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making gifts and ornaments by hand because money was scarce. This year, Torvald is due a promotion at the bank where he works, so Nora feels that they can let themselves go a little. The maid announces two visitors: Mrs. Kristine Linde, an old friend of Nora's, who has come seeking employment; and Dr. Rank, a close friend of the family, who is let into the study. Kristine has had a difficult few years, ever since her husband died leaving her with no money or children. Nora says that things have not been easy for them either: Torvald became sick, and they had to travel to Italy so he could recover. Kristine explains that, when her mother was ill, she had to take care of her brothers, but, now that they are grown, she feels her life is "unspeakably empty". Nora promises to talk to
Torvald about finding her a job. Kristine gently tells Nora that she is like a child. Nora is offended, so she tells her that she got money from "some admirer" so they could travel to Italy to improve Torvald's health. She told Torvald that her father gave her the money, but, in fact, she illegally borrowed it without his knowledge (women were forbidden from conducting financial activities such as signing checks without a man's endorsement). Since then, she has been secretly working and saving up to pay off the loan.
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alone. The nanny returns with the children, and Nora plays with them for a while until
Krogstad creeps through the ajar door into the living room and surprises her. Krogstad tells Nora that Torvald intends to fire him from the bank and asks her to intercede with Torvald to allow him to keep his job. She refuses, and Krogstad blackmails her about the loan she took out for the trip to Italy; he knows that she obtained this loan by forging her father's signature after his death. Krogstad leaves, and, when Torvald returns, Nora tries to convince him not to fire Krogstad. Torvald refuses to hear her pleas, explaining that Krogstad is a liar and a hypocrite and that, years before, he had committed a crime: he forged other people's signatures. Torvald feels physically ill in the presence of a man "poisoning his own children with lies and dissimulation".
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687:(maiden name Laura Smith Petersen), a good friend of Ibsen. Much that happened between Nora and Torvald happened to Laura and her husband, Victor. Similar to the events in the play, Laura signed an illegal loan to save her husband's life—in this case, to find a cure for his tuberculosis. She wrote to Ibsen, asking for his recommendation of her work to his publisher, thinking that the sales of her book would repay her debt. At his refusal, she forged a check for the money. At this point, she was found out. In real life, when Victor discovered Laura's secret loan, he divorced her and had her committed to an asylum. Two years later, she returned to her husband and children at his urging, and she went on to become a well-known Danish author, living to the age of 83.
1121:(1884). Strindberg questioned Nora's walking out and leaving her children behind with a man that she herself disapproved of so much that she would not remain with him. Strindberg also considers that Nora's involvement with an illegal financial fraud that involved Nora forging a signature, all done behind her husband's back, and then Nora's lying to her husband regarding Krogstad's blackmail, are serious crimes that should raise questions at the end of the play, when Nora is moralistically judging her husband. Strindberg also points out that Nora's complaint that she and Torvald "have never exchanged one serious word about serious things" is contradicted by the discussions that occur in act one and two.
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get away to understand herself. She says that she has been treated like a doll to play with for her whole life, first by her father and then by him. Torvald insists that she fulfill her duty as a wife and mother, but Nora says that she has duties to herself that are just as important and that she cannot be a good mother or wife without learning to be more than a plaything. She reveals that she had expected that he would want to sacrifice his reputation for hers and that she had planned to kill herself to prevent him from doing so. She now realizes that
Torvald is not at all the kind of person she had believed him to be and that their marriage has been based on mutual fantasies and misunderstandings.
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1125:"doll wife"—and the children in turn have become her "dolls", leading her to doubt her own qualifications to raise her children. She is troubled by her husband's behavior in regard to the scandal of the loaned money. She does not love her husband, feels completely confused and that they are strangers, and suggests that her issues are shared by many women. George Bernard Shaw suggests that she left to begin "a journey in search of self-respect and apprenticeship to life" and that her revolt is "the end of a chapter of human history".
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alternative ending for the German premiere. In this ending, Nora is led to her children after having argued with
Torvald. Seeing them, she collapses, and as the curtain is brought down, it is implied that she stays. Ibsen later called the ending a disgrace to the original play and referred to it as a "barbaric outrage". Virtually all productions today use the original ending, as do nearly all the film versions of the play.
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run away for good, but
Torvald confronts her with Krogstad's letter. Enraged, he declares that she is now completely in Krogstad's power; she must yield to Krogstad's demands and keep quiet about the whole affair. He berates Nora, calling her a dishonest and immoral woman and telling her that she is unfit to raise their children. He says that from now on their marriage will be only a matter of appearances.
1037:. Though the plot largely remained unchanged, the protagonists were renamed Tom and Niru Helmer and a conversation was added regarding the British oppression of the Indian public. One significant shift was the lack of a slamming door at the end of the play. They also published a pack of teaching materials which includes extracts from the adapted play script.
843:, Jones says: "A rough translation from the German version of A Doll's House was put into my hands, and I was told that if it could be turned into a sympathetic play, a ready opening would be found for it on the London boards. I knew nothing of Ibsen, but I knew a great deal of Robertson and H. J. Byron. From these circumstances came the adaptation called
1836:. Swallow draws from her research into Ibsen's play and iconic protagonist, the realities of the time, and the 19th-century Norwegian emigration to the US, following Nora as she first struggles to survive in Christiania (today's Oslo) and then travels by boat, train, and wagon to a new home in the western prairie of
240:, lacked reasonable opportunities for self-fulfillment in a male-dominated world. Despite the fact that Ibsen denied it was his intent to write a feminist play, it was a great sensation at the time and caused a "storm of outraged controversy" that went beyond the theater to the world of newspapers and society.
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After
Torvald literally drags Nora home from the party, Rank follows them. They chat for a while, with Dr. Rank conveying obliquely to Nora that this is a final goodbye, as he has determined that his death is near. Dr. Rank leaves, and Torvald retrieves his letters. As he reads them, Nora prepares to
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Krogstad, a lower-level employee at
Torvald's bank, arrives and goes into the study. Nora is clearly uneasy when she sees him. Dr. Rank leaves the study and mentions that he feels wretched, though like everyone he wants to go on living. In contrast to his physical illness, he says that the man in the
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The reasons Nora leaves her husband are complex, and various details are hinted at throughout the play. In the last scene, she tells her husband she has been "greatly wronged" by his disparaging and condescending treatment of her, and his attitude towards her in their marriage—as though she were his
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Dr. Rank then arrives. Nora asks him for a favor, but Rank responds by revealing that he has entered the terminal stage of his disease and that he has always been secretly in love with her. Nora tries to deny the first revelation and make light of it but is more disturbed by his declaration of love.
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children!" Since the playwright's wishes were not protected by copyright, Ibsen decided to avoid the danger of being rewritten by a lesser dramatist by committing what he called a "barbaric outrage" on his play himself and giving it an alternative ending in which Nora did not leave. A production of
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Ibsen's German agent felt that the original ending would not play well in German theaters. In addition, copyright laws of the time would not preserve Ibsen's original work. Therefore, for it to be considered acceptable, and prevent the translator from altering his work, Ibsen was forced to write an
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Nora tells
Torvald that she is leaving him and, in a confrontational scene, expresses her sense of betrayal and disillusionment. She says he has never loved her and they have become strangers to each other. She feels betrayed by his response to the scandal involving Krogstad, and she says she must
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A maid enters, delivering a letter from
Krogstad to Nora, which Torvald demands to read himself. Torvald then exults that he is saved, as Krogstad has returned the incriminating bond, which Torvald immediately burns along with Krogstad's letters. He takes back his harsh words to his wife and tells
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Having been fired by
Torvald, Krogstad arrives at the house. Nora convinces Dr. Rank to go into Torvald's study so he will not see Krogstad. When Krogstad confronts Nora, he declares that he no longer cares about the remaining balance of Nora's loan but that he will instead preserve the associated
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After the meeting with Krogstad, Torvald comes out of the study. Nora asks him if he can give Kristine a position at the bank and Torvald is very positive, saying that this is a fortunate moment, as a position has just become available. Torvald, Kristine, and Dr. Rank leave the house, leaving Nora
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Nora leaves her keys and wedding ring; Torvald breaks down and begins to cry, baffled by what has happened. After Nora leaves the room, Torvald, for one second, still has a sense of hope and exclaims to himself "The most wonderful thing of all—?", just before the door downstairs is heard closing.
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Torvald explains that, when a man has forgiven his wife, it makes him love her all the more since it reminds him that she is totally dependent on him, like a child. He preserves his peace of mind by thinking of the incident as a mere mistake that she made owing to her foolishness, one of her most
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Torvald enters and tries to retrieve his mail, but Nora distracts him by begging him to help her with the dance she has been rehearsing for the costume party, feigning anxiety about performing. She dances so badly and acts so childishly that Torvald agrees to spend the whole evening coaching her.
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time as Nora Helmer enters her home carrying many packages. Nora's husband, Torvald, is working in his study when she arrives. He playfully rebukes her for spending so much money on Christmas gifts, calling her his "little squirrel". He teases her about how, the previous year, she had spent weeks
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and was staged again a few months later. The same stage play was filmed at the beginning of 2019 and screened in Toronto on 4 May 2019. The film was received with very good reviews, and the artists were hailed for their performance. Arrangements were made to screen the film in London, at Safari
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Kristine arrives to help Nora repair a dress for a costume function that she and Torvald plan to attend the next day. Torvald returns from the bank, and Nora pleads with him to reinstate Krogstad, claiming she is worried Krogstad will publish libelous articles about Torvald and ruin his career.
