469:". He decides to summon support from Gochu Asger's gang and leaves. Sarvar and Gulnaz sing "Thank God! We haven't become victims". Asger appears with his gang and Mashadi Ibad. Asger demands 100 rubles from Meshadi Ibad to kill Sarvar. He, his gang, Gulnaz and Sarvar sing the ensemble "Hey, who is there? Open the door!". The gang take their pistols, but Sarvar summons the police; the gang are frightened and run away. Rustam bey, returning home, stumbles on Sarvar as he is leaving the house and learns that his daughter has fallen in love with Sarvar. Sarvar persuades Rustem bey not to marry his daughter to Mashadi Ibad. Meanwhile, Hasangulu bey enquires about "the second fiancé of the fiancée" and taking 500 rubles from Mashadi Ibad promises to solve the problem. Rza bey also learns about it and takes 500 rubles from Meshadi Ibad, saying that he will disgrace Rustam bey in his newspaper. They all visit Rustam bey's house and call on him to explain why he is marrying his daughter to a third party, whilst promising her to Mashadi Ibad. (Ensemble: "You may not!"). Mashadi Ibad reports to Rustam bey that he has seen Gulnaz with a young man. Rustam bey answers that he is a dear uncle of the girl who was only teasing him. Everybody laughs, apologizing to Rustam bey. Mashadi Ibad asks to hold the wedding quickly. Exeunt all to the bath house for the washing ceremony prior to the wedding.
506:. Mashadi Ibad dances with Mirzeyi. Then he soliloquizes that Gulnaz should be held under lock and key, and if she is obstinate, he will beat her. The fiancée, her head covered with a shawl, is brought to the room. Mashadi Ibad enters and sings "In spite of my old age, I am not inferior to thousand youngsters". When he attempts to remove the shawl from his fiancée's head, he finds to his surprise Sarvar, who holds his cigarette case to Mashadi Ibad's head, pretending it is a pistol. He makes Mashadi Ibad write that he refuses to marry to Gulnaz, and instead wishes to marry Senem. Mashadi Ibad calls for help and tells guests what has happened. Hasangulu bey, Rza bey and Asger again ask Mashadi Ibad to give them money, but he refuses and asks to approve his marriage with Senem. Everybody says that "he acts correctly: if not this one, then that one". Senem, Mashadi Ibad sing together the ensemble "Let the marriage be approved". The figures of Sarvar and Gulnaz appear, and
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is the central point of Uzeyir
Hajibeyov's comedy. Gulnaz and Sarvar are real heroes of the comedy. They are new people, without prejudices and thirst for money. Unlike other heroes of Hajibeyov's operas, they are characterized as active persons, who do not accept a passive approach to their destiny. They understand that the old pressures are now weak. The servant Senem also understands this, intercepting the dispute with Rustam bey and supporting Gulnaz.
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bey asks
Mashadi Ibad to stay; guests arribe - Hasangulu bey, Rza bey, Hasan bey and others. The guests sing "It's said that a wedding is due to take place!", greeting Mashadi Ibad. Whilst proposing toasts Gochu Asger and Hasan bey are joking and mocking Mashadi Ibad, and Hasan bey calls him a monkey. Mashadi Ibad becomes angry and they begin to fight. (Ensemble: "Hey, you! Be ashamed of your behavior").
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order not to pay. Rza bey also joins the dispute and compares the bathhouse's water to gravy. When
Mashadi Ibad starts discussing payment, the beys wink at each other and leave the bathhouse. Mashadi Ibad and Hambal have to pay for everybody. Mashadi Gazanfar complains about his quarrelling customers and again praises his bath house.
