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in the cellars, and the sound of their squeaking and scuffling coming up the stairs at all times, and the dirt and decay of the place, rise up visibly before me, as if I were there again. The counting-house was on the first floor, looking over the coal-barges and the river. There was a recess in it, in which I was to sit and work. My work was to cover the pots of paste-blacking; first with a piece of oil-paper, and then with a piece of blue paper; to tie them round with a string; and then to clip the paper close and neat, all round, until it looked as smart as a pot of ointment from an apothecary's shop. When a certain number of grosses of pots had attained this pitch of perfection, I was to paste on each a printed label, and then go on again with more pots. Two or three other boys were kept at similar duty down-stairs on similar wages. One of them came up, in a ragged apron and a paper cap, on the first Monday morning, to show me the trick of using the string and tying the knot. His name was Bob Fagin; and I took the liberty of using his name, long afterwards, in Oliver Twist.
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1694:, all of which he considered deviations from the true spirit of Christianity, as shown in the book he wrote for his family in 1846. While Dickens advocated equal rights for Catholics in England, he strongly disliked how individual civil liberties were often threatened in countries where Catholicism predominated and referred to the Catholic Church as "that curse upon the world." Dickens also rejected the Evangelical conviction that the Bible was the infallible word of God. His ideas on Biblical interpretation were similar to the Liberal Anglican
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3316:), this idealism serves only to highlight Dickens's goal of poignant social commentary. Dickens's fiction, reflecting what he believed to be true of his own life, makes frequent use of coincidence, either for comic effect or to emphasise the idea of providence. For example, Oliver Twist turns out to be the lost nephew of the upper-class family that rescues him from the dangers of the pickpocket group. Such coincidences are a staple of 18th-century picaresque novels, such as Henry Fielding's
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3189:(1854), Dickens's only novel-length treatment of the industrial working class. In this work, he uses vitriol and satire to illustrate how this marginalised social stratum was termed "Hands" by the factory owners; that is, not really "people" but rather only appendages of the machines they operated. His writings inspired others, in particular journalists and political figures, to address such problems of class oppression. For example, the prison scenes in
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1609:, he defended the people's right to pleasure, opposing a plan to prohibit games on Sundays. "Look into your churches—diminished congregations and scanty attendance. People have grown sullen and obstinate, and are becoming disgusted with the faith which condemns them to such a day as this, once in every seven. They display their feeling by staying away . Turn into the streets and mark the rigid gloom that reigns over everything around."
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1412:, correlating the emancipation of the poor in England with the abolition of slavery abroad citing newspaper accounts of runaway slaves disfigured by their masters. In spite of the abolitionist sentiments gleaned from his trip to America, some modern commentators have pointed out inconsistencies in Dickens's views on racial inequality. For instance, he has been criticised for his subsequent acquiescence in Governor
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3574:, was one of the things that was keeping him from committing suicide. Oscar Wilde generally disparaged his depiction of character, while admiring his gift for caricature. Henry James denied him a premier position, calling him "the greatest of superficial novelists": Dickens failed to endow his characters with psychological depth, and the novels, "loose baggy monsters", betrayed a "cavalier organisation".
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1109:, Dickens was a creature of capitalism; he used everything from the powerful new printing presses to the enhanced advertising revenues to the expansion of railroads to sell more books. Dickens ensured that his books were available in cheap bindings for the lower orders as well as in morocco-and-gilt for people of quality; his ideal readership included everyone from the pickpockets who read
692:, London in 1824. His wife and youngest children joined him there, as was the practice at the time. Charles, then 12 years old, boarded with Elizabeth Roylance, a family friend, at 112 College Place, Camden Town. Mrs Roylance was "a reduced impoverished old lady, long known to our family", whom Dickens later immortalised, "with a few alterations and embellishments", as "Mrs Pipchin" in
1502:, caused Dickens to resolve to "strike a sledge hammer blow" for the poor. As the idea for the story took shape and the writing began in earnest, Dickens became engrossed in the book. He later wrote that as the tale unfolded he "wept and laughed, and wept again" as he "walked about the black streets of London fifteen or twenty miles many a night when all sober folks had gone to bed".
3185:—but his fiction probably demonstrated its greatest prowess in changing public opinion in regard to class inequalities. He often depicted the exploitation and oppression of the poor and condemned the public officials and institutions that not only allowed such abuses to exist, but flourished as a result. His most strident indictment of this condition is in
2500:. He never regained consciousness. The next day, he died at Gads Hill Place. Biographer Claire Tomalin has suggested Dickens was actually in Peckham when he had had the stroke and his mistress Ellen Ternan and her maids had him taken back to Gads Hill so that the public would not know the truth about their relationship. Contrary to his wish to be buried at
3125:, Captain Nares, investigating an abandoned ship, remarked: "See! They were writing up the log," said Nares, pointing to the ink-bottle. "Caught napping, as usual. I wonder if there ever was a captain yet that lost a ship with his log-book up to date? He generally has about a month to fill up on a clean break, like Charles Dickens and his serial novels."
571:(1785–1851). His father was a clerk in the Navy Pay Office and was temporarily stationed in the district. He asked Christopher Huffam, rigger to His Majesty's Navy, gentleman and head of an established firm, to act as godfather to Charles. Huffam is thought to be the inspiration for Paul Dombey, the owner of a shipping company in Dickens's novel
2687:. His satires of British aristocratic snobbery—he calls one character the "Noble Refrigerator"—are often popular. Comparing orphans to stocks and shares, people to tug boats or dinner-party guests to furniture are just some of Dickens's acclaimed flights of fancy. On his ability to elicit a response from his works, English screenwriter
2974:—are described over the course of his body of work. Walking the streets (particularly around London) formed an integral part of his writing life, stoking his creativity. Dickens was known to regularly walk at least a dozen miles (19 km) per day, and once wrote, "If I couldn't walk fast and far, I should just explode and perish."
3087:, shouting out to the crew of an incoming British ship, "Is little Nell dead?" Dickens was able to incorporate this episodic writing style but still end up with a coherent novel at the end. He wrote, "The thing has to be planned for presentation in these fragments, and yet for afterwards fusing together as an uninterrupted whole."
4348:, America's "pioneer first-class hotel". Dickens "bounded into the Tremont's foyer shouting out 'Here we are!', Grimaldi's famous catch-phrase and as such entirely appropriate for a great and cherished entertainer making his entrance upon a new stage." Later, Dickens was known to imitate Grimaldi's clowning on several occasions.
820:, where he remained until March 1827, having spent about two years there. He did not consider it to be a good school: "Much of the haphazard, desultory teaching, poor discipline punctuated by the headmaster's sadistic brutality, the seedy ushers and general run-down atmosphere, are embodied in Mr Creakle's Establishment in
3501:"Dickens's vocal impersonations of his own characters gave this truth a theatrical form: the public reading tour. No other Victorian could match him for celebrity, earnings, and sheer vocal artistry. The Victorians craved the author's multiple voices: between 1853 and his death in 1870, Dickens performed about 470 times."
1424:, Dickens returned to Washington, D.C., and started a trek westward, with brief pauses in Cincinnati and Louisville, to St. Louis, Missouri. While there, he expressed a desire to see an American prairie before returning east. A group of 13 men then set out with Dickens to visit Looking Glass Prairie, a trip 30 miles into
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Wright recounted that Ternan had unburdened herself to a Canon Benham and gave currency to rumours they had been lovers. Dickens's daughter, Kate
Perugini, stated that the two had a son who died in infancy to biographer Gladys Storey in an interview before the former's death in 1929. Storey published her account in
3848:. Dickens catalysed the emerging Christmas as a family-centred festival of generosity, in contrast to the dwindling community-based and church-centred observations, as new middle-class expectations arose. Its archetypal figures (Scrooge, Tiny Tim, the Christmas ghosts) entered into Western cultural consciousness. "
2026:, and this passion was to last the rest of his life. In 1858, when Dickens was 45 and Ternan 18, divorce would have been scandalous for someone of his fame. After publicly accusing Catherine of not loving their children and suffering from "a mental disorder"—statements that disgusted his contemporaries, including
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honour I am informed I clapped my hands with great precocity, and although I even saw him act in the remote times of 1823 ... I am willing ... to concede that I had not arrived at man's estate when
Grimaldi left the stage". When Dickens arrived in America for the first time in 1842, he stayed at the
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sculpture of
Dickens, notably featuring characters from his books, was commissioned from sculptor Estcourt J Clack to adorn the office building built on the site of his former home at 1 Devonshire Terrace, London. In 2014, a life-size statue was unveiled near his birthplace in Portsmouth on the 202nd
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for his keen practical sense of the ludicrous side of life, though his acclaimed mastery of varieties of class idiom may in fact mirror the conventions of contemporary popular theatre. Dickens worked intensively on developing arresting names for his characters that would reverberate with associations
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The popularity he gained caused a shift in his self-perception according to critic Kate Flint, who writes that he "found himself a cultural commodity, and its circulation had passed out his control", causing him to become interested in and delve into themes of public and personal personas in the next
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he flirted with
Eleanor Picken, the young fiancée of his solicitor's best friend and one night grabbed her and ran with her down to the sea. He declared they were both to drown there in the "sad sea waves". She finally got free, and afterwards kept her distance. In June 1841, he precipitously set out
971:. Dickens's own name was considered "queer" by a contemporary critic, who wrote in 1849: "Mr Dickens, as if in revenge for his own queer name, does bestow still queerer ones upon his fictitious creations." Dickens contributed to and edited journals throughout his literary career. In January 1835, the
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Charles's mother, Elizabeth
Dickens, did not immediately support his removal from the boot-blacking warehouse. This influenced Dickens's view that a father should rule the family and a mother find her proper sphere inside the home: "I never afterwards forgot, I never shall forget, I never can forget,
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The blacking-warehouse was the last house on the left-hand side of the way, at old
Hungerford Stairs. It was a crazy, tumble-down old house, abutting of course on the river, and literally overrun with rats. Its wainscoted rooms, and its rotten floors and staircase, and the old grey rats swarming down
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In his will, drafted more than a year before his death, Dickens left the care of his £80,000 estate (£9,668,700 in 2023) to his long-time colleague John
Forster and his "best and truest friend" Georgina Hogarth who, along with Dickens's two sons, also received a tax-free sum of £8,000 (equivalent to
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delivered a memorial elegy, lauding "the genial and loving humorist whom we now mourn", for showing by his own example "that even in dealing with the darkest scenes and the most degraded characters, genius could still be clean, and mirth could be innocent". Pointing to the fresh flowers that adorned
1597:, which he managed for ten years, setting the house rules, reviewing the accounts and interviewing prospective residents. Emigration and marriage were central to Dickens's agenda for the women on leaving Urania Cottage, from which it is estimated that about 100 women graduated between 1847 and 1859.
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reflect
Dickens's experiences as a law clerk and court reporter, and in particular his direct experience of the law's procedural delay during 1844 when he sued publishers in Chancery for breach of copyright. Dickens's father was sent to prison for debt, and this became a common theme in many of his
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In 1868–69, Dickens gave a series of "farewell readings" in
England, Scotland and Ireland, beginning on 6 October. He managed, of a contracted 100 readings, to give 75 in the provinces, with a further 12 in London. As he pressed on he was affected by giddiness and fits of paralysis. He had a stroke
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to avoid disclosing that he had been travelling with Ternan and her mother, which would have caused a scandal. After the crash, Dickens was nervous when travelling by train and would use alternative means when available. In 1868 he wrote, "I have sudden vague rushes of terror, even when riding in a
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Another important impact of
Dickens's episodic writing style resulted from his exposure to the opinions of his readers and friends. His friend Forster had a significant hand in reviewing his drafts, an influence that went beyond matters of punctuation; he toned down melodramatic and sensationalist
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Dickens may have drawn on his childhood experiences, but he was also ashamed of them and would not reveal that this was where he gathered his realistic accounts of squalor. Very few knew the details of his early life until six years after his death, when John Forster published a biography on which
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embezzlement, but once the directors realised this information might have to be produced in court, they refused to make further disclosures. Owing to the difficulties of providing evidence in America to support his accusations, Dickens eventually made a private settlement with Powell out of court.
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and several other papers picked up on the story. Powell began proceedings to sue these publications and Clark was arrested. Dickens, realising that he had acted in haste, contacted John Chapman & Co to seek written confirmation of Powell's guilt. Dickens did receive a reply confirming Powell's
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The author worked closely with his illustrators, supplying them with a summary of the work at the outset and thus ensuring that his characters and settings were exactly how he envisioned them. He briefed the illustrator on plans for each month's instalment so that work could begin before he wrote
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carriage to remain on the track—which was left hanging precariously off the bridge—was the one in which Dickens was travelling. For three hours before rescuers arrived, Dickens tended and comforted the wounded and the dying with a flask of brandy and a hat refreshed with water. Before leaving, he
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After separating from Catherine, Dickens undertook a series of popular and remunerative reading tours which, together with his journalism, were to absorb most of his creative energies for the next decade, in which he was to write only two novels. His first reading tour, lasting from April 1858 to
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a week pasting labels on pots of boot blacking. The strenuous and often harsh working conditions made a lasting impression on Dickens and later influenced his fiction and essays, becoming the foundation of his interest in the reform of socio-economic and labour conditions, the rigours of which he
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quotes an unpublished letter in which Dickens responds to the accusation that he must not have seen Grimaldi in person: "Now, Sir, although I was brought up from remote country parts in the dark ages of 1819 and 1820 to behold the splendour of Christmas pantomimes and the humour of Joe, in whose
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was most popular and, tapping into an old tradition, did much to promote a renewed enthusiasm for the joys of Christmas in Britain and America. The seeds for the story became planted in Dickens's mind during a trip to Manchester to witness the conditions of the manufacturing workers there. This,
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writes, "He knew how to work an audience and how to get them laughing their heads off one minute or on the edge of their seats and holding their breath the next. The other thing about Dickens is that he loved telling stories and he loved his characters, even those horrible, mean-spirited ones."
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In early September 1860, in a field behind Gads Hill, Dickens made a bonfire of most of his correspondence; he spared only letters on business matters. Since Ellen Ternan also destroyed all of his letters to her, the extent of the affair between the two remains speculative. In the 1930s, Thomas
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were admirers. Dostoyevsky commented: "We understand Dickens in Russia, I am convinced, almost as well as the English, perhaps even with all the nuances. It may well be that we love him no less than his compatriots do. And yet how original is Dickens, and how very English!" Tolstoy referred to
1956:, Dickens believed that the political aristocracy and their incompetence were the death of England. When he and Layard were accused of fomenting class conflict, Dickens replied that the classes were already in opposition and the fault was with the aristocratic class. Dickens used his pulpit in
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stated, "It is not the death of little Nell, but the life of little Nell, that I object to", arguing that the maudlin effect of his description of her life owed much to the gregarious nature of Dickens's grief, his "despotic" use of people's feelings to move them to tears in works like this.
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To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the
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from May 1827 to November 1828. He was a gifted mimic and impersonated those around him: clients, lawyers and clerks. Captivated with London's theatre scene, he went to theatres obsessively: he claimed that for at least three years he went to the theatre every day. His favourite actor was
3073:, later reprinted in book form. These instalments made the stories affordable and accessible, with the audience more evenly distributed across income levels than previous. His instalment format inspired a narrative that he would explore and develop throughout his career, and the regular
1743:, a liberal paper through which Dickens hoped to advocate, in his own words, "the Principles of Progress and Improvement, of Education and Civil and Religious Liberty and Equal Legislation." Among the other contributors Dickens chose to write for the paper were the radical economist
1528:, a clerk, who was on friendly terms with Dickens and who had acted as mentor to Augustus when he started work. Powell was also an author and poet and knew many of the famous writers of the day. After further fraudulent activities, Powell fled to New York and published a book called
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of the working class. Coutts envisioned a home that would replace the punitive regimes of existing institutions with a reformative environment conducive to education and proficiency in domestic household chores. After initially resisting, Dickens eventually founded the home, named
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It inspired a narrative that Dickens would explore and develop throughout his career. The instalments would typically culminate at a point in the plot that created reader anticipation and thus reader demand, generating a plot and sub-plot motif that would come to typify the novel
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hansom cab, which are perfectly unreasonable but quite insurmountable." Dickens's son, Henry, recalled, "I have seen him sometimes in a railway carriage when there was a slight jolt. When this happened he was almost in a state of panic and gripped the seat with both hands."
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novels. She writes that he assumed a role of "influential commentator", publicly and in his fiction, evident in his next few books. His trip to the U.S. ended with a trip to Canada—Niagara Falls, Toronto, Kingston and Montreal—where he appeared on stage in light comedies.
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wrote, "Amid all the variety of 'readings', those of Mr Charles Dickens stand alone." A Dickens biographer, Edgar Johnson, wrote: "It was more than a reading; it was an extraordinary exhibition of acting that seized upon its auditors with a mesmeric possession." Author
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In 1832, at the age of 20, Dickens was energetic and increasingly self-confident. He enjoyed mimicry and popular entertainment, lacked a clear, specific sense of what he wanted to become, and yet knew he wanted fame. Drawn to the theatre—he became an early member of the
3779:; and the Charles Dickens Birthplace Museum in Portsmouth, the house in which he was born. The original manuscripts of many of his novels, as well as printers' proofs, first editions and illustrations from the collection of Dickens's friend John Forster are held at the
3355:, and have been adapted continually for the screen since the invention of cinema, with at least 200 motion pictures and TV adaptations based on Dickens's works documented. Many of his works were adapted for the stage during his own lifetime—early productions included
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merchandise and spin-offs. Within a few years, Dickens had become an international literary celebrity, famous for his humour, satire and keen observation of character and society. His novels, most of them published in monthly or weekly instalments, pioneered the
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After Dickens regained enough strength, he arranged, with medical approval, for a final series of readings to partly make up to his sponsors what they had lost due to his illness. There were 12 performances, on 11 January to 15 March 1870; the last at 8:00pm at
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called him the "first writer to be an object of unrelenting public interest and adulation". Juliet John backed the claim for Dickens "to be called the first self-made global media star of the age of mass culture." The word "celebrity" first appeared in the
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seemed to reflect her own disabilities, Dickens improved the character with positive features. His plots were carefully constructed and he often wove elements from topical events into his narratives. Masses of the illiterate poor would individually pay a
2052:, to preside over the appeal, and he threw himself into the task, heart and soul. Dickens's public readings secured sufficient funds for an endowment to put the hospital on a sound financial footing; one reading on 9 February 1858 alone raised £3,000.
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stating that "the DNA of Dickens's busy, episodic storytelling, delivered in instalments and rife with cliffhangers and diversions, is traceable in everything." His serialisation of his novels also drew comments from other writers. In Scottish author
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the novelist's grave, Stanley assured those present that "the spot would thenceforth be a sacred one with both the New World and the Old, as that of the representative of literature, not of this island only, but of all who speak our English tongue."
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on their heads. Many were drawn from real life: Mrs Nickleby is based on his mother, although she did not recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance'; Harold Skimpole in
432:. After three years, he returned to school before beginning his literary career as a journalist. Dickens edited a weekly journal for 20 years; wrote 15 novels, five novellas, hundreds of short stories and nonfiction articles; lectured and performed
2639:"were an unspeakable source of delight", Dickens's lifelong affinity with the playwright included seeing theatrical productions of his plays in London and putting on amateur dramatics with friends in his early years. In 1838, Dickens travelled to
3645:, asserted that "the adult mind doesn't as a rule find in Dickens a challenge to an unusual and sustained seriousness"; Dickens was indeed a great genius, "but the genius was that of a great entertainer", though he later changed his opinion with
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endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's
647:. He retained poignant memories of childhood, helped by an excellent memory of people and events, which he used in his writing. His father's brief work as a clerk in the Navy Pay Office afforded him a few years of private education, first at a
3402:"a crucial item in the history of Dickens's reputation. Reviewers and literary figures during the 1850s, 1860s and 1870s, saw a 'drear decline' in Dickens, from a writer of 'bright sunny comedy ... to dark and serious social' commentary".
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is his best-known work of historical fiction and includes the famous opening sentence that begins with "It was the best of times, it was the worst of times." It is regularly touted as one of the best-selling novels of all time. Themes in
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moved in with them. Dickens became very attached to Mary, and she died in his arms after a brief illness in 1837. Unusually for Dickens, as a consequence of his shock, he stopped working, and he and Catherine stayed at a little farm on
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3724:, with Nolan calling the depiction of Paris in the novel "one of the most harrowing portraits of a relatable, recognisable civilisation that completely folded to pieces". On 7 February 2012, the 200th anniversary of Dickens's birth,
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maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks".
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were to see him. Dickens prepared meticulously and decided to imitate the comedian Charles Mathews, but ultimately he missed the audition because of a cold. Before another opportunity arose, he had set out on his career as a writer.
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for its role in the event, but reserved his fury for Indians, wishing that he was the commander-in-chief in India so that he would be able to "do my utmost to exterminate the Race upon whom the stain of the late cruelties rested."
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At a time when Britain was the major economic and political power of the world, Dickens highlighted the life of the forgotten poor and disadvantaged within society. Through his journalism he campaigned on specific issues—such as
509:(set in London and Paris) is his best-known work of historical fiction. The most famous celebrity of his era, he undertook, in response to public demand, a series of public reading tours in the later part of his career. The term
2529:, which was not gazetted before his death. His last words were "On the ground" in response to his sister-in-law Georgina's request that he lie down. On Sunday, 19 June 1870, five days after Dickens was buried in the Abbey, Dean
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in Reading, but decided against it due to financial straits. He wrote three anti-Tory verse satires ("The Fine Old English Gentleman", "The Quack Doctor's Proclamation", and "Subjects for Painters") which were published in
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instalment that month as well. The time in Hampstead was the occasion for a growing bond between Dickens and John Forster to develop; Forster soon became his unofficial business manager and the first to read his work.
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A Francophile, Dickens often holidayed in France and, in a speech delivered in Paris in 1846 in French, called the French "the first people in the universe". During his visit to Paris, Dickens met the French literati
1439:, to sign a petition for him to take to Congress, but the press were generally hostile to this, saying that he should be grateful for his popularity and that it was mercenary to complain about his work being pirated.
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in 1851, and the BBC states "Charles Dickens was one of the first figures to be called one". Comparing his reception at public readings to those of a contemporary pop star—the BBC compared his reception in the US to
3227:, 1865), not only underscored his ability to create compelling storylines and unforgettable characters, but also ensured that the Victorian public confronted issues of social justice that had commonly been ignored.
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wrote that Dickens "excelled in character; in the creation of characters of greater intensity than human beings". One "character" vividly drawn throughout his novels is London itself. Dickens described London as a
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earlier on 3 April 1852 was considered by the hospital's founders to have been the catalyst for the hospital's success. Dickens, whose philanthropy was well-known, was asked by his friend, the hospital's founder
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for his readers and assist the development of motifs in the storyline, giving what one critic calls an "allegorical impetus" to the novels' meanings. To cite one of numerous examples, the name Mr Murdstone in
3394:. From the beginning of his career in the 1830s, his achievements in English literature were compared to those of Shakespeare. Dickens's literary reputation, however, began to decline with the publication of
3304:, Dickens provides readers with an idealised portrait of a boy so inherently and unrealistically good that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young
3285:, sees him continuing aspects of this tradition, and argues that his "sentimental scenes and characters as crucial to the overall power of the novels as his darker or comic figures and scenes", and that "
417:. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.
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is most probably his best-known story, with frequent new adaptations. It is also the most-filmed of Dickens's stories, with many versions dating from the early years of cinema. According to the historian
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on 18 April, when he promised never to denounce America again. By the end of the tour Dickens could hardly manage solid food, subsisting on champagne and eggs beaten in sherry. On 23 April he boarded the
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marked the bicentenary of Dickens's birth), the Soviet Union (1962), Antigua, Barbuda, Botswana, Cameroon, Dubai, Fujairah, St Lucia and Turks and Caicos Islands (1970), St Vincent (1987), Nevis (2007),
2604:—Dickens incorporated Gothic imagery, settings and plot devices in his works. Victorian gothic moved from castles and abbeys into contemporary urban environments: in particular London, such as Dickens's
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It has been argued that his technique of flooding his narratives with an 'unruly superfluity of material' that, in the gradual dénouement, yields up an unsuspected order, influenced the organisation of
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2538:£967,000 in 2023). He confirmed his wife Catherine's annual allowance of £600 (£72,500 in 2023). He bequeathed £19 19s (£2,400 in 2023) to each servant in his employment at the time of his death.
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Life of Charles Dickens. by R. Shelton Mackenzie. With Personal Recollections and Anecdotes; – Letters by 'Boz', Never Before Published; – And ... Prose and Verse. With Portrait and Autograph
3653:): "Our purpose", they wrote, "is to enforce as unanswerably as possible the conviction that Dickens was one of the greatest of creative writers". In 1944, Soviet film director and film theorist
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February 1859, consisted of 129 appearances in 49 towns throughout England, Scotland and Ireland. Dickens's continued fascination with the theatrical world was written into the theatre scenes in
2310:. In early December, the readings began. He performed 76 readings, netting £19,000, from December 1867 to April 1868. Dickens shuttled between Boston and New York, where he gave 22 readings at
592:, Kent, where he spent his formative years until the age of 11. His early life seems to have been idyllic, though he thought himself a "very small and not-over-particularly-taken-care-of boy".
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1801:, "underneath the fiction lay something of the author's life". It was Dickens's personal favourite among his novels, as he wrote in the author's preface to the 1867 edition of the novel. His
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2704:, recalled that the author was always "ready to describe down to the minutest details the personal characteristics, and ... life-history of the creations of his fancy". Dickens employs
2034:. When his scheme failed, they separated. Catherine left, never to see her husband again, taking with her one child. Her sister Georgina, who stayed at Gads Hill, raised the other children.
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states, "I don't know how it is, but after you've seen the place and written your name in the little book, somehow or other you seem to be inspired; it kindles up quite a fire within one."
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with a chapter on Charles Dickens, who was not amused by what Powell had written. One item that seemed to have annoyed him was the assertion that he had based the character of Paul Dombey (
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his favourite novel. On Dickens he states, "I like the world that he takes me to. I like his words; I like the language", adding, "A lot of my stuff—it's kind of Dickensian." Screenwriter
3173:(1839), shocked readers with its images of poverty and crime: it challenged middle class polemics about criminals, making impossible any pretence to ignorance about what poverty entailed.
788:
A few months after his imprisonment, John Dickens's mother, Elizabeth Dickens, died and bequeathed him £450. On the expectation of this legacy, Dickens was released from prison. Under the
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Dickens published 15 major novels, several novellas, a large number of short stories (including a number of Christmas-themed stories), a handful of plays, and several non-fiction books.
1948:
formed an Administrative Reform Association to demand significant reforms of Parliament, Dickens joined and volunteered his resources in support of Layard's cause. With the exception of
1326:
was shut down, though Dickens was still keen on the idea of the weekly magazine, a form he liked, an appreciation that had begun with his childhood reading of the 18th-century magazines
1379:
to care for the young family they had left behind. She remained with them as housekeeper, organiser, adviser and friend until Dickens's death in 1870. Dickens modelled the character of
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resulting from Dickens's own experiences of the institution. Lucy Stroughill, a childhood sweetheart, may have affected several of Dickens's portraits of girls such as Little Em'ly in
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1690:, seeing both as extremes of Christianity and likely to limit personal expression, and was critical of what he saw as the hypocrisy of religious institutions and philosophies like
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3432:"decidedly the worst of his novels". All the same, despite these "increasing reservations amongst reviewers and the chattering classes, 'the public never deserted its favourite
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asserted that Dickens "issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together".
