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the innate bullying and objectification that has been their lot and downfall. It isn't Ken Loach or Mike Leigh but it's in that ambit and the acting is very gritty - Linda
Cropper's Trude and Susie Porter's Teesh radiate desperation that is almost palpable and Peter Phelps, as the blustering no-hoper Rod, delivers a penetrating observation of a type that is frighteningly accurate
212:, was conceived and developed with three of her Marching Girl colleagues. Set on Valentine's Day, the film was a feminist critique of the commercialisation of Romance. The film is frenetic and has some fine comic moments, while having a serious feminist subtext. In the 1990s Rodriga focused on TV drama and documentary (and changed her surname to Rodriga early on in the decade).
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This is a story that won't appeal to viewers who live similar lives or take refuge in sudsers such as
Neighbours, which looks like a sugar-frosted Cinderella fantasy compared with this. Strong humanity and even a faint sense of optimism emerge in the final reel as the women assert themselves against
309:
Rodriga identifies her sexual orientation as fluid, and identifies as lesbian and queer as of 2018. She has written that she disagrees with "the assumption that sexuality is biologically or genetically driven" and believes in "allowing young people the freedom to make up their own minds about their
172:. It was the first film in New Zealand to be written and directed by a woman. Whittle's character relocates to a remote cottage which appears to be haunted by a previous occupant. Conceived by Rodriga as a feminist thriller, and seen by some critics as a feminist form of "Kiwi Gothic,"
216:(1994) was New Zealand's first prime time documentary dealing with gay and lesbian culture. In 1997 Rodriga moved to Perth, Western Australia. While teaching screen production and screenwriting at Murdoch University, Rodriga directed her third feature film,
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was the more daring of the two films as it focused "not on the unknown, external danger to women, which the thriller uses most potently, but on threats within the family." In 1986-87 Rodriga directed three episodes of the seven-part TV series
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marked a turning point in New
Zealand cinema. According to Barbara Cairns, "From this moment on, the centrality of the white, male hero, or anti-hero ... was if not displaced, then constantly undermined." Cairns argues that Rodriga's
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tells the story of a day in the life of two working-class single mums in Perth, Western
Australia. The film was nominated for three Australian Film Institute Awards in 2003. Critics were divided by the film's gritty social realism:
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759:"Witches, Faggots, Dykes and Poofters" by Scott McKinnon in "Making Film and Television Histories: Australia and New Zealand." Rebecca Beirne, James E. Bennett Eds. pp225-230
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was feminist in its work practices as well as its ethos: twenty of the twenty-nine people on the production crew were women. Together with
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90:. Rodriga graduated from Kambala CofE Foundation School for Girls in 1972. She then traveled to England where she studied filmmaking at
122:. This was one of the first documentaries about the lives of gay and lesbian people in Australia set against the backdrop of the first
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285:. In 2015 the feature film 'Pinch' (w/d Jeffory Asselin) which Rodriga executive produced, won best feature at the WA Screen Awards.
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in "Decade of New
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ancestry on her father's side. Her father was a pianist arranger of the
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as a response to the lack of challenging female roles in New
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for both drama and documentary. Her first film as writer/director was the 1976 experimental short
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is a young lesbian love story with
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In 2010, Rodriga wrote, directed and produced her fourth feature film
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and
Susannah Radstone Eds Uni of California Press, 1994. p 335-336
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and the arrests that followed. In 1980, having moved to
202:. This pioneering series was conceived by actor-writer
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Variety Review of Teesh & Trude by David
Stratton
110:, where she was trained in production management and
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Timeline of women's legal rights (other than voting)
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Film Ink Review of Teesh & Trude by Drew Turney
82:, among others. The family moved from Malaysia to
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106:Rodriga's career began in Sydney in 1974 at the
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874:. Wayne State University Press. p. 203.
138:and Deborah Hunt of theatre group Red Mole,
86:in 1961, and lived in the eastern suburb of
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870:. In Conrich, Ian; Murray, Stuart (eds.).
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1967:Discrimination against transgender women
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158:Rodriga's first feature-length film,
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70:) ancestry on her mother's side and
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709:. Fremantle, WA: Freemantle Press.
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866:Cairns, Barbara (2007).
