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Charlotte is asked to share a carriage ride with
Jeremiah Duvaux Durrance, a married man traveling on business, who asks Charlotte to help select presents for his female relatives. She obliges and they become friendly, with Jerry discussing his young daughter Tina’s shyness. Charlotte shows him a picture of her family, with herself appearing “as the fat lady with glasses” before her transformation. Jerry is sympathetic to her fledgling and frail confidence, expressing his admiration for her. Jerry runs into his friends Deb and Frank McIntyre and introduces Charlotte to them. From them, Charlotte learns how Jerry's devotion to his young daughter Tina keeps him from divorcing his wife, a manipulative, jealous woman who does not love Tina and hinders Jerry's chosen career of architecture.
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Irving Rapper on films where he served as a dialogue director, but his gratitude for her support turned into a grudging realization that Davis could control the film. Although his approach was conciliatory, the to-and-fro with Davis slowed production and "he would go home evenings angry and exhausted". The
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Casey
Robinson has created a deliberate and workmanlike script, which more than once reaches into troubled emotions. Director Irving Rapper has screened it with frequent effectiveness. But either because of the Hays office or its own spurious logic, endlessly complicates an essentially simple theme.
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The film highlighted Davis's ability to shape her future artistic ventures, as not only did she have a significant role in influencing the decisions over her co-stars, but also the choice of director was predicated on a need to have a compliant individual at the helm. Davis previously had worked with
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whose verbal and emotional abuse of her daughter has contributed to
Charlotte's complete lack of self-confidence. Mrs. Vale had already brought up three sons, and Charlotte was an unwanted child born to her late in life. Fearing that Charlotte is on the verge of a nervous breakdown, her sister-in-law
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Charlotte becomes engaged to wealthy, well-connected widower Elliot
Livingston, but by chance she again encounters Jerry at a party for an acquaintance who is his client. Though Jerry congratulates her, Charlotte realizes she does not love Elliot enough and subsequently breaks the engagement. During
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When she disembarks from the ship, Charlotte's family is stunned by the dramatic changes in her appearance and demeanor. The awkward and shy
Charlotte has become popular among the passengers, with many making fond farewells. At home, her mother is determined to subjugate her daughter once again, but
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Charlotte is immediately diverted from her problems when she meets Jerry's 12-year-old daughter Tina, who has been sent to Dr. Jaquith by her father on
Charlotte's recommendation. Tina greatly reminds Charlotte of herself; both were unwanted and unloved by their mothers. Shaken from her depression,
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when their car crashes. Spending the night together while their driver goes for help, Jerry and
Charlotte become sexually intimate. They miss the ship and spend five days together before Charlotte flies to Buenos Aires to rejoin the cruise. Although they have fallen in love, they decide it would be
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The novel is considered to be one of the first, if not the first, fictional depictions of psychotherapy, which is depicted fairly realistically for the time, as Prouty herself spent time in a sanitarium following a mental breakdown in 1925. This was caused by the death of one of her daughters and
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For years, Davis and co-star Paul
Henreid claimed the moment in which Jerry puts two cigarettes in his mouth, lights both, then passes one to Charlotte, was developed by them during rehearsals, inspired by a habit Henreid shared with his wife, but drafts of Casey Robinson's script on file at the
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Initial production of the Prouty novel had to take into account that
European locales would not be possible in the midst of World War II, despite the novelist's insistence on using Italy as the main setting. Prouty's quirky demands for vibrant colors and flashbacks shot in black and white with
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Away from her mother's control, Charlotte blossoms, and at Lisa's urging, the slim, transformed woman — with a chic borrowed wardrobe — opts to take a lengthy cruise instead of going home immediately. Initially
Charlotte is too shy to mix with the other passengers on the ship. On an excursion,
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Jerry and Dr. Jaquith visit the Vale home to discuss a project where Jerry is the architect for a new psychiatric wing donated by Charlotte. Jerry is delighted to see the change in his daughter. Dr. Jaquith has allowed Charlotte to keep Tina there, provided her relationship with Jerry remains
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the kind of drama that maintains Warner's pattern for box-office success ... Hal Wallis hasn't spared the purse-strings on this production. It has all the earmarks of money spent wisely. Irving Rapper's direction has made the picture move along briskly, and the cast, down to the most remote
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learned about the project, she campaigned for and won the role. More than any other of her previous films, Davis became absorbed in the role, not only reading the original novel, but also becoming involved in details such as choosing her wardrobe personally. Consulting with designer
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a quarrel with her mother over the broken engagement, Charlotte says she did not ask to be born, that her mother never wanted her, and it has "been a calamity on both sides." Mrs. Vale has a heart attack and dies. Guilty and distraught, Charlotte returns to the sanitarium.
