149:. They presented their findings in 1975 in the installation Women and Work: A Document on the Division of Labour in Industry 1973–1975 that was first displayed at the South London Art Gallery in 1975. The exhibition told the stories of 150 working women who participated in the project and offers an account of the participants' relationship to the workplace, as well as reflections on the changes in labour and industry brought about by the Equal Pay Act (EPA), which had been passed in 1970.
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in 1980. This important international group exhibition highlighted socially oriented feminist art practice and has been recognized as a key feminist exhibition. According to Chris
Crickmay, Harrison’s work was amongst others coming into prominence “reflecting social concerns in that had not hitherto
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Harrison continues to work in both the United States and
England and has exhibited in America, Switzerland, and Great Britain. Her work has been shown in the Museum of Contemporary Art and the Tate Modern. She was a Senior Research Professor and Director of the Social and Environmental Art Research
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Her work "Beautiful Ugly
Violence" was described as "a field day of juxtapositions, as the bright and almost cheery colors of her paintings counter the often subdued and sometimes deadly topic: the various means of committing violence against women."
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A retrospective of her work “Margaret
Harrison: Dialogues Between Sex, Class and Violence” was held from October 2017 – January 2018 at the Azkuna Zentroa, Bilbao.
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She founded the London Women's
Liberation Art Group in 1970. A 1971 exhibition of her work that was closed by the police included a piece depicting
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Born in
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Schools, London, England, from 1961 to 1964; and graduated from the
Perugia Fine Arts Academy, Italy, in 1965.
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This article is about the
British feminist and artist. For other people named Margaret Harrison, see
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gallery in East London from 15 April to 21 May. Beverley
Knowles curated the show.
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Margaret
Harrison interviewed by Francis Kavanagh for Artists Insight, April 2011
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In 2015, Harrison had a solo show at Ronald Feldman Gallery in New York.
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Between 1973 and 1975 she collaborated with artists Kay Hunt and
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to conduct a study of women's work in a metal box factory in
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whose work uses a variety of media and subject matter.
588:"Margaret Harrison in conversation with Lucy Lippard"
431:"Art of Fact: Beautiful Ugly Violence's open wounds"
456:"Margaret Harrison and The Girls / I am a Fantasy"
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210:. California, USA: Neurotic Raven. p. 46.
176:In 2011 "I am a Fantasy", was exhibited at the
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208:On Reflection: the art of Margaret Harrison
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487:"Margaret Harrison: A Brush with the Law"
286:"Margaret Harrison: a brush with the law"
183:In 2013, she won the Northern Art Prize
154:Issue: Social Strategies by Women Artists
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16:British feminist and artist (born 1940)
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162:Institute of Contemporary Arts, London
260:"Violence isn't Always Ugly at First"
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594:. Tate Britain. 1978. Archived from
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234:. Phaidon Press. 2019. p. 172.
651:Alumni of the University of Cumbria
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641:21st-century English women artists
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485:Lutyens, Dominic (7 April 2011).
384:. Journal of Visual Arts Practice
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333:"BP Spotlight: Women & Work"
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538:Ronald Feldman Gallery
514:. Northern Art Prize
206:Munson, Kim (2015).
598:on 9 September 2009
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147:Bermondsey, London
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