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1891:(1858–1870). Both journals contained a mix of fiction and non-fiction, and dealt with aspects in the culture. For example, the latter journal included Dickens' assessment of
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2068:, and he found an outlet in public readings. In 1866, he undertook a series of public readings in England and Scotland, with more the following year in England and Ireland.
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in the fourth episode (the first to be illustrated by Phiz) marked a sharp climb in its popularity. The final instalment sold 40,000 copies. On the impact of the character,
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society. In a New York address, he expressed his belief that "Virtue shows quite as well in rags and patches as she does in purple and fine linen". Dickens's second novel,
957:—Boz being a family nickname he employed as a pseudonym for some years. Dickens apparently adopted it from the nickname 'Moses', which he had given to his youngest brother
813:: "I had no advice, no counsel, no encouragement, no consolation, no assistance, no support, of any kind, from anyone, that I can call to mind, as I hope to go to heaven!"
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Dickens was perturbed by the return to power of the Tories, whom he described as "people whom, politically, I despise and abhor." He had been tempted to stand for the
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Dickens's writing style is marked by a profuse linguistic creativity. Satire, flourishing in his gift for caricature, is his forte. An early reviewer compared him to
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His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character
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During his travels, he saw a change in the people and the circumstances of America. His final appearance was at a banquet the American Press held in his honour at
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In the 1950s, "a substantial reassessment and re-editing of the works began, and critics found his finest artistry and greatest depth to be in the later novels:
3099:. Dickens had not thought of killing Little Nell and it was Forster who advised him to entertain this possibility as necessary to his conception of the heroine.
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Dickens's novels and novellas were initially published in weekly and monthly magazines, the novels in serial format, then reprinted in standard book formats.
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Charles Dickens Collection: First editions of Charles Dickens's works included in the Leonard Kebler gift (dispersed in the Division's collection). From the
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Dickens and his publications have appeared on a number of postage stamps in countries including: the United Kingdom (1970, 1993, 2011 and 2012 issued by the
3852:", a prominent phrase from the tale, was popularised following the appearance of the story. The term Scrooge became a synonym for miser, and his exclamation
1049:. All these became his friends and collaborators, with the exception of Disraeli, and he met his first publisher, John Macrone, at the house. The success of
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is used to describe something that is reminiscent of Dickens and his writings, such as poor social or working conditions, or comically repulsive characters.
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called Dickens his favourite writer, writing his novels "stand alone, dwarfing all others by their amazing power and felicity of expression". Dutch painter
2913:, and "Pickwickian", "Pecksniffian" and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively,
1517:(1849–50) mark a significant artistic break in Dickens's career as his novels became more serious in theme and more carefully planned than his early works.
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and visited the house in which Shakespeare was born, leaving his autograph in the visitors' book. Dickens would draw on this experience in his next work,
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1968:, helping raise funds for their campaigns and stating that "a united Italy would be of vast importance to the peace of the world, and would be a rock in
1243:, he found he could not now kill, as he had planned, in his fiction, and, according to Ackroyd, he drew on memories of her for his later descriptions of
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that "if literary fame could be safely measured by popularity with the half-educated, Dickens must claim the highest position among English novelists".
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believed were unfairly borne by the poor. He later wrote that he wondered "how I could have been so easily cast away at such an age". As he recalled to
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2716:. The Artful Dodger uses cockney slang which is juxtaposed with Oliver's 'proper' English, when the Dodger repeats Oliver saying "seven" with "sivin".
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at 48 Doughty Street, London (on which Charles had a three-year lease at £80 a year) from 25 March 1837 until December 1839. Dickens's younger brother
4363:, alleged that Dickens's last words were: "Be natural my children. For the writer that is natural has fulfilled all the rules of Art." Reprinted from
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remarked that "Mr Dickens is an enlightened Unitarian." Professor Gary Colledge has written that he "never strayed from his attachment to popular lay
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around 1897, after it had closed. Dickens based several of his characters on the experience of seeing his father in the debtors' prison, most notably
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that my mother was warm for my being sent back." His mother's failure to request his return was a factor in his dissatisfied attitude towards women.
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states, "From the moment he started to write, he spoke for the people, and the people loved him for it." He was a fierce critic of the poverty and
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The Sam Weller Bump testifies not merely to Dickens's comic genius but to his acumen as an "authorpreneur", a portmanteau he inhabited long before
848:'s system of shorthand in his spare time, he left to become a freelance reporter. A distant relative, Thomas Charlton, was a freelance reporter at
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3261:. "One must have a heart of stone to read the death of little Nell", he said in a famous remark, "without dissolving into tears ... of laughter."
1755:. Dickens lasted only ten weeks on the job before resigning due to a combination of exhaustion and frustration with one of the paper's co-owners.
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in London. The family had left Kent amidst rapidly mounting debts and, living beyond his means, John Dickens was forced by his creditors into the
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Dickens was the most popular novelist of his time, and remains one of the best-known and most-read of English authors. His works have never gone
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During this period, whilst pondering a project to give public readings for his own profit, Dickens was approached through a charitable appeal by
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had a love-hate relationship with Dickens, finding his novels "mesmerizing" while reproving him for his sentimentalism and a commonplace style.
2635:(1975) that "No one is better qualified to recognise literary genius than a literary genius". Regarding Shakespeare as "the great master" whose
761:, the boys worked in a room in which the window gave onto the street. Small audiences gathered and watched them at work—in Dickens's biographer
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3732:: "Today there is no escaping Charles Dickens. Not that there has ever been much chance of that before. He has a deep, peculiar hold upon us".
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was Dickens's first popular failure but the character of Dolly Varden, "pretty, witty, sexy, became central to numerous theatrical adaptations"
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At the helm in popularising cliffhangers and serial publications in Victorian literature, Dickens's influence can also be seen in television
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1145:. It defined its own, a new one that we have learned to call 'entertainment'." In November 1836, Dickens accepted the position of editor of
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people lived became major themes of his works, and it was this unhappy period in his youth to which he alluded in his favourite, and most
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is one of Dickens's best-known gothic creations; living in a ruined mansion, her bridal gown effectively doubles as her funeral shroud.
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3496:(scalpers)—the ones in New York City escaped detection by borrowing respectable-looking hats from the waiters in nearby restaurants."
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3960:(2013) which depicts Dickens's alleged secret love affair with Ellen Ternan which lasted for thirteen years until his death in 1870.
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Museums and festivals celebrating Dickens's life and works exist in many places with which Dickens was associated. These include the
1653:(1846), a book about the life of Christ, written with the purpose of sharing his faith with his children and family. In a scene from
1309:
In the midst of all his activity during this period, there was discontent with his publishers and John Macrone was bought off, while
1093:"he most important single novel of the Victorian era". The unprecedented success led to numerous spin-offs and merchandise including
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Dickens created some of the world's best-known fictional characters and is regarded by many as the greatest British novelist of the
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3844:, the current state of the observance of Christmas is largely the result of a mid-Victorian revival of the holiday spearheaded by
3783:. Dickens's will stipulated that no memorial be erected in his honour; nonetheless, a life-size bronze statue of Dickens entitled
3492:
states, "People sometimes fainted at his shows. His performances even saw the rise of that modern phenomenon, the 'speculator' or
2369:; on doctor's advice, the tour was cancelled. After further provincial readings were cancelled, he began work on his final novel,
2253:", in which the central character has a premonition of his own death in a rail crash. He also based the story on several previous
1850:. As a child, Dickens had walked past the house and dreamed of living in it. The area was also the scene of some of the events of
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wax museum on Baker Street, which he called "something more than an exhibition, it is an institution." In 1854, at the behest of
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argues that Ternan lived with Dickens secretly for the last 13 years of his life. The book was subsequently turned into a play,
1065:. Seymour committed suicide after the second instalment and Dickens, who wanted to write a connected series of sketches, hired "
994:(whom Dickens greatly admired) and enjoying the company of Hogarth's three daughters: Georgina, Mary and 19-year-old Catherine.
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publication of narrative fiction, Dickens wrote most of his major novels in monthly or weekly instalments in journals such as
3031:, some critics have detected in his portrait features of Dickens's own character, which he sought to exorcise by self-parody.
2558:. According to Ackroyd, other than these, perhaps the most important literary influence on him was derived from the fables of
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are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of
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3523:(1770–1850), thought him a "very talkative, vulgar young person", adding he had not read a line of his work, while novelist
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as his favourite book, and he later adopted the novel as "a model for his own autobiographical reflections". French writer
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In June 1862, he was offered £10,000 for a reading tour of Australia. He was enthusiastic, and even planned a travel book,
1069:" to provide the engravings (which were reduced from four to two per instalment) for the story. The resulting story became
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479:
413:. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the
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792:, Dickens arranged for payment of his creditors, and he and his family left the Marshalsea, for the home of Mrs Roylance.
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2879:) are so well known as to be part and parcel of popular culture, and in some cases have passed into ordinary language: a
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in 2007, but closed on 12 October 2016. To celebrate the 200th anniversary of the birth of Charles Dickens in 2012, the
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Less fortunate characters, such as Tiny Tim (held aloft by Bob Cratchit), are often used by Dickens in sentimental ways.
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is regarded by many as a veiled autobiography of Dickens. The scenes of interminable court cases and legal arguments in
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1151:, a position he held for three years, until he fell out with the owner. In 1836, as he finished the last instalments of
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10104:. In Henson, Louise; Cantor, Geoffrey; Dawson, Gowan; Noakes, Richard; Shuttleworth, Sally; Topham, Jonathan R (eds.).
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1972:'s way," and that "I feel for Italy almost as if I were an Italian born." Dickens also published dozens of writings in
1635:, described him as someone who "possessed deep religious convictions". In the early 1840s, he had shown an interest in
1322:
on a two-month tour of Scotland and then, in September 1841, telegraphed Forster that he had decided to go to America.
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The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery
2318:", he kept to a schedule that would have challenged a much younger man, even managing to squeeze in some sleighing in
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As a young man, Dickens expressed a distaste for certain aspects of organised religion. In 1836, in a pamphlet titled
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727:. To pay for his board and to help his family, Dickens was forced to leave school and work ten-hour days at Warren's
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that circulated between 1992 and 2003. His portrait appeared on the reverse of the note accompanied by a scene from
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3095:), and made suggestions about plot and character. It was he who suggested that Charley Bates should be redeemed in
2712:, and consonants in words are frequently omitted, as in 'ere (here) and wot (what). An example of this usage is in
2412:
1584:, heir to the Coutts banking fortune, approached Dickens in May 1846 about setting up a home for the redemption of
920:
845:
3039:
1538:) on Thomas Chapman, one of the principal partners at John Chapman & Co. Dickens immediately sent a letter to
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His journalism, in the form of sketches in periodicals, formed his first collection of pieces, published in 1836:
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2647:(1838–39), expressing the strength of feeling experienced by visitors to Shakespeare's birthplace: the character
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1169:, published in 1838, became one of Dickens's better known stories and was the first Victorian novel with a child
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stated, "arguably the most historic bump in English publishing is the Sam Weller Bump." A publishing phenomenon,
662:
Illustration by Fred Bernard of Dickens at work in a shoe-blacking factory after his father had been sent to the
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are also frequently adapted and, like many of his novels, evoke images of early Victorian London. His 1859 novel
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described his own childhood in bleak Dickensian terms, noting he had "an intense and unreasoning affection" for
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was a major influence on the 19th-century novelist including Dickens, who read it in his youth and named a son
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and Florence Dombey. His grief was so great that he was unable to meet the deadline for the June instalment of
1223:
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in America in 1861 delayed his plans. On 9 November 1867, over two years after the war, Dickens set sail from
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In 1830, Dickens met his first love, Maria Beadnell, thought to have been the model for the character Dora in
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conjures up twin allusions to murder and stony coldness. His literary style is also a mixture of fantasy and
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880:(1838). She met the author in 1834, and they became engaged the following year before marrying in April 1836.
859:. Maria's parents disapproved of the courtship and ended the relationship by sending her to school in Paris.
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10453:. Studies in European and American literature and culture. Literary criticism in perspective. Camden House.
3465:
As his career progressed, Dickens's fame and the demand for his public readings were unparalleled. In 1868,
3249:
Dickens is often described as using idealised characters and highly sentimental scenes to contrast with his
2917:, hypocritical and vapidly factual. The character that made Dickens famous, Sam Weller became known for his
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said that it showed Dickens with "the dust and mud of humanity about him, notwithstanding those eagle eyes".
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are central to the picaresque novel. Comedy is also an aspect of the British picaresque novel tradition of
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This period came to an end in June 1822, when John Dickens was recalled to Navy Pay Office headquarters at
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became a stereotype of untrained and incompetent nurses of the early Victorian era, before the reforms of
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700:, Archibald Russell, "a fat, good-natured, kind old gentleman ... with a quiet old wife" and lame son, in
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11205:. Cambridge Studies in Nineteenth-Century Literature and Culture. Vol. 19. Oxford University Press.
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8554:"Charles Dickens: Eminently Adaptable but Quite Inimitable; Dostoyevsky to Disney, The Dickensian Legacy"
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3257:(1841) was received as extremely moving by contemporary readers but viewed as ludicrously sentimental by
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online comments that, despite "patches of emotional excess", such as the reported death of Tiny Tim in
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Sketch of Dickens in 1842 during his first American tour. Sketch of Dickens's sister Fanny, bottom left
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held the UK's first major exhibition on the author in 40 years. In 2002, Dickens was number 41 in the
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After living briefly in Italy (1844), Dickens travelled to Switzerland (1846), where he began work on
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Franklin's Fate: An investigation into what happened to the lost 1845 expedition of Sir John Frankin.
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3692:; the best-selling children's author would include three of Dickens's novels among those read by the
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cashed in on Dickens's popularity with cheap imitations of his novels, resulting in his own popular '
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to champion the Reform Association. He also commented on foreign affairs, declaring his support for
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and, although the first few episodes were not successful, the introduction of the Cockney character
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called the book "a national benefit, and to every man and woman who reads it a personal kindness".
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and Dickens was able to share his box there to report the legal proceedings for nearly four years.
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and the family (except for Charles, who stayed behind to finish his final term at school) moved to
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Studies in Etymology and Etiology: With Emphasis on Germanic, Jewish, Romance and Slavic Languages
10660:"Aporias of Retribution and questions of responsibility: the legacy of incarceration in Dickens's
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9055:
9049:
8778:"Christopher and Jonathan Nolan Explain How A Tale Of Two Cities Influenced The Dark Knight Rises"
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3984:, Gibraltar, Jersey and Pitcairn Islands (2012), Austria (2013) and Mozambique (2014). In 1976, a
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publication of narrative fiction, which became the dominant Victorian mode for novel publication.
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Finding aid to Charles Dickens papers at Columbia University. Rare Book & Manuscript Library.
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9347:. The Broadview Anthology of British Literature. Vol. 2. Broadview Press. pp. 735–743.
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Cotsell, Michael (1986). "Politics and Peeling Frescoes: Layard of Nineveh and "Little Dorrit"".
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Roberts, David (1989). "Charles Dickens and the "Daily News": Editorials and Editorial Writers".
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in many of his works, denoting working-class Londoners. Cockney grammar appears in terms such as
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In January 1815, John Dickens was called back to London, and the family moved to Norfolk Street,
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famously declared Thackeray, not Dickens, to be the greatest novelist of the age. However, both
3215:. The exceptional popularity of Dickens's novels, even those with socially oppositional themes (
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Authors frequently draw their portraits of characters from people they have known in real life.
1879:
During this time Dickens was also the publisher, editor and a major contributor to the journals
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In 1833, Dickens submitted his first story, "A Dinner at Poplar Walk", to the London periodical
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to have each new monthly episode read to them, opening up and inspiring a new class of readers.
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3412:"a heavy book to read through at once ... dull and wearisome as a serial"; Richard Simpson, in
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cigars, playing cards, china figurines, Sam Weller puzzles, Weller boot polish and joke books.
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Dickens and the Sentimental Tradition: Fielding, Richardson, Sterne, Goldsmith, Sheridan, Lamb
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Dickens and the Unreal City: Searching for Spiritual Significance in Nineteenth-Century London
4290:(monthly serial, April 1870 to September 1870). Novel. Left unfinished due to Dickens's death.
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In November 2018 it was reported that a previously lost portrait of a 31-year-old Dickens, by
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and Dickens became a regular visitor to his Fulham house—excited by Hogarth's friendship with
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6407:, How the East India Company Shaped the Modern Multinational, Pluto Press, pp. 171–198,
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2504:"in an inexpensive, unostentatious, and strictly private manner", he was laid to rest in the
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At about this time, he was made aware of a large embezzlement at the firm where his brother,
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Charles Dickens was born on 7 February 1812 at 1 Mile End Terrace (now 393 Commercial Road),
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Dickens and Empire:Discourses of Class, Race and Colonialism in the Works of Charles Dickens
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A week's tramp in Dickens-Land: together with personal reminiscences of the 'Inimitable Boz'
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include wealth and poverty, love and rejection, and the eventual triumph of good over evil.
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Soon after his return to England, Dickens began work on the first of his Christmas stories,
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During his American visit, Dickens spent a month in New York City, giving lectures, raising
641:, Kent. He later imitated Grimaldi's clowning on several occasions, and would also edit the
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Soubigou, Gilles, "Dickens's Illustrations: France and other countries", pp. 154–167, from
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included a correspondence with Mary Tyler, dated 6 November 1849, on the comedic merits of
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Around 1940–41, the attitude of the literary critics began to warm towards Dickens—led by
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at the time of Dickens's death. The engraving shows Dickens's empty chair in his study at
2223:
On 9 June 1865, while returning from Paris with Ellen Ternan, Dickens was involved in the
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series (1840–41), were all published in monthly instalments before being made into books.
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remains especially popular and continues to inspire adaptations in every creative medium.
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Smith, Grahame (2001). "The Life and Times of Charles Dickens". In Jordan, John O (ed.).
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from December 1860 to August 1861. The advert contains the plot device "to be continued".
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Dickens made rapid progress both professionally and socially. He began a friendship with
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Soubigou, Gilles "Dickens's Illustrations: France and other countries" pp. 154–167 from
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Soubigou, Gilles "Dickens's Illustrations: France and other countries" pp. 154–167 from
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1408:, Dickens includes a powerful condemnation of slavery which he had attacked as early as
967:. When pronounced by anyone with a head cold, "Moses" became "Boses"—later shortened to
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Ready to Trample on All Human Law: Finance Capitalism in the Fiction of Charles Dickens
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1834:(1856). It was here that he indulged in the amateur theatricals described in Forster's
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and the pirating of his work in America. He persuaded a group of 25 writers, headed by
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dating back to his boyhood. The novel influenced his own gloomy portrait of London in
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took it up. For a writer who made his reputation crusading against the squalor of the
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Dickens worked at the law office of Ellis and Blackmore, attorneys, of Holborn Court,
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10098:"'In the Natural Course of Physical Things': Ghosts and Science in Charles Dickens's
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2375:. It was fashionable in the 1860s to 'do the slums' and, in company, Dickens visited
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later confirmed that the members of the Franklin expedition resorted to cannibalism.
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in Jamaica and his failure to join other British progressives in condemning it. From
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Righteous indignation stemming from his own situation and the conditions under which
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The Chimes: A Goblin Story of Some Bells That Rang an Old Year Out and a New Year In
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On 2 April 1836, after a one-year engagement, and between episodes two and three of
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The Making of Addiction: The 'Use and Abuse' of Opium in Nineteenth-Century Britain
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anniversary of his birth; this was supported by his great-great-grandsons, Ian and
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2419:, paying a special tribute on the death of his friend, illustrator Daniel Maclise.
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721:—he spent the day at the Marshalsea. Dickens later used the prison as a setting in
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424:, Dickens left school at age 12 to work in a boot-blacking factory when his father
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Dickens, family, authorship: psychoanalytic perspectives on kinship and creativity
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On 8 June 1870, Dickens had another stroke at his home after a full day's work on
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to help it survive its first major financial crisis. His "Drooping Buds" essay in
2007:(pictured in 1858) drew the attention of Dickens after he saw her on stage in 1857
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4548:"Hearing voices allowed Charles Dickens to create extraordinary fictional worlds"
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3436:". Dickens's popular reputation remained unchanged, sales continued to rise, and
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Gold, David L (2009). González, Félix Rodríquez; Buades, Antonio Lillo (eds.).
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8195:. Anthem nineteenth century studies. London: Anthem Press. pp. xiii, 123.
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7203:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)"
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Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation
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Dickens's approach to the novel is influenced by various things, including the
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2298:, he devoted the rest of the month to a round of dinners with such notables as
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While he contemplated a second visit to the United States, the outbreak of the
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for a fortnight. Dickens idealised Mary; the character he fashioned after her,
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extensively; was an indefatigable letter writer; and campaigned vigorously for
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significantly influenced the modern celebration of Christmas in many countries
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3308:. While later novels also centre on idealised characters (Esther Summerson in
2120:, though no contemporary evidence was given. On his death, Dickens settled an
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765:'s estimation, the public display was "a new refinement added to his misery".
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When the warehouse was moved to Chandos Street in the smart, busy district of
449:, a publishing phenomenon—thanks largely to the introduction of the character
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8345:"Oliver Twiss and Martin Guzzlewit – the fan fiction that ripped off Dickens"
7377:"Charles Dickens and the Gothic (2.11) – The Cambridge History of the Gothic"
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exaggerations, cut long passages (such as the episode of Quilp's drowning in
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1729:. The character incorporates many elements of Dickens's own life. Artwork by
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debates, and he travelled across Britain to cover election campaigns for the
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Dickens's London: Perception, Subjectivity and Phenomenal Urban Multiplicity
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Waller, John O. (July 1960). "Charles Dickens and the American Civil War".
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Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship
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The age of romanticism. The Victorian era. The twentieth century and beyond
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8377:, ed. Paul Schlicke, Oxford University Press. Print publication date: 2000
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The Black Lords of Summer: The Story of the 1868 Aboriginal Tour of England
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God and Charles Dickens: Recovering the Christian Voice of a Classic Author
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Charles Dickens on the screen: the film, television, and video adaptations
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regards him as the greatest creator of character in English fiction after
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Dickens later used the experience of the crash as material for his short
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1838:. During this period, he worked closely with the novelist and playwright
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30:"Dickens" and "Dickensian" redirect here. For the television series, see
11714:. Studies in Contemporary Jewry. Vol. 12. Oxford University Press.
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Literature and Legal Discourse: Equity and Ethics from Sterne to Conrad
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edited by Michael Hollington. London: A&C Black, 2013, pp. 164–165.
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and had painted the portrait in late 1843 when Dickens, aged 31, wrote
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Writers, Readers, and Reputations: Literary Life in Britain, 1870–1918
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was inspired by Dickens's novels in several of his paintings, such as
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bridge that was under repair and ten passengers were killed. The only
1567:
Dickens presiding over a charity meeting to discuss the future of the
1371:
during their first trip to the United States and Canada. At this time
943:—Boz being a family nickname—written by Dickens with illustrations by
595:
Charles spent time outdoors, but also read voraciously, including the
15994:
15489:
14050:
12267:
Rare Book and Special Collections Division at the Library of Congress
12168:
Correspondence of Charles Dickens, with related papers, ca. 1834–1955
10601:
10486:. Cambridge Introductions to Literature. Cambridge University Press.
4359:
4316:
3899:
where Dickens's father once worked in the Navy Pay Office, opened in
3467:
3289:
is Dickens's greatest triumph in the sentimentalist tradition". The
3198:
3182:
2943:
2918:
2914:
2551:
2526:
2376:
2291:
2228:
1752:
1737:
In December 1845, Dickens took up the editorship of the London-based
832:
689:
585:
581:
560:
443:
Dickens's literary success began with the 1836 serial publication of
94:
12161:
5971:
3963:
872:
15712:
15164:
15144:
14401:
12266:
12084:
8924:
5453:(Anniversary ed.). Oxford University Press. pp. 462–463.
4380:
Slater also detects Ellen Ternan in the portrayal of Lucie Manette.
4198:
The Haunted Man and the Ghost's Bargain: A Fancy for Christmas-time
3277:
The question as to whether Dickens belongs to the tradition of the
3269:
2709:
2489:
A 1905 transcribed copy of the death certificate of Charles Dickens
2380:
2341:
1425:
1317:. Other signs of a certain restlessness and discontent emerged; in
736:
696:. Later, he lived in a back-attic in the house of an agent for the
615:
548:
398:
12319:
11342:
The Writing Workshop Note Book: Notes on Creating and Workshopping
11092:
The invisible woman: the story of Nelly Ternan and Charles Dickens
10033:
The Social History of Art: Naturalism, impressionism, the film age
6830:"Charles Dickens letter underlines impact of rail crash on author"
5744:. Troy New York: The Whitston Publishing Company. pp. 42–125.
3927:
carried out by the BBC, five of Dickens's books were named in the
3805:, Pennsylvania. Another life-size statue of Dickens is located at
3455:"Charles Dickens as he appears when reading." Wood engraving from
3297:(1843), "Dickens cannot really be termed a sentimental novelist".
3253:
and the ugly social truths he reveals. The story of Nell Trent in
2994:, which is widely regarded as Dickens's most autobiographical work
2962:, inspiring the places and people in many of his novels. From the
2103:(1861), which were resounding successes. Set in London and Paris,
1789:. It was published between 1849 and 1850. In Dickens's biography,
997:
889:—he landed an acting audition at Covent Garden, where the manager
15963:
15788:
15671:
13699:
13231:
12080:
11743:
Dickens's Great Expectations: Misnar's Pavilion Versus Cinderella
2922:
2512:. A printed epitaph circulated at the time of the funeral reads:
2315:
2262:
2261:
in Sussex of 1861. Dickens managed to avoid an appearance at the
1809:, a puppet show dominated by the anarchic clowning of Mr. Punch.
1165:
and also writing four plays, the production of which he oversaw.
16209:
15118:
14216:
13883:
12184:
10182:
The Stations of the Sun: A History of the Ritual Year in Britain
7621:"Scrooge, Ebenezer – definition of Scrooge, Ebenezer in English"
3515:
Among fellow writers, there was a range of opinions on Dickens.
2724:
2654:
1999:
704:
in Southwark. They provided the inspiration for the Garlands in
16073:
12211:
11234:"Exhibition in focus: Dickens and London, the Museum of London"
10278:. Globetrotter walking guides. London: New Holland Publishers.
8586:
edited by Michael Hollington London: A&C Black 2013 p. 161.
6167:
Charles Dickens and China, 1895–1915: Cross-Cultural Encounters
6155:
edited by Michael Hollington London: A&C Black 2013 p. 159.