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melody "Shahnaz". Gulnaz and Sarvar sing "Spring has come and the luxuriant rose has blossomed". Mashadi Ibad enters, with a bundle of apples and pears; he approaches the fence and wants to climb over it to see Gulnaz, so he summons Hambal, and climbs on his back. He sees Gulnar together with Sarvar;
439:
Meshadi Ibad, arrives singing a song "In spite of my old age". In a duet with Rustam bey he agrees to pay him for arranging the marriage. Enter Gulnaz and Senem; a witty conversation between them and
Mashadi Ibad ensues. (Ensemble: "If I were in a beautiful garden"). After the girls have left, Rustam
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Hajibeyov ridicules commonplace family prejudices of his time, when a woman had to agree with demands of her father, such as marrying to an old man, or sitting under lock and key if her husband wants, and who can be disowned for her disobedience. According to
Matthew O'Brian, support of woman rights
485:
The bath house. The attendant
Mashadi Gazanfar praises the bath house, followed by the ensemble "Both inside the bath house and outside of it". There follows the solemn ceremony of leaving the bathhouse. Everybody has washed and dressed. Hasan bey begins to dispute with Hasangulu bey on a trifle, in
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Mashadi Ibad's trio with Gulnaz and Senem has a different tinge. The music acquires a sad and lyrical character, while groom feels the moral superiority of the girl over him. But anger and disgust can be heard in
Mashadi Ibad's voice in the ensemble "It is impossible", because has now learnt about
550:
According to Elmira
Abbasova, Mashadi Ibad is a respectable person in a high society. His power is his money, and he feel no pangs of conscience for the ruined lives of his wives. Indeed, he can ruin Gulnaz's life, too. Her beauty and youth do not dissuade him; his attitude to love is "if not this
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The parody portrait of this unlucky groom is continued in subsequent passages; for example, the traditional melody "Darchiny" becomes a comic song for
Mashadi Ibad and Rustam bey in duet. This melody is also now known as "Mashadi Ibad". Another duet of Mashadi Ibad with Rustam bey is pompous and
639:
The music characterizes negative personages of the comedy with particular sharpness -Hajibeyov created for them original musical parodies which were based on tested expedients of national music and dance arts. The clumsy and arrogant merchant
Mashadi Ibadm, the main anti-hero of the comedy, is
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The images of the nobility-merchant classes are sharply drawn. Rustam bey, who wants to sell his only beautiful daughter to Mashadi Ibad is characterized by immorality, idleness and fear when facing inevitable downfall. similarly as regards Rustam bey's friends:
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The theme of satire of everyday life relations in prerevolutionary Azerbaijan, in which spongers, rich men, and rogues from various sectors of society were ridiculed, was familiar to audiences from other countries, for example, to
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The libretto displays many neat and aphoristic expressions. Musicologist Elmira Abbasova notes that Uzeyir Hajibeyov records the speech of representatives of various sectors of society of that time with precision and artistry.
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The 'intellectual' Hasan bey, is characterized as alcoholic, idle talker and brawler. He is a pro-Western Azerbaijani who mixes Azerbaijani, Russian and French when he speaks, continually disrupting conversations and showing
644:" melody, which is transformed by Mashadi Ibad's version in which he cynically argues about love. This song of Mashadi Ibad also appears at the fourth act party when he is about to remove the veil from the 'bride's' face.
543:. Hajibeyov describes social and everyday reality in Azerbaijan at the end of the 19th and beginning of the 20th centuries. According to musician Elmira Abbasova, the characters are typical representatives of that time.
635:
Abbasova opines that all the music of the operetta forms an important component of the action, extending the characteristics of the dramatis personae, and promoting the active and natural development of events.
1030:Петрова К. О гастрольных спектаклях Азербайджанского. тетра музыкальной комедии в Москве, в том числе и окомедии «Не та, так эта». // «Музыкальная жизнь» : журнал. 1965. No. 14. pp. 7–8.
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Hajibeyov's second musical comedy was written in 1910, initially it was in three acts. After 1915, when an additional scene was written, it was recast in four acts. Hajibeyov used the Azerbaijani
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to Gulnaz , who informs him that her father Rustam bey is going to marry her to the old merchant Mashadi Ibad. Rustam bey has told her the "happy" news and she is forced to obey.
