Max Steiner - Knowledge

1390:, or theater, the orchestra fit in more naturally and was used often. In order to justify the addition of music in scenes where it wasn't expected, music was integrated into the scene through characters or added more conspicuously. For example, a shepherd boy might play a flute along with the orchestra heard in the background, or a random, wandering violinist might follow around a couple during a love scene; however, because half of the music was recorded on the set, Steiner says it led to a great deal of inconvenience and cost when scenes were later edited, because the score would often be ruined. As recording technology improved during this period, he was able to record the music synced to the film and could change the score after the film was edited. Steiner explains his own typical method of scoring: 1645: 1465:

can hear the clicking sound through headphones, allowing them to record the music along the exact timing of the film. This technique allowed conductors and orchestras to match the music with perfection to the timing of the film, eliminating the previous necessity to cut off or stop music in the middle of recording as had been done previously. Popularized by Steiner in film music, this technique allowed Steiner to "catch the action", creating sounds for small details on screen. In fact, Steiner reportedly spent more of his time matching the action to the music than composing the melodies and motifs, as creating and composing came easy to him.

1395:

word is spoken. While these cue sheets are being made, I begin to work on themes for the different characters and scenes, but without regard to the required timing. During this period I also digest what I have seen, and try to plan the music for this picture. There may be a scene that is played a shade too slowly which I might be able to quicken with a little animated music; or, to a scene that is too fast, I may be able to give a little more feeling by using slower music. Or perhaps the music can clarify a character's emotion, such as intense suffering, which is not demanded or fully revealed by a silent close-up.

4008: 1606:, when they are left to dig a mine in the hot sun. The music "assumes the character of a fiercely protesting funeral march." The timing of the music caves in as the mind caves in on Bogart. The music also serves to emphasize the theme of greed. It "tells us the nature of the thoughts flashing through Holt's mind as he stands outside the ruined mine;" however, when the warm tones of the music rise again, it reflects Holt's goodness as he saves Bogart from the collapsed mine. This "climax is marked by a 643:, but his father refused to stage it saying it was not good enough. Steiner took the composition to competing impresario Carl Tuschl who offered to produce it. Much to Steiner's pleasure, it ran in the Orpheum Theatre for a year. This led to opportunities to conduct other shows in various cities around the world, including Moscow and Hamburg. Upon returning to Vienna, Steiner found his father in bankruptcy. Having difficulties finding work, he moved to London (in part to follow an English 428: 933:

French horns for Frankie McPhilip, a warm string theme for Dan and Gallagher and Mary McPhillip, and a sad theme on English horn with harp for the blind man.The most important motif in the film is the theme of betrayal relating to how Gypo betrays his friend Frankie: the "blood-money" motif. The theme is heard as the Captain throws the money on the table after Frankie is killed. The theme is a four note descending tune on harp; the first interval is the

919:. This score helped to exemplify Steiner's ability to encompass the essence of a film in a single theme. The main title of the film's soundtrack has three specific aspects. First, the heavy-march-like theme helps to describe the oppressive military and main character Gypo's inevitable downfall. Second, the character's theme is stern and sober and puts the audience into the correct mood for the film. Finally, the theme of the music contains some 937:. As the men are deciding who will be the executioner, the motif is repeated quietly and perpetually to establish Gypo's guilt and the musical motif is synchronized with the dripping of water in the prison. As it appears in the end of the film, the theme is played at a fortissimo volume as Gypo staggers into the church, ending the climax with the clap of the cymbals, indicating Gypo's penitence, no longer needing to establish his guilt. 1180:, the tale of murder begins with the loud main musical theme during the credits, which sets the tense and violent mood of the film. The main theme characterizes Leslie, the main character, by her tragic passion. The main theme is heard in the confrontation between Leslie and the murdered man's wife in the Chinese shop. Steiner portrays this scene through the jangling of wind chimes which crescendos as the wife emerges through 1353:. Steiner scored his last piece in 1965; however, he claimed he would have scored more films had he been offered the opportunity. His lack of work in the last years of his life was due to Hollywood's decreased interest in his scores caused by new film producers and new taste in film music. Another contribution to his declining career was his failing eyesight and deteriorating health, which caused him to reluctantly retire. 784:. Steiner composed a short segment; Selznick liked it so much that he asked him to compose the theme and underscoring for the entire picture. Selznick was proud of the film, feeling it gave a realistic view of Jewish family life and tradition. "Music until then had not been used very much for underscoring". Steiner "pioneered the use of original composition as background scoring for films". The successful scoring in 764:; however, after a while, RKO decided to let him go, feeling they were not using him. His agent found him a job as a musical director on an operetta in Atlantic City. Before he left RKO, they offered him a month to month contract as the head of the music department with promise of more work in the future and he agreed. Because the few composers in Hollywood were unavailable, Steiner composed his first film score for 948:" techniques in the film. Through this score, Steiner showed the potential of film music, as he attempted the show the internal struggles inside of Gypo's mind through the mixing of different themes such as the Irish "Circassian Circle", the "blood-money" motif, and Frankie's theme. The score concludes with an original "Sancta Maria" by Steiner. Some writers have erroneously referred to the cue as featuring 1500:"Steiner creates a musical picture that tells us all we need to know about the character." To accomplish this, Steiner synchronized the music, the narrative action, and the leitmotif as a structural framework for his compositions. It may be added that Steiner's leitmotifs were more direct and less subtle than those by his contemporary Austrian-emigré competitors in the Hollywood scoring market, such as 1317:, because Young had died before he could finish it. The credit frame reads: "Music by Victor Young, extended by his old friend, Max Steiner." There are numerous soundtrack recordings of Steiner's music as soundtracks, collections, and recordings by others. Steiner wrote into his seventies, ailing and near blind, but his compositions "revealed a freshness and fertility of invention." A theme for 809:. The score was an integral part of the film, because it added realism to an unrealistic film plot. The studio's bosses were initially skeptical about the need for an original score; however, since they disliked the film's contrived special effects, they let Steiner try to improve the film with music. The studio suggested using old tracks in order to save on the cost of the film; however, 1036:(1939), which became one of Steiner's most notable successes. Steiner was the only composer Selznick considered for scoring the film. Steiner was given only three months to complete the score, despite composing twelve more film scores in 1939, more than he would in any other year of his career. Because Selznick was concerned Steiner wouldn't have enough time to finish the score, he had 1874:, even though other film score composers may have produced greater individual scores than Steiner, no composer ever created as many "very good" ones as Steiner. Despite the inferiority of Steiner's individual scores, his influence was largely historical. Steiner was one of the first composers to reintroduce music into films after the invention of talking films. Steiner's score for 44: 1206:(Humphrey Bogart) is beguiling and ironic, with a playful grace note at the end of the motif, portrayed mixed between major and minor. At the end of the film, his theme is played fully in major chords and finishes by abruptly ending the chord as the film terminates (this was an unusual film music practice in Hollywood at the time). According to 1054:

composed an entirely new score. Selznick's opinion about using original scoring may have changed due to the overwhelming reaction to the film, nearly all of which contained Steiner's music. A year later, he even wrote a letter emphasizing the value of original film scores. The most well known of Steiner's themes for the score is the "

1626:

this technique as the awareness of the film music can ruin the narrative illusion of the film; however, Steiner understood the importance of letting the film take the spotlight, making the music, "subordinate..to the picture," stating that, "if it gets too decorative, it loses its emotional appeal." Before 1932, producers of

846:, Steiner keeps the music calm and quiet with a small amount of texture in the harps to help characterize the ship as it cautiously moves through the misty waters. Steiner received a bonus from his work, as Cooper credited 25 percent of the film's success to the film score. Before he died, Steiner admitted 842:" type relationship between the characters. The music in the film's finale helped express the tender feelings Kong had for the woman without the film having to explicitly state it. The majority of the music is heavy and loud, but some of the music is a bit lighter. For example, when the ship sails into 1630:

tried to avoid the use of background music, because viewers would wonder where the music was coming from. Steiner was known for writing using atmospheric music without melodic content for certain neutral scenes in music. Steiner designed a melodic motion to create normal-sounding music without taking

1464:

used the technique first in cartoon music. The click-track allows the composer to sync music and film together more precisely. The technique involves punching holes into the soundtrack film based on the mathematics of metronome speed. As the holes pass through a projector, the orchestra and conductor

1053:

to help cut down on cost and time, but Steiner tried to convince him that filling the picture with swatches of classic concert music or popular works would not be as effective as an original score, which could be used to heighten the emotional content of scenes. Steiner ignored Selznick's wishes and

1528:

For Jim, Laura's long-awaited 'gentleman caller' who soon transforms her life: Steiner's "clean-limbed melody reflects his likeableness and honesty ... Elements of Jim's theme are built into the dance-band music at the 'Paradise' as he assures her of her essential beauty and begins successfully

1438:

I've always tried to subordinate myself to the picture. A lot of composers make the mistake of thinking of film as a concert platform on which they can show off. This is not the place ... If you get too decorative, you lose your appeal to the emotions. My theory is that the music should be felt

1433:

Steiner felt knowing when to start and stop was the hardest part of proper scoring, since incorrect placement of music can speed up a scene meant to be slow and vice versa: "Knowing the difference is what makes a film composer." He also notes that many composers, contrary to his own technique, would

817:

asked Steiner to score the film and said he would pay for the orchestra. Steiner took advantage of this offer and used an eighty-piece orchestra, explaining the film "was made for music". According to Steiner, "it was the kind of film that allowed you to do anything and everything, from weird chords

1473:

With Steiner's background in his European musical training largely consisting of operas and operettas and his experience with stage music, he brought with him a slew of old-fashioned techniques he contributed to the development of the Hollywood film score. Although Steiner has been called, "the man

1394:

When a picture is finished and finally edited, it is turned over to me. Then I time it: not by stop watch, however, as many do. I have the film put through a special measuring machine and then a cue sheet created which gives me the exact time, to a split second, in which an action takes place, or a

757:

By request of Harry Tierney, RKO hired Max Steiner as an orchestrator and his first film job consisted of composing music for the main and end titles and occasional "on screen" music. According to Steiner, the general opinion of filmmakers during the time was that film music was a "necessary evil",

510:

who strongly influenced Steiner's future work. Steiner often credited his family for inspiring his early musical abilities. As early as six years old, Steiner was taking three or four piano lessons a week, yet often became bored of the lessons. Because of this, he would practice improvising on his

1625:

music would begin and end. Another technique Steiner used was the mixing of realistic and background music. For example, a character humming to himself is realistic music, and the orchestra might play his tune, creating a background music effect that ties into the film. Steiner was criticized for

1690:

statuettes in 1946. As an individual, Steiner was nominated for a total of 20 Academy Awards, and won two. Prior to 1939, the academy recognized a studio's music department, rather than the individual composer, with a nomination in the scoring category. During this time, five of Steiner's scores

1547:

Steiner's theme for the hero is fraught with a true emotion and a genuine idealism and aspiration. It surges upward in 'masculine' style, whilst Roark's mistress's theme wends downwards in curves of typically feminine shapeliness ... He above, she traveling up in the workmen's elevator: the

1381:

In the early days of sound, producers avoided underscoring music behind dialogue, feeling the audience would wonder where the music was coming from. As a result, Steiner noted, "They began to add a little music here and there to support love scenes or silent sequences." But in scenes where music

1084:

would be the film score for which Steiner would win his second Academy Award. Kate Daubney attributes the success of this score to Steiner's ability to " the scheme of thematic meaning with the sound of the music." Steiner used motifs and thematic elements in the music to emphasize the emotional

932:

are heard along with organ music and he sees Katie wearing a veil and holding a bouquet. In a later scene, the Katie theme plays as a drunk Gypo sees a beautiful woman at the bar, insinuating he had mistaken her for Katie. Other musical themes included in the film score are an Irish folk song on

927:

The score for this film is made up of many different themes which characterize the different personages and situations in the film. Steiner helps portray the genuine love Katie has for the main character Gypo. In one scene, Katie calls after Gypo as a solo violin echos the falling cadence of her

856:

quickly made Steiner one of the most respected names in Hollywood. He continued as RKO's music director for two more years, until 1936. Max married Louise Klos, a harpist, in 1936. They had a son, Ron, together and they divorced in 1946. Steiner composed, arranged and conducted another 55 films,

1058:" theme for the O'Hara family plantation. Steiner explains Scarlett's deep-founded love for her home is why "the 'Tara' theme begins and ends with the picture and permeates the entire score". The film went on to win ten Academy Awards, although not for Best Original Score, which instead went to 1521:

For the physically crippled heroine, Laura, Steiner had to "somehow capture in sound her escape from the tawdriness of reality into her make-believe world of glass figures ... The result is tone-colour of an appropriately glassy quality; ... a free use of vibraphone, celesta, piano,

1407:

It is my conviction that familiar music, however popular, does not aid the underlying score of a dramatic picture. I believe that, while the American people are more musically minded than any other nation in the world, they are still not entirely familiar with all the old and new masters'

1631:

too much attention away from the film. In contrast, Steiner sometimes used diegetic, or narrative based music, in order to emphasize certain emotions or contradict them. According to Steiner, there is, "no greater counterpoint ... than gay music underlying a tragic scene or vice versa."

1044:

to stay awake. When the film was released, it was the longest film score ever composed, nearly three hours. The composition consisted of 16 main themes and nearly 300 musical segments. Due to the score's length, Steiner had help from four orchestrators and arrangers, including

2025:

In his autobiography, Steiner states his full name as "Maximilian Raoul Walter Steiner". However, "Walter" is not on his birth register at the IKG in Vienna, nor on any other official document pertaining to his life. In addition, the reasons he mentioned this name are

923:

influences which serves to better characterize the Irish historical setting and influence of the film. The theme is not heard consistently throughout the film and serves rather as a framework for the other melodic motifs heard throughout different parts of the film.

