315:. He denounced local musical performances as "execrable" and deplored the vacuousness of Melbourne's concert-goers who, he declared, had "no taste ... and are profoundly ignorant of what music is". He proclaimed the city's music teachers to be "frightfully bad" and when private school principals grumbled about the high failure-rate in the matriculation music examination for which he was responsible, he retorted that it was fortunate that "our schools are the last places in the world to which our youth turn for light and understanding, otherwise they would grow up mentally akin to those monstrosities which I remember with dim horror upon the tables of boarding-houses and which go by the name of resurrection pies." And he complained rancorously about the "frivolous incapable buffooneries", "vicious emanations" and "sterile, unproductive mediocrity" of local music critics. People who disagreed with his literary judgements were also in danger of feeling his sharp tongue. At a Town Hall concert on 24 July 1893, he took time off from conducting to inform the audience that a recent article in
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home. He soon showed that he would not be satisfied with simply presiding over the university's new music department with its degree and diploma courses. The former was focused on composition, the latter on performance, but there was little sustained demand for either. In the whole of the first decade of the chair's existence only three students obtained a degree in music and twenty-three acquired a diploma. Moreover, Marshall-Hall complained that he had no control over the practical work of diploma students, as apart from himself the university employed no music staff, which meant that students had to take private lessons from teachers of their choice in the external community. To overcome this problem and increase enrolments
Marshall-Hall called for the establishment of a university conservatorium, and on 19 July 1894, legislation was passed to create the first conservatorium in the British Empire within a university. With the professor as
198:, while echoing Ouseley's view, agreed that Marshall-Hall was the only candidate who was "near to the mark". But when later that year the job was re-advertised, Marshall-Hall was still not considered the most suitable applicant by the committee, which selected four names, including his, to send to the Council of the University of Melbourne, but declined to rank them. The impasse was broken in 1890 when the Council obtained private advice from Hallé (then on a concert tour of Australia) and (indirectly) from Mackenzie and the Director of the Royal College of Music, Sir
33:
179:. The appointment of Australian university professors at that time was usually based on recommendations from expert committees set up for the purpose in London. The deficiency of Marshall-Hall's formal qualifications for the Melbourne chair is reflected in the fact that, although he was one of 48 applicants when the post was first advertised in March 1888, the London committee declined to make a recommendation. One member, the Professor of Music at the
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his life. Contemporaries remarked on his loud laughter and his habit of humming operatic airs as he strode around town, of tapping his baton importunately on the podium and glaring at restive concert audiences to achieve silence when conducting, and of writing explosive comments – such as "O superfine
Assiduity" and "monstrous ignorance" – in the margins of books he read, by way of showing his contempt for the writer.
429:, George Marshall-Hall's compositions display pronounced individuality and sincerity. It was nevertheless as a teacher, enthusiastic and free from pedantry, and as an inspiring orchestral conductor that he did his most important work, and the value of his influence on the musical life of Melbourne can hardly be overstated. Marshall-Hall was tall, dark, witty, humorous and intolerant of pretence.