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Kristine tells Krogstad that she only married her husband because she had no other means to support her sick mother and young siblings and that she has returned to offer him her love again. She believes that he would not have stooped to unethical behavior if he had not been devastated by her
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of the completed play to his publisher on 15 September 1879. It was first published in Copenhagen on 4 December 1879, in an edition of 8,000 copies that sold out within a month; a second edition of 3,000 copies followed on 4 January 1880, and a third edition of 2,500 was issued on 8 March.
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when Laura Kieler had been committed to the asylum. The fate of this friend of the family shook him deeply, perhaps also because Laura had asked him to intervene at a crucial point in the scandal, which he did not feel able or willing to do. Instead, he turned this life situation into an
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to blackmail Torvald into not only keeping him employed but also promoting him. Nora explains that she has done her best to persuade her husband, but he refuses to change his mind. Krogstad informs Nora that he has written a letter detailing her crime (forging her father's signature of
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715:" in a note written in Rome on 19 October 1878. "A woman cannot be herself in modern society", he argues, since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint!"
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Torvald dismisses her fears and explains that, although Krogstad is a good worker and seems to have turned his life around, he must be fired because he is too familiar around Torvald in front of other bank personnel. Torvald then retires to his study to work.
859:. Toward the middle of the action Ibsen was thrown to the fishes, and Nora was saved from suicide, rebellion, flight and immorality by making a faithful old clerk steal her fateful promissory note from Krogstad's desk. The curtain fell upon a happy home."
1370:, adds a flashback framing device, turns Dr. Rank (renamed Dr. Eduardo Anguiano and played by Alonso, who gets second billing) into Nora's doomed suitor and savior, changes Nora's motivation for leaving her house, and adds a happy ending the following
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questions the traditional roles of men and women in 19th-century marriage. To many 19th-century Europeans, this was scandalous. The covenant of marriage was considered holy, and to portray it as Ibsen did was controversial. The Irish playwright
1718:, which entirely omitted the characters of the servants and the children, focusing more on the power struggle between Nora and Torvald. It was widely viewed as downplaying the feminist themes of Ibsen's original. The first staging of it in
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transposing the setting to India in 1879, where Nora (renamed 'Niru') is an Indian woman married to Torvald (renamed 'Tom'), an English man working for the British Colonial Administration in Calcutta. This production starred
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wrote and starred in a reworking of the play titled "Cherdonna's Doll House" under the direction of Ali Mohamed el-Gasseir. The production was staged at 12th Avenue Arts through Washington Ensemble Theatre. Brendan Kiley of
808:, although, in the wake of protests and a lack of success, Raabe eventually restored the original ending. Another production of the original version, some rehearsals of which Ibsen attended, opened on 3 March 1880 at the
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abandonment and in dire financial straits. Krogstad changes his mind and offers to take back his letter from Torvald. Kristine, however, decides that Torvald should know the truth for the sake of his and Nora's marriage.
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admired Ibsen's originality and technical mastery: "Not a single declamatory phrase, no high dramatics, no drop of blood, not even a tear." Every performance of its run was sold out. Another production opened at the
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in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement" since he wrote "without any conscious thought of making propaganda", his task having been "the
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Ibsen started thinking about the play around May 1878, although he did not begin its first draft until a year later, having reflected on the themes and characters in the intervening period (he visualized its
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aesthetically shaped, successful drama. In the play, Nora leaves Torvald with head held high, though facing an uncertain future given the limitations single women faced in the society of the time.
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Because of the departure from traditional behavior and theatrical convention involved in Nora's leaving home, her act of slamming the door as she leaves has come to represent the play itself. In
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Cinema Harrow, on 7 July 2019. From September 2019 to October 2019, the Lyric Hammersmith in London hosted a new adaptation of the play by Tanika Gupta who moved the setting of the play to
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described it as a "triple-decker satire" in which "Cherdonna’s version of Ibsen’s play about femininity turns into a kind of memoir about Kuehner’s neither-here-nor-there career identity."
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Kieler eventually rebounded from the shame of the scandal and had her own successful writing career while remaining discontented with sole recognition as "Ibsen's Nora" years afterward.
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by Stef Smith, a radical reworking of the play, with three actors playing Nora, simultaneously taking place in 1918, 1968, and 2018. The production later transferred to the
1832:. Swallow's historical novel tells the story of Nora Helmer's life from the moment in December 1879 that Nora walks out on her husband and young children at the close of
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Before 1889, there were two private productions of the play in London (in its original form as Ibsen wrote it). In 1886, the first production in England took place at
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her that he forgives her. Nora realizes that her husband is not the strong and gallant man she thought he was and that he truly loves himself more than he does Nora.
1818:(India), expanding on the role of the female servants and designing an expressionistic set which collapsed on Nora's husband, Torvald Helmer, at the end of the play.
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as Nora and Charles Charrington as Torvald. Achurch played Nora again for a seven-day run in 1897. Soon after its London premiere, Achurch brought the play to
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521:– Nora's former nanny, who gave up her own daughter to "strangers" when she became, as she says, the only mother Nora knew. She now cares for Nora's children.
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but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person". In a speech given to the
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in English translations) – Nora's old school friend, widowed, is seeking employment. She was in a relationship with Krogstad prior to the play's setting.
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in the role of Krogstad; both were champions of Ibsen. The first public British production of the play in its regular form opened on 7 June 1889 at the
509:– an employee at Torvald's bank, a single father, he is pushed to desperation. A supposed scoundrel, he is revealed to be a long-lost lover of Kristine.
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Ibsen, "Speech at the Festival of the Norwegian Women's Rights League, Christiana", 26 May 1898; in Dukore (1974, 563); see also Moi (2006, 229–230).
1972:
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1060:, the play was postponed to a later date. In November 2022, it was announced that the production would instead premiere on Broadway at the
711:, Nora, for instance, as having approached him one day wearing "a blue woolen dress"). He outlined his conception of the play as a "modern
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Nora tells Kristine of her difficult situation, gives her Krogstad's card with his address, and asks her to try to convince him to relent.
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says of the alternative title: "Rather than being superior to the traditional rendering, it simply sounds more idiomatic to Americans."
2842:"'Succession's Arian Moayed, Okieriete Onaodowan Help Round Out Cast Of Jessica Chastain-Starring 'A Doll's House' Revival On Broadway"
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The Foundations of a National Drama: a collection of lectures, essays and speeches, delivered and written in the years 1896–1912
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Torvald, this is a settling of accounts. // In all these eight years , we have never exchanged a word on any serious subject.
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directed by Carrie Cracknell based on the English language version by Simon Stephens. In September 2014, in partnership with
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After Nora Slammed the Door: From Doll's House to Paper Doll Lives? Merriam Looks at the "Women's Revolution" in America
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1500:, was described as "more like a stage play than a film". During a scene, one of the characters is reading Ibsen's play.
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1064:. It began previews on 13 February 2023 and officially opened on 9 March, running until 10 June. It starred Chastain,
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489:'s translation). He is terminally ill, and it is implied that his "tuberculosis of the spine" originates from a
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1948:
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3192:. Translated by de Ferdinandy, Yudit (1st ed.). Editorial de la Universidad de Puerto Rico. p. 10.
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and directed by Stephen Mitchell Wright. In June 2015, Space Arts Centre in London staged an adaptation of
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3743:"Anna Russell-Martin on starring in Stef Smith's Nora - A Doll's House: 'I still cry, whenever I read it'"
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She then clumsily attempts to tell him that she is not in love with him but loves him dearly as a friend.
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2816:"Jessica Chastain Returning To Broadway This Spring In Amy Herzog Adaptation Of Ibsen's 'A Doll's House'"
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1028:) on 30 June 2018, translated and directed by Mr P Vikneswaran. The drama was very well received by the
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839:. This adaptation was produced at the Princess Theatre on 3 March 1884. Writing in 1896 in his book
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When the others go to dinner, Nora stays behind for a few minutes and contemplates killing herself.
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3699:"Stef Smith on reimagining A Doll's House: 'I couldn't just wrench the play out of Ibsen's hands'"
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Ibsen, "Notes for a Modern Tragedy"; quoted by Meyer (1967, 466); see also Innes (2000, 79–81).
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Holledge, Julie; Bollen, Jonathan; Helland, Frode; Tompkins, Joanne (15 September 2016).
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and Jocef Michael, written as a performance piece for their theatre class in 2009
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Reel Women: An International Directory of Contemporary Feature Films about Women
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4197:
3813:"English National Ballet: She Persisted review – odes to Frida, Pina and Nora"
2435:. (1 January 1913). 1 January 1913. Reprinted: Wentworth Press (26 Aug 2016)
1589:
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in March 2011, one of their early performances following their December 2010
949:
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848:
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435:
417:
377:
3834:
3509:
3381:
3215:
2760:"A Doll's House: Education Pack for English A-Level and Drama GSCE Students"
2487:
2379:
1987:"Henrik Ibsen's psychodramas still grip the world 100 years after his death"
1958:
5125:
5077:
5047:
5017:
4993:
4870:
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4765:
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4528:
4378:
4368:
4313:
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4242:
4201:
4170:
3817:
3747:
3703:
3676:
3655:"'Cherdonna's Doll's House' is an absurd and poignant satire of femininity"
3632:
3588:
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3307:
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2166:
1863:
1693:
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1600:
1593:
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215:
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55:
4527:
4053:
2531:
1918:
1549:, directed by Arild Brinchmann and starring Lise Fjeldstad as Nora Helmer.
