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Mark Applebaum

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Applebaum's solo, chamber, choral, orchestral, operatic, and electro-acoustic work has been performed through North and South America, Europe, Australia, Africa, and Asia. His music has been described as mercurial, high detailed, discipline, and exacting, but also features improvisational and
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In 1990, Applebaum began building unique electroacoustic instruments. One of these instruments, which Applebaum refers to as the "Mouseketier," consists of threaded rods, nails, combs, doorstops, springs, squeaky wheels, ratchets, and a toilet tank flotation bulb. His first instrument, the
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As a jazz pianist, Applebaum has performed around the world, including a solo recital in Ouagadougou, Burkina Faso that was sponsored by the American Embassy. In 1994, he received the jazz prize of the Southern California Jazz Society.
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which features a recording of sound-sculpture improvisations. The objects on the instruments are plucked, scratched, bowed, and modified by a battery of live electronics.
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Wristwatch: Geology, Wristwatch: Alien Argot, Wristwatch: Meridian, Wristwatch: Rabbit Hole, Wristwatch: Speed Dating, Wristwatch: Control Freak
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Progress Report: The State of the Art after Sixteen Years of Designing and Playing Electroacoustic Sound-Sculptures
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whimsical aspects. His inspiration has been drawn from jazz pioneers and maverick composers such as
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Many of Applebaum's compositions are composed of visual and theatrical elements.
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requires its performer to synchronize choreographed hand gestures to tape.
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from the article and its talk page, especially if potentially
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Applebaum received his PhD in music composition from the
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The Plate of Transition Nourishes the Chameleon Appetite
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includes performers drawing on amplified easels, and
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Works for symphonic wind ensemble and jazz orchestra
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requires the rapid execution of 22 dadaist rituals,
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Prior to Stanford, he taught at UCSD, 259: 193:This article includes a list of general 1287: 1219: 1217: 1215: 1213: 946: 1079:Mark Applebaum: Intellectual Property 1360:21st-century American male musicians 1355:20th-century American male musicians 179: 59: 18: 1247:Stanford Magazine "Heard This One?" 1210: 402: 293:University of California, San Diego 279:of music composition and theory at 13: 429:Concerto for Florist and Orchestra 199:it lacks sufficient corresponding 14: 1376: 1350:Classical musicians from Illinois 1305:American male classical composers 1230: 968:Concerto for Florist and Ensemble 909:in the Closet for 8-channel sound 607:Theme in Search of Variations III 397: 34:This article has multiple issues. 