Knowledge

Michel Eugène Chevreul

Source 📝

496: 332: 31: 213: 391: 990: 410:
in Paris, in response to complaints about technical inadequacies. He found that some dyes were indeed deficient, but that the oft-criticized black dye was first-rate. Yet fabrics dyed with this black were perceived as weak and reddish when surrounded by deep blues and/or purples. Chevreul called this
418:
He explored the ramifications of the concept at book-length in 1839, intending to form a comprehensive theory for all the visual arts. It offered design principles for tapestries, carpets, furniture, mosaics, churches, museums, apartments, formal gardens, theaters, maps, typography, framing, stained
460:
took the advice to heart, making lavish use of complementaries to intensify one another. Van Gogh wrote, "this reciprocal heightening is what's called the law of simultaneous contrast…If the complementary colors are taken at equal value, that is to say, at the same degree of brightness and light,
382:
in 1833, and his 1854 paper "De la baguette", Chevreul explains how human muscular reactions, totally involuntary and subconscious, are responsible for seemingly magical movements. In the end, Chevreul discovered that once a person holding divining rods/magic pendulum became aware of the brain's
322:
Chevreul began to study the effects of aging on the human body shortly before his death at the age of 102, which occurred in Paris on 9 April 1889. He was honoured with a public funeral. In 1901, a statue was erected to his memory in the museum with which he was connected for so many years.
443:
reported that he had interviewed Seurat, who had described the style as a search for "the modern synthesis with scientifically based means which will be founded on the theory of colors discovered by M. Chevreul and in accordance with the experiments of
143:(31 August 1786 – 9 April 1889) was a French chemist whose work contributed to significant developments in science, medicine, and art. Chevreul's early work with animal fats revolutionized soap and candle manufacturing and led to his isolation of the 306:
at the National Museum of Natural History in 1830, and thirty-three years later assumed its directorship also; this he relinquished in 1879, though he still retained his professorship. A bronze medal was minted for the occasion of Chevreul's
455:
Chevreul stressed the importance of accurate portrayal of lighting in promoting realism, but added, "It is almost always so that accurate, yet exaggerated coloring is found more pleasing than absolute fidelity to the scene."
224:, France, where his father was a physician. Chevreul's birth certificate, kept in the registry book of Angers, bears the signature of his father, grandfather, and a great-uncle, all of whom were surgeons. 495: 858: 292: 1662: 1657: 1005: 1697: 1687: 1200: 559:
De la baguette divinatoire, du pendule dit explorateur et des tables tournantes, au point de vue de l'histoire de la critique et de la méthode expérimentale
1682: 339:
Chevreul's scientific work covered a wide range, but he is best known for the classical researches he carried out on animal fats, published in 1823 (
876: 461:
their juxtaposition will raise both the one and the other to an intensity so violent that human eyes will scarcely be able to bear to look at it."
311:
in 1886, and it was celebrated as a national event. Chevreul received letters of commendation from many heads of state and monarchs, including
1667: 1193: 1707: 415:, defining it as the tendency for a color to appear to shift toward the complementary of its neighbor, both in terms of hue and darkness. 1010: 232: 934:
Catalogue de l'exposition « Robert Delaunay, de l’impressionnisme à l'abstraction » au centre Georges Pompidou, p. 94.
1186: 193: 1712: 1606: 843: 483:, the bright edges that seem to exist between adjacent strips of identical colors having different intensities. See Chevreul's 1647: 1147: 1113: 285: 252:, where he carried out his research on colour contrasts. (In 1839, he published the results of his research under the title 108: 383:
reaction, the movements stopped and could not be willingly reproduced. His was one of the earliest explanations of the
631: 281: 355:, the names of which he invented. This work led to important improvements in the processes of candle-manufacture. 1677: 889:
Chevreul, M. E., De la Loi du Contraste Simultané des Couleurs, Chez Pitois-Levrault, Paris, 1839, Avant-Propos.
1558: 312: 319:, whose son Paul Nadar took photographs, resulting in the first photo-interview ever to appear in a magazine. 1027:
Carmichael, E B (April 1973). "Michel Eugene Chevreul. Experimental chemist and physicist: lipids and dyes".