756:
5120:
5069:
5000:
4976:
4929:
4896:
4676:
4412:
4358:
4009:
3989:
3487:
3086:
Culture & Values, Volume II: A Survey of the Humanities with Readings
2617:
2157:
1745:
1684:
1527:
1446:
1287:
922:
724:
708:
422:
247:
held the distinction of being the world's most-performed play that year.
3404:"Ben Kingsley, Julian Sands, And Jena Malone Sign On For A Doll's House"
2150:
177:
The home of the Helmer family in an unspecified Norwegian town or city,
4891:
4478:
4069:
3411:
1636:
1388:
1199: in this section. Unsourced material may be challenged and removed.
1003:
515:– Nora and Torvald's children: Ivar, Bobby, and Emmy (in order of age).
382:
357:
119:
5184:
1828:
In 2019, memoirist, journalist, and professor Wendy Swallow published
823:, the only way in which the play was initially allowed to be given in
4677:
4318:
4136:
1837:
1784:
1714:
staged and published a shortened reworking of the play, now entitled
1457:
1284:
1161:
noted "That slammed door reverberated across the roof of the world."
979:
879:
789:
556:
20:
4121:
1174:
41:
5084:
4934:
4159:
2131:
2713:
2711:
1366:, Ernesto Alonso and Miguel Torruco, sets the story in modern-day
913:
in 1894. Other productions in the US include one in 1902 starring
5073:
3959:
Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy
3360:"Nora: a short film responding to Ibsen's A Doll's House – video"
1776:
1011:
801:
797:
793:
768:(with Johanne Juell as Nora and Arnoldus Reimers as Torvald) and
712:
167:
123:
3207:
236:
The play concerns the fate of a married woman, who, at the time
4211:
2708:
2690:"A Doll's House by Henrik Ibsen in a new version by Lally Katz"
2016:
1471:
In 2016, there were plans for a modernized adaptation starring
1367:
1317:, who was born Olga Knipper, and was the niece and namesake of
910:
824:
813:
805:
769:
594:
on the bond) and put it in Torvald's mailbox, which is locked.
591:
248:
19:"Dr. Rank" redirects here. For the Austrian psychoanalyst, see
4044:
1279:
has been adapted for the cinema on many occasions, including:
1115:
criticised the play in his volume of essays and short stories
866:'s lodgings in London and featured her as Nora and her friend
4405:
3162:
1338:, which modernizes the story and uses the alternative ending.
2632:
1676:
on 19 January 1947 featured Rathbone again as Torvald with
1438:
765:
3137:"A Doll's House / Charles Bryant [motion picture]"
5495:
3519:
2952:
Sandbach, Mary, trans. Strindberg, August, author. 1972.
2563:"Opening Night Production Credits: A Doll's House (1889)"
2454:
The Collected Drama of H. L. Mencken: Plays and Criticism
1901:"Modernism" in Modern Drama, A Definition and an Estimate
2615:"For New Theater Company, Shabbat Takes Center Stage".
2358:
Women in literature: reading through the lens of gender
739:
received its world premiere on 21 December 1879 at the
5143:
2666:"Carrie Cracknell Adds a 21st-Century Flavor to Ibsen"
2422:
Printed for private use only: not published. 76 pages.
1150:, labeling it as one of the essential feminist works.
764:
in Stockholm, on 8 January 1880, while productions in
1010:
featuring the discarded alternate ending. 'Manaveli'
551:
Mrs. Linde and Nora converse (from a 2012 production)
262:
The title of the play is most commonly translated as
3231:"How the Germans used Ibsen to spread Nazi ideology"
3187:
1728:
as heightening the play's melodramatic aspects. The
779:
refused to perform the play as written, declaring, "
259:in 2001, in recognition of their historical value.
5186:Drama Desk Award for Outstanding Revival of a Play
3956:
3887:Dramatic Theory and Criticism: Greeks to Grotowski
3611:"Bergman Adaptation Restructures 'A Doll's House'"
3567:"Stage: Bergman Version Of Ibsen's 'Doll's House'"
3329:. Lanham, Maryland: Scarecrow Press. p. 125.
2907:Superior Brains: Political Thought of Bernard Shaw
2335:
2333:
2323:
2321:
1930:
1928:
1858:premiered in 2019, with Crystal Costa as Nora and
1468:portraying what a modern-day Nora might look like.
792:in February 1880. This version was also played in
298:Adeleide Johannessen in character as Nora, from a
3286:"Claire Bloom's 'Doll's House' on Film: The Cast"
3022:Script into performance: a structuralist approach
2420:Breaking a butterfly : a play in three acts.
751:as Dr. Rank. Writing for the Norwegian newspaper
251:has inscribed Ibsen's autographed manuscripts of
5770:
3190:South American Cinema: Dictionary of Film Makers
3165:A Global Doll's House: Ibsen and Distant Visions
3083:Cunningham, Lawrence S.; Reich, John J. (2009).
2692:. La Boite Theatre Company. 2014. Archived from
1541:In 1973, Norwegian TV produced an adaptation of
278:is "the British term for what call a 'dollhouse
3082:
2526:
2330:
2318:
1925:
1460:theater in London released a short film titled
613:Torvald addresses Nora (from a 2012 production)
147:The awakening of a middle-class wife and mother
3112:"Progressive Silent Film List: A Doll's House"
2356:. In Fisher, Jerilyn; Silber, Ellen S (eds.).
2092:
2090:
2088:
1631:directed a British television adaptation with
670:
485:– a rich family friend (named "Peter Rank" in
5481:
5170:
4662:
4513:
4227:
3859:Brockett, Oscra G; Hildy, Franklin J (2002).
3858:
3255:
1935:Walter, McFarlane, James; Jens, Arup (1998).
1790:
4005:. World Publishing Company, Cleveland, 1964.
3852:
2587:
1971:: CS1 maint: multiple names: authors list (
1754:in 2017, as a followup about Nora returning.
4166:The Social Significance of the Modern Drama
3357:
3006:Feminism: The Essential Historical Writings
2306:Meyer (1967, 477) and Moi (2006, 227, 230).
2156:
2085:
1147:Feminism: The Essential Historical Writings
1023:
5488:
5474:
5177:
5163:
4669:
4655:
4520:
4506:
4234:
4220:
4078:
4062:
3228:
2530:; Peck, H. T.; Colby, F. M., eds. (1905).
2354:"The slammed door that still reverberates"
2347:
2345:
2273:
2132:"The alternative ending of A Doll's House"
1934:
1830:Searching for Nora: After the Doll's House
1475:as Doctor Rank and Michele Martin as Nora.
917:, a 1937 adaptation with acting script by
909:as Nora Helmer. It was first performed in
243:In 2006, the centennial of Ibsen's death,
40:
3045:
2865:
2191:
2054:
1514:was a live version for US TV directed by
1377:Two film versions were released in 1973:
1259:Learn how and when to remove this message
1079:
3740:
3696:
3025:. Hal Leonard Corporation. p. 157.
2974:Dramatic Opinions and Essays. Volume II.
2902:
2649:. Young Vic. 7 June 2013. Archived from
1795:(Doll's House), adapted and directed by
1742:in some areas but weakens it in others."
1137:Norwegian Association for Women's Rights
1083:
675:
608:
564:study, Krogstad, is "morally diseased".
546:
293:
3810:
3785:Service, Statesman News (6 June 2022).
3784:
3608:
3564:
3431:
3401:
3003:
2972:Shaw, Bernard. "A Doll's House Again".
2663:
2402:
2400:
2398:
2342:
2228:
5771:
3480:
3167:. Palgrave Macmillan UK. p. 217.
3018:
2467:
2351:
1896:
1868:Tirol Concerto for Piano and Orchestra
747:as Nora, Emil Poulsen as Torvald, and
5497:Tony Award for Best Revival of a Play
5469:
5158:
5142:
4650:
4636:"What happens after Nora leaves home"
4501:
4215:
4032:Festschrift in Honor of Charles Speel
3927:
3900:
3889:. Florence, KY: Heinle & Heinle.
3652:
3358:Payne-Frank, Noah (18 October 2012).
3324:
3283:
2903:Griffith, Gareth (21 December 1995).
2839:
2813:
2542:(1st ed.). New York: Dodd, Mead.
2503:
2499:
2497:
2473:
2418:Jones, Henry Arthur. Herman, Henry.
2096:
731:
661:
289:
3565:Goodman, Walter (24 February 1988).
3229:Kvittengen, Ida (12 February 2020).
2859:
2482:translator. London: T Fisher Unwin.
2395:
1197:adding citations to reliable sources
1168:
1131:argued that the play's theme is not
46:Original manuscript cover page, 1879
3954:
3188:Trelles Plazaolapage, Luis (1989).
3109:
2772:from the original on 9 October 2022
2664:Soloski, Alexis (6 February 2014).
1805:National Academy of Performing Arts
841:The Foundations of a National Drama
16:1879 three-act play by Henrik Ibsen
13:
5804:Norwegian plays adapted into films
4678:New Woman of the late 19th century
3982:
3903:A sourcebook of naturalist theatre
3741:McMillan, Joyce (7 January 2020).
3402:Wharton, David (2 November 2011).
3256:Variety Staff (31 December 1972).
2494:
1659:production on 6 June 1938 starred
1056:in London in mid-2020. Due to the
14:
5845:
4038:
3988:Ibsen, Henrick (trans. McLeish).
3811:Winship, Lyndsey (5 April 2019).
3697:McMillan, Joyce (12 March 2019).
3462:from the original on 10 June 2016
3089:. Cengage Learning. p. 492.
2840:Hipes, Patrick (3 January 2023).
2604:from the original on 27 May 2009.