236:. When the last one had been performed in 1911, a total of 111 such concerts had been given – an average of more than five a year. In addition, from 1897 to 1902 he acted as honorary conductor of the Melbourne Liedertafel, a male choir. And all the time he continued to compose music, including a concert overture in G minor, an Idyll, a symphony in E-flat, incidental music for a performance of
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284:
with "extreme exuberance" into its "manifold sensations", allowing its joys to "pulse in the passionate blood and burst through the brain" until "body and mind quiver and bound as though interpenetrated by an instantaneous current of electric fluid". This won him friends and admirers in
Melbourne's bohemian community, including such well-known artists as
143:, South Devon. Then, late in 1886, bent now on devoting himself to a career in music, he returned briefly to Switzerland to take up a position as organist in Lausanne before becoming musical director of Wellington College in Crowthorne, Berkshire. In 1888 he was appointed orchestral and choral conductor as well as composition- and singing-teacher at the
187:, conceded that there were "some eminently respectable men, and good musicians in the ordinary sense of the words" among the applicants, adding however that there were "certainly not five – hardly one – of whom I could honestly speak as first-class ... The best men have not become candidates." Certainly two other committee members, principal of the
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was published, but its performance postponed, perhaps permanently, by the outbreak of war. Marshall-Hall, on his return broached the subject of amalgamation, but the new director of the Albert Street
Conservatorium, Fritz Hart, was not amenable. He set about modernizing the University Conservatorium,
365:
Marshall-Hall continued running the music school on Albert Street as a private concern, the "Marshall-Hall
Conservatorium", taking much of the staff and students with him. The school achieved a high reputation and exhibited considerable loyalty to its founder. When Marshall-Hall had a long period of
361:
and a barrage of protests from Church interests, the
University Council refused Marshall-Hall's reappointment in 1900, but allowed him to submit his name as a candidate to the selection panel in London. The Agent-General in London removed his name before handing the list over, but made no mention of
231:
In the meantime, George
Marshall-Hall was also making his mark on the broader musical community outside the university. He established a largely professional orchestra which, after an initial public performance toward the end of 1891, began in the following year to give an annual series of concerts,
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This same insatiable energy governed his musical activities in
Melbourne, where he arrived to take up his new position at the beginning of 1891. During the following quarter of a century he was to exercise a wide-ranging and deep influence on music education, appreciation and performance in his new
214:
of immense vitality and exuberance, Marshall-Hall prized "constant activity ... constant striving" that absorbs one's "whole energy", arousing "a condition of ... superabundant life" and enabling one to partake "to the utmost of the joy of living". And this outlook was reflected in the way he lived
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He was later to claim that his father disapproved of his choice of career, declaring that "he wouldn't want any damn fiddler in his family" and, when thwarted in this regard, cutting his son off without a shilling. So George apparently received no paternal assistance when, unable to get enough work
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Among other things, he preached a whole-hearted, sensuous enjoyment of living, extolling "the mighty immutable goddess of laughter and love" and "the splendour and vigour of ... immanent, multiplied, voluptuous vitality". He encouraged his fellows "to taste life to the full" by throwing themselves
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Marshall-Hall's father owned a 65-ton iron ocean-going yacht which, he said, was kept "in great measure to give my family fresh air, the opportunity of seeing foreign ports, of leading a healthy life such as cannot be led on shore". He was, he declared, a "family yachtsman who likes to see his
311:'s 1890 warning to Melbourne University council that Marshall-Hall exhibited "a certain outspoken roughness in his manner" was something of an understatement. On taking up his new post in the following year, he was clearly intent on rousing his fellow citizens out of what he saw as their smug
79:, London. She died in 1901. On 6 March 1902, in Melbourne, Marshall-Hall married Kathleen Hoare, who for some time had been passed as his wife. George Marshall-Hall and May Marshall-Hall (née Hunt)'s daughter Elsa Mary Marshall-Hall was born on 17 August 1891. She married John Thomas Inman in
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and at much the same time began taking private music lessons. His interest in music, according to his brother, had first been aroused by his paternal grandmother and his great-uncle. The latter, it seems, was himself an organist and composer. In 1878 the family moved again, this time to
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in London but left after only a single term, having, according to a friend, become "impatient with the college's slow ways and slower
Professors". This was the sum total of his tertiary education in music. His only other relevant achievement apart from his freelance
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director it opened for business in 1895, renting premises initially in the unfinished Queen's Coffee Palace on the corner of
Rathdowne and Victoria streets, Carlton, but moving soon afterwards to the ground-floor of the Victorian Artists' Society building in
304:, who reacted favourably to his convivial exhortations to come "Be merry while we may" in the enjoyment of "the glorious ardours of the genial bowl". No doubt they also welcomed his pronouncements on the superiority of artists over ordinary mortals.
