the stage. Leaving a life of domesticity, she returned to the theatre in 1893 as a playwright and director, having written one-act plays such as 524:. This organization took control of first-class playhouses in the U.S., dictated the plays chosen, and the actors that were cast. She fought for artistic freedom for 12 years, which caused her to perform in third-class theatres, such as churches and skating rinks. 477:
She was a pioneer for realism in acting, supporting Ibsen's works for their honest portrayals of humanity. Her love for performing Ibsen over Shakespeare, and her position that Ibsen is the better study for actors, can not be overstated. She told
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Fiske died from congestive heart failure at the age of 66 in Queens, New York. She and Harrison had no children. Around 1915, the couple adopted an infant boy who would have been a teen at Mrs. Fiske's death in 1932.
263:, Minnie Maddern was the daughter of stage manager Thomas Davey and actress Lizzie Maddern. Coming from a theatrical family, she performed her first professional show at the age of three as the Duke of York in 294:. She was recognized for her unique beauty and singing voice. Maddern starred in the Hanover Opera House's grand opening on September 12, 1887 in "Caprice." She married LeGrand White, a theater musician in 1513: 239:
for the sake of artistic freedom. She was widely considered the most important actress on the American stage in the first quarter of the 20th century. Her performances in several
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She toured extensively as a child, and was educated in many convent schools. She was a child prodigy, touring and performing in numerous productions. According to the
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Archives, Rochester Community Players; Local History Division; Rochester Public Library, Rochester NY. See, e.g., Scrapbook 1928-29, newspaper clipping September 1928
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by Henrik Ibsen, at the Empire Theatre in New York, launching Ibsen's career because of her outstanding performance. She is perhaps most famous for starring as
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in 1915, both of which were surprisingly successful with moviegoers, although she felt she was not at her best in the medium and declined further film work.
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Monday February 28, 1910 ; Miss G. Elliott's New Role.;Succeeds Eleanor Robson as Glad .... (4th paragraph titled "Mrs. Fiske's Cousin in Her Company")
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because of her fight for animal rights and for her outstanding talent. She was first named in 1923 by the League of Women Voters, and then again in 1931 by
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The Liberty Ships of World War II: A Record of the 2,710 Vessels and Their Builders, Operators and Namesakes, with a History of the Jeremiah O'Brien
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was 12 years old when he first set eyes on the future Mrs. Fiske—she was but eight, performing in a Shakespearean role. Her pay was in lollipops.
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and other humane leagues. She was known to have picked up stray dogs and cared for them. She fought against the wearing of the plumes of
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Although she was highly praised as an actor, she died poverty-stricken, having fought against a group of producers that organized the
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old, familiar secret of inexhaustible imagination, governed by the unfailing precision of a perfect technique.
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In the mid-1910s, Mrs. Fiske starred in two feature film adaptions of two of her greatest stage triumphs:
437:(1906). Mrs. Fiske starred in everything from farce to tragedy and even appeared in a comedy with puppets 600: 348: 599:; she was also related to stage actress Merle Maddern. Robert Stevens, for 23 years the director of the 215: 1801: 1176: 17: 1845: 1161: 290:
By the time she was 16, she was a leading lady, and was cast in the leading role of Chip in the play
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In 1961, her papers (23,000 items, weighing in at 1,400 pounds) were donated to the United States
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as a serious artist. "It will surprise numbers of well-meaning Americans," Fiske wrote,
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In addition to her battle against the Syndicate, she was also one of the most prominent
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A History of the New York Stage From the First Performance in 1732 to 1901, vol. III
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wrote the story "A Horse's Tale" at her request to combat bullfighting in Spain.
508: 51: 1851: 1797: 1727: 1703: 1211: 1115: 967: 826: 533: 504: 496: 322: 1866: 1815: 1168: 1085: 822: 567: 454: 448: 387: 314:. Mr. Fiske directed virtually all of his wife's plays after their marriage. 891: 696: 612: 381: 240: 231:; December 19, 1865 – February 15, 1932), but often billed simply as 1074: 956: 596: 571: 545: 541: 406: 401: 280: 1806: 1780:
Mrs. Fiske: Her views on actors, acting, and the problems of production
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Mrs. Fiske, Her Views on Actors, Acting, and the Problems of Production
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plays helped introduce American audiences to the Norwegian playwright.
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was her cousin, as was Elizabeth Maddern, the first wife of author
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with some sources quoting December 19, 1864, as her date of birth
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advocates of her era. She took interest in the activities of the
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Clapp, John Bouvé; Edgett, Edwin Francis (1902). "Becky Sharp".