646:"Note sur les étoffes de soie teintes avec la fuchsine, et réflexions sur la commerce des étoffes de couleur" 1672: 343:). These enabled him to elucidate the true nature of soap; he was also able to discover the composition of 1702: 1105: 1133: 1438: 1414: 472:. Delaunay's style of mixing relatively large blocks of near-complementaries is today usually known as 269: 1692: 1652: 419:
glass, women's clothing, and even military uniforms. It is most noted, however, for its influence on
1170: 1158: 535: 1246: 966: 1310: 1152: 1139: 645: 379: 367: 228: 194:
72 French scientists, mathematicians, and engineers whose names are inscribed on the Eiffel Tower
791: 1454: 1230: 1590: 1462: 1398: 1366: 1238: 1172:
Des couleurs et de lueurs applications aux arts industriels a l'aide des cercles chromatiques
412: 363: 1642: 1637: 1542: 1510: 1374: 1286: 1078: 407: 384: 316: 249: 182: 91: 245: 8: 1614: 1518: 1502: 1350: 1262: 816: 445: 399: 1390: 1082: 960: 599: 584: 476:. Delaunay himself, however, preferred the name "Simultanism," a clear nod to Chevreul. 1358: 1164: 872: 863: 817:"Bronze medal of Michel Eugene Chevreul from France | Yale University Art Gallery" 511:Œuvres scientifiques de Michel-Eugène Chevreul: doyen des étudiants de France 1806-1886 237: 189:
that "provided the scientific basis for Impressionist and Neo-Impressionist painting."
144: 87: 944: 1430: 1109: 1057: 1036: 751: 627: 610: 586:
The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts
557: 424: 390: 303: 163: 155: 1342: 1132: 570:
De la loi du contraste simultané des couleurs et de l'assortiment des objets colorés
568: 347:, a white substance found in the solid parts of most animal and vegetable fats, and 1574: 1566: 1382: 1086: 718: 546: 457: 440: 159: 1494: 1254: 1153:
Paper on Chevreul's life-long work on colour contrast by Prof Georges Roque, Paris
1598: 1446: 1099: 621: 612:
De la méthode a posteriori expérimentale, et de la généralité de ses applications
465: 395: 154:. In the process, Chevreul became the first scientist to define the concept of a 1178: 464:
Chevreul was also influential in twentieth-century painting, especially that of
331: 30: 1582: 1550: 1422: 1334: 1326: 469: 432: 296: 212: 1631: 1534: 1526: 1470: 1406: 1318: 1302: 1294: 1278: 1069:
Lemay, Pierre; Oesper, Ralph (1948). "Michel Eugene Chevreul (1786 – 1889)".
1001: 996: 680: 473: 420: 375: 273: 859:"Chevreul's Report on the Mysterious Oscillations of the Hand-Held Pendulum" 1222: 1209: 1061: 723: 706: 277: 265: 186: 101: 1040: 1486: 1478: 436: 428: 308: 291: 201: 197: 537:
Considérations générales sur l'analyse organique et sur ses applications
524: 508: 500:
Considérations générales sur l'analyse organique et sur ses applications
280:
he was awarded in 1857. In 1829, he was elected a foreign member of the
449: 352: 151: 148: 79: 1090: 359: 256:
It was translated into English and published in 1854 under the title
128: 83: 829:"L'Art de vivre cent ans. Trois entretiens avec Monsieur Chevreul", 370:
which had begun in his time. His research on the "magic pendulum",
335:
Presentation of a way to define and name the colors, Chevreul, 1861
227:
At around the age of seventeen, Chevreul went to Paris and entered
178: 170: 75: 995:
This article incorporates text from a publication now in the
371: 344: 231:'s chemical laboratory, afterwards becoming his assistant at the 174: 1101:
Color in the Age of Impressionism: Commerce, Technology, and Art
264:, with commentary, additional chapters, and colour graphics by 221: 44: 439:, which featured tiny juxtapositions of complementary colors. 268:, appeared in 2020.) In 1826, Chevreul became a member of the 244:
In 1813, Chevreul was appointed professor of chemistry at the
1160:
Exposé d’un moyen de définir et de nommer les couleurs. Atlas
1048:
Kalugai, I (June 1980). "Michel-Eugène Chevreul, 1786–1889".