777:
Typescript in Marshall-Hall papers, Melbourne University Archives Group 1/1/2; the writer identifies himself as Marshall-Hall's brother which means he is either John E. or Algernon S. Marshall-Hall
382:), and again Scharf acted as director. By the year's end however, Marshall-Hall had announced he would not return and Scharf had accepted a teaching position with the University Conservatorium.
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on 17 August 1917. She was a teacher at a number of Victorian country schools. She also taught piano and, like her father, she was a composer. 29 of her works have been preserved, many at the
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who lived and worked in Australia from 1891 till his death in 1915. According to his birth certificate, his surname was 'Hall' and 'Marshall' was his fourth given name, which commemorated his
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Peterson died in 1914 and Marshall-Hall was appointed to the Ormond Chair despite the views of Rev. Dr Sugden and the strenuous opposition of Dr Leeper. He saw
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348:. By the end of the year 1900, the teaching staff had grown to 24, and the students' concerts at the Town Hall and Her Majesty's Theatre were popular.
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as an adjunct to the Music Department, leasing rooms in the six-storey Queen's Coffee Palace, at the corner of Rathdowne and Victoria streets,
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799:
Testimonial from G. Townsend Earner 21 October 1885 Melbourne University Council Letter Book 3, 295 in Melbourne University Central Registry
759:
Archives Group 1/1/2; the writer identifies himself as Marshall-Hall's brother which means he is either John E. or Algernon S. Marshall Hall
401:
It was not to last. He contracted appendicitis, requiring urgent surgery. Marshall-Hall died at St Evin's hospital at 10 pm on 9 July 1915.
280:, as well as delivering many passionate and provocative speeches in the concert-hall and elsewhere which were widely reported in the press.
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His fortunes took a turn for the better in 1890 when he was appointed as foundation Ormond Professor of Music to head the newly created
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59:– who, however, never practised that profession – appears to have been the first to hyphenate the name and his sons followed suit.
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In 1890, despite his youth and lack of academic qualifications, Marshall-Hall was appointed to the Ormond Chair of Music at the
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By 1880, having become proficient in both French and German, he was back in England teaching languages and music, first at the
618:
see e.g. Marshall Hall to J. H. Collins 18 September 1875 and 21 October 1875 in Archives of the Mineralogical Society, London
663:
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1942:
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1972:
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and to button his jacket up to the neck when in polite society to conceal his lack of a shirt collar and waistcoat.
147:. At the same time articles written by him on musical subjects began appearing in English newspapers and magazines.
1891:
1923:
Joe Rich, "A Thoroughly Shameful Affair: The Removal of G. W. L. Marshall-Hall from the Ormond Chair of music" in
596:
Certified Copy of An Entry of Birth, Given on 22 January 1975 at the General Register Office, London, No. BC871181
162:
at the University of Melbourne. He had few formal qualifications for the position. In 1883 he had enrolled at the
1990:
946:
702:
655:
191:
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1996:
746:
Principal's Register, New Boys: Visitors' Book in Local History Department, Manor house Library, Lewisham, UK
120:
17:
1925:
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in his chosen profession on occasions in the 1880s, he was compelled, he recalled, to sleep in the snow in
52:
829:
J.E. Marshall-Hall to William Moore n.d. Marshall-Hall papers, Melbourne University Archives Group 1 i/i/2
768:
J.E. Marshall-Hall to William Moore n.d. Marshall-Hall papers, Melbourne University Archives Group 1 1/1/2
355:, devoted to his love of art and life, free from cant and religion. Following a campaign by the Melbourne
966:
G. Berry to Sir A. C. Brownless 1 February 1889 Melbourne University Central Registry Correspondence file
1937:
2008:
370:
acted in his place. In February 1913 Marshall-Hall left for London to oversee production of his operas
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in Switzerland, where George formed a choral society which met to practise in the family dining room.
