256:, and began experimenting with new styles and innovative techniques. During her time at Atelier 17, she pioneered new methods of three-dimensional printmaking and assemblage. She also began to embrace chance, spontaneity, and mistakes in her work and relying on improvisation or automatism, a method consistent with the work of other artists at Atelier 17 and perhaps influenced by Citron's interest in Freudian psychoanalysis and the unconscious, which she had become familiar with in the 1920s. Her work began to address war issues as her sons were serving overseas. Soon after
279:. In the 1970s (when she was in her seventies), she strongly identified with the women's movement and considered herself a feminist at heart, although she was never directly involved with organized feminist movements or protests. During the 1970s and 1980s, Citron continued to produce prints, alternating between abstract and representational styles. She continued to work well into her nineties. In 1985, she received the
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In 1935, Citron had her first major critically acclaimed solo show titled "Feminanities," at the
Midtown Gallery in New York City. The work in this show addressed issues of gender and sexism in a satirical light; in these pieces, Citron not only criticized men for the subordination of women, but also
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At age 20, Minna Wright married Henry Citron, a businessman. Together they moved to
Brooklyn, where they had two sons, Casper and Thomas, before their divorce in 1934. She had a longtime relationship with lawyer and philanthropist Arthur B. Brenner; their shared interest in
167:. In 1934, she divorced her husband and moved with her two children to Union Square, New York where she became involved in the Fourteenth Street School. There, she became acquainted with other artists of the movement, including
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A traveling exhibition of her work, titled "Minna Citron: The
Uncharted Course From Realism to Abstraction," was organized by the Juniata College Museum of Art in Huntingdon, PA and the artist's granddaughter. It appeared at
179:. During this period, Citron often drew her subject matter from her urban surroundings, depicting the people and places of Union Station in an urban realist style. Her work was also influenced by that of artist
107:(October 15, 1896 – December 21, 1991) was an American painter and printmaker. Her early prints focus on the role of women, sometimes in a satirical manner, in a style known as urban realism.
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in
February 2015. Citron's work is also included in a traveling exhibition "Prints by Women: Selected European and American Works from the Georgia Museum of Art," organized by the
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where she was respected as a teacher who introduced her students to all the possible means of expression from realism to the current avant-garde abstract expressionists.
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Calendar, "Minna Citron: The Uncharted Course From Realism To Abstraction," May 7-August 25, 2013.
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Georgia Museum of Art, "Georgia Museum of Art to
Exhibit Works by Minna Citron," press release (October 11, 2012).
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540:. Manhattan, Kansas: Marianna Kistler Beach Museum of Art, Kansas State University. pp. 110–111.
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Minna Citron died on 21 December 1991, age 95, at Beth Israel
Hospital, Manhattan. Her papers are at
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Streb, Jennifer L. (2012). "Minna Citron's "Feminanities": Her
Commentary on the Culture of Vanity".
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In the early 1940s, Citron's work shifted towards a more abstract style. She joined
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held women accountable for their own complicity in a sexist society. Pieces such as
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As a young mother, she attended the Brooklyn Institute of Arts and Science, the
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National Women's Caucus for Art Conference, Los Angeles, February 12-16, 1985.
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National Women's Caucus for Art Conference, Los Angeles, February 12-16, 1985.
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Paths to the Press: Printmaking and American Women Artists, 1910-1960.
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Paths to the Press: Printmaking and American Women Artists, 1910-1960
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Paths to the Press: Printmaking and American Women Artists, 1910-1960
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was the first time an American artist had mounted such a show in
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American Women Artists: From Early Indian Times to Present
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Minna Citron works in the Smithsonian American Art Museum
429:. New York and London: Garland Publishing Inc. pp.
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North American Women Artists of the Twentieth Century
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Heresies: A Feminist Publication on Art and Politics
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Syracuse University Libraries, Minna Citron Papers.
202:In the late 1930s, Citron became involved with the
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163:. She had her first solo exhibit in 1930 at the
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307:. 116 of her prints can be found in the
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264:. In the 1950s, she taught art at the
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906:Women's Interart Center
823:Venues or organizations
271:A 1960 solo exhibit in
260:she traveled abroad to
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329:University of Richmond
979:!Women Art Revolution
780:Feminist art movement
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321:Georgia Museum of Art
305:Georgia Museum of Art
215:Manchester, Tennessee
377:(24 December 1991).
313:Ulrich Museum of Art
161:Kenneth Hayes Miller
129:Kenneth Hayes Miller
1111:Helen Frankenthaler
855:Lesbian Art Project
519:Woman's Art Journal
333:Syracuse University
301:Syracuse University
207:Federal Art Project
105:Minna Wright Citron
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936:Three Weeks in May
617:2013-10-12 at the
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386:The New York Times
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66:(1991-12-21)
42:Minna Wright
23:Minna Citron
1247:1991 deaths
1242:1896 births
1186:Alma Thomas
1141:Lee Krasner
1131:Lila Katzen
1106:Suzi Ferrer
1055:Where We At
1008:(1972–1977)
1000:(1977–1992)
947:(1974–1978)
191:(1933) and
77:Nationality
1236:Categories
1191:June Wayne
928:Womanhouse
794:Precursors
709:30 January
598:2022-03-09
354:References
309:collection
277:Yugoslavia
242:Atelier 17
149:John Sloan
125:John Sloan
48:1896-10-15
1126:Eva Hesse
593:0362-4331
219:TVA Power
95:Spouse(s)
1161:Yoko Ono
1015:" (1971)
615:Archived
564:Archived
89:Painting
80:American
1030:subRosa
393:1 April
311:of the
221:in the
213:in the
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963:(2007)
955:(1979)
939:(1977)
931:(1972)
815:(1892)
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273:Zagreb
252:, and
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159:, and
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262:Paris
711:2022
589:ISSN
542:ISBN
435:ISBN
395:2022
143:and
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38:Born
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550:.
443:.
397:.
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