406:
In 1824, Chevreul was named director of the dye works at the
348: 169:
In the medical field, Chevreul was first to demonstrate that
63: 619: 506:
For a list of Chevreul's scientific writings up to 1886 see
589:(2 ed.). London: Longman, Brown, Green, and Longmans. 272:, and in the same year was elected a foreign member of the 1068: 468:, who was introduced to Chevreul's theories by his friend 302:
Chevreul succeeded his master, Vauquelin, as professor of
181:. Chevreul's study of textile dyes while director of the 526:
Recherches chimiques sur les corps gras d'origine animale
351:, the liquid part of any fat, and to isolate stearic and 958: 608: 597: 582: 566: 555: 544: 533: 522: 1663:
Foreign associates of the National Academy of Sciences
857:
Spitz, Herman H.; Marcuard, Yves (July–August 2001).
248:, and subsequently undertook the directorship of the 158:
and the first to formally characterize the nature of
1658:
Fellows of the American Academy of Arts and Sciences
707:"Origins of Organic Chemistry and Organic Synthesis" 479:
Chevreul is also linked to what is sometimes called
162:; he is consequently considered a founder of modern 965:. London: Routledge, Warne, and Routledge. p.  679:. Vol. 3. New York: Robert Appleton Company, 1908. 1698:National Museum of Natural History (France) people 1208: 577:The principles of harmony and contrast of colours 394:Chevreul's 1855 "chromatic diagram" based on the 258:The Principles of Harmony and Contrast of Colors. 1688:Members of the Royal Swedish Academy of Sciences 1629: 1175:- digital facsimile from the Linda Hall Library 693:Recherches sur les corps gras d'origine animale 575:- translated into English by Charles Martel as 341:Recherches sur les corps gras d'origine animale 698: 254:De la loi du contraste simultané des couleurs; 1194: 856: 779:On the Law of Simultaneous Contrast of Colors 623:On the Law of Simultaneous Contrast of Colors 540:(in French). Paris: François George Levrault. 366:as to the "scientific" psychical research or 262:On the Law of Simultaneous Contrast of Colors 1014:(11th ed.). Cambridge University Press. 675:McKenna, Charles. "Michel-Eugène Chevreul". 315:. He had a series of recorded meetings with 235:(National Museum of Natural History) in the 1201: 1187: 1026: 29: 1683:Members of the French Academy of Sciences 722: 1000: 640: 548:Leçons de chimie appliquée à la teinture 494: 389: 330: 290: 211: 1047: 1029:The Alabama Journal of Medical Sciences 925:Letter to Theo van Gogh, 18 April 1885. 797:. American Academy of Arts and Sciences 792:"Book of Members, 1780–2010: Chapter C" 704: 620:Chevreul, M. E.; Margulis, Dan (2020). 378:is revolutionary. In an open letter to 1630: 1495:Friedrich August Kekulé von Stradonitz 974:- English translation by John Spanton. 1182: 1097: 711:European Journal of Organic Chemistry 286:American Academy of Arts and Sciences 284:and a Foreign Honorary Member of the 1668:Foreign members of the Royal Society 916:Chevreul, Contraste Simultané, §311. 601:Histoire des connaissances chimiques 233:Muséum national d'histoire naturelle 1708:People of the Industrial Revolution 898:Chevreul, Contraste Simultané, §16. 