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as Gulnaz, Rustam bey's daughter, (as women did not appear on the stage at that time in Baku), and M. H.Teregulov as Hasan bey. The musical was conducted by the composer. The
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Mashadi Ibad's house. The wedding ceremony, led by Gochu Asger, is being held in a large hall. Hasangulu bey and Rza bey are among the guests. The musicians play the
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the love between Gulnaz and Sarvar. Abbasova remarks that music of this comedy reveals a m ore advanced and multifaceted portrait of character than its predecessor (
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Rza bey, the journalist, who writes any libel fon money. His speech is hardly intelligible, as he mixes Azerbaijani with a Turkish-Ottoman accent when he speaks.
1027:Мусульманская оперетта: произведение У.Гаджибекова. О постановке оперетты «О олмасын, бу олсун» труппой общества «Ниджат» // «Каспий» : газета. 1913.
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1036:Театр музыкальной комедии в новом здании первый спектакль-произведение У.Гаджибекова «Не та, так эта». // «Бакинский рабочий» : газета. 1998.
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185:(Sarvar, Rza bey), and Hajibaba Baghirov (Mashadi Ibad). It was translated into many languages and was successfully staged in cities of
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According to Jamila Hasanova, the nationalist Hasangulu bey neglects the interests of those about him for the sake of his own benefit.
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newspaper of April 7, 1911, which noted that its music included both traditional and newly-written melodies. The premiere of
97:. It is the composer's second work written in this genre, and is considered a national classic alongside the same composer's
173:
Many actors and singers took part on staging of the musical in following years, including Alihuseyn Gafarli (Mashadi Ibad),
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Sarvar says that he has come for Gulnaz and that he is her fiancé. Mashadi Ibad becomes angry and sadly sings the mugham "
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944:. Soviet music and society under Lenin and Stalin: the baton and sickle. Routledge. Edited by Neil Edmunds. p. 214.
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Gochu Asger is the leader of a local gang, who are brave only in front of the simple student Sarvar, but fear policemen.
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869:"Мешади Ибад" в Болгарии. О предстоящем фестивале турецких театров Болгарии и показе муз. комедии У. Гаджибекова
725:(tar) perform the Seygah mugham in the dinner party scene at Rustam bey's house. People's Artist of Azerbaijan
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presented with undisguised frankness. The song "In spite of my old age" is based on the traditional eloquent "
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The act begins with townsfolk singing "What a nonsense people talk". Enter Sarvar and Gulnaz. The "Seygah"
247:
17:
804:Министерство культуры Российской СФСР. Всероссийское театральное общество. Союз писателей РСФСР. (1982).
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Composer's manuscript of the bathhouse assistant's song "Both inside the bath house and outside of it".
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1033:Эльмира Абасова. Узеир Гаджибеков. – Баку: Азербайджанское государственное издательство, 1975. 142 pp.
702:(Baloghlan). Celebrated singers of the time made cameo appearances in the film. A trio consisting of
452:
Mashadi Ibad climbs on Hambal to climb over the wall. Azerbaijan State Opera and Ballet Theatre, 1928
698:(Rustam bey), Tamara Gozalova (Gulnaz), Arif Mirzaguliyev (Sarvar), Mohsun Sanani (Gochu Asger) and
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film studio, directed by Papazyan and Lakko. But it was not successful and was soon forgotten.
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Senem and Gulnaz hide Sarvar. Azerbaijan State Theatre of Musical Comedy, 1928. Director:
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of the comedy was first published in Baku in 1912 by the Orujov brothers' printing house.
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dances in Gulnaz's preparation ceremony scene. The film premiered on January 27, 1958 in
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Programme for the performance at the Summer Building of the Public Assembly, Shusha, 1914
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1039:С. Мирзоева. И снова на сцене «Мешади Ибад». // «Бакинский рабочий» : газета. 1998.
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is considered one of the major comedies of prerevolutionary Azerbaijan, ranked with the
170:, in 1912. In his memories Hajibeyov noted Amirov's beautiful performance of this role.