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2000:
1315:
172:
1918:
His Thumb unto his Nose : the Removal of G. W. L. Marshall-Hall from the Ormond Chair of Music
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367:
252:
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He also found time to publish numerous newspaper articles, four books of verse and a play called
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to G. Berry, 27 April 1888, in Melbourne University Central Registry Correspondence file 1888/31
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Melbourne Liedertafel Minute Book (28 February 1902) in the Percy Grainger Museum, Melbourne
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1947:
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But his abrasive personality gained him enemies, too. Former Victorian Lieutenant-Governor
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43:(28 March 1862 – 18 July 1915) was an English-born musician, composer, conductor, poet and
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youngsters' skin-tanned". As a child George probably participated in family trips on this
8:
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233:
1125:
Marshall-Hall Concert Programme 5 October 1912 in Melba Memorial Conservatorium Archives
1961:
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1630:. Vol. LXXI, no. 2122. New South Wales, Australia. 9 March 1901. p. 583
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and two operas. Most of these works were performed in Melbourne under his direction.
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954:
788:
Seven Years' Cadet Life. Containing the Records of the Oxford Military College ...
195:
87:
at the University of Melbourne. Elsa Marshall-Hall died in 1980, and is buried at
1872:"Stella : opera in one act / written and composed by G. W. L. Marshall Hall"
1742:. Vol. XCVII, no. 2, 519. Victoria, Australia. 11 July 1914. p. 35
858:, 9 January 1921 in Marshall-Hall papers, Melbourne University Archives Group 1/5
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20 March 1891, 17 February 1893, 25 August 1893, 27 October 1899, 5 April 1911;
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937:, 3 May 1888, Melbourne University Central Registry Correspondence file 1888/31
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1973:"Ancient and Modern: Some recently-catalogued G. W. L. Marshall-Hall material"
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1602:. Vol. LX, no. 306. Tasmania, Australia. 24 December 1900. p. 6
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264:", a Capriccio for violin and orchestra, a choral ode, a music drama called
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1814:"A Song Cycle of Life and Love [music] by G. W. L. Marshall-Hall"
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mostly on Saturday afternoons under the professor's conductorship in the
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was the "shameless and ignorant" work of a "scurrilous newspaper hack".
1543:
The Gundagai Independent and Pastoral, Agricultural and Mining Advocate
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105:
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fjords and grappled for broken telegraph cable in the Atlantic Ocean.
1714:. No. 21, 014. Victoria, Australia. 29 November 1913. p. 19
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Programme note on "The Defence of Earl Godwin before the Witan" from
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211:
80:
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1854:"Symphony in E-flat : full orchestra by G. W. L. Marshall-Hall"
1770:. No. 18, 697. Victoria, Australia. 22 February 1915. p. 8
1686:. No. 18, 073. Victoria, Australia. 19 February 1913. p. 9
1116:
Victorian Artists' society papers, Latrobe Library MS7593, Box 586/2
1546:. No. 183. New South Wales, Australia. 20 June 1900. p. 2
1518:. No. 1, 644. Victoria, Australia. 9 February 1901. p. 13
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condemning the "putrid ... mass of ... sensuality" in the plays of
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1658:. No. 19, 981. Victoria, Australia. 5 August 1910. p. 5
1574:. No. 16, 252. Victoria, Australia. 5 August 1898. p. 5
1490:. No. 13, 764. Victoria, Australia. 5 August 1890. p. 5
1279:"To a Parson on his refusing a Glass of Wine with contumely" in
1966:
Marshall-Hall's Melbourne: Music, Art and Controversy 1891–1915
987:, October 1890; A. C. Brownless to G. Berry, 2 September 1890,
75:. On 5 April 1884, he married May Hunt at St Matthew's Church,
68:
1876:
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442:, sextet for voice, two violins, viola, cello and double bass
1932:
1305:
Robinson to University Council, 19 June 1890 MUCRCF 1890'/30
202:, all of whom recommended the appointment of Marshall-Hall.