784: 777:Chevreul, M. E., and Margulis, Dan 358:Chevreul was a determined enemy of 13: 1019: 326: 200:and was a pioneer in the field of 14: 1724: 1124: 907:Letter to Paul Durand-Ruel, 1886. 741:, Annales de Chemie, Paris, 1815. 282:Royal Swedish Academy of Sciences 220:Chevreul was born in the town of 988: 959:Chevreul, Michel Eugène (1861). 609:Chevreul, Michel Eugène (1870). 598:Chevreul, Michel Eugène (1866). 583:Chevreul, Michel Eugène (1855). 567:Chevreul, Michel Eugène (1839). 556:Chevreul, Michel Eugène (1854). 545:Chevreul, Michel Eugène (1829). 534:Chevreul, Michel Eugène (1824). 523:Chevreul, Michel Eugène (1823). 951: 937: 928: 919: 910: 901: 892: 883: 850: 836: 823: 705:Wentrup, Curt (23 March 2022). 490: 1713:Recipients of the Copley Medal 962:The Laws of Contrast of Colour 809: 771: 758: 744: 731: 685: 669: 485:The Laws of Contrast of Colour 362:in every form, and a complete 1: 1163:- digital facsimile from the 1071:Journal of Chemical Education 981: 752:"An Introduction to Creatine" 739:Note sur le Sucre de Diabetes 695:, F.G. Levrault, Paris, 1823. 216:Chevreul in his younger years 177:in the urine and to isolate 1648:19th-century French chemists 207: 7: 833:, Paris, September 5, 1886. 626:. Atlanta: MCW Publishing. 427:painting, particularly the 10: 1729: 1439:Jean-Baptiste Boussingault 1415:August Wilhelm von Hofmann 1148:Chevreul on cyberlipid.org 1143:. Vol. 35. June 1889. 1098:Kalba, Laura Anne (2017). 957:See page 4 and plate 1 of 656:. Paris: Baillière: 62–65. 642:Chevreul, Michel-Eugène E. 562:. Paris: Mallet-Bachelier. 551:. Paris: Pichon et Didier. 16:French chemist (1786–1889) 1217: 677:The Catholic Encyclopedia 260:A new translation titled 134: 124: 117: 97: 71: 52: 37: 28: 21: 945:"Simultanism – Art Term" 662: 529:. Paris: F. G. Levrault. 448:and the measurements of 145:heptadecanoic (margaric) 1383:Julius Robert von Mayer 1140:Popular Science Monthly 1011:Encyclopædia Britannica 1006:Chevreul, Michel Eugène 844:"Weekly Medical Review" 781:, MCW Publishing, 2020. 650:Répertoire de Pharmacie 591:Michel Eugène Chevreul. 402:and other relationships 250:Gobelins tapestry works 192:Chevreul is one of the 1678:French Roman Catholics 1455:James Joseph Sylvester 1271:Michel Eugène Chevreul 1231:Alexander von Humboldt 1134:"Obituary Notes"  971:The Chevreul Illusion. 875:: 35–9. Archived from 724:10.1002/ejoc.202101492 503: 487:for more information. 403: 336: 299: 217: 141:Michel Eugène Chevreul 23:Michel Eugène Chevreul 1559:George Gabriel Stokes 1463:Charles Adolphe Wurtz 1399:Hermann von Helmholtz 1367:Henri Victor Regnault 1247:Johannes Peter Müller 1239:Heinrich Wilhelm Dove 594:(English translation) 498: 413:simultaneous contrast 393: 334: 295:Chevreul in 1886, by 294: 215: 1543:Stanislao Cannizzaro 1511:Joseph Dalton Hooker 1375:James Prescott Joule 1287:Wilhelm Eduard Weber 681:accessed 10 May 2008 408:Gobelins Manufactory 400:complementary colors 183:Gobelins Manufactory 1673:French centenarians 1615:Marcellin Berthelot 1607:John William Strutt 1591:Albert von Kölliker 1519:Thomas Henry Huxley 1503:Franz Ernst Neumann 1351:Karl Ernst von Baer 1263:Henri Milne-Edwards 1083:1948JChEd..25...62L 831:Le Journal Illustré 604:. Paris: L. Guérim. 