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F. R. Leavis

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594:, a group which advocated close reading and detailed textual analysis of poetry over, or even instead of, an interest in the mind and personality of the poet, sources, the history of ideas and political and social implications. Although there are undoubtedly similarities between Leavis's approach to criticism and that of the New Critics (most particularly in that both take the work of art itself as the primary focus of critical discussion), Leavis is ultimately distinguishable from them, since he never adopted (and was explicitly hostile to) a theory of the poem as a self-contained and self-sufficient aesthetic and formal artefact, isolated from the society, culture and tradition from which it emerged. 921:(1976). Although these later works have been sometimes called "philosophy", it has been argued that there is no abstract or theoretical context to justify such a description. In discussing the nature of language and value, Leavis implicitly treats the sceptical questioning that philosophical reflection starts from as an irrelevance from his standpoint as a literary critic – a position set out in his early exchange with RenΓ© Wellek (reprinted in 25: 460:. Rouse was a classicist and known for his "direct method", a practice which required teachers to carry on classroom conversations with their pupils in Latin and classical Greek. Though he had some fluency in foreign languages, Leavis felt that his native language was the only one on which he was able to speak with authority. His extensive reading in the classical languages is not therefore strongly evident in his work. 140: 817:(who was herself taught by Leavis) wrote of one of her characters (Blackadder) "Leavis did to Blackadder what he did to serious students: he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to or change it." 637:(1943), Leavis argued that "there is a prior cultural achievement of language; language is not a detachable instrument of thought and communication. It is the historical embodiment of its community's assumptions and aspirations at levels which are so subliminal much of the time that language is their only index". 582:
provided a forum for (on occasion) identifying important contemporary work and (more commonly) reviewing the traditional canon by serious criteria. This criticism was informed by a teacher's concern to present the essential to students, taking into consideration time constraints and a limited range
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retained in the clothes of soldiers who had been gassed damaged his physical health, but that his poor digestion was due to "...not gas at Ypres, but the things I didn't say". Leavis was slow to recover from the war, and he was later to refer to it as "the great hiatus". He said: "The war, to put it
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with his notion of the "organic community", by which he seems to have meant a community with a deeply rooted and locally self-sufficient culture that he claimed to have existed in the villages of 17th and 18th century England and which was destroyed by the machine and mass culture introduced by the
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As a critic of the English novel, Leavis's main tenet stated that great novelists show an intense moral interest in life, and that this moral interest determines the nature of their form in fiction. Authors within this "tradition" were all characterised by a serious or responsible attitude to the
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Leavis's proponents said that he introduced a "seriousness" into English studies, and some English and American university departments were shaped by his example and ideas. He appeared to possess a clear idea of literary criticism, and he was well known for his decisive and often provocative, and
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Leavis introduced the idea of the "third realm" as a name for the method of existence of literature; works which are not private like a dream or public in the sense of something that can be tripped over, but exist in human minds as a work of collaborative re-constitution. The notion of the "third
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by the time I arrived in Cambridge his influence had waned, and he and his kind had been almost entirely eclipsed ... Stories of Frank Leavis and his harridan of a wife Queenie snubbing, ostracising, casting out and calumniating anyone who offended them went the round, and those English
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idiosyncratic, judgements. He insisted that valuation was the principal concern of criticism, that it must ensure that English literature should be a living reality operating as an informing spirit in society, and that criticism should involve the shaping of contemporary sensibility.
1049:, claiming that Nicolson's programmes lacked the "sensitiveness of intelligence" which Leavis believed good literary criticism required. Throughout his career, Leavis constantly took issue with the BBC's motives and actions, even once jokingly referring to his "anti-BBC complex". 869:
accuses Leavis of "narrowness, spitefulness, dogmatism", "distortion, omission and strident overstatement" and says that "the overall effect of his teaching has plainly been calculated ... to produce many of the characteristics of a religious or ideological sect."