3853:
3810:
2942:
informed the delineation of Uriah Heep (a term synonymous with
2384:
2365:
on 18 April 1869 in Chester. He collapsed on 22 April 1869, at
2331:
2295:
2144:. During the same period Dickens furthered his interest in the
1679:
English authors, Chaucer and Dickens have the most in common."
1361:
816:
Dickens was eventually sent to the Wellington House Academy in
11760:
Moore, Grace (2002). "Reappraising Dickens's 'Noble Savage'".
9595:
Wordplay: origins, meanings, and usage of the English language
9284:
The Ethnographic Imagination: Textual Constructions of Reality
8444:"A dozen facts about Dickens, the man who redefined Christmas"
6665:, p. 1, introduction. Ware, Hertfordshire: Wordsworth Classics
3527:(1828–1909), found Dickens "intellectually lacking". In 1888,
1498:
along with scenes he had recently witnessed at the Field Lane
1161:—writing as many as 90 pages a month—while continuing work on
15018:
14644:
14086:
14007:
13393:
9103:"First pictures released of Ralph Fiennes as Charles Dickens"
6603:"Charles Dickens novel inscribed to George Eliot up for sale"
2848:
2784:
2565:
2360:
dated 4 February 1869, two months before he had a mild stroke
2022:
had written. Dickens fell in love with one of the actresses,
1916:
1524:, worked (John Chapman & Co). It had been carried out by
1011:—a publishing phenomenon that sparked numerous spin-offs and
634:
531:
Charles Dickens's birthplace, 393 Commercial Road, Portsmouth
16695:
Writers of historical fiction set in the early modern period
15576:
9569:
Appreciations and Criticisms of the Works of Charles Dickens
7435:
The Oxford Companion to Charles Dickens: Anniversary Edition
6589:
The Oxford Companion to Charles Dickens: Anniversary Edition
6324:
The Oxford Companion to Charles Dickens: Anniversary Edition
4138:
A Christmas Carol in Prose: Being a Ghost-story of Christmas
3027:
Dickens had collaborated. Though Skimpole brutally sends up
2623:
No other writer had such a profound influence on Dickens as
2278:
Crowd of spectators buying tickets for a Dickens reading at
2159:, but ultimately decided against the tour. Two of his sons,
13362:
10367:
Levin, Harry (Autumn 1970). "Charles Dickens (1812–1870)".
9189:
8018:
The Novels and Tales of Robert Louis Stevenson: The Wrecker
7957:"Cliffhangers poised to make Dickens a serial winner again"
3083:
was being serialised, American fans waited at the docks in
2987:
1196:(1815–1879), the daughter of George Hogarth, editor of the
1113:
to Queen Victoria, who found it "exceedingly interesting".
115:
15342:
11574:. Studies in Major Literary Authors. New York: Routledge.
10340:. Vol. 1. Oxford University Press. pp. 154–164.
9993:
Charles Dickens's Networks: Public Transport and the Novel
8656:
Philip Collins, "Dickens reputation". Britannica Academica
6147:
6145:
15468:
12234:
11898:
Slater, Michael (2011) . "Dickens, Charles John Huffam".
11202:
Dickens, Novel Reading, and the Victorian Popular Theatre
9089:
7745:
3908:
3657:
wrote an essay on Dickens's influence on cinema, such as
2966:
on the outskirts of the city to the lower reaches of the
2227:
in Kent. The train's first seven carriages plunged off a
2167:, migrated to Australia, Edward becoming a member of the
1927:. These attacks would later be expanded on his 1856 play
975:
launched an evening edition, under the editorship of the
383:
377:
6856:
Charles Dickens's Our Mutual Friend A Publishing History
6184:(1867 ed.). London: Wordsworth Classics. p. 4.
4601:"Dickensian meaning in the Cambridge English Dictionary"
3510:
on Dickens's fame and the demand for his public readings
10307:"Ebenezer Scrooge named most popular Dickens character"
9963:. Westport, Connecticut: Greenwood Publishing Company.
9133:"The Royal Mail unveils special Charles Dickens stamps"
6283:
6281:
6142:
3369:
in 1848—and, as early as 1901, the British silent film
1933:, which satirises Rae and the Inuit. Twentieth-century
9316:
Eclectic Magazine: Foreign Literature, Science and Art
8547:
8545:
5654:. University of Toronto. November 1992. Archived from
4220:(monthly serial, March 1852 to September 1853). Novel.
4054:; monthly serial, April 1836 to November 1837). Novel.
1842:. In 1856, his income from writing allowed him to buy
1710:
referred to Dickens as "that great Christian writer".
1459:, 1843. Painted during the period when he was writing
11592:, New York: Simon and Schuster, 1952. In two volumes.
10450:
The Dickens industry: critical perspectives 1836–2005
10338:
The Oxford Encyclopedia of British Literature, Volume
8438:
8436:
4176:; monthly serial, October 1846 to April 1848). Novel.
4084:; monthly serial, April 1838 to October 1839). Novel.
3891:
is a high school in Broadstairs, Kent. A theme park,
1631:. He is regarded as a professing Christian. His son,
1033:
had become the meeting place for a set that included
915:
for the first time early in 1832. He rented rooms at
389:
386:
380:
11529:"The Outcast as Villain and Victim: Jews in Dickens
7326:
6278:
4246:(monthly serial, December 1855 to June 1857). Novel.
4212:; monthly serial, May 1849 to November 1850). Novel.
4128:; monthly serial, January 1843 to July 1844). Novel.
4019:
is reported to have paid £180,000 for the portrait.
3934:
Actors who have portrayed Dickens on screen include
3153:
Dickens's novels were, among other things, works of
2938:. Perhaps Dickens's impressions on his meeting with
2525:
in March indicates he'd been offered and accepted a
2407:. On 2 May, he made his last public appearance at a
2269:
1991:, Dickens joined in the widespread criticism of the
1980:, including multiple laudations for vaccine pioneer
1360:
On 22 January 1842, Dickens and his wife arrived in
1294:(1840–41) and, finally, his first historical novel,
374:
10243:. Random House Studies in Language and Literature.
10106:
Culture and Science in the Nineteenth-Century Media
9793:
The Recollections of Sir Henry Fielding Dickens, KC
9380:
The Cambridge Companion to the Literature of London
9051:
The Western Canon: The Books and School of the Ages
8542:
7403:"Charles Dickens, Victorian Gothic and Bleak House"
5024:
5022:
5020:
4282:(monthly serial, May 1864 to November 1865). Novel.
3609:
and one of over 200 works based on Dickens' novels.
3193:are claimed to have been influential in having the
1944:In 1855, when Dickens's good friend and Liberal MP
1355:
919:and worked as a political journalist, reporting on
371:
11947:
11774:
11702:Charles Dickens: Scenes From An Extraordinary Life
10873:
10813:
10714:
10578:
10551:
10384:
10139:
9592:
9480:Charles Dickens and the Great Theatre of the World
9281:
8849:Sydney Morning Herald". Retrieved 18 February 2014
8745:
8536:Literary Translation in Russia: A Cultural History
8433:
7884:The Cambridge Companion to the History of the Book
7230:"John Forster, "The Life of Charles Dickens" (13)"
6992:The Life of Charles Dickens: 1852 – 1870, Volume 3
5871:
5045:
4437:
4435:
4003:, South Africa. Gillies was an early supporter of
3007:books, with the detailed depiction of life in the
2399:, London. Though in grave health by then, he read
2242:, and he returned to his carriage to retrieve it.
2124:on Ternan which made her financially independent.
2011:In 1857, Dickens hired professional actresses for
1875:, London where Dickens lived between 1851 and 1860
1467:' 1844 summer exhibition. After viewing it there,
731:Warehouse, on Hungerford Stairs, near the present
10944:Speeches, letters, and sayings of Charles Dickens
8948:
8946:
8385:Published online: 2011 (subscription required) e
7769:
7767:
7353:. Vol. III. Project Gutenberg. p. 462.
5432:
5430:
2294:for his second American reading tour. Landing in
1131:On its impact on mass culture, Nicholas Dames in
16421:
14830:A Christmas Carol; or, Past, Present, and Future
14760:Kelly Clarkson's Cautionary Christmas Music Tale
11604:. Cambridge University Press. pp. 292–300.
10670:. Cambridge University Press. pp. 124–201.
9930:. Cambridge University Press. pp. 186–193.
9415:"Madness and the Dickens Marriage: a New Source"
8095:
8093:
7915:""Keystone" Structure in Dickens' Serial Novels"
7264:
7191:
7189:
7187:
7185:
7109:
7035:
6973:
6971:
6541:, pp. 260–263 for excerpts from the speech.
5976:. Penn State University Press. pp. 100–103.
5083:
5081:
5017:
4454:
4452:
4450:
4398:
4396:
2633:A Kind of Power: The Shakespeare-Dickens Analogy
1155:, he began writing the beginning instalments of
1015:merchandise—made the 24-year-old Dickens famous.
907:. His uncle William Barrow offered him a job on
397:; 7 February 1812 – 9 June 1870) was an English
16460:19th-century English dramatists and playwrights
12131:"Archival material relating to Charles Dickens"
11745:. Lexington, KY: University Press of Kentucky.
8921:"Charles Dickens statue unveiled in Portsmouth"
6199:. Oxford: Oxford University Press. p. 204.
6128:. Gerald Duckworth & Co. pp. 197–204.
5269:
5267:
5128:
5126:
5124:
5122:
5120:
5040:
4432:
4162:The Cricket on the Hearth: A Fairy Tale of Home
3077:made each new episode widely anticipated. When
2452:. It appeared in the Christmas 1870 edition of
2383:, where he witnessed an elderly addict called "
1270:His success as a novelist continued. The young
11711:Literary Strategies: Jewish Texts and Contexts
10785:. Cambridge University Press. pp. 67–73.
10554:The other Dickens: a life of Catherine Hogarth
10240:Charles Dickens: An Introduction to His Novels
8943:
7764:
7252:
7240:
6037:
5873:"The Faith Behind the Famous: Charles Dickens"
5649:Halcyon: The Newsletter of the Friends of the
5427:
5005:
4641:West, Gilian (Spring 1999). "Huffam and Son".
3688:". Dickens was among the favourite authors of
2387:Sal", who formed the model for "Opium Sal" in
1141:'Literature' is not a big enough category for
471:expressed distress at the way Miss Mowcher in
27:English novelist and social critic (1812–1870)
16285:
16195:
15949:
15698:
15562:
15454:
15328:
15104:
15004:
14202:
14036:
13869:
13348:
13118:
12335:
12214:The V&A's collections relating to Dickens
11875:
11679:. Philadelphia: T B Peterson & Brothers.
11454:Becoming Dickens 'The Invention of a Novelist
10880:. New Haven / London: Yale University Press.
10696:
10483:The Cambridge Introduction to Charles Dickens
9706:Charles Dickens and The House of Fallen Women
9621:Charles Dickens and His Original Illustrators
8413:
8411:
8090:
7182:
6968:
6356:. Cambridge University Press. pp. 43–44.
6038:Ledger, Sally; Furneaux, Holly, eds. (2011).
5810:. Electronics Classics Series. Archived from
5784:
5415:
5369:
5357:
5333:
5254:
5252:
5168:
5156:
5105:
5078:
4993:
4981:
4951:
4933:
4858:
4801:
4771:
4447:
4393:
4260:, 30 April 1859, to 26 November 1859). Novel.
3895:, standing in part on the site of the former
3047:, serialised in the weekly literary magazine
1903:, Dickens viciously attacked Arctic explorer
1297:Barnaby Rudge: A Tale of the Riots of 'Eighty
1282:, staying up until midnight to discuss them.
666:, published in the 1892 edition of Forster's
651:and then at a school run by William Giles, a
14000:The Life and Adventures of Nicholas Nickleby
13981:The Life and Adventures of Nicholas Nickleby
13922:The Life and Adventures of Nicholas Nickleby
13914:The Life and Adventures of Nicholas Nickleby
13094:
12419:The Life and Adventures of Martin Chuzzlewit
12411:Barnaby Rudge: A Tale of the Riots of Eighty
12123:
11904:(online ed.). Oxford University Press.
11600:. In Ledger, Sally; Furneaux, Holly (eds.).
11165:
10781:. In Ledger, Sally; Furneaux, Holly (eds.).
10331:
9926:. In Ledger, Sally; Furneaux, Holly (eds.).
9500:Dickens's Christmas: A Victorian Celebration
9153:
8720:Britannica Academica, subscription required.
8620:
8099:
7428:
7426:
7424:
6938:"Charles Dickens and the American Civil War"
5517:
5515:
5264:
5117:
5099:
4707:
4705:
4677:
4653:
4619:
4126:The Life and Adventures of Martin Chuzzlewit
4108:Barnaby Rudge: A Tale of the Riots of Eighty
4082:The Life and Adventures of Nicholas Nickleby
3761:in London, the historic home where he wrote
2977:
1433:the question of international copyright laws
1214:in Kent, the couple returned to lodgings at
12387:Oliver Twist; or, The Parish Boy's Progress
11539:. In Cohen, Derek; Heller, Deborah (eds.).
11391:. London: Smith, Elder & Co. 1885–1900.
11006:The Stanford Companion to Victorian Fiction
9373:
9312:"The Eclectic Magazine: Foreign Literature"
8747:"Dear sir or madam, will you read my book?"
8692:"Dickens on screen: the highs and the lows"
8084:
7780:. Edinburgh University Press. p. 209.
7575:
7514:"Why Charles Dickens' novels make great TV"
7472:
7470:
6633:"A Tale of Two Cities, King's Head, review"
6298:
6296:
6164:
6092:
6090:
6088:
5796:
4911:
4909:
4848:
4846:
4695:Charles Dickens: Collected Papers, Vol. 1,
4636:
4634:
4469:
4467:
4274:, 1 December 1860 to 3 August 1861). Novel.
1671:(Dickens held a copy in his library), with
1542:, editor of the New York literary magazine
584:. When Charles was four, they relocated to
16292:
16278:
16202:
16188:
15956:
15942:
15705:
15691:
15569:
15555:
15461:
15447:
15335:
15321:
15111:
15097:
15011:
14997:
14209:
14195:
14043:
14029:
13876:
13862:
13355:
13341:
13125:
13111:
12379:The Posthumous Papers of the Pickwick Club
12342:
12328:
11707:
10999:
10918:The Cambridge Companion to Charles Dickens
10876:Charles Dickens: A Life Defined by Writing
10641:The Cambridge Companion to Charles Dickens
10585:. University of California Press. p.
9836:The Cambridge Companion to Charles Dickens
9565:
9529:
8597:The Reception of Charles Dickens in Europe
8584:The Reception of Charles Dickens in Europe
8408:
8405:Adam Roerts, "Dickens Reputation", p. 505.
8178:
8032:"My hero: Charles Dickens by Simon Callow"
7886:. Cambridge University Press. p. 85.
7877:
7875:
6562:
6153:The Reception of Charles Dickens in Europe
5742:The Charles Dickens-Thomas Powell Vendetta
5740:Moss, Sidney P.; Moss, Carolyn J. (1996).
5624:
5622:
5249:
4542:
4540:
4538:
4536:
4426:
4238:, 1 April 1854, to 12 August 1854). Novel.
4052:The Posthumous Papers of the Pickwick Club
3967:Soviet postage stamp commemorating Dickens
3335:Dickens's portrait (top left), in between
3323:which Dickens enjoyed reading as a youth.
3281:is debatable. Valerie Purton, in her book
2627:. On Dickens's veneration of Shakespeare,
2521:A letter from Dickens to the Clerk of the
1860:and this literary connection pleased him.
1812:In late November 1851, Dickens moved into
1783:. In early 1849, Dickens started to write
961:, after a character in Oliver Goldsmith's
56:
16680:Writers from the London Borough of Camden
15222:The Personal History of David Copperfield
11704:, Frances Lincoln Children's Books, 2011.
11672:
10657:
9318:. New Series (Charles Dickens Obituary).
9014:"BBC – Great Britons – Top 100"
8533:
8015:
7987:"Streaming: the best Dickens adaptations"
7925:(1). University of Toronto Press: 31–50.
7830:
7582:. Nalanda Digital Library. Archived from
7421:
7199:inflation figures are based on data from
7151:Charles Dickens Was Offered A Baronetcy,
6849:
6847:
6006:
5987:
5985:
5983:
5969:
5512:
5287:"Notable people connected with St Luke's"
4717:
4702:
3599:Advert for the Best Picture Oscar winner
2356:Poster promoting a reading by Dickens in
2344:against the proceeds of his lecture tour.
2236:remembered the unfinished manuscript for
1481:, written in 1843, which was followed by
867:
16675:Writers about activism and social change
16465:19th-century English non-fiction writers
16455:19th-century British short story writers
14939:The Misadventures of the Wholesome Twins
14811:Mrs. Bob Cratchit's Wild Christmas Binge
11590:Charles Dickens: his tragedy and triumph
11543:. McGill-Queen's Press. pp. 40–60.
11121:
10811:
10743:
10134:
10108:. Ashgate Publishing. pp. 113–124.
9989:
9921:
9888:
9822:Flint, Kate (2001). "The middle novels:
9735:
9650:
9590:
9279:
8988:
8976:
8551:
8419:"Charles Dickens and Fame vs. Celebrity"
8401:
8399:
8304:
8269:
8111:
7773:
7467:
7432:
7065:
6977:
6913:. University of California: Santa Cruz.
6586:
6574:
6490:
6339:The Letters of Charles Dickens, Volume 2
6321:
6293:
6085:
5902:
5844:
5739:
5727:
5678:
5676:
5448:
5409:
5273:
4906:
4876:
4843:
4765:
4631:
4464:
4441:
3962:
3862:
3824:
3739:
3594:
3450:
3330:
3268:
3132:
3038:
2981:
2885:
2723:
2653:
2458:and thousands of prints of it were sold.
2351:
2340:to return to Britain, barely escaping a
2273:
2070:
2054:
1998:
1862:
1717:
1611:
1562:
1450:
1385:
1258:
1175:
1001:The wise-cracking, warm-hearted servant
996:
931:
871:
767:
657:
534:
526:
16565:English male dramatists and playwrights
16450:19th-century British newspaper founders
12551:The Haunted Man and the Ghost's Bargain
11901:Oxford Dictionary of National Biography
11842:
11803:
11740:
11654:
11338:
11305:The Essays of Virginia Woolf: 1925–1928
11088:
11066:
10934:
10446:
10332:Kucich, John; Sadoff, Dianne F (2006).
10236:
10211:
9852:
9799:
9790:
9702:
9306:
9243:
9227:
8888:
8803:"Why Charles Dickens speaks to us now".
8666:Oxford Reference, subscription required
8644:
8632:
8608:
8373:Adam Roberts, "Reputation of Dickens",
8257:
8162:
8060:
7872:
7866:
7842:
7742:"A tale of one city: Dickensian London"
7673:
7649:
7437:. Oxford University Press. p. 537.
7344:
7332:
7320:
7282:
7176:
7164:
7127:
7115:
7077:
7053:
7041:
7029:
7009:. London: The Open Agency. p. 23.
6989:
6905:
6903:
6868:
6858:. Taylor & Francis. pp. 9, 10.
6810:, "Dickens of a time", 24 December 2002
6722:
6698:
6686:
6674:
6591:. Oxford University Press. p. 302.
6550:
6526:
6454:
6366:
6345:
6336:
6302:
6265:
6245:
6233:
6221:
6209:
6197:The Selected Letters of Charles Dickens
6194:
6096:
5802:
5778:
5766:
5619:
5613:
5601:
5589:
5533:
5451:The Oxford Companion to Charles Dickens
5391:. RA VIC/MAIN/QVJ (W). 26 December 1838
5351:
5327:
5315:
5243:
5188:"Chapter One – The Pickwick Phenomenon"
5072:
5011:
4999:
4927:
4852:
4825:
4813:
4789:
4753:
4741:
4711:
4671:
4577:"Oxford Dictionaries – Dickensian"
4533:
4503:
4414:
4368:
4011:. It was exhibited, to acclaim, at the
1061:'s engraved illustrations in a monthly
14:
16422:
14725:Bah, Humduck! A Looney Tunes Christmas
12646:American Notes for General Circulation
12044:Works by Charles Dickens in eBook form
11945:
11924:
11863:from the original on 26 September 2015
11772:
11728:from the original on 23 September 2015
11700:Manning, Mick & Granström, Brita,
11630:
11569:
11557:from the original on 26 September 2015
11541:Jewish Presences in English Literature
11526:
11326:from the original on 19 September 2015
11286:from the original on 26 September 2015
11258:
11231:
11219:from the original on 21 September 2015
11109:from the original on 19 September 2015
10987:from the original on 20 September 2015
10966:Dickens's working notes for his novels
10894:
10871:
10834:
10799:from the original on 19 September 2015
10776:
10764:from the original on 20 September 2015
10684:from the original on 26 September 2015
10630:
10576:
10549:
10467:from the original on 23 September 2015
10413:
10199:from the original on 22 September 2015
10175:
10164:
10095:
10083:from the original on 20 September 2015
10026:
9977:from the original on 20 September 2015
9956:
9876:from the original on 21 September 2015
9757:
9671:from the original on 22 September 2015
9638:from the original on 20 September 2015
9517:from the original on 19 September 2015
9496:
9474:
9267:from the original on 26 September 2015
9158:. University of Sydney. Archived from
9000:
8964:
8952:
8552:Kakutani, Michiko (22 December 1988).
8292:
8245:
8190:
7943:
7900:
7881:
7854:
7270:
7139:
6935:
6844:
6734:
6710:
6405:The Corporation That Changed the World
6398:
6351:
6326:. Oxford University Press. p. 10.
6287:
6123:
6007:Allingham, Philip V, ed. (June 2011).
5980:
5835:Simon Callow, 'Charles Dickens'. p.159
5790:
5754:
5715:
5473:
5436:
5421:
5375:
5363:
5339:
5258:
5174:
5162:
5111:
5087:
5028:
4987:
4963:
4939:
4915:
4888:
4864:
4837:
4792:, p. 76:'recklessly improvident'.
4777:
4683:
4659:
4625:
4527:
4098:, April 1840 to November 1841). Novel.
4072:, February 1837 to April 1839). Novel.
4036:
3244:
2157:The Uncommercial Traveller Upside Down
1401:American Notes for General Circulation
440:, education and other social reforms.
16273:
16183:
15937:
15686:
15550:
15442:
15316:
15092:
14992:
14190:
14024:
13857:
13336:
13106:
13093:
12323:
11759:
11661:The Greatest Pages of Charles Dickens
11618:from the original on 19 November 2016
11595:
11487:from the original on 19 November 2016
11423:from the original on 19 November 2016
11402:Other Dickens: Pickwick to Chuzzlewit
11398:
11298:
11198:
11054:from the original on 24 December 2012
11039:
10962:
10915:
10712:
10512:
10379:
10366:
10354:from the original on 19 November 2016
10319:from the original on 12 November 2020
10304:
10292:from the original on 19 November 2016
10271:
10146:. Syracuse University Press. p.
10062:
10014:from the original on 19 November 2016
9821:
9778:from the original on 19 November 2016
9736:Morrison, Richard (3 February 2012).
9683:
9617:
9553:from the original on 19 November 2016
9412:
9400:from the original on 19 November 2016
9361:from the original on 19 November 2016
9338:
9044:
8827:
8784:from the original on 5 September 2019
8729:
8464:
8396:
8342:
8281:
8072:
7997:from the original on 3 September 2021
7967:from the original on 3 September 2021
7912:
7711:"The best Charles Dickens characters"
7697:
7685:
7661:
7607:
7537:
7500:
7488:
7294:
7258:
7246:
7200:
7004:
6917:from the original on 9 September 2013
6853:
6514:
6478:
6466:
6261:. Charles Dickens. 1860. p. 250.
6066:
5991:
5884:from the original on 31 December 2016
5769:, pp. 249, 530–538, 549–550, 575
5697:from the original on 22 November 2018
5682:
5673:
5628:
5545:
5521:
5506:
5476:"When Charles Dickens came to Boston"
5212:
4975:
4558:from the original on 17 November 2018
4515:
4458:
4402:
4306:Racism in the work of Charles Dickens
3283:Dickens and the Sentimental Tradition
2148:becoming one of the early members of
2091:Other works soon followed, including
2030:—Dickens attempted to have Catherine
1210:, London. After a brief honeymoon in
1023:, the author of the highwayman novel
543:, Dickens's home 1817 – May 1821
16500:19th-century British philanthropists
16163:Great Expectations: The Untold Story
11830:from the original on 30 October 2015
11499:
11466:
11359:from the original on 18 October 2015
11186:from the original on 17 October 2015
11153:from the original on 25 October 2015
11027:from the original on 19 October 2015
10859:from the original on 18 October 2015
10816:Oxford Reader's Companion to Dickens
10750:(3 ed.). Rapid Psychler Press.
10618:from the original on 30 October 2015
10593:
10537:from the original on 22 October 2015
10500:from the original on 22 October 2015
10434:from the original on 26 October 2015
10122:from the original on 30 October 2015
10050:from the original on 17 October 2015
9960:Student Companion to Charles Dickens
9944:from the original on 25 October 2015
9909:from the original on 30 October 2015
9462:from the original on 18 October 2015
9437:
9054:. New York: Harcourt Brace. p.
8758:from the original on 10 January 2022
8477:from the original on 4 November 2019
8375:Oxford Reader's Companion to Dickens
8316:
8165:, p. 441: In conversation with
8144:from the original on 11 October 2018
8042:from the original on 7 November 2021
7802:"Steve Jobs was right about walking"
7721:from the original on 14 October 2019
7631:from the original on 22 October 2013
6900:
6613:from the original on 26 October 2016
6538:
6502:
6437:from the original on 3 February 2021
5927:from the original on 15 January 2019
5571:from the original on 21 October 2015
5297:from the original on 27 October 2018
4900:
4640:
4485:from the original on 1 December 2017
4116:, February to November 1841). Novel.
3921:greatest Western writers of all time
3867:Statue of Dickens in his birthplace
3128:
2739:surrounded by many of his characters
2735:, portraying Dickens at his desk at
2347:
1446:
1416:'s harsh crackdown during the 1860s
1057:for Dickens to supply text to match
986:. Hogarth invited him to contribute
629:. At the age of seven, he first saw
16495:19th-century British letter writers
13957:The Adventures of Nicholas Nickleby
13254:Samuel Weller, or, The Pickwickians
12349:
12151:Charles Dickens on the Archives Hub
12039:Charles Dickens's works on Bookwise
11954:. Oxford University Press. p.
11440:Charles Dickens' Great Expectations
10950:from the original on 8 October 2015
10717:Dickens and the Dialectic of Growth
10479:
10142:A reader's guide to Charles Dickens
9723:from the original on 8 October 2015
9572:. J M DentForgotten Books. p.
9343:. In Black, Joseph Laurence (ed.).
9326:from the original on 8 October 2015
9186:Gazetteer of Planetary Nomenclature
9154:Mrva-Montoya, Agata (August 2011).
7752:from the original on 21 August 2014
7476:
7455:from the original on 13 August 2020
6888:from the original on 7 January 2015
6179:
6169:. Taylor & Francis. p. 56.
5914:
5474:Miller, Sandra A. (18 March 2012).
