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104:
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472:(1750), in addition to her composing work. Her own compositional style shows a strong affinity for that of Hasse, especially his conception of opera seria. She also performed actively as a singer and keyboard player in court performances, including leading roles in both of her operas. In addition to her two operas, a number of arias, a pastorale, intermezzos, meditations and motets are attributed to her.
545:, who is—as revealed near the end of the opera—the mother of Orontes. Ultimately, the plot ends happily, with each couple united and war averted, as the Scythians and Amazons manage to peacefully co-exist. The depiction of the benevolent, thoughtful ruler Talestris coming to be a political leader suggests the possibility that the opera is a semi-autobiographical rendering of Maria Antonia herself.
391:
and took refuge in Prague and Munich, but returned at her husband’s accession to the throne in 1763. He died ten weeks later, and their son
Frederick Augustus succeeded him. Her son being a minor, she served as joint regent with her brother-in-law
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Although her music is treated somewhat more broadly with less musical analysis, the entire treatise is used to model compositional techniques, implying a high regard for her work by
Antonio Eximeno y Pujades, and presumably other contemporaries.
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and enjoyed warm reviews both in their premieres at the court theater, which she sang in, and also throughout other
European cities. Music critic Charles Burney praised her opera and her singing in his 1773 work,
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of Rome, a significant institution in operatic reform. With her marriage, she moved to
Dresden. She had nine children with Friedrich Christian, seven of whom survived infancy.
521:
Several operas took on the same principle over the next century, with Maria
Antonia crafting her own libretto and music. The plot centers on Talestris’ relationship with a
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1685:
352:. Throughout her life she received an outstanding education, particularly in the arts; including that of painting and writing poetry, as well as music.
17:
1248:
Heinrich
Theodor Flathe: Maria Antonia von Bayern. In: Allgemeine Deutsche Biographie (ADB). Band 20, Duncker & Humblot, Leipzig 1884, S. 371–374.
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Genealogie ascendante jusqu'au quatrieme degre inclusivement de tous les Rois et
Princes de maisons souveraines de l'Europe actuellement vivans
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444:. Indeed, opera played a major part throughout Maria Antonia’s life. The court of Munich celebrated her birth with a performance of the opera
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until her son reached legal majority in 1768. During her regency, she opposed her co-regent's act to give up her son's claim to the
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529:, as in LaCalprenède’s version. In addition to the title character, two other prominent characters are women:
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375:, while they would wed in person in Dresden on 20 June 1747. That same year she became a member of the
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Dell' origine e delle regole della musica, colla storia del suo progresso, decadenza, e rinnovazione
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570:. Also of note, the philosopher and music theorist Antonio Eximeno y Pujades included an aria from
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and beyond. The French poet
Gautier de Coste LaCalprenède revived the tale in the novel
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320:. Following the latter's death in 1763, she became the Regent of Saxony for their son
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The
Present State of Music in Germany, the Netherlands, and the United Provinces
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1181:] (in French). Bourdeaux: Frederic Guillaume Birnstiel. 1768. p. 40.
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The Present State of Music in Germany, the Netherlands and United Provinces
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While in Munich, Maria Antonia studied music with renowned opera composers
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300:(18 July 1724 – 23 April 1780) was a German princess, composer, singer,
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She was the fourth of seven children of the Elector and his wife.
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578:, putting her in the company of five other selected composers:
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1199:. Grove Music Online. Ed. L. Macy. Accessed January 30, 2007.
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Talestri, regina delle Amazzoni: drama per music, de E.T.P.A.