481:Chevreul's illusion 431:style developed by 270:Academy of Sciences 1703:People from Angers 1359:Charles Wheatstone 1169:Chevreul's (1888) 1165:Linda Hall Library 1157:Chevreul's (1861) 1056:(11–12): 796–802. 873:Center for Inquiry 864:Skeptical Inquirer 504: 404: 380:André-Marie Ampère 337: 300: 238:Jardin des Plantes 218: 1625: 1624: 1431:James Dwight Dana 1210:Copley Medallists 1115:978-0-271-07978-3 768:, New York, 1961. 764:Itten, Johannes, 691:Chevreul, M. E., 517:by G. Malloizel. 425:Neo-Impressionist 304:organic chemistry 276:of London, whose 246:Lycée Charlemagne 164:organic chemistry 160:organic compounds 156:chemical compound 138: 137: 119:Scientific career 106: 1720: 1693:Men centenarians 1653:Color scientists 1618: 1610: 1602: 1594: 1586: 1578: 1575:Karl Weierstrass 1570: 1567:Edward Frankland 1562: 1554: 1546: 1538: 1530: 1522: 1514: 1506: 1498: 1490: 1482: 1474: 1466: 1458: 1450: 1442: 1434: 1426: 1418: 1410: 1402: 1394: 1391:Friedrich Wöhler 1386: 1378: 1370: 1362: 1354: 1346: 1338: 1330: 1322: 1314: 1306: 1298: 1290: 1282: 1274: 1266: 1258: 1250: 1242: 1234: 1226: 1203: 1196: 1189: 1180: 1179: 1144: 1136: 1119: 1106:Penn State Press 1094: 1091:10.1021/ed025p62 1065: 1044: 1015: 994: 992: 991: 975: 973: 955: 949: 948: 941: 935: 932: 926: 923: 917: 914: 908: 905: 899: 896: 890: 887: 881: 880: 854: 848: 847: 840: 834: 827: 821: 820: 813: 807: 806: 804: 802: 796: 788: 782: 775: 769: 766:The Art of Color 762: 756: 755: 748: 742: 737:Chevreul, M. E. 735: 729: 728: 726: 702: 696: 689: 683: 673: 657: 637: 616: 605: 593: 574: 563: 552: 541: 530: 516: 458:Vincent van Gogh 441:Camille Pissarro 385:ideomotor effect 185:in Paris led to 113: 104: 59: 33: 19: 18: 1728: 1727: 1723: 1722: 1721: 1719: 1718: 1717: 1628: 1627: 1626: 1621: 1613: 1605: 1599:William Huggins 1597: 1589: 1581: 1573: 1565: 1557: 1549: 1541: 1533: 1525: 1517: 1509: 1501: 1493: 1485: 1479:William Thomson 1477: 1469: 1461: 1453: 1447:Rudolf Clausius 1445: 1437: 1429: 1421: 1413: 1405: 1397: 1389: 1381: 1373: 1365: 1357: 1349: 1341: 1333: 1325: 1317: 1309: 1301: 1293: 1285: 1277: 1269: 1261: 1253: 1245: 1237: 1229: 1221: 1213: 1207: 1131: 1127: 1122: 1116: 1022: 1020:Further reading 1004:, ed. (1911). " 989: 987: 984: 979: 978: 956: 952: 943: 942: 938: 933: 929: 924: 920: 915: 911: 906: 902: 897: 893: 888: 884: 855: 851: 842: 841: 837: 828: 824: 815: 814: 810: 800: 798: 794: 790: 789: 785: 776: 772: 763: 759: 750: 749: 745: 736: 732: 703: 699: 690: 686: 674: 670: 665: 660: 634: 615:. Paris: Dunod. 507: 493: 466:Robert Delaunay 396:RYB color model 329: 327:Chevreul's work 229:L. N. Vauquelin 210: 198:lived to be 102 147:, stearic, and 111: 107: 90: 88:Chevreul's salt 86: 82: 78: 67: 61: 60:(aged 102) 57: 48: 42: 24: 17: 12: 11: 5: 1726: 1716: 1715: 1710: 1705: 1700: 1695: 1690: 1685: 1680: 1675: 1670: 1665: 1660: 1655: 1650: 1645: 1640: 1623: 1622: 1620: 1619: 1611: 1603: 1595: 1587: 1583:Carl Gegenbaur 1579: 1571: 1563: 1555: 1551:Rudolf Virchow 1547: 1539: 1531: 1523: 1515: 1507: 1499: 1491: 1483: 1475: 1467: 1459: 1451: 1443: 1435: 1427: 1423:Claude Bernard 1419: 1411: 1403: 1395: 1387: 1379: 1371: 1363: 1355: 1347: 1343:Julius Plücker 1339: 1335:Michel Chasles 1331: 1327:Charles Darwin 1323: 1315: 1307: 1299: 1291: 1283: 1275: 1267: 1259: 1251: 1243: 1235: 1227: 1218: 1215: 1214: 1206: 1205: 1198: 1191: 1183: 1177: 1176: 1167: 1155: 1150: 1145: 1126: 1125:External links 1123: 1121: 1120: 1114: 1095: 1066: 1045: 1023: 1021: 1018: 1017: 1016: 1002:Chisholm, Hugh 983: 980: 977: 976: 950: 936: 927: 918: 909: 900: 891: 882: 879:on 2013-12-19. 