1810:In 2022, Indian theatre director
1710:In 1989, film and stage director
929:, and a 1997 production starring
4241:
4148:
4071:A Doll's House
4055:A Doll's House
4023:William L. Urban. "Parallels in
2956:London: Victor Gollancz. (1972)
2814:Evans, Greg (16 November 2022).
2510:. In Rines, George Edwin (ed.).
2231:The Wadsworth anthology of drama
1173:
214:written by Norwegian playwright
5670:Who's Afraid of Virginia Woolf?
5565:One Flew Over the Cuckoo's Nest
5370:Who's Afraid of Virginia Woolf?
3804:
3778:
3734:
3690:
3646:
3602:
3558:
3533:
3510:"Henrik Ibsen - A Doll's House"
3502:
3474:
3425:
3395:
3351:
3318:
3277:
3249:
3222:
3181:
3156:
3129:
3103:
3076:
3039:
3012:
2997:
2988:
2979:
2966:
2954:Getting Married Parts I and II.
2946:
2937:
2896:
2833:
2807:
2784:
2752:
2738:
2682:
2657:
2639:
2625:
2608:
2581:
2555:
2552:Brockett and Hildy (2003, 353).
2546:
2520:
2446:
2425:
2409:
2386:
2309:
2300:
2291:
2282:
2264:
2255:
2222:
2185:
1437:, with the plot transferred to
1184:needs additional citations for
885:The play was first seen in the
25:A Doll's House (disambiguation)
5824:Drama Desk Award-winning plays
4088:at the Internet Movie Database
4076:Internet Off-Broadway Database
3885:Dukore, Bernard F., ed. 1974.
3481:Rector, Rob (29 August 2020).
3432:Mottram, James (9 June 2016).
3284:Canby, Vincent (23 May 1973).
3237:. Translated by Nuse, Ingrid P
2567:The Internet Broadway Database
2539:New International Encyclopedia
2124:
2048:
2030:
2013:"Henrik Ibsen: A Doll's House"
2005:
1979:
1890:
1881:
1164:
969:24/6: A Jewish Theater Company
905:on 21 December 1889, starring
897:acted Nora. The play made its
718:
701:
1:
5794:Plays set in the 19th century
5581:Long Day's Journey into Night
5284:Long Day's Journey into Night
4925:(Mary Chavelita Dunne Bright)
4268:Norma, or A Politician's Love
3863:. Boston: Allyn & Bacon.
3653:Kiley, Brendan (5 May 2017).
3258:"Film Review: A Doll's House"
2720:"A Doll's House at The Space"
1603:television adaptation titled
1504:
1052:was scheduled to play at the
982:produced a new adaptation of
925:, a 1971 production starring
303:
227:
178:
5799:Memory of the World Register
5064:The Case of Rebellious Susan
3609:Shirley, Don (26 May 1998).
3434:"Sir Ben Kingsley interview"
2868:Cambridge Companion to Ibsen
2588:Kate Bassett (24 May 2009).
2360:. Greenwood Press. pp.
2315:Quoted by Meyer (1967, 477).
1897:Krutch, Joseph Wood (1953).
1874:
1757:In 2017, performance artist
1704:
1580:as Thorvald. Also featuring
1303:The 1923 German silent film
604:
460:
457:
452:
442:
439:
434:
426:
421:
416:
406:
401:
396:
386:
381:
376:
366:
361:
356:
257:Memory of the World Register
7:
5030:The Story of a Modern Woman
4158:public domain audiobook at
4014:(Page to Stage Study Guide)
3901:Innes, Christopher (2000).
2504:Moses, Montrose J. (1920).
2261:Meyer (1967, 463–467, 472).
2229:Worthen, William B (2011).
2097:Byatt, A. S. (1 May 2009).
1687:broadcast an adaptation by
671:Composition and publication
630:endearing feminine traits.
537:
266:, though some scholars use
10:
5850:
4887:Elizabeth Barrett Browning
4756:Jennie Augusta Brownscombe
4060:Internet Broadway Database
4049:National Library of Norway
3052:Cambridge University Press
2872:Cambridge University Press
2233:. Wadsworth. p. 667.
2198:Cambridge University Press
2136:National Library of Norway
1791:
1556:produced an adaptation of
1030:Tamil community in Toronto
998:, hosted an adaptation of
967:The play was performed by
571:
542:
100:21 December 1879
18:
5503:
5192:
5152:
4966:
4948:
4879:
4731:Sophie Gengembre Anderson
4708:
4685:
4607:
4586:
4542:
4485:The Death of Little Ibsen
4474:International Ibsen Award
4422:
4397:
4249:
4045:Texts and other resources
3853:General and cited sources
2866:McFarlane, James (1994).
2647:"A Doll's House West End"
2456:. Scarecrow Press, 2012.
2061:Capilano University Press
1850:Stina Quagebeur's ballet
1822:
1024:
683:was based on the life of
493:contracted by his father.
323:
173:
151:
143:
129:
111:
96:
61:
51:
39:
34:
5829:Tony Award-winning plays
5102:Mrs. Warren's Profession
4801:Wilhelmina Weber Furlong
4442:Centre for Ibsen Studies
4294:The Vikings at Helgeland
4186:Theatre Guild on the Air
3046:Törnqvist, Egil (1995).
3019:Hornby, Richard (1995).
3004:Schneir, Miriam (1972).
2352:Fisher, Jerilyn (2003).
2192:Törnqvist, Egil (1995).
2055:Törnqvist, Egil (1995).
2038:"Baptism by Fire Island"
1907:Cornell University Press
1844:
1816:National School of Drama
1807:on 30 and 31 March 2019.
1673:Theatre Guild on the Air
1647:
1618:Rainer Werner Fassbinder
1518:. This version featured
1328:The 1943 Argentine film
1070:Michael Patrick Thornton
992:La Boite Theatre Company
827:was in an adaptation by
775:In Germany, the actress
772:followed shortly after.
408:Michael Patrick Thornton
4806:Elizabeth Shippen Green
4796:Susan Stuart Frackelton
3965:Oxford University Press
3928:Meyer, Michael (1974).
2976:Brentanos (1916) p. 258
2507:"Doll's House, A"
2172:Guardian News and Media
1941:Oxford University Press
1856:English National Ballet
1814:staged the play at the
1799:, was performed in the
1670:A later version by the
1271:
1142:description of humanity
1111:The Swedish playwright
1046:The Jamie Lloyd Company
788:this version opened in
5694:A View from the Bridge
5541:A View from the Bridge
5437:How I Learned to Drive
5394:A View from the Bridge
5340:A View from the Bridge
5238:A View from the Bridge
4982:The Portrait of a Lady
4781:Alice Brown Chittenden
4761:Julia Margaret Cameron
4630:A Doll's House, Part 2
4349:An Enemy of the People
4334:The Pillars of Society
3861:History of the theatre
2911:. Routledge. pp.
2513:Encyclopedia Americana
2474:Ibsen, Henrik (1889).
2392:Meyer (1967, 480–481).
1751:A Doll's House, Part 2
1570:Palle Kjærulff-Schmidt
1354:The 1954 Mexican film
1321:’s wife. She was also
1097:
1090:Vera Komissarzhevskaya
1080:Analysis and criticism
762:Royal Dramatic Theatre
637:
614:
552:
313:
218:. It premiered at the
203:
23:. For other uses, see
5784:Plays by Henrik Ibsen
5090:The Romance of a Shop
4841:Elizabeth Okie Paxton
4690:19th-century feminism
4469:Norwegian Ibsen Award
4364:The Lady from the Sea
4100:30 March 2008 at the
3905:. London: Routledge.
3483:"Friend of the World"
3048:Ibsen: A Doll's House
2795:. bestoftheatre.co.uk
2533:"Herman, Henry"
2431:Jones, Henry Arthur.
2194:Ibsen: A Doll's House
2057:Ibsen: A Doll's House
1341:The 1944 German film
1313:. Nora was played by
1087:
962:Christopher Eccleston
936:A new translation by
676:Real-life inspiration
633:
612:
550:
297:
206:; also translated as
5789:Plays about families
5718:The Boys in the Band
5638:The Norman Conquests
5332:The Norman Conquests
4985:(serialized 1880–81)
4958:Alice Freeman Palmer
4856:Jessie Willcox Smith
4384:John Gabriel Borkman
4329:Emperor and Galilean
4284:The Feast at Solhaug
4279:Lady Inger of Ostrat
3325:Sloan, Jane (2007).
1781:Nora: A Doll's House
1486:Brian Patrick Butler
1193:improve this article
964:opened in May 2009.
915:Minnie Maddern Fiske
891:Louisville, Kentucky
845:Breaking a Butterfly
837:Breaking a Butterfly
743:in Copenhagen, with
741:Royal Danish Theatre
527:– the Helmers' maid.
220:Royal Danish Theatre
116:Royal Danish Theatre
5678:A Raisin in the Sun
5662:Death of a Salesman
5606:Glengarry Glen Ross
5549:Death of a Salesman
5418:The Waverly Gallery
5362:Death of a Salesman
5246:Death of a Salesman
5109:George Bernard Shaw
5097:George Bernard Shaw
5025:Ella Hepworth Dixon
4912:Ella Hepworth Dixon
4851:Pamela Colman Smith
4791:Emma Lampert Cooper
4695:First-wave feminism
4389:When We Dead Awaken
4324:The League of Youth
4145:(alternate edition)
3955:Moi, Toril (2006).
3314:on 9 December 2015.
3142:Library of Congress
2621:. 16 December 2010.