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The comedy was staged by Azad Amirov, who also acted the leading part (Mashadi Ibad) in
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733:. It was screened at the International Film Festival of Asian and African Countries in
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the comedy was staged in 1966, during the festival of Turkic nations of the country.
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based on a script by Sabit Rahman. It featured Aliagha Aghayev (Mashadi Ibad),
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Uzeir Hajibeyov and his role in the development of musical life in Azerbaijan
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970:Эдуард Алексеев, М.О. Ăуезов атындажный ăдебиет жăне ȯнэр институты (1978).
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821:Возникновение и развитие азербайджанского музыкального театра (до 1917 г.)
839:(in Russian). Электронная энциклопедия Узеира Гаджибекова. Archived from
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Mashadi Ibad's' wedding. Azerbaijan State Opera and Ballet Theatre, 1928.
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Fragment of Mashadi Ibad's song "In spite of my old age" performed by
929:. Baku: Азербайджанское государственное издательство. pp. 53–60.
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1075:"In spite of my old age, I am not inferior to thousand youngsters"
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Act 4, Azerbaijan State Opera and Ballet Theatre, 1928. Director:
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music is heard. Everybody sings "If not this one, then that one".
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musical style in some of the music and incorporated extracts from
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one, then that one". But in the comedy it leads to his downfall.
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Associate professor of Baku Musical Academy Jamila Hasanova.
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90:. The comedy reflects social and everyday life relations in
522:"Veiled Moslem woman and Moslem women with open face" from
321:– a rich merchant, 50 years old, would like to marry Gulnaz
303:– Rustam bey's daughter, 15 years old, in love with Sarvar
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1042:Р. Халилов. Дань памяти. // «Вышка» : газета. 1998.
972:Социологические аспекты изучения музыкального фольклора
764:
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under the guidance of Jannat Salimova, during the 27th
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The operetta was first made into a film in 1918/9, in
857:. Издательство Академии Наук АзССР. 1986. p. 39.
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Another film version of the play was produced by the
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spectators, and it found a keen response among them.
939:
769:. Государственное научное издательство. p. 477.
957:История таджикского советского театра, 1917–1941 гг
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808:. Государственное научное издательство. p. 9.
145:Azerbaijan State Academic Opera and Ballet Theater
131:in the libretto. The operetta was reviewed in the
456:Gulnaz and Sarvar sit on Rustam bey's terrace. A
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1018:O olmasin, bu olsun: Azerbaijan's Sound of Music
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823:. Издательство Академии Наук АзССР. p. 127.
1024:, January/February 2010, accessed 3 March 2015.
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309:– a student, 25 years old, in love with Gulnaz
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315:– Rustam bey's servant, widow, 30 years old
139:was held in Baku, on April 25, 1911 at the
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855:Известия Академии наук Азербайджанской ССР
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648:march-like, suggesting the smug merchant.
213:Azerbaijan State Theatre of Musical Comedy
996:"O olmasın, bu olsun" Tehranda göstərilib
885:"O olmasın, bu olsun" Tehranda göstərilib
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226:The operetta has also been filmed twice.
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974:. Изд. Наука Казахской ССР. p. 65.
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1013:, Autumn 2001 (accessed 3 March 2015).
819:Азер Гусенкули оглы Сарабский (1968).
562:"Moslem journalists". Caricature from
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55:
623:Duet of Mashadi Ibad with Rustam bey
36:Program of performance in Baku, 1911
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631:Fragments from Gochu Asger's chorus
539:works of Mirza Fatali Akhundov and
24:
25:
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230:Early performers of leading roles
86:in four acts written by composer
27:1910 operetta by Uzeyir Hajibeyov
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765:Сергей Иванович Вавилов (1958).
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246:
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1002:website, accessed 3 March 2015.
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806:Театральная жизнь. Выпуски 9–16
344:– an intellectual, 40 years old
1100:Azerbaijani-language operettas
1058:If Not That One, Then This One
896:
888:. anspress.com. Archived from
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767:Большая советская энциклопедия
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533:If not this one, then that one
42:If Not That One, Then This One
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1:
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327:– a nationalist, 40 years old
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690:in 1956. It was directed by
211:was staged by actors of the
201:and others. For example, in
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1016:Kazimzadeh, Aydin (2010). "
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394:Tradesmen. townsfolk,. etc.