5225:from the original on 17 August 2021
3954:, the latter playing the author in
3706:, an avid reader of Dickens, named
3379:. Contemporaries such as publisher
3343:, on a stained glass window at the
3034:
2083:, London. He included the venue in
1230:and Catherine's 17-year-old sister
1122:Launched Charles Dickens's Career,
453:in the fourth episode—that sparked
24:
13768:You've Got to Pick a Pocket or Two
13657:Saban's Adventures of Oliver Twist
13203:
12973:Epitaph of Charles Irving Thornton
11673:Mackenzie, Robery Shelton (1870).
11373:
11135:. Bloom's Classic Critical Views.
10036:. Vol. 4. London: Routledge.
9113:from the original on 28 April 2021
8870:from the original on 6 August 2020
8227:from the original on 30 April 2015
7740:Jones, Bryony (13 February 2012).
7097:from the original on 14 March 2012
6769:Australian Dictionary of Biography
6019:from the original on 15 March 2019
2594:—a literary genre that began with
1647:". Dickens authored a work called
1600:
1394:He described his impressions in a
1053:led to a proposal from publishers
563:, the second of eight children of
25:
16711:
16505:19th-century pseudonymous writers
16385:(1989 humorous literary critique)
14581:A Special Sesame Street Christmas
12146:National Portrait Gallery, London
12072:Works by or about Charles Dickens
11974:
11500:Hart, Christopher (20 May 2007).
11302:(1986). McNeillie, Andrew (ed.).
11246:from the original on 7 April 2012
10940:"Dean Stanley on Charles Dickens"
10417:Charles Dickens: The Uses of Time
10259:from the original on 29 June 2019
10215:The Encyclopedia of New York City
9536:Charles Dickens: A Critical Study
9230:for the serial publication dates.
8931:from the original on 6 April 2014
8901:from the original on 1 April 2021
8889:Kennedy, Maev (6 February 2014).
8702:from the original on 29 July 2020
8564:from the original on 9 March 2021
7409:from the original on 27 July 2021
7383:from the original on 18 July 2021
7357:from the original on 15 July 2019
5194:from the original on 26 June 2021
5144:from the original on 26 June 2021
4607:from the original on 14 July 2018
3620:Inside the Whale and Other Essays
3398:in 1852–53. Philip Collins calls
2541:
2270:Second visit to the United States
1915:, based on interviews with local
266:
129:, Westminster Abbey, England
16590:English male short story writers
16575:English male non-fiction writers
16490:19th-century British journalists
16445:19th-century English biographers
14955:Ebenezer and the Invisible World
14870:A Christmas Carol: A Ghost Story
13072:
13071:
12501:
12257:John Davis Batchelder Collection
12244:John Davis Batchelder Collection
12088:
11640:. William Morrow & Company.
11388:Dictionary of National Biography
11232:Werner, Alex (9 December 2011).
10420:. Susquehanna University Press.
10336:. In Kastan, David Scott (ed.).
10165:Hughes, William Richard (1891).
9791:Dickens, Henry Fielding (1934).
9221:
9203:
9174:
9147:
9125:
9095:
9072:
9038:
9006:
8994:
8982:
8970:
8958:
8913:
8882:
8852:
8833:
8821:
8796:
8770:
8738:
8723:
8714:
8684:
8670:
8659:
8650:
8638:
8626:
8614:
8602:
8589:
8576:
8527:
8520:Dictionary of National Biography
8512:
8489:
8458:
8367:
8355:from the original on 6 July 2020
8336:
8310:
8298:
8286:
8275:
8263:
8251:
8239:
8209:
8184:
8172:
8156:
8131:
8125:
8105:
8078:
8066:
8054:
8024:
8016:Stevenson, Robert Louis (1895).
8009:
7979:
7949:
7937:
7906:
7894:
7860:
7848:
7836:
7824:
7812:from the original on 9 July 2021
7794:
7733:
7703:
7691:
7679:
7667:
7655:
7643:
7613:
7601:
7569:
7557:from the original on 9 June 2020
7543:
7531:
7506:
7494:
7482:
7441:
7395:
7369:
7338:
7314:
7288:
7276:
7222:
7170:
7158:
7145:
7133:
7121:
7083:
7071:
7059:
7047:
7023:
6998:
6994:. Chapman and Hall. p. 363.
6983:
6929:
6874:
6862:
6822:
6800:
6781:
6762:
6740:
6728:
6716:
6704:
6692:
6680:
6668:
6655:
6643:from the original on 8 July 2020
6625:
6595:
6580:
6568:
6556:
6544:
6532:
6520:
6508:
6496:
6484:
6472:
6460:
6448:
6392:
6360:
6341:. Chapman and Hall. p. 140.
6330:
6315:
6251:
6239:
6227:
6224:, pp. 648, 686–687, 772–773
6215:
6203:
6188:
6173:
6158:
6117:
6060:
6031:
6000:
5917:"Reclaiming 'A Christmas Carol'"
5869:
5683:Brown, Mark (21 November 2018).
4649:(447). Dickens Fellowship: 5–18.
4374:
4351:
4186:The Battle of Life: A Love Story
3875:Dickens was commemorated on the
3534:Dictionary of National Biography
2482:
2465:
2431:
2205:
2187:
2075:Dickens was a regular patron at
1356:First visit to the United States
1029:(1834), whose bachelor salon in
637:—perform at the Star Theatre in
367:
352:
16655:People from Somers Town, London
16605:English prisoners and detainees
16485:19th-century English historians
13636:(1982 American-British TV film)
12933:Alfred D'Orsay Tennyson Dickens
12253:Charles Dickens's Walking Stick
12240:Charles Dickens's Traveling Kit
12208:Old Commercial Road, Portsmouth
10631:Patten, Robert L (2001). "From
9738:"Champion of the little people"
9624:. Ohio State University Press.
9376:"London in the Victorian Novel"
9374:Bodenheimer, Rosemarie (2011).
9339:Black, Joseph Laurence (2007).
9211:"Lost Portrait Appeal Campaign"
9156:"On Dickens and postage stamps"
8538:. Penn State Press. p. 12.
8465:Shinn, Matt (31 January 2004).
7919:University of Toronto Quarterly
7913:Axton, William (October 1967).
5963:
5939:
5908:
5896:
5863:
5838:
5829:
5772:
5760:
5748:
5733:
5721:
5709:
5651:Thomas Fisher Rare Book Library
5634:
5607:
5595:
5583:
5551:
5539:
5527:
5500:
5467:
5442:
5403:
5381:
5345:
5321:
5309:
5279:
5237:
5206:
5180:
5093:
5066:
5034:
4969:
4957:
4945:
4921:
4894:
4882:
4870:
4831:
4819:
4807:
4795:
4783:
4759:
4747:
4735:
4726:
4689:
4665:
4593:
4570:
4334:
3209:was more seditious than Marx's
2411:banquet in the presence of the
2161:Alfred D'Orsay Tennyson Dickens
1713:
1627:Dickens honoured the figure of
1558:
717:, free from her studies at the
319:Alfred D'Orsay Tennyson Dickens
262:
16635:Literacy and society theorists
16545:Critics of the Catholic Church
16480:19th-century English essayists
16470:19th-century English novelists
14947:The Man Who Invented Christmas
14565:Mister Magoo's Christmas Carol
14273:Ghost of Christmas Yet to Come
13057:The Man Who Invented Christmas
12938:Sydney Smith Haldimand Dickens
11808:. In Patten, Robert L. (ed.).
11040:Swift, Simon (18 April 2007).
10920:. Cambridge University Press.
10643:. Cambridge University Press.
10597:Charles Dickens:Family History
10305:Jones, Sam (6 February 2012).
9862:. London: Diderot Publishing.
9838:. Cambridge University Press.
9253:. London: Sinclair-Stevenson.
8678:""Dickens", Faber & Faber"
8343:Flood, Alison (25 June 2019).
7379:. Cambridge University Press.
5921:Christian Broadcasting Network
5190:. Cambridge University Press.
4603:. Cambridge University Press.
4521:
4509:
4497:
4420:
4408:
4064:The Adventures of Oliver Twist
1777:François-René de Chateaubriand
1751:, who frequently attacked the
1313:signed over all his rights in
324:Sydney Smith Haldimand Dickens
13:
1:
14897:Doctor Who: A Christmas Carol
14637:A Flintstones Christmas Carol
14605:Rich Little's Christmas Carol
14498:The Smurfs: A Christmas Carol
13796:(soundtrack to the 1968 film)
13531:Las Aventuras de Oliver Twist
11166:Van De Linde, Gérard (1917).
10723:University of Wisconsin Press
10447:Mazzeno, Laurence W. (2008).
10171:. Oxford: Chapman & Hall.
9990:Grossman, Jonathan H (2012).
9761:John Forster, a Literary Life
9378:. In Manley, Lawrence (ed.).
9288:. London: Routledge. p.
9079:"The Big Read: Top 100 Books"
6180:Dickens, Charles. "Preface".
6165:Hiu Yen Lee, Klaudia (2015).
6067:Watts, Cedric Thomas (1976).
5213:Dames, Nicholas (June 2015).
4387:
4301:List of Dickensian characters
3326:
2970:, all aspects of the capital—
2719:
2213:
2178:
2169:Parliament of New South Wales
1617:
1530:The Living Authors of England
876:Catherine Hogarth Dickens by
733:Charing Cross railway station
516:
67:
16560:English historical novelists
16540:British critics of religions
16525:Burials at Westminster Abbey
14629:Blackadder's Christmas Carol
14597:Bugs Bunny's Christmas Carol
13817:Oliver and the Artful Dodger
13017:Charles Dickens in His Study
12670:A Child's History of England
12142:Portraits of Charles Dickens
12024:Resources in other libraries
12000:Resources in other libraries
11918:UK public library membership
11452:Douglas-Fairhurst, Robert, "
11265:The World of Charles Dickens
10812:Schlicke, Paul, ed. (1999).
10639:". In Jordan, John O (ed.).
9834:". In Jordan, John O (ed.).
9764:. Rowman & Littlefield.
9591:Cochrane, Robertson (1996).
9310:, ed. (July–December 1870).
8134:"Deconstructing Little Nell"
6099:Victorian Periodicals Review
6071:. Sussex Books. p. 55.
5970:Besserman, Lawrence (2006).
5849:. Brazos Press. p. 24.
5642:"Charles Dickens in Toronto"
4311:Charles Dickens bibliography
4029:Charles Dickens bibliography
3631:(1941) and Humphry House in
3422:as "this dreary framework";
2986:An original illustration by
2306:and his American publisher,
2165:Edward Bulwer Lytton Dickens
2039:Great Ormond Street Hospital
1593:, in the Lime Grove area of
1364:, Massachusetts, aboard the
625:and the Collected Farces of
567:(née Barrow; 1789–1863) and
7:
16625:British ghost story writers
16530:Children's rights activists
16510:19th-century travel writers
14661:An All Dogs Christmas Carol
14573:Carol for Another Christmas
14474:Barbie in a Christmas Carol
14386:An American Christmas Carol
14290:Scrooge, or, Marley's Ghost
13801:Escape of the Artful Dodger
12451:Hard Times: For These Times
12087:(public domain audiobooks)
11473:. Universidad de Alicante.
11442:(St. Martin's Press, 1990)
10971:University of Chicago Press
10820:. Oxford University Press.
10779:"Modern screen adaptations"
10744:Robinson, David J. (2005).
10387:Consciousness and the Novel
10220:New York Historical Society
10212:Jackson, Kenneth T (1995).
10185:. Oxford University Press.
9601:University of Toronto Press
8534:Friedberg, Maurice (1997).
7551:"London dialect in Dickens"
7351:The Life of Charles Dickens
6819:. Retrieved 29 October 2013
6797:. Retrieved 29 October 2013
6778:. Retrieved 29 October 2013
6259:All the Year Round Volume 2
6248:, pp. 589–95, 848–852.
5996:. Springer. pp. 11–12.
5389:"Queen Victoria's Journals"
5291:St Luke's and Christ Church
4357:A contemporary obituary in
4294:
4230:Hard Times: For These Times
3915:. American literary critic
3858:William Makepeace Thackeray
3680:—and (less unanimously) in
3372:Scrooge, or, Marley's Ghost
3361:which was performed in the
2666:. His dialect is rooted in
1574:The Illustrated London News
713:On Sundays—with his sister
363:Charles John Huffam Dickens
79:Charles John Huffam Dickens
10:
16716:
16595:English newspaper founders
16475:19th-century English poets
16357:The Mystery of Edwin Drood
16338:The Mystery of Edwin Drood
16330:The Mystery of Edwin Drood
16322:The Mystery of Edwin Drood
16306:The Mystery of Edwin Drood
15667:Little Dorrit's Playground
14530:Scrooge: A Christmas Carol
14482:Ghosts of Girlfriends Past
14426:Christmas Carol: The Movie
14410:The Muppet Christmas Carol
14268:Ghost of Christmas Present
13804:(2001 TV series retelling)
12983:Charles Dickens and racism
12678:The Uncommercial Traveller
12499:
12491:The Mystery of Edwin Drood
12212:Victoria and Albert Museum
12178:
12032:
11502:"What, the Dickens World?"
10658:Polloczek, Dieter (1999).
10581:Dickens & Ellen Ternan
10391:. Harvard, Massachusetts:
9651:Colledge, Gary L. (2009).
9384:Cambridge University Press
9236:
8020:. Scribner's. p. 245.
7576:Charles Dickens. "XLIII".
6911:"The Staplehurst Disaster"
6882:"The Staplehurst Disaster"
6747:Ashley Alexander Mallett,
6354:Charles Dickens in Context
6044:Cambridge University Press
6040:Charles Dickens in Context
5805:"Sunday under Three Heads"
5803:Dickens, Charles (2013) .
4287:The Mystery of Edwin Drood
4026:
3889:The Charles Dickens School
3781:Victoria and Albert Museum
2444:. Fildes was illustrating
2372:The Mystery of Edwin Drood
2304:Henry Wadsworth Longfellow
2028:Elizabeth Barrett Browning
1921:Franklin's lost expedition
1675:writing, "among the great
1469:Elizabeth Barrett Browning
1021:William Harrison Ainsworth
644:Memoirs of Joseph Grimaldi
520:
29:
16690:Writers of Gothic fiction
16645:People from Chatham, Kent
16392:
16367:
16348:
16313:
16249:
16223:
16154:
16121:
16085:
16023:
15977:
15896:
15869:
15802:
15726:
15659:
15641:
15590:
15525:
15498:
15482:
15418:
15383:
15356:
15291:
15232:
15193:
15132:
15059:
15032:
14965:
14907:
14880:
14854:A Klingon Christmas Carol
14821:
14786:
14589:The Stingiest Man in Town
14540:
14281:
14230:
14165:
14144:
14100:
14064:
13991:
13940:
13897:
13784:
13710:
13691:
13644:(1982 Australian TV film)
13616:
13549:
13442:
13376:
13307:
13245:
13214:
13201:
13147:
13100:
13067:
12965:
12900:
12879:
12853:
12832:
12823:
12772:
12721:
12694:
12637:
12600:
12561:
12535:The Cricket on the Hearth
12510:
12370:
12357:
12308:
12296:
12288:
12283:
12199:Dickens Birthplace Museum
12124:Organisations and portals
12019:Resources in your library
11995:Resources in your library
11946:Waller, Philip J (2006).
11843:Pointer, Michael (1996).
11804:Dickens, Charles (1978).
11708:Mendelsohn, Ezra (1996).
11011:Stanford University Press
10843:Stanford University Press
10702:Charles Dickens 1812–1870
10414:Marlow, James E. (1994).
10275:Walking Dickensian London
9889:Foxcroft, Louise (2007).
9807:. London: Penguin Books.
9566:Chesterton, G.K. (1911).
8840:"Down Under with Dickens"
8323:BFI Screenonline Database
7774:Wolfreys, Julian (2012).
7625:Oxford English Dictionary
7451:. University of Warwick.
7449:"Dickens and Shakespeare"
6808:The Sydney Morning Herald
6337:Dickens, Charles (1880).
5354:, pp. 225–229:p=227.
4367:, London, August 1870 in
4157:The Cricket on the Hearth
3992:was named in his honour.
3919:placed Dickens among the
3735:
3635:. However, even in 1948,
3605:(1968), an adaptation of
3480:Oxford English Dictionary
2978:Autobiographical elements
2590:after him. Influenced by
2259:Clayton Tunnel rail crash
2059:Dickens at his desk, 1858
1725:reaches Canterbury, from
1622:National Library of Wales
1490:The Cricket on the Hearth
1383:after Georgina and Mary.
1194:Catherine Thomson Hogarth
1180:Young Charles Dickens by
862:
351:
346:
287:
276:
251:Catherine Thomson Hogarth
244:
172:
164:
122:
101:
75:
55:
48:
16660:British social reformers
16650:People from Higham, Kent
16570:English male journalists
15650:The Great Fire of London
14973:John Leech (illustrator)
14685:A Diva's Christmas Carol
14394:Mickey's Christmas Carol
13095:Works by Charles Dickens
12887:Catherine Dickens (wife)
12218:
12157:Leeds University Library
12098:, and library resources
12081:Works by Charles Dickens
12062:Works by Charles Dickens
12053:Works by Charles Dickens
11783:Cornell University Press
11773:Nayder, Lillian (2002).
11741:Meckier, Jerome (2002).
11527:Heller, Deborah (1990).
11461:Harvard University Press
11382:"Dickens, Charles"
11089:Tomalin, Claire (1992).
11009:. Stanford, California:
10872:Slater, Michael (2009).
10835:Slater, Michael (1983).
10747:Disordered personalities
10560:Cornell University Press
10550:Nayder, Lillian (2011).
10393:Harvard University Press
9922:Furneaux, Holly (2011).
9795:. William Heinemann Ltd.
9758:Davies, James A (1983).
9539:. Kessinger Publishing.
9308:Bidwell, Walter Hilliard
9092:. Retrieved 2 April 2011
8860:"Charles Dickens relief"
8621:Kucich & Sadoff 2006
8505:19 December 2020 at the
8191:Purton, Valerie (2012).
8100:Kucich & Sadoff 2006
7301:Encyclopaedia Britannica
7093:. TheFamousArtists.com.
6936:Waller, John O. (1960).
6815:31 December 2013 at the
6774:14 November 2013 at the
6661:Charles Dickens (1993),
6275:Conrad Press, 368 pages.
6212:, pp. 628, 634–638.
6124:Slater, Michael (2015).
5318:, pp. 162, 181–182.
5246:, pp. 201, 278–279.
4327:
4022:
3923:. In the 2003 UK survey
3448:were highly successful.
3238:On the Origin of Species
2422:
1747:and the social reformer
1607:Sunday Under Three Heads
909:The Mirror of Parliament
840:and Dickens learnt his "
39:Dickens (disambiguation)
16685:Writers from Portsmouth
16640:People from Camden Town
16600:English philanthropists
16368:Attempted continuations
16169:Eliza Emily Donnithorne
15754:Monsieur Ernest Defarge
14978:List of Christmas films
14768:A Hearth's Warming Tail
14263:Ghost of Christmas Past
14174:Dickens and Little Nell
13009:Dickens and Little Nell
12892:Ellen Ternan (mistress)
12738:Master Humphrey's Clock
12627:Master Humphrey's Clock
11656:Leacock, Stephen Butler
11570:Jarvie, Paul A (2005).
11407:Oxford University Press
11199:Vlock, Deborah (1998).
11072:Charles Dickens: A Life
10936:Stanley, Arthur Penrhyn
10272:Jones, Richard (2004).
10237:Johnson, E D H (1969).
10096:Henson, Louise (2004).
9998:Oxford University Press
9859:Life of Charles Dickens
9703:Hartley, Jenny (2009).
9654:God and Charles Dickens
9618:Cohen, Jane R. (1980).
9503:. Frances Lincoln Ltd.
9280:Atkinson, Paul (1990).
9084:31 October 2012 at the
8818:. Retrieved 31 May 2019
8730:Rosen, Michael (2012).
8500:. Springer, 1997, p. 49
8221:Encyclopædia Britannica
7882:Howsam, Leslie (2015).
7433:Schlicke, Paul (2011).
7345:Forster, John (2008) .
7201:Clark, Gregory (2017).
7179:, pp. 144–147:146.
7118:, pp. 395–396, 484
7005:Wills, Elspeth (2010).
6755:30 October 2015 at the
6587:Schlicke, Paul (2011).
6413:10.2307/j.ctt183pcr6.16
6322:Schlicke, Paul (2011).
6195:Hartley, Jenny (2012).
6009:"Dickens and Religion:
5845:Colledge, Gary (2012).
5449:Schlicke, Paul (2011).
5048:Charles Dickens: A Life
4744:, pp. 22–24:29–30.
4588:Oxford University Press
4582:26 January 2014 at the
4113:Master Humphrey's Clock
4095:Master Humphrey's Clock
3813:, Australia. In 1960 a
3786:Dickens and Little Nell
3746:Dickens and Little Nell
3720:(2012) was inspired by
3291:Encyclopædia Britannica
3064:Master Humphrey's Clock
2940:Hans Christian Andersen
2405:The Trial from Pickwick
2282:, New York City in 1867
2216:1866, by Ernest Edwards
2175:between 1889 and 1894.
2077:Ye Olde Cheshire Cheese
1836:Life of Charles Dickens
1791:Life of Charles Dickens
1749:Douglas William Jerrold
1682:Dickens disapproved of
1324:Master Humphrey's Clock
1303:Master Humphrey's Clock
1202:. They were married in
805:autobiographical, novel
746:Life of Charles Dickens
668:Life of Charles Dickens
16620:English travel writers
16580:English male novelists
16520:British male essayists
15759:Madame Thérèse Defarge
14752:It's Christmas, Carol!
14057:The Old Curiosity Shop
13719:As Long as He Needs Me
13208:
12943:Henry Fielding Dickens
12797:A Message from the Sea
12403:The Old Curiosity Shop
12162:The Dickens Fellowship
12119:at the British Library
11596:Joshi, Prithi (2011).
11345:. Counterpoint Press.
11339:Ziegler, Alan (2007).
10063:Hawes, Donald (1998).
9895:. Ashgate Publishing.
9688:. Facts on File, Inc.
9686:Charles Dickens A to Z
9497:Callow, Simon (2009).
9215:Charles Dickens Museum
8522:Macmillan, 1888, p. 30
8498:Meredith and the Novel
6990:Forster, John (1874).
6352:Ledger, Sally (2011).
6305:Dickens Studies Annual
6236:, pp. 32:723:750.
5947:"The Life Of Our Lord"
5215:"Was Dickens a Thief?"
4089:The Old Curiosity Shop
4017:Charles Dickens Museum
3968:
3872:
3833:
3759:Charles Dickens Museum
3754:
3651:Q. D. (Queenie) Leavis
3610:
3503:
3462:
3348:
3274:
3255:The Old Curiosity Shop
3150:
3117:Robert Louis Stevenson
3093:The Old Curiosity Shop
3080:The Old Curiosity Shop
3054:
2995:
2932:James Henry Leigh Hunt
2921:—one-liners that turn
2906:
2857:The Old Curiosity Shop
2740:
2671:
2588:Henry Fielding Dickens
2531:Arthur Penrhyn Stanley
2519:
2361:
2283:
2225:Staplehurst rail crash
2196:Staplehurst rail crash
2088:
2060:
2008:
1919:, that the members of
1911:for his report to the
1876:
1734:
1700:progressive revelation
1696:Arthur Penrhyn Stanley
1637:Unitarian Christianity
1633:Henry Fielding Dickens
1624:
1578:
1472:
1455:Dickens's portrait by
1391:
1291:The Old Curiosity Shop
1267:
1251:and had to cancel the
1185:
1129:
1016:
964:The Vicar of Wakefield
948:
881:
868:Journalism and writing
785:
755:
735:, where he earned six
719:Royal Academy of Music
707:The Old Curiosity Shop
670:
633:—the father of modern
619:. He read and re-read
544:
532:
428:was incarcerated in a
329:Henry Fielding Dickens
283:(1857–1870, his death)
37:. For other uses, see
16550:Educational reformers
15774:Marquis St. Evrémonde
15427:Jarndyce and Jarndyce
15365:The Death of Poor Joe
14733:Nan's Christmas Carol
14322:The Right to Be Happy
13207:
12923:Walter Landor Dickens
12866:Alfred Lamert Dickens
12187:Situated in a former
12155:Archival material at
11910:10.1093/ref:odnb/7599
10963:Stone, Harry (1987).
10901:. New York: Penguin.
10895:Smiley, Jane (2002).
10777:Sasaki, Toru (2011).
10713:Raina, Badri (1986).
10594:Page, Norman (1999).
10513:Moore, Grace (2004).
9957:Glancy, Ruth (1999).
8114:, p. 48, citing
7167:, pp. 1077–1078.
7080:, pp. 1069–1070.
7056:, pp. 1043–1044.
7007:The Fleet 1840 – 2010
6399:Robins, Nick (2012),
5134:"The Sam Weller Bump"
4013:Royal Academy of Arts
3966:
3866:
3828:
3743:
3717:The Dark Knight Rises
3633:Dickens and His World
3629:The Wound and the Bow
3598:
3499:
3454:
3345:Ottawa Public Library
3334:
3272:
3163:social stratification
3136:
3042:
3019:and Lucie Manette in
2985:
2889:
2743:Dickens's biographer
2727:
2657:
2597:The Castle of Otranto
2514:
2355:
2277:
2074:
2058:
2002:
1989:Indian Mutiny of 1857
1866:
1803:collection of letters
1721:
1616:Portrait of Dickens,
1615:
1582:Angela Burdett Coutts
1569:College of God's Gift
1566:
1465:Royal Academy of Arts
1454:
1389:
1262:
1218:. The first of their
1179:
1107:Industrial Revolution
1099:
1000:
935:
911:and he worked in the
875:
790:Insolvent Debtors Act
771:
750:
661:
538:
530:
309:Walter Landor Dickens
16341:(2012 TV miniseries)
16135:Miss Havisham's Fire
15921:A Tale of Two Cities
15913:A Tale of Two Cities
15905:A Tale of Two Cities
15886:A Tale of Two Cities
15859:A Tale of Two Cities
15851:A Tale of Two Cities
15843:A Tale of Two Cities
15827:A Tale of Two Cities
15819:A Tale of Two Cities
15811:A Tale of Two Cities
15719:A Tale of Two Cities
14506:Scrooge & Marley
13812:(2003 graphic novel)
13574:Oliver & Company
13316:If I Ruled the World
12730:Bentley's Miscellany
12662:The Life of Our Lord
12591:The Trial for Murder
12467:A Tale of Two Cities
12135:UK National Archives
12115:24 June 2021 at the
11927:Studies in Philology
11637:Dickens: A Biography
11510:. UK. Archived from
11399:Bowen, John (2003).
10577:Nisbet, Ada (1952).
10369:The American Scholar
10069:. Psychology Press.
10066:Who's Who in Dickens
9684:Davis, Paul (1998).
9413:Bowen, John (2019).
9386:. pp. 142–159.
8845:1 April 2021 at the
8808:8 March 2021 at the
8319:"Blackfriars Bridge"
8217:"novel (literature)"
8038:. 12 February 2012.