1862:as Torvald, set to
1524:Christopher Plummer
1481:Friend of the World
1360:Alfredo B. Crevenna
1106:George Bernard Shaw
1074:Okieriete Onaodowan
1025:ஒரு பொம்மையின் வீடு
996:Brisbane, Australia
868:George Bernard Shaw
851:writes that it was
499:(sometimes spelled
444:Okieriete Onaodowan
317:Notable productions
224:Copenhagen, Denmark
5819:Off-Broadway plays
5591:(a combination of
5525:A Delicate Balance
5509:An Inspector Calls
5222:A Delicate Balance
5206:An Inspector Calls
5060:Henry Arthur Jones
4771:Minerva J. Chapman
4680:(born before 1880)
4565:1973, dir. Garland
4456:Ibsen Museum, Oslo
4430:Ibsen quotes, Oslo
4374:The Master Builder
4108:A Doll's House
3930:Ibsen: a biography
3787:"Theatre Recovers"
3572:The New York Times
3291:The New York Times
2985:Meyer (1967, 478).
2943:Meyer (1967, 476).
2696:on 2 November 2014
2678:on 1 January 2022.
2670:The New York Times
2406:Meyer (1967, 481).
2339:Meyer (1967, 479).
2327:Meyer (1967, 480).
2297:Meyer (1967, 475).
2288:Meyer (1967, 474).
2270:Meyer (1967, 466).
1887:Meyer (1967, 477).
1759:Cherdonna Shinatra
1725:The New York Times
1624:in the title role.
1498:Michael C. Burgess
1098:
829:Henry Arthur Jones
783:would never leave
732:Production history
662:Alternative ending
615:
555:The play opens at
553:
427:Jesmille Darbouze
314:
290:List of characters
5766:
5765:
5760:
5759:
5710:Angels in America
5463:
5462:
5410:Angels in America
5252:The Iceman Cometh
5136:
5135:
5081:(serialized 1878)
4989:Elizabeth Barrett
4975:Isabel Archer in
4902:Annie Sophie Cory
4644:
4643:
4495:
4494:
4299:The Mountain Bird
4206:Twenty One Pilots
4142:Project Gutenberg
4127:Project Gutenberg
3895:978-0-03-091152-1
3660:The Seattle Times
3616:Los Angeles Times
3515:BBC Radio 4 Extra
3096:978-0-495-56926-8
3032:978-1-55783-237-5
2480:William C. Archer
1765:The Seattle Times
1731:Los Angeles Times
1656:Lux Radio Theatre
1622:Margit Carstensen
1586:Hanne Borchsenius
1554:Danish Television
1478:The 2020 US film
1269:
1268:
1261:
1243:
1113:August Strindberg
1058:COVID-19 pandemic
1054:Playhouse Theatre
988:Brisbane Festival
855:"denaturized and
810:Residence Theatre
467:
466:
349:
340:
331:
210:) is a three-act
187:
186:
130:Original language
5841:
5726:A Soldier's Play
5654:The Normal Heart
5600:
5490:
5483:
5476:
5467:
5466:
5445:The Piano Lesson
5426:A Soldier's Play
5386:The Elephant Man
5354:The Normal Heart
5300:Twelve Angry Men
5179:
5172:
5165:
5156:
5155:
5140:
5139:
5036:Gustave Flaubert
4967:Literature about
4926:
4861:Annie Swynnerton
4826:Elizabeth Nourse
4821:Anna Lea Merritt
4786:Elizabeth Coffin
4726:Nina E. Allender
4671:
4664:
4657:
4648:
4647:
4570:1973, dir. Losey
4522:
4515:
4508:
4499:
4498:
4436:The Oxford Ibsen
4262:The Burial Mound
4236:
4229:
4222:
4213:
4212:
4192:Internet Archive
4188:radio adaptation
4152:
4151:
4144:
4129:
4082:
4066:
4029:
4008:Unwin, Stephen.
3978:
3962:
3951:
3924:
3882:
3846:
3845:
3843:
3841:
3808:
3802:
3801:
3799:
3797:
3782:
3776:
3775:
3773:
3771:
3738:
3732:
3731:
3729:
3727:
3694:
3688:
3687:
3685:
3683:
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3643:
3641:
3639:
3606:
3600:
3599:
3597:
3595:
3562:
3556:
3555:
3553:
3551:
3541:"A Doll's House"
3537:
3531:
3530:
3528:
3526:
3506:
3500:
3499:
3497:
3495:
3478:
3472:
3471:
3469:
3467:
3429:
3423:
3422:
3420:
3418:
3399:
3393:
3392:
3390:
3388:
3355:
3349:
3348:
3322:
3316:
3315:
3310:. Archived from
3281:
3275:
3274:
3272:
3270:
3253:
3247:
3246:
3244:
3242:
3226:
3220:
3219:
3185:
3179:
3178:
3160:
3154:
3153:
3151:
3149:
3133:
3127:
3126:
3124:
3122:
3107:
3101:
3100:
3080:
3074:
3073:
3043:
3037:
3036:
3016:
3010:
3009:
3008:. Vintage Books.
3001:
2995:
2992:
2986:
2983:
2977:
2970:
2964:
2950:
2944:
2941:
2935:
2934:
2910:
2900:
2894:
2893:
2863:
2857:
2856:
2854:
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2837:
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2828:
2826:
2811:
2805:
2804:
2802:
2800:
2788:
2782:
2781:
2779:
2777:
2771:
2764:
2756:
2750:
2749:
2746:"A Doll's House"
2742:
2736:
2735:
2733:
2731:
2722:. Archived from
2715:
2706:
2705:
2703:
2701:
2686:
2680:
2679:
2677:
2672:. Archived from
2661:
2655:
2654:
2643:
2637:
2636:
2629:
2623:
2622:
2612:
2606:
2605:
2593:
2585:
2579:
2578:
2576:
2574:
2559:
2553:
2550:
2544:
2543:
2535:
2524:
2518:
2517:
2509:
2501:
2492:
2491:
2471:
2465:
2450:
2444:
2429:
2423:
2413:
2407:
2404:
2393:
2390:
2384:
2383:
2349:
2340:
2337:
2328:
2325:
2316:
2313:
2307:
2304:
2298:
2295:
2289:
2286:
2280:
2277:
2271:
2268:
2262:
2259:
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2226:
2220:
2219:
2189:
2183:
2182:
2180:
2178:
2154:
2148:
2147:
2145:
2143:
2128:
2122:
2121:
2119:
2117:
2094:
2083:
2082:
2052:
2046:
2045:
2034:
2028:
2027:
2025:
2023:
2009:
2003:
2002:
2000:
1998:
1983:
1977:
1976:
1970:
1962:
1937:Four Major Plays
1932:
1923:
1922:
1904:
1894:
1888:
1885:
1801:Balochi language
1794:
1793:
1773:Citizens Theatre
1722:was reviewed by
1633:Juliet Stevenson
1616:was directed by
1614:
1582:Henning Moritzen
1578:Preben Neergaard
1453:of Ibsen's play.
1419:Ralph Richardson
1311:Berthold Viertel
1264:
1257:
1253:
1250:
1244:
1242:
1208:"A Doll's House"
1201:
1177:
1169:
1088:Nora (played by
1050:Jessica Chastain
1040:A production of
1027:
1026:
978:In August 2013,
946:Gillian Anderson
942:Donmar Warehouse
907:Beatrice Cameron
903:Palmer's Theatre
901:premiere at the
857:dephlogisticated
649:
491:venereal disease
368:Jessica Chastain
347:
338:
329:
321:
320:
312:
308:
305:
281:
232:
229:
183:
180:
107:
105:
44:
32:
31:
5849:
5848:
5844:
5843:
5842:
5840:
5839:
5838:
5769:
5768:
5767:
5762:
5761:
5756:
5742:Topdog/Underdog
5614:Awake and Sing!
5590:
5499:
5494:
5464:
5459:
5432:No Award (2021)
5308:Awake and Sing!
5188:
5183:
5148:
5137:
5132:
4968:
4962:
4944:
4940:Olive Schreiner
4921:
4917:Maria Edgeworth
4875:
4866:Candace Wheeler
4746:Enella Benedict
4704:
4700:Women's history
4681:
4675:
4645:
4640:
4603:
4582:
4538:
4526:
4496:
4491:
4418:
4393:
4289:Olaf Liljekrans
4245:
4240:
4149:
4134:
4119:
4113:Standard Ebooks
4102:Wayback Machine
4095:: A Study Guide
4041:
4027:
4018:Nick Hern Books
3996:Nick Hern Books
3985:
3983:Further reading
3975:
3940:
3913:
3871:
3855:
3850:
3849:
3839:
3837:
3809:
3805:
3795:
3793:
3783:
3779:
3769:
3767:
3739:
3735:
3725:
3723:
3695:
3691:
3681:
3679:
3651:
3647:
3637:
3635:
3607:
3603:
3593:
3591:
3563:
3559:
3549:
3547:
3539:
3538:
3534:
3524:
3522:
3508:
3507:
3503:
3493:
3491:
3479:
3475:
3465:
3463:
3439:The Independent
3430:
3426:
3416:
3414:
3400:
3396:
3386:
3384:
3356:
3352:
3337:
3323:
3319:
3282:
3278:
3268:
3266:
3254:
3250:
3240:
3238:
3227:
3223:
3200:
3186:
3182:
3175:
3161:
3157:
3147:
3145:
3135:
3134:
3130:
3120:
3118:
3110:Bennett, Carl.
3108:
3104:
3097:
3081:
3077:
3062:
3054:. p. 150.