1257:, is a good example of Steiner's handling of typical scenes of the Western genre. Steiner used a "lifting, loping melody" which reflected the movement and sounds of wagons, horses, and cattle. Steiner showed a love for combining Westerns and romance, as he did in 1011:. Steiner frequently worked with composer Hugo Friedhofer who was hired as an orchestrator for Warner Bros; Friedholfer would orchestrate more than 50 of Steiner's pieces during his career. In 1938, Steiner wrote and arranged the first "composed for film" piece, 653:. He stayed in London for eight years conducting musicals at Daly's Theatre, the Adelphi, the Hippodrome, the London Pavilion, and the Blackpool Winter Gardens. Steiner married Beatrice Tilt on September 12, 1912. The exact date of their divorce is unknown. 727:(1916). Fox agreed and they put together a 110-piece orchestra to accompany the screenings. During his time working on Broadway, he married Audree van Lieu on 27 April 1927. They divorced on 14 December 1933. In 1927, Steiner orchestrated and conducted 1478:, and this influenced Steiner's composition. In his music, Steiner relied heavily on leitmotifs. He would also quote pre-existing, recognizable melodies in his scores, such as national anthems. Steiner was known and often criticized for his use of 745:, RKO's head of production, traveled to New York to watch Steiner conduct and was impressed by Steiner and his musicians, who each played several instruments. Eventually, Steiner became a Hollywood asset. Steiner's final production on Broadway was 898:(1935), before Ford began production of the film. Ford even asked his screenwriter to meet with Steiner during the writing phase to collaborate. This was unusual for Steiner who typically refused to compose a score from anything earlier than a 826:. He wrote the score in two weeks and the music recording cost around $ 50,000. The film became a "landmark of film scoring", as it showed the power music has to manipulate audience emotions. Steiner constructed the score on Wagnerian 1805:, London expressed the opinion that American film music was inferior to European film music because it lacked originality of composition; he cited the music of Steiner as an exception to the rule. Steiner, along with contemporaries 680:

In New York, Max Steiner quickly acquired employment and worked for fifteen years as a musical director, arranger, orchestrator, and conductor of Broadway productions. These productions include operettas and musicals written by

1295:, and later ventured into television. Steiner still preferred large orchestras and leitmotif techniques during this part of his career. Steiner's pace slowed significantly in the mid-1950s, and he began freelancing. In 1954, 977:, Tiomkin specifically asked for Steiner, preferring him over the film studio's then music director. Selznick set up his own production company in 1936 and recruited Steiner to write the scores for his next three films. 1474:

who invented modern film music", he himself claimed that, "the idea originated with Richard Wagner ... If Wagner had lived in this century, he would have been the No. 1 film composer." Wagner was the inventor of the

638:

Between 1907 and 1914, Steiner traveled between Britain and Europe to work on theatrical productions. Steiner first entered the world of professional music when he was fifteen. He wrote and conducted the operetta

1566:'s "feelings of tenderness towards his helpless victim." The music underscores feelings that the camera simply cannot express. The score of the film showed "the basic power of music to terrorize and to humanize." 1552:

In the same way that Steiner created a theme for each character in a film, Steiner's music developed themes to express emotional aspects of general scenes which originally lacked emotional content. For example:

1482:

or "catching the action". This technique is characterized by the precise matching of music with the actions or gestures on screen. Steiner was criticized for using this technique too frequently. For example, in

906:

with the music Steiner composed rather than the usual practice of film composers synchronizing music to the film's scenes. Consequently, Steiner directly influenced the development of the protagonist, Gypo.

668:, who was a fan of his work, and was given exit papers to go to America, although his money was impounded. He arrived in New York City in December 1914, with only $ 32. Unable to find work, he resorted to 608:

style. As a result, when Steiner started writing pieces for the theater, he was interested in writing libretto as his teacher had, but had minimal success. However, many of his future film scores such as

1590:(1946): The music of this film "darkens to match" the changing atmosphere of the film. It creates a claustrophobic feeling by including high strings "pitted rhythmically" against low strings and brass. 3312: 911:, who played Gypo, rehearsed his walking in order to match the fumbling leitmotif Steiner had created for Gypo. This unique film production practice was successful; the film was nominated for six 944:

chord immediately before it, followed by silence. An example of this is remarked in the part of the film when Frankie confronts Gypo looking at his reward for arrest poster. Steiner uses minor "

506:. Steiner's mother Marie was a dancer in stage productions put on by his grandfather when she was young, but later became involved in the restaurant business. His godfather was the composer 1231:

Steiner had more success with the Western genre of film, writing the scores for over twenty large-scale Westerns, most with epic-inspiring scores "about empire building and progress", like

5162: 1184:

smoke. The jangling continues until the wife asks Leslie to take off her shawl, after which the theme blasts indicating the breaking point of emotions of these women. Steiner's score for

1621:

When adding a music score to a picture, Steiner used a "spotting process" in which he and the director of the film would watch the film in its entirety and discuss where underscoring of

1117:(1943), so she couldn't re-film the section with Steiner's song. Stuck with "As Time Goes By", Steiner embraced the song and made it the center theme of his score. Steiner's score for 1529:

to counter her deep-seated inferiority complex. Upon their return home, the music darkens the scene in preparation for Jim's disclosure that he is already committed to another girl."

873:(1932). RKO producers, including Selznick, often came to him when they had problems with films, treating him as if he were a music "doctor". Steiner was asked to compose a score for 254:

when he was twelve and became a full-time professional, proficient at composing, arranging, and conducting, by the time he was fifteen. Threatened with internment in England during

1897:

established the Max Steiner Music Society with international membership, publishing journals and newsletters and a library of audio recordings. When the Steiner collection went to

1841:

first appears is reminiscent of Steiner's score. In fact, during the tribal sacrifice scene of the 2005 version, the music playing is from Steiner's score of the same scene in the

1525:

For Laura's well-traveled soldier brother: "Tom's theme has a big-city blues-type resonance. It is also rich and warm ... tells us something of Tom's good-hearted nature."

1412:

Scores from the classics were sometimes harmful to a picture, especially when they drew unwanted attention to themselves by virtue of their familiarity. For example, films like

1711:'s music department of which he was the department head. Steiner's 20 nominations make him the third most nominated individual in the history of the scoring categories, behind 1430:, had scores with recognizable tunes instead of having a preferred "subliminal" effect. Steiner, was among the first to acknowledge the need for original scores for each film. 511:

own, his father encouraging him to write his music down. Steiner cited his early improvisation as an influence of his taste in music, particularly his interest in the music of

1399:

Steiner often followed his instincts and his own reasoning in creating film scores. For example, when he chose to go against Selznick's instruction to use classical music for

1341:

In 1963, Steiner began writing his autobiography. Although it was completed, it was never published, and is the only source available on Steiner's childhood. A copy of the

6435: 1851:

film score, John Williams cited Steiner as well as other European emigrant composers in the 1930s and 1940s "Golden Age" of film music as influences of his work. In fact,

4121: 558:. His preferred and best instrument was the piano, but he acknowledged the importance of being familiar with what the other instruments could do. He also had courses in 1889:

Now referred to as the "father of film music" or the "dean of film music", Steiner had written or arranged music for over three hundred films by the end of his career.

928:

voice. In another scene, Gypo sees an advertisement for a steamship to America and instead of the advertisement, sees himself holding Katie's hand on the ship. Wedding

5967: 2989: 1040:

write an additional score in the case the Steiner didn't finish. To meet the deadline, Steiner sometimes worked for 20-hours straight, assisted by doctor-administered

3859: 6445: 6440: 5155: 1707:

won the Academy Award in 1936, the academy does not officially consider Steiner as the individual winner of the award, as Steiner accepted the award on behalf of

770:. The score was well received and was partially credited for the success of the film. He turned down several offers to teach film scoring technique in Moscow and 542:, he completed a four-year course in only one year, winning himself a gold medal from the academy at the age of fifteen. He studied various instruments including 3638: 1901:

in 1981, the organization disbanded. The Max Steiner Memorial Society was formed in the United Kingdom continue the work of the Max Steiner Music Society.

262:; and in 1929 he moved to Hollywood, where he became one of the first composers to write music scores for films. He is often referred to as "the father of 3095: 1726:

issued its "American Music Series" stamps on 16 September 1999, to pay tribute to renowned Hollywood composers, including Steiner. After Steiner's death,

6395: 5148: 3800: 6037: 590:

who worked for a time as a military bandmaster for Steiner's father's theatre. Steiner paid tribute to Lehár through an operetta modeled after Lehár's

6350: 6330: 1703:

were nominated, but the academy does not consider these nominations to belong to Max Steiner himself. Consequently, even though Steiner's score for

830:

principle, which calls for special themes for leading characters and concepts. The theme of the monster is recognizable as a descending three-note

4114: 531: 466: 5878: 6455: 6450: 6360: 6340: 586:

The music of Edmund Eysler was an early influence in the pieces of Max Steiner; however, one of his first introductions to operettas was by

1870:

stated that the music of Korngold was, "of a higher order with a much wider sweep;" however, according to William Darby and Jack Du Bois's

6420: 6410: 6385: 6375: 3563: 3409: 3329: 3091: 1698: 990: 635:

from 1908 to 1911. Although he took composition classes from Weingartner, as a young boy, Steiner always wanted to be a great conductor.

5171: 4107: 3387: 1743: 995:(1936). Steiner became a mainstay at Warner Bros., scoring 140 of their films over the next 30 years alongside Hollywood stars such as 377: 1323:

in 1959, written when Steiner was 71, became one of Warner Brothers' biggest hit-tunes for years and a re-recorded pop standard. This

6405: 6370: 6345: 6325: 4064: 6460: 5631: 1996: 1594: 2304: 1793:) on Praterstraße 72. In 1990, Steiner was one of the first to be recognized for Lifetime Achievement by an online awards site. 6400: 6365: 5864: 5780: 1218:

to emphasize Philip's feelings for Vivian opposed with the brutality of the criminal world.In 1947, Steiner scored a film noir

3354: 1813:, set the style and forms of film music of the time period and for film scores to come. Known for their similar music styles, 6136: 4130: 3379: 2637: 2604: 1653: 916: 6425: 6390: 5737: 3538:

Manson, Eddy Lawrence (1989). "The Film Composer in Concert and the Concert Composer in Film". In McCarty, Clifford (ed.).

3117: 1752:(1947). Additional selections of Steiner scores were included on other RCA classic film albums during the early 1970s. The 1644: 1361: 3850: 822:

to pretty melodies." Steiner additionally scored the wild tribal music which accompanied the ceremony to sacrifice Ann to

788:

was a turning point for Steiner's career and for the film industry. Steiner reflected that a large part of the success of

6355: 6335: 5354: 1859:, despite the rarity of grandiose film music and the lack of use of leitmotifs and full orchestrations during the 1970s. 940:

Silent film mannerisms are still seen in Steiner's composition such as when actions or consequences are accompanied by a

717:'s musical director in 1915. At the time, there was no specially written music for films and Steiner told studio founder 496:. His father encouraged Steiner's musical talent, and allowed him to conduct an American operetta at the age of twelve, 5491: 5424: 3449: 3277: 758:

and would often slow down production and release of the film after it was filmed. Steiner's first job was for the film

481: 1548:

music seems to draw them together in mutual fulfillment ... The score brings dignity and grandeur to the picture.

1508:. Unlike the latter two, Steiner took on large staff to help with orchestration, allowing him to multiply his output. 902:

of the film. Because Steiner scored the music before and during film production, Ford would sometimes shoot scenes in

6475: 6415: 6380: 5836: 5410: 5215: 3964: 3688:

Film Music: A Summary of the Characteristic features of its History, Aesthetics, Technique; and possible Developments

3165: 2825: 2260: 2230: 1932: 1107:

wasn't an appropriate addition to the movie and he wanted to replace it with a song of his own composition; however,

1073: 973:(1937) as a safeguard in case Steiner needed to rewrite the score by an inexperienced Tiomkin; however, according to 1886:

and did not like his music, but Rózsa conceded that Steiner had a successful career and had a good "melodic sense".

6465: 5995: 5850: 5537: 2250: 6178: 6076: 5896: 5822: 5762: 1731: 1512: 527: 497: 2220: 6470: 6430: 6150: 5808: 3729: 3700: 3547: 3479: 3199: 3071: 2999: 2967: 2942: 2887: 2853: 2785: 2709: 2669: 2487: 2456: 2416: 2364: 1878:

modeled the method of adding background music into a movie. Some of his contemporaries did not like his music.

1277:

Although his contract ended in 1953, Steiner returned to Warner Bros. in 1958 and scored several films such as

1113: 463: 1214:'s Vivian is one of Steiner's strongest themes. Steiner uses the contrast of high strings and low strings and 19:

This article is about the Austrian-American composer. For Austrian actor and theater manager (1839–1880), see

6009: 5505: 5240: 1259: 1123: 266:", as Steiner played a major part in creating the tradition of writing music for films, along with composers 3564:"Now Voyager: The Classic Film Scores of Max Steiner – National Philharmonic Orchestra | Credits | AllMusic" 1893:, son of Erich Korngold, produced the Classic Film Score Series albums which included the music of Steiner. 5335: 2532: 1819: 1727: 1723: 1578:: The music of this film creates an atmosphere of "tropical tension and violence" by "blasting the credits 1485: 1414: 1354: 1307:

of Steiner conducting the Warner Brothers studio orchestra in music from many of his film scores. Composer

1064: 875: 4038: 672:

such as a copyist for Harms Music Publishing, which quickly led him to jobs orchestrating stage musicals.

6480: 5921: 5368: 5321: 3241: 1692: 1360:

Steiner died of congestive heart failure in Hollywood, aged 83. He is entombed in the Great Mausoleum at

1285: 885: 244: 3925: 1511:

A good example of how the characters and the music worked together is best exemplified by his score for

5944: 5546: 5477: 4080: 4049: 4034: 4028: 4017: 3912: 1988: 1789: 1017: 699: 596:

which Steiner staged in 1907 in Vienna. Eysler was well known for his operettas though as critiqued by

431: 386:. Steiner was a frequent collaborator with some of the best known film directors in history, including 3823: 6253: 5794: 5659: 5463: 5201: 1921: 1586: 1324: 1156: 1095:(1942). Steiner would typically wait until the film was edited before scoring it, and after watching 1032: 819: 365: 3773: 2576:. Provo, Utah: Special Collections and Manuscripts, Harold B. Lee Library, Brigham Young University. 6281: 5981: 5701: 5687: 5282: 4800: 4059: 1940: 1898: 1810: 1776: 1716: 1658: 1461: 1346: 969: 894: 843: 331: 307: 989:; he would, however, continue to work for Selznick. The first film he scored for Warner Bros. was 6211: 6164: 6108: 6094: 5569: 5187: 5085: 5049: 4168: 1916: 1910: 1806: 1748: 1534: 1501: 920: 780: 723: 709: 656:

In England, Steiner wrote and conducted theater productions and symphonies. But the beginning of

535: 382: 370: 271: 3692: 3686: 3063: 3055: 2596: 2479: 2473: 1121:

was nominated for the Academy Award for Best Scoring of a Dramatic or Comedy Picture, losing to

879:(1934), which originally lacked music. He added musical touches to significant scenes. Director 6192: 6141: 6023: 5555: 5449: 4416: 3588: 3513: 1980: 1772: 1570: 1313: 1291: 1202:, Steiner uses musical thematic characterization for the characters in the film. The theme for 1168: 1100: 831: 718: 348: 4055: 3746: 2874:

Kalinak, Karthryn (1989). "Max Steiner and the Classical Hollywood Film Score: An Analysis of

1817:

was also Steiner's contemporary and they were friends until Steiner's death. Webb's score for

5678: 5307: 5140: 4865: 4816: 4589: 4565: 4215: 3267: 2506: 2004: 1927: 1842: 1833: 1824: 1775:

for his contribution to motion pictures. In 1995, Steiner was inducted posthumously into the

1582:

across the theater." Steiner's score emphasizes the tragic and passionate themes of the film.