7236:on 25 December 2013.
6942:Studies in Philology
6854:Grass, Sean (2017).
6832:. University of Kent
6788:University of Sydney
6529:, pp. 801, 804.
6271:Roobol, M.J. (2019)
6011:The Life of Our Lord
5992:Smith, Karl (2008).
5817:on 25 September 2014
4251:A Tale of Two Cities
4069:Bentley's Miscellany
4066:; monthly serial in
3999:, had been found in
3913:100 Greatest Britons
3791:Francis Edwin Elwell
3722:A Tale of Two Cities
3647:Dickens the Novelist
3147:Florence Nightingale
3021:A Tale of Two Cities
2894:(from the 1914 book
2829:A Tale of Two Cities
2556:novel of sensibility
2173:Member for Wilcannia
2118:Dickens and Daughter
2105:A Tale of Two Cities
2094:A Tale of Two Cities
2085:A Tale of Two Cities
1954:A Tale of Two Cities
1668:Troilus and Criseyde
1650:The Life of Our Lord
1511:(1846–48). This and
1418:Morant Bay rebellion
1148:Bentley's Miscellany
1043:Edward Bulwer-Lytton
539:2 Ordnance Terrace,
506:A Tale of Two Cities
265: 1836;
229:A Tale of Two Cities
149:51.49917°N 0.12750°W
16670:Victorian novelists
16314:Film and television
16047:An Orphan's Tragedy
15985:Philip "Pip" Pirrip
14717:Karroll's Christmas
14549:The Christmas Carol
14442:Springtime with Roo
14354:It's Never Too Late
13733:Food, Glorious Food
13139:The Pickwick Papers
13041:The Invisible Woman
12908:Charles Dickens Jr.
12654:Pictures from Italy
12261:Library of Congress
12248:Library of Congress
12204:9 July 2011 at the
11849:. Scarecrow Press.
11810:The Pickwick Papers
11239:The Daily Telegraph
11172:. Ayer Publishing.
11137:Infobase Publishing
11042:"What the Dickens?"
9709:. London: Methuen.
9438:Cain, Lynn (2008).
9162:on 26 February 2019
8611:, pp. 25, 359.
8248:, pp. 149–150.
7946:, pp. 166–169.
7931:10.3138/utq.37.1.31
7553:. British Library.
7405:. British Library.
7155:, 2 July 1938, p34.
6871:, pp. 959–961.
6793:4 June 2011 at the
6725:, pp. 142–143.
6701:, pp. 914–917.
6689:, pp. 881–883.
6553:, pp. 809–814.
6493:, pp. 190–191.
6457:, pp. 788–799.
5959:on 7 November 2012.
5616:, pp. 128–132.
5592:, pp. 345–346.
5567:. 20 October 2015.
5488:on 14 February 2014
5075:, pp. 174–176.
4697:Preface to Grimaldi
4518:, pp. 267–268.
4481:. 2 December 2017.
4475:"Tune in next week"
4429:, pp. 100–126.
4232:; weekly serial in
4110:; weekly serial in
4047:The Pickwick Papers
4037:Novels and novellas
3957:The Invisible Woman
3885:The Pickwick Papers
3770:The Pickwick Papers
3642:The Great Tradition
3245:Literary techniques
3205:even remarked that
3203:George Bernard Shaw
3191:The Pickwick Papers
2896:In Dickens's London
2869:The Pickwick Papers
2733:Robert William Buss
2641:Stratford-upon-Avon
2625:William Shakespeare
2612:. The jilted bride
2502:Rochester Cathedral
2472:Dickens's grave in
2367:Preston, Lancashire
2300:Ralph Waldo Emerson
2130:The Invisible Woman
2015:, which he and his
1946:Austen Henry Layard
1939:King William Island
1540:Lewis Gaylord Clark
1493:in 1845. Of these,
1410:The Pickwick Papers
1280:The Pickwick Papers
1249:The Pickwick Papers
1190:The Pickwick Papers
1153:The Pickwick Papers
1120:The Pickwick Papers
1091:The Pickwick Papers
1072:The Pickwick Papers
1008:The Pickwick Papers
446:The Pickwick Papers
294:Charles Dickens Jr.
180:The Pickwick Papers
145: /
16585:English male poets
15970:Great Expectations
13322:George and Vulture
13209:
13175:Augustus Snodgrass
13036:(2005 documentary)
13033:Dickens in America
12948:Dora Annie Dickens
12762:All the Year Round
12570:To Be Read at Dusk
12543:The Battle of Life
12475:Great Expectations
12106:by Charles Dickens
12104:in other libraries
12008:By Charles Dickens
11883:. Hennessy Press.
11877:Pope-Hennessy, Una
11602:Dickens in Context
10783:Dickens in Context
10698:Pope-Hennessy, Una
10521:Ashgate Publishing
10100:All the Year Round
9928:Dickens in Context
9446:Ashgate Publishing
9026:on 4 December 2002
8558:The New York Times
7503:, pp. xx–xxi.
7297:"Picaresque novel"
7197:Retail Price Index
6663:Great Expectations
6401:"A Skulking Power"
6290:, pp. 389–390
5973:The Chaucer Review
5915:Skelton, Stephen.
5878:Christianity Today
5718:, pp. 146–148
5661:on 14 October 2017
5536:, pp. 225–229
5439:, pp. 167–168
4952:Pope-Hennessy 1945
4802:Pope-Hennessy 1945
4271:All the Year Round
4268:(weekly serial in
4265:Great Expectations
4257:All the Year Round
4254:(weekly serial in
4181:The Battle of Life
4092:(weekly serial in
3969:
3873:
3834:
3789:, cast in 1890 by
3755:
3714:'s screenplay for
3696:in his 1988 novel
3678:Great Expectations
3611:
3551:Fyodor Dostoyevsky
3521:William Wordsworth
3506:—Peter Garratt in
3463:
3461:, 7 December 1867.
3445:All the Year Round
3349:
3312:and Amy Dorrit in
3275:
3207:Great Expectations
3151:
3055:
3050:All the Year Round
3045:Great Expectations
3043:Advertisement for
2996:
2907:
2813:Great Expectations
2741:
2672:
2618:Great Expectations
2561:The Arabian Nights
2439:Samuel Luke Fildes
2362:
2284:
2110:Great Expectations
2100:Great Expectations
2089:
2061:
2009:
1993:East India Company
1962:Giuseppe Garibaldi
1888:All the Year Round
1877:
1735:
1708:Fyodor Dostoyevsky
1625:
1579:
1473:
1422:Richmond, Virginia
1392:
1268:
1224:home in Bloomsbury
1192:, Dickens married
1186:
1017:
949:
882:
786:
671:
627:Elizabeth Inchbald
622:The Arabian Nights
545:
533:
500:Great Expectations
334:Dora Annie Dickens
236:Great Expectations
154:51.49917; -0.12750
16615:English satirists
16610:English reformers
16555:English Anglicans
16417:
16416:
16411:
16410:
16267:
16266:
16216:Our Mutual Friend
16177:
16176:
16122:Other adaptations
15931:
15930:
15749:Alexandre Manette
15680:
15679:
15544:
15543:
15436:
15435:
15310:
15309:
15140:David Copperfield
15125:David Copperfield
15086:
15085:
14986:
14985:
14932:Green Chri$ tma$
14917:A Christmas Carol
14889:A Christmas Carol
14862:A Christmas Carol
14846:Fellow Passengers
14838:A Christmas Carol
14803:A Christmas Carol
14776:A Christmas Carol
14741:A Christmas Carol
14701:A Christmas Carol
14693:A Christmas Carol
14677:A Christmas Carol
14621:A Christmas Carol
14613:A Christmas Carol
14557:A Christmas Carol
14514:A Christmas Carol
14490:A Christmas Carol
14466:An American Carol
14458:A Christmas Carol
14450:Chasing Christmas
14434:A Carol Christmas
14418:A Christmas Carol
14378:A Christmas Carol
14362:A Christmas Carol
14338:A Christmas Carol
14306:A Christmas Carol
14298:A Christmas Carol
14223:A Christmas Carol
14184:
14183:
14018:
14017:
13973:Nicholas Nickleby
13965:Nicholas Nickleby
13949:Nicholas Nickleby
13930:Nicholas Nickleby
13906:Nicholas Nickleby
13890:Nicholas Nickleby
13851:
13850:
13841:The Artful Dodger
13726:Consider Yourself
13419:The Artful Dodger
13330:
13329:
13087:
13086:
13028:(1976 miniseries)
13025:Dickens of London
12961:
12960:
12861:Frederick Dickens
12845:Elizabeth Dickens
12789:The Haunted House
12619:The Mudfog Papers
12519:A Christmas Carol
12483:Our Mutual Friend
12435:David Copperfield
12395:Nicholas Nickleby
12318:
12317:
12309:Succeeded by
12057:Project Gutenberg
11981:Library resources
11965:978-0-19-820677-4
11916:(Subscription or
11890:978-1-4067-5783-5
11856:978-0-8108-2960-2
11823:978-0-415-22233-4
11796:978-0-8014-3925-4
11752:978-0-813-12228-1
11721:978-0-19-511203-0
11686:978-1-4255-5680-8
11647:978-0-688-04341-4
11611:978-0-521-88700-7
11581:978-0-415-97524-7
11550:978-0-7735-0781-4
11535:Our Mutual Friend
11480:978-84-7908-517-9
11416:978-0-19-926140-6
11352:978-1-933368-70-2
11319:978-0-7012-0669-7
11279:978-0-670-02026-3
11212:978-0-521-64084-8
11179:978-0-405-10917-1
11146:978-0-7910-9558-4
11123:Trollope, Anthony
11102:978-0-679-73819-0
11095:. Vintage Books.
11081:978-0-670-91767-9
11020:978-0-8047-1842-4
10980:978-0-226-14590-7
10927:978-0-521-66964-1
10908:978-0-670-03077-4
10887:978-0-300-11207-8
10852:978-0-8047-1180-7
10838:Dickens and Women
10827:978-0-19-866213-6
10792:978-0-521-88700-7
10757:978-1-894328-09-8
10736:978-0-299-10610-2
10706:Chatto and Windus
10677:978-0-521-65251-3
10650:978-0-521-66964-1
10611:978-0-415-22233-4
10569:978-0-8014-4787-7
10530:978-0-7546-3412-6
10493:978-0-521-67634-2
10480:Mee, Jon (2010).
10460:978-1-57113-317-5
10427:978-0-945636-48-9
10406:978-0-674-00949-3
10347:978-0-19-516921-8
10334:"Charles Dickens"
10285:978-1-84330-483-8
10229:978-0-300-05536-8
10192:978-0-19-285448-3
10157:978-0-8156-0475-4
10115:978-0-7546-3574-1
10076:978-0-415-13604-4
10043:978-0-415-19948-3
10007:978-0-19-964419-3
9970:978-0-313-30611-2
9937:978-0-521-88700-7
9902:978-0-7546-5633-3
9869:978-90-77932-03-2
9845:978-0-521-66964-1
9814:978-0-14-009661-3
9771:978-0-389-20391-9
9716:978-0-413-77643-3
9695:978-0-8160-2905-1
9664:978-1-4412-3778-1
9631:978-0-8142-0284-5
9610:978-0-8020-7752-3
9583:978-1-4400-9125-4
9546:978-1-4179-1996-3
9510:978-0-7112-3031-6
9489:978-0-345-80323-8
9455:978-0-7546-6180-1
9393:978-0-521-72231-5
9354:978-1-55111-869-7
9341:"Charles Dickens"
9299:978-0-415-01761-9
9260:978-1-85619-000-8
8732:Fantastic Mr Dahl
8181:, pp. 54–55.
8138:The Victorian Web
7857:, pp. 43, 47
7787:978-0-7486-4040-9
7596:Project Gutenberg
7285:, pp. 44–45.
6517:, pp. 80–81.
6422:978-0-7453-3195-9
6385:978-0-525-53885-1
6182:David Copperfield
6069:The English novel
6015:. Victorian Web.
5524:, pp. 10–11.
5366:, pp. 77, 78
5261:, pp. 12–14.
5100:Van De Linde 1917
5031:, pp. 16–18.
4942:, pp. 34, 36
4855:, pp. 23–24.
4506:, pp. 46–47.
4279:Our Mutual Friend
4205:David Copperfield
4200:; 1848). Novella.
4188:; 1846). Novella.
4164:; 1845). Novella.
4152:; 1844). Novella.
4140:; 1843). Novella.
4133:A Christmas Carol
4121:Martin Chuzzlewit
4077:Nicholas Nickleby
4009:A Christmas Carol
3877:Series E £10 note
3846:A Christmas Carol
3837:A Christmas Carol
3830:A Christmas Carol
3801:neighbourhood of
3776:Nicholas Nickleby
3708:Nicholas Nickleby
3686:Our Mutual Friend
3655:Sergei Eisenstein
3572:A Christmas Carol
3556:David Copperfield
3531:commented in the
3425:Fraser's Magazine
3295:A Christmas Carol
3279:sentimental novel
3225:Our Mutual Friend
3155:social commentary
3143:Martin Chuzzlewit
3129:Social commentary
3057:A pioneer of the
3017:David Copperfield
3000:David Copperfield
2992:David Copperfield
2936:David Copperfield
2877:Nicholas Nickleby
2845:David Copperfield
2833:David Copperfield
2781:The Artful Dodger
2773:A Christmas Carol
2702:Our Mutual Friend
2700:, illustrator of
2681:David Copperfield
2645:Nicholas Nickleby
2510:Westminster Abbey
2474:Westminster Abbey
2442:– The Empty Chair
2417:Princess of Wales
2401:A Christmas Carol
2348:Farewell readings
2239:Our Mutual Friend
2194:Aftermath of the
2066:Nicholas Nickleby
2032:institutionalised
1950:Lord John Russell
1897:Sir John Franklin
1799:David Copperfield
1786:David Copperfield
1773:Théophile Gautier
1727:David Copperfield
1686:and 19th-century
1684:Roman Catholicism
1657:, Dickens echoed
1655:David Copperfield
1545:The Knickerbocker
1514:David Copperfield
1495:A Christmas Carol
1478:A Christmas Carol
1461:A Christmas Carol
1447:Return to England
1437:Washington Irving
1300:, as part of the
1285:Nicholas Nickleby
1199:Evening Chronicle
1047:George Cruikshank
1039:Benjamin Disraeli
973:Morning Chronicle
945:George Cruikshank
926:Morning Chronicle
857:David Copperfield
822:David Copperfield
810:David Copperfield
597:picaresque novels
565:Elizabeth Dickens
488:A Christmas Carol
485:His 1843 novella
474:David Copperfield
438:children's rights
360:
359:
208:David Copperfield
201:A Christmas Carol
194:Nicholas Nickleby
16:(Redirected from
16707:
16515:Anglican writers
16401:The Last Dickens
16294:
16287:
16280:
16271:
16270:
16204:
16197:
16190:
16181:
16180:
15958:
15951:
15944:
15935:
15934:
15707:
15700:
15693:
15684:
15683:
15571:
15564:
15557:
15548:
15547:
15463:
15456:
15449:
15440:
15439:
15337:
15330:
15323:
15314:
15313:
15175:James Steerforth
15160:Edward Murdstone
15155:Wilkins Micawber
15113:
15106:
15099:
15090:
15089:
15049:Rich Man's Folly
15013:
15006:
14999:
14990:
14989:
14238:Ebenezer Scrooge
14211:
14204:
14197:
14188:
14187:
14045:
14038:
14031:
14022:
14021:
13878:
13871:
13864:
13855:
13854:
13844:(2023 TV series)
13836:(2022 TV series)
13828:(2008 TV series)
13684:(2007 TV series)
13676:(1999 TV series)
13660:(1996 TV series)
13652:(1985 TV serial)
13628:(1962 TV serial)
13598:Boy Called Twist
13443:Film adaptations
13357:
13350:
13343:
13334:
13333:
13170:Nathaniel Winkle
13127:
13120:
13113:
13104:
13103:
13091:
13090:
13075:
13074:
13052:(2015 TV series)
12871:Augustus Dickens
12830:
12829:
12505:
12344:
12337:
12330:
12321:
12320:
12289:Preceded by
12281:
12280:
12138:
12092:
12091:
12076:Internet Archive
11969:
11953:
11942:
11921:
11913:
11894:
11872:
11870:
11868:
11839:
11837:
11835:
11800:
11780:
11769:
11756:
11737:
11735:
11733:
11697:
11695:
11693:
11669:
11651:
11627:
11625:
11623:
11588:Johnson, Edgar,
11585:
11566:
11564:
11562:
11523:
11521:
11519:
11507:The Sunday Times
11496:
11494:
11492:
11458:
11436:Bradbury, Nicola
11432:
11430:
11428:
11392:
11384:
11368:
11366:
11364:
11335:
11333:
11331:
11295:
11293:
11291:
11255:
11253:
11251:
11228:
11226:
11224:
11195:
11193:
11191:
11162:
11160:
11158:
11118:
11116:
11114:
11085:
11063:
11061:
11059:
11036:
11034:
11032:
11001:Sutherland, John
10996:
10994:
10992:
10959:
10957:
10955:
10931:
10912:
10891:
10879:
10868:
10866:
10864:
10831:
10819:
10808:
10806:
10804:
10773:
10771:
10769:
10740:
10720:
10709:
10693:
10691:
10689:
10654:
10627:
10625:
10623:
10590:
10584:
10573:
10557:
10546:
10544:
10542:
10509:
10507:
10505:
10476:
10474:
10472:
10443:
10441:
10439:
10410:
10390:
10376:
10363:
10361:
10359:
10328:
10326:
10324:
10301:
10299:
10297:
10268:
10266:
10264:
10233:
10208:
10206:
10204:
10172:
10161:
10145:
10136:Hobsbaum, Philip
10131:
10129:
10127:
10092:
10090:
10088:
10059:
10057:
10055:
10023:
10021:
10019:
9986:
9984:
9982:
9953:
9951:
9949:
9918:
9916:
9914:
9885:
9883:
9881:
9849:
9818:
9801:Ellmann, Richard
9796:
9787:
9785:
9783:
9754:
9752:
9750:
9732:
9730:
9728:
9699:
9680:
9678:
9676:
9647:
9645:
9643:
9614:
9598:
9587:
9562:
9560:
9558:
9531:Chesterton, G.K.
9526:
9524:
9522:
9493:
9471:
9469:
9467:
9434:
9432:
9430:
9409:
9407:
9405:
9370:
9368:
9366:
9335:
9333:
9331:
9303:
9287:
9276:
9274:
9272:
9231:
9225:
9219:
9218:
9207:
9201:
9200:
9198:
9196:
9178:
9172:
9171:
9169:
9167:
9151:
9145:
9144:
9142:
9140:
9129:
9123:
9122:
9120:
9118:
9099:
9093:
9076:
9070:
9069:
9042:
9036:
9035:
9033:
9031:
9022:. Archived from
9019:Internet Archive
9010:
9004:
8998:
8992:
8986:
8980:
8974:
8968:
8962:
8956:
8950:
8941:
8940:
8938:
8936:
8917:
8911:
8910:
8908:
8906:
8886:
8880:
8879:
8877:
8875:
8864:London Remembers
8856:
8850:
8837:
8831:
8825:
8819:
8800:
8794:
8793:
8791:
8789:
8774:
8768:
8767:
8765:
8763:
8749:
8742:
8736:
8735:
8727:
8721:
8718:
8712:
8711:
8709:
8707:
8688:
8682:
8681:
8674:
8668:
8663:
8657:
8654:
8648:
8642:
8636:
8635:, pp. 23–4.
8630:
8624:
8618:
8612:
8606:
8600:
8593:
8587:
8580:
8574:
8573:
8571:
8569:
8549:
8540:
8539:
8531:
8525:
8516:
8510:
8493:
8487:
8486:
8484:
8482:
8462:
8456:
8455:
8453:
8451:
8440:
8431:
8430:
8428:
8426:
8415:
8406:
8403:
8394:
8371:
8365:
8364:
8362:
8360:
8340:
8334:
8333:
8331:
8329:
8317:Davidson, Ewan.
8314:
8308:
8302:
8296:
8290:
8284:
8279:
8273:
8267:
8261:
8255:
8249:
8243:
8237:
8236:
8234:
8232:
8213:
8207:
8206:
8188:
8182:
8176:
8170:
8160:
8154:
8153:
8151:
8149:
8129:
8123:
8109:
8103:
8097:
8088:
8085:Bodenheimer 2011
8082:
8076:
8070:
8064:
8058:
8052:
8051:
8049:
8047:
8028:
8022:
8021:
8013:
8007:
8006:
8004:
8002:
7983:
7977:
7976:
7974:
7972:
7953:
7947:
7941:
7935:
7934:
7910:
7904:
7898:
7892:
7891:
7879:
7870:
7864:
7858:
7852:
7846:
7840:
7834:
7828:
7822:
7821:
7819:
7817:
7798:
7792:
7791:
7771:
7762:
7761:
7759:
7757:
7737:
7731:
7730:
7728:
7726:
7707:
7701:
7695:
7689:
7683:
7677:
7671:
7665:
7659:
7653:
7647:
7641:
7640:
7638:
7636:
7617:
7611:
7605:
7599:
7598:
7593:
7591:
7586:on 22 March 2012
7573:
7567:
7566:
7564:
7562:
7547:
7541:
7535:
7529:
7528:
7526:
7524:
7510:
7504:
7498:
7492:
7486:
7480:
7474:
7465:
7464:
7462:
7460:
7445:
7439:
7438:
7430:
7419:
7418:
7416:
7414:
7399:
7393:
7392:
7390:
7388:
7373:
7367:
7366:
7364:
7362:
7342:
7336:
7330:
7324:
7318:
7312:
7311:
7309:
7307:
7295:Luebering, J E.
7292:
7286:
7280:
7274:
7268:
7262:
7256:
7250:
7244:
7238:
7237:
7232:. Archived from
7226:
7220:
7219:
7217:
7215:
7193:
7180:
7174:
7168:
7162:
7156:
7149:
7143:
7137:
7131:
7125:
7119:
7113:
7107:
7106:
7104:
7102:
7087:
7081:
7075:
7069:
7063:
7057:
7051:
7045:
7039:
7033:
7027:
7021:
7020:
7002:
6996:
6995:
6987:
6981:
6975:
6966:
6965:
6933:
6927:
6926:
6924:
6922:
6907:
6898:
6897:
6895:
6893:
6878:
6872:
6866:
6860:
6859:
6851:
6842:
6841:
6839:
6837:
6826:
6820:
6804:
6798:
6785:
6779:
6766:
6760:
6744:
6738:
6732:
6726:
6720:
6714:
6708:
6702:
6696:
6690:
6684:
6678:
6672:
6666:
6659:
6653:
6652:
6650:
6648:
6629:
6623:
6622:
6620:
6618:
6599:
6593:
6592:
6584:
6578:
6572:
6566:
6560:
6554:
6548:
6542:
6536:
6530:
6524:
6518:
6512:
6506:
6500:
6494:
6488:
6482:
6476:
6470:
6464:
6458:
6452:
6446:
6445:
6444:
6442:
6396:
6390:
6389:
6374:(1st ed.).
6364:
6358:
6357:
6349:
6343:
6342:
6334:
6328:
6327:
6319:
6313:
6312:
6300:
6291:
6285:
6276:
6269:
6263:
6262:
6255:
6249:
6243:
6237:
6231:
6225:
6219:
6213:
6207:
6201:
6200:
6192:
6186:
6185:
6177:
6171:
6170:
6162:
6156:
6149:
6140:
6139:
6121:
6115:
6114:
6094:
6083:
6082:
6064:
6058:
6057:
6035:
6029:
6028:
6026:
6024:
6004:
5998:
5997:
5989:
5978:
5977:
5967:
5961:
5960:
5958:
5952:. Archived from
5951:
5943:
5937:
5936:
5934:
5932:
5912:
5906:
5900:
5894:
5893:
5891:
5889:
5875:
5867:
5861:
5860:
5842:
5836:
5833:
5827:
5826:
5824:
5822:
5816:
5809:
5800:
5794:
5788:
5782:
5776:
5770:
5764:
5758:
5752:
5746:
5745:
5737:
5731:
5725:
5719:
5713:
5707:
5706:
5704:
5702:
5680:
5671:
5670:
5668:
5666:
5660:
5646:
5638:
5632:
5626:
5617:
5611:
5605:
5599:
5593:
5587:
5581:
5580:
5578:
5576:
5555:
5549:
5548:, pp. 44–45
5543:
5537:
5531:
5525:
5519:
5510:
5504:
5498:
5497:
5495:
5493:
5484:. Archived from
5481:The Boston Globe
5471:
5465:
5464:
5446:
5440:
5434:
5425:
5419:
5413:
5407:
5401:
5400:
5398:
5396:
5385:
5379:
5373:
5367:
5361:
5355:
5349:
5343:
5337:
5331:
5325:
5319:
5313:
5307:
5306:
5304:
5302:
5283:
5277:
5271:
5262:
5256:
5247:
5241:
5235:
5234:
5232:
5230:
5210:
5204:
5203:
5201:
5199:
5184:
5178:
5172:
5166:
5160:
5154:
5153:
5151:
5149:
5138:The Paris Review
5130:
5115:
5109:
5103:
5097:
5091:
5085:
5076:
5070:
5064:
5063:
5051:
5038:
5032:
5026:
5015:
5009:
5003:
4997:
4991:
4985:
4979:
4973:
4967:
4961:
4955:
4949:
4943:
4937:
4931:
4925:
4919:
4913:
4904:
4898:
4892:
4886:
4880:
4874:
4868:
4862:
4856:
4850:
4841:
4835:
4829:
4823:
4817:
4811:
4805:
4799:
4793:
4787:
4781:
4775:
4769:
4763:
4757:
4751:
4745:
4739:
4733:
4732:Dolby, pp. 39–40
4730:
4724:
4721:
4715:
4709:
4700:
4693:
4687:
4681:
4675:
4669:
4663:
4657:
4651:
4650:
4638:
4629:
4623:
4617:
4616:
4614:
4612:
4597:
4591:
4574:
4568:
4567:
4565:
4563:
4544:
4531:
4525:
4519:
4513:
4507:
4501:
4495:
4494:
4492:
4490:
4471:
4462:
4456:
4445:
4439:
4430:
4424:
4418:
4412:
4406:
4400:
4381:
4378:
4372:
4355:
4349:
4338:
4005:women's suffrage
4001:Pietermaritzburg
3997:Margaret Gillies
3905:Museum of London
3585:The Secret Agent
3564:Vincent van Gogh
3539:Anthony Trollope
3511:
3435:
3418:, characterised
3347:, Ottawa, Canada
3263:G. K. Chesterton
3085:New York harbour
3035:Episodic writing
2972:Dickens's London
2890:Illustration of
2873:Wackford Squeers
2757:Ebenezer Scrooge
2548:picaresque novel
2486:
2469:
2435:
2397:St. James's Hall
2342:federal tax lien
2215:
2209:
2191:
1966:Giuseppe Mazzini
1923:had resorted to
1885:(1850–1859) and
1873:Tavistock Square
1857:Henry IV, Part 1
1698:'s doctrine of "
1673:G. K. Chesterton
1659:Geoffrey Chaucer
1619:
1551:New-York Tribune
1463:, it was in the
1457:Margaret Gillies
1373:Georgina Hogarth
1204:St Luke's Church
1140:
1127:
1124:The Paris Review
1082:The Paris Review
1055:Chapman and Hall
982:s music critic,
981:
959:Augustus Dickens
913:House of Commons
904:Monthly Magazine
850:Doctors' Commons
396:
395:
392:
391:
388:
385:
382:
379:
376:
373:
356:
270:
268:
264:
160:
159:
157:
156:
155:
150:
146:
143:
142:
141:
138:
108:
87:
85:
69:
60:
46:
45:
21:
16715:
16714:
16710:
16709:
16708:
16706:
16705:
16704:
16665:Trope theorists
16535:Court reporters
16430:Charles Dickens
16420:
16419:
16418:
16413:
16412:
16407:
16388:
16363:
16344:
16309:
16301:Charles Dickens
16298:
16268:
16263:
16245:
16219:
16211:Charles Dickens
16208:
16178:
16173:
16150:
16117:
16081:
16019:
16005:Arthur Havisham
15973:
15965:Charles Dickens
15962:
15932:
15927:
15892:
15865:
15798:
15722:
15714:Charles Dickens
15711:
15681:
15676:
15655:
15637:
15586:
15578:Charles Dickens
15575:
15545:
15540:
15521:
15494:
15478:
15470:Charles Dickens
15467:
15437:
15432:
15414:
15379:
15352:
15344:Charles Dickens
15341:
15311:
15306:
15287:
15228:
15189:
15185:Agnes Wickfield
15180:Betsey Trotwood
15128:
15120:Charles Dickens
15117:
15087:
15082:
15055:
15028:
15020:Charles Dickens
15017:
14987:
14982:
14961:
14915:Adaptations of
14903:
14876:
14817:
14782:
14709:An Easter Carol
14536:
14277:
14226:
14218:Charles Dickens
14215:
14185:
14180:
14161:
14140:
14096:
14082:Master Humphrey
14060:
14052:Charles Dickens
14049:
14019:
14014:
13987:
13936:
13893:
13885:Charles Dickens
13882:
13852:
13847:
13825:I'd Do Anything
13780:
13740:I'd Do Anything
13706:
13687:
13612:
13550:Film retellings
13545:
13438:
13372:
13364:Charles Dickens
13361:
13331:
13326:
13303:
13241:
13210:
13199:
13155:Samuel Pickwick
13143:
13134:Charles Dickens
13131:
13096:
13088:
13083:
13063:
13020:(1859 painting)
12993:Gads Hill Place
12988:Tavistock House
12957:
12928:Francis Dickens
12896:
12875:
12849:
12819:
12813:No Thoroughfare
12768:
12754:Household Words
12717:
12711:No Thoroughfare
12703:The Frozen Deep
12690:
12633:
12611:Sketches by Boz
12602:
12596:
12577:The Long Voyage
12557:
12511:Christmas books
12506:
12497:
12366:
12353:
12351:Charles Dickens
12348:
12314:
12305:
12294:
12272:Charles Dickens
12221:
12206:Wayback Machine
12181:
12129:
12126:
12117:Wayback Machine
12110:Charles Dickens
12100:in your library
12089:
12048:Standard Ebooks
12035:
12030:
12029:
12028:
12005:
12004:
11989:
11988:
11986:Charles Dickens
11984:
11977:
11972:
11966:
11915:
11897:
11891:
11881:Charles Dickens
11866:
11864:
11857:
11833:
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11824:
11797:
11768:(458): 236–243.