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called the film "intelligently directed" and praised Davis' performance as "outstanding", but warned that the film's "slow-paced action and its none-too-cheerful atmosphere make it hardly suitable entertainment for the masses."
306:, a list of the top love stories in American cinema. Film critic Steven Jay Schneider suggests the film continues to be remembered for not only its star power, but also the "emotional crescendos" engendered in the storyline.
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Olive Higgins Prouty's novel, written in 1941, served as the basis for the film, and other than certain limitations imposed by World War II on the locations for filming, the movie remains fairly true to the novel.
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platonic. Charlotte tells Jerry she sees Tina as his gift to her and her way of being close to him. When Jerry asks her if she is happy, she replies: "Oh, Jerry, don't let's ask for the Moon. We have the stars."
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Charlotte is resolved to remain independent. The memory of Jerry's love and devotion — as evidenced in the timely arrival of a corsage of Camellias — helps give her the strength she needs to remain resolute.
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For all its emotional hair-splitting, it fails to resolve its problems as truthfully as it pretends. In fact, a little more truth would have made the film a good deal shorter ... Although
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offered a similar opinion, writing that for most of the film, Davis "just plods along with the plot, which is longish and a little out of proportion to its intellectual content."
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Charlotte becomes interested in Tina's welfare, and with Dr. Jaquith's permission, Charlotte takes her under her wing. When the girl improves, Charlotte takes her home to Boston.
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662:: "A basically soggy script gets by, and how, through the romantic magic of its stars, who were all at their best; and suffering in mink went over very big in wartime."
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image, and when Davis insisted on another screen test with a more natural hairstyle, he was finally accepted as the choice for her screen lover. In her 1987 memoir,
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Throughout the film, Henreid uses the familiarity of sharing a cigarette, with the famous two-cigarette scene, being used as his introduction to a lonely woman.
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Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1–31 p. 23
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subtitles were similarly disregarded. Principal photography was shifted to Warner's sound stage 18 and various locations around California, including the
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indicate it was included by the screenwriter in his original script. The scene remained an indelible trademark that Davis would later exploit as "hers".
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under a new arrangement with the studio. He took an active role in the production, including casting decisions. The initial choices for Charlotte were
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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proved to be a defining period in her professional life as a writer, as the experience she gained from this episode helped her write not only
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The choice of Davis's leading men became important, as well. Davis was aghast at the initial costume and makeup tests of Austrian actor
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dress for Charlotte initially, to contrast with the stylish, "timeless" creations that mark her later appearance on the cruise ship.
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The novel is the third in a pentalogy centered on the fictional Vale family, and by far the most popular. The other titles are
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Charlotte Vale is a drab, quiet, overweight, neurotic woman whose life is brutally dominated by her mother, an
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According to Warner Bros. records, the film earned $ 2,130,000 domestically and $ 2,047,000 foreign.
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as being "culturally, historically, or aesthetically significant." The film ranks number 23 on
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On an excursion from the ship in Rio de Janeiro, Charlotte and Jerry are stranded on
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The Girl Who Walked Home Alone: Bette Davis, A Personal Biography
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This article is about the film. For the album by Barry Gibb, see
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1277:. Hauppauge, New York: Barron's Educational Series, 2005.