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and patron of the arts, known particularly for her operas:
533:, her advisor who also falls in love with a Scythian man,
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Margravine Christiane Eberhardine of Brandenburg-Bayreuth
432:. After moving to Dresden she continued her studies with
561:, Maria Antonia’s operas were successfully published by
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Maria Antonia, Princess of Bavaria, Electress of Saxony
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Margravine Magdalene Sibylle of Brandenburg-Bayreuth
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1734:Countess Palatine Amalie of ZweibrĂĽcken-Birkenfeld
464:. Shortly after moving to Dresden, she penned the
420:Painting of Maria Antonia by Pietro Antonio Rotari
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1749:
1549:
1509:Maria Anna Josepha, Margravine of Baden-Baden
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660:Ancestors of Duchess Maria Antonia of Bavaria
1467:Violante Beatrice, Grand Princess of Tuscany
1197:Maria Antonia Walpurgis, Electress of Saxony
863:Marie Casimire Louise de la Grange d'Arquien
312:(“Talestri, queen of the Amazons”). She was
1878:Children of Charles VII, Holy Roman Emperor
1702:Princess Eleonore Erdmuthe of Saxe-Eisenach
1556:
1542:
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1047:John Frederick, Duke of Brunswick-LĂĽneburg
102:
1563:
1221:Maria Antonia Walpurgis: Baroque Composer
711:Maximilian II Emanuel, Elector of Bavaria
647:. CD, Berlin: Folkert Uhde, 1999 and 2003
576:Dell’ origine e delle regole della musica
82:Learn how and when to remove this message
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367:took place in Munich on 13 June 1747 to
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45:This article includes a list of general
1788:18th-century German women opera singers
1462:Maria Anna Victoria, Dauphine of France
1430:Magdalene, Countess Palatine of Neuburg
1231:. (Liner notes of CD, see discography).
237:Maximilian, Hereditary Prince of Saxony
205: 1747; died 1763)
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1393:Mechthild, Margravine of Baden-Baden
624:: opera, libretto by Maria Antonia (
614:: opera, libretto by Maria Antonia (
232:Maria Amalia, Duchess of ZweibrĂĽcken
222:Frederick Augustus I, King of Saxony
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985:Eleonore-Magdalena of Pfalz-Neuburg
685:Ferdinand Maria, Elector of Bavaria
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1499:Maria Antonia, Electress of Saxony
1425:Maria Anna, Archduchess of Austria
1409:Maria Anna, Archduchess of Austria
1308:5 October 1763 – 17 December 1763
1238:Leipzig: G. G. I. Breitkopf, 1765.
559:Ermelinda Talea Pastorella Arcadia
334:Maria Antoina Walpurgis Symphorosa
255:Maria Antonia Walpurgis Symphorosa
51:it lacks sufficient corresponding
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18:Maria Antonia Walpurgis of Bavaria
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1514:Maria Josepha, Holy Roman Empress
128:5 October 1763 – 17 December 1763
1858:German women classical composers
1778:18th-century classical composers
1726:Duchess Maria Antonia of Bavaria
1319:Amalie of ZweibrĂĽcken-Birkenfeld
412:Musical training and composition
308:(“The triumph of fidelity”) and
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1694:Princess Anna Sophie of Denmark
1606:Catherine of Brunswick-LĂĽneburg
1229:Talestri, Regina delle Amazzoni
769:Charles VII, Holy Roman Emperor
490:appears in numerous works from
470:La conversione di Sant’Agostino
280:Charles VII, Holy Roman Emperor
202:
1828:Electoral Princesses of Saxony
1372:Sabina, Duchess of WĂĽrttemberg
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1105:Benedicta-Henrietta of Simmern
1073:Wilhelmina Amalia of Brunswick
639:Talestri, regina delle amazoni
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622:Talestri, regina delle amazoni
322:Frederick Augustus I of Saxony
310:Talestri, regina delle amazoni
13:
1:
1793:18th-century German composers
1654:Agnes Hedwig of Anhalt-Dessau
1358:Duchesses of Bavaria by birth
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927:Leopold I, Holy Roman Emperor
1833:Burials at Dresden Cathedral
1798:18th-century women composers
1224:. Accessed January 30, 2007.
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953:Joseph I, Holy Roman Emperor
831:Therese Kunigunde of Bavaria
426:Giovanni Battista Ferrandini
400:in 1765. She also founded a
387:She left Dresden during the
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1622:Elisabeth of Bavaria-Munich
1377:Susanna, Electress Palatine
1304:Electress consort of Saxony
1241:Antonio Eximeno y Pujades:
743:Henriette Adelaide of Savoy
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553:Though published using the
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119:Electress consort of Saxony
27:Electress of Saxony in 1763
10:
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1670:Princess Hedwig of Denmark
1234:Walpurgis, Maria Antonia:
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612:Il trionfo della fedeltĂ
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541:, the high priestess of
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306:Il trionfo della fedeltĂ
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1011:Maria Amalia of Austria
456:, sets by Bibiena, and
346:Maria Amalia of Austria
290:Maria Amalia of Austria
227:Anthony, King of Saxony
66:more precise citations.