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11374:Further reading
11371:
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11327:
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11300:Woolf, Virginia
11289:
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11156:
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11132:Charles Dickens
11112:
11110:
11103:
11082:
11068:Tomalin, Claire
11057:
11055:
11030:
11028:
11021:
10990:
10988:
10981:
10953:
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10928:
10909:
10898:Charles Dickens
10888:
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9781:
9779:
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9748:
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9726:
9724:
9717:
9696:
9674:
9672:
9665:
9657:. Baker Books.
9641:
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8467:"Stage frights"
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8179:Chesterton 1911
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7335:, p. xviii
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7017:
7016:9-780954-245184
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6767:
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6757:Wayback Machine
6745:
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6709:
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6697:
6693:
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6681:
6677:, pp. 332.
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6563:Sutherland 1990
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6509:
6501:
6497:
6489:
6485:
6477:
6473:
6469:, pp. 6–7.
6465:
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6453:
6449:
6440:
6438:
6431:j.ctt183pcr6.16
6423:
6397:
6393:
6386:
6376:Riverhead Books
6368:Johnson, Steven
6365:
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6136:
6126:Douglas Jerrold
6122:
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6095:
6086:
6079:
6065:
6061:
6054:
6046:. p. 318.
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5870:Rost, Stephen.
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5042:Tomalin, Claire
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4584:Wayback Machine
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4427:Chesterton 2005
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4390:
4385:
4384:
4379:
4375:
4356:
4352:
4339:
4335:
4330:
4297:
4235:Household Words
4193:The Haunted Man
4039:
4031:
4025:
3977:2012 collection
3936:Anthony Hopkins
3911:'s poll of the
3881:Bank of England
3854:"Bah! Humbug!'"
3850:Merry Christmas
3807:Centennial Park
3738:
3694:title character
3568:Vincent's Chair
3525:George Meredith
3513:
3505:
3458:Harper's Weekly
3439:Household Words
3433:
3385:penny dreadfuls
3377:Walter R. Booth
3367:Adelphi Theatre
3358:The Haunted Man
3329:
3247:
3131:
3070:Household Words
3037:
2990:from the novel
2980:
2861:Samuel Pickwick
2737:Gads Hill Place
2729:Dickens's Dream
2722:
2706:Cockney English
2668:Cockney English
2578:Tobias Smollett
2570:Laurence Sterne
2544:
2494:
2493:
2492:
2491:
2490:
2487:
2478:
2477:
2476:
2470:
2461:
2460:
2459:
2450:Gads Hill Place
2436:
2425:
2350:
2308:James T. Fields
2272:
2221:
2220:
2219:
2218:
2217:
2210:
2201:
2200:
2199:
2192:
2181:
2044:Household Words
2013:The Frozen Deep
1974:Household Words
1958:Household Words
1930:The Frozen Deep
1909:Household Words
1893:Madame Tussauds
1882:Household Words
1844:Gads Hill Place
1816:where he wrote
1814:Tavistock House
1761:Alexandre Dumas
1745:Thomas Hodgskin
1716:
1641:Robert Browning
1603:
1601:Religious views
1595:Shepherd's Bush
1561:
1449:
1381:Agnes Wickfield
1358:
1311:Richard Bentley
1237:Hampstead Heath
1138:
1128:
1117:
1087:John Sutherland
1051:Sketches by Boz
988:Street Sketches
979:
954:Sketches by Boz
941:Sketches by Boz
878:Samuel Laurence
870:
865:
838:Charles Mathews
698:Insolvent Court
686:debtors' prison
631:Joseph Grimaldi
610:Robinson Crusoe
601:Tobias Smollett
525:
519:
430:debtors' prison
370:
366:
314:Francis Dickens
272:
269: 1858)
260:
256:
253:
153:
151:
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144:
139:
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132:
131:
130:
110:
106:
89:
88:7 February 1812
83:
81:
80:
71:
64:Jeremiah Gurney
51:
50:Charles Dickens
42:
28:
23:
22:
15:
12:
11:
5:
16713:
16703:
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16700:Dickens family
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16360:(1985 musical)
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15797:
15796:
15794:The Seamstress
15791:
15786:
15784:Jerry Cruncher
15781:
15776:
15771:
15766:
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15751:
15746:
15744:Charles Darnay
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15093:
15084:
15083:
15081:
15080:
15076:Dombey and Son
15072:
15068:Dombey and Son
15063:
15061:
15057:
15056:
15054:
15053:
15045:
15041:Dombey and Son
15036:
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15029:
15025:Dombey and Son
15016:
15015:
15008:
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14993:
14984:
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14981:
14980:
14975:
14969:
14967:
14963:
14962:
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14959:
14951:
14943:
14942:(2005 musical)
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14909:
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12781:A House to Let
12776:
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12773:Collaborations
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12193:Doughty Street
12185:Dickens Museum
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11975:External links
11973:
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11933:(3): 535–548.
11922:
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11840:
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11806:"Introduction"
11801:
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11770:
11762:The Dickensian
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11524:
11514:on 5 July 2008
11497:
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11405:(2 ed.).
11395:
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10173:
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10028:Hauser, Arnold
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9419:The Dickensian
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9259:
9245:Ackroyd, Peter
9240:
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9094:
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8981:
8979:, p. 126.
8969:
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8957:
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8832:
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8820:
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8613:
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8496:Neil Roberts,
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8202:978-0857284181
8201:
8183:
8171:
8155:
8132:Boev, Hristo.
8124:
8120:Darwin's Plots
8104:
8102:, p. 155.
8089:
8087:, p. 147.
8077:
8065:
8063:, p. 345.
8053:
8023:
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7978:
7948:
7936:
7905:
7893:
7871:
7869:, p. 653.
7859:
7847:
7835:
7833:, p. 133.
7831:Polloczek 1999
7823:
7806:Financial Post
7793:
7786:
7763:
7732:
7702:
7700:, p. 286.
7690:
7688:, p. 109.
7678:
7666:
7664:, p. 153.
7654:
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7542:
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7530:
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7287:
7275:
7273:, p. xvii
7263:
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7239:
7221:
7208:MeasuringWorth
7181:
7169:
7157:
7144:
7142:, p. 226.
7132:
7130:, p. 628.
7120:
7108:
7082:
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7058:
7046:
7034:
7032:, p. 333.
7022:
7015:
6997:
6982:
6980:, p. 271.
6967:
6948:(3): 535–548.
6928:
6899:
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6799:
6780:
6761:
6739:
6737:, p. 113.
6727:
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6703:
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6679:
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6624:
6594:
6579:
6577:, p. 270.
6567:
6565:, p. 185.
6555:
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6507:
6505:, p. 261.
6495:
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6391:
6384:
6378:. p. 54.
6359:
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6135:978-0715646588
6134:
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6084:
6078:978-0905272023
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6053:978-0521887007
6052:
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5856:978-1441247872
5855:
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5771:
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5747:
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5594:
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5460:978-0199640188
5459:
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5402:
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4758:
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4723:Slater, p. 178
4716:
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4688:
4676:
4664:
4652:
4643:The Dickensian
4630:
4618:
4592:
4569:
4532:
4530:, p. 116.
4520:
4508:
4496:
4479:The New Yorker
4463:
4461:, p. 118.
4446:
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4407:
4405:, p. 735.
4391:
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4035:
4027:Main article:
4024:
4021:
3988:on the planet
3897:naval dockyard
3879:issued by the
3820:Gerald Dickens
3753:, Pennsylvania
3737:
3734:
3712:Jonathan Nolan
3704:Paul McCartney
3623:(March 1940),
3590:Virginia Woolf
3529:Leslie Stephen
3498:
3328:
3325:
3287:Dombey and Son
3246:
3243:
3233:Charles Darwin
3130:
3127:
3036:
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2979:
2976:
2950:Virginia Woolf
2825:Madame Defarge
2821:Charles Darnay
2745:Claire Tomalin
2721:
2718:
2649:Mrs Wititterly
2629:Alfred Harbage
2602:Horace Walpole
2592:Gothic fiction
2574:Henry Fielding
2543:
2542:Literary style
2540:
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2257:, such as the
2255:rail accidents
2251:The Signal-Man
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2177:
2150:The Ghost Club
2126:Claire Tomalin
2020:Wilkie Collins
1987:Following the
1970:Louis Napoleon
1867:Commemorative
1840:Wilkie Collins
1807:Punch and Judy
1731:Frank Reynolds
1715:
1712:
1688:evangelicalism
1602:
1599:
1591:Urania Cottage
1560:
1557:
1535:Dombey and Son
1508:Dombey and Son
1448:
1445:
1357:
1354:
1272:Queen Victoria
1216:Furnival's Inn
1182:Daniel Maclise
1115:
1059:Robert Seymour
1035:Daniel Maclise
984:George Hogarth
917:Furnival's Inn
895:Charles Kemble
893:and the actor
891:George Bartley
869:
866:
864:
861:
842:monopolylogues
831:, as a junior
694:Dombey and Son
675:Somerset House
655:, in Chatham.
605:Henry Fielding
588:and thence to
574:Dombey and Son
553:Portsea Island
523:Dickens family
521:Main article:
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16039:
16037:
16034:
16032:
16029:
16028:
16026:
16022:
16016:
16013:
16011:
16010:Abel Magwitch
16008:
16006:
16003:
16001:
16000:Miss Havisham
15998:
15996:
15993:
15991:
15988:
15986:
15983:
15982:
15980:
15976:
15972:
15971:
15966:
15959:
15954:
15952:
15947:
15945:
15940:
15939:
15936:
15923:
15922:
15918:
15915:
15914:
15910:
15907:
15906:
15902:
15901:
15899:
15895:
15888:
15887:
15883:
15880:
15879:
15875:
15874:
15872:
15868:
15861:
15860:
15856:
15853:
15852:
15848:
15845:
15844:
15840:
15837:
15836:
15832:
15829:
15828:
15824:
15821:
15820:
15816:
15813:
15812:
15808:
15807:
15805:
15801:
15795:
15792:
15790:
15787:
15785:
15782:
15780:
15777:
15775:
15772:
15770:
15767:
15765:
15762:
15760:
15757:
15755:
15752:
15750:
15747:
15745:
15742:
15740:
15739:Lucie Manette
15737:
15735:
15734:Sydney Carton
15732:
15731:
15729:
15725:
15721:
15720:
15715:
15708:
15703:
15701:
15696:
15694:
15689:
15688:
15685:
15673:
15670:
15668:
15665:
15664:
15662:
15658:
15652:
15651:
15647:
15646:
15644:
15640:
15633:
15632:
15631:Little Dorrit
15628:
15625:
15624:
15623:Little Dorrit
15620:
15617:
15616:
15615:Little Dorrit
15612:
15609:
15608:
15607:Little Dorrit
15604:
15601:
15600:
15599:Little Dorrit
15596:
15595:
15593:
15589:
15585:
15584:
15583:Little Dorrit
15579:
15572:
15567:
15565:
15560:
15558:
15553:
15552:
15549:
15536:
15535:
15531:
15530:
15528:
15524:
15517:
15516:
15512:
15509:
15508:
15504:
15503:
15501:
15497:
15491:
15488:
15487:
15485:
15481:
15477:
15476:
15471:
15464:
15459:
15457:
15452:
15450:
15445:
15444:
15441:
15429:
15428:
15424:
15423:
15421:
15417:
15410:
15409:
15405:
15402:
15401:
15397:
15394:
15393:
15389:
15388:
15386:
15382:
15375:
15374:
15370:
15367:
15366:
15362:
15361:
15359:
15355:
15351:
15350:
15345:
15338:
15333:
15331:
15326:
15324:
15319:
15318:
15315:
15302:
15301:
15297:
15296:
15294:
15290:
15284:(2001 series)
15283:
15282:
15278:
15276:
15273:
15271:
15268:
15266:
15263:
15261:
15258:
15256:
15253:
15251:
15248:
15246:
15243:
15241:
15238:
15237:
15235:
15231:
15224:
15223:
15219:
15217:
15214:
15212:
15209:
15207:
15204:
15202:
15199:
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15192:
15186:
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15176:
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15138:
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15135:
15131:
15127:
15126:
15121:
15114:
15109:
15107:
15102:
15100:
15095:
15094:
15091:
15078:
15077:
15073:
15070:
15069:
15065:
15064:
15062:
15058:
15051:
15050:
15046:
15043:
15042:
15038:
15037:
15035:
15031:
15027:
15026:
15021:
15014:
15009:
15007:
15002:
15000:
14995:
14994:
14991:
14979:
14976:
14974:
14971:
14970:
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14957:
14956:
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14940:
14936:
14933:
14929:
14926:
14925:
14921:
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14913:
14912:
14910:
14906:
14899:
14898:
14894:
14891:
14890:
14886:
14885:
14883:
14879:
14872:
14871:
14867:
14864:
14863:
14859:
14856:
14855:
14851:
14848:
14847:
14843:
14840:
14839:
14835:
14832:
14831:
14827:
14826:
14824:
14820:
14813:
14812:
14808:
14805:
14804:
14800:
14797:
14796:
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14791:
14789:
14785:
14778:
14777:
14773:
14770:
14769:
14765:
14762:
14761:
14757:
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14746:
14742:
14738:
14735:
14734:
14730:
14727:
14726:
14722:
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14714:
14711:
14710:
14706:
14703:
14702:
14698:
14695:
14694:
14690:
14687:
14686:
14682:
14679:
14678:
14674:
14671:
14670:
14666:
14663:
14662:
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14654:
14650:
14647:
14646:
14642:
14639:
14638:
14634:
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14626:
14623:
14622:
14618:
14615:
14614:
14610:
14607:
14606:
14602:
14599:
14598:
14594:
14591:
14590:
14586:
14583:
14582:
14578:
14575:
14574:
14570:
14567:
14566:
14562:
14559:
14558:
14554:
14551:
14550:
14546:
14545:
14543:
14539:
14532:
14531:
14527:
14524:
14523:
14519:
14516:
14515:
14511:
14508:
14507:
14503:
14500:
14499:
14495:
14492:
14491:
14487:
14484:
14483:
14479:
14476:
14475:
14471:
14468:
14467:
14463:
14460:
14459:
14455:
14452:
14451:
14447:
14444:
14443:
14439:
14436:
14435:
14431:
14428:
14427:
14423:
14420:
14419:
14415:
14412:
14411:
14407:
14404:
14403:
14399:
14396:
14395:
14391:
14388:
14387:
14383:
14380:
14379:
14375:
14372:
14371:
14367:
14364:
14363:
14359:
14356:
14355:
14351:
14348:
14347:
14343:
14340:
14339:
14335:
14332:
14331:
14327:
14324:
14323:
14319:
14316:
14315:
14311:
14308:
14307:
14303:
14300:
14299:
14295:
14292:
14291:
14287:
14286:
14284:
14280:
14274:
14271:
14269:
14266:
14264:
14261:
14259:
14256:
14254:
14251:
14249:
14246:
14244:
14241:
14239:
14236:
14235:
14233:
14229:
14225:
14224:
14219:
14212:
14207:
14205:
14200:
14198:
14193:
14192:
14189:
14177:
14175:
14171:
14170:
14168:
14164:
14158:
14155:
14153:
14150:
14149:
14147:
14143:
14137:
14134:
14131:
14130:
14126:
14124:
14121:
14119:
14116:
14114:
14111:
14109:
14106:
14105:
14103:
14099:
14093:
14090:
14088:
14085:
14083:
14080:
14078:
14077:Sampson Brass
14075:
14073:
14070:
14069:
14067:
14063:
14059:
14058:
14053:
14046:
14041:
14039:
14034:
14032:
14027:
14026:
14023:
14010:
14009:
14005:
14002:
14001:
13997:
13996:
13994:
13990:
13983:
13982:
13978:
13975:
13974:
13970:
13967:
13966:
13962:
13959:
13958:
13954:
13951:
13950:
13946:
13945:
13943:
13939:
13932:
13931:
13927:
13924:
13923:
13919:
13916:
13915:
13911:
13908:
13907:
13903:
13902:
13900:
13896:
13892:
13891:
13886:
13879:
13874:
13872:
13867:
13865:
13860:
13859:
13856:
13843:
13842:
13838:
13835:
13834:
13830:
13827:
13826:
13822:
13819:
13818:
13814:
13811:
13810:
13809:Fagin the Jew
13806:
13803:
13802:
13798:
13795:
13794:
13790:
13789:
13787:
13783:
13776:
13772:
13769:
13765:
13762:
13758:
13755:
13751:
13748:
13744:
13741:
13737:
13734:
13730:
13727:
13723:
13720:
13716:
13715:
13713:
13709:
13702:
13701:
13697:
13696:
13694:
13690:
13683:
13682:
13678:
13675:
13674:
13670:
13667:
13666:
13662:
13659:
13658:
13654:
13651:
13650:
13646:
13643:
13642:
13638:
13635:
13634:
13630:
13627:
13626:
13622:
13621:
13619:
13615:
13608:
13607:
13603:
13600:
13599:
13595:
13592:
13591:
13587:
13584:
13583:
13579:
13576:
13575:
13571:
13568:
13567:
13563:
13560:
13559:
13555:
13554:
13552:
13548:
13541:
13540:
13536:
13533:
13532:
13528:
13525:
13524:
13520:
13517:
13516:
13512:
13509:
13508:
13504:
13501:
13500:
13496:
13493:
13492:
13488:
13485:
13484:
13480:
13477:
13476:
13472:
13469:
13468:
13464:
13461:
13460:
13456:
13453:
13452:
13448:
13447:
13445:
13441:
13435:
13432:
13430:
13429:Mr Sowerberry
13427:
13425:
13424:Charley Bates
13422:
13420:
13417:
13415:
13412:
13410:
13407:
13405:
13402:
13400:
13397:
13395:
13392:
13390:
13387:
13385:
13382:
13381:
13379:
13375:
13371:
13370:
13365:
13358:
13353:
13351:
13346:
13344:
13339:
13338:
13335:
13323:
13320:
13317:
13313:
13312:
13310:
13306:
13300:
13297:
13295:
13292:
13290:
13287:
13285:
13282:
13280:
13277:
13275:
13272:
13270:
13267:
13264:
13263:
13259:
13256:
13255:
13251:
13250:
13248:
13244:
13238:
13235:
13233:
13230:
13228:
13225:
13223:
13220:
13219:
13217:
13213:
13206:
13196:
13193:
13191:
13188:
13186:
13183:
13181:
13178:
13176:
13173:
13171:
13168:
13166:
13165:Alfred Jingle
13163:
13161:
13158:
13156:
13153:
13152:
13150:
13146:
13141:
13140:
13135:
13128:
13123:
13121:
13116:
13114:
13109:
13108:
13105:
13099:
13092:
13080:
13079:
13070:
13069:
13066:
13059:
13058:
13054:
13051:
13050:
13046:
13043:
13042:
13038:
13035:
13034:
13030:
13027:
13026:
13022:
13019:
13018:
13014:
13012:
13010:
13006:
13004:
13001:
12999:
12996:
12994:
12991:
12989:
12986:
12984:
12981:
12979:
12976:
12974:
12971:
12970:
12968:
12964:
12954:
12951:
12949:
12946:
12944:
12941:
12939:
12936:
12934:
12931:
12929:
12926:
12924:
12921:
12919:
12918:Kate Perugini
12916:
12914:
12911:
12909:
12906:
12905:
12903:
12899:
12893:
12890:
12888:
12885:
12884:
12882:
12878:
12872:
12869:
12867:
12864:
12862:
12859:
12858:
12856:
12852:
12846:
12843:
12841:
12838:
12837:
12835:
12831:
12828:
12826:
12822:
12815:
12814:
12810:
12807:
12806:
12802:
12799:
12798:
12794:
12791:
12790:
12786:
12783:
12782:
12778:
12777:
12775:
12771:
12764:
12763:
12759:
12756:
12755:
12751:
12748:
12747:
12743:
12740:
12739:
12735:
12732:
12731:
12727:
12726:
12724:
12720:
12713:
12712:
12708:
12705:
12704:
12700:
12699:
12697:
12693:
12686:
12683:
12680:
12679:
12675:
12672:
12671:
12667:
12664:
12663:
12659:
12656:
12655:
12651:
12648:
12647:
12643:
12642:
12640:
12636:
12629:
12628:
12624:
12621:
12620:
12616:
12613:
12612:
12608:
12607:
12605:
12599:
12592:
12588:
12585:
12581:
12578:
12574:
12571:
12567:
12566:
12564:
12562:Short stories
12560:
12553:
12552:
12548:
12545:
12544:
12540:
12537:
12536:
12532:
12529:
12528:
12524:
12521:
12520:
12516:
12515:
12513:
12509:
12504:
12493:
12492:
12488:
12485:
12484:
12480:
12477:
12476:
12472:
12469:
12468:
12464:
12461:
12460:
12459:Little Dorrit
12456:
12453:
12452:
12448:
12445:
12444:
12440:
12437:
12436:
12432:
12429:
12428:
12424:
12421:
12420:
12416:
12413:
12412:
12408:
12405:
12404:
12400:
12397:
12396:
12392:
12389:
12388:
12384:
12381:
12380:
12376:
12375:
12373:
12369:
12363:
12360:
12359:
12356:
12352:
12345:
12340:
12338:
12333:
12331:
12326:
12325:
12322:
12313:
12304:
12303:
12302:
12293:
12287:
12282:
12277:
12273:
12270:
12268:
12264:
12262:
12258:
12254:
12251:
12249:
12245:
12241:
12238:
12236:
12232:
12231:
12226:
12223:
12222:
12213:
12210:
12207:
12203:
12200:
12197:
12195:, London, WC1
12194:
12190:
12189:Dickens House
12186:
12183:
12182:
12174:
12171:
12169:
12166:
12163:
12160:
12158:
12154:
12152:
12149:
12147:
12143:
12140:
12136:
12132:
12128:
12127:
12118:
12114:
12111:
12108:
12105:
12101:
12097:
12094:
12086:
12082:
12079:
12077:
12073:
12070:
12067:
12063:
12060:
12058:
12054:
12051:
12049:
12045:
12042:
12040:
12037:
12036:
12025:
12022:
12020:
12017:
12015:
12012:
12011:
12009:
12001:
11998:
11996:
11993:
11992:
11987:
11982:
11967:
11961:
11957:
11952:
11951:
11944:
11940:
11936:
11932:
11928:
11923:
11919:
11911:
11907:
11903:
11902:
11896:
11892:
11886:
11882:
11878:
11874:
11862:
11858:
11852:
11848:
11847:
11841:
11829:
11825:
11819:
11815:
11814:Penguin Books
11811:
11807:
11802:
11798:
11792:
11788:
11784:
11779:
11778:
11771:
11767:
11763:
11758:
11754:
11748:
11744:
11739:
11727:
11723:
11717:
11713:
11712:
11706:
11703:
11699:
11688:
11682:
11678:
11677:
11671:
11667:
11663:
11662:
11657:
11653:
11649:
11643:
11639:
11638:
11633:
11629:
11617:
11613:
11607:
11603:
11599:
11594:
11591:
11587:
11583:
11577:
11573:
11568:
11556:
11552:
11546:
11542:
11538:
11536:
11532:
11525:
11513:
11509:
11508:
11503:
11498:
11486:
11482:
11476:
11472:
11471:
11465:
11462:
11455:
11451:
11449:
11445:
11441:
11437:
11434:
11422:
11418:
11412:
11408:
11404:
11403:
11397:
11396:
11390:
11389:
11383:
11378:
11377:
11358:
11354:
11348:
11344:
11343:
11337:
11325:
11321:
11315:
11311:
11310:Hogarth Press
11307:
11306:
11301:
11297:
11285:
11281:
11275:
11271:
11270:Penguin Books
11267:
11266:
11261:
11260:Wilson, Angus
11257:
11245:
11241:
11240:
11235:
11230:
11218:
11214:
11208:
11204:
11203:
11197:
11185:
11181:
11175:
11171:
11170:
11169:Reminiscences
11164:
11152:
11148:
11142:
11138:
11134:
11133:
11128:
11127:Bloom, Harold
11124:
11120:
11108:
11104:
11098:
11094:
11093:
11087:
11083:
11077:
11073:
11069:
11065:
11053:
11049:
11048:
11043:
11038:
11026:
11022:
11016:
11012:
11008:
11007:
11002:
10998:
10986:
10982:
10976:
10972:
10968:
10967:
10961:
10949:
10945:
10941:
10937:
10933:
10929:
10923:
10919:
10914:
10910:
10904:
10900:
10899:
10893:
10889:
10883:
10878:
10877:
10870:
10858:
10854:
10848:
10844:
10840:
10839:
10833:
10829:
10823:
10818:
10817:
10810:
10798:
10794:
10788:
10784:
10780:
10775:
10763:
10759:
10753:
10749:
10748:
10742:
10738:
10732:
10728:
10724:
10719:
10718:
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9999:
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9955:
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9925:
9920:
9908:
9904:
9898:
9894:
9893:
9887:
9875:
9871:
9865:
9861:
9860:
9855:
9854:Forster, John
9851:
9847:
9841:
9837:
9833:
9829:
9825:
9820:
9816:
9810:
9806:
9802:
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9763:
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9682:
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9656:
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9570:
9564:
9552:
9548:
9542:
9538:
9537:
9532:
9528:
9516:
9512:
9506:
9502:
9501:
9495:
9491:
9485:
9481:
9477:
9476:Callow, Simon
9473:
9461:
9457:
9451:
9447:
9443:
9442:
9436:
9424:
9420:
9416:
9411:
9399:
9395:
9389:
9385:
9381:
9377:
9372:
9360:
9356:
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9346:
9342:
9337:
9325:
9321:
9317:
9313:
9309:
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9291:
9286:
9285:
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9266:
9262:
9256:
9252:
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9241:
9229:
9224:
9216:
9212:
9206:
9191:
9187:
9183:
9177:
9161:
9157:
9150:
9134:
9128:
9112:
9108:
9107:The Telegraph
9104:
9098:
9091:
9087:
9083:
9080:
9075:
9067:
9065:0-15-195747-9
9061:
9057:
9053:
9052:
9047:
9046:Bloom, Harold
9041:
9025:
9021:
9020:
9015:
9009:
9002:
8997:
8990:
8989:Robinson 2005
8985:
8978:
8977:Cochrane 1996
8973:
8966:
8961:
8954:
8949:
8947:
8930:
8926:
8922:
8916:
8900:
8896:
8892:
8885:
8869:
8865:
8861:
8855:
8848:
8844:
8841:
8836:
8829:
8824:
8817:
8816:
8815:The Telegraph
8811:
8807:
8804:
8799:
8783:
8779:
8773:
8757:
8753:
8752:The Telegraph
8748:
8741:
8734:. Penguin UK.