514:. He then changed his field of study to English and became a pupil in the newly founded English School. Despite graduating with first-class honours in his final examinations, Leavis was not seen as a strong candidate for a research fellowship and instead embarked on a 633:(a joint effort with Denys Thompson), stressed the importance of an informed and discriminating, highly trained intellectual elite whose existence within university English departments would help preserve the cultural continuity of English life and literature. In 447:
in 1895 to Harry Leavis (1862–1921) and Kate Sarah Moore (1874–1929). His father was a cultured man who ran a shop in Cambridge that sold pianos and other musical instruments, and his son was to retain a respect for him throughout his life. Leavis was educated at
784:, and objected to his attacks and innuendoes about people I knew and respected. I think it is a pity he became so intemperate in his views and was extravagant in his admirations, as I had, in the earlier stages of the magazine, felt great sympathy for its editor. 530:
In 1927 Leavis was appointed as a probationary lecturer for the university, and, when his first substantial publications began to appear a few years later, their style was much influenced by the demands of teaching. In 1929 Leavis married one of his students,
906:(1955). Following this period Leavis pursued an increasingly complex treatment of literary, educational and social issues. Though the hub of his work remained literature, his perspective for commentary was noticeably broadening, and this was most visible in 895:(1936). Here he was concerned primarily with re-examining poetry from the 17th to 20th centuries, and this was accomplished under the strong influence of T. S. Eliot. Also during this early period Leavis sketched out his views about university education. 522:, which "studied the rise and earlier development of the press in England". This work contributed to his lifelong concern with the way in which the ethos of a periodical can both reflect and mould the cultural aspirations of a wider public. 1016:
Leavis attempted to set out his conception of the proper relation between form/composition and moral interest/art and life. Leavis, along with his wife, Q.D. Leavis, was later to revise his opinion of Dickens in their study,
1045:. He accused the corporation's coverage of English literature of lacking impartiality, and of vulgarising the literary taste of British society. In 1931, Leavis took issue with a BBC series of book discussions presented by 855:
described Leavis as a "sanctimonious prick of only parochial significance" and said that Leavis had an "intense suspicious propensity to explode in wrath and anathematize anyone who dared disagree with him". Fry notes:
728:, was published in 1952. Outside his work on English poetry and the novel, this is Leavis's best-known and most influential work. A decade later Leavis was to earn much notoriety when he delivered his Richmond lecture, 574:, the critical quarterly that he edited until 1953, using it as a vehicle for the new Cambridge criticism, upholding rigorous intellectual standards and attacking the dilettante elitism he believed to characterise the 937:
Leavis attacked the Victorian poetical ideal, suggesting that 19th-century poetry sought the consciously "poetical" and showed a separation of thought and feeling and a divorce from the real world. The influence of
742:), that practitioners of the scientific and humanistic disciplines should have some significant understanding of each other, and that a lack of knowledge of 20th century physics was comparable to an ignorance of 589:
was the first major volume of criticism Leavis was to publish, and it provides insight into his own critical positions. He has been frequently (but often erroneously) associated with the American school of
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wrote of him in 1963: "it would be true to say that in the last thirty or more years hardly anyone seriously concerned with the study of English literature has not been influenced by him in some way."
954:, the dependence on Eliot was still very much present, but Leavis demonstrated an individual critical sense operating in such a way as to place him among the distinguished modern critics. 2019: 467:, to study history. Britain declared war on Germany soon after he matriculated, when he was 19. Leavis left Cambridge after his first year as an undergraduate and joined the 1567:
The improved version of Peregrine Prykke's pilgrimage through the London literary world : a tragic poem in rhyming couplets; with illustrations by Russell Davies
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Leavis's uncompromising zeal in promoting his views of literature drew mockery from quarters of the literary world involved in imaginative writing. In a letter that
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in 1959 she described Leavis as "a tiresome, whining, pettyfogging little pipsqueak". Leavis (as "Simon Lacerous") and Scrutiny (as "Thumbscrew") were satirized by
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in 1916, when his brother Ralph also joined the FAU, he benefited from the blanket recognition of the members of the Friends' Ambulance Unit as
2009: 1994: 563:, another of Leavis's students, in 1930, and served for several years as an additional outlet for the work of Leavis and some of his students. 1984: 2024: 1989: 969:, on the other hand, had no great impact on Milton's popular esteem. Many of his finest analyses of poems were reprinted in the late work, 1429: 1640: 887:
Leavis's criticism can be grouped into four chronological stages. The first is that of his early publications and essays, including
1999: 1237: 614:, was an attempt to identify the essential new achievements in modern poetry. It also discussed at length and praised the work of 498:
poems with him. His wartime experiences had a lasting effect on him, making him prone to insomnia. He maintained that exposure to
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found him (and his disciples) to be "fanatic and rancid in manner". Leavis's conduct led to a breach with T. S. Eliot, who wrote
435:, gown blown out horizontal in his slipstream. He looked as if walking briskly was something he had practised in a wind-tunnel." 827:, depicts a ludicrous series of events ending in the hero teaching Leavisite criticism as a religion in the American Bible Belt. 1785: 1595: 1540: 1095:
Leavis died in 1978, at the age of 82, His wife, Queenie D. Leavis, died in 1981. He features as a main character, played by
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from his canon, characterising Dickens as a "mere entertainer", but eventually, following the revaluation of Dickens by
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in 1970. The Leavisites' downgrading of Hardy may have damaged Leavis's own authority. In 1950, in the introduction to
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to epitomize the scientific drift of culture and social thinking, which was in his view the enemy of the holistic,
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that, "It was Mr. Eliot who made us fully conscious of the weakness of that tradition" . In his later publication
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academics at the university who had been in their orbit were callously dismissed by the elite as dead Leavisites.
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attacks on Snow's intelligence and abilities were widely decried in the British press by public figures such as
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Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 1, pages. 291-2
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In 1948, Leavis focused his attention on fiction and made his general statement about the English novel in
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at Downing College. Leavis vigorously attacked Snow's suggestion, from a 1959 lecture and book by
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in the chapter "Another Book to Cross off your List" of his lampoon of literary criticism theory
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As Leavis continued his career he became increasingly dogmatic, belligerent and paranoid, and
518:, then an unusual career move for an aspiring academic. In 1924, Leavis presented a thesis on 487:
there could be no question for anyone who knew what modern war was like of joining the army."
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In 1964 Leavis resigned his fellowship at Downing and took up visiting professorships at the
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On his return from the war in 1919, Leavis resumed his studies at Cambridge and obtained a
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The Two Cultures Controversy: Science, Literature and Cultural Politics in Postwar Britain
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were considerably enhanced by Leavis's proclamation of their greatness. His criticism of
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Leavis ranked among the most prominent English-language critics in the 1950s and 1960s.
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Leavis is often viewed as having been a better critic of poetry than of the novel. In
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The rise and fall of the man of letters; aspects of English literary life since 1800
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Two of his last publications embodied the critical sentiments of his final years;
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of the early-to-mid-twentieth century. He taught for much of his career at
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List of Members of the Friends' Ambulance Unit 1914-1919, London, 1919,
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Robinson, Ian. "The English Prophets", The Brynmill Press Ltd (2001).
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He then turned his attention to fiction and the novel, producing
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I so strongly disagreed with Dr Leavis during the last days of
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In 1931 Leavis was appointed director of studies in English at
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Leavis pictured in his Friends' Ambulance Unit uniform, 1915.
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Dooley, David (Summer 1995). "Review: Bloom and the Canon".
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have given credence to the notion of the organic community.
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Radio Modernism: Literature, Ethics, and the BBC, 1922-1938
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Thought, Words and Creativity: Art and Thought in Lawrence
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The Living Principle: 'English' as a Discipline of Thought
838:, the eponymous hero studies literature under the prophet 431:, "You became accustomed to seeing him walk briskly along 1332: 1297: 1295: 1100: 1042: 570:, where he taught for the next 30 years. He soon founded 1831:. London / Toronto: Chatto & Windus / Clarke, Irwin. 1307: 1468: 1103: 1410: 1368: 1356: 1292: 1280: 640:
Leavis is sometimes seen as having contributed to the
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Leavis had won a scholarship from the Perse School to
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realm" has not received much attention subsequently.