1558: 1426: 1318: 1194: 1161: 796: 359: 325: 133: 2513:. MSS 1547: L.Tom Perry Special Collections, Harold B. Lee Library, Brigham Young University 519:" for the time. In his youth, he began his composing career through his work on marches for 6320: 6315: 6267: 5723: 5673: 5592: 1780: 1365: 1265: 1245: 953: 839: 766: 714: 631:

Kate Daubney, Steiner may also have been influenced by Felix Weingartner who conducted the

1855:

wanted Williams to use the scores of Steiner and Korngold as influences for the music for

8: 4992: 4986: 4980: 1948: 1828: 1670: 1254: 1139: 1129: 665: 567: 459: 337: 319: 6286: 5128: 5079: 4099: 4007: 3882: 2629: 2589: 1143:. Producer David O. Selznick liked the theme so much, he asked Steiner to include it in 801:(1933) became Steiner's breakthrough and represented a paradigm shift in the scoring of 373:'s list of best American film scores, and is the film score for which he is best known. 6206: 5953: 5382: 4541: 3718: 3664: 3438: 2354: 2111: 1757: 1408:

works ... Of course there are many in our industry who disagree with my viewpoint.

1304: 1207: 733: 451: 138: 20: 4388: 6231: 6183: 6056: 6014: 5958: 5883: 5617: 5523: 5073: 5055: 5010: 4968: 4810: 4545: 4460: 4301: 4281: 4186: 3984: 3960: 3725: 3696: 3543: 3475: 3469: 3445: 3273: 3195: 3189: 3161: 3067: 2995: 2963: 2938: 2883: 2849: 2821: 2781: 2705: 2665: 2633: 2600: 2526: 2483: 2452: 2412: 2360: 2312: 2256: 2226: 1964: 1879: 1328: 1233: 1091: 1055: 1030:

In 1939, Steiner was borrowed from Warner Bros. by Selznick to compose the score for

866: 775: 571: 455: 343: 287: 1862:

Often compared to his contemporary Erich Wolfgang Korngold, his rival and friend at

1496:

One of the important principles that guided Steiner whenever possible was his rule:

6028: 5771: 5767: 5710: 5254: 4998: 4903: 4828: 4719: 4709: 4229: 4178: 4156: 2659: 1894: 1866:, the music of Steiner was often seen by critics as inferior to Korngold. Composer 1457: 1239: 1215: 1059: 814: 627:(1942) had frequent waltz melodies as influenced by Eysler. According to author of 617: 597: 493: 471: 283: 259: 604:

were poor, with a fairly simple style, the music often relying too heavily on the

323:(1944). Besides his Oscar-winning scores, some of Steiner's popular works include 6155: 6051: 5901: 5692: 5650: 5588: 5574: 5514: 5510: 5401: 5387: 5359: 5340: 5326: 5312: 5273: 5061: 4939: 4933: 4786: 4745: 4735: 4729: 4715: 4695: 4685: 4681: 4663: 4641: 4575: 4450: 4398: 4378: 4291: 4233: 4182: 4013: 1890: 1599: 1562:(1933): The music told the story of what was happening in the film. It expressed 1219: 1050: 1004: 974: 964: 908: 903: 742: 694: 690: 669: 649: 592: 507: 485: 443: 407: 267: 75: 3215: 3128: 6272: 6197: 6169: 6099: 5583: 5542: 5429: 5396: 5067: 5037: 4929: 4913: 4822: 4796: 4653: 4637: 4599: 4489: 4444: 4424: 4402: 4354: 4295: 4271: 4251: 4237: 4219: 4162: 3801:"Fantastic Beasts Composer James Newton Howard on His Personal Favorite Scores" 3613: 3087: 2622: 2569: 2206: 1883: 1760: 1687: 1479: 1279: 1203: 1108: 1104: 1046: 949: 945: 912: 806: 760: 713:(1924) (conductor and orchestrator). At twenty-seven years old, Steiner became 682: 605: 512: 503: 458:

to write for the theater, and was the influential manager of Vienna's historic

387: 302: 4074: 4043: 4022: 3906: 1837:, stated that he was influenced by Steiner's score; his descending theme when 1338:). Steiner continued to score films produced by Warner until the mid-sixties. 587: 534:

in 1904, where, due to his precocious musical talents and private tutoring by

530:, but he expressed little interest in scholastic subjects. He enrolled in the 6309: 6113: 6000: 5939: 5855: 5841: 5728: 5664: 5636: 5612: 5560: 5528: 5373: 5206: 5043: 4909: 4883: 4806: 4782: 4778: 4725: 4705: 4699: 4671: 4667: 4657: 4607: 4603: 4579: 4555: 4521: 4499: 4434: 4412: 4392: 4382: 4333: 4325: 4311: 4305: 4285: 4275: 4257: 4223: 4211: 4172: 4144: 2434:

Max Steiner: Composing, Casablanca and the Golden Age of Film Music, p. 47-74

1712: 1211: 862: 728: 575: 551: 539: 427: 395: 353: 279: 3957:

Music by Max Steiner: The Epic Life of Hollywood's Most Influential Composer

3293: 1188:

was nominated for the 1941 Academy Award for Best Original Score, losing to

1049:, to work on the score. Selznick had asked Steiner to use only pre-existing 502:, which allowed Steiner to gain early recognition by the operetta's author, 6240: 6236: 6085: 6081: 6042: 5986: 5972: 5926: 5887: 5869: 5496: 5259: 5245: 5220: 5106: 5102: 5031: 5027: 5004: 4974: 4962: 4919: 4895: 4766: 4739: 4593: 4559: 4549: 4535: 4531: 4525: 4515: 4507: 4503: 4493: 4464: 4454: 4430: 4420: 4406: 4372: 4368: 4364: 4350: 4315: 4261: 4247: 4190: 4068: 3691:(Reprint ed.). New York: Arno Press & The New York Times. p. 3317: 2118:, "Max Steiner: Birth of an Era", Marion Boyars Publishers (1990) pp. 15–50 1972: 1956: 1867: 1863: 1852: 1753: 1708: 1664: 1533:

Another film which exemplifies the synchronizing of character and music is

1308: 1080: 1037: 1008: 986: 858: 802: 738: 632: 623: 611: 563: 414:. Many of his film scores are available as separate soundtrack recordings. 411: 313: 298: 294: 275: 24: 1522:

glockenspiel and triangle enhances the fragility and beauty of the sound."

492:, carnival exposition manager, and inventor, responsible for building the 477: 6258: 6244: 6122: 5930: 5827: 5799: 5785: 5742: 5706: 5468: 5454: 5287: 5116: 5110: 4923: 4899: 4889: 4877: 4871: 4848: 4842: 4832: 4749: 4675: 4645: 4633: 4628: 4624: 4485: 4358: 4329: 4319: 4086: 3313:

After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934

1768: 1575: 1540: 1449: 1350: 1335: 1189: 1041: 1000: 996: 960: 741:

in Hollywood hire Steiner to work in their music production departments.

686: 661: 657: 547: 516: 403: 399: 255: 94: 3999: 3411:

Hollywoods Filmkomponisten: Vienna in Hollywood - Pioniere der Filmmusik

3331:

Hollywoods Filmkomponisten: Vienna in Hollywood - Pioniere der Filmmusik

1311:

and Steiner were good friends, and Steiner completed the film score for

43: 6127: 5645: 5415: 4792: 4569: 4194: 3980: 2908: 1935:. His scores for the following films were also nominated for the list: 1735: 1627: 1505: 1342: 1299:

asked Steiner to prepare and conduct an orchestral suite of music from

1296: 1023: 489: 263: 5482: 5268: 4691: 4583: 4511: 4468: 4438: 2702:

Music on Demand: Composers and Careers in the Hollywood Film Industry

2547:

Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir

1847: 1838: 1608: 1563: 1475: 1420: 1383: 1177: 1151: 985:

In April 1937, Steiner left RKO and signed a long-term contract with

899: 880: 827: 823: 391: 5813: 3495: 2778:

Musique Fanstastique: A Survey of Film Music in the Fantastic Cinema

647:

he had met in Vienna). In London, he was invited to conduct Lehar's

5122: 4772: 3994: 2962:. East Brunswick, N.J.: Associated University Presses. p. 91. 2935:

American Film Music: Major Composers, Techniques, Trends, 1915–1990

2685:

Steiner, Max (1937). "Scoring the Film". In Naumburg, Nancy (ed.).

2222:

Venedig in Wien: Theater- und Vergnügungsstadt der Jahrhundertwende

1814: 1622: 1603: 1490: 1453: 1387: 1015:

which a character plays on the piano and later plays as a theme in

835: 644: 601: 520: 446:, as the only child in a wealthy business and theatrical family of 251: 240: 3062:. Columbia, South Carolina: University of South Carolina. p. 5714: 4956: 4836: 4003: 3158:

The Gendered Score: Music in 1940s Melodrama and the Woman's Film

1539:(1949): The character of Roark, an idealist architect (played by 1357:

cited Steiner's last score as, "a weak coda to a mighty career."

1224: 934: 771: 559: 555: 23:. For the pornographic actor with the pseudonym Max Steiner, see 2478:. Garden City, New York: Doubleday & Company, Inc. pp. 1648:

Plaque for Steiner at his birthplace in Praterstraße 72, Vienna

1489:, Steiner created a limping effect with his music whenever the 1303:

for a special LP, which was later issued on CD. There are also

1127:(1943). Steiner received his third and final Oscar in 1944 for 865:' dance musicals. Additionally, Steiner wrote a sonata used in 543: 447: 439: 71: 5170: 3222:. Academy of Motion Picture Arts and Sciences. October 5, 2014 1181: 774:

in order to stay in Hollywood. In 1932, Steiner was asked by

3989: 2203:

Max Steiner: Vienna, London, New York, and Finally Hollywood

1137:

while helping counterbalance Franz Waxman's moody score for

892:

John Ford hired Steiner again to compose for his next film,

834:

motif. After the death of King Kong, the Kong theme and the

792:"was attributed to the extensive use of music" in the film. 2704:. New Brunswick, New Jersey: Transaction Books. p. 1. 1767:. In 1975, Steiner was honored with a star located at 1551 1598:(1948): Steiner uses the music to intensify the anguish of 1448:

Although some scholars cite Steiner as the inventor of the

1334:

singles chart in 1960 (in an instrumental cover version by

929: 2591:

American Popular Music and Its Business: From 1900 to 1984

4129: 2436:. Blue Ridge Summit: Rowman & Littlefield Publishers. 980: 243:

and conductor who emigrated to America and became one of

3926:"George W. Korngold; Record Producer, Film Music Editor" 2846:

The Making of King Kong: The story behind a film classic

2252:

The Invisible Art of Film Music: A Comprehensive History

1076:

as the second greatest American film score of all time.

570:. Along with Mahler and Fuchs, he cited his teachers as 3355:"Underscoring Richard Wagner's influence on film music" 3272:(5th ed.). New York: Billboard Books. p. 75. 3191:

Round Up the Usual Suspects: The Making of "Casablanca"

2255:(2nd ed.). Lanham, Maryland: The Scarecrow Press. 1764: 1345:

resides with the rest of the Max Steiner Collection at

1133:(1944). Steiner actually first composed the theme from 1111:

had just cut her hair short in preparation for filming

450:

heritage. He was named after his paternal grandfather,

2937:. Jefferson, North Carolina: McFarland & Company. 2145:

Germans, Jews, and Antisemites: Trials of Emancipation

1456:, was the first to use the technique in film scoring. 462:. His parents were Marie Josefine/Mirjam (Hasiba) and 239:(10 May 1888 – 28 December 1971) was an Austrian 3088:"The 12th Academy Awards (1940) Nominees and Winners" 581: 523:

bands and hit songs for a show put on by his father.

4076:

Der Klang Hollywoods - Max Steiner & seine Erben

2619: 454:(1839–1880), who was credited with first persuading 250:

Steiner was a child prodigy who conducted his first

6436:

Emigrants from Austria-Hungary to the United States

3720:

A Neglected Art: A Critical Study of Music in Films

3056:"Max Steiner Establishes Another Film Music Record" 1269:(1956) is, today, considered his greatest Western. 347:(1942), though he did not compose its love theme, " 3849: 3717: 3474:. Bloomington, Indiana: Indiana University Press. 3437: 2780:. Metuchen, NJ & London: The Scarecrow Press. 2621: 2588: 1783:was unveiled in 1988 at Steiner's birthplace, the 1779:. In commemoration of Steiner's 100th birthday, a 1738:album of highlights from Steiner's career, titled 1376: 2664:. Cranbury, New Jersey: A.S Barnes and Co., Inc. 1616: 1089:(1942), Steiner was hired to score the music for 6307: 1831:, who composed the score for the 2005 remake of 1823:was reminiscent of Steiner. James Bond composer 6446:Burials at Forest Lawn Memorial Park (Glendale) 6441:Best Original Music Score Academy Award winners 3500:The Academy of Motion Picture Arts and Sciences 3380:"Film music and opera – the same or different?" 2620:Rosenberg, Bernard; Silverstein, Harry (1970). 2218: 1756:recordings were later digitally remastered for 1021:(1938) and is performed by a full orchestra in 2572:. In D'Arc, James; Gillespie, John N. (eds.). 2291:Film Score: The Art & Craft of Movie Music 1263:(1941), also starring Flynn and de Havilland. 1085:development of the narrative. After finishing 752: 5968:The Lord of the Rings: The Return of the King 5156: 4115: 3542:. New York: Garland Publishing. p. 270. 3016:The Complete "Gone with the Wind" Trivia Book 2843: 2348: 2346: 2344: 2342: 2340: 2338: 2336: 2334: 2332: 2330: 1172:were his best film noir scores of the 1940s. 675: 3851:"How Star Wars changed movie scores forever" 2994:. Berkeley: University of California Press. 2991:Overtones and Undertones: Reading Film Music 2932: 2844:Goldner, Orville; Turner, George E. (1975). 2451:. Cranbury, New Jersey: A.S. Barnes and Co. 889:(1934), which lacked tension without music. 3715: 3709: 3092:Academy of Motion Picture Arts and Sciences 2928: 2926: 2924: 2922: 2848:. New York: Ballantine Books. p. 107. 2501: 2499: 2398: 2396: 2244: 2242: 1827:cited Steiner as an influence of his work. 1674:(1944). Steiner received a certificate for 1434:fail to subordinate the music to the film: 778:, the new producer at RKO, to add music to 697:, among others. Steiner's credits include: 293:Steiner composed over 300 film scores with 16:Austrian-born American composer (1888–1971) 6396:American people of Austrian-Jewish descent 5172:Golden Globe Award for Best Original Score 5163: 5149: 4122: 4108: 4091: 4006: 3463: 3461: 3435: 3431: 3429: 3388:Music Critics Association of North America 3352: 3080: 2869: 2867: 2865: 2394: 2392: 2390: 2388: 2386: 2384: 2382: 2380: 2378: 2376: 2327: 2219:Rubey, Norbert; Schoenwald, Peter (1996). 1612:statement of the theme on full orchestra." 1452:technique as such, he, possibly alongside 1272: 422: 378:Golden Globe Award for Best Original Score 224: 1947⁠–⁠1971) 42: 3824:"From World War to "Star Wars":The Music" 3151: 3149: 3127:. American Film Institute. Archived from 2811: 2809: 2807: 2805: 2803: 2801: 2799: 2797: 2771: 2769: 2767: 2765: 2763: 2761: 2759: 2653: 2651: 2649: 2563: 2561: 2559: 2557: 2555: 2248: 2197: 2195: 2193: 2191: 2189: 2187: 2185: 2183: 2181: 2179: 2177: 2175: 2173: 2107: 2105: 2103: 2101: 2099: 2097: 2095: 2093: 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 2075: 2073: 2071: 2069: 2067: 2065: 2063: 1933:their list of the 25 greatest film scores 1919:respectively ranked Steiner's scores for 1796: 1210:, the love theme for Bogart's Philip and 6351:20th-century Austrian conductors (music) 6331:20th-century American conductors (music) 3771: 3614:"Max Steiner | Songwriters Hall of Fame" 3183: 3181: 3179: 3177: 3034: 2983: 2981: 2979: 2919: 2745: 2743: 2729: 2727: 2725: 2723: 2721: 2699: 2496: 2471: 2284: 2282: 2280: 2278: 2276: 2274: 2272: 2239: 2171: 2169: 2167: 2165: 2163: 2161: 2159: 2157: 2155: 2153: 2061: 2059: 2057: 2055: 2053: 2051: 2049: 2047: 2045: 2043: 1643: 915:and won four, including Steiner's first 721:his idea to write an original score for 664:. Fortunately, he was befriended by the 438:Max Steiner was born on 10 May 1888, in 426: 3883:"David Raksin Remembers his Colleagues" 3798: 3724:. New York: New York University Press. 3467: 3458: 3426: 3265: 3259: 3187: 3040:Selznick, David O., Behlmer, Rudy, ed. 3018:, Rowman & Littlefield (1989) p. 92 2873: 2862: 2839: 2837: 2684: 2595:. UK: Oxford University Press. p. 2402: 2373: 1686:, but those plaques were replaced with 1639: 1371: 1147:. In 1947, Max married Leonette Blair. 376:He was also the first recipient of the 6308: 3684: 3537: 3496:"The Official Academy Awards Database" 3471:Unheard Melodies: Narrative Film Music 3146: 3053: 2957: 2933:Darby, William; Du Bois, Jack (1990). 2794: 2775: 2756: 2689:. New York: W.W. Norton & Company. 2657: 2646: 2586: 2567: 2552: 2446: 2440: 2431: 2425: 2288: 1652:Three of Max Steiner's scores won the 981:Composing for Warner Bros. (1937–1953) 5144: 4131:Academy Award for Best Original Score 4103: 4090: 3959:. New York: Oxford University Press. 3954: 3862:from the original on January 12, 2022 3744: 3269:The Billboard Book of Number One Hits 3174: 3155: 2987: 2976: 2903: 2901: 2899: 2882:. New York: Garland Publishing, Inc. 2820:. New York: Oxford University Press. 2815: 2740: 2737:, Oxford Univ. Press (2010) pp. 55–68 2718: 2678: 2352: 2297: 2293:. Burbank, California: Redwood Press. 2269: 2150: 2040: 1678:. He originally received plaques for 1654:Academy Award for Best Original Score 883:called on Steiner to score his film, 660:in 1914 led him to be interned as an 6456:Jewish American film score composers 6451:Golden Globe Award-winning musicians 6361:20th-century Austrian male musicians 6341:20th-century American male musicians 3995:Max Steiner Digital Thematic Catalog 3908:"Max Steiner – Father of Film Music" 3346: 3047: 2834: 2449:Film Score: The View from the Podium 2147:, Cambridge Univ. Press (2006) p. 42 2139: 2137: 1744:Golden Globe for Best Original Score 1498:Every character should have a theme. 1150:Steiner also found success with the 398:, and scored many of the films with 3772:Sweeting, Adam (January 31, 2011). 3589:"Max Steiner – Hollywood Star Walk" 3060:Gone With the Wind as Book and Film 2549:, Rutgers Univ. Press (2009) p. 215 2356:Soundtrack: The Music of the Movies 369:(1939), which ranked second on the 106:American (naturalized citizen 1920) 13: 6421:Austrian musical theatre composers 6411:Austrian male film score composers 6386:American musical theatre composers 6376:American male film score composers 5425:Butch Cassidy and the Sundance Kid 3948: 3880: 3821: 3799:Caffrey, Dan (November 15, 2016). 2896: 1882:criticized Steiner for his use of 1362:Forest Lawn Memorial Park Cemetery 737:. Tierney himself later requested 582:Beginning music career (1907–1914) 526:Steiner's parents sent him to the 14: 6492: 4056:Max Steiner music and photographs 3974: 3780:. Guardian News and Media Limited 3353:Burlingame, Jon (June 17, 2010). 3266:Bronson, Fred (October 1, 2003). 3098:from the original on July 6, 2011 2411:. Westport, CT: Greenwood Press. 2359:. New York: Hopkinson and Blake. 2134: 838:theme converge, underlining the " 380:, which he won for his score for 6406:Austrian male conductors (music) 6371:American male conductors (music) 3118:"AFI's 100 Years of Film Scores" 2628:. New York: Macmillan. pp. 1997:The Treasure of the Sierra Madre 1595:The Treasure of the Sierra Madre 850:was one of his favorite scores. 434:in Vienna today, Praterstraße 72 199: 173: 6346:20th-century Austrian composers 6326:20th-century American composers 4071:at AmericanComposers (archived) 3918: 3900: 3874: 3842: 3815: 3792: 3765: 3738: 3678: 3657: 3631: 3606: 3581: 3556: 3531: 3506: 3488: 3402: 3372: 3322: 3304: 3286: 3234: 3208: 3110: 3021: 3008: 2960:Source Music in Motion Pictures 2951: 2878:". In McCarty, Clifford (ed.). 2818:The Hollywood Film Music Reader 2735:The Hollywood Film Music Reader 2693: 2613: 2580: 2539: 2465: 2249:MacDonald, Laurence E. (2013). 2209:, Brigham Young University 1996 1732:National Philharmonic Orchestra 1700:The Charge of the Light Brigade 1443: 1377:Music as background to dialogue 992:The Charge of the Light Brigade 528:Vienna University of Technology 351:". In addition, Steiner scored 247:'s greatest musical composers. 221: 195: 169: 6461:Male musical theatre composers 3745:Handy, Bruce (February 2009). 3216:"The 13th Academy Awards-1941" 3029:Funny, It Doesn't Sound Jewish 2475:Operetta: A Theatrical History 2212: 2121: 2019: 1904: 1617:Realistic and background music 1327:spent nine weeks at #1 on the 959:In 1937, Steiner was hired by 917:Academy Award for Best Scoring 1: 6401:Austrian film score composers 6366:American film score composers 4045:The Film Music of Max Steiner 3915:, trailer to documentary film 3384:Classical Voice North America 3058:. In Harwell, Richard (ed.). 3031:, S.U.N.Y. Press (2004) p. 47 2751:David O. Selznick's Hollywood 2033: 1468: 1382:might be expected, such as a 1260:They Died with Their Boots On 114:Composer, arranger, conductor 5355:The Fall of the Roman Empire 4024:"Max Steiner: Greatest Hits" 3887:American Composers Orchestra 3747:"The Man Who Knew the Score" 3716:Prendergast, Roy M. (1977). 3054:Ussher, Bruno David (1983). 2700:Faulkner, Robert R. (1983). 2507:"The Max Steiner Collection" 1724:United States Postal Service 1634: 1325:memorable instrumental theme 629:Max Steiner's "Now, Voyager" 417: 154:Beatrice Steiner (m. 1912–?) 7: 6426:Austrian operetta composers 6391:American operetta composers 5492:Jonathan Livingston Seagull 3160:. Burlington, VT: Ashgate. 3042:Memo from David O. Selznick 2958:Atkins, Irene Kahn (1983). 2816:Cooke, Mervyn, ed. (2010). 2776:Larson, Randall D. (1985). 1253:, starring Errol Flynn and 753:Scoring for RKO (1929–1937) 301:, and was nominated for 24 10: 6497: 6356:20th-century Austrian Jews 6336:20th-century American Jews 5632:E.T. the Extra-Terrestrial 5411:The Shoes of the Fisherman 4083:(2009) documentary trailer 4018:Internet Broadway Database 3436:Wierzbicki, James (2009). 2574:The Max Steiner Collection 2570:"A Max Steiner Chronology" 2568:Leaney, Edward A. (1996). 2472:Traubner, Richard (1983). 2129:Classical Hollywood Reader 1908: 1790:Austria Classic Hotel Wien 676:Broadway music (1914–1929) 18: 6222: 6067: 5912: 5753: 5603: 5440: 5298: 5231: 5178: 5095: 5020: 4949: 4858: 4759: 4617: 4478: 4343: 4204: 4137: 4097: 4039:Österreichische Mediathek 3955:Smith, Steven C. (2020). 3468:Gorbman, Claudia (1987). 3300:. Soylent Communications. 