801:, Germany held "Lynn Hershman Leeson: Civic Radar", a retrospective of work. The ZKM Museum described the retrospective as having "realized the first retrospective which not only ensures an overview of all creative phases in Leeson's oeuvre but also the most recent productions of this innovative artist." While encompassing a wide body of Hershman's work throughout the years, as an exhibition, "Civic Radar" highlights Hershman's interest in technology, looking closely at artificial intelligence and genetic modification. In 2017, "Lynn Hershman Leeson: Civic Radar," Hershman's retrospective from ZKM was hosted at the
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557:, allows the viewer to peer inside of a box through a small periscopic device and see a bed, telephone, chair, television, and some clothes on the floor. In the back of the small room, a woman appears on a screen and it is there where she asks the following: “What are you doing here? Please look somewhere else!”. There are about 17 segments and depending on where the viewer is focusing, a different video plays in the back wall. Throughout the experience, the viewer is positioned to be a
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816:. The New Museum described the exhibition as bringing "together a selection of Hershman Leeson’s work in drawing, sculpture, video, and photography, along with interactive and net-based works, focusing on themes of transmutation, identity construction, and the evolution of the cyborg. Filling the New Museum’s Second Floor galleries, this presentation some of the artist’s most important projects, including wax-cast
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technological life and human life, and how the two can marry. Strange
Culture again was about misidentity, where the media created a fictional character that they blame this crime on, rather than the actual person. All of these works are about erasure of identity and how technology adds to it and creates it. And how you can defeat that.
561:, an individual who gains sexual gratification by watching an unsuspecting individual either partly undress, get naked or engage in sexual activities, but any pleasure that is gained, is quickly frustrated in many different ways. At the end, the viewer's reflection is shown in a small television in the back of the room.
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Leeson was also featured in the Women's eNews "21 Leaders for the 21st
Century" special in 2014 for her role in empowering young female artists to strengthen their artistic voices. Her documentary !W.A.R. raises awareness for the fact that the art world is a male-dominated realm and explores the many
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woman who never left her one-room apartment. As Lorna watched the news and advertisements, watched the news and ads, she became fearful, afraid to leave her tiny room. Viewers were invited to liberate Lorna from her fears, using remote control units, and have the option of directing her life into
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named "Roberta
Breitmore." It consisted not only of a physical self-transformation through make-up, clothing, and wigs, but a fully-fledged personality existing over an extended period of time and whose existence could be proven in the world through physical evidence, such as a driver's license,
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This was later taken to further lengths when
Hershman Leeson introduced another three 'Robertas', by hiring other performers to enact her character. These 'clones' of Roberta adopted the same look and attire, engaged in some of Roberta's correspondence and also went on some of Roberta (Hershman
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The films are all about loss and technology. Ada
Lovelace invented computer language, but was never credited and was basically erased from history. Teknolust is about artificial intelligence clones: the bots that escape into reality and interact with human life, in effect a symbiosis between
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is composed of a wax face with a wig and butterflies contained in a wood and plexiglass display, expressing the a dichotomy of life and entrapment within the female body. Shaped by her experiences, Leeson's early works were political in nature and characterized as being closer inspections of
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844:(2014–present), and other works. The exhibition was curated by Margot Norton, Allen and Lola Goldring Curator, and was accompanied by a fully illustrated catalogue with contributions by Karen Archey and Martine Syms, and an interview with Lynn Hershman Leeson conducted by Margot Norton.
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The plot has multiple variations that can be seen backwards, forwards, at increased or decreased speeds, and from several points of view. There is no hierarchy in the ordering of decisions. And the icons were often made of cut-off and dislocated body parts such as a mouth, or an eye.
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Distinguished Artist Award. The
Digital Art Museum in Berlin recognized her work with the d.velop digital award (ddaa) for Lifetime Achievement in the field of New Media in 2010. Her work was recently included in Arthur and Marilouise Kroker's Top Ten for the January 2013 issue of
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composed of the therapy sessions between Cuban-artist and activist Tanya
Bruguera and Dr. Frank M. Ochberg revolving around the subjects of political surveillance, past trauma and the aftermath of imprisonment in Havana after her prior advocating for freedom of expression.
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series (1974–78) to videos from the 1980s and interactive installations that use the
Internet and artificial intelligence software. Her influential early ventures into performance and photography are also featured in the current touring exhibition
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did it. Of course Laura took this practice further and I think that was very smart and I do not think she deserves the kind of condemnation that she got. If I had done the
Roberta thing ten years later, I would have faced the same
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Hershman Leeson has been described as a "new media pioneer" for her integration of emerging technologies into her work and is one of five artists that art historian
Patrick Frank examines in his 2024 book
241:. Her work with technology and in media-based practices is credited with helping to legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and
506:(Stanford Humanities Lab) to convert parts of the archive into something for a broader public. They worked to recreate and re-enact both Roberta Breitmore and The Dante Hotel in a virtual space.
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in 1972. One aspect of Hershman's master's thesis involved writing art criticism under three pseudonyms: Prudence Juris, Herbert Goode and Gay Abandon. She received an honorary Ph.D degree from
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is an installation, film and online interactive website. The prize comprises a six-month fellowship at the Media Center and an invitation to participate in next year's No Borders programme.
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Leeson's) dates. Towards the end, the 'original' Roberta withdrew from her character leaving the three 'clones' to continue her work, until they were retired in a performance at the
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Between 1995 and 2000, Roberta transformed into the CybeRoberta, an interactive artificial intelligent sculpture on the web. In 2006 Roberta Breitmore developed into a character in
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Agent Ruby used artificial intelligence to hold conversations with online users. These conversations shaped Agent Ruby's memory, knowledge, and moods. In 2013 the SFMOMA presented
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sculptures (1965–68) and selections from hundreds of early drawings from the 1960s, many of which exhibited before." The exhibition also included works from the
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Lynn Hershman Leeson has been awarded a special mention from the Jury for her participation in the 59th International Art Exhibition of La Biennale di Venezia –
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Libraries acquired Hershman Leeson's working archive. Stanford also acquired a collection of the interviews compiled for Hershman Leeson's 2010 documentary
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Hershman Leeson's earlier works drew interest from themes within science fiction and assemblages of the human body and sexuality. After suffering from
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In 2023, Leeson received honorary awards from Creative Capital The Mill Valley Film Festival