1315:21st-century classical composers 1300:20th-century classical composers 1006: 729:for flute, vibraphone, and cello 679:column facing on 3 behind lintel 601:Theme in Search of Variations II 468: 184: 64: 23: 1345:20th-century American composers 1340:21st-century American composers 1262:James Bash. "Applebaum, Mark." 1193:"Faculty - Department of Music" 1014:, Mark Applebaum, published by 783:for grand piano and two players 763:On the Nature of the Modern Age 595:Theme in Search of Variations I 42:or discuss these issues on the 1185: 993: 781:Curb Weight Surgical Field duo 328:Merce Cunningham Dance Company 275:) is an American composer and 1: 1178: 919: 903:for mousetrap sound-sculpture 897:for amplified Dadaist rituals 555:for soloist and brass quintet 1310:American classical composers 589:The Composer's Middle Period 489:for two percussion and piano 313:Mississippi State University 286: 75:biography of a living person 7: 1335:Pupils of Brian Ferneyhough 1158:The Metaphysics of Notation 953:The Metaphysics of Notation 495:for trombone and contrabass 340:St. Lawrence String Quartet 102:must be removed immediately 10: 1381: 885:for hand gestures and tape 559:Identity Destruction Sport 535:Martian Anthropology 7.8.9 519:for percussion and strings 446:Martian Anthropology 4.5.6 419:Martian Anthropology 1.2.3 1005: 1000: 811:Narcissus: Strata/Panacea 657:for twelve percussionists 633:for twelve percussionists 585:for any number of players 1237:Mark Applebaum's Website 1096:Oni Buchanan: Solo Piano 375:"Mousetrap", is used in 357: 348:American Composers Forum 1242:Mark Applebaum on Vimeo 214:more precise citations. 1330:Musicians from Chicago 889:Composition Machine #1 697:Darmstadt Kindergarten 645:for percussion quartet 615:for percussion quintet 549:for soloist and sextet 435:Choral music and opera 295:where he studied with 265: 264:Mark Applebaum in 2012 89:Please help by adding 1124:The Bible Without God 983:Intellectual Property 958:The Bible Without God 867:for carillon or piano 711:for saxophone quartet 669:for singer and septet 651:for percussion septet 483:for chamber orchestra 477:for chamber orchestra 263: 1103:Martian Anthropology 1098:, Velvet Ear Records 1031:Your Parents Hate Me 915:for variable players 835:Entre FunĂ©railles IV 829:Entre FunĂ©railles II 777:for violin and cello 769:Unholy & Surreal 717:for three conductors 95:Contentious material 1016:Stanford University 947:Improvisation works 823:Entre FunĂ©railles I 727:7 one-minute canons 723:for piano six hands 597:for percussion trio 579:for sixteen players 573:for sixteen players 525:for percussion trio 281:Stanford University 1197:Music.stanford.edu 1055:Sonic Circuits VII 789:for alto saxophone 759:for percussion duo 753:for percussion duo 747:for percussion duo 705:for string quartet 699:for string quartet 693:for string quartet 687:for string quartet 565:Accretion/Deletion 266: 1048:The Janus ReMixes 1033:, Aphasia Records 1026: 1025: 936:Snagglepuss ReMix 931:The Janus ReMixes 757:Ferneyhough ReMix 643:The Second Decade 344:Jerome Foundation 297:Brian Ferneyhough 273:Chicago, Illinois 258: 257: 250: 240: 239: 232: 178: 177: 170: 152: 78:needs additional 57: 16:American composer 1372: 1281: 1224: 1221: 1208: 1207: 1205: 1203: 1189: 1010: 1009: 998: 997: 799:Anesthesia (+83) 751:Gone, Dog. Gone! 649:The Third Decade 637:The First Decade 583:Mobile for Paper 501:for wind quintet 409:Dead White Males 403:Orchestral music 365:Conlon Nancarrow 332:Fromm Foundation 317:Carleton College 253: 246: 235: 228: 224: 221: 215: 210:this article by 201:inline citations 188: 187: 180: 173: 166: 162: 159: 153: 151: 117:"Mark Applebaum" 110: 91:reliable sources 68: 67: 60: 49: 27: 26: 19: 1380: 1379: 1375: 1374: 1373: 1371: 1370: 1369: 1285: 1284: 1233: 1228: 1227: 1222: 1211: 1201: 1199: 1191: 1190: 1186: 1181: 1038:Mousetrap Music 1007: 1001:External videos 996: 949: 926:Pre-Composition 922: 543:for ten players 529:Scipio Wakes Up 513:for ten players 507:for string trio 471: 454: 441:Triple Concerto 437: 405: 400: 377:Mousetrap Music 360: 289: 254: 243: 242: 241: 236: 225: 219: 216: 206:Please help to 