2753:, Knopf Publishers (1980) 2131:, Routledge (2012) p. 235 2116:The Composer in Hollywood 532:Imperial Academy of Music 147: 126: 118: 110: 102: 83: 53: 41: 34: 6476:People from Leopoldstadt 6416:Austrian music arrangers 6381:American music arrangers 6137:The Theory of Everything 4801:Alan and Marilyn Bergman 4060:Brigham Young University 3643:www.classic-hotelwien.at 3188:Harmetz, Aljean (1992). 2988:Brown, Royal S. (1994). 2587:Sanjek, Russell (1988). 2531:: CS1 maint: location ( 2012: 1899:Brigham Young University 1777:Songwriters Hall of Fame 1347:Brigham Young University 641:The Beautiful Greek Girl 432:Max Steiner's birthplace 237:Maximilian Raoul Steiner 58:Maximilian Raoul Steiner 6466:Male operetta composers 4169:Erich Wolfgang Korngold 3665:"The Sammy Film Awards" 3444:. New York: Routledge. 3156:Laing, Heather (2007). 2289:Thomas, Thomas (1991). 1917:American Film Institute 1911:Max Steiner filmography 1807:Erich Wolfgang Korngold 1273:Later works (1953–1965) 1114:For Whom the Bell Tolls 1099:, he decided the song " 790:Symphony of Six Million 786:Symphony of Six Million 781:Symphony of Six Million 707:(1923) (composer), and 700:George White's Scandals 423:Early years (1888–1907) 272:Erich Wolfgang Korngold 95:Los Angeles, California 4417:Robert Russell Bennett 4092:Awards for Max Steiner 4065:Max Steiner Remembered 3803:. Consequence of Sound 3514:"1999 33c Max Steiner" 3422:– via on.orf.at. 3342:– via on.orf.at. 3194:. New York: Hyperion. 2432:Wegele, Peter (2014). 2403:Daubney, Kate (2000). 2207:Max Steiner Collection 1981:Adventures of Don Juan 1797:Legacy among composers 1773:Hollywood Walk of Fame 1649: 1550: 1441: 1410: 1397: 1124:The Song of Bernadette 435: 211:Leonette "Lee" Steiner 6471:Musicians from Vienna 6431:Composers from Vienna 5336:To Kill a Mockingbird 5216:The Inspector General 4035:1957 German interview 3990:The Max Steiner Pages 3774:"John Barry obituary" 3685:London, Kurt (1970). 3440:Film Music: A History 3044:, Viking Press (1972) 2658:Thomas, Tony (1973). 2447:Thomas, Tony (1979). 1931:(1933) #2 and #13 on 1647: 1545: 1436: 1415:2001: A Space Odyssey 1405: 1392: 499:The Belle of New York 430: 134:Warner Bros. Pictures 5837:A Walk in the Clouds 5781:Beauty and the Beast 5724:Gorillas in the Mist 5593:Francis Ford Coppola 5322:The Guns of Navarone 3593:projects.latimes.com 2661:Music for the Movies 2409:: A Film Score Guide 2353:Evans, Mark (1975). 1640:Industry recognition 1372:Methods of composing 1366:Glendale, California 1286:Marjorie Morningstar 840:Beauty and the Beast 476:(1858–1944, born in 198: 1936; 172: 1927; 6038:Slumdog Millionaire 5996:Memoirs of a Geisha 5851:The English Patient 4993:Gustavo Santaolalla 4987:Gustavo Santaolalla 4981:Jan A. P. Kaczmarek 3932:. November 28, 1987 3518:www.mysticstamp.com 2511:Film Music Archives 2315:on January 23, 2021 2309:Hollywood in Vienna 2112:Palmer, Christopher 1872:American Film Music 1829:James Newton Howard 1684:Since You Went Away 1671:Since You Went Away 1514:The Glass Menagerie 1401:Gone with the Wind. 1255:Olivia de Havilland 1198:. In the score for 1145:Since You Went Away 1135:Since You Went Away 1130:Since You Went Away 871:Bill of Divorcement 703:(1922) (director), 666:Duke of Westminster 460:Theater an der Wien 320:Since You Went Away 6481:RCA Victor artists 6212:Hildur Guðnadóttir 6179:The Shape of Water 6077:The Social Network 5897:The Legend of 1900 5809:Heaven & Earth 5763:The Sheltering Sky 5738:The Little Mermaid 5660:A Passage to India 5086:Hildur Guðnadóttir 4542:Richard M. Sherman 2687:We Make The Movies 2143:Volkov, Shulamit. 2127:Neale, Steve, ed. 1922:Gone with the Wind 1845:. Composer of the 1650: 1493:character walked. 1439:rather than heard. 1301:Gone with the Wind 1208:Christopher Palmer 1070:Gone with the Wind 1033:Gone with the Wind 857:including most of 482:Kingdom of Hungary 452:Maximilian Steiner 436: 366:Gone with the Wind 139:RKO Radio Pictures 21:Maximilian Steiner 6303: 6302: 6297: 6296: 6184:Alexandre Desplat 6151:The Hateful Eight 6142:Jóhann Jóhannsson 6057:Michael Giacchino 6015:Alexandre Desplat 5959:Elliot Goldenthal 5884:Burkhard Dallwitz 5618:Dominic Frontiere 5506:The Little Prince 5138: 5137: 5123:Volker Bertelmann 5074:Alexandre Desplat 5056:Alexandre Desplat 5011:Michael Giacchino 4969:Elliot Goldenthal 4649: 4546:Robert B. Sherman 4187:W. Franke Harling 4052:(2014) featurette 3930:Los Angeles Times 3386:. Journal of the 3359:Los Angeles Times 3310:Slowik, Michael. 3246:store.intrada.com 3134:on August 3, 2016 3014:Bartel, Pauline. 2639:978-1-19-946278-7 2606:978-0-195-04311-2 1801:In Kurt London's 1574:(1940), starring 867:Katharine Hepburn 776:David O. Selznick 593:Die lustige Witwe 572:Felix Weingartner 456:Johann Strauss II 305:, winning three: 234: 233: 119:Years active 48:Steiner composing 6488: 6290: 6287:Ludwig Göransson 6276: 6262: 6248: 6215: 6201: 6187: 6173: 6159: 6145: 6131: 6117: 6103: 6089: 6060: 6046: 6032: 6029:Dario Marianelli 6018: 6010:The Painted Veil 6004: 5990: 5976: 5962: 5948: 5934: 5905: 5891: 5873: 5859: 5845: 5831: 5817: 5803: 5789: 5775: 5772:Ryuichi Sakamoto 5768:Richard Horowitz 5746: 5732: 5718: 5711:Ryuichi Sakamoto 5702:The Last Emperor 5696: 5682: 5668: 5654: 5640: 5626: 5621: 5596: 5578: 5570:Midnight Express 5564: 5550: 5532: 5518: 5500: 5486: 5472: 5458: 5433: 5419: 5405: 5391: 5377: 5363: 5349: 5344: 5330: 5316: 5291: 5277: 5263: 5255:September Affair 5249: 5241:Sunset Boulevard 5224: 5210: 5196: 5188:Life with Father 5165: 5158: 5151: 5142: 5141: 5129:Ludwig Göransson 5080:Ludwig Göransson 4999:Dario Marianelli 4904:Stephen Schwartz 4829:Ryuichi Sakamoto 4720:Leonard Rosenman 4710:Leonard Rosenman 4631: 4230:Bernard Herrmann 4179:Herbert Stothart 4157:Leo F. Forbstein 4124: 4117: 4110: 4101: 4100: 4088: 4087: 4077: 4046: 4025: 4010: 3970: 3942: 3941: 3939: 3937: 3922: 3916: 3909: 3904: 3898: 3897: 3895: 3893: 3878: 3872: 3871: 3869: 3867: 3853: 3846: 3840: 3839: 3837: 3835: 3819: 3813: 3812: 3810: 3808: 3796: 3790: 3789: 3787: 3785: 3769: 3763: 3762: 3760: 3758: 3742: 3736: 3735: 3723: 3713: 3707: 3706: 3682: 3676: 3675: 3673: 3671: 3661: 3655: 3654: 3652: 3650: 3635: 3629: 3628: 3626: 3624: 3618:www.songhall.org 3610: 3604: 3603: 3601: 3599: 3585: 3579: 3578: 3576: 3574: 3560: 3554: 3553: 3535: 3529: 3528: 3526: 3524: 3510: 3504: 3503: 3492: 3486: 3485: 3465: 3456: 3455: 3443: 3433: 3424: 3423: 3421: 3419: 3406: 3400: 3399: 3397: 3395: 3390:. April 15, 2010 3376: 3370: 3369: 3367: 3365: 3350: 3344: 3343: 3341: 3339: 3326: 3320: 3308: 3302: 3301: 3290: 3284: 3283: 3263: 3257: 3256: 3254: 3252: 3242:"SEARCHERS, THE" 3238: 3232: 3231: 3229: 3227: 3212: 3206: 3205: 3185: 3172: 3171: 3153: 3144: 3143: 3141: 3139: 3133: 3122: 3114: 3108: 3107: 3105: 3103: 3084: 3078: 3077: 3051: 3045: 3038: 3032: 3025: 3019: 3012: 3006: 3005: 2985: 2974: 2973: 2955: 2949: 2948: 2930: 2917: 2916: 2915:. IMDb.com, Inc. 2905: 2894: 2893: 2871: 2860: 2859: 2841: 2832: 2831: 2813: 2792: 2791: 2773: 2754: 2747: 2738: 2731: 2716: 2715: 2697: 2691: 2690: 2682: 2676: 2675: 2655: 2644: 2643: 2627: 2617: 2611: 2610: 2594: 2584: 2578: 2577: 2565: 2550: 2545:Brook, Vincent. 2543: 2537: 2536: 2530: 2522: 2520: 2518: 2503: 2494: 2493: 2469: 2463: 2462: 2444: 2438: 2437: 2429: 2423: 2422: 2400: 2371: 2370: 2350: 2325: 2324: 2322: 2320: 2311:. Archived from 2301: 2295: 2294: 2286: 2267: 2266: 2246: 2237: 2236: 2216: 2210: 2199: 2148: 2141: 2132: 2125: 2119: 2109: 2027: 2023: 1895:Albert K. Bender 1820:Mighty Joe Young 1763:and released on 1749:Life with Father 1742:. He also won a 1728:Charles Gerhardt 1536:The Fountainhead 1486:Of Human Bondage 1458:Carl W. Stalling 1403:Steiner stated: 1240:The Oklahoma Kid 1072:is ranked #2 by 1065:The Wizard of Oz 1060:Herbert Stothart 1013:Symphony Moderne 876:Of Human Bondage 815:Merian C. Cooper 618:In This Our Life 598:Richard Traubner 494:Wiener Riesenrad 475: 464:Hungarian-Jewish 383:Life with Father 284:Bernard Herrmann 225: 223: 203: 201: 197: 177: 175: 171: 90: 87:28 December 1971 67: 65: 46: 32: 31: 6496: 6495: 6491: 6490: 6489: 6487: 6486: 6485: 6306: 6305: 6304: 6299: 6298: 6293: 6279: 6265: 6251: 6229: 6218: 6204: 6190: 6176: 6162: 6156:Ennio Morricone 6148: 6134: 6120: 6106: 6092: 6074: 6063: 6049: 6035: 6021: 6007: 5993: 5979: 5965: 5951: 5945:Craig Armstrong 5937: 5919: 5908: 5902:Ennio Morricone 5894: 5879:The Truman Show 5876: 5862: 5848: 5834: 5820: 5806: 5792: 5778: 5760: 5749: 5735: 5721: 5699: 5693:Ennio Morricone 5685: 5671: 5657: 5651:Giorgio Moroder 5643: 5629: 5625:No Award (1981) 5624: 5610: 5599: 5589:Carmine Coppola 5581: 5575:Giorgio Moroder 5567: 5553: 5535: 5521: 5515:Frederick Loewe 5511:Alan Jay Lerner 5503: 5489: 5475: 5461: 5447: 5436: 5422: 5408: 5402:Frederick Loewe 5394: 5388:Elmer Bernstein 5380: 5366: 5360:Dimitri Tiomkin 5352: 5347: 5341:Elmer Bernstein 5333: 5327:Dimitri Tiomkin 5319: 5313:Dimitri Tiomkin 5305: 5294: 5280: 5274:Dimitri Tiomkin 5266: 5252: 5238: 5227: 5213: 5199: 5185: 5174: 5169: 5139: 5134: 5091: 5062:Ennio Morricone 5016: 4945: 4940:John Corigliano 4934:Stephen Warbeck 4854: 4787:Leslie Bricusse 4755: 4746:Georges Delerue 4736:Giorgio Moroder 4730:Jonathan Tunick 4716:Jerry Goldsmith 4696:Carmine Coppola 4686:Marvin Hamlisch 4682:Marvin Hamlisch 4664:Charlie Chaplin 4642:George Harrison 4613: 4576:Elmer Bernstein 4474: 4451:Dimitri Tiomkin 4399:Dimitri Tiomkin 4389:Bronislau Kaper 4379:Dimitri Tiomkin 4339: 4292:Hugo Friedhofer 4234:Frank Churchill 4200: 4183:Richard Hageman 4133: 4128: 4093: 4075: 4044: 4023: 4002:discography at 3977: 3967: 3951: 3949:Further reading 3946: 3945: 3935: 3933: 3924: 3923: 3919: 3907: 3905: 3901: 3891: 3889: 3881:Raksin, David. 3879: 3875: 3865: 3863: 3848: 3847: 3843: 3833: 3831: 3820: 3816: 3806: 3804: 3797: 3793: 3783: 3781: 3770: 3766: 3756: 3754: 3743: 3739: 3732: 3714: 3710: 3703: 3683: 3679: 3669: 3667: 3663: 3662: 3658: 3648: 3646: 3637: 3636: 3632: 3622: 3620: 3612: 3611: 3607: 3597: 3595: 3587: 3586: 3582: 3572: 3570: 3562: 3561: 3557: 3550: 3536: 3532: 3522: 3520: 3512: 3511: 3507: 3494: 3493: 3489: 3482: 3466: 3459: 3452: 3434: 3427: 3417: 3415: 3408: 3407: 3403: 3393: 3391: 3378: 3377: 3373: 3363: 3361: 3351: 3347: 3337: 3335: 3328: 3327: 3323: 3309: 3305: 3292: 3291: 3287: 3280: 3264: 3260: 3250: 3248: 3240: 3239: 3235: 3225: 3223: 3214: 3213: 3209: 3202: 3186: 3175: 3168: 3154: 3147: 3137: 3135: 3131: 3120: 3116: 3115: 3111: 3101: 3099: 3086: 3085: 3081: 3074: 3052: 3048: 3039: 3035: 3027:Gottlie, Jack. 3026: 3022: 3013: 3009: 3002: 2986: 2977: 2970: 2956: 2952: 2945: 2931: 2920: 2907: 2906: 2897: 2890: 2872: 2863: 2856: 2842: 2835: 2828: 2814: 2795: 2788: 2774: 2757: 2749:Haver, Ronald. 