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Singh, G. (1998). "The Achievement of F.R. Leavis,"
1662: 1650: 1400: 1398: 1385: 1383: 1621: 49:. Unsourced material may be challenged and removed. 2020:People associated with the Friends' Ambulance Unit 1883:Podhoretz, Norman. "F. R. Leavis: A Revaluation", 1837: 1247:(online ed.). Oxford University Press. 2004. 1236: 1196: 1796:Re-Reading Leavis: Culture and Literary Criticism 1533:Pamela Hansford Johnson: Her Life, Work and Times 1395: 1380: 1344: 1041:Leavis was one of the earliest detractors of the 666:, where he traced this claimed tradition through 2035:Members of the Order of the Companions of Honour 1961: 1208: 1641:"Howard Jacobson on being taught by F.R. Leavis 1086:Member of the Order of the Companions of Honour 1685:English as a Vocation: The 'Scrutiny' Movement 405:(14 July 1895 – 14 April 1978) was an English 1238:"The Oxford Dictionary of National Biography" 1191:May Week Was In June: More Unreliable Memoirs 483:. Leavis is quoted as saying: "But after the 1489: 730:Two Cultures? The Significance of C. P. Snow 520:The Relationship of Journalism to Literature 281:The Relationship of Journalism to Literature 214:Two Cultures? The Significance of C. P. Snow 1736:(Supplement). 30 December 1977. p. 23. 942:is easily identifiable in his criticism of 765: 438: 946:, and Leavis acknowledged this, saying in 702:, Leavis changed his position, publishing 138: 1835: 1801: 1474: 1374: 1362: 1338: 1313: 1301: 1286: 109:Learn how and when to remove this message 1895:F. R. Leavis (Modern Cultural Theorists) 1726: 1687:. Oxford, Oxford University Press, 2012 1485: 1483: 724:, another collection of his essays from 1244:Oxford Dictionary of National Biography 1052: 555:was founded. A small publishing house, 1980:Academics of the University of Bristol 1962: 1826: 1810: 1778:The Literary Criticism of F. R. Leavis 1656: 1231: 1229: 1227: 1225: 1223: 1202: 1131: 1069:. His final volumes of criticism were 982:moral complexity of life and included 2010:Fellows of Downing College, Cambridge 1995:Alumni of Emmanuel College, Cambridge 1775: 1679: 1677: 1668: 1627: 1480: 1416: 1125: 629:essays. This publication, along with 503:egotistically, was bad luck for us." 1985:Academics of the University of Wales 1766: 1588:The Fry Chronicles: An Autobiography 1404: 1389: 1350: 1214: 47:adding citations to reliable sources 18: 2025:People educated at The Perse School 1990:Academics of the University of York 1904:, Vol. 40, No. 4, pp. 397–405. 1708:. Farnham Ashgate Publishing, 2006 1220: 475:in 1915. After the introduction of 16:English literary critic (1895–1978) 13: 1674: 14: 2046: 1922: 1840:F. R. Leavis: a life in criticism 1590:(Penguin, London, 2011) page 46, 1556:(Random House, 1991) pages 27–28. 1492:"Preview: Dr. Leavis, I Presume?" 1275:Library of the Society of Friends 452:in Cambridge (in English terms a 1748:"Obituary: Frank Raymond Leavis" 1610:(Weidenfeld and Nicolson, 1969) 1329:(London: Collins, 1978), p. 117. 830:In the mock epic heroic poem by 541:for them, when Leavis published 23: 2000:English conscientious objectors 1897:, University of Toronto (1992). 