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Rebello Magalhães, Ana Maria; Magalhães de
Oliveira, Paula Rebello; Sarzi Ribeiro, Regilene Aparecida; Du Aguiar Leme, Iriane; Bazzo Francisco, Renata (2023–2024). "El activismo curatorial y las historias del arte y el vídeo: mundos caleidoscópicos".
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which brought together works from 87 women, and presented the work of women in the context of society at large and not a sole focus on gender. Josephine
Withers described the show as placing the exhibit beyond
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In 2005, Reilly won the Future
Leadership Award from ArtTable, and in 2006 she received the President Award from the Women's Caucus of Art. Reilly was the guest judge for the 2012
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in which she offered up statistics demonstrating systemic sexism in the art world. Her work on curatorial activism, as expanded upon in her book
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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ideas about what feminist art should look like". Other exhibits that Reilly coordinated at the
Sackler include a 2008 show on
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In 2019 she wrote about the lack of representation of women artists in the reinstallation of the permanent collection at the
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451:. Maura Reilly, Linda Nochlin, Brooklyn Museum, Davis Museum and Cultural Center. London: Merrell Publishers. 2007.
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1153:"MoMA's Revisionism Is Piecemeal and Problem-Filled: Feminist Art Historian Maura Reilly on the Museum's Rehang"
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1348:"Review of Wack! Art and the Feminist Revolution; Global Feminisms: New Directions in Contemporary Art"
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399:, is cited by others as a means to teach the need for increased visibility of marginalized artists.
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Furnas, Dawn (February 3, 2022). "Rutgers
UniversityNew Brunswick names new art museum director".
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at the
Griffith University in Brisbane, Australia, Reilly was the founding curator of the
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Le vice a la mode : Gustave
Courbet and the vogue for lesbianism in the Second Empire
194:
8:
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Boulet, Louis (2020). "Maura Reilly
Curatorial Activism: Towards an Ethics of Curating".
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Withers, Josephine (2017). "All
Representation is Political". In Gurley, Gregory (ed.).
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or has been extensively edited by the subject or by someone connected to the subject
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321:. Reilly is also known for developing the concept of ‘curatorial activism’.
1549:"Review of Curatorial Activism: Towards an Ethics of Curating, ReillyMaura"
1075:"What the Data Tell Us About the Challenges Facing Female Artists of Color"
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731:"The Guerrilla Girls, After 3 Decades, Still Rattling Art World Cages"
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Shaw, Gwendolyn DuBois (2008). Reilly, Maura; Nochlin, Linda (eds.).
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1603:"Maura Reilly's Curatorial Activism: Towards an Ethics of Curating"
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357:. She then became the executive director and chief curator of the
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Please help to demonstrate the notability of the topic by citing
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was listed as one of the Top 10 Best Art Books of 2018 from the
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Smith, Roberta; Cotter, Holland; Farago, Jason (2018-12-13).
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In 2007, Reilly's first exhibition at the
Sackler center was
341:. Reilly has held positions at Arizona State University, the
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Muller, Dena (2008). Reilly, Maura; Nochlin, Linda (eds.).
449:
Global feminisms : new directions in contemporary art
1101:
Cuadernos del Centro de Estudios de Diseño y Comunicación
544:"Taking the Measure of Sexism: Facts, Figures, and Fixes"
519:. Maura Reilly. New York, New York: Thames & Hudson.
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Curatorial activism : towards an ethics of curating
853:
The reckoning : women artists of the new millennium
563:
Curatorial activism : towards an ethics of curating
883:. San Diego, California: Cognella Academic Publishing.
317:, and previously served as the founding curator of the
492:. Ghada Amer. New York: Gregory R. Miller & Co.
424:
Global Feminisms: New Directions in Contemporary Art
1553:
RACAR: Revue d'art canadienne / Canadian Art Review
1475:"Review of Women Artists: The Linda Nochlin Reader"
401:Curatorial Activism: Towards an Ethics of Curating
397:Curatorial Activism: Towards an Ethics of Curating
1715:New York University Institute of Fine Arts alumni
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958:"A Sneak Peek Inside the ARTnews All-Women Issue"
767:"Female Artists Are (Finally) Getting Their Turn"
1706:
1673:Browne, Sally (29 July 2012). "Art innovators".
1227:"They Are Artists Who Are Women; Hear Them Roar"
1178:"Wandamba yalungka.../Winds change direction..."