2748: 2741: 2733:Cooke, Mervyn. 2732: 2719: 2712: 2698: 2694: 2683: 2679: 2672: 2656: 2647: 2640: 2624:The Real Tinsel 2618: 2614: 2607: 2585: 2581: 2566: 2553: 2544: 2540: 2524: 2523: 2516: 2514: 2505: 2504: 2497: 2490: 2470: 2466: 2459: 2445: 2441: 2430: 2426: 2419: 2401: 2374: 2367: 2351: 2328: 2318: 2316: 2303: 2302: 2298: 2287: 2270: 2263: 2247: 2240: 2233: 2225:. Ueberreuter. 2217: 2213: 2200: 2151: 2142: 2135: 2126: 2122: 2110: 2041: 2036: 2031: 2030: 2024: 2020: 2015: 1913: 1907: 1891:George Korngold 1799: 1781:memorial plaque 1694:The Lost Patrol 1642: 1637: 1619: 1471: 1446: 1379: 1374: 1292:John Paul Jones 1275: 1101:As Time Goes By 1068:. The score of 1051:classical music 1005:Humphrey Bogart 983: 975:Hugo Friedhofer 965:Dimitri Tiomkin 921:Irish folk song 909:Victor McLaglen 904:synchronization 886:The Lost Patrol 869:'s first film, 807:adventure films 755: 743:William LeBaron 695:George Gershwin 691:Vincent Youmans 678: 650:The Merry Widow 584: 508:Richard Strauss 486:Austrian Empire 469: 444:Austria-Hungary 425: 420: 408:Humphrey Bogart 349:As Time Goes By 268:Dimitri Tiomkin 230: 227: 219: 215: 212: 205: 202: 1946) 193: 189: 186: 179: 176: 1933) 167: 163: 160: 143: 98: 92: 88: 79: 76:Austria-Hungary 69: 63: 61: 60: 59: 49: 37: 28: 17: 12: 11: 5: 6494: 6484: 6483: 6478: 6473: 6468: 6463: 6458: 6453: 6448: 6443: 6438: 6433: 6428: 6423: 6418: 6413: 6408: 6403: 6398: 6393: 6388: 6383: 6378: 6373: 6368: 6363: 6358: 6353: 6348: 6343: 6338: 6333: 6328: 6323: 6318: 6301: 6300: 6295: 6294: 6292: 6291: 6277: 6273:Justin Hurwitz 6263: 6249: 6226: 6224: 6220: 6219: 6217: 6216: 6202: 6198:Justin Hurwitz 6188: 6174: 6170:Justin Hurwitz 6160: 6146: 6132: 6118: 6104: 6100:Ludovic Bource 6090: 6071: 6069: 6065: 6064: 6062: 6061: 6047: 6033: 6019: 6005: 5991: 5977: 5963: 5949: 5935: 5916: 5914: 5910: 5909: 5907: 5906: 5892: 5874: 5860: 5846: 5832: 5818: 5804: 5790: 5776: 5757: 5755: 5751: 5750: 5748: 5747: 5733: 5719: 5697: 5683: 5669: 5655: 5641: 5627: 5622: 5607: 5605: 5601: 5600: 5598: 5597: 5584:Apocalypse Now 5579: 5565: 5551: 5543:Kenneth Ascher 5538:A Star is Born 5533: 5519: 5501: 5487: 5473: 5459: 5444: 5442: 5438: 5437: 5435: 5434: 5430:Burt Bacharach 5420: 5406: 5392: 5378: 5369:Doctor Zhivago 5364: 5350: 5345: 5331: 5317: 5302: 5300: 5296: 5295: 5293: 5292: 5278: 5264: 5250: 5235: 5233: 5229: 5228: 5226: 5225: 5211: 5197: 5182: 5180: 5176: 5175: 5168: 5167: 5160: 5153: 5145: 5136: 5135: 5133: 5132: 5126: 5120: 5114: 5099: 5097: 5093: 5092: 5090: 5089: 5083: 5077: 5071: 5068:Justin Hurwitz 5065: 5059: 5053: 5047: 5041: 5038:Ludovic Bource 5035: 5024: 5022: 5018: 5017: 5015: 5014: 5008: 5002: 4996: 4990: 4984: 4978: 4972: 4966: 4960: 4953: 4951: 4947: 4946: 4944: 4943: 4937: 4930:Nicola Piovani 4927: 4917: 4914:Rachel Portman 4907: 4893: 4887: 4881: 4875: 4869: 4862: 4860: 4856: 4855: 4853: 4852: 4846: 4840: 4826: 4823:Herbie Hancock 4820: 4814: 4804: 4797:Michel Legrand 4790: 4776: 4770: 4763: 4761: 4757: 4756: 4754: 4753: 4743: 4733: 4723: 4713: 4703: 4689: 4679: 4661: 4654:Michel Legrand 4651: 4638:Paul McCartney 4621: 4619: 4615: 4614: 4612: 4611: 4600:Burt Bacharach 4597: 4587: 4573: 4563: 4553: 4539: 4529: 4519: 4497: 4490:Morris Stoloff 4482: 4480: 4476: 4475: 4473: 4472: 4458: 4448: 4445:Malcolm Arnold 4442: 4428: 4425:Adolph Deutsch 4410: 4403:Adolph Deutsch 4396: 4386: 4376: 4362: 4355:Adolph Deutsch 4347: 4345: 4341: 4340: 4338: 4337: 4323: 4309: 4299: 4296:Morris Stoloff 4289: 4279: 4272:Morris Stoloff 4265: 4255: 4252:Heinz Roemheld 4241: 4238:Oliver Wallace 4227: 4220:Ned Washington 4208: 4206: 4202: 4201: 4199: 4198: 4176: 4166: 4163:Charles Previn 4160: 4154: 4148: 4141: 4139: 4135: 4134: 4127: 4126: 4119: 4112: 4104: 4098: 4095: 4094: 4085: 4084: 4072: 4062: 4053: 4041: 4032: 4020: 4011: 3997: 3992: 3987: 3976: 3975:External links 3973: 3972: 3971: 3965: 3950: 3947: 3944: 3943: 3917: 3899: 3873: 3841: 3822:Horton, Cole. 3814: 3791: 3764: 3737: 3730: 3708: 3701: 3677: 3656: 3630: 3605: 3580: 3555: 3548: 3530: 3505: 3487: 3480: 3457: 3451:978-0415991995 3450: 3425: 3401: 3371: 3345: 3321: 3303: 3285: 3279:978-0823076772 3278: 3258: 3233: 3207: 3200: 3173: 3166: 3145: 3109: 3090:. Oscars.org ( 3079: 3072: 3046: 3033: 3020: 3007: 3000: 2975: 2968: 2950: 2943: 2918: 2895: 2888: 2861: 2854: 2833: 2826: 2793: 2786: 2755: 2739: 2717: 2710: 2692: 2677: 2670: 2645: 2638: 2612: 2605: 2579: 2551: 2538: 2495: 2488: 2464: 2457: 2439: 2424: 2417: 2405:Max Steiner's 2372: 2365: 2326: 2296: 2268: 2261: 2238: 2231: 2211: 2201:Thomas, Tony. 2149: 2133: 2120: 2038: 2037: 2035: 2032: 2029: 2028: 2017: 2016: 2014: 2011: 2010: 2009: 2005:A Summer Place 2001: 1993: 1989:Johnny Belinda 1985: 1977: 1969: 1961: 1953: 1945: 1909:Main article: 1906: 1903: 1884:Mickey Mousing 1798: 1795: 1785:Hotel Nordbahn 1761:surround sound 1730:conducted the 1641: 1638: 1636: 1633: 1618: 1615: 1614: 1613: 1591: 1583: 1567: 1531: 1530: 1526: 1523: 1502:Erich Korngold 1480:Mickey Mousing 1470: 1467: 1445: 1442: 1378: 1375: 1373: 1370: 1320:A Summer Place 1280:Band of Angels 1274: 1271: 1204:Philip Marlowe 1163:Mildred Pierce 1109:Ingrid Bergman 1105:Herman Hupfeld 1047:Heinz Roemheld 1018:Four Daughters 982: 979: 950:Franz Schubert 946:Mickey Mousing 913:Academy Awards 795:The score for 754: 751: 683:Victor Herbert 677: 674: 606:Viennese waltz 583: 580: 513:Claude Debussy 504:Gustave Kerker 488:), a Viennese 424: 421: 419: 416: 388:Michael Curtiz 360:A Summer Place 303:Academy Awards 232: 231: 229: 228: 217: 213: 210: 209: 207: 191: 187: 184: 183: 181: 165: 161: 159:Aubrey Steiner 158: 157: 155: 151: 149: 145: 144: 142: 141: 136: 130: 128: 124: 123: 120: 116: 115: 112: 108: 107: 104: 100: 99: 93: 91:(aged 83) 85: 81: 80: 70: 57: 55: 51: 50: 47: 39: 38: 35: 15: 9: 6: 4: 3: 2: 6493: 6482: 6479: 6477: 6474: 6472: 6469: 6467: 6464: 6462: 6459: 6457: 6454: 6452: 6449: 6447: 6444: 6442: 6439: 6437: 6434: 6432: 6429: 6427: 6424: 6422: 6419: 6417: 6414: 6412: 6409: 6407: 6404: 6402: 6399: 6397: 6394: 6392: 6389: 6387: 6384: 6382: 6379: 6377: 6374: 6372: 6369: 6367: 6364: 6362: 6359: 6357: 6354: 6352: 6349: 6347: 6344: 6342: 6339: 6337: 6334: 6332: 6329: 6327: 6324: 6322: 6319: 6317: 6314: 6313: 6311: 6288: 6284: 6283: 6278: 6274: 6270: 6269: 6264: 6260: 6256: 6255: 6250: 6246: 6242: 6238: 6234: 6233: 6228: 6227: 6225: 6221: 6213: 6209: 6208: 6203: 6199: 6195: 6194: 6189: 6185: 6181: 6180: 6175: 6171: 6167: 6166: 6161: 6157: 6153: 6152: 6147: 6143: 6139: 6138: 6133: 6129: 6125: 6124: 6119: 6115: 6114:Mychael Danna 6111: 6110: 6105: 6101: 6097: 6096: 6091: 6087: 6083: 6079: 6078: 6073: 6072: 6070: 6066: 6058: 6054: 6053: 6048: 6044: 6040: 6039: 6034: 6030: 6026: 6025: 6020: 6016: 6012: 6011: 6006: 6002: 6001:John Williams 5998: 5997: 5992: 5988: 5984: 5983: 5978: 5974: 5970: 5969: 5964: 5960: 5956: 5955: 5950: 5946: 5942: 5941: 5940:Moulin Rouge! 5936: 5932: 5928: 5924: 5923: 5918: 5917: 5915: 5911: 5903: 5899: 5898: 5893: 5889: 5885: 5881: 5880: 5875: 5871: 5867: 5866: 5861: 5857: 5856:Gabriel Yared 5853: 5852: 5847: 5843: 5842:Maurice Jarre 5839: 5838: 5833: 5829: 5825: 5824: 5823:The Lion King 5819: 5815: 5811: 5810: 5805: 5801: 5797: 5796: 5791: 5787: 5783: 5782: 5777: 5773: 5769: 5765: 5764: 5759: 5758: 5756: 5752: 5744: 5740: 5739: 5734: 5730: 5729:Maurice Jarre 5726: 5725: 5720: 5716: 5712: 5708: 5704: 5703: 5698: 5694: 5690: 5689: 5684: 5680: 5676: 5675: 5674:Out of Africa 5670: 5666: 5665:Maurice Jarre 5662: 5661: 5656: 5652: 5648: 5647: 5642: 5638: 5637:John Williams 5634: 5633: 5628: 5623: 5619: 5615: 5614: 5613:The Stunt Man 5609: 5608: 5606: 5602: 5594: 5590: 5586: 5585: 5580: 5576: 5572: 5571: 5566: 5562: 5561:John Williams 5558: 5557: 5552: 5548: 5547:Paul Williams 5544: 5540: 5539: 5534: 5530: 5529:John Williams 5526: 5525: 5520: 5516: 5512: 5508: 5507: 5502: 5498: 5494: 5493: 5488: 5484: 5480: 5479: 5478:The Godfather 5474: 5470: 5466: 5465: 5460: 5456: 5452: 5451: 5446: 5445: 5443: 5439: 5431: 5427: 5426: 5421: 5417: 5413: 5412: 5407: 5403: 5399: 5398: 5393: 5389: 5385: 5384: 5379: 5375: 5374:Maurice Jarre 5371: 5370: 5365: 5361: 5357: 5356: 5351: 5346: 5342: 5338: 5337: 5332: 5328: 5324: 5323: 5318: 5314: 5310: 5309: 5304: 5303: 5301: 5297: 5289: 5285: 5284: 5279: 5275: 5271: 5270: 5265: 5261: 5257: 5256: 5251: 5247: 5243: 5242: 5237: 5236: 5234: 5230: 5222: 5218: 5217: 5212: 5208: 5207:Brian Easdale 5204: 5203: 5202:The Red Shoes 5198: 5194: 5190: 5189: 5184: 5183: 5181: 5177: 5173: 5166: 5161: 5159: 5154: 5152: 5147: 5146: 5143: 5130: 5127: 5124: 5121: 5118: 5115: 5112: 5108: 5104: 5101: 5100: 5098: 5094: 5087: 5084: 5081: 5078: 5075: 5072: 5069: 5066: 5063: 5060: 5057: 5054: 5051: 5048: 5045: 5044:Mychael Danna 5042: 5039: 5036: 5033: 5029: 5026: 5025: 5023: 5019: 5012: 5009: 5006: 5003: 5000: 4997: 4994: 4991: 4988: 4985: 4982: 4979: 4976: 4973: 4970: 4967: 4964: 4961: 4958: 4955: 4954: 4952: 4948: 4941: 4938: 4935: 4931: 4928: 4925: 4921: 4918: 4915: 4911: 4910:Gabriel Yared 4908: 4905: 4901: 4897: 4894: 4891: 4888: 4885: 4884:John Williams 4882: 4879: 4876: 4873: 4870: 4867: 4864: 4863: 4861: 4857: 4850: 4847: 4844: 4841: 4838: 4834: 4830: 4827: 4824: 4821: 4818: 4815: 4812: 4808: 4807:Maurice Jarre 4805: 4802: 4798: 4794: 4791: 4788: 4784: 4783:Henry Mancini 4780: 4779:John Williams 4777: 4774: 4771: 4768: 4765: 4764: 4762: 4758: 4751: 4747: 4744: 4741: 4737: 4734: 4731: 4727: 4726:John Williams 4724: 4721: 4717: 4714: 4711: 4707: 4706:John Williams 4704: 4701: 4700:Nelson Riddle 4697: 4693: 4690: 4687: 4683: 4680: 4677: 4673: 4672:Larry Russell 4669: 4668:Raymond Rasch 4665: 4662: 4659: 4658:John Williams 4655: 4652: 4647: 4643: 4639: 4635: 4630: 4626: 4623: 4622: 4620: 4616: 4609: 4608:Lionel Newman 4605: 4604:Lennie Hayton 4601: 4598: 4595: 4591: 4588: 4585: 4581: 4580:Alfred Newman 4577: 4574: 4571: 4567: 4564: 4561: 4557: 4556:Maurice Jarre 4554: 4551: 4547: 4543: 4540: 4537: 4533: 4530: 4527: 4523: 4522:Maurice Jarre 4520: 4517: 4513: 4509: 4505: 4501: 4500:Henry Mancini 4498: 4495: 4491: 4487: 4484: 4483: 4481: 4477: 4470: 4466: 4462: 4459: 4456: 4452: 4449: 4446: 4443: 4440: 4436: 4435:Alfred Newman 4432: 4429: 4426: 4422: 4418: 4414: 4413:Alfred Newman 4411: 4408: 4404: 4400: 4397: 4394: 4393:Alfred Newman 4390: 4387: 4384: 4383:Alfred Newman 4380: 4377: 4374: 4370: 4366: 4363: 4360: 4356: 4352: 4349: 4348: 4346: 4342: 4335: 4334:Lennie Hayton 4331: 4327: 4326:Aaron Copland 4324: 4321: 4317: 4313: 4312:Brian Easdale 4310: 4307: 4306:Alfred Newman 4303: 4300: 4297: 4293: 4290: 4287: 4286:Georgie Stoll 4283: 4280: 4277: 4276:Carmen Dragon 4273: 4269: 4266: 4263: 4259: 4258:Alfred