3044:
3040:
3033:
3017:
3013:
3002:
2998:
2993:
2989:
2984:
2980:
2971:
2967:
2951:
2947:
2942:
2938:
2923:
2901:
2897:
2882:
2874:. p. 167.
2864:
2860:
2850:
2848:
2838:
2834:
2824:
2822:
2812:
2808:
2798:
2796:
2791:
2789:
2785:
2775:
2773:
2769:
2762:
2758:
2757:
2753:
2744:
2743:
2739:
2729:
2727:
2726:on 2 April 2015
2718:
2716:
2709:
2699:
2697:
2688:
2687:
2683:
2662:
2658:
2653:on 7 June 2013.
2645:
2644:
2640:
2631:
2630:
2626:
2614:
2613:
2609:
2597:The Independent
2586:
2582:
2572:
2570:
2561:
2560:
2556:
2551:
2547:
2525:
2521:
2502:
2495:
2476:A Doll's House
2472:
2468:
2452:Mencken, H. L.
2451:
2447:
2430:
2426:
2414:
2410:
2405:
2396:
2391:
2387:
2372:
2350:
2343:
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2296:
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2256:
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2227:
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2208:
2190:
2186:
2176:
2174:
2155:
2151:
2141:
2139:
2130:
2129:
2125:
2115:
2113:
2095:
2086:
2071:
2053:
2049:
2044:. 15 July 1991.
2036:
2035:
2031:
2021:
2019:
2011:
2010:
2006:
1996:
1994:
1985:
1984:
1980:
1964:
1963:
1951:
1933:
1926:
1895:
1891:
1886:
1882:
1877:
1847:
1825:
1779:have performed
1707:
1678:Dorothy McGuire
1650:
1608:
1516:George Schaefer
1512:1959 adaptation
1507:
1494:Alexandra Slade
1425:Dariush Mehrjui
1415:Anthony Hopkins
1407:Patrick Garland
1356:Casa de muñecas
1331:Casa de muñecas
1323:Mikhail Chekhov
1274:
1265:
1254:
1248:
1245:
1202:
1200:
1190:
1178:
1167:
1118:Getting Married
1082:
973:Lower Manhattan
958:Tara FitzGerald
919:Thornton Wilder
895:Helena Modjeska
872:Novelty Theatre
749:Peter Jerndorff
734:
721:
704:
678:
673:
664:
651:
639:
607:
574:
545:
540:
462:Tasha Lawrence
414:Kristine Linde
398:Michael Granger
374:Torvald Helmer
346:
344:
337:
335:
328:
310:
306:
292:
279:
230:
181:
165:
112:Place premiered
103:
101:
92:
47:
28:
17:
12:
11:
5:
5847:
5837:
5836:
5831:
5826:
5821:
5816:
5814:Broadway plays
5811:
5809:West End plays
5806:
5801:
5796:
5791:
5786:
5781:
5764:
5763:
5758:
5757:
5755:
5754:
5746:
5738:
5730:
5722:
5714:
5706:
5698:
5690:
5682:
5674:
5666:
5658:
5650:
5642:
5634:
5626:
5618:
5610:
5602:
5585:
5577:
5569:
5561:
5557:The Real Thing
5553:
5545:
5537:
5533:A Doll's House
5529:
5521:
5513:
5504:
5501:
5500:
5493:
5492:
5485:
5478:
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5458:
5457:
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5441:
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5430:
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5390:
5382:
5374:
5366:
5358:
5350:
5336:
5328:
5320:
5312:
5304:
5296:
5288:
5280:
5272:
5264:
5260:The Real Thing
5256:
5242:
5234:
5230:A Doll's House
5226:
5218:
5210:
5202:
5193:
5190:
5189:
5182:
5181:
5174:
5167:
5159:
5153:
5150:
5149:
5146:A Doll's House
5134:
5133:
5131:
5130:
5118:
5106:
5094:
5082:
5067:
5057:
5053:A Doll's House
5045:
5033:
5022:
5013:Victoria Cross
5010:
4998:
4986:
4972:
4970:
4964:
4963:
4961:
4960:
4954:
4952:
4946:
4945:
4943:
4942:
4937:
4932:
4927:
4923:George Egerton
4919:
4914:
4909:
4904:
4899:
4894:
4889:
4883:
4881:
4877:
4876:
4874:
4873:
4868:
4863:
4858:
4853:
4848:
4843:
4838:
4833:
4828:
4823:
4818:
4813:
4811:Ellen Day Hale
4808:
4803:
4798:
4793:
4788:
4783:
4778:
4773:
4768:
4763:
4758:
4753:
4748:
4743:
4738:
4736:Cornelia Barns
4733:
4728:
4723:
4721:Elenore Abbott
4718:
4712:
4710:
4706:
4705:
4703:
4702:
4697:
4692:
4686:
4683:
4682:
4674:
4673:
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4544:
4540:
4539:
4534:A Doll's House
4525:
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4517:
4510:
4502:
4493:
4492:
4490:
4489:
4481:
4476:
4471:
4466:
4464:Sculpture Park
4458:
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4424:
4420:
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4339:A Doll's House
4336:
4331:
4326:
4321:
4316:
4311:
4309:The Pretenders
4306:
4301:
4296:
4291:
4286:
4281:
4276:
4274:St. John's Eve
4271:
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4259:
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4177:A Doll's House
4162:
4155:A Doll's House
4146:
4137:A Doll's House
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4122:A Doll's House
4117:
4115:
4104:
4093:A Doll’s House
4089:
4086:A Doll's House
4083:
4067:
4051:
4040:
4039:External links
4037:
4036:
4035:
4025:A Doll's House
4021:
4020:, London, 1997
4012:A Doll's House
4006:
4001:Merriam, Eve.
3999:
3998:, London, 1994
3991:A Doll's House
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3645:
3601:
3557:
3545:Ingmar Bergman
3532:
3501:
3473:
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3335:
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3276:
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3235:Science Norway
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2493:
2466:
2445:
2441:978-1362548942
2424:
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2281:
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2184:
2162:"Blaming Nora"
2160:(2 May 2009).
2149:
2123:
2099:"Blaming Nora"
2084:
2069:
2063:. p. 54.
2047:
2029:
2004:
1978:
1949:
1924:
1889:
1879:
1878:
1876:
1873:
1872:
1871:
1846:
1843:
1842:
1841:
1834:A Doll's House
1824:
1821:
1820:
1819:
1812:Amitesh Grover
1808:
1797:Kashif Hussain
1788:
1769:
1755:
1743:
1740:A Doll's House
1712:Ingmar Bergman
1706:
1703:
1702:
1701:
1681:
1668:
1665:Basil Rathbone
1649:
1646:
1645:
1644:
1625:
1597:
1568:, directed by
1564:, reworked by
1558:A Doll's House
1550:
1543:A Doll's House
1539:
1532:Eileen Heckart
1506:
1503:
1502:
1501:
1484:, directed by
1476:
1469:
1466:Hattie Morahan
1454:
1435:A Doll's House
1422:
1405:, directed by
1402:A Doll's House
1383:, directed by
1380:A Doll's House
1375:
1358:, directed by
1352:
1347:, directed by
1339:
1326:
1309:, directed by
1301:
1293:A Doll's House
1277:A Doll's House
1273:
1270:
1267:
1266:
1181:
1179:
1172:
1166:
1163:
1133:women's rights
1101:A Doll's House
1094:Christmas tree
1092:) dresses the
1081:
1078:
1062:Hudson Theatre
1042:A Doll's House
1035:colonial India
1020:A Doll's House
1008:A Doll's House
1000:A Doll's House
984:A Doll's House
853:A Doll's House
745:Betty Hennings
737:A Doll's House
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497:Kristine Linde
494:
480:
477:Torvald Helmer
474:
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454:Helen Stenborg
451:
447:
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432:Nils Krogstad
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300:cigarette card