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Minnie Maddern Fiske and Harrison Grey Fiske papers, 1818-1955
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Frederic Edward McKay; Charles Edgar Lewis Wingate (1896).
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American Society for the Prevention of Cruelty to Animals
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American Women Stage Directors of the Twentieth Century
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American Women Stage Directors of the Twentieth Century
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The Personality and the Art of Minnie Maddern Fiske
1333: 603:, and brother to Emily Stevens, was also a cousin. 1689:. University of Illinois Press. pp. 168–178. 1575:Heritage Press Sandglass Companion Book: 1960–1983 1319:. University of Illinois Press. pp. 168–179. 1088:, translated by William C. Taylor, New York (1918) 1827:, held by the Manuscripts and Archives Division, 1098:, allstar play toured America to raise funds for 1888:19th-century American dramatists and playwrights 1864: 507:, Fiske published the first article to consider 1720:Mantle, Burns, and Garrison P. Sherwood, eds., 1675:Chapman, John, and Garrison P. Sherwood, eds., 1434:, ed. Paul Duncan, Taschen Books, 2013, pg. 116 729:, 1895) by Harrison Grey Fiske, New York (1896) 635: 328:After her husband's unsuccessful production of 1710:, Norwood, Mass.: The Macmillan Company, 1901. 1457:Albert Bigelow Paine; Roy J. Friedman (1912). 1503:. Vol. 19, no. 9. 1932. p. 48. 1445:Leading ladies: A Gallery of Famous Actresses 916:Three One Act Plays by Minnie Maddern Fiske: 425:(1929–30), as well as her self-written plays 1724:, Philadelphia: The Blakiston Company, 1944. 1679:, New York: Dodd, Mead, & Company, 1955. 1565: 1463:. Harper & Brothers. pp. 1245–1247. 495:Minnie Maddern Fiske as drawn by her cousin 1773:, New York: Moffat, Yard and Company, 1913. 1672:, New York: Dodd, Mead & Company, 1903. 1358: 1356: 1192:by William Shakespeare, Pennsylvania (1928) 562:Fiske was associated with Emarel Freshel's 1752:. Boston: L.C. Page and Company. pp.  1547:; obituary, Merle Maddern January 18, 1984 1308: 1306: 1304: 1042:by Edward Sheldon, Montreal, Canada (1912) 42: 1717:, Sunday, March 18, 1928. Section 9, pg.4 1070:by Marian de Forest, Massachusetts (1916) 805:by Marguerite Merrington, New York (1898) 761:by Marguerite Merington, Louisiana (1896) 1614: 1353: 741:by Minnie Maddern Fiske, New York (1896) 490: 453: 316: 250: 1825:Minnie Maddern Fiske letters, 1913-1941 1683:Anne L. Fliotsos; Wendy Vierow (2008). 1301: 14: 1865: 1749:Famous Actresses of the Day in America 1572:Michael C. Bussacco (April 30, 2009). 1349:. Cambridge: Harvard University Press. 1313:Fliotsos, Anne; Vierow, Wendy (2008). 1287:. University of South Carolina Press. 186: 1842: 1398: 655:by Charles Callahan, Wisconsin (1882) 160: 1020:by Langdon Mitchell, New York (1911) 767:by Lorimer Stoddard, New York (1897) 753:by Victorien Sardou, Illinois (1896) 667:by Howard P. Taylor, Missouri (1884) 661:by Charles Callahan, Illinois (1883) 606: 332:, Minnie Maddern debuted as Nora in 1834:Photographs of Minnie Maddern Fiske 1818:, held by the Manuscript Division, 1734:. New York: T.Y. Crowell. pp.  1665:. New York: Crown Publishers, 1955. 1615:Williams, Greg H. (July 25, 2014). 