1844:. New York: St Martin's Press. 1740: 1719: 1698: 1633: 1600: 1580: 1559: 1546: 1525: 1516: 1451: 1438: 1422: 1319: 976: 842:at Downing College, Cambridge. 549:, and the quarterly periodical 490:He worked in France behind the 235: 34:needs additional citations for 1780:. Cambridge University Press. 1760: 1267: 1180: 1171:"The Influence of F.R. Leavis" 1160: 935:New Bearings in English Poetry 889:New Bearings in English Poetry 587:New Bearings in English Poetry 547:Fiction and the Reading Public 543:New Bearings in English Poetry 199:New Bearings in English Poetry 1: 1918:, Chatto & Windus (1980). 1746:Ezard, John (18 April 1978). 1490:Brooke Allen (22 June 2006). 1448:, Cambridge University Press. 1119: 1079:Thought, Words and Creativity 1036: 718:understanding he championed. 708:Mill on Bentham and Coleridge 1535:(Shepeard-Walwyn, UK, 2014) 1261:UK public library membership 928: 873: 635:Education and the University 7: 1798:, Palgrave Macmillan (1996) 878: 631:Culture and the Environment 625:, which was a selection of 465:Emmanuel College, Cambridge 456:), whose headmaster was Dr 269:Emmanuel College, Cambridge 10: 2051: 1821:Cambridge Between Two Wars 1802:Greenwood, Edward (1978). 1428:Gerhardi, William (1962). 1327:Cambridge Between Two Wars 411:Downing College, Cambridge 333:Downing College, Cambridge 1887:, Vol. 1, September 1982. 621:In 1933 Leavis published 598:, devoted principally to 525: 510:in Part I of the history 383: 342: 328: 323: 287: 274: 262: 257: 253: 245: 220: 194: 178: 149: 137: 125: 2005:English literary critics 1948:10 February 2017 at the 1862:, New Left Books (1979). 1806:. London: Longman Group. 1465:, Vol. 12, No. 6, p. 10. 904:D. H. Lawrence, Novelist 766:Character and reputation 439:Early life and education 1943:F. R. Leavis in America 1836:MacKillop, I D (1997). 1811:Hayman, Ronald (1976). 1457:Kimball, Roger (1994). 957:The early reception of 794:Pamela Hansford Johnson 481:conscientious objectors 469:Friends' Ambulance Unit 1872:4 October 2013 at the 1860:The Moment of Scrutiny 1827:Leavis, F. R. (1952). 1767:Bell, Michael (1988). 1683:Christopher Hilliard, 1444:Ortolano, Guy (2009). 1253:10.1093/ref:odnb/31344 1193:. London: Picador, 57. 863: 786: 2030:People from Cambridge 1929:Works by F. R. Leavis 1776:Bilan, R. P. (1979). 1569:(Cape, London, 1976) 1090:1978 New Year Honours 1059:University of Bristol 858: 845:In his autobiography 776: 651:Industrial Revolution 600:Gerard Manley Hopkins 545:, his wife published 494:, carrying a copy of 1880:, 43: 161–85 (2005). 1618:, pages 271–274, 281 1116:, and the students. 1114:Arthur Quiller-Couch 1075:The Living Principle 1053:Later life and death 1019:Dickens the Novelist 971:The Living Principle 865:The literary critic 772:Martin Seymour-Smith 704:Dickens the Novelist 655:Early Modern Britain 604:William Butler Yeats 154:Frank Raymond Leavis 43:improve this article 1911:, Routledge (2010). 1819:Howarth, T. E. B., 1497:The Weekly Standard 1169:(25 October 1963). 1084:He was appointed a 1063:University of Wales 1023:Nathaniel Hawthorne 1013:The Great Tradition 961:and the reading of 900:The Great Tradition 663:The Great Tradition 443:Leavis was born in 413:, and later at the 258:Academic background 204:The Great Tradition 1955:The Leavis Society 1878:History of Science 1858:Mulhern, Francis. 