849: 835: 822: 808: 783: 770: 757: 743: 730: 697: 684: 667: 666: 664: 661: 659: 658: 638: 632: 617: 606: 595: 580: 564: 553: 542: 531: 519: 492: 489: 470:Jean Metzinger 433:Georges Seurat 328: 325: 313:Queen Victoria 309:100th birthday 209: 206: 187:color theories 136: 135: 132: 131: 126: 122: 121: 115: 114: 99: 95: 94: 92:Color analysis 73: 72:Known for 69: 68: 62: 54: 50: 49: 43: 41:31 August 1786 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1725: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1691: 1689: 1686: 1684: 1681: 1679: 1676: 1674: 1671: 1669: 1666: 1664: 1661: 1659: 1656: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1635: 1633: 1616: 1612: 1608: 1604: 1600: 1596: 1592: 1588: 1584: 1580: 1576: 1572: 1568: 1564: 1560: 1556: 1552: 1548: 1544: 1540: 1536: 1535:Simon Newcomb 1532: 1528: 1527:George Salmon 1524: 1520: 1516: 1512: 1508: 1504: 1500: 1496: 1492: 1488: 1484: 1480: 1476: 1472: 1471:Arthur Cayley 1468: 1464: 1460: 1456: 1452: 1448: 1444: 1440: 1436: 1432: 1428: 1424: 1420: 1416: 1412: 1408: 1407:Louis Pasteur 1404: 1400: 1396: 1392: 1388: 1384: 1380: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1324: 1320: 1319:Adam Sedgwick 1316: 1312: 1311:Thomas Graham 1308: 1304: 1303:Louis Agassiz 1300: 1296: 1295:Robert Bunsen 1292: 1288: 1284: 1280: 1279:Charles Lyell 1276: 1272: 1268: 1264: 1260: 1256: 1255:Léon Foucault 1252: 1248: 1244: 1240: 1236: 1232: 1228: 1224: 1220: 1219: 1216: 1211: 1204: 1199: 1197: 1192: 1190: 1185: 1184: 1181: 1174: 1173: 1168: 1166: 1162: 1161: 1156: 1154: 1151: 1149: 1146: 1142: 1141: 1135: 1130:Obituary in: 1129: 1128: 1117: 1111: 1107: 1103: 1102: 1096: 1092: 1088: 1084: 1080: 1076: 1072: 1067: 1063: 1059: 1055: 1051: 1046: 1042: 1038: 1035:(2): 223–32. 1034: 1030: 1025: 1024: 1013: 1012: 1007: 1003: 998: 997:public domain 986: 985: 972: 968: 964: 963: 954: 946: 940: 931: 922: 913: 904: 895: 886: 878: 874: 870: 866: 865: 860: 853: 845: 839: 832: 826: 818: 812: 793: 787: 780: 774: 767: 761: 754:. 2016-11-23. 753: 747: 740: 734: 725: 720: 716: 712: 708: 701: 694: 688: 682: 678: 672: 668: 655: 652:(in French). 651: 647: 643: 639: 635: 633:9780988280816 629: 625: 624: 618: 614: 613: 607: 603: 602: 596: 592: 588: 587: 581: 578: 572: 571: 565: 561: 560: 554: 550: 549: 543: 539: 538: 532: 528: 527: 521: 520: 518: 514: 512: 501: 497: 488: 486: 482: 477: 475: 471: 467: 462: 459: 453: 451: 447: 442: 438: 434: 430: 426: 422: 421:Impressionist 416: 414: 409: 401: 397: 392: 388: 386: 381: 377: 376:table-turning 373: 369: 365: 361: 356: 354: 350: 346: 342: 333: 324: 320: 318: 314: 310: 305: 298: 293: 289: 287: 283: 279: 275: 274:Royal Society 271: 267: 263: 259: 255: 251: 247: 242: 240: 239: 234: 230: 225: 223: 214: 205: 203: 199: 195: 190: 188: 184: 180: 176: 172: 167: 165: 161: 157: 153: 150: 146: 142: 133: 130: 127: 123: 120: 116: 110: 103: 100: 96: 93: 89: 85: 81: 77: 74: 70: 65: 55: 51: 46: 40: 36: 32: 27: 20: 1270: 1223:Richard Owen 1171: 1159: 1138: 1100: 1077:(2): 62–70. 