1515:Mrs. Fiske and the American Theatre 1384:. NY: The Dunlap Society. pp.  913:by C.M.S. McLellan, New York (1904) 340:in the original 1899 production of 24: 1663:Mrs Fiske and the American Theatre 1447:. Dodd, Mead & Company. p. 207 1214:and Alan Williams, New York (1930) 1078:by Philip Moeller, New York (1917) 1036:by Rudolf Frohman, New York (1912) 25: 1939: 1791: 1347:Notable American Women: 1607–1950 1344: 1108:by Lawrence Eyre, New York (1919) 527: 1928:American vegetarianism activists 1858:. Chicago: F. E. Compton and Co. 1853:The New Student's Reference Work 1843:Beach, Chandler B., ed. (1914). 1731:Famous American Actors of To-Day 1362: 1238:by Carlos Drake, Illinois (1933) 1204:by Fred Ballard, New York (1929) 1172:by Henrik Ibsen, New York (1927) 978:by Henrik Ibsen, New York (1910) 960:by Henrik Ibsen, New York (1907) 895:by Henrik Ibsen, New York (1903) 867:by Henrik Ibsen, New York (1902) 214: 156: 48:"Mrs. Fiske: Love Finds the Way" 1908:American animal welfare workers 1893:20th-century American actresses 1883:19th-century American actresses 1708:The Stage in America, 1897–1900 1655: 1642: 1608: 1599: 1551: 1537: 1507: 1487: 1467: 1450: 1437: 182: 152: 1918:American silent film actresses 1425: 1413: 1399:Fiske, Minnie Maddern (1917). 1371: 1270: 1250: 773:one act by Horace B. Fry with 27:American dramatist (1865–1932) 13: 1: 1913:American anti-vivisectionists 1846:"Fiske, Minnie Maddern"  1746:Lewis Clinton Strang (1899). 1648:New York Times; March 3, 1961 1578:. Tribute Books. p. 77. 1475:The Routledge History of Food 1263: 522:Theatrical Trust or Syndicate 373:(1899, revivals 1904, 1911), 1783:. New York: The Century Co. 1777:Alexander Woollcott (1917). 1443:Marinacci, Barbara. (1961). 1432:The Charlie Chaplin Archives 636:Selected theater appearances 7: 1722:The Best Plays of 1899–1909 1677:The Best Plays of 1894–1899 1495:"Marie Augusta Davey Fiske" 601:Rochester Community Players 349:William Makepeace Thackeray 269:A Sheep in Wolf's Clothing. 10: 1944: 1903:Actresses from New Orleans 1802:Internet Broadway Database 1473:Helstosky, Carol. (2015). 1281:; Judith Baughman (2002). 1177:The Merry Wives of Windsor 625:, and named in her honor. 1713:"Ibsen or Shakespeare?", 1162:Richard Brinsley Sheridan 1136:Mary, Mary Quite Contrary 944:Tess of the D'Urbervilles 611:During World War II, the 586: 465:Tess of the d'Urbervilles 360:Tess of the d'Urbervilles 246: 213: 208: 197: 131: 114: 106: 85: 59: 41: 34: 1923:American stage actresses 1898:Actresses from Louisiana 1243: 1106:Mis' Nelly of N' Orleans 1030:, Toronto, Canada (1912) 843:The Unwelcome Mrs. Hatch 577: 405:(1917–18), a play about 1838:New York Public Library 1829:New York Public Library 1668:Brown, Thomas Allston, 1517:by Archie Binns, c.1956 1460:Mark Twain, a biography 1279:Matthew Joseph Bruccoli 1064:and Frank Stayon (1914) 411:Mis' Nelly of N'Orleans 255:Fiske as a child; 1870s 1189:Much Ado About Nothing 1164:, Massachusetts (1925) 1048:, Massachusetts (1913) 975:The Pillars of Society 922:A Light From St. Agnes 859:Tess of D' Urbervilles 833:Miranda of the Balcony 758:The Right to Happiness 739:A Light From St. Agnes 703:This Picture and That! 518: 500: 489: 459: 435:A Light from St. Agnes 385:(1903, revival 1904), 363:(1897, revival 1902), 325: 261:New Orleans, Louisiana 256: 78:New Orleans, Louisiana 1785:Minnie Maddern Fiske. 1771:, Volumes One and Two 1758:Minnie Maddern Fiske. 1740:Minnie Maddern Fiske. 