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Fasten Your Seat Belts: The Passionate Life of Bette Davis
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Lardner, David (October 24, 1942). "The Current Cinema".
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Filming ran from April 7 to June 23 of 1942 as producer
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More Than a Woman: An Intimate Biography of Bette Davis
1150:"The 15th Academy Awards (1943) Nominees and Winners"
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poem "The Untold Want," which reads in its entirety,
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Films that won the Best Original Score Academy Award
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292:was selected for preservation in the United States
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16:1942 American drama film directed by Irving Rapper
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232:$ 4,177,000 ($ 73.5 million in 2023 dollars)
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1373:Extensive summary and commentary at Filmsite.org
531:." Henreid was similarly uncomfortable with the
284:Now, voyager, sail thou forth, to seek and find.
1368:ValeTales discussion of the novel and the movie
282:The untold want by life and land ne'er granted,
267:is based on the 1941 novel of the same name by
1263:. New York: William Morrow and Company, 1990.
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1384:Mother Monster: Gladys Cooper in Now, Voyager
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830:. New York: Simon & Schuster. p.
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1175:"Complete National Film Registry Listing"
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923:"Complete National Film Registry Listing"
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448:as Miss Trask (as Katherine Alexander)
27:. For the album by The Cape Race, see
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1207:. New York: G.P Putnam's Sons, 1987.
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1641:The Story of Joseph and His Brethren
1139:Halliwell's Film Guide, 1992, p. 818
483:his first independent production at
1235:. New York: Dell Publishing, 1981.
1123:"'Now, Voyager' with Bette Davis".
400:as Jeremiah "Jerry" Duvaux Durrance
274:Prouty borrowed her title from the
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1730:Films set in Rio de Janeiro (city)
1249:. New York: Donald I. Fine, 1990.
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342:best not to see each other again.
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1028:Davis and Herskowitz 1987, p. 26.
591:University of Southern California
1291:. New York: Bantam Books, 1993.
743:National Film Preservation Board
303:AFI's 100 Years ... 100 Passions
1755:Films produced by Hal B. Wallis
1720:Films directed by Irving Rapper
1314:essay by Charlie Achuff on the
1247:Bette Davis: An Intimate Memoir
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895:Prouty, Olive Higgins (2013).
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567:San Bernardino National Forest
539:, Davis revealed that co-star
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1695:American romantic drama films
1649:The Christine Jorgensen Story
1061:Strauss, Theodore (as T.S). "
1043:. Retrieved: October 7, 2022.
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466:as Tina Durrance (uncredited)
1685:1940s English-language films
1521:The Adventures of Mark Twain
1329:AFI Catalog of Feature Films
1104:"Film Reviews: Now, Voyager"
822:Chandler, Charlotte (2006).
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561:) was her favorite co-star.
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1705:Films scored by Max Steiner
876:"101 Pix Gross in Millions"
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976:Leaming 1992, pp. 204–205.
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179:October 31, 1942
168:October 22, 1942
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1219:Bette Davis: A Biography
1038:"Article: Now, Voyager."
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23:. For the musician, see
1553:The Voice of the Turtle
1273:Schneider, Steven Jay.
1129:: 134. August 22, 1942.
1112:: 8. December 31, 1941.
713:Best Supporting Actress
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1710:Films about psychiatry
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660:Halliwell's Film Guide
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1577:Another Man's Poison
1393:Criterion Collection
1076:. November 23, 1942.
1052:Moseley 1990, p. 70.
882:. 6 Jan 1943. p. 58.
424:as Elliot Livingston
269:Olive Higgins Prouty
263:. The screenplay by
176: (New York City)
82:Olive Higgins Prouty
29:Now, Voyager (album)
1725:Films set in Boston
1569:The Glass Menagerie
1441:: February 11, 1946
1378:Biography of Prouty
1259:Quirk, Lawrence J.
1179:Library of Congress
1005:Quirk 1990, p. 248.