391:In 2015, Reilly organized an all-women issue of
345:, as a professor and chair of art theory at the
87:policy. There may be relevant discussion on the
819:"Feminist art gets place of pride in Brooklyn"
333:in 1990. She has an M.A. and a Ph.D. from the
83:It may need editing to conform to Knowledge's
906:"Veiled or Naked: Scrutinizing Women's Roles"
517:Women artists : the Linda Nochlin reader
351:Elizabeth A. Sackler Center for Feminist Art
319:Elizabeth A. Sackler Center for Feminist Art
1546:
1448:"'Women Artists: The Linda Nochlin Reader'"
880:Art and gender : an intersexual reader
361:. In 2022 Reilly was named director of the
53:Learn how and when to remove these messages
1199:
337:where she worked under the supervision of
335:New York University Institute of Fine Arts
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416:Wandamba yalungka/Winds change direction,
363:Zimmerli Art Museum at Rutgers University
315:Zimmerli Art Museum at Rutgers University
239:Learn how and when to remove this message
221:Learn how and when to remove this message
107:Learn how and when to remove this message
1653:"Past Honorees | Women's Caucus for Art"
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945:. Vol. 31, no. 12. p. 11.
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565:. Lucy R. Lippard. London: WW Norton.
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983:"Couture for Artists, Dead and Alive"
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856:. Munich ; New York: Prestel.
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136:notability guideline for academics
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1107:(191): 139–166 – via EBSCO.
1047:Birnbaum, Paula (March 1, 2020).
981:Force, Thessaly La (2018-02-12).
765:Sheets, Hilarie M. (2016-03-30).
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34:This article has multiple issues.
1720:Arizona State University faculty
1200:Schjeldahl, Peter (2007-04-02).
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42:or discuss these issues on the
956:Freeman, Nate (May 27, 2015).
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642:"Maura Reilly | School of Art"
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418:which was reviewed in 2021 by
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1514:. Vol. 43, no. 21.
1352:Clio. Femmes, Genre, Histoire
1346:Villemur, Frédérique (2009).
1225:Smith, Roberta (2007-03-23).
1176:Russo, Jillian (2021-09-01).
1073:Mannarino, Amy (2018-03-01).
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1151:Reilly, Maura (2019-10-31).
1120:"The Best Art Books of 2018"
1053:American Alliance of Museums
817:Micucci, Dana (2007-04-19).
729:Ryzik, Melena (2015-08-05).
542:Reilly, Maura (2015-05-26).
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1270:The Women's Review of Books
1049:"Practicing What We Preach"
595:churchie emerging art prize
343:American Federation of Arts
10:
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850:Heartney, Eleanor (2013).
359:National Academy of Design
329:Reilly earned a B.A. from
143:reliable secondary sources
132:The topic of this article
1745:Providence College alumni
1677:. p. 38 – via
1506:Applin, Jo (2021-11-04).
1473:Briggs, Patricia (2016).
619:Art at Providence College
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16:Curator and writer of art
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1629:"Previous NLA Awardees"
515:Nochlin, Linda (2015).
313:is the director of the
1735:American women writers
1512:London Review of Books
1401:"Review of Ghada Amer"
1014:Reilly, Maura (2018).
939:"Obsessed with 'Love'"
696:Reilly, Maura (2011).
561:Reilly, Maura (2018).
488:Reilly, Maura (2010).
479:: CS1 maint: others (
671:"About: Maura Reilly"
442:Selected publications
85:neutral point of view
1399:Trent, Mary (2012).
937:Rathe, Adam (2008).
800:NJBIZ; New Brunswick
412:Museum of Modern Art
1542:Curatorial activism
1479:Woman's Art Journal
1405:Woman's Art Journal
1266:"Art without Balls"
275:New York University
265:Academic background
1452:The New York Times
1231:The New York Times
1124:The New York Times
987:The New York Times
943:The Brooklyn Paper
910:The New York Times
823:The New York Times
771:The New York Times
735:The New York Times
652:on January 2, 2022
331:Providence College
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1730:American curators
1607:The Brooklyn Rail
1565:10.7202/1054395ar
1361:10.4000/clio.9312
1181:The Brooklyn Rail
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890:978-1-63487-971-2
863:978-3-7913-4759-2
707:978-1-904832-95-9
677:. Brooklyn Museum
572:978-0-500-23970-4
526:978-0-500-23929-2
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458:978-1-85894-390-9
432:magazine and the
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1657:. Retrieved
1655:. 2018-08-02
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1636:. Retrieved
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