1477:. Routledge. p. 190. 1150:Ida Lublenski Ehrlich 1058:Lady Betty Martingale 926:The Eyes of the Heart 837:Anne Crawford Flexner 765:Tess of D'Urbervilles 719:, Pennsylvania (1896) 717:Alexandre Dumas, fils 513: 494: 484: 457: 431:The Eyes of the Heart 320: 308:The Eyes of the Heart 300:A Light for St. Agnes 283:?" (March 18, 1928), 254: 99:Queens, New York City 1807:Minnie Maddern Fiske 1798:Minnie Maddern Fiske 1405:. Century. pp.  1381:Plays of the Present 1277:John Hall Wheelock; 1230:Mrs. Bumpstead-Leigh 1196:Mrs. Bumpstead-Leigh 1126:The Dice of the Gods 1008:Mrs. Bumpstead-Leigh 853:A Bit of Old Chelesa 847:Mrs. Burton Harrison 791:A Bit of Old Chelsea 623:Panama City, Florida 458:Minnie Maddern Fiske 237:Theatrical Syndicate 225:Minnie Maddern Fiske 155: 1882; 36:Minnie Maddern Fiske 1820:Library of Congress 1232:, California (1932) 1182:William Shakespeare 1054:, New Jersey (1914) 1052:Mrs Bumpstead-Leigh 795:Mrs. Oscar Beringer 685:Harrison Grey Fiske 630:Library of Congress 566:. She was a strict 285:Harrison Grey Fiske 229:Marie Augusta Davey 174:Harrison Grey Fiske 64:Marie Augusta Davey 1769:The Wallet of Time 1224:Ladies of the Jury 1202:Ladies of the Jury 1112:Wake Up, Jonathan! 1096:J. Hartley Manners 982:The Green Cockatoo 952:, Louisiana (1907) 946:, Louisiana (1907) 802:Love Finds the Way 727:The Queen of Liars 671:In Spite of it All 501: 480:The New York Times 460: 439:Wake Up, Jonathan! 423:Ladies of the Jury 366:Love Finds the Way 347:, a play based on 342:Langdon Mitchell's 326: 257: 1696:978-0-252-03226-4 1628:978-1-4766-1754-1 1585:978-0-9822565-1-0 1532:978-1-199-50855-3 1483:978-0-415-62847-1 1326:978-0-252-03226-4 1294:978-1-57003-463-3 1284:The Last Romantic 1226:, Illinois (1931) 1220:, New York (1930) 1208:It's a Grand Life 1198:, New York (1929) 1184:, New York (1928) 1152:, New York (1923) 1142:, New York (1923) 1132:, Illinois (1923) 1122:, New York (1921) 1028:Gertrude Atherton 1014:, New York (1911) 1012:Harry James Smith 1004:, New York (1911) 998:, New York (1910) 996:Gerhart Hauptmann 988:, New York (1910) 986:Arthur Schnitzler 970:, New York (1908) 940:, New York (1906) 933:The New York Idea 907:, New York (1904) 901:, New York (1904) 887:, New York (1902) 877:, New York (1902) 861:, New York (1902) 855:, New York (1902) 849:, New York (1901) 839:, New York (1901) 829:, New York (1899) 815:, New York (1899) 797:, New York (1898) 787:, New York (1898) 785:Hermann Sudermann 777:, Illinois (1898) 747:, Illinois (1896) 735:, New York (1896) 699:, New York (1894) 687:, New York (1893) 677:, New York (1885) 649:, New York (1871) 607:Legacy and honors 552:Good Housekeeping 482:in January 1908: 222: 221: 90:February 15, 1932 74:December 19, 1865 16:(Redirected from 1935: 1859: 1857: 1848: 1787: 1760: 1742: 1700: 1649: 1646: 1640: 1639: 1637: 1635: 1612: 1606: 1603: 1597: 1596: 1594: 1592: 1569: 1563: 1555: 1549: 1541: 1535: 1511: 1505: 1504: 1491: 1485: 1471: 1465: 1464: 1454: 1448: 1441: 1435: 1429: 1423: 1417: 1411: 1410: 1396: 1390: 1389: 1375: 1369: 1368: 1360: 1351: 1350: 1342: 1331: 1330: 1310: 1299: 1298: 1274: 1257: 1254: 1236:Against the Wind 1062:John Luther Long 1018:The New Marriage 938:Langdon Mitchell 813:Langdon Mitchell 707:Brander Matthews 675:Victorien Sardou 564:Millennium Guild 323:Fred Holland Day 218: 190: 188: 184: 164: 162: 158: 154: 107:Other names 95: 93: 73: 71: 46: 32: 31: 21: 1943: 1942: 1938: 1937: 1936: 1934: 1933: 1932: 1863: 1862: 1794: 1764:Winter, William 1704:Hapgood, Norman 1697: 1661:Binns, Archie, 1658: 1653: 1652: 1647: 1643: 1633: 1631: 1629: 1613: 1609: 1604: 1600: 1590: 1588: 1586: 1570: 1566: 1556: 1552: 1542: 1538: 1512: 1508: 1493: 1492: 1488: 1472: 1468: 1455: 1451: 1442: 1438: 1430: 1426: 1420:Harper's Weekly 1418: 1414: 1397: 1393: 1376: 1372: 1361: 1354: 1345:Cagey, Edmond. 