Newman 4256: 4253: 4249: 4245: 4242: 4239: 4235: 4231: 4228: 4225: 4224:Alfred Newman 4221: 4217: 4216:Paul J. Smith 4213: 4212:Leigh Harline 4210: 4209: 4207: 4203: 4196: 4192: 4188: 4184: 4180: 4177: 4174: 4173:Alfred Newman 4170: 4167: 4164: 4161: 4158: 4155: 4152: 4149: 4146: 4145:Louis Silvers 4143: 4142: 4140: 4136: 4132: 4125: 4120: 4118: 4113: 4111: 4106: 4105: 4102: 4096: 4089: 4082: 4078: 4073: 4070: 4066: 4063: 4061: 4057: 4054: 4051: 4047: 4042: 4040: 4036: 4033: 4030: 4026: 4021: 4019: 4015: 4012: 4009: 4005: 4001: 3998: 3996: 3993: 3991: 3988: 3986: 3982: 3979: 3978: 3968: 3966:9780190623272 3962: 3958: 3953: 3952: 3931: 3927: 3921: 3914: 3910: 3903: 3888: 3884: 3877: 3861: 3857: 3856:The Telegraph 3852: 3845: 3829: 3825: 3818: 3802: 3795: 3779: 3775: 3768: 3752: 3748: 3741: 3733: 3727: 3722: 3721: 3712: 3704: 3698: 3694: 3690: 3689: 3681: 3666: 3660: 3644: 3640: 3634: 3619: 3615: 3609: 3594: 3590: 3584: 3569: 3565: 3559: 3551: 3545: 3541: 3534: 3519: 3515: 3509: 3501: 3497: 3491: 3483: 3477: 3473: 3472: 3464: 3462: 3453: 3447: 3442: 3441: 3432: 3430: 3413: 3412: 3405: 3389: 3385: 3381: 3375: 3360: 3356: 3349: 3333: 3332: 3325: 3319: 3315: 3314: 3307: 3299: 3295: 3294:"Max Steiner" 3289: 3281: 3275: 3271: 3270: 3262: 3247: 3243: 3237: 3221: 3217: 3211: 3203: 3197: 3193: 3192: 3184: 3182: 3180: 3178: 3169: 3167:9780754651000 3163: 3159: 3152: 3150: 3130: 3126: 3119: 3113: 3097: 3093: 3089: 3083: 3075: 3069: 3065: 3061: 3057: 3050: 3043: 3037: 3030: 3024: 3017: 3011: 3003: 2997: 2993: 2992: 2984: 2982: 2980: 2971: 2965: 2961: 2954: 2946: 2940: 2936: 2929: 2927: 2925: 2923: 2914: 2910: 2909:"Max Steiner" 2904: 2902: 2900: 2891: 2885: 2881: 2877: 2870: 2868: 2866: 2857: 2851: 2847: 2840: 2838: 2829: 2827:9780195331196 2823: 2819: 2812: 2810: 2808: 2806: 2804: 2802: 2800: 2798: 2789: 2783: 2779: 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2752: 2746: 2744: 2736: 2730: 2728: 2726: 2724: 2722: 2713: 2707: 2703: 2696: 2688: 2681: 2673: 2667: 2663: 2662: 2654: 2652: 2650: 2641: 2635: 2631: 2626: 2625: 2616: 2608: 2602: 2598: 2593: 2592: 2583: 2575: 2571: 2564: 2562: 2560: 2558: 2556: 2548: 2542: 2534: 2528: 2512: 2508: 2502: 2500: 2491: 2485: 2481: 2477: 2476: 2468: 2460: 2454: 2450: 2443: 2435: 2428: 2420: 2414: 2410: 2406: 2399: 2397: 2395: 2393: 2391: 2389: 2387: 2385: 2383: 2381: 2379: 2377: 2368: 2362: 2358: 2357: 2349: 2347: 2345: 2343: 2341: 2339: 2337: 2335: 2333: 2331: 2314: 2310: 2306: 2305:"Max Steiner" 2300: 2292: 2285: 2283: 2281: 2279: 2277: 2275: 2273: 2264: 2262:9780810883987 2258: 2254: 2253: 2245: 2243: 2234: 2232:9783800035427 2228: 2224: 2223: 2215: 2208: 2204: 2198: 2196: 2194: 2192: 2190: 2188: 2186: 2184: 2182: 2180: 2178: 2176: 2174: 2172: 2170: 2168: 2166: 2164: 2162: 2160: 2158: 2156: 2154: 2146: 2140: 2138: 2130: 2124: 2117: 2113: 2108: 2106: 2104: 2102: 2100: 2098: 2096: 2094: 2092: 2090: 2088: 2086: 2084: 2082: 2080: 2078: 2076: 2074: 2072: 2070: 2068: 2066: 2064: 2062: 2060: 2058: 2056: 2054: 2052: 2050: 2048: 2046: 2044: 2039: 2022: 2018: 2007: 2006: 2002: 1999: 1998: 1994: 1991: 1990: 1986: 1983: 1982: 1978: 1975: 1974: 1970: 1967: 1966: 1962: 1959: 1958: 1954: 1951: 1950: 1946: 1943: 1942: 1938: 1937: 1936: 1934: 1930: 1929: 1924: 1923: 1918: 1912: 1902: 1900: 1896: 1892: 1887: 1885: 1881: 1877: 1873: 1869: 1865: 1860: 1858: 1854: 1850: 1849: 1844: 1840: 1836: 1835: 1830: 1826: 1822: 1821: 1816: 1812: 1811:Alfred Newman 1808: 1804: 1794: 1792: 1791: 1786: 1782: 1778: 1774: 1770: 1766: 1762: 1759: 1755: 1751: 1750: 1745: 1741: 1737: 1733: 1729: 1725: 1720: 1718: 1717:Alfred Newman 1714: 1713:John Williams 1710: 1706: 1702: 1701: 1696: 1695: 1689: 1688:Academy Award 1685: 1681: 1677: 1673: 1672: 1667: 1666: 1661: 1660: 1655: 1646: 1632: 1629: 1624: 1611: 1610: 1605: 1601: 1597: 1596: 1592: 1589: 1588: 1587:The Big Sleep 1584: 1581: 1577: 1573: 1572: 1568: 1565: 1561: 1560: 1556: 1555: 1554: 1549: 1544: 1542: 1538: 1537: 1527: 1524: 1520: 1519: 1518: 1516: 1515: 1509: 1507: 1503: 1499: 1494: 1492: 1488: 1487: 1481: 1477: 1466: 1463: 1462:Scott Bradley 1459: 1455: 1451: 1440: 1435: 1431: 1429: 1428: 1423: 1422: 1417: 1416: 1409: 1404: 1402: 1396: 1391: 1389: 1385: 1369: 1367: 1363: 1358: 1356: 1352: 1348: 1344: 1339: 1337: 1333: 1331: 1326: 1322: 1321: 1316: 1315: 1310: 1306: 1302: 1298: 1294: 1293: 1288: 1287: 1282: 1281: 1270: 1268: 1267: 1266:The Searchers 1262: 1261: 1256: 1252: 1248: 1247: 1246:Virginia City 1242: 1241: 1236: 1235: 1229: 1227: 1226: 1221: 1217: 1213: 1212:Lauren Bacall 1209: 1205: 1201: 1200:The Big Sleep 1197: 1196: 1191: 1187: 1183: 1179: 1175: 1171: 1170: 1165: 1164: 1159: 1158: 1157:The Big Sleep 1153: 1148: 1146: 1142: 1141: 1136: 1132: 1131: 1126: 1125: 1120: 1116: 1115: 1110: 1106: 1102: 1098: 1094: 1093: 1088: 1083: 1082: 1077: 1075: 1071: 1067: 1066: 1061: 1057: 1052: 1048: 1043: 1039: 1035: 1034: 1028: 1026: 1025: 1020: 1019: 1014: 1010: 1006: 1002: 998: 994: 993: 988: 978: 976: 972: 971: 967:'s score for 966: 962: 957: 955: 951: 947: 943: 938: 936: 931: 925: 922: 918: 914: 910: 905: 901: 897: 896: 890: 888: 887: 882: 878: 877: 872: 868: 864: 863:Ginger Rogers 860: 855: 851: 849: 845: 841: 837: 833: 829: 825: 821: 816: 812: 808: 804: 800: 799: 793: 791: 787: 783: 782: 777: 773: 769: 768: 763: 762: 750: 748: 744: 740: 736: 735: 730: 729:Harry Tierney 726: 725: 720: 716: 712: 711: 710:Lady, Be Good 706: 702: 701: 696: 692: 688: 684: 673: 671: 667: 663: 659: 654: 652: 651: 646: 642: 636: 634: 630: 626: 625: 620: 619: 614: 613: 607: 603: 599: 595: 594: 589: 579: 577: 576:Edmund Eysler 573: 569: 565: 561: 557: 553: 549: 545: 541: 540:Gustav Mahler 537: 533: 529: 524: 522: 518: 514: 509: 505: 501: 500: 495: 491: 487: 483: 479: 473: 468: 467:Gabor Steiner 465: 461: 457: 453: 449: 445: 441: 433: 429: 415: 413: 409: 405: 401: 397: 396:William Wyler 393: 389: 385: 384: 379: 374: 372: 368: 367: 362: 361: 356: 355: 354:The Searchers 350: 346: 345: 340: 339: 334: 333: 328: 327: 322: 321: 316: 315: 310: 309: 304: 300: 296: 291: 289: 285: 281: 280:Alfred Newman 277: 273: 269: 265: 261: 258:, he fled to 257: 253: 248: 246: 242: 238: 208: 182: 156: 153: 152: 150: 146: 140: 137: 135: 132: 131: 129: 125: 121: 117: 113: 111:Occupation(s) 109: 105: 101: 96: 86: 82: 78:(now Austria) 77: 73: 56: 52: 45: 40: 33: 30: 26: 22: 6280: 6266: 6252: 6241:Atticus Ross 6237:Trent Reznor 6230: 6205: 6191: 6177: 6163: 6149: 6135: 6121: 6107: 6093: 6086:Atticus Ross 6082:Trent Reznor 6075: 6050: 6043:A. R. Rahman 6036: 6022: 6008: 5994: 5987:Howard Shore 5980: 5973:Howard Shore 5966: 5952: 5938: 5927:Lisa Gerrard 5920: 5895: 5888:Philip Glass 5877: 5870:James Horner 5863: 5849: 5835: 5821: 5807: 5793: 5779: 5761: 5736: 5722: 5700: 5686: 5672: 5658: 5644: 5630: 5611: 5582: 5568: 5554: 5536: 5522: 5504: 5497:Neil Diamond 5490: 5476: 5462: 5448: 5423: 5409: 5395: 5381: 5367: 5353: 5334: 5320: 5306: 5283:On the Beach 5281: 5267: 5260:Victor Young 5253: 5246:Franz Waxman 5239: 5221:Johnny Green 5214: 5200: 5192: 5186: 5107:Atticus Ross 5103:Trent Reznor 5050:Steven Price 5032:Atticus Ross 5028:Trent Reznor 5005:A. R. Rahman 4975:Howard Shore 4963:Howard Shore 4920:James Horner 4896:Luis Bacalov 4767:Michael Gore 4740:Joe Renzetti 4594:Johnny Green 4560:Irwin Kostal 4550:Andre Previn 4536:Andre Previn 4532:John Addison 4526:Ray Heindorf 4516:Irwin Kostal 4508:Johnny Green 4504:Saul Chaplin 4494:Harry Sukman 4465:Andre Previn 4461:Miklos Rozsa 4455:Andre Previn 4431:Victor Young 4421:Jay Blackton 4407:Saul Chaplin 4373:Saul Chaplin 4369:Johnny Green 4365:Franz Waxman 4351:Franz Waxman 4316:Johnny Green 4302:Miklos Rozsa 4282:Miklos Rozsa 4267: 4262:Ray Heindorf 4248:Ray Heindorf 4243: 4191:John Leipold 4150: 4069:David Raksin 3956: 3934:. Retrieved 3929: 3920: 3902: 3890:. Retrieved 3886: 3876: 3864:. Retrieved 3855: 3844: 3832:. Retrieved 3827: 3817: 3805:. Retrieved 3794: 3782:. Retrieved 3778:The Guardian 3777: 3767: 3755:. Retrieved 3753:. Conde Nast 3750: 3740: 3719: 3711: 3687: 3680: 3668:. Retrieved 3659: 3647:. Retrieved 3642: 3639:"Geschichte" 3633: 3621:. Retrieved 3617: 3608: 3596:. Retrieved 3592: 3583: 3571:. Retrieved 3567: 3558: 3540:Film Music 1 3539: 3533: 3521:. Retrieved 3517: 3508: 3499: 3490: 3470: 3439: 3416:. Retrieved 3410: 3404: 3392:. Retrieved 3383: 3374: 3362:. Retrieved 3358: 3348: 3336:. Retrieved 3330: 3324: 3318:Google Books 3311: 3306: 3297: 3288: 3268: 3261: 3249:. Retrieved 3245: 3236: 3224:. Retrieved 3219: 3210: 3190: 3157: 3136:. Retrieved 3129:the original 3124: 3112: 3100:. Retrieved 3082: 3059: 3049: 3041: 3036: 3028: 3023: 3015: 3010: 2990: 2959: 2953: 2934: 2912: 2880:Film Music 1 2879: 2876:The Informer 2875: 2845: 2817: 2777: 2750: 2734: 2701: 2695: 2686: 2680: 2660: 2623: 2615: 2590: 2582: 2573: 2546: 2541: 2515:. Retrieved 2510: 2474: 2467: 2448: 2442: 2433: 2427: 2408: 2407:Now, Voyager 2404: 2355: 2319:December 28, 2317:. Retrieved 2313:the original 2308: 2299: 2290: 2251: 2221: 2214: 2202: 2144: 2128: 2123: 2115: 2021: 2003: 1995: 1987: 1979: 1973:Now, Voyager 1971: 1963: 1957:Dark Victory 1955: 1947: 1941:The Informer 1939: 1926: 1920: 1914: 1888: 1880:Miklós Rózsa 1875: 1871: 1868:David Raksin 1864:Warner Bros. 1861: 1856: 1853:George Lucas 1846: 1843:1933 version 1832: 1818: 1802: 1800: 1788: 1784: 1754:quadraphonic 1747: 1739: 1721: 1705:The Informer 1704: 1699: 1693: 1683: 1680:Now, Voyager 1679: 1676:The Informer 1675: 1669: 1668:(1942), and 1665:Now, Voyager 1663: 1659:The Informer 1657: 1651: 1620: 1607: 1593: 1585: 1579: 1569: 1557: 1551: 1546: 1535: 1532: 1513: 1510: 1497: 1495: 1484: 1472: 1447: 1444:Click tracks 1437: 1432: 1425: 1419: 1413: 1411: 1406: 1400: 1398: 1393: 1380: 1359: 1340: 1329: 1319: 1312: 1309:Victor Young 1300: 1290: 1284: 1278: 1276: 1264: 1258: 1250: 1244: 1243:(1939), and 1238: 1232: 1230: 1223: 1199: 1193: 1185: 1173: 1167: 1162: 1155: 1149: 1144: 1138: 1134: 1128: 1122: 1118: 1112: 1096: 1090: 1087:Now, Voyager 1086: 1081:Now, Voyager 1079: 1078: 1069: 1063: 1038:Franz Waxman 1031: 1029: 1022: 1016: 1012: 1009:James Cagney 991: 987:Warner Bros. 984: 970:Lost Horizon 968: 958: 941: 939: 926: 895:The Informer 893: 891: 884: 874: 870: 859:Fred Astaire 853: 852: 847: 844:Skull Island 810: 797: 794: 789: 785: 779: 765: 759: 756: 747:Sons O' Guns 746: 739:RKO Pictures 732: 722: 708: 704: 698: 679: 655: 648: 640: 637: 633:Vienna Opera 628: 624:Now, Voyager 622: 621:(1941), and 616: 612:Dark Victory 610: 591: 585: 564:counterpoint 536:Robert Fuchs 525: 498: 437: 412:Fred Astaire 381: 375: 364: 363:(1959), and 358: 352: 342: 341:(1938), and 336: 332:Little Women 330: 324: 318: 317:(1942); and 