1829:The Common Pursuit 1733:The London Gazette 1639:Jacobson, Howard. 1325:T. E. B. Howarth, 1109:The Last Romantics 1071:Nor Shall My Sword 1067:University of York 948:The Common Pursuit 923:The Common Pursuit 908:Nor Shall my Sword 848:The Fry Chronicles 805:A Student Casebook 722:The Common Pursuit 557:The Minority Press 508:lower second-class 415:University of York 337:University of York 209:The Common Pursuit 189:Cambridge, England 1907:Storer, Richard. 1885:The New Criterion 1823:, Collins (1978). 1787:978-0-521-22324-9 1596:978-0-141-03980-0 1541:978-0-85683-298-7 1463:The New Criterion 1435:, 16 March, p. 9. 1419:, pp. 14–18. 1259:(Subscription or 1167:Bamborough, J. B. 1134:The Hudson Review 824:The Great Pursuit 559:, was founded by 387: 386: 119: 118: 111: 93: 2042: 1933:Internet Archive 1914:Walsh, William. 1855: 1843: 1832: 1816: 1807: 1791: 1772: 1755: 1744: 1738: 1737: 1723: 1717: 1702: 1696: 1681: 1672: 1666: 1660: 1654: 1648: 1637: 1631: 1625: 1619: 1604: 1598: 1584: 1578: 1563: 1557: 1550: 1544: 1529: 1523: 1520: 1514: 1513: 1511: 1509: 1500:. 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In her novel 798:Frederick Crews 768: 756:Lionel Trilling 688:Laurence Sterne 684:Charles Dickens 616:Ronald Bottrall 568:Downing College 538:annus mirabilis 528: 441: 407:literary critic 400: 379: 375:Howard Jacobson 360:Wilfrid Mellers 335: 319: 241: 238: 1929) 233: 229: 216:(lecture; 1962) 212: 207: 202: 190: 187: 183: 174: 165: 159: 157: 156: 155: 145: 133: 128: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 2048: 2038: 2037: 2032: 2027: 2022: 2017: 2012: 2007: 2002: 1997: 1992: 1987: 1982: 1977: 1972: 1958: 1957: 1952: 1940: 1924: 1923:External links 1921: 1920: 1919: 1912: 1905: 1898: 1893:Samson, Anne. 1891: 1888: 1881: 1863: 1856: 1850: 1833: 1824: 1817: 1808: 1799: 1792: 1786: 1773: 1762: 1759: 1757: 1756: 1739: 1718: 1697: 1673: 1671:, p. 115. 1661: 1649: 1632: 1620: 1599: 1579: 1558: 1545: 1531:Wendy Pollard 1524: 1515: 1504:on 25 May 2008 1479: 1475:Greenwood 1978 1467: 1450: 1437: 1421: 1409: 1394: 1379: 1375:Greenwood 1978 1367: 1363:Greenwood 1978 1355: 1343: 1339:MacKillop 1997 1331: 1318: 1316:, p. 225. 1314:MacKillop 1997 1306: 1302:MacKillop 1997 1291: 1287:MacKillop 1997 1279: 1266: 1219: 1207: 1195: 1179: 1159: 1123: 1121: 1118: 1099:, in the 1991 1054: 1051: 1038: 1035: 1000:D. H. Lawrence 978: 975: 930: 927: 880: 877: 875: 872: 767: 764: 646:Merrie England 623:For Continuity 527: 524: 458:W. H. D. Rouse 440: 437: 433:Trinity Street 385: 384: 381: 380: 378: 377: 372: 367: 362: 357: 352: 350:David Holbrook 346: 344: 340: 339: 330: 326: 325: 321: 320: 318: 317: 315:I. A. Richards 312: 307: 305:D. H. Lawrence 302: 297: 295:Matthew Arnold 291: 289: 285: 284: 278: 272: 271: 266: 260: 259: 255: 254: 251: 250: 247: 243: 242: 231: 227:Queenie Leavis 225: 224: 222: 218: 217: 196: 195:Known for 192: 191: 188: 186:(aged 82) 180: 176: 175: 166: 153: 151: 147: 146: 143: 135: 134: 129: 126: 117: 116: 58:"F. R. Leavis" 31: 29: 22: 15: 9: 6: 4: 3: 2: 2047: 2036: 