291:
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284:Egil Törnqvist
276:A Doll's House
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97:Date premiered
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71:Torvald Helmer
69:
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45:
37:
36:
35:A Doll's House
15:
9:
6:
4:
3:
2:
5846:
5835:
5834:Tragedy plays
5832:
5830:
5827:
5825:
5822:
5820:
5817:
5815:
5812:
5810:
5807:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5776:
5774:
5752:
5751:
5747:
5744:
5743:
5739:
5736:
5735:
5731:
5728:
5727:
5723:
5720:
5719:
5715:
5712:
5711:
5707:
5704:
5703:
5699:
5696:
5695:
5691:
5688:
5687:
5683:
5680:
5679:
5675:
5672:
5671:
5667:
5664:
5663:
5659:
5656:
5655:
5651:
5648:
5647:
5643:
5640:
5639:
5635:
5632:
5631:
5630:Boeing-Boeing
5627:
5624:
5623:
5622:Journey's End
5619:
5616:
5615:
5611:
5608:
5607:
5603:
5598:
5594:
5589:
5586:
5583:
5582:
5578:
5575:
5574:
5573:Private Lives
5570:
5567:
5566:
5562:
5559:
5558:
5554:
5551:
5550:
5546:
5543:
5542:
5538:
5535:
5534:
5530:
5527:
5526:
5522:
5519:
5518:
5514:
5511:
5510:
5506:
5505:
5502:
5498:
5491:
5486:
5484:
5479:
5477:
5472:
5471:
5468:
5455:
5454:
5450:
5447:
5446:
5442:
5439:
5438:
5434:
5431:
5428:
5427:
5423:
5420:
5419:
5415:
5412:
5411:
5407:
5404:
5403:
5399:
5396:
5395:
5391:
5388:
5387:
5383:
5380:
5379:
5378:Twelfth Night
5375:
5372:
5371:
5367:
5364:
5363:
5359:
5356:
5355:
5351:
5348:
5347:
5342:
5341:
5337:
5334:
5333:
5329:
5326:
5325:
5324:Boeing-Boeing
5321:
5318:
5317:
5316:Journey's End
5313:
5310:
5309:
5305:
5302:
5301:
5297:
5294:
5293:
5289:
5286:
5285:
5281:
5278:
5277:
5276:Private Lives
5273:
5270:
5269:
5265:
5262:
5261:
5257:
5254:
5253:
5248:
5247:
5243:
5240:
5239:
5235:
5232:
5231:
5227:
5224:
5223:
5219:
5216:
5215:
5211:
5208:
5207:
5203:
5200:
5199:
5198:Anna Christie
5195:
5194:
5191:
5187:
5180:
5175:
5173:
5168:
5166:
5161:
5160:
5157:
5151:
5147:
5141:
5128:
5127:
5122:
5119:
5116:
5115:
5110:
5107:
5104:
5103:
5098:
5095:
5092:
5091:
5086:
5083:
5080:
5079:
5075:
5071:
5068:
5065:
5061:
5058:
5055:
5054:
5049:
5046:
5043:
5042:
5041:Madame Bovary
5037:
5034:
5032:
5031:
5026:
5023:
5020:
5019:
5014:
5011:
5008:
5007:
5006:The Awakening
5002:
4999:
4996:
4995:
4990:
4987:
4984:
4983:
4978:
4974:
4973:
4971:
4969:the New Woman
4965:
4959:
4956:
4955:
4953:
4951:
4947:
4941:
4938:
4936:
4933:
4931:
4928:
4924:
4920:
4918:
4915:
4913:
4910:
4908:
4905:
4903:
4900:
4898:
4895:
4893:
4890:
4888:
4885:
4884:
4882:
4878:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4846:Emily Sartain
4844:
4842:
4839:
4837:
4834:
4832:
4831:Violet Oakley
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4787:
4784:
4782:
4779:
4777:
4776:Émilie Charmy
4774:
4772:
4769:
4767:
4764:
4762:
4759:
4757:
4754:
4752:
4749:
4747:
4744:
4742:
4741:Cecilia Beaux
4739:
4737:
4734:
4732:
4729:
4727:
4724:
4722:
4719:
4717:
4716:Louise Abbéma
4714:
4713:
4711:
4707:
4701:
4698:
4696:
4693:
4691:
4688:
4687:
4684:
4679:
4672:
4667:
4665:
4660:
4658:
4653:
4652:
4649:
4637:
4634:
4632:
4631:
4627:
4625:
4624:
4623:A Doll's Life
4620:
4618:
4617:
4613:
4612:
4610:
4606:
4600:
4597:
4595:
4592:
4591:
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4566:
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4523:
4518:
4516:
4511:
4509:
4504:
4503:
4500:
4488:
4486:
4482:
4480:
4477:
4475:
4472:
4470:
4467:
4465:
4463:
4459:
4457:
4454:
4450:
4449:
4448:Ibsen Studies
4445:
4444:
4443:
4440:
4438:
4437:
4433:
4431:
4428:
4427:
4425:
4421:
4414:
4410:
4408:
4407:
4403:
4402:
4400:
4396:
4390:
4387:
4385:
4382:
4380:
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4354:The Wild Duck
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4330:
4327:
4325:
4322:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4304:Love's Comedy
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4269:
4265:
4263:
4260:
4258:
4255:
4254:
4252:
4248:
4244:
4237:
4232:
4230:
4225:
4223:
4218:
4217:
4214:
4207:
4203:
4200:performed by
4199:
4195:
4193:
4189:
4187:
4182:
4179:
4178:
4175:a chapter on
4172:
4168:
4167:
4163:
4161:
4157:
4156:
4147:
4143:
4139:
4138:
4133:
4131:
4128:
4124:
4123:
4118:
4116:
4114:
4110:
4109:
4105:
4103:
4099:
4096:
4094:
4090:
4087:
4084:
4081:
4077:
4073:
4072:
4068:
4065:
4061:
4057:
4056:
4052:
4050:
4046:
4043:
4042:
4033:
4026:
4022:
4019:
4015:
4013:
4007:
4004:
4000:
3997:
3993:
3992:
3987:
3986:
3976:
3970:
3966:
3961:
3960:
3953:
3949:
3945:
3941:
3939:9780140217728
3935:
3931:
3926:
3922:
3918:
3914:
3908:
3904:
3899:
3896:
3892:
3888:
3884:
3880:
3876:
3872:
3870:9780205410507
3866:
3862:
3857:
3856:
3836:
3832:
3828:
3824:
3820:
3819:
3814:
3807:
3792:
3791:The Statesman
3788:
3781:
3766:
3762:
3758:
3754:
3750:
3749:
3744:
3737:
3722:
3718:
3714:
3710:
3706:
3705:
3700:
3693:
3678:
3674:
3670:
3666:
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3656:
3649:
3634:
3630:
3626:
3622:
3618:
3617:
3612:
3605:
3590:
3586:
3582:
3578:
3574:
3573:
3568:
3561:
3546:
3542:
3536:
3521:
3517:
3516:
3511:
3505:
3490:
3489:
3484:
3477:
3461:
3457:
3453:
3449:
3445:
3441:
3440:
3435:
3428:
3413:
3409:
3405:
3398:
3383:
3379:
3375:
3371:
3367:
3366:
3361:
3354:
3346:
3342:
3338:
3336:9781461670827
3332:
3328:
3321:
3313:
3309:
3305:
3301:
3297:
3293:
3292:
3287:
3280:
3265:
3264:
3259:
3252:
3236:
3232:
3225:
3217:
3213:
3209:
3205:
3201:
3199:9780847720118
3195:
3191:
3184:
3176:
3174:9781137438997
3170:
3166:
3159:
3144:
3143:
3138:
3132:
3117:
3113:
3106:
3098:
3092:
3088:
3087:
3079:
3071:
3067:
3063:
3061:9780521478663
3057:
3053:
3049:
3042:
3034:
3028:
3024:
3023:
3015:
3007:
3000:
2991:
2982:
2975:
2969:
2963:
2962:0-575-00629-3
2959:
2955:
2949:
2940:
2932:
2928:
2924:
2922:9780415124737
2918:
2914:
2909:
2908:
2899:
2891:
2887:
2883:
2881:9780521423212
2877:
2873:
2869:
2862:
2847:
2843:
2836:
2821:
2817:
2810:
2794:
2787:
2768:
2761:
2755:
2747:
2741:
2725:
2721:
2714:
2712:
2695:
2691:
2685:
2676:
2671:
2667:
2660:
2652:
2648:
2642:
2634:
2628:
2620:
2619:
2611:
2603:
2599:
2598:
2592:
2584:
2568:
2564:
2558:
2549:
2541:
2540:
2534:
2529:
2528:Gilman, D. C.
2523:
2515:
2514:
2508:
2500:
2498:
2489:
2485:
2481:
2477:
2470:
2463:
2462:9780810883703
2459:
2455:
2449:
2442:
2438:
2434:
2428:
2421:
2417:
2412:
2403:
2401:
2399:
2389:
2381:
2377:
2373:
2371:9780313313462
2367:
2363:
2359:
2355:
2348:
2346:
2336:
2334:
2324:
2322:
2312:
2303:
2294:
2285:
2276:
2267:
2258:
2250:
2246:
2242:
2240:9781428288157
2236:
2232:
2225:
2217:
2213:
2209:
2207:9780521478663
2203:
2200:. p. 2.