8733:
8726:
8717:
8701:
8697:
8693:
8687:
8679:
8673:
8667:
8662:
8653:
8647:, p. 67.
8646:
8641:
8634:
8629:
8622:
8617:
8610:
8605:
8598:
8592:
8585:
8579:
8563:
8559:
8555:
8548:
8546:
8537:
8530:
8523:
8521:
8515:
8508:
8504:
8501:
8499:
8492:
8476:
8472:
8468:
8461:
8445:
8439:
8437:
8421:. JSTOR Daily
8420:
8414:
8412:
8402:
8400:
8392:
8391:9780191727986
8388:
8384:
8383:9780198662532
8380:
8376:
8370:
8354:
8350:
8346:
8339:
8324:
8320:
8313:
8306:
8305:Morrison 2012
8301:
8295:, p. 67.
8294:
8289:
8283:
8278:
8272:, p. 62.
8271:
8270:Trollope 2007
8266:
8260:, p. 44.
8259:
8254:
8247:
8242:
8226:
8222:
8218:
8212:
8204:
8198:
8194:
8187:
8180:
8175:
8168:
8164:
8159:
8143:
8139:
8135:
8128:
8121:
8117:
8113:
8112:Atkinson 1990
8108:
8101:
8096:
8094:
8086:
8081:
8075:, p. 25.
8074:
8069:
8062:
8057:
8041:
8037:
8033:
8027:
8019:
8012:
7996:
7992:
7988:
7982:
7966:
7962:
7958:
7952:
7945:
7940:
7932:
7928:
7924:
7920:
7916:
7909:
7903:, p. 34.
7902:
7897:
7890:
7885:
7878:
7876:
7868:
7863:
7856:
7851:
7844:
7839:
7832:
7827:
7811:
7807:
7803:
7797:
7789:
7783:
7779:
7778:
7770:
7768:
7751:
7747:
7743:
7736:
7720:
7716:
7715:The Telegraph
7712:
7706:
7699:
7694:
7687:
7682:
7676:, p. 46.
7675:
7670:
7663:
7658:
7652:, p. 45.
7651:
7646:
7630:
7626:
7622:
7616:
7609:
7604:
7597:
7585:
7581:
7580:
7572:
7556:
7552:
7546:
7539:
7534:
7519:
7515:
7509:
7502:
7497:
7491:, p. 30.
7490:
7485:
7479:, p. 20.
7478:
7473:
7471:
7454:
7450:
7444:
7436:
7429:
7427:
7425:
7408:
7404:
7398:
7382:
7378:
7372:
7356:
7352:
7348:
7341:
7334:
7329:
7322:
7317:
7302:
7298:
7291:
7284:
7279:
7272:
7267:
7261:, p. 674
7260:
7255:
7249:, p. 676
7248:
7243:
7235:
7231:
7225:
7210:
7209:
7204:
7198:
7192:
7190:
7188:
7186:
7178:
7173:
7166:
7161:
7154:
7148:
7141:
7136:
7129:
7124:
7117:
7112:
7096:
7092:
7091:"Luke Fildes"
7086:
7079:
7074:
7068:, p. 53.
7067:
7066:Foxcroft 2007
7062:
7055:
7050:
7044:, p. 377
7043:
7038:
7031:
7026:
7018:
7012:
7008:
7001:
6993:
6986:
6979:
6978:Hobsbaum 1998
6974:
6972:
6963:
6959:
6955:
6951:
6947:
6943:
6939:
6932:
6916:
6912:
6906:
6904:
6887:
6883:
6877:
6870:
6865:
6857:
6850:
6848:
6831:
6825:
6818:
6814:
6811:
6809:
6803:
6796:
6792:
6789:
6784:
6777:
6773:
6770:
6765:
6758:
6754:
6751:
6750:
6743:
6736:
6731:
6724:
6719:
6713:, p. 37.
6712:
6707:
6700:
6695:
6688:
6683:
6676:
6671:
6664:
6658:
6642:
6638:
6637:The Telegraph
6634:
6628:
6612:
6608:
6604:
6598:
6590:
6583:
6576:
6575:Hobsbaum 1998
6571:
6564:
6559:
6552:
6547:
6540:
6535:
6528:
6523:
6516:
6511:
6504:
6499:
6492:
6491:Furneaux 2011
6487:
6480:
6475:
6468:
6463:
6456:
6451:
6436:
6432:
6428:
6424:
6418:
6414:
6410:
6406:
6402:
6395:
6387:
6381:
6377:
6373:
6369:
6363:
6355:
6348:
6340:
6333:
6325:
6318:
6310:
6306:
6299:
6297:
6289:
6284:
6282:
6274:
6268:
6260:
6254:
6247:
6242:
6235:
6230:
6223:
6218:
6211:
6206:
6198:
6191:
6183:
6176:
6168:
6161:
6154:
6148:
6146:
6137:
6131:
6127:
6120:
6112:
6108:
6104:
6100:
6093:
6091:
6089:
6080:
6074:
6070:
6063:
6055:
6049:
6045:
6041:
6034:
6018:
6014:
6012:
6003:
5995:
5988:
5986:
5984:
5975:
5974:
5966:
5955:
5948:
5942:
5926:
5922:
5918:
5911:
5905:, p. 87.
5904:
5903:Colledge 2009
5899:
5883:
5879:
5874:
5866:
5858:
5852:
5848:
5841:
5832:
5813:
5806:
5799:
5792:
5787:
5780:
5775:
5768:
5763:
5756:
5751:
5743:
5736:
5730:, p. 98.
5729:
5728:Schlicke 1999
5724:
5717:
5712:
5696:
5692:
5691:
5686:
5679:
5677:
5657:
5653:
5652:
5643:
5637:
5631:, p. 35.
5630:
5625:
5623:
5615:
5610:
5603:
5598:
5591:
5586:
5570:
5566:
5565:
5564:The Economist
5560:
5554:
5547:
5542:
5535:
5530:
5523:
5518:
5516:
5508:
5503:
5487:
5483:
5482:
5477:
5470:
5462:
5456:
5452:
5445:
5438:
5433:
5431:
5423:
5418:
5411:
5410:Schlicke 1999
5406:
5390:
5384:
5377:
5372:
5365:
5360:
5353:
5348:
5341:
5336:
5329:
5324:
5317:
5312:
5296:
5292:
5288:
5282:
5276:, p. 160
5275:
5274:Schlicke 1999
5270:
5268:
5260:
5255:
5253:
5245:
5240:
5224:
5220:
5216:
5209:
5193:
5189:
5183:
5176:
5171:
5164:
5159:
5143:
5139:
5135:
5129:
5127:
5125:
5123:
5121:
5113:
5108:
5102:, p. 75.
5101:
5096:
5089:
5084:
5082:
5074:
5069:
5061:
5059:9781594203091
5055:
5050:
5049:
5043:
5037:
5030:
5025:
5023:
5021:
5013:
5008:
5001:
4996:
4989:
4984:
4978:, p. 23.
4977:
4972:
4966:, p. 64.
4965:
4960:
4954:, p. 18.
4953:
4948:
4941:
4936:
4929:
4924:
4918:, p. 61.
4917:
4912:
4910:
4903:, p. 91.
4902:
4897:
4891:, p. 58.
4890:
4885:
4878:
4877:Schlicke 1999
4873:
4866:
4861:
4854:
4849:
4847:
4840:, p. 53.
4839:
4834:
4828:, p. 76.
4827:
4822:
4816:, p. 27.
4815:
4810:
4804:, p. 11.
4803:
4798:
4791:
4786:
4779:
4774:
4767:
4766:Schlicke 1999
4762:
4756:, p. 41.
4755:
4750:
4743:
4738:
4729:
4720:
4714:, p. 65.
4713:
4708:
4706:
4698:
4692:
4685:
4680:
4674:, p. 13.
4673:
4668:
4661:
4656:
4648:
4644:
4637:
4635:
4627:
4622:
4606:
4602:
4596:
4589:
4585:
4581:
4578:
4573:
4557:
4553:
4549:
4543:
4541:
4539:
4537:
4529:
4524:
4517:
4512:
4505:
4500:
4484:
4480:
4476:
4470:
4468:
4460:
4455:
4453:
4451:
4443:
4442:Grossman 2012
4438:
4436:
4428:
4423:
4417:, p. 76.
4416:
4411:
4404:
4399:
4397:
4392:
4377:
4370:
4366:
4362:
4361:
4354:
4347:
4346:Tremont House
4342:
4337:
4333:
4323:
4319:
4318:
4314:
4312:
4309:
4307:
4304:
4302:
4299:
4298:
4289:
4288:
4284:
4281:
4280:
4276:
4273:
4272:
4267:
4266:
4262:
4259:
4258:
4253:
4252:
4248:
4245:
4244:
4243:Little Dorrit
4240:
4237:
4236:
4231:
4227:
4226:
4222:
4219:
4218:
4214:
4211:
4207:
4206:
4202:
4199:
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4194:
4190:
4187:
4183:
4182:
4178:
4175:
4171:
4170:
4166:
4163:
4159:
4158:
4154:
4151:
4147:
4146:
4142:
4139:
4135:
4134:
4130:
4127:
4123:
4122:
4118:
4115:
4114:
4109:
4105:
4104:
4103:Barnaby Rudge
4100:
4097:
4096:
4091:
4090:
4086:
4083:
4079:
4078:
4074:
4071:
4070:
4065:
4061:
4060:
4056:
4053:
4049:
4048:
4044:
4043:
4042:
4034:
4030:
4020:
4018:
4015:in 1844. The
4014:
4010:
4006:
4002:
3998:
3993:
3991:
3987:
3983:
3978:
3974:
3965:
3961:
3959:
3958:
3953:
3952:Ralph Fiennes
3949:
3945:
3941:
3937:
3932:
3930:
3926:
3922:
3918:
3914:
3910:
3906:
3902:
3898:
3894:
3893:Dickens World
3890:
3886:
3882:
3878:
3870:
3865:
3861:
3859:
3855:
3851:
3847:
3843:
3842:Ronald Hutton
3838:
3831:
3827:
3823:
3821:
3816:
3812:
3808:
3804:
3800:
3796:
3792:
3788:
3787:
3782:
3778:
3777:
3772:
3771:
3766:
3765:
3760:
3752:
3748:
3747:
3742:
3733:
3731:
3730:The Telegraph
3727:
3726:Philip Womack
3723:
3719:
3718:
3713:
3709:
3705:
3701:
3700:
3695:
3691:
3687:
3683:
3679:
3675:
3674:Little Dorrit
3671:
3666:
3664:
3660:
3659:cross-cutting
3656:
3652:
3648:
3644:
3643:
3638:
3634:
3630:
3626:
3625:Edmund Wilson
3622:
3621:
3616:
3615:George Orwell
3608:
3604:
3603:
3597:
3593:
3591:
3587:
3586:
3581:
3577:
3576:Joseph Conrad
3573:
3569:
3565:
3561:
3557:
3552:
3548:
3544:
3543:Autobiography
3540:
3536:
3535:
3530:
3526:
3522:
3518:
3517:Poet laureate
3512:
3509:
3502:
3497:
3495:
3491:
3487:
3482:
3481:
3475:
3470:
3469:
3460:
3459:
3453:
3449:
3447:
3446:
3441:
3440:
3431:
3430:Little Dorrit
3427:
3426:
3421:
3417:
3416:
3411:
3407:
3406:
3405:The Spectator
3401:
3397:
3393:
3392:Victorian era
3388:
3386:
3382:
3378:
3374:
3373:
3368:
3364:
3360:
3359:
3354:
3346:
3342:
3338:
3333:
3324:
3322:
3320:
3315:
3314:Little Dorrit
3311:
3307:
3303:
3298:
3296:
3292:
3288:
3284:
3280:
3271:
3267:
3264:
3260:
3256:
3252:
3242:
3240:
3239:
3234:
3228:
3226:
3222:
3221:Little Dorrit
3218:
3214:
3213:
3208:
3204:
3200:
3196:
3192:
3188:
3184:
3180:
3174:
3172:
3168:
3164:
3160:
3156:
3148:
3144:
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3135:
3126:
3124:
3123:
3118:
3113:
3109:
3105:
3100:
3098:
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3088:
3086:
3082:
3081:
3076:
3072:
3071:
3066:
3065:
3060:
3052:
3051:
3046:
3041:
3032:
3030:
3024:
3022:
3018:
3014:
3013:Little Dorrit
3010:
3005:
3001:
2993:
2989:
2984:
2975:
2973:
2969:
2965:
2964:coaching inns
2961:
2960:magic lantern
2956:
2951:
2947:
2945:
2941:
2937:
2933:
2929:
2924:
2920:
2916:
2912:
2905:
2901:
2897:
2893:
2892:London Bridge
2888:
2884:
2882:
2878:
2874:
2870:
2866:
2862:
2858:
2854:
2850:
2846:
2842:
2838:
2834:
2830:
2826:
2822:
2818:
2817:Sydney Carton
2814:
2810:
2809:Abel Magwitch
2806:
2802:
2801:Miss Havisham
2798:
2794:
2790:
2786:
2782:
2778:
2774:
2770:
2766:
2762:
2758:
2754:
2751:. Dickensian
2750:
2746:
2738:
2734:
2730:
2726:
2717:
2715:
2711:
2707:
2703:
2699:
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2669:
2665:
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2660:Artful Dodger
2656:
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2646:
2642:
2638:
2634:
2630:
2626:
2621:
2619:
2615:
2614:Miss Havisham
2611:
2607:
2603:
2599:
2598:
2593:
2589:
2585:
2584:
2580:. Fielding's
2579:
2575:
2571:
2567:
2564:. Satire and
2563:
2562:
2557:
2553:
2549:
2539:
2535:
2532:
2528:
2524:
2523:Privy Council
2518:
2513:
2511:
2507:
2506:Poets' Corner
2503:
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2468:
2457:
2456:
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2409:Royal Academy
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2312:Steinway Hall
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2280:Steinway Hall
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2256:
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2240:
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2067:
2057:
2053:
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2046:
2045:
2040:
2035:
2033:
2029:
2025:
2021:
2018:
2014:
2006:
2001:
1997:
1994:
1990:
1985:
1983:
1982:Edward Jenner
1979:
1975:
1971:
1967:
1963:
1959:
1955:
1951:
1947:
1942:
1940:
1936:
1932:
1931:
1926:
1922:
1918:
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1898:
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1870:
1865:
1861:
1859:
1858:
1853:
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1837:
1833:
1832:
1831:Little Dorrit
1827:
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1821:
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1815:
1810:
1808:
1804:
1800:
1796:
1792:
1788:
1787:
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1778:
1774:
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1769:Eugène Scribe
1766:
1762:
1756:
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1527:
1526:Thomas Powell
1523:
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1500:Ragged School
1496:
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1370:
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1353:
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1339:
1337:
1336:
1335:The Spectator
1331:
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1325:
1320:
1316:
1312:
1307:
1305:
1304:
1299:
1298:
1293:
1292:
1287:
1286:
1281:
1277:
1273:
1265:
1264:Barnaby Rudge
1261:
1257:
1254:
1250:
1246:
1242:
1238:
1233:
1229:
1225:
1221:
1217:
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1154:
1150:
1149:
1144:
1136:
1135:
1125:
1121:
1114:
1112:
1108:
1104:
1103:The Economist
1098:
1096:
1092:
1088:
1084:
1083:
1078:
1074:
1073:
1068:
1064:
1060:
1056:
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1036:
1032:
1028:
1027:
1022:
1014:
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1009:
1004:
999:
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993:
989:
985:
978:
974:
970:
966:
965:
960:
956:
955:
946:
942:
938:
934:
930:
928:
927:
922:
921:Parliamentary
918:
914:
910:
906:
905:
899:
896:
892:
888:
879:
874:
860:
858:
853:
851:
847:
843:
839:
834:
830:
825:
823:
819:
814:
812:
811:
806:
802:
801:working-class
797:
793:
791:
783:
782:Little Dorrit
779:
775:
770:
766:
764:
760:
759:Covent Garden
754:
749:
747:
743:
738:
734:
730:
726:
725:
724:Little Dorrit
720:
716:
711:
709:
708:
703:
699:
695:
691:
687:
684:
680:
676:
669:
665:
660:
656:
654:
650:
646:
645:
640:
636:
632:
628:
624:
623:
618:
617:
612:
611:
607:, as well as
606:
602:
598:
593:
591:
587:
583:
578:
576:
575:
570:
566:
562:
558:
554:
550:
542:
537:
529:
524:
514:
512:
508:
507:
502:
501:
496:
495:
490:
489:
483:
481:
476:
475:
470:
465:
461:
456:
452:
448:
447:
441:
439:
435:
431:
427:
423:
418:
416:
415:Victorian era
412:
411:social critic
408:
404:
400:
394:
364:
355:
350:
345:
340:
337:
335:
332:
330:
327:
325:
322:
320:
317:
315:
312:
310:
307:
305:
304:Kate Perugini
302:
300:
297:
295:
292:
291:
290:
286:
282:
279:
275:
252:
247:
243:
238:
237:
233:
231:
230:
226:
224:
223:
222:Little Dorrit
219:
217:
216:
212:
210:
209:
205:
203:
202:
198:
196:
195:
191:
189:
188:
184:
182:
181:
177:
176:
175:
173:Notable works
171:
167:
163:
158:
128:
127:Poets' Corner
125:
123:Resting place
121:
117:
113:
104:
100:
96:
92:
78:
74:
65:
59:
54:
47:
44:
40:
36:
34:
19:
16404:(2009 novel)
16399:
16380:
16355:
16337:
16329:
16321:
16304:
16300:
16214:
16210:
16161:
16143:
16142:"Pip" (2000
16137:(1979 opera)
16134:
16129:1975 musical
16074:
16046:
16015:John Wemmick
15968:
15964:
15919:
15911:
15903:
15885:
15876:
15857:
15849:
15841:
15835:The Only Way
15833:
15825:
15817:
15809:
15764:Jarvis Lorry
15717:
15713:
15648:
15629:
15621:
15613:
15605:
15597:
15581:
15577:
15532:
15513:
15505:
15473:
15469:
15425:
15406:
15398:
15390:
15371:
15363:
15347:
15343:
15298:
15279:
15220:
15170:Dora Spenlow
15123:
15119:
15074:
15066:
15047:
15039:
15023:
15019:
14958:(video game)
14953:
14945:
14937:
14924:Batman: Noël
14922:
14916:
14895:
14887:
14868:
14860:
14852:
14844:
14836:
14828:
14809:
14801:
14793:
14774:
14766:
14758:
14750:
14744:
14731:
14723:
14715:
14707:
14699:
14691:
14683:
14675:
14667:
14659:
14651:
14643:
14635:
14627:
14619:
14611:
14603:
14595:
14587:
14579:
14571:
14563:
14555:
14547:
14528:
14520:
14512:
14504:
14496:
14488:
14480:
14472:
14464:
14456:
14448:
14440:
14432:
14424:
14416:
14408:
14400:
14392:
14384:
14376:
14368:
14360:
14352:
14344:
14336:
14328:
14320:
14312:
14304:
14296:
14288:
14258:Jacob Marley
14248:Mr. Fezziwig
14243:Bob Cratchit
14221:
14217:
14173:
14129:Mister Quilp
14127:
14055:
14051:
14006:
13998:
13979:
13971:
13963:
13955:
13947:
13929:
13921:
13913:
13905:
13888:
13884:
13839:
13831:
13823:
13815:
13807:
13799:
13791:
13775:Be Back Soon
13698:
13681:Oliver Twist
13679:
13673:Oliver Twist
13671:
13665:Oliver Twist
13663:
13655:
13649:Oliver Twist
13647:
13641:Oliver Twist
13639:
13633:Oliver Twist
13631:
13625:Oliver Twist
13623:
13604:
13596:
13588:
13580:
13572:
13564:
13556:
13539:Oliver Twist
13537:
13529:
13523:Oliver Twist
13521:
13513:
13507:Oliver Twist
13505:
13499:Oliver Twist
13497:
13491:Oliver Twist
13489:
13483:Oliver Twist
13481:
13475:Oliver Twist
13473:
13467:Oliver Twist
13465:
13459:Oliver Twist
13457:
13451:Oliver Twist
13449:
13384:Oliver Twist
13369:Oliver Twist
13367:
13363:
13289:1969 TV film
13284:1963 musical
13260:
13252:
13237:Fleet Prison
13180:Tracy Tupman
13137:
13133:
13076:
13055:
13047:
13039:
13031:
13023:
13015:
13008:
13003:Dickens fair
12998:Grip (raven)
12913:Mary Dickens
12840:John Dickens
12811:
12803:
12795:
12787:
12779:
12760:
12752:
12744:
12736:
12728:
12709:
12701:
12676:
12668:
12660:
12652:
12644:
12625:
12617:
12609:
12601:Short story
12549:
12541:
12533:
12525:
12517:
12489:
12481:
12473:
12465:
12457:
12449:
12441:
12433:
12425:
12417:
12409:
12401:
12393:
12385:
12377:
12362:Bibliography
12350:
12312:John Forster
12299:
12297:
12292:New position
12291:
12229:
12096:Online books
12014:Online books
12007:
11985:
11949:
11930:
11926:
11899:
11880:
11865:. Retrieved
11845:
11832:. Retrieved
11809:
11776:
11765:
11761:
11742:
11730:. Retrieved
11710:
11701:
11690:. Retrieved
11675:
11660:
11636:
11632:Kaplan, Fred
11620:. Retrieved
11601:
11589:
11571:
11559:. Retrieved
11540:
11534:
11531:Oliver Twist
11530:
11516:. Retrieved
11512:the original
11505:
11489:. Retrieved
11469:
11439:
11425:. Retrieved
11401:
11386:
11361:. Retrieved
11341:
11328:. Retrieved
11304:
11288:. Retrieved
11264:
11248:. Retrieved
11237:
11221:. Retrieved
11201:
11188:. Retrieved
11168:
11155:. Retrieved
11131:
11111:. Retrieved
11091:
11071:
11056:. Retrieved
11047:The Guardian
11045:
11029:. Retrieved
11005:
10989:. Retrieved
10965:
10952:. Retrieved
10943:
10917:
10897:
10875:
10861:. Retrieved
10837:
10815:
10801:. Retrieved
10782:
10766:. Retrieved
10746:
10716:
10701:
10686:. Retrieved
10667:
10661:
10640:
10636:
10632:
10620:. Retrieved
10596:
10580:
10553:
10539:. Retrieved
10515:
10502:. Retrieved
10482:
10469:. Retrieved
10449:
10436:. Retrieved
10416:
10386:
10381:Lodge, David
10372:
10368:
10356:. Retrieved
10337:
10321:. Retrieved
10312:The Guardian
10310:
10294:. Retrieved
10274:
10261:. Retrieved
10245:Random House
10239:
10214:
10201:. Retrieved
10181:
10167:
10141:
10124:. Retrieved
10105:
10099:
10085:. Retrieved
10065:
10052:. Retrieved
10032:
10016:. Retrieved
9992:
9979:. Retrieved
9959:
9946:. Retrieved
9927:
9911:. Retrieved
9891:
9878:. Retrieved
9858:
9835:
9831:
9827:
9823:
9804:
9792:
9780:. Retrieved
9760:
9747:. Retrieved
9741:
9725:. Retrieved
9705:
9685:
9673:. Retrieved
9653:
9640:. Retrieved
9620:
9594:
9568:
9555:. Retrieved
9535:
9519:. Retrieved
9499:
9479:
9464:. Retrieved
9440:
9427:. Retrieved
9422:
9418:
9402:. Retrieved
9379:
9363:. Retrieved
9344:
9328:. Retrieved
9319:
9315:
9283:
9269:. Retrieved
9249:
9228:Johnson 1969
9223:
9214:
9205:
9193:. Retrieved
9185:
9176:
9164:. Retrieved
9160:the original
9149:
9139:27 September
9137:. Retrieved
9127:
9115:. Retrieved
9106:
9097:
9074:
9050:
9040:
9028:. Retrieved
9024:the original
9017:
9008:
8996:
8984:
8972:
8960:
8955:, p. 39
8933:. Retrieved
8915:
8903:. Retrieved
8895:The Guardian
8894:
8884:
8872:. Retrieved
8863:
8854:
8835:
8823:
8813:
8798:
8786:. Retrieved
8780:. Collider.