314:Now, Voyager 312: 308:The Informer 306: 299:Warner Bros. 295:RKO Pictures 292: 288:Miklós Rózsa 276:Franz Waxman 249: 236: 235: 89:(1971-12-28) 29: 25:Max Hardcore 6321:1971 deaths 6316:1888 births 6282:Oppenheimer 6259:Hans Zimmer 6245:Jon Batiste 6123:All Is Lost 5982:The Aviator 5931:Hans Zimmer 5828:Hans Zimmer 5800:Alan Menken 5786:Alan Menken 5743:Alan Menken 5707:David Byrne 5688:The Mission 5469:Isaac Hayes 5455:Francis Lai 5288:Ernest Gold 5193:Max Steiner 5117:Hans Zimmer 5111:Jon Batiste 4924:Anne Dudley 4900:Alan Menken 4890:Hans Zimmer 4878:Alan Menken 4872:Alan Menken 4849:Alan Menken 4843:Dave Grusin 4833:David Byrne 4750:Ralph Burns 4676:Ralph Burns 4646:Ringo Starr 4634:John Lennon 4629:The Beatles 4625:Francis Lai 4486:Ernest Gold 4359:Roger Edens 4330:Roger Edens 4320:Roger Edens 4268:Max Steiner 4244:Max Steiner 4151:Max Steiner 4031:compilation 4014:Max Steiner 4000:Max Steiner 3981:Max Steiner 3830:. Lucasfilm 3751:Vanity Fair 3645:(in German) 3414:(in German) 3334:(in German) 3316:, p. 3, at 1925:(1939) and 1905:Filmography 1769:Vine Street 1740:Now Voyager 1628:sound films 1576:Bette Davis 1541:Gary Cooper 1450:click track 1355:Tony Thomas 1351:Provo, Utah 1336:Percy Faith 1190:Walt Disney 1001:Errol Flynn 997:Bette Davis 963:to conduct 961:Frank Capra 820:dissonances 724:The Bondman 719:William Fox 687:Jerome Kern 670:menial jobs 662:enemy alien 658:World War I 588:Franz Lehár 568:composition 548:double bass 517:avant garde 515:which was " 470: [ 404:Bette Davis 400:Errol Flynn 256:World War I 185:Louise Klos 103:Nationality 68:10 May 1888 36:Max Steiner 6310:Categories 6165:La La Land 6128:Alex Ebert 6109:Life of Pi 6095:The Artist 5679:John Barry 5646:Flashdance 5450:Love Story 5416:Alex North 4866:John Barry 4817:John Barry 4793:Bill Conti 4590:John Barry 4570:Ken Thorne 4566:John Barry 4195:Leo Shuken 3936:August 16, 3892:August 16, 3866:August 14, 3834:August 12, 3731:0814765653 3702:040501600X 3549:0824019393 3481:0253339871 3418:August 27, 3338:August 27, 3251:August 24, 3220:Oscars.org 3201:1562829416 3102:August 10, 3073:0872494209 3001:0585261660 2969:0838630766 2944:089950468X 2889:0824019393 2855:0498015106 2787:0810817284 2711:0878554033 2671:0498010716 2489:0385132328 2458:0498023583 2418:0313312532 2366:0911974199 2034:References 1965:Casablanca 1825:John Barry 1803:Film Music 1736:RCA Victor 1691:including 1580:fortissimo 1571:The Letter 1506:Ernst Toch 1491:clubfooted 1469:Leitmotifs 1343:manuscript 1314:China Gate 1297:RCA Victor 1251:Dodge City 1234:Dodge City 1186:The Letter 1176:is set in 1174:The Letter 1169:The Letter 1119:Casablanca 1097:Casablanca 1092:Casablanca 1042:Benzedrine 1024:Four Wives 521:regimental 490:impresario 344:Casablanca 264:film music 64:1888-05-10 6193:First Man 6024:Atonement 5922:Gladiator 5556:Star Wars 5483:Nino Rota 5308:The Alamo 5269:High Noon 4692:Nino Rota 4584:Ken Darby 4512:Sid Ramin 4469:Ken Darby 4439:Ken Darby 3828:Star Wars 3138:March 23, 1928:King Kong 1876:King Kong 1857:Star Wars 1848:Star Wars 1834:King Kong 1635:Influence 1609:grandioso 1559:King Kong 1476:leitmotif 1427:Manhattan 1421:The Sting 1384:nightclub 1330:Billboard 1195:Pinocchio 1178:Singapore 1152:film noir 954:Ave Maria 900:rough cut 881:John Ford 854:King Kong 848:King Kong 832:chromatic 828:leitmotif 813:producer 811:King Kong 798:King Kong 749:in 1929. 418:Biography 392:John Ford 326:King Kong 245:Hollywood 122:1907–1965 4773:Vangelis 3860:Archived 3807:June 18, 3784:June 18, 3757:June 18, 3649:June 18, 3623:June 18, 3598:June 18, 3573:June 18, 3568:AllMusic 3523:June 18, 3394:June 18, 3364:June 18, 3226:June 19, 3096:Archived 2527:cite web 2026:unknown. 1815:Roy Webb 1662:(1935), 1623:diegetic 1517:(1950): 1454:Roy Webb 1388:ballroom 1305:acetates 1249:(1940). 1237:(1939), 1027:(1939). 942:sforzato 836:Fay Wray 767:Cimarron 734:Rio Rita 715:Fox Film 645:showgirl 615:(1939), 602:libretti 478:Temesvár 357:(1956), 335:(1933), 329:(1933), 311:(1935); 260:Broadway 252:operetta 241:composer 6268:Babylon 5865:Titanic 5795:Aladdin 5715:Cong Su 5397:Camelot 4957:Tan Dun 4837:Cong Su 4081:YouTube 4050:YouTube 4029:YouTube 4016:at the 4004:Discogs 3913:YouTube 3670:May 10, 3125:afi.com 2630:388–389 2517:June 7, 1949:Jezebel 1771:on the 1332:Hot 100 1225:Pursued 1220:Western 1154:genre. 1140:Rebecca 935:tritone 803:fantasy 761:Dixiana 705:Peaches 560:harmony 556:trumpet 338:Jezebel 226: 218: 214: 204: 192: 188: 178: 166: 162: 148:Spouses 6289:(2023) 6275:(2022) 6261:(2021) 6247:(2020) 6243:, and 6214:(2019) 6200:(2018) 6186:(2017) 6172:(2016) 6158:(2015) 6144:(2014) 6130:(2013) 6116:(2012) 6102:(2011) 6088:(2010) 6059:(2009) 6045:(2008) 6031:(2007) 6017:(2006) 6003:(2005) 5989:(2004) 5975:(2003) 5961:(2002) 5947:(2001) 5933:(2000) 5904:(1999) 5890:(1998) 5872:(1997) 5858:(1996) 5844:(1995) 5830:(1994) 5816:(1993) 5814:Kitarō 5802:(1992) 5788:(1991) 5774:(1990) 5745:(1989) 5731:(1988) 5717:(1987) 5695:(1986) 5681:(1985) 5667:(1984) 5653:(1983) 5639:(1982) 5620:(1980) 5595:(1979) 5577:(1978) 5563:(1977) 5549:(1976) 5531:(1975) 5517:(1974) 5499:(1973) 5485:(1972) 5471:(1971) 5457:(1970) 5432:(1969) 5418:(1968) 5404:(1967) 5390:(1966) 5383:Hawaii 5376:(1965) 5362:(1964) 5348:(1963) 5343:(1962) 5329:(1961) 5315:(1960) 5290:(1959) 5276:(1952) 5262:(1951) 5248:(1950) 5223:(1949) 5209:(1948) 5195:(1947) 5131:(2023) 5125:(2022) 5119:(2021) 5113:(2020) 5088:(2019) 5082:(2018) 5076:(2017) 5070:(2016) 5064:(2015) 5058:(2014) 5052:(2013) 5046:(2012) 5040:(2011) 5034:(2010) 5013:(2009) 5007:(2008) 5001:(2007) 4995:(2006) 4989:(2005) 4983:(2004) 4977:(2003) 4971:(2002) 4965:(2001) 4959:(2000) 4942:(1999) 4936:(1998) 4926:(1997) 4916:(1996) 4906:(1995) 4892:(1994) 4886:(1993) 4880:(1992) 4874:(1991) 4868:(1990) 4851:(1989) 4845:(1988) 4839:(1987) 4825:(1986) 4819:(1985) 4813:(1984) 4811:Prince 4803:(1983) 4789:(1982) 4775:(1981) 4769:(1980) 4752:(1979) 4742:(1978) 4732:(1977) 4722:(1976) 4712:(1975) 4702:(1974) 4688:(1973) 4678:(1972) 4660:(1971) 4650:(1970) 4610:(1969) 4596:(1968) 4586:(1967) 4572:(1966) 4562:(1965) 4552:(1964) 4538:(1963) 4528:(1962) 4518:(1961) 4496:(1960) 4471:(1959) 4457:(1958) 4447:(1957) 4441:(1956) 4427:(1955) 4409:(1954) 4395:(1953) 4385:(1952) 4375:(1951) 4361:(1950) 4336:(1949) 4322:(1948) 4308:(1947) 4298:(1946) 4288:(1945) 4278:(1944) 4264:(1943) 4254:(1942) 4240:(1941) 4226:(1940) 4197:(1939) 4175:(1938) 4165:(1937) 4159:(1936) 4153:(1935) 4147:(1934) 3963: 3728: 3699: 3546: 3478: 3448: 3276: 3198: 3164: 3070: 2998: 2966: 2941: 2886: 2852: 2824: 2784: 2708: 2668: 2636: 2603: 2486: 2455: 2415: 2363: 2259: 2229: 2008:(1959) 2000:(1948) 1992:(1948) 1984:(1948) 1976:(1942) 1968:(1942) 1960:(1939) 1952:(1938) 1944:(1935) 1734:in an 1600:Bogart 1424:, and 1289:, and 1166:, and 1007:, and 772:Peking 693:, and 600:, the 566:, and 554:, and 544:violin 538:, and 448:Jewish 440:Vienna 410:, and 394:, and 286:, and 127:Labels 97:, U.S. 72:Vienna 6223:2020s 6207:Joker 6068:2010s 5954:Frida 5913:2000s 5754:1990s 5604:1980s 5464:Shaft 5441:1970s 5299:1960s 5232:1950s 5179:1940s 5096:2020s 5021:2010s 4950:2000s 4859:1990s 4760:1980s 4618:1970s 4479:1960s 4344:1950s 4205:1940s 4138:1930s 3132:(PDF) 3121:(PDF) 2480:296–7 2013:Notes 1787:(now 1758:Dolby 1216:brass 1182:opium 1103:" by 930:bells 552:organ 474:] 220:( 216: 194:( 190: 168:( 164: 6254:Dune 6232:Soul 6084:and 5886:and 5770:and 5713:and 5591:and 5545:and 5524:Jaws 5513:and 5109:and 5030:and 4902:and 4835:and 4785:and 4694:and 4670:and 4644:and 4606:and 4582:and 4544:and 4514:and 4492:and 4467:and 4437:and 4423:and 4405:and 4371:and 4357:and 4332:and 4318:and 4274:and 4250:and 4236:and 4218:and 4193:and 3985:IMDb 3961:ISBN 3938:2018 3894:2018 3868:2018 3836:2018 3809:2018 3786:2018 3759:2018 3726:ISBN 3697:ISBN 3672:2019 3651:2018 3625:2018 3600:2018 3575:2018 3544:ISBN 3525:2018 3476:ISBN 3446:ISBN 3420:2024 3396:2018 3366:2018 3340:2024 3298:NNDB 3274:ISBN 3253:2018 3228:2018 3196:ISBN 3162:ISBN 3140:2017 3104:2011 3068:ISBN 2996:ISBN 2964:ISBN 2939:ISBN 2913:IMDb 2884:ISBN 2850:ISBN 2822:ISBN 2782:ISBN 2706:ISBN 2666:ISBN 2634:ISBN 2601:ISBN 2533:link 2519:2018 2484:ISBN 2453:ISBN 2413:ISBN 2361:ISBN 2321:2012 2257:ISBN 2227:ISBN 1915:The 1839:Kong 1809:and 1746:for 1722:The 1715:and 1697:and 1682:and 1604:Holt 1602:and 1564:Kong 1460:and 1062:for 1056:Tara 952:'s " 861:and 824:Kong 818:and 805:and 574:and 297:and 200:div. 174:div. 84:Died 54:Born 4079:on 4067:by 4058:at 4048:on 4037:at 4027:on 3983:at 3911:on 3693:212 3094:). 3064:165 1709:RKO 1543:): 1504:or 1364:in 1349:in 1192:'s 1074:AFI 956:". 731:'s 371:AFI 6312:: 6285:– 6271:– 6257:– 6239:, 6235:– 6210:– 6196:– 6182:– 6168:– 6154:– 6140:– 6126:– 6112:– 6098:– 6080:– 6055:– 6052:Up 6041:– 6027:– 6013:– 5999:– 5985:– 5971:– 5957:– 5943:– 5929:, 5925:– 5900:– 5882:– 5868:– 5854:– 5840:– 5826:– 5812:– 5798:– 5784:– 5766:– 5741:– 5727:– 5709:, 5705:– 5691:– 5677:– 5663:– 5649:– 5635:– 5616:– 5587:– 5573:– 5559:– 5541:– 5527:– 5509:– 5495:– 5481:– 5467:– 5453:– 5428:– 5414:– 5400:– 5386:– 5372:– 5358:– 5339:– 5325:– 5311:– 5286:– 5272:– 5258:– 5244:– 5219:– 5205:– 5191:– 5105:, 4932:/ 4922:/ 4912:/ 4898:/ 4831:, 4809:/ 4799:, 4795:/ 4781:/ 4748:/ 4738:/ 4728:/ 4718:/ 4708:/ 4698:/ 4684:/ 4674:/ 4666:, 4656:/ 4640:, 4636:, 4627:/ 4602:/ 4592:/ 4578:/ 4568:/ 4558:/ 4548:/ 4534:/ 4524:/ 4510:, 4506:, 4502:/ 4488:/ 4463:/ 4453:/ 4433:/ 4419:, 4415:/ 4401:/ 4391:/ 4381:/ 4367:/ 4353:/ 4328:/ 4314:/ 4304:/ 4294:/ 4284:/ 4270:/ 4260:/ 4246:/ 4232:/ 4222:/ 4214:, 4189:, 4185:, 4181:/ 4171:/ 3928:. 3885:. 3858:. 3854:. 3826:. 3776:. 3749:. 3695:. 3641:. 3616:. 3591:. 3566:. 3516:. 3498:. 3460:^ 3428:^ 3382:. 3357:. 3296:. 3244:. 3218:. 3176:^ 3148:^ 3123:. 3066:. 2978:^ 2921:^ 2911:. 2898:^ 2864:^ 2836:^ 2796:^ 2758:^ 2742:^ 2720:^ 2648:^ 2632:. 2599:. 2597:11 2554:^ 2529:}} 2525:{{ 2509:. 2498:^ 2482:. 2375:^ 2329:^ 2307:. 2271:^ 2241:^ 2205:, 2152:^ 2136:^ 2114:. 2042:^ 1765:CD 1719:. 1656:: 1418:, 1386:, 1368:. 1283:, 1228:. 1222:, 1160:, 1003:, 999:, 689:, 685:, 578:. 562:, 550:, 546:, 484:, 480:, 472:de 442:, 406:, 402:, 390:, 290:. 282:, 278:, 274:, 270:, 222:m. 196:m. 170:m. 74:, 5164:e 5157:t 5150:v 4648:) 4632:( 4123:e 4116:t 4109:v 3969:. 3940:. 3896:. 3870:. 3838:. 3811:. 3788:. 3761:. 3734:. 3705:. 3674:. 3653:. 3627:. 3602:. 3577:. 3552:. 3527:. 3502:. 3484:. 3454:. 3398:. 3368:. 3282:. 3255:. 3230:. 3204:. 3170:. 3142:. 3106:. 3076:. 3004:. 2972:. 2947:. 2892:. 2858:. 2830:. 2790:. 2714:. 2674:. 2642:. 2609:. 2535:) 2521:. 2492:. 2461:. 2421:. 2369:. 2323:. 2265:. 2235:. 206:; 180:; 66:) 62:( 27:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index