2199:
2195:
2188:
2173:
2169:
2168:
2163:
2159:
2153:
2138:. 30 May 2005
2137:
2133:
2127:
2112:
2108:
2104:
2100:
2093:
2091:
2089:
2080:
2076:
2072:
2070:9780521478663
2066:
2062:
2058:
2051:
2043:
2039:
2033:
2018:
2014:
2008:
1993:. 22 May 2006
1992:
1991:Pravda Report
1988:
1982:
1974:
1968:
1960:
1956:
1952:
1946:
1942:
1938:
1931:
1929:
1920:
1916:
1912:
1908:
1903:
1902:
1893:
1884:
1880:
1869:
1865:
1861:
1860:Jeffrey Cirio
1857:
1853:
1849:
1848:
1839:
1835:
1831:
1827:
1826:
1817:
1813:
1809:
1806:
1802:
1798:
1789:
1786:
1782:
1778:
1774:
1770:
1767:
1766:
1760:
1756:
1753:
1752:
1747:
1744:
1741:
1737:
1734:stated that "
1733:
1732:
1727:
1726:
1721:
1720:New York City
1717:
1713:
1709:
1708:
1699:
1698:Toby Stephens
1695:
1690:
1686:
1682:
1679:
1675:
1674:
1669:
1666:
1662:
1661:Joan Crawford
1658:
1657:
1652:
1651:
1642:
1638:
1634:
1630:
1629:David Thacker
1626:
1623:
1619:
1615:
1612:
1607:
1602:
1598:
1595:
1591:
1587:
1583:
1579:
1575:
1572:and starring
1571:
1567:
1563:
1559:
1555:
1551:
1548:
1544:
1540:
1537:
1536:Jason Robards
1533:
1529:
1525:
1521:
1517:
1513:
1509:
1508:
1499:
1495:
1491:
1488:and starring
1487:
1483:
1482:
1477:
1474:
1470:
1467:
1463:
1459:
1456:In 2012, the
1455:
1452:
1448:
1444:
1440:
1436:
1432:
1431:
1427:'s 1992 film
1426:
1423:
1420:
1416:
1412:
1409:and starring
1408:
1404:
1403:
1398:
1397:Trevor Howard
1394:
1390:
1387:and starring
1386:
1382:
1381:
1376:
1373:
1372:Christmas Eve
1369:
1365:
1362:and starring
1361:
1357:
1353:
1350:
1346:
1345:
1340:
1337:
1333:
1332:
1327:
1324:
1320:
1319:Anton Chekhov
1316:
1315:Olga Chekhova
1312:
1308:
1307:
1302:
1299:
1298:Alla Nazimova
1295:
1294:
1289:
1286:
1282:
1281:
1280:
1278:
1263:
1260:
1252:
1249:December 2020
1241:
1238:
1234:
1231:
1227:
1224:
1220:
1217:
1213:
1210: –
1209:
1205:
1204:Find sources:
1198:
1194:
1188:
1187:
1182:This section
1180:
1176:
1171:
1170:
1162:
1160:
1159:James Huneker
1156:
1151:
1149:
1148:
1143:
1138:
1134:
1130:
1129:Michael Meyer
1126:
1122:
1120:
1119:
1114:
1109:
1107:
1102:
1095:
1091:
1086:
1077:
1075:
1071:
1067:
1063:
1059:
1055:
1051:
1047:
1043:
1038:
1036:
1031:
1021:
1017:
1013:
1009:
1005:
1001:
997:
993:
989:
985:
981:
976:
974:
970:
965:
963:
959:
955:
951:
950:Toby Stephens
947:
943:
939:
938:Zinnie Harris
934:
932:
928:
924:
921:and starring
920:
916:
912:
908:
904:
900:
896:
892:
888:
883:
881:
877:
876:Janet Achurch
873:
869:
865:
860:
858:
854:
850:
849:H. L. Mencken
846:
842:
838:
834:
830:
826:
822:
821:Great Britain
817:
815:
811:
807:
803:
799:
795:
791:
786:
782:
778:
773:
771:
767:
763:
758:
755:, the critic
754:
750:
746:
742:
738:
729:
726:
723:Ibsen sent a
716:
714:
710:
699:
696:
693:
688:
686:
682:
668:
659:
655:
650:
647:
643:
636:
631:
627:
623:
619:
611:
602:
598:
595:
593:
588:
582:
578:
569:
565:
561:
558:
549:
532:
529:
526:
523:
520:
517:
514:
511:
508:
507:Nils Krogstad
505:
502:
498:
495:
492:
488:
487:Michael Meyer
484:
481:
478:
475:
472:
469:
468:
463:
455:
449:
448:
445:
437:
436:Barton Heyman
431:
430:
424:
419:
418:Barbara Colby
413:
412:
409:
404:
403:John Carlisle
399:
393:
392:
389:
384:
379:
378:Sam Waterston
373:
372:
369:
364:
359:
353:
352:
342:
333:
326:
322:
319:
318:
301:
296:
287:
285:
277:
273:
269:
265:
260:
258:
254:
250:
246:
241:
239:
234:
225:
221:
217:
213:
209:
205:
201:
197:
193:
192:
176:
172:
169:
164:
161:
157:
154:
150:
146:
142:
139:
135:
132:
128:
125:
121:
117:
114:
110:
99:
95:
88:
85:
82:
79:
76:
73:
70:
67:
66:
64:
60:
57:
54:
50:
43:
38:
33:
30:
26:
22:
5748:
5740:
5732:
5724:
5716:
5708:
5700:
5692:
5684:
5676:
5668:
5660:
5652:
5644:
5636:
5628:
5620:
5612:
5604:
5587:
5579:
5571:
5563:
5555:
5547:
5539:
5532:
5531:
5523:
5515:
5507:
5451:
5443:
5435:
5424:
5416:
5408:
5400:
5392:
5384:
5376:
5368:
5360:
5352:
5344:
5338:
5330:
5322:
5314:
5306:
5298:
5290:
5282:
5274:
5268:The Best Man
5266:
5258:
5250:
5244:
5236:
5229:
5228:
5220:
5212:
5204:
5196:
5145:
5126:Ann Veronica
5124:
5112:
5100:
5088:
5078:Daisy Miller
5076:
5063:
5052:
5051:
5048:Henrik Ibsen
5039:
5028:
5018:Anna Lombard
5016:
5004:
4994:Aurora Leigh
4992:
4980:
4871:Anne Whitney
4836:Rose O'Neill
4816:Laura Knight
4766:Mary Cassatt
4751:Rosa Bonheur
4628:
4621:
4614:
4575:
4533:
4532:
4529:Henrik Ibsen
4484:
4461:
4446:
4434:
4404:
4379:Little Eyolf
4369:Hedda Gabler
4338:
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1620:and starred
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1576:as Nora and
1566:Leif Panduro
1562:Et dukkehjem
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884:
864:Eleanor Marx
861:
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752:
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470:
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458:Robin Howard
388:Arian Moayed
363:Janet McTeer
354:Nora Helmer
316:
315:
275:
268:A Doll House
267:
263:
261:
252:
244:
242:
235:
216:Henrik Ibsen
208:A Doll House
207:
204:Et dukkehjem
190:
189:
188:
163:problem play
156:Naturalistic
56:Henrik Ibsen
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5750:Appropriate
5734:Take Me Out
5517:The Heiress
5453:Appropriate
5214:The Heiress
5144:Awards for
5121:H. G. Wells
5070:Henry James
5001:Kate Chopin
4977:Henry James
4930:Sarah Grand
4907:Ella D'Arcy
4897:Kate Chopin
4560:1922 silent
4555:1918 silent
4550:1917 silent
4487:(2006 play)
4413:Terje Vigen
4359:Rosmersholm
4173:, contains
3932:. Penguin.
3494:10 November
3488:Film Threat
3408:CinemaBlend
2618:The Forward
2464:. page 185.
2443:. Page 208.
2158:A. S. Byatt
1746:Lucas Hnath
1685:BBC Radio 3
1667:as Torvald.
1609: [
1606:Nora Helmer
1601:West German
1590:Ove Sprogøe
1574:Ghita Nørby
1528:Hume Cronyn
1447:Niki Karimi
1364:Marga López
1334:, starring
1296:, starring
1165:Adaptations
1155:Iconoclasts
1018:version of
1002:written by
994:located in
944:, starring
923:Ruth Gordon
889:in 1883 in
874:, starring
766:Christiania
719:Publication
709:protagonist
702:Composition
471:Nora Helmer
450:Anne Marie
440:Peter Gowen
423:Jan Maxwell
311: 1882
307: 1880
231: 1879
182: 1879
5779:1879 plays
5773:Categories
4892:Mona Caird
4587:Television
4479:Ibsen Year
3974:0199295875
3963:. Oxford:
3912:0415152291
3770:10 January
3466:12 January
3417:12 January
3412:Future plc
3387:12 January
3241:10 October
3116:Silent Era
2851:16 January
2825:16 January
2700:2 November
2633:"Homepage"
2600:. London.
1950:0192833871
1909:. p.
1905:. Ithaca:
1787:in London.
1738:shores up
1637:Trevor Eve
1505:Television
1490:Nick Young
1389:Jane Fonda
1219:newspapers
1004:Lally Katz
531:The Porter
519:Anne Marie
383:Owen Teale
358:Liv Ullman
324:Character
309: – c.
274:says that
272:John Simon
120:Copenhagen
104:1879-12-21
86:Anne-Marie
77:Mrs. Linde
62:Characters
52:Written by
5729:(2020/21)
4950:Educators
4462:Peer Gynt
4319:Peer Gynt
3948:223316018
3921:896687433
3879:228061773
3827:1756-3224
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2931:528524661
2890:869601716
2765:. Lyric.
2249:610205542
2216:635006762
2111:0261-3077
2079:635006762
1967:cite book
1875:Citations
1838:Minnesota
1785:Young Vic
1705:Restaging
1683:In 2012,
1627:In 1992,
1552:In 1974,
1458:Young Vic
1449:, is the
1283:The 1922
1048:starring
1014:staged a
980:Young Vic
882:in 1889.
880:Australia
790:Flensburg
757:Erik Bøgh
725:fair copy
640:Nora, in
605:Act Three
557:Christmas
501:Christine
394:Dr. Rank
343:Broadway
334:Broadway
327:Broadway
238:in Norway
160:realistic
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5686:Skylight
5588:Henry IV
5292:Henry IV
5085:Amy Levy
4935:Amy Levy
4257:Catiline
4160:LibriVox
4098:Archived
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3835:60623878
3796:22 April
3726:31 March
3460:Archived
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2846:Deadline
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2767:Archived
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1700:as Tom.
1599:A 1974
1560:titled
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798:Dresden
794:Hamburg
713:tragedy
572:Act Two
543:Act One
348:(2023)
339:(1997)
330:(1975)
255:on the
174:Setting
168:tragedy
166:Modern
144:Subject
124:Denmark
102: (
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5745:(2023)
5737:(2022)
5721:(2019)
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5702:Jitney
5697:(2016)
5689:(2015)
5681:(2014)
5673:(2013)
5665:(2012)
5657:(2011)
5649:(2010)
5646:Fences
5641:(2009)
5633:(2008)
5625:(2007)
5617:(2006)
5609:(2005)
5601:(2004)
5597:Part 2
5593:Part 1
5584:(2003)
5576:(2002)
5568:(2001)
5560:(2000)
5552:(1999)
5544:(1998)
5536:(1997)
5528:(1996)
5520:(1995)
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