121:, returning to the Warburg Institute in 1965 as lecturer in Renaissance Studies. He was appointed to a chair by the University of London in 1981, but increasingly spent his time in the United States. He was A. D. White Professor-at-Large at
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106:, initially working in the photographic collection, where he met Kay Simon, whom he married in 1963. From 1959 to 1961 he was a junior fellow, working on his never-completed PhD,
189:(2003). In all his work, Baxandall was concerned to illuminate artworks by a thorough exploration of the conditions of their production – intellectual, social, and physical. In
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Despite his impact in "social" art history, Baxandall often retreated from
Marxist or overly "contextual" approaches. At one point, he declared that he was just "trying to do
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Giotto and the
Orators. Humanist observers of painting in Italy and the discovery of pictorial composition 1350-1450,
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was profoundly influential in the social history of art, and is (2018) widely used as a textbook in college courses.
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Baxandall, Michael. "The
Language of Art History." New Literary History 10, no. 3 (1979): 453-65.
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Baxandall died in London from pneumonia associated with
Parkinson's Disease. His concept of the
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From 1961, he was
Assistant Keeper in the Department of Architecture and Sculpture at the
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Allan
Langdale, ‘Interviews with Michael Baxandall, 3 and 4 February 1994, Berkeley, CA’
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this took the form of using "carvings as lenses bearing on their own circumstances".
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The Books That Shaped Art
History: From Gombrich and Greenberg to Alpers and Krauss
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The Books That Shaped Art
History: From Gombrich and Greenberg to Alpers and Krauss
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62:, the only son of David Baxandall, a curator who was at one time director of the
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in
Switzerland (1956–57), and finally went to Munich to hear the art historian
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University of
California, Berkeley College of Letters and Science faculty
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102:. On his return to London in 1958 he began a long association with the
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Words for Pictures: Seven Papers on Renaissance Art and Criticism,
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Patterns of Intention: On the Historical Explanation of Pictures,
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and became a half-time Professor of the History of Art at the
78:. In 1955 he departed for the Continent. He spent a year at
200:...in a different way," and he often cited the impact of
161:, in which he developed the influential concept of the
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ed. by Peter Mack & Robert Williams, Farnham, 2015
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People associated with the Victoria and Albert Museum
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has continued to gain in importance since his death.
82:(1955–56), then taught at an international school in
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Fellows of the American Academy of Arts and Sciences
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was published in 1971. This was followed in 1972 by
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Slade Professors of Fine Art (University of Oxford)
155:Painting and Experience in Fifteenth Century Italy
48:Painting and Experience in Fifteenth-Century Italy
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305:Michael Baxandall, Vision and the Work of Words,
26:(18 August 1933 – 12 August 2008) was a British
30:and a professor emeritus of Art History at the
244:The Limewood Sculptors of Renaissance Germany,
238:Painting and Experience in 15th century Italy,
415:Shone, Richard and Stonard, John-Paul, eds..
336:Shone, Richard and Stonard, John-Paul, eds..
167:The Limewood Sculptors of Renaissance Germany
381:. University of Oxford. 2012. Archived from
556:Deaths from Parkinson's disease in England
129:, in 1987. He was elected a Fellow of the
376:"Oxford Slade Professors, 1870–present"
356:. American Academy of Arts and Sciences
351:"Book of Members, 1780-2010: Chapter B"
264:Tiepolo and the Pictorial Intelligence,
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175:Tiepolo and the Pictorial Intelligence
131:American Academy of Arts and Sciences
521:Alumni of Downing College, Cambridge
419:. London: Thames & Hudson, 2013.
340:. London: Thames & Hudson, 2013.
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100:Zentralinstitut für Kunstgeschichte
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526:Academics of the Warburg Institute
127:University of California, Berkeley
108:Restraint in Renaissance behaviour
32:University of California, Berkeley
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42:, and worked as a curator at the
551:Deaths from pneumonia in England
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20:Michael David Kighley Baxandall
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157:, now considered a classic of
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485:Journal of Art Historiography
462:"Obituary: Michael Baxandall"
451:"Obituary: Michael Baxandall"
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64:National Gallery of Scotland
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135:Slade Professor of Fine Art
92:Ludwig Heinrich Heydenreich
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531:Cornell University faculty
270:Shadows and Enlightenment,
119:Victoria and Albert Museum
72:Downing College, Cambridge
44:Victoria and Albert Museum
183:Shadows and Enlightenment
165:. These were followed by
90:and where he worked with
74:, where he was taught by
68:Manchester Grammar School
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284:with an introduction by
282:Episodes: a Memory Book,
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460:Charles Saumarez Smith
288:, Frances Lincoln, 2010
232:Oxford University Press
70:and studied English at
511:British art historians
487:Number 1 December 2009
151:Giotto and the Orators
58:Baxandall was born in
294:Frances Lincoln, 2010
247:Yale University Press
171:Patterns of Intention
16:British art historian
561:Writers from Cardiff
139:University of Oxford
40:University of London
388:on 13 February 2015
34:. He taught at the
449:Elizabeth McGrath
434:The New York Times
292:A Grasp of Kaspar,
191:Limewood Sculptors
187:Words for Pictures
123:Cornell University
546:MacArthur Fellows
202:Heinrich Wölfflin
104:Warburg Institute
36:Warburg Institute
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66:. He went to
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390:. Retrieved
383:the original
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358:. Retrieved
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299:On Baxandall
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177:(1994, with
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76:F. R. Leavis
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506:2008 deaths
501:1933 births
185:(1994) and
159:art history
46:. His book
495:Categories
472:"Obituary"
440:"Obituary"
392:27 January
324:References
318:Period eye
217:period eye
163:period eye
84:St. Gallen
476:The Times
198:Roger Fry
149:His book
312:See also
204:'s book
173:(1985),
169:(1980),
110:, under
137:at the
98:at the
60:Cardiff
360:28 May
249:, 1980
234:, 1971
96:Urbino
54:Career
386:(PDF)
379:(PDF)
354:(PDF)
258:with
145:Books
394:2015
362:2011
181:),
24:FBA
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364:.
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