2033: 2031: 2028: 2026: 2023: 2021: 2018: 2016: 2015:New Criticism 2013: 2011: 2008: 2006: 2003: 2001: 1998: 1996: 1993: 1991: 1988: 1986: 1983: 1981: 1978: 1976: 1973: 1971: 1968: 1967: 1965: 1956: 1953: 1951: 1947: 1944: 1941: 1938: 1934: 1930: 1927: 1926: 1917: 1913: 1910: 1906: 1903: 1899: 1896: 1892: 1889: 1886: 1882: 1879: 1875: 1871: 1868: 1864: 1861: 1857: 1853: 1847: 1842: 1841: 1834: 1830: 1825: 1822: 1818: 1814: 1809: 1805: 1800: 1797: 1793: 1789: 1783: 1779: 1774: 1770: 1765: 1764: 1753: 1749: 1743: 1735: 1734: 1729: 1722: 1715: 1711: 1707: 1701: 1694: 1690: 1686: 1680: 1678: 1670: 1665: 1659:, p. 31. 1658: 1653: 1646: 1645:The Telegraph 1642: 1636: 1630:, p. 61. 1629: 1624: 1617: 1613: 1609: 1603: 1597: 1593: 1589: 1583: 1576: 1572: 1568: 1565:Clive James, 1562: 1555: 1549: 1542: 1538: 1534: 1528: 1519: 1503: 1499: 1498: 1493: 1486: 1484: 1477:, p. 11. 1476: 1471: 1464: 1460: 1454: 1447: 1441: 1434: 1433:The Spectator 1431: 1425: 1418: 1413: 1406: 1401: 1399: 1391: 1386: 1384: 1376: 1371: 1364: 1359: 1352: 1347: 1340: 1335: 1328: 1322: 1315: 1310: 1304:, p. 38. 1303: 1298: 1296: 1289:, p. 19. 1288: 1283: 1276: 1270: 1262: 1254: 1250: 1246: 1245: 1239: 1232: 1230: 1228: 1226: 1224: 1216: 1211: 1204: 1199: 1192: 1188: 1183: 1176: 1175:The Spectator 1172: 1168: 1163: 1155: 1151: 1147: 1143: 1139: 1135: 1128: 1124: 1117: 1115: 1111: 1110: 1105: 1102: 1098: 1093: 1091: 1087: 1082: 1080: 1076: 1072: 1068: 1064: 1060: 1050: 1048: 1044: 1034: 1032: 1028: 1024: 1020: 1015: 1014: 1009: 1005: 1001: 997: 996:Joseph Conrad 993: 989: 985: 974: 972: 968: 964: 960: 955: 953: 949: 945: 941: 936: 926: 924: 920: 916: 911: 909: 905: 901: 896: 894: 890: 885: 871: 868: 862: 857: 854: 850: 849: 843: 841: 840:F R Looseleaf 837: 833: 829: 826: 825: 820: 816: 812: 811: 806: 804: 799: 795: 791: 790:Edith Sitwell 785: 783: 782: 775: 773: 763: 759: 757: 753: 749: 745: 741: 740: 735: 731: 727: 723: 719: 717: 713: 709: 705: 701: 700:George Orwell 697: 696:Edmund Wilson 693: 689: 685: 681: 680:Joseph Conrad 677: 673: 669: 665: 664: 658: 656: 652: 647: 643: 638: 636: 632: 628: 624: 619: 617: 613: 609: 605: 601: 597: 593: 588: 584: 581: 577: 573: 569: 564: 562: 561:Gordon Fraser 558: 554: 553: 548: 544: 540: 539: 534: 523: 521: 517: 513: 509: 504: 501: 497: 493: 492:Western Front 488: 486: 482: 478: 474: 470: 466: 461: 459: 455: 454:Public School 451: 446: 436: 434: 430: 427:According to 425: 423: 418: 416: 412: 408: 403: 399: 395: 391: 390:Frank Raymond 382: 376: 373: 371: 368: 366: 363: 361: 358: 356: 355:Arnold Kettle 353: 351: 348: 347: 345: 341: 338: 334: 331: 327: 324:Academic work 322: 316: 313: 311: 308: 306: 303: 301: 298: 296: 293: 292: 290: 286: 282: 279: 277: 273: 270: 267: 265: 261: 256: 252: 248: 244: 228: 223: 219: 215: 210: 205: 200: 197: 193: 182:14 April 1978 181: 177: 173: 169: 152: 148: 141: 136: 132: 124: 121: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: β€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 1937:another link 1916:F. R. Leavis 1915: 1908: 1901: 1894: 1884: 1877: 1859: 1839: 1828: 1820: 1812: 1804:F. R. Leavis 1803: 1795: 1777: 1771:. Routledge. 