217:International Fajr Festival
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1095:Operas by Uzeyir Hajibeyov
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836:Амиров Азад бек Аббас оглы
338:– 40 years old, journalist
241:Azad Amirov (Mashadi Ibad)
151:played Mashadi Ibad, with
106:
994:Ahamadov, Hafiz (2010). "
940:Matthew O'Brien. (2004).
925:Эльмира Абасова. (1975).
882:Вугар Камилоглу. (2010).
1115:Operas set in Azerbaijan
1065:"In spite of my old age"
1011:Azerbaijan International
991:, accessed 3 March 2015.
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955:Nizom Nurjonov (1967).
740:In 2004, a cinema film
670:Abbas Mirza Sharifzadeh
568:magazine (No. 34, 1910)
528:magazine (No. 11, 1911)
410:Abbas Mirza Sharifzadeh
368:– a bathhouse attendant
115:Uzeyir Hajibeyov (1913)
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514:The operetta as satire
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1060:at Wikimedia Commons
1022:Visions of Azerbaijan
989:Libretto (in English)
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541:Jalil Mammadguluzadeh
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155:appearing as Sarvar,
143:' theatre (today the
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56:او اولماسون بو اولسون
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959:. Дониш. p. 67.
906:"Məşədi İbad" İranda
696:Aghasadyg Garaybeyli
460:player performs the
424:is performed on the
331:Rustam bey's friends
219:, which was held in
1007:O Olmasin, Bu Olsun
786:O olmasın, bu olsun
254:Huseyngulu Sarabski
153:Huseyngulu Sarabski
51:O olmasın, bu olsun
1080:"It is impossible"
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903:Вафа Мухаджирова.
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871:. «Вышка». 1966.
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660:Film adaptations
654:Husband and wife
614:Mirzaagha Aliyev
389:Group of bandits
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209:If not that one
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727:Amina Dilbazi
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380:– a tradesman
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372:Usta Maharram
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92:prerevolution
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890:the original
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319:Mashadi Ibad
318:
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118:
98:
79:) is a 1910
62:Mashadi Ibad
61:
60:
41:
40:
39:
29:
18:Meshadi Ibad
1110:1910 operas
744:, starring
737:, in 1958.
362:– a servant
348:Gochu Asger
81:Azerbaijani
71:Məşədi İbad
67:Azerbaijani
47:Azerbaijani
1089:Categories
752:References
374:– a barber
291:Rustam bey
277:Characters
177:(Hambal),
95:Azerbaijan
76:مشهدی عباد
537:satirical
342:Hasan bey
223:in 2009.
181:(Senem),
1000:Anspress
735:Tashkent
719:kamancha
704:khananda
642:Uzundara
504:lezginka
400:Synopsis
271:(Gulnaz)
256:(Sarvar)
203:Bulgaria
161:libretto
84:operetta
983:Sources
336:Rza bey
129:ghazals
107:History
1105:Operas
1070:"Rast"
1020:", in
1009:", in
731:Moscow
721:) and
462:mugham
434:gazals
430:Fuzûlî
422:mugham
360:Hambal
352:ataman
307:Sarvar
301:Gulnaz
221:Tehran
199:Tabriz
191:Turkey
168:Shusha
125:Fuzûlî
681:Yalta
604:Music
598:Uzbek
594:Tajik
490:Act 4
473:Act 3
444:Act 2
416:Act 1
350:– an
313:Senem
195:Yemen
133:Kaspi
121:mugam
596:and
580:off.
467:Rast
197:and
713:),
711:daf
679:'s
656:).
508:tar
458:tar
432:'s
426:tar
295:bey
147:).
127:'s
1091::
915:^
775:^
193:,
189:,
103:.
73:;
69::
53:;
49::
717:(
709:(
65:(
45:(
20:)
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