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Marabou Stork Nightmares

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275:, and befriends his gay half-brother. His happiness is short-lived, however; the memory of what he has done continues to haunt him, and his depression soon completely engulfs him, taking him away from his lover and his drug-driven escapism. He attempts suicide by asphyxiation, but survives, putting him in a coma. 29: 300:
praises Welsh for the power of his fiction and writes: "Here was a voice, out of Edinburgh by way of Hades, that would never have a problem with energy, wit or compassion. Finding the right form for all this incendiary talent might prove trickier." Tonkin suggests that Welsh does not know what to do
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One day, the gang's rape victim visits him in the hospital. She tells him that she has been murdering her rapists one by one, and now she has come for him, revealing that he was by far the most brutal. She then cuts off his penis and stabs him to death. In his final moments, Strang realizes that the
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Roy Strang narrates the book from an (at first) unexplained coma, which he has been in for the previous two years. His life in this state is a miserable affair, surrounded by uncaring doctors and his extremely dysfunctional family. In his fantasy life, he is an adventurer in the wilds of South
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The novel's other, more stream-of-consciousness narrative, intertwined with the story of Strang's past, takes place in the fantasy world he creates for himself in the coma. At first a bizarre but rousing adventure, it gradually becomes darker as Strang reveals the uglier parts of his life and
233:, Scotland, with his violent, delusional parents, two half-brothers (one a womanizer, the other flamboyantly gay), and his promiscuous sister, all of whom he despises. When Strang is 12, he and his family relocate to 320:
There is a strong message against violence towards women from men in the book; one passage is in fact set out in a capital "Z", which is the symbol for Zero Tolerance, a women's rights group based in Scotland.
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Strang grows into a violent, misogynistic thug. He maintains a full-time job as a systems analyst for the fictional investment group, "Scottish Spinsters" (a reference to
260:, and led by the fearsome Lexo. Strang enjoys his life as a "top boy," feared by the entire town, until the gang kidnaps a young woman who rejected their advances and 237:-era South Africa, where he is repeatedly molested by his uncle. After his father is jailed for the violent assault of a taxi driver and his uncle is killed in a 264:
her; Strang is horrified but also takes an active part in her rape, justifying it to himself by contemplating how the gang would turn on him if he didn't.
271:. He briefly revives a few months later when he meets a woman and genuinely feels love for the first time. Around the same time he begins to take 714: 551: 559: 476: 411: 205:. The plot consists of the memories and hallucinations of the protagonist, Roy Strang, making him an extreme example of an 279:
only person he has ever really hated is himself, and makes peace with everyone he has wronged and who has wronged him.
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As in many of Welsh's novels, there are many allusions to music and underground youth culture, especially
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bombing, the Strangs are forced to return to Scotland, a mere 18 months after they left.
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with his fatalism, but that the story "gives a shockingly funny shape to that impasse".
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The gang evades prison, but Strang is stricken with guilt and withdraws completely into
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account of an otherworldly present. Like many of Welsh's novels, it is written in
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When not hallucinating, Strang tells his life story, beginning in a "scheme" (
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personality, involving surreal images of brutality and sexual violence.
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Africa, where he and his loyal guide, Sandy Jamieson, hunt for the
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The book's narrative is split into two styles: a conventional