573:Standing in the Sunshine
92:Ravensbourne Polytechnic
2513:International relations
746:18 October 2010 at the
310:sexual preference(s)."
293:Rodriga has a PhD from
80:Henry Hall (bandleader)
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868:"Working in Close-Up"
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118:. In 1979 she edited
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1972:Diversity (politics)
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214:The People Next Door
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305:Personal life
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279:undergraduate
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222:Linda Cropper
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166:Annie Whittle
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136:Sally Rodwell
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96:Bromley, Kent
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39:
37:
33:
30:
26:
22:
18:
2999:
2974:
2918:Rhetoricians
2908:Philosophers
2800:Saudi Arabia
2596:South Africa
2457:Epistemology
2410:Anthropology
2405:Architecture
2368:Legal theory
2275:Gynocentrism
2214:War on women
2149:Pro-feminism
2104:Gender-blind
2054:Gender quota
2027:Art movement
1824:Dianic Wicca
1703:Sex-positive
1666:Postcolonial
1533:Conservative
1513:Anti-fascist
1236:
1230:
1224:
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1194:
1189:Second Sight
1188:
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1149:
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1056:
1051:
1039:. Retrieved
1034:
1025:
1013:. Retrieved
1008:
999:
987:. Retrieved
982:
961:
955:
947:the original
942:
933:
926:Annette Kuhn
920:
915:
904:
890:
871:
850:
846:
824:Finola Dwyer
819:
811:
806:
800:NZ On Screen
791:
779:. Retrieved
775:the original
765:
754:
739:
734:
725:
705:
681:
663:feature film
656:
641:feature film
620:
604:
588:
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542:feature film
535:
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491:feature film
483:
467:
452:Second Sight
451:
431:
415:
399:
383:
362:
338:
308:
292:
274:
260:
258:
252:
244:
237:
230:Peter Phelps
226:Susie Porter
213:
207:
204:Fiona Samuel
198:
192:
187:
181:
173:
170:Finola Dwyer
159:
157:
154:Later career
143:
139:
132:Second Sight
131:
119:
115:
112:film editing
105:
102:Early career
76:Bert Ambrose
48:Kuala Lumpur
45:
20:
16:
15:
3150:Queer women
3050:1954 births
2958:Comic books
2883:Art critics
2805:South Korea
2785:Philippines
2765:New Zealand
2760:Netherlands
2491:Pornography
2479:Metaphysics
2420:Criminology
2415:Archaeology
2388:Film theory
2089:Women's Day
1834:Ecofeminist
1693:Reactionary
1641:Materialist
1416:Switzerland
1411:New Zealand
1330:Fourth-wave
1313:Second-wave
1201:The Minders
1177:Curiosities
625:documentary
609:short drama
593:documentary
577:documentary
561:documentary
504:The Minders
456:documentary
443:and editor
436:documentary
420:documentary
404:documentary
388:documentary
368:documentary
339:Curiosities
314:Filmography
128:New Zealand
116:Curiosities
25:New Zealand
3044:Categories
2948:Literature
2893:Economists
2613:Bangladesh
2547:By country
2496:Psychology
2452:Empiricism
2447:Aesthetics
2442:Philosophy
2301:Patriarchy
2281:Matriarchy
2085:Girl's Day
2059:Girl power
2032:In hip hop
1955:Literature
1890:Indigenous
1829:Reclaiming
1725:Standpoint
1698:Separatism
1671:Postmodern
1565:Vegetarian
1555:Difference
1498:Analytical