1343: 1334: 1327: 1311: 1302: 1295: 1275: 1271: 1266: 1261: 1260: 1255: 1251: 1246: 1241: 1140:St. John Ervine 1130:Lillian Barrett 1068:Erstwhile Susan 881:Mary of Magdala 647:Dion Boucicault 638: 618:Minnie M. Fiske 609: 589: 580: 530: 509:Charlie Chaplin 249: 193: 192: 180: 176: 166: 150: 146: 143: 127: 102: 96: 91: 89: 81: 75: 69: 67: 66: 65: 55: 52:Zaida Ben-Yusuf 49: 37: 28: 23: 22: 15: 12: 11: 5: 1941: 1931: 1930: 1925: 1920: 1915: 1910: 1905: 1900: 1895: 1890: 1885: 1880: 1875: 1861: 1860: 1840: 1836:, held by the 1831: 1822: 1813: 1804: 1793: 1792:External links 1790: 1789: 1788: 1774: 1761: 1743: 1725: 1718: 1715:New York Times 1711: 1701: 1695: 1680: 1673: 1666: 1657: 1654: 1651: 1650: 1641: 1627: 1607: 1598: 1584: 1564: 1559:New York Times 1550: 1545:New York Times 1536: 1506: 1486: 1466: 1449: 1436: 1424: 1412: 1391: 1370: 1352: 1332: 1325: 1300: 1293: 1268: 1267: 1265: 1262: 1259: 1258: 1248: 1247: 1245: 1242: 1240: 1239: 1233: 1227: 1221: 1215: 1212:Hatcher Hughes 1205: 1199: 1193: 1185: 1173: 1165: 1153: 1143: 1133: 1123: 1116:Hatcher Hughes 1109: 1103: 1089: 1079: 1071: 1065: 1055: 1049: 1043: 1037: 1031: 1021: 1015: 1005: 999: 989: 979: 971: 968:Edward Sheldon 964:Salvation Nell 961: 953: 947: 941: 929: 914: 908: 902: 896: 888: 878: 868: 865:A Doll's House 862: 856: 850: 840: 830: 827:Ludovic Halevy 816: 806: 798: 788: 778: 768: 762: 754: 748: 742: 736: 733:A Doll's House 730: 720: 710: 709:, Texas (1896) 700: 692:A Doll's House 688: 678: 668: 662: 656: 650: 639: 637: 634: 608: 605: 588: 585: 579: 576: 534:animal welfare 529: 528:Animal welfare 526: 505:Harpers Weekly 393:Salvation Nell 376:A Doll's House 334:A Doll's House 321:Photograph by 273:New York Times 248: 245: 220: 219: 211: 210: 206: 205: 199: 195: 194: 178: 172: 171: 170: 169: 148: 144: 141: 140: 139: 138: 135: 133: 129: 128: 126: 125: 122: 118: 116: 112: 111: 108: 104: 103: 97: 94:(aged 66) 87: 83: 82: 76: 63: 61: 57: 56: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 1940: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1870: 1868: 1856: 1854: 1847: 1841: 1839: 1835: 1832: 1830: 1826: 1823: 1821: 1817: 1814: 1812: 1808: 1805: 1803: 1799: 1796: 1795: 1786: 1782: 1781: 1775: 1772: 1770: 1765: 1762: 1759: 1755: 1751: 1750: 1744: 1741: 1737: 1733: 1732: 1726: 1723: 1719: 1716: 1712: 1709: 1705: 1702: 1698: 1692: 1688: 1687: 1681: 1678: 1674: 1671: 1667: 1664: 1660: 1659: 1645: 1630: 1624: 1621:. 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Index

Mrs. Fiske

Zaida Ben-Yusuf
New Orleans, Louisiana
Queens, New York City
Harrison Grey Fiske
Emily Stevens

Theatrical Syndicate
Henrik Ibsen

New Orleans, Louisiana
Ibsen
Shakespeare
Harrison Grey Fiske

Fred Holland Day
Becky Sharp
Langdon Mitchell's
William Makepeace Thackeray
Vanity Fair
Tess of the d'Urbervilles
Love Finds the Way
A Doll's House
Hedda Gabler
Leah Kleschna
Madame Sand
George Sand
The Rivals
Mrs. Malaprop

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