131: 180:, and his second novel, published in the UK in 1995. 701: 337:Francis Begbie, one of the main characters in 405: 324:The South African narrative is written in a 412: 398: 27: 419: 317:, comic books, and football hooliganism. 477:The Bedroom Secrets of the Master Chefs 702: 363: 393: 560:If You Liked School You'll Love Work 13: 14: 751: 715:Fiction with unreliable narrators 385: 212: 187:account of the past and a more 501:The Sex Lives of Siamese Twins 357: 1: 350: 286: 176:is an experimental novel by 7: 304: 10: 756: 18:1995 novel by Irvine Welsh 681: 630: 603: 587:You'll Have Had Your Hole 578: 535: 428: 156: 143: 129: 117: 109: 93: 85: 75: 59: 48: 38: 26: 22:Marabou Stork Nightmares 445:Marabou Stork Nightmares 173:Marabou Stork Nightmares 735:Novels set in Edinburgh 720:Fiction about gang rape 536:Short story collections 227:local authority housing 193:stream-of-consciousness 730:Novels by Irvine Welsh 655:Irvine Welsh's Ecstasy 248:). He joins a gang of 258:Capital City Service 252:who are attached to 81:1995 (UK), 1996 (US) 725:Jonathan Cape books 710:1995 British novels 525:Dead Men's Trousers 207:unreliable narrator 23: 250:football hooligans 33:First edition (UK) 21: 697: 696: 367:(23 April 1995). 169: 168: 86:Publication place 747: 671:T2 Trainspotting 631:Film adaptations 568:Reheated Cabbage 517:The Blade Artist 414: 407: 400: 391: 390: 379: 378: 361: 157:Followed by 144:Preceded by 133: 77:Publication date 31: 24: 20: 755: 754: 750: 749: 748: 746: 745: 744: 700: 699: 698: 693: 677: 626: 599: 574: 531: 424: 418: 388: 383: 382: 362: 358: 353: 307: 289: 246:Scottish Widows 215: 94:Media type 78: 67: 34: 19: 12: 11: 5: 753: 743: 742: 737: 732: 727: 722: 717: 712: 695: 694: 692: 691: 685: 683: 679: 678: 676: 675: 667: 659: 651: 647:The Acid House 643: 634: 632: 628: 627: 625: 624: 620:Wedding Belles 616: 612:The Acid House 607: 605: 601: 600: 598: 597: 591: 582: 580: 576: 575: 573: 572: 564: 556: 548: 544:The Acid House 539: 537: 533: 532: 530: 529: 521: 513: 505: 497: 489: 481: 473: 465: 457: 449: 441: 432: 430: 426: 425: 417: 416: 409: 402: 394: 387: 386:External links 384: 381: 380: 355: 354: 352: 349: 306: 303: 288: 285: 254:Hibernian F.C. 214: 211: 167: 166: 158: 154: 153: 145: 141: 140: 135: 127: 126: 121: 115: 114: 111: 107: 106: 95: 91: 90: 87: 83: 82: 79: 76: 73: 72: 61: 57: 56: 50: 46: 45: 40: 36: 35: 32: 17: 9: 6: 4: 3: 2: 752: 741: 740:Trainspotting 738: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 708: 707: 705: 690: 687: 686: 684: 680: 673: 672: 668: 665: 664: 660: 657: 656: 652: 649: 648: 644: 641: 640: 639:Trainspotting 636: 635: 633: 629: 622: 621: 617: 614: 613: 609: 608: 606: 602: 595: 592: 589: 588: 584: 583: 581: 577: 570: 569: 565: 562: 561: 557: 554: 553: 549: 546: 545: 541: 540: 538: 534: 527: 526: 522: 519: 518: 514: 511: 510: 509:A Decent Ride 506: 503: 502: 498: 495: 494: 490: 487: 486: 482: 479: 478: 474: 471: 470: 466: 463: 462: 458: 455: 454: 450: 447: 446: 442: 439: 438: 437:Trainspotting 434: 433: 431: 427: 423: 415: 410: 408: 403: 401: 396: 395: 392: 376: 375: 370: 369:"A wee Hades" 366: 360: 356: 348: 346: 342: 341: 340:Trainspotting 336: 331: 329: 328: 322: 318: 316: 312: 302: 299: 298: 293: 284: 280: 276: 274: 270: 265: 263: 259: 255: 251: 247: 242: 240: 236: 232: 228: 223: 221: 220:marabou stork 210: 208: 204: 201: 198: 194: 190: 186: 181: 179: 175: 174: 165: 163: 159: 155: 152: 150: 149:Trainspotting 146: 142: 139: 136: 134: 128: 125: 124:0-393-31563-0 122: 120: 116: 112: 108: 104: 100: 96: 92: 88: 84: 80: 74: 70: 65: 64:Jonathan Cape 62: 58: 55: 51: 47: 44: 41: 37: 30: 25: 16: 669: 661: 653: 645: 637: 618: 610: 593: 585: 566: 558: 550: 542: 523: 515: 507: 499: 491: 483: 475: 467: 459: 451: 444: 443: 435: 422:Irvine Welsh 374:The Observer 372: 365:Tonkin, Boyd 359: 347:appearance. 338: 332: 325: 323: 319: 311:rave culture 308: 297:The Observer 295: 290: 281: 277: 266: 243: 224: 216: 213:Plot summary 185:first-person 182: 178:Irvine Welsh 172: 171: 170: 160: 147: 69:W. W. Norton 43:Irvine Welsh 15: 689:Mark Renton 604:Screenplays 335:sociopathic 292:Boyd Tonkin 704:Categories 682:Characters 351:References 343:, makes a 269:depression 262:gang rapes 420:Works by 327:Boys' Own 315:punk rock 287:Reception 239:terrorist 235:apartheid 231:Muirhouse 197:Edinburgh 103:paperback 60:Publisher 52:English, 493:Skagboys 305:Analysis 138:36429347 99:hardback 89:Scotland 49:Language 552:Ecstasy 330:style. 273:ecstasy 203:dialect 189:surreal 97:Print ( 674:(2017) 666:(2013) 658:(2011) 650:(1998) 642:(1996) 623:(2007) 615:(1998) 596:(1998) 590:(1998) 571:(2009) 563:(2007) 555:(1996) 547:(1994) 528:(2018) 520:(2016) 512:(2015) 504:(2014) 496:(2012) 488:(2008) 480:(2006) 472:(2002) 464:(2001) 456:(1998) 448:(1995) 440:(1993) 429:Novels 256:, the 164:  151:  113:264 pp 101:& 39:Author 663:Filth 579:Plays 485:Crime 469:Porno 453:Filth 345:cameo 229:) in 200:Scots 162:Filth 110:Pages 66:(UK) 54:Scots 594:Dose 461:Glue 333:The 132:OCLC 119:ISBN 71:(US) 294:at 706:: 371:. 313:, 222:. 209:. 191:, 413:e 406:t 399:v 377:. 105:)

Index


Irvine Welsh
Scots
Jonathan Cape
W. W. Norton
hardback
paperback
ISBN
0-393-31563-0
OCLC
36429347
Trainspotting
Filth
Irvine Welsh
first-person
surreal
stream-of-consciousness
Edinburgh
Scots
dialect
unreliable narrator
marabou stork
local authority housing
Muirhouse
apartheid
terrorist
Scottish Widows
football hooligans
Hibernian F.C.
Capital City Service

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