540:
1909 Quartet in B Major for horn, violin, viola and piano;
509:
246:, a string quartet in D minor, a dramatic ballad based on
362:
the fact. Franklin Peterson was appointed to the Chair.
975:
Sir William Cleaver Robinson to G. Berry, 19 June 1890,
654:. Vol. 10. Canberra: National Centre of Biography,
119:
in London's southeast where in 1873 he enrolled in the
2006:
1044:, Melbourne: Melbourne University Press, 1936, p. 145
205:
145:
London Organ School and Instrumental College of Music
111:
Born in London, Marshall-Hall began his schooling in
1993:, Christopher Fifield , musicweb-international.com
1834:"Symphony [music], G. W. L. Marshall-Hall"
646:"Marshall-Hall, George William Louis (1862–1915)"
627:"Tristan and Isolde" by John E. Marshall Hall in
2096:People educated at Blackheath Proprietary School
2042:
1968:Melbourne: Australian Scholarly Publishing, 2012
820:Melbourne University Council Minute Book 3, 297
1997:George William Louis Marshall-Hall (1862–1915)
1627:The Sydney Mail and New South Wales Advertiser
991:, 351 in Melbourne University Central Registry
884:Students' Register, Department of Portraits,
351:He published a book of verse cheekily titled
875:, 351, Melbourne University Central Registry
508:1899 "Australian National Song" for chorus (
417:. Though somewhat influenced by the work of
171:had been a February 1888 performance by the
505:for alto soloist, orchestra and mixed choir
67:Marshall-Hall was born on 28 March 1862 in
1778:– via National Library of Australia.
1750:– via National Library of Australia.
1722:– via National Library of Australia.
1694:– via National Library of Australia.
1666:– via National Library of Australia.
1638:– via National Library of Australia.
1610:– via National Library of Australia.
1582:– via National Library of Australia.
1554:– via National Library of Australia.
1526:– via National Library of Australia.
1498:– via National Library of Australia.
989:Melbourne University Council Letter Book 3
873:Melbourne University Council Letter Book 3
1896:, #11: "Phantasy for Horn and Orchestra""
1194:Melbourne, MacCarron Bird & Co., 1906
1789:
1787:
1785:
1052:
1050:
1042:A History of the University of Melbourne
977:Melbourne University Council Letter Book
288:(with whom he shared digs for a time in
228:. From the beginning enrolments boomed.
31:
2081:English emigrants to colonial Australia
1920:, PhD thesis, Melbourne University 1986
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328:
27:Australian composer, conductor and poet
14:
2043:
1991:Review of George Marshall-Hall's music
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919:Melba Memorial Conservatorium of Music
1938:"Hall, George William Louis Marshall"
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1095:, 1895, Melbourne, 1894 pp. 3425–3426
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640:
547:1910 Caprice for violin and orchestra
2091:Alumni of the Royal College of Music
1331:, 15 November 1892, 6 January 1896;
1209:
755:Typescript in Marshall-Hall papers,
498:1898 "Choral Ode", a setting of the
459:Harold: The Last of the Saxon Kings
409:A symphony by him was played at the
91:, where her father was also buried.
271:
24:
1943:Dictionary of Australian Biography
1910:
1794:Harris, Andrew (9 February 2017).
1335:, 25 November 1892; 10 July 1900;
651:Australian Dictionary of Biography
389:performed on stage in London, and
206:Musical contributions in Australia
41:George William Louis Marshall-Hall
25:
2107:
1984:
342:Melbourne Conservatorium of Music
160:Melbourne Conservatorium of Music
2028:
2016:
1858:www.australianmusiccentre.com.au
528:1903 Symphony in E-flat recorded
55:(1790–1857). George's father, a
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609:1864–1876 London, 1926, pp. 6–8
579:Phantasy for Horn and Orchestra
413:, London, in 1907 conducted by
115:. But then his family moved to
1796:"Catalogue of Works – Indexes"
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656:Australian National University
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461:(1848); first Performance 1888
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2061:Australian conductors (music)
1093:Melbourne University Calendar
1057:Melbourne University Calendar
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517:A Song Cycle of Life and Love
175:of an excerpt from his opera
121:Blackheath Proprietary School
94:
1979:. State Library of Victoria.