205: 189: 185: 174: 163: 157: 154: 111: 109: 88: 69: 65: 28: 24: 17: 12: 11: 5: 1378: 1368: 1367: 1362: 1357: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1307: 1302: 1297: 1283: 1282: 1271:Mark Applebaum 1268: 1259: 1254: 1249: 1244: 1239: 1232: 1231:External links 1229: 1226: 1225: 1209: 1183: 1182: 1180: 1177: 1176: 1175: 1168: 1161: 1154: 1147: 1140: 1134: 1127: 1120: 1113: 1106: 1099: 1092: 1082: 1075: 1065: 1058: 1051: 1044: 1034: 1024: 1023: 1003: 1002: 995: 992: 991: 990: 988:40 Cryptograms 985: 980: 975: 973:Plundergraphic 970: 965: 960: 955: 948: 945: 944: 943: 938: 933: 928: 921: 918: 917: 916: 910: 904: 898: 892: 891:for percussion 886: 880: 874: 868: 862: 856: 850: 844: 838: 832: 831:for vibraphone 826: 820: 814: 808: 805:Sargasso (83+) 802: 796: 790: 784: 778: 772: 771:for two pianos 766: 760: 754: 748: 742: 741:for piano trio 736: 735:for piano trio 730: 724: 718: 712: 706: 700: 694: 688: 682: 676: 670: 664: 658: 652: 646: 640: 639:for percussion 634: 628: 622: 616: 610: 604: 598: 592: 586: 580: 574: 568: 562: 556: 553:Magnetic North 550: 547:The Blue Cloak 544: 538: 532: 526: 520: 514: 508: 502: 496: 490: 484: 478: 470: 467: 466: 465: 460: 453: 450: 449: 448: 443: 436: 433: 432: 431: 426: 421: 416: 411: 404: 401: 399: 398:Selected works 396: 359: 356: 336:Kronos Quartet 309:Roger Reynolds 288: 285: 277:full professor 271:(born 1967 in 269:Mark Applebaum 256: 255: 238: 237: 192: 190: 183: 176: 175: 99:poorly sourced 72: 70: 63: 58: 32: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1377: 1366: 1363: 1361: 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1295:Living people 1293: 1292: 1290: 1280: 1276: 1272: 1269: 1267: 1265: 1260: 1258: 1255: 1253: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1234: 1220: 1218: 1216: 1214: 1198: 1194: 1188: 1184: 1173: 1169: 1166: 1162: 1159: 1155: 1152: 1148: 1145: 1141: 1138: 1135: 1132: 1128: 1125: 1121: 1118: 1114: 1111: 1107: 1104: 1100: 1097: 1093: 1091: 1087: 1083: 1080: 1076: 1074: 1070: 1066: 1063: 1059: 1056: 1052: 1049: 1045: 1043: 1039: 1035: 1032: 1028: 1027: 1021: 1017: 1013: 1004: 999: 989: 986: 984: 981: 979: 976: 974: 971: 969: 966: 964: 961: 959: 956: 954: 951: 950: 942: 939: 937: 934: 932: 929: 927: 924: 923: 914: 911: 908: 905: 902: 899: 896: 893: 890: 887: 884: 881: 878: 875: 872: 869: 866: 863: 860: 859:Omnibus Etude 857: 854: 851: 848: 845: 842: 839: 836: 833: 830: 827: 824: 821: 818: 815: 812: 809: 806: 803: 800: 797: 794: 791: 788: 785: 782: 779: 776: 773: 770: 767: 765:for piano duo 764: 761: 758: 755: 752: 749: 746: 743: 740: 737: 734: 731: 728: 725: 722: 719: 716: 713: 710: 707: 704: 701: 698: 695: 692: 689: 686: 683: 680: 677: 674: 671: 668: 667:Control Freak 665: 662: 659: 656: 653: 650: 647: 644: 641: 638: 635: 632: 629: 626: 623: 620: 617: 614: 611: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 542: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 509: 506: 503: 500: 497: 494: 491: 488: 485: 482: 479: 476: 473: 472: 469:Chamber music 464: 461: 459: 456: 455: 447: 444: 442: 439: 438: 430: 427: 425: 422: 420: 417: 415: 412: 410: 407: 406: 395: 393: 389: 385: 380: 378: 372: 370: 366: 355: 351: 349: 345: 341: 337: 333: 329: 325: 324:Betty Freeman 320: 318: 314: 310: 306: 302: 298: 294: 284: 282: 278: 274: 270: 262: 252: 249: 234: 231: 223: 213: 209: 203: 202: 196: 191: 182: 181: 172: 169: 161: 150: 147: 143: 140: 136: 133: 129: 126: 122: 119: â€“  118: 114: 113:Find sources: 107: 103: 100: 96: 92: 86: 85: 81: 76: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 1263: 1200:. 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Chicago, Illinois
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Stanford University
University of California, San Diego
Brian Ferneyhough
Joji Yuasa

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