1325:Third-wave
1308:First-wave
1041:21 October
1015:21 October
989:21 October
781:14 October
771:"Red Mole"
673:References
472:short film
423:as editor
416:Wild South
407:as editor
391:as editor
344:short film
269:region of
148:Keri Hulme
68:Portuguese
42:Early life
32:film maker
29:Australian
2703:Argentina
2663:Indonesia
2653:Hong Kong
2608:Australia
2508:Seriality
2432:Geography
2358:Sociology
2311:Economics
2296:Kyriarchy
1792:Christian
1772:Religious
1713:Socialist
1503:Anarchist
1448:States of
1386:Australia
1135:Trial Run
851:Trial Run
812:Trial Run
796:Biography
653:2010–2011
596:director
580:director
527:director
485:Trial Run
289:Academics
193:Trial Run
188:Trial Run
174:Trial Run
161:Trial Run
3019:Category
2953:American
2825:Thailand
2780:Pakistan
2750:Malaysia
2733:Paraguay
2723:Honduras
2571:Ethiopia
2437:Pedagogy
2363:Rhetoric
2353:Sexology
2346:Womanist
2341:Thealogy
2336:Theology
2134:Misogyny
2002:Femicide
1987:Equality
1941:Concepts
1856:Orthodox
1819:Neopagan
1807:Womanist
1787:Buddhist
1755:Africana
1750:Womanism
1646:Maternal
1636:Lipstick
1602:Activism
1572:Equality
1538:Cultural
1523:Carceral
1458:Virginia
1438:Timeline
1381:Timeline
1318:timeline
1303:Timeline
1280:Feminism
1127:Features
744:Archived
441:producer
349:director
249:—
183:Mr Wrong
134:, about
88:Vaucluse
56:Eurasian
52:Malaysia
46:Born in
36:lecturer
2965:Parties
2840:Ukraine
2835:Vietnam
2745:Lebanon
2643:Germany
2633:Finland
2628:Denmark
2603:Albania
2591:Senegal
2586:Nigeria
2501:Therapy
2484:Science
2395:Biology
1917:Mizrahi
1885:Chicana
1846:Islamic
1782:Atheist
1718:Marxist
1688:Radical
1624:Liberal
1619:Lesbian
1597:Hip hop
1577:Eugenic
1518:Atheist
1491:General
1463:Wyoming
1296:General
1288:History
1067:Reviews
516:1986/87
150:story.
72:British
64:Chinese
2979:(1967)
2903:Muslim
2898:Jewish
2876:People
2830:Turkey
2820:Taiwan
2810:Sweden
2795:Russia
2790:Poland
2775:Norway
2728:Mexico
2708:Brazil
2683:Israel
2648:Greece
2638:France
2618:Canada
2556:Africa
2462:Ethics
2321:Method
2253:Theory
2164:Racism
1924:Romani
1912:Jewish
1851:Jewish
1797:Mormon
1745:Victim
1708:Social
1681:French
1629:Equity
1592:Global
1528:Choice
1401:Kuwait
1391:Canada
1339:Social
1239:(1994)
1233:(1994)
1227:(1994)
1221:(1993)
1215:(1991)
1209:(1987)
1203:(1985)
1197:(1982)
1191:(1981)
1185:(1981)
1179:(1976)
1162:(2011)
1154:(2002)
1146:(1988)
1138:(1984)
1037:. 2011
1011:. 2011
985:. 2011
878:
713:
374:editor
353:writer
330:Notes
84:Sydney
3029:Index
2936:Other
2913:Poets
2868:Lists
2815:Syria
2755:Nepal
2718:Haiti
2713:Chile
2693:Japan
2688:Italy
2658:India
2623:China
2576:Ghana
2566:Egypt
2124:Media
1929:White
1880:Black
1841:Hindu
1812:Asian
1735:Trans
1730:State
1661:Post-
1614:Labor
1543:Cyber
1426:Wales
1396:Japan
798:from
508:short
324:Title
299:Perth
60:Malay
19:(née
2673:Iraq
2668:Iran
2581:Mali
2087:and
1905:Sámi
1863:Sikh
1651:Neo-
1453:Utah
1043:2011
1017:2011
991:2011
876:ISBN
783:2011
711:ISBN
633:2002
617:1994
601:1994
585:1994
569:1993
553:1991
532:1988
500:1985
480:1984
464:1982
448:1981
428:1981
412:1980
396:1979
380:1977
359:1977
335:1976
327:Type
321:Year
232:and
78:and
21:Read
2373:Art
1802:New
1656:New
1582:Fat
1560:Eco
1548:HCI
372:as
297:in
180:'s
3046::
1033:.
1007:.
981:.
970:^
941:.
924:,
858:^
830:^
695:^
524:TV
351:,
273:.
236:.
228:,
224:,
186:,
98:.
94:,
50:,
34:,
1272:e
1265:t
1258:v
1111:e
1104:t
1097:v
1045:.
1019:.
993:.
898:.
884:.
785:.
719:.
689:.
66:-
62:-
58:(
27:-
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