1926:Victorian Historical Journal
1678:"Dinner to Mr Marshall-Hall"
1447:, 12 May 1893, 2 August 1895
1230:"A Canticle to the Gods" in
139:, Cowley, and afterwards at
71:and died on 18 July 1915 in
36:George Marshall-Hall in 1900
7:
1964:and Suzanne Robinson (eds)
1929:, vol 61, no. 1, March 1990
1482:"The Ormond chair of music"
985:Melbourne University Review
933:to Victorian agent-general
10:
2112:
2066:Australian opera composers
449:, opera in four acts to a
2071:Australian male composers
2001:Brighton General Cemetery
1566:"Professor Marshall-Hall"
1333:The Sydney Morning Herald
1316:The Sydney Morning Herald
537:1907 Two Violin Fantasies
533:Bianco Capello: A Tragedy
453:by the composer based on
404:
173:London Symphony Orchestra
62:
1894:Rhapsodie Fantasie Poéme
1515:Weekly Times (Melbourne)
1281:Hymns Ancient and Modern
1184:Hymns Ancient and Modern
867:Sir Arthur Brownless to
607:The Alpine Club Register
575:Hymns Ancient and Modern
500:second part of Goethe's
485:for violin and orchestra
483:La Belle Dame sans Merci
432:
353:Hymns Ancient and Modern
253:La Belle Dame sans Merci
194:and concert pianist Sir
1734:"Ormond Chair of Music"
1599:The Examiner (Tasmania)
1409:Australian Musical News
871:, 1 September 1890, in
722:August 1871 pp. 170–171
340:In 1894 he founded the
335:University of Melbourne
137:Oxford Military College
1800:library.unimelb.edu.au
1003:June 1900, August 1899
886:Royal College of Music
842:June 1888, August 1888
492:, incidental music to
398:for voice production.
189:Royal Academy of Music
164:Royal College of Music
37:
1948:Angus & Robertson
1711:The Argus (Melbourne)
1655:The Argus (Melbourne)
1571:The Argus (Melbourne)
1487:The Argus (Melbourne)
790:, Oxford, 1883, p. 12
786:John Tecklenborough,
494:the play by Euripides
457:'s historical novel,
35:
2076:Australian composers
1762:"Music in Melbourne"
757:Melbourne University
525:, opera in 25 scenes
455:Edward Bulwer-Lytton
329:Melbourne University
309:Sir William Robinson
181:University of Oxford
1977:The LaTrobe Journal
1510:"Plays and Players"
1176:A Book of Canticles
1059:, 1902, pp. 361–387
921:archives, Melbourne
734:Geological Magazine
703:"Linda Barraclough"
234:Melbourne Town Hall
192:Alexander Mackenzie
1706:"Mr Marshall Hall"
1650:"Mr Marshall-Hall"
1622:"Melbourne Gossip"
1594:"The Ormond Chair"
1363:, 15 November 1892
1319:, 26 November 1892
1154:27 December 1900;
1150:13 February 1907;
1083:, 20 February 1891
1027:, 30 December 1899
1015:, 28 February 1901
983:, 1 October 1890;
396:Otto Fisher Sobell
38:
1347:, 22 March 1895;
1232:Book of Canticles
1071:, 1 December 1891
981:Australian Critic
931:Frederick Ouseley
902:Magazine of Music
840:Magazine of Music
665:978-0-522-84459-7
570:Book of Canticles
366:illness in 1897,
185:Frederick Ouseley
104:when it explored
89:Brighton Cemetery
73:Fitzroy, Victoria
16:(Redirected from
2103:
2086:Australian poets
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1999:, grave site at
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559:Romeo and Juliet
380:Romeo and Juliet
272:Controversialist
169:music journalism
153:Trafalgar Square
128:on the shore of
45:controversialist
21:
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1911:Further reading
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554:, one-act opera
470:Arthur Streeton
435:
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85:Grainger Museum