1769:F. R. Leavis 1768: 1752:The Guardian 1751: 1742: 1731: 1725:UK listing: 1721: 1705: 1704:Todd Avery, 1700: 1684: 1664: 1652: 1644: 1635: 1623: 1607: 1602: 1587: 1586:Stephen Fry 1582: 1566: 1561: 1553: 1548: 1532: 1527: 1518: 1508:13 September 1506:. 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R. Leavis 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 1975:1978 deaths 1970:1895 births 1909:F. R Leavis 1794:Day, Gary. 1761:Works cited 1728:"No. 47418" 1657:Leavis 1952 1606:John Gross 1543:. page 280. 1203:Hayman 1976 1077:(1975) and 992:Henry James 984:Jane Austen 959:T. S. Eliot 952:Revaluation 940:T. S. Eliot 902:(1948) and 893:Revaluation 891:(1932) and 853:Stephen Fry 832:Clive James 815:A. S. Byatt 746:. Leavis's 744:Shakespeare 676:Henry James 668:Jane Austen 608:T. S. Eliot 592:New Critics 429:Clive James 310:T. S. Eliot 300:Henry James 1964:Categories 1902:Modern Age 1851:0312163576 1716:(p. 39–40) 1714:0754655172 1693:0199695172 1669:Bilan 1979 1628:Bilan 1979 1616:0297764942 1575:0224012622 1554:Possession 1552:A S Byatt 1417:Bilan 1979 1263:required.) 1140:(2): 333. 1120:References 1037:On the BBC 1031:Mark Twain 867:John Gross 819:Tom Sharpe 810:Possession 748:ad hominem 734:C. P. Snow 612:Ezra Pound 500:poison gas 343:Influenced 288:Influences 264:Alma mater 160:1895-07-14 99:March 2019 69:newspapers 1695:. (p. 96) 1405:Bell 1988 1390:Bell 1988 1351:Bell 1988 1277:, London. 1215:Bell 1988 1189:(2009) . 1106:feature, 1081:(1976). 929:On poetry 874:Criticism 792:wrote to 471:(FAU) at 445:Cambridge 168:Cambridge 1946:Archived 1870:Archived 1577:, page 7 1097:Ian Holm 1073:(1972), 1065:and the 910:(1972). 879:Overview 781:Scrutiny 726:Scrutiny 627:Scrutiny 580:Scrutiny 572:Scrutiny 552:Scrutiny 496:Milton's 246:Children 1154:3851832 963:Hopkins 712:Bentham 240:​ 232:​ 172:England 83:scholar 1848:  1813:Leavis 1784:  1712:  1691:  1614:  1594:  1573:  1539:  1257: 1152:  1061:, the 1029:, and 998:, and 967:Milton 716:humane 678:, and 642:mythos 610:, and 526:Career 512:tripos 398:Leavis 276:Thesis 221:Spouse 211:(1952) 206:(1948) 201:(1932) 85:  78:  71:  64:  56:  1931:, at 1150:JSTOR 1010:. In 736:(see 394:F. R. 234:( 230: 90:JSTOR 76:books 1846:ISBN 1782:ISBN 1710:ISBN 1689:ISBN 1612:ISBN 1592:ISBN 1571:ISBN 1537:ISBN 1510:2008 1006:and 754:and 698:and 690:and 473:York 179:Died 150:Born 62:news 1643:", 1249:doi 1142:doi 1101:BBC 1043:BBC 925:). 644:of 516:PhD 45:by 1966:: 1876:, 1750:. 1730:. 1676:^ 1494:. 1482:^ 1461:, 1397:^ 1382:^ 1294:^ 1241:. 1222:^ 1173:. 1148:. 1138:48 1136:. 1104:TV 1092:. 1033:. 1025:, 994:, 990:, 986:, 973:. 851:, 834:, 813:, 758:. 686:, 674:, 670:, 606:, 602:, 578:. 417:. 402:CH 396:" 236:m. 170:, 131:CH 1939:) 1935:( 1854:. 1815:. 1790:. 1754:. 1512:. 1255:. 1251:: 1177:. 1156:. 1144:: 392:" 249:3 162:) 158:( 112:) 106:( 101:) 97:( 87:Β· 80:Β· 73:Β· 66:Β· 39:.

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Cambridge
England
Queenie Leavis
Alma mater
Emmanuel College, Cambridge
Thesis
Matthew Arnold
Henry James
D. H. Lawrence
T. S. Eliot
I. A. Richards
Downing College, Cambridge
University of York
David Holbrook
Arnold Kettle
Wilfrid Mellers
Raymond Williams

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