1838:German harpsichordists
1808:German opera composers
468:for Hasse’s oratorio,
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377:Accademia dell’Arcadia
350:Karl Albert of Bavaria
1873:Daughters of emperors
1863:Women opera composers
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1843:Women harpsichordists
1662:Sophie of Brandenburg
1599:Euphemia of Oleśnica
1565:Electresses of Saxony
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574:in his 1774 treatise
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328:Family and background
178:Katholische Hofkirche
1818:Nobility from Munich
1813:House of Wittelsbach
1803:Duchesses of Bavaria
1768:18th-century regents
1261:House of Wittelsbach
1219:LĂłpez, Pilar Ramos:
1195:Allroggen, Gerhard:
454:La Spartana generosa
373:Electorate of Saxony
1614:Margaret of Austria
1593:Barbara of Legnica
1581:Cecilia of Carrara
1575:Elisabeth of Hesse
1205:16 May 2008 at the
557:ETPA, standing for
504:Alexander the Great
442:Johann Adolph Hasse
369:Frederick Christian
314:Electress of Saxony
110:Anton Raphael Mengs
1883:Daughters of kings
1587:Anna of Thuringia
1315:Title last held by
1293:Title next held by
628:, 6 February 1760)
549:Critical reception
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371:, the heir to the
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1276:23 April 1780
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1245:. Rome, 1774.
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160:23 April 1780
159:
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34:
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19:
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1594:
1588:
1582:
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1524:
1498:
1483:none notable
1482:
1446:none notable
1445:
1317:
1311:
1302:
1295:
1289:
1273:
1269:18 July 1724
1266:
1259:
1242:
1235:
1228:
1220:
1212:
1196:
1178:
1173:
1167:
888:
642:
638:
621:
611:
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575:
571:
567:
558:
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520:
499:
481:
476:
469:
461:
453:
450:Pietro Torri
445:
423:
394:Franz Xavier
386:
376:
362:
354:
348:and Elector
333:
331:
309:
305:
297:
296:
162:(1780-04-23)
147:18 July 1724
108:Portrait by
78:
69:
50:
29:
1763:1780 deaths
1758:1724 births
1737:(1769–1806)
1721:(1733–1757)
1713:(1694–1727)
1705:(1694–1694)
1697:(1680–1691)
1689:(1656–1680)
1681:(1611–1656)
1673:(1602–1611)
1665:(1586–1591)
1649:(1553–1585)
1641:(1547–1553)
1633:(1532–1547)
1625:(1464–1486)
1617:(1431–1464)
1609:(1423–1428)
1601:(1420–1422)
1595:(1396–1419)
1589:(1388–1395)
1583:(1376–1388)
1577:(1356–1370)
633:Discography
626:Nymphenburg
496:Middle Ages
363:A marriage
270:Wittelsbach
64:introducing
1752:Categories
1154:References
580:Palestrina
512:Massagetes
488:Thalestris
143:1724-07-18
47:references
1159:Citations
592:Pergolesi
563:Breitkopf
555:pseudonym
500:Cassandre
460:’s opera
408:in 1766.
332:Baptized
72:June 2024
1203:Archived
652:Ancestry
572:Talestri
535:Learchus
523:Scythian
477:Talestri
466:libretto
365:by proxy
359:Marriage
152:, Munich
1190:Sources
616:Dresden
596:Corelli
539:Tomiris
531:Antiope
527:Orontes
508:Orontes
406:brewery
383:Regency
207:
199:
195:
167:Dresden
60:improve
1729:(1763)
1657:(1586)
1312:Vacant
1290:Vacant
1272:
594:, and
584:Nanini
537:; and
525:ruler
486:queen
484:Amazon
342:Munich
286:Mother
276:Father
185:Spouse
173:Burial
125:Tenure
112:, 1752
49:, but
1274:Died:
1267:Born:
1177:[
606:Works
588:Clari
543:Diana
458:Gluck
265:House
250:Names
214:Issue
201:(
197:
1103:15.
1045:14.
983:13.
925:12.
861:11.
803:10.
516:foil
482:The
440:and
428:and
157:Died
137:Born
1071:7.
1009:3.
951:6.
887:1.
829:5.
767:2.
741:9.
709:4.
683:8.
598:.
448:by
340:in
1754::
641::
590:,
586:,
582:,
436:,
324:.
203:m.
1557:e
1550:t
1543:v
1350:e
1343:t
1336:v
145:)
141:(
85:)
79:(
74:)
70:(
56:.
20:)
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