65:
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23:
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1985:External links
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278:Bianca Capello
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53:Marshall Hall
51:grandfather,
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18:Marshall-Hall
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1951:. Retrieved
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1772:. Retrieved
1765:
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1032:
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1024:
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869:Graham Berry
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685:. Retrieved
649:
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542:ABC Classics
532:
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411:Queen's Hall
408:
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394:bringing in
390:
386:
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364:
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332:
323:Henrik Ibsen
316:
313:philistinism
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200:George Grove
176:
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66:
49:physiologist
40:
39:
29:
2056:1915 deaths
2051:1862 births
1746:28 December
1634:29 December
1606:29 December
1578:29 December
1550:28 December
1522:30 December
1494:28 December
1399:, June 1900
904:, June 1892
852:Ella Winter
737:1869 p. 528
605:A. L. Munn
523:Aristodemus
512:) and piano
294:Tom Roberts
266:Aristodemus
130:Lake Geneva
2045:Categories
2003:(Victoria)
1953:17 January
1946:. Sydney:
1916:Joe Rich,
1445:Table Talk
1421:Table Talk
1397:Alma Mater
1345:Table Talk
1341:Alma Mater
1144:Table Talk
1001:Alma Mater
584:References
440:Die Blumen
221:ex-officio
117:Blackheath
95:Early life
2035:Australia
2023:Biography
1774:1 January
1718:1 January
1690:1 January
1662:1 January
838:see e.g.
809:Newtonian
731:see e.g.
674:1833-7538
544:recording
318:The Argus
238:Euripides
212:extrovert
106:Norwegian
81:Traralgon
77:Bayswater
57:barrister
1936:(1949).
1373:Champion
1337:Champion
1172:To Irene
955:C. Hallé
888:, London
687:4 August
682:70677943
644:(1986).
490:Alcestis
451:libretto
290:St Kilda
258:Tennyson
243:Alcestis
126:Montreux
113:Brighton
2009:Portals
1902:. 2009.
1767:The Age
1683:The Age
1283:, p. 12
1270:, p. 10
1234:, p. 66
561:, opera
427:Puccini
346:Carlton
1349:Leader
1160:Herald
1105:Leader
1013:Herald
915:Harold
680:
672:
662:
552:Stella
447:Harold
445:1880s
423:Brahms
419:Wagner
405:Legacy
391:Juliet
387:Stella
376:Juliet
372:Stella
298:Lionel
177:Harold
102:vessel
69:London
63:Family
1877:Trove
1839:Trove
1819:Trove
1469:Argus
1457:Argus
1433:Argus
1385:Argus
1361:Argus
1329:Argus
1294:Argus
1292:e.g.
1256:Argus
1206:p. 17
1152:Punch
1148:Argus
1081:Argus
1069:Argus
1036:e.g.
557:1912
550:1910
531:1906
521:1902
515:1900
502:Faust
488:1898
481:1894
477:Idyll
475:1894
464:1891
438:1886
433:Works
358:Argus
248:Keats
1955:2009
1776:2024
1748:2023
1720:2024
1692:2024
1664:2024
1636:2023
1608:2023
1580:2023
1552:2023
1524:2023
1496:2023
1182:and
689:2021
678:OCLC
670:ISSN
660:ISBN
510:SATB
425:and
378:(or
374:and
300:and
296:and
262:Maud
260:'s "
1156:Age
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472:)
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