8772:
8760:. Retrieved
8751:
8740:
8731:
8725:
8716:
8704:. Retrieved
8696:The Guardian
8695:
8686:
8672:
8661:
8652:
8645:Mazzeno 2008
8640:
8633:Mazzeno 2008
8628:
8616:
8609:Ellmann 1988
8604:
8596:
8591:
8583:
8578:
8566:. Retrieved
8557:
8535:
8529:
8519:
8514:
8497:
8491:
8481:12 September
8479:. Retrieved
8471:The Guardian
8470:
8460:
8448:. Retrieved
8423:. Retrieved
8374:
8369:
8357:. Retrieved
8349:The Guardian
8348:
8338:
8326:. Retrieved
8322:
8312:
8300:
8288:
8277:
8265:
8258:Ackroyd 1990
8253:
8241:
8229:. Retrieved
8220:
8211:
8192:
8186:
8174:
8167:Ada Leverson
8163:Ellmann 1988
8158:
8146:. Retrieved
8137:
8127:
8122:(1983, p.8).
8119:
8116:Gillian Beer
8107:
8080:
8068:
8061:Ackroyd 1990
8056:
8044:. Retrieved
8036:The Guardian
8035:
8026:
8017:
8011:
7999:. Retrieved
7991:The Guardian
7990:
7981:
7969:. Retrieved
7960:
7951:
7939:
7922:
7918:
7908:
7896:
7887:
7883:
7867:Ackroyd 1990
7862:
7850:
7843:Ackroyd 1990
7838:
7826:
7814:. Retrieved
7805:
7796:
7776:
7754:. Retrieved
7735:
7723:. Retrieved
7714:
7705:
7693:
7681:
7674:Ziegler 2007
7669:
7657:
7650:Ziegler 2007
7645:
7633:. Retrieved
7624:
7615:
7603:
7595:
7588:. Retrieved
7584:the original
7579:Oliver Twist
7578:
7571:
7559:. Retrieved
7545:
7533:
7521:. Retrieved
7518:The Guardian
7517:
7508:
7496:
7484:
7457:. Retrieved
7443:
7434:
7411:. Retrieved
7397:
7385:. Retrieved
7371:
7359:. Retrieved
7350:
7347:"Chapter 20"
7340:
7333:Dickens 1934
7328:
7323:, p. 44
7321:Ackroyd 1990
7316:
7304:. Retrieved
7300:
7290:
7283:Ackroyd 1990
7278:
7266:
7254:
7242:
7234:the original
7224:
7212:. Retrieved
7206:
7177:Stanley 1870
7172:
7165:Ackroyd 1990
7160:
7152:
7147:
7135:
7128:Forster 2006
7123:
7116:Tomalin 2011
7111:
7099:. Retrieved
7085:
7078:Ackroyd 1990
7073:
7061:
7054:Ackroyd 1990
7049:
7042:Tomalin 2011
7037:
7030:Jackson 1995
7025:
7006:
7000:
6991:
6985:
6945:
6941:
6931:
6919:. Retrieved
6890:. Retrieved
6876:
6869:Ackroyd 1990
6864:
6855:
6834:. Retrieved
6824:
6807:
6802:
6783:
6764:
6759:, pp. 65–66.
6748:
6742:
6730:
6723:Tomalin 1992
6718:
6706:
6699:Ackroyd 1990
6694:
6687:Ackroyd 1990
6682:
6675:Tomalin 2011
6670:
6662:
6657:
6645:. Retrieved
6636:
6627:
6615:. Retrieved
6607:The Guardian
6606:
6597:
6588:
6582:
6570:
6558:
6551:Ackroyd 1990
6546:
6534:
6527:Ackroyd 1990
6522:
6510:
6498:
6486:
6481:, p. 9.
6474:
6462:
6455:Ackroyd 1990
6450:
6439:, retrieved
6404:
6394:
6371:
6362:
6353:
6347:
6338:
6332:
6323:
6317:
6308:
6304:
6272:
6267:
6258:
6253:
6246:Ackroyd 1990
6241:
6234:Ackroyd 1990
6229:
6222:Ackroyd 1990
6217:
6210:Ackroyd 1990
6205:
6196:
6190:
6181:
6175:
6166:
6160:
6152:
6125:
6119:
6105:(2): 51–63.
6102:
6098:
6068:
6062:
6039:
6033:
6021:. Retrieved
6010:
6002:
5993:
5972:
5965:
5954:the original
5941:
5929:. Retrieved
5920:
5910:
5898:
5886:. Retrieved
5877:
5865:
5846:
5840:
5831:
5819:. Retrieved
5812:the original
5798:
5793:, p. 63
5786:
5781:, pp. .
5779:Hartley 2009
5774:
5767:Ackroyd 1990
5762:
5750:
5741:
5735:
5723:
5711:
5699:. Retrieved
5690:The Guardian
5688:
5663:. Retrieved
5656:the original
5648:
5636:
5614:Tomalin 2011
5609:
5602:Tomalin 2011
5597:
5590:Ackroyd 1990
5585:
5573:. Retrieved
5562:
5553:
5541:
5534:Ackroyd 1990
5529:
5502:
5490:. Retrieved
5486:the original
5479:
5469:
5450:
5444:
5424:, p. 98
5417:
5405:
5393:. Retrieved
5383:
5378:, p. 97
5371:
5359:
5352:Ackroyd 1990
5347:
5342:, p. 74
5335:
5328:Ackroyd 1990
5323:
5316:Ackroyd 1990
5311:
5299:. Retrieved
5290:
5281:
5244:Ackroyd 1990
5239:
5227:. Retrieved
5219:The Atlantic
5218:
5208:
5196:. Retrieved
5182:
5177:, p. 60
5170:
5165:, p. 56
5158:
5146:. Retrieved
5137:
5114:, p. 54
5107:
5095:
5090:, p. 6.
5073:Ackroyd 1990
5068:
5047:
5036:
5014:, p. 76
5012:Tomalin 1992
5007:
5000:Tomalin 1992
4995:
4990:, p. 48
4983:
4971:
4959:
4947:
4935:
4928:Forster 2006
4923:
4896:
4884:
4872:
4867:, p. 25
4860:
4853:Forster 2006
4833:
4826:Ackroyd 1990
4821:
4814:Forster 2006
4809:
4797:
4790:Ackroyd 1990
4785:
4780:, p. 13
4773:
4761:
4754:Ackroyd 1990
4749:
4742:Ackroyd 1990
4737:
4728:
4719:
4712:Forster 2006
4696:
4691:
4679:
4672:Forster 2006
4667:
4655:
4646:
4642:
4621:
4609:. Retrieved
4595:
4572:
4560:. Retrieved
4552:The Guardian
4551:
4523:
4511:
4504:Ziegler 2007
4499:
4487:. Retrieved
4478:
4444:, p. 54
4422:
4415:Mazzeno 2008
4410:
4376:
4369:Bidwell 1870
4364:
4358:
4353:
4341:John Forster
4336:
4315:
4285:
4277:
4269:
4263:
4255:
4249:
4241:
4233:
4229:
4223:
4215:
4209:
4203:
4197:
4191:
4185:
4179:
4173:
4167:
4161:
4155:
4149:
4143:
4137:
4131:
4125:
4119:
4111:
4107:
4101:
4093:
4087:
4081:
4075:
4067:
4063:
4059:Oliver Twist
4057:
4051:
4045:
4040:
4032:
4008:
3994:
3970:
3955:
3944:Simon Callow
3940:Derek Jacobi
3933:
3925:The Big Read
3917:Harold Bloom
3884:
3874:
3845:
3836:
3835:
3829:
3803:Philadelphia
3793:, stands in
3784:
3774:
3768:
3764:Oliver Twist
3762:
3756:
3751:Philadelphia
3745:
3729:
3721:
3715:
3707:
3697:
3685:
3681:
3677:
3673:
3669:
3667:
3663:Oliver Twist
3662:
3649:(1970, with
3646:
3640:
3637:F. R. Leavis
3632:
3628:
3618:
3612:
3607:Oliver Twist
3606:
3600:
3583:
3579:
3571:
3567:
3555:
3542:
3532:
3514:
3508:The Guardian
3507:
3504:
3500:
3490:The Guardian
3489:
3478:
3466:
3464:
3456:
3443:
3437:
3429:
3423:
3419:
3413:
3409:
3403:
3399:
3395:
3389:
3381:Edward Lloyd
3375:was made by
3370:
3356:
3353:out of print
3350:
3317:
3313:
3309:
3302:Oliver Twist
3301:
3299:
3294:
3290:
3286:
3282:
3276:
3254:
3248:
3236:
3229:
3224:
3220:
3216:
3210:
3206:
3195:Fleet Prison
3190:
3186:
3175:
3171:Oliver Twist
3170:
3159:Simon Callow
3152:
3142:
3141:(left) from
3120:
3112:The Guardian
3111:
3101:
3097:Oliver Twist
3096:
3092:
3089:
3078:
3075:cliffhangers
3068:
3062:
3056:
3048:
3044:
3025:
3020:
3016:
3012:
3003:
2999:
2997:
2991:
2948:
2935:
2930:is based on
2927:
2908:
2904:Oliver Twist
2903:
2895:
2880:
2876:
2868:
2856:
2849:Daniel Quilp
2844:
2828:
2812:
2793:Oliver Twist
2792:
2777:Oliver Twist
2772:
2769:Bob Cratchit
2765:Jacob Marley
2742:
2728:
2714:Oliver Twist
2713:
2701:
2698:Marcus Stone
2694:
2689:Sarah Phelps
2680:
2673:
2664:Oliver Twist
2663:
2644:
2632:
2622:
2617:
2609:
2606:Oliver Twist
2605:
2595:
2581:
2559:
2545:
2536:
2520:
2515:
2497:
2495:
2453:
2445:
2441:
2404:
2400:
2393:
2388:
2370:
2363:
2336:
2324:
2320:Central Park
2285:
2244:
2237:
2222:
2156:
2154:
2133:
2129:
2117:
2114:
2109:
2104:
2098:
2092:
2090:
2084:
2081:Fleet Street
2065:
2062:
2050:Charles West
2042:
2036:
2024:Ellen Ternan
2012:
2010:
2005:Ellen Ternan
1986:
1973:
1957:
1953:
1943:
1928:
1908:
1886:
1880:
1878:
1855:
1848:Higham, Kent
1835:
1829:
1823:
1817:
1811:
1798:
1795:John Forster
1790:
1784:
1757:
1738:
1736:
1726:
1714:Middle years
1692:spiritualism
1681:
1666:
1654:
1648:
1629:Jesus Christ
1626:
1606:
1604:
1586:fallen women
1580:
1577:, March 1856
1572:
1559:Philanthropy
1549:
1543:
1533:
1529:
1519:
1512:
1506:
1504:
1494:
1488:
1487:in 1844 and
1482:
1476:
1474:
1460:
1441:
1430:
1409:
1405:
1399:
1393:
1367:
1359:
1349:The Examiner
1347:
1340:
1333:
1327:
1323:
1315:Oliver Twist
1314:
1308:
1301:
1295:
1289:
1283:
1279:
1276:Oliver Twist
1275:
1269:
1263:
1253:Oliver Twist
1252:
1248:
1232:Mary Hogarth
1220:ten children
1197:
1189:
1187:
1167:Oliver Twist
1166:
1162:
1158:Oliver Twist
1156:
1152:
1146:
1142:
1134:The Atlantic
1132:
1130:
1123:
1119:
1111:Oliver Twist
1110:
1102:
1100:
1094:
1090:
1080:
1070:
1050:
1024:
1018:
1012:
1006:
992:Walter Scott
987:
976:
972:
968:
962:
952:
950:
940:
937:Frontispiece
924:
908:
902:
900:
887:Garrick Club
883:
856:
854:
826:
821:
815:
808:
798:
794:
787:
781:
763:Simon Callow
756:
751:
745:
742:John Forster
722:
712:
705:
693:
672:
667:
642:
620:
614:
608:
594:
579:
572:
569:John Dickens
546:
510:
504:
498:
494:Oliver Twist
492:
486:
484:
472:
454:
444:
442:
419:
362:
361:
299:Mary Dickens
281:Ellen Ternan
234:
227:
220:
213:
206:
199:
192:
187:Oliver Twist
185:
178:
107:(1870-06-09)
62:Portrait by
43:
32:
16440:1870 deaths
16435:1812 births
16333:(1993 film)
16325:(1935 film)
16049:(1955 film)
15779:John Barsad
15591:Adaptations
15408:Bleak House
15400:Bleak House
15392:Bleak House
15373:Bleak House
15349:Bleak House
15300:Copperfield
15260:1986 serial
15255:1974 serial
15245:1966 serial
15240:1956 serial
15225:(2019 film)
14950:(2017 film)
14881:Soundtracks
14653:Ms. Scrooge
13754:Oom-Pah-Pah
13409:Rose Maylie
13399:Mr Brownlow
13246:Adaptations
13190:Tony Weller
13185:Mrs Bardell
13060:(2017 film)
13044:(2013 film)
12978:Bleak House
12765:(1859–1870)
12757:(1850–1859)
12749:(1846–1870)
12741:(1840–1841)
12733:(1836–1838)
12687:(1821–1870)
12681:(1860–1861)
12673:(1851–1853)
12665:(1846–1849)
12638:Non-fiction
12630:(1840–1841)
12622:(1837–1838)
12614:(1833–1836)
12603:collections
12486:(1864–1865)
12478:(1860–1861)
12462:(1855–1857)
12446:(1852–1853)
12443:Bleak House
12438:(1849–1850)
12430:(1846–1848)
12422:(1843–1844)
12406:(1840–1841)
12398:(1838–1839)
12390:(1837–1839)
12382:(1836–1837)
12230:In Our Time
11622:18 February
11491:18 February
11459:", London:
11427:18 February
10969:. Chicago:
10662:Bleak House
10358:18 February
10296:18 February
10018:18 February
9924:"Childhood"
9832:Copperfield
9805:Oscar Wilde
9782:18 February
9557:18 February
9482:. Vintage.
9425:(507): 5–20
9404:18 February
9365:18 February
9322:: 222–224.
9166:25 February
9001:Werner 2011
8965:Hutton 2001
8953:Callow 2009
8935:14 February
8905:26 February
8788:9 September
8293:Sasaki 2011
8246:Marlow 1994
8001:3 September
7971:3 September
7944:Davies 1983
7901:Glancy 1999
7855:Slater 1983
7725:7 September
7459:1 September
7271:Purton 2012
7140:Hughes 1891
6921:15 November
6892:28 February
6735:Henson 2004
6711:Nisbet 1952
6647:7 September
6617:7 September
6288:Slater 2009
6023:25 February
5931:25 February
5888:20 December
5821:25 February
5791:Callow 2012
5755:Nayder 2011
5716:Callow 2009
5701:22 November
5509:, p. 7
5437:Slater 2009
5422:Callow 2012
5376:Callow 2012
5364:Callow 2012
5340:Callow 2012
5301:25 February
5293:. Chelsea.
5259:Smiley 2002
5175:Callow 2012
5163:Callow 2012
5112:Callow 2009
5088:Glancy 1999
5052:. Penguin.
5029:Patten 2001
5002:, p. 7
4988:Callow 2009
4964:Wilson 1972
4940:Callow 2009
4916:Wilson 1972
4889:Wilson 1972
4865:Callow 2009
4838:Wilson 1972
4778:Callow 2009
4686:, p. 7
4684:Callow 2012
4662:, p. 5
4660:Callow 2012
4628:, p. 9
4626:Callow 2012
4611:19 February
4562:7 September
4528:Hauser 1999
4322:Zadie Smith
4217:Bleak House
3948:Dan Stevens
3871:, Hampshire
3799:Spruce Hill
3702:. In 2005,
3670:Bleak House
3580:Bleak House
3560:Jules Verne
3547:Leo Tolstoy
3494:ticket tout
3486:The Beatles
3474:David Lodge
3415:The Rambler
3410:Bleak House
3400:Bleak House
3396:Bleak House
3337:Shakespeare
3310:Bleak House
3306:pickpockets
3259:Oscar Wilde
3251:caricatures
3217:Bleak House
3212:Das Kapital
3197:shut down.
3122:The Wrecker
3108:film series
3104:soap operas
3004:Bleak House
2955:T. S. Eliot
2928:Bleak House
2902:crossed in
2841:Mr Micawber
2749:Shakespeare
2610:Bleak House
2550:tradition,
2498:Edwin Drood
2455:The Graphic
2446:Edwin Drood
2389:Edwin Drood
2327:Delmonico's
2247:ghost story
2233:first-class
2142:a 2013 film
2134:Little Nell
2097:(1859) and
1978:vaccination
1976:supporting
1935:archaeology
1925:cannibalism
1869:blue plaque
1852:Shakespeare
1828:(1854) and
1822:(1852–53),
1819:Bleak House
1765:Victor Hugo
1704:Leo Tolstoy
1645:Anglicanism
1319:Broadstairs
1288:(1838–39),
1245:Little Nell
1241:Rose Maylie
1171:protagonist
1063:letterpress
1031:Harrow Road
818:Camden Town
702:Lant Street
679:Camden Town
649:dame school
469:chiropodist
464:Cliffhanger
409:writer and
407:short story
215:Bleak House
152: /
105:9 June 1870
35:(TV series)
16424:Categories
16382:The D Case
16258:Jenny Wren
16224:Television
16146:retelling)
16144:South Park
15978:Characters
15897:Television
15878:Two Cities
15769:Miss Pross
15727:Characters
15642:Literature
15534:Hard Times
15526:Television
15515:Hard Times
15507:Hard Times
15483:Characters
15475:Hard Times
15384:Television
15233:Television
15150:Uriah Heep
15133:Characters
14934:" (single)
14745:Doctor Who
14541:Television
14231:Characters
14145:Television
14072:Nell Trent
14065:Characters
13941:Television
13434:Mr. Bumble
13389:Bill Sikes
13377:Characters
13160:Sam Weller
13148:Characters
13049:Dickensian
12722:Journalism
12527:The Chimes
12301:Daily News
12066:Faded Page
11920:required.)
11785:. p.
11074:. Viking.
10946:. Harper.
10725:. p.
10395:. p.
10253:B0011BLL8W
9996:. Oxford:
9824:Chuzzlewit
9429:8 February
8828:Jones 2004
8282:Swift 2007
8148:11 October
8073:Raina 1986
8046:7 November
7889:structure.
7698:Woolf 1986
7686:Hawes 1998
7662:Hawes 1998
7635:16 October
7608:Jones 2012
7538:Cohen 1980
7523:16 January
7501:Stone 1987
7489:Vlock 1998
7259:Levin 1970
7247:Levin 1970
7153:The Sphere
6836:23 January
6515:Jones 2004
6479:Bowen 2019
6467:Bowen 2019
6441:30 January
6372:Extra Life
6311:: 181–200.
5665:13 October
5629:Flint 2001
5575:21 October
5546:Moore 2004
5522:Smith 2001
5507:Jones 2004
5492:22 January
4976:Davis 1998
4516:Stone 1987
4489:2 December
4459:Lodge 2002
4403:Black 2007
4388:References
4225:Hard Times
4145:The Chimes
3973:Royal Mail
3869:Portsmouth
3815:bas-relief
3795:Clark Park
3749:statue in
3690:Roald Dahl
3682:Hard Times
3442:and later
3420:Hard Times
3327:Reputation
3187:Hard Times
3179:sanitation
3139:Sarah Gamp
3029:Leigh Hunt
3011:prison in
3009:Marshalsea
2919:Wellerisms
2865:Sam Weller
2853:Nell Trent
2837:Uriah Heep
2789:Bill Sikes
2753:characters
2720:Characters
2600:(1764) by
2377:opium dens
2358:Nottingham
2179:Later life
2146:paranormal
2138:Simon Gray
1825:Hard Times
1781:Eugène Sue
1740:Daily News
1663:Luke 23:34
1661:'s use of
1484:The Chimes
1396:travelogue
1377:Marylebone
1274:read both
1077:Sam Weller
1003:Sam Weller
829:Gray's Inn
778:Amy Dorrit
774:Marshalsea
683:Marshalsea
664:Marshalsea
557:Portsmouth
517:Early life
511:Dickensian
451:Sam Weller
422:Portsmouth
403:journalist
165:Occupation
137:51°29′57″N
91:Portsmouth
84:1812-02-07
33:Dickensian
16630:Lecturers
16086:TV series
15995:Compeyson
15490:Gradgrind
15303:(musical)
15275:2000 film
15270:1999 film
15265:1993 film
15250:1969 film
15216:1935 film
15211:1922 film
15206:1913 film
15201:1911 film
14011:(musical)
13299:1985 film
13279:1952 film
13274:1921 film
13269:1913 film
13195:Mr Wardle
12255:From the
12242:From the
11666:Doubleday
10602:Routledge
10138:(1998) .
10030:(1999) .
9856:(2006) .
9803:(1988) .
9533:(2005) .
9182:"Dickens"
8874:8 January
8393:, p. 504.
7961:The Times
7756:21 August
6954:0039-3738
6539:Page 1999
6503:Page 1999
4901:Cain 2008
4365:The Times
4360:The Times
4317:The Fraud
3728:wrote in
3468:The Times
3319:Tom Jones
3199:Karl Marx
3183:workhouse
3167:Victorian
3119:'s novel
2944:sycophant
2631:wrote in
2583:Tom Jones
2552:melodrama
2527:baronetcy
2292:Liverpool
2288:Civil War
2229:cast iron
2212:Dickens,
1913:Admiralty
1901:Lady Jane
1899:'s widow
1797:wrote of
1753:Corn Laws
1677:canonical
1368:Britannia
1228:Frederick
1163:Bentley's
977:Chronicle
737:shillings
690:Southwark
653:dissenter
639:Rochester
586:Sheerness
582:Fitzrovia
561:Hampshire
480:halfpenny
347:Signature
118:, England
97:, England
95:Hampshire
70:1867–1868
16260:" (song)
15870:Musicals
15281:Micawber
15165:Peggotty
15145:Mr. Dick
14787:Musicals
14747:) (2010)
14669:Ebenezer
14522:Spirited
14402:Scrooged
14253:Tiny Tim
13262:Pickwick
13078:Category
13011:(statue)
12901:Children
12880:Partners
12854:Brothers
12593:" (1865)
12586:" (1866)
12579:" (1853)
12572:" (1852)
12202:Archived
12113:Archived
12085:LibriVox
12068:(Canada)
11879:(2007).
11861:Archived
11828:Archived
11726:Archived
11658:(1934).
11634:(1988).
11616:Archived
11555:Archived
11518:21 April
11485:Archived
11421:Archived
11357:Archived
11324:Archived
11284:Archived
11262:(1972).
11250:22 April
11244:Archived
11217:Archived
11184:Archived
11151:Archived
11125:(2007).
11107:Archived
11070:(2011).
11058:21 April
11052:Archived
11025:Archived
11003:(1990).
10985:Archived
10948:Archived
10938:(1870).
10857:Archived
10797:Archived
10762:Archived
10700:(1945).
10682:Archived
10637:Nickleby
10633:Sketches
10616:Archived
10535:Archived
10498:Archived
10465:Archived
10432:Archived
10383:(2002).
10352:Archived
10323:22 April
10317:Archived
10290:Archived
10263:22 April
10257:Archived
10197:Archived
10179:(2001).
10120:Archived
10081:Archived
10048:Archived
10012:Archived
9975:Archived
9942:Archived
9907:Archived
9874:Archived
9776:Archived
9749:22 April
9721:Archived
9669:Archived
9636:Archived
9551:Archived
9515:Archived
9478:(2012).
9460:Archived
9398:Archived
9359:Archived
9324:Archived
9265:Archived
9247:(1990).
9195:10 March
9117:28 April
9111:Archived
9082:Archived
9048:(1994).
9030:20 April
8929:Archived
8925:BBC News
8899:Archived
8868:Archived
8843:Archived
8806:Archived
8782:Archived
8762:15 April
8756:Archived
8706:21 April
8700:Archived
8562:Archived
8503:Archived
8475:Archived
8353:Archived
8225:Archived
8142:Archived
8040:Archived
7995:Archived
7965:Archived
7810:Archived
7750:Archived
7719:Archived
7629:Archived
7555:Archived
7477:Mee 2010
7453:Archived
7407:Archived
7381:Archived
7355:Archived
7095:Archived
6915:Archived
6886:Archived
6813:Archived
6791:Archived
6772:Archived
6753:Archived
6641:Archived
6611:Archived
6435:archived
6370:(2021).
6111:20082378
6017:Archived
5925:Archived
5882:Archived
5695:Archived
5569:Archived
5295:Archived
5223:Archived
5192:Archived
5142:Archived
5044:(2011).
4605:Archived
4580:Archived
4556:Archived
4483:Archived
4295:See also
3982:Alderney
3588:(1907).
3428:thought
3363:West End
3341:Tennyson
3223:, 1857;
3219:, 1853;
3181:and the
2923:proverbs
2915:quixotic
2911:Mrs Gamp
2898:) which
2761:Tiny Tim
2554:and the
2381:Shadwell
2128:'s book
2003:Actress
1937:work in
1905:John Rae
1793:(1872),
1522:Augustus
1426:Illinois
1343:Liberals
1143:Pickwick
1137:writes,
1116:—
1095:Pickwick
1026:Rookwood
1013:Pickwick
729:Blacking
635:clowning
616:Gil Blas
577:(1848).
549:Landport
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434:readings
420:Born in
399:novelist
288:Children
168:Novelist
140:0°7′39″W
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16155:Related
15990:Estella
15789:Stryver
15672:Shut up
15660:Related
15419:Related
14966:Related
14927:(comic)
14795:Scrooge
14370:Scrooge
14346:Scrooge
14330:Scrooge
14314:Scrooge
14166:Related
14152:1979–80
13992:Related
13793:Oliver!
13785:Related
13747:Oliver!
13700:Oliver!
13582:Twisted
13515:Oliver!
13232:Ipswich
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9250:Dickens
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7387:18 July
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5229:27 June
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5148:26 June
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3929:Top 100
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2198:in 1865
2122:annuity
2079:pub in
2017:protégé
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1089:called
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590:Chatham
541:Chatham
277:Partner
271:
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16377:(1873)
16077:(2016)
16075:Fitoor
15924:(1989)
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15854:(1958)
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15814:(1911)
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15626:(1987)
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15537:(1977)
15518:(1988)
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15395:(1959)
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14900:(2011)
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14865:(2017)
14857:(2007)
14849:(2004)
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14814:(2002)
14806:(1994)
14798:(1992)
14779:(2019)
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14736:(2009)
14728:(2006)
14720:(2004)
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14680:(1999)
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14632:(1988)
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14616:(1982)
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14568:(1962)
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14525:(2022)
14517:(2020)
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14421:(1997)
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14381:(1971)
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14301:(1908)
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14132:(1975)
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13917:(1947)
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13561:(1961)
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13510:(1948)
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13470:(1912)
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13454:(1909)
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13257:(1837)
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13142:(1836)
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