953:Library of Congress
928:Library of Congress
446:Katharine Alexander
316:aristocratic Boston
298:Library of Congress
243:is a 1942 American
1750:Films set on ships
1740:Warner Bros. films
1593:Bad for Each Other
1497:One Foot in Heaven
1475:Films directed by
1410:, pp. 353–355
1363:TCM Movie Database
1217:Leaming, Barbara.
1126:Harrison's Reports
1074:The New York Times
648:Harrison's Reports
614:The New York Times
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1205:This 'N That
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1197:Bibliography
1184:December 16,
1182:. Retrieved
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797:(1947), and
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541:Claude Rains
537:This 'N That
536:
533:brilliantine
525:Paul Henreid
522:
485:Warner Bros.
481:Now, Voyager
480:
474:
464:Janis Wilson
452:James Rennie
430:as Lisa Vale
418:as June Vale
404:Claude Rains
398:Paul Henreid
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290:Now, Voyager
289:
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276:Walt Whitman
273:
257:Claude Rains
253:Paul Henreid
240:Now, Voyager
239:
238:
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196:Running time
154:Warner Bros.
110:Claude Rains
106:Paul Henreid
78:Now, Voyager
77:
37:Now, Voyager
1625:The Miracle
1399:Now Voyager
1389:Ella Taylor
1311:Now Voyager
1068:Now Voyager
1064:Now Voyager
733:Max Steiner
701:Bette Davis
679:Nominee(s)
501:Bette Davis
489:Irene Dunne
458:Mary Wickes
434:Lee Patrick
392:Bette Davis
249:Bette Davis
200:117 minutes
144:Max Steiner
102:Bette Davis
88:Produced by
54:Directed by
21:Now Voyager
1680:1942 films
1674:Categories
1657:Born Again
1408:0826429777
1297:0553095129
1283:0764159070
1269:0688084273
1255:1556112181
1241:0440106621
1227:0671709550
1213:0399132465
1159:August 14,
958:2020-05-06
934:2020-05-06
809:References
722:Nominated
705:Nominated
597:Box office
506:Orry-Kelly
471:Production
428:Ilka Chase
422:John Loder
245:drama film
229:Box office
187: (USA)
183:1942-10-31
172:1942-10-22
134:Warren Low
124:Sol Polito
1545:Deception
795:Home Port
791:Lisa Vale
752:Inducted
676:Category
658:wrote in
558:Deception
529:Valentino
288:In 2007,
247:starring
224:$ 877,000
130:Edited by
1352:AllMovie
1066:(1942):
793:(1938),
789:(1931),
776:Conflict
213:Language
140:Music by
98:Starring
74:Based on
1391:at the
1361:at the
1326:at the
1318:website
1109:Variety
880:Variety
682:Result
635:Variety
583:dailies
510:foulard
499:. When
319:dowager
296:by the
216:English
205:Country
181: (
170: (
1660:(1978)
1652:(1970)
1644:(1962)
1636:(1962)
1628:(1959)
1620:(1958)
1612:(1956)
1604:(1956)
1596:(1953)
1588:(1953)
1580:(1951)
1572:(1950)
1564:(1949)
1556:(1947)
1548:(1946)
1540:(1945)
1532:(1945)
1524:(1944)
1516:(1942)
1508:(1942)
1500:(1941)
1492:(1941)
1406:
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905:
838:
673:Award
555:, and
546:Juarez
495:, and
255:, and
221:Budget
799:Fabia
685:Ref.
479:made
1404:ISBN
1341:IMDb
1293:ISBN
1279:ISBN
1265:ISBN
1251:ISBN
1237:ISBN
1223:ISBN
1209:ISBN
1186:2015
1161:2011
903:ISBN
836:ISBN
737:Won
378:Cast
310:Plot
1437:on
1425:on
1350:at
1339:at
1072:".
861:doi
832:315
1676::
1177:.
1152:.
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981:^
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951:.
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850:^
834:.
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491:,
271:.
251:,
1468:e
1461:t
1454:v
1188:.
1163:.
961:.
937:.
911:.
863::
844:.
185:)
174:)
31:.
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