133:, and invited artists from Germany, the US, the UK, the Netherlands, Australia, and Denmark. The festival was held at the Exhibition Hall at Hong Kong City Hall. It included screenings of 4 video artworks ('Signal-techno', 'Culture interface', 'Loco-motion', 'Superman and Wonderwoman'), a 'Being Digital' CD-Rom Exhibition, a conference, seminar, and workshop. This edition of the festival explored the possibilities of the CD-ROM as a medium for storage and distribution and elucidated strategies employed by artists to re-think the "interface" as an intimate space between screens and their users.
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in 1996. As new technologies became more accessible and were used in new forms of art production, the festival expanded to include a wider range of new media art. It was the first art festival in Hong Kong dedicated to the development and presentation of new media art, and has since steadily grown
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In 2006, it became independent from
Videotage and in 2007 it officially became fully independent as the government's previous "presenter" role was handed over to Microwave. The government remains the main sponsor of the Festival, although many more sponsors are sought for each year's Festival.
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The annual festival generally includes a main exhibition at the Hong Kong City Hall, a smaller scale and usually more alternative exhibition in a separate venue, a keynote conference, performances, screening programmes and other special events organised each year.
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into a well-established festival that combine exhibitions of new media art with keynote conferences, video screenings and other programmes to nurture emerging media artists and develop the media arts community in Hong Kong.
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In its first extended event outside of the annual
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Microwave's festival design, by local design partner
Milkxhake, also consistently wins design awards almost every year since their partnership commenced.
473:"transient creatures ::: microwave international new media arts festival ::: --------------------------------------------------------------"
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and aimed for more mass appeal. Two large-scale interactive LED artworks were placed by the
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Microwave
International New Media Arts Festival began as an annual
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along with the participation of local graffiti artist
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233:Microwave International New Media Arts Festival
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96:waterfront, right across the harbour from the
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77:and MC Yan tagging from Central ferry, with
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107:History and connection with Videotage
539:Recurring events established in 1996
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90:Hong Kong Arts Development Council
58:that "hacked the city" with their
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386:GRL + MC YAN = H$ NG K$ NG
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31:art festival based in
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533:Categories
518:2024-07-03
482:2024-07-03
458:2024-07-02
434:2024-07-03
361:References
252:Half Half
228:References
25:微波國際新媒體藝術節
131:Ellen Pau
120:Videotage
113:video art
79:Evan Roth
41:Videotage
37:video art
33:Hong Kong
29:new media
389:Archived
351:Terra 0
307:Cyberia
192:Teddy Lo
285:E.A.T.
144:(天下太屏)
27:) is a
21:Chinese
288:煙‧起‧天
244:人.鬼.獸
224:(形光譜)
166:(異生界)
155:(自然反)
68:across
64:MC Yan
23::
498:, UK.
348:2013
337:2014
332:上善若水
326:2015
321:行雲若水
315:2016
310:電元種生
304:2017
299:萬有之間
293:2018
282:2019
271:2020
260:2021
249:2022
238:2023
354:天零零
343:好望閣
277:後實錄
266:今未來
255:半半
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