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147:, the leading Polish romantic poet. Her acquaintance with the young Pole was but one of many episodes in an active social life. Owing to his shyness and relatively modest means he was overshadowed by Maria's other admirers. For many years Norwid harboured unrequited feelings for her that were a source of his poetic inspiration. He confided them in letters to Maria Trembicka, later Faleńska, daughter of General Stanisław Trembicki, and a close friend of the "white siren", as Maria was known. Encouraged by his confidante's friendship, he proposed to Maria Kalergis but was rejected.
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194:, who also happened to be the Warsaw chief of police and, later in 1863 became Maria's second husband. Thanks to Maria's intervention, Moniuszko managed to stage his opera. Three months after its January 1858 opening, she organized a benefit concert for Moniuszko, who was in constant financial difficulties. The concert raised 25,000 Polish
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Soon after her first husband's death in 1863, she married
Muchanow, ten years her junior. He was with her during her illness and nursed her devotedly through her final days. It was probably then that, sensing the approaching end of her life, Maria destroyed her correspondence. However, her letters to
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The course of Maria's marriage was an echo of her own childhood experiences. A year after her birth, her father, Friedrich Karl von
Nesselrode, a German and his wife Thekla, a Pole, had separated due to personality differences. From her sixth year, Maria had been raised in Saint Petersburg in the
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in 1840, less than a year after their wedding they agreed to separate. Despite several attempts to overcome their aversion towards each other, they continued living separately, without divorcing, until Jan's death. He ensured Maria had a comfortable life. While the division of their assets was in
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who dedicated his poem "The White
Elephant" to her and Fryderyk Chopin. In Warsaw she became a hostess and a patron of the arts and took part in charity fund-raising concerts and theatrical performances. Her resources were always available to those in need.
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her daughter, son-in-law and friends have survived, and have made it possible to reconstruct many facts about her life and are a valuable source about the period. She was interred next to her father at Warsaw's
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Maria
Kalergis had an appreciable influence on the development of musical culture in Warsaw. She was a co-founder of the Warsaw Musical Institute, now the
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332:(Letters to Adam Potocki), ed. by Halina Kenarowa, translated from the French by Halina Kenarowa and Róża Drojecka, Warsaw, 1986.
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was daughter of a count in
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noble descent, who was much older and proved to be of a jealous disposition. Although they had a daughter,
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in Warsaw, he was initially opposed by the
Russian administrator in charge of Warsaw theatres,
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From 1847 she lived in Paris, then from 1857 in Warsaw. Guests at her salons included
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The tomb of Maria
Kalergis along with her father Count von Nesselrode, in the
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When Stanisław
Moniuszko wanted to premiere the four-act version of his opera
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dispute, she was able to tour Europe, including Saint
Petersburg, Warsaw,
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She evinced an early musical talent and for a while took lessons from
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and, with
Moniuszko established the Warsaw Musical Society, now the
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and who saw to it that Maria received a thorough education.
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85:. At the age of seventeen Maria von Nesselrode married Jan
65:– 22 May 1874, Warsaw) was a Polish noblewoman, pianist,
293:(in Polish). Instytut Wydawniczy Pax. p. 52.
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342:, Warsaw, Państwowy Instytut Wydawniczy, 1963.
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143:She is remembered as the great love of
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158:who addressed his infamous essay
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425:Nobility from the Russian Empire
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350:Cmentarz Powązkowski 1851–1860
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264:Richard von Coudenhove-Kalergi
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287:Czajkowski, Zbigniew (1998).
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470:Polish patrons of the arts
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400:Polish classical pianists
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356:, 1851–60), Warsaw, 1982.
330:Listy do Adama Potockiego
161:Das Judentum in der Musik
29:Marie Kalergi (1840–1877)
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69:and patron of the arts.
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460:19th-century composers
430:Baltic-German nobility
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236:Elegy on Marie Kalergi
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89:, a rich landowner of
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27:For her daughter, see
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405:Polish women pianists
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79:Nesselrode-Ehreshoven
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300:978-83-211-1229-9
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192:Siergiej Muchanow
16:(Redirected from
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364:Categories
323:References
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170:Moniuszko
166:de Musset
87:Kalergis
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224:Warsaw
138:Chopin
94:Cretan
83:Górska
63:Warsaw
54:, 1845
352:(The
274:Notes
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187:Halka
178:Heine
152:Liszt
107:Paris
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