1074: 1070: 1053: 1049: 1032: 1028: 1009: 970: 961: 953: 939: 930: 921: 912: 903: 894: 885: 877:the original 868: 862: 852: 838: 830: 825: 811: 799:. Retrieved 786: 778: 773: 765: 760: 746: 738: 733: 717:(25): 1–12. 714: 710: 700: 692: 687: 676: 671: 653: 649: 641: 622: 611: 600: 590: 585: 576: 569: 558: 547: 536: 525: 510: 505: 499: 491:Bibliography 484: 480: 478: 463: 454: 417: 405: 368:spiritualism 360:charlatanism 357: 340: 338: 321: 301: 278:Copley Medal 266:Dan Margulis 261: 257: 253: 243: 236: 226: 219: 191: 168: 140: 139: 118: 109:Albert Medal 102:Copley Medal 58:(1889-04-09) 56:9 April 1889 1643:1889 deaths 1638:1786 births 1487:Carl Ludwig 1212:(1851–1900) 801:9 September 437:Paul Signac 429:Pointillist 353:oleic acids 202:gerontology 152:fatty acids 80:Fatty acids 1632:Categories 982:References 450:N. O. Rood 398:, showing 374:rods and 288:in 1868. 208:Biography 171:diabetics 129:Chemistry 84:Margarine 1062:11630731 644:(1861). 179:creatine 173:excrete 76:Creatine 66:, France 47:, France 1079:Bibcode 1041:4582698 999::  846:. 1889. 515:. 1886. 474:Orphism 446:Maxwell 411:effect 372:Dowsing 364:sceptic 345:stearin 175:glucose 1617:(1900) 1609:(1899) 1601:(1898) 1593:(1897) 1585:(1896) 1577:(1895) 1569:(1894) 1561:(1893) 1553:(1892) 1545:(1891) 1537:(1890) 1529:(1889) 1521:(1888) 1513:(1887) 1505:(1886) 1497:(1885) 1489:(1884) 1481:(1883) 1473:(1882) 1465:(1881) 1457:(1880) 1449:(1879) 1441:(1878) 1433:(1877) 1425:(1876) 1417:(1875) 1409:(1874) 1401:(1873) 1393:(1872) 1385:(1871) 1377:(1870) 1369:(1869) 1361:(1868) 1353:(1867) 1345:(1866) 1337:(1865) 1329:(1864) 1321:(1863) 1313:(1862) 1305:(1861) 1297:(1860) 1289:(1859) 1281:(1858) 1273:(1857) 1265:(1856) 1257:(1855) 1249:(1854) 1241:(1853) 1233:(1852) 1225:(1851) 1112:  1060:  1039:  993:  630:  579:(1854) 502:, 1824 222:Angers 125:Fields 112:(1873) 105:(1857) 98:Awards 45:Angers 1050:Korot 871:(4). 795:(PDF) 663:Notes 349:olein 317:Nadar 297:Nadar 196:. He 149:oleic 64:Paris 1110:ISBN 1058:PMID 1037:PMID 803:2016 715:2022 628:ISBN 435:and 423:and 53:Died 38:Born 1087:doi 1008:". 967:150 719:doi 452:." 1634:: 1137:. 1108:. 1104:. 1085:. 1075:25 1073:. 1052:. 1033:10 1031:. 969:. 869:25 867:. 861:. 713:. 709:. 654:17 648:. 387:. 241:. 204:. 166:. 1202:e 1195:t 1188:v 1118:. 1093:. 1089:: 1081:: 1064:. 1054:7 1043:. 947:. 819:. 805:. 727:. 721:: 636:. 573:. 513:" 509:"

Index


Angers
Paris
Creatine
Fatty acids
Margarine
Chevreul's salt
Color analysis
Copley Medal
Albert Medal
Chemistry
heptadecanoic (margaric)
oleic
fatty acids
chemical compound
organic compounds
organic chemistry
diabetics
glucose
creatine
Gobelins Manufactory
color theories
72 French scientists, mathematicians, and engineers whose names are inscribed on the Eiffel Tower
lived to be 102
gerontology

Angers
L. N. Vauquelin
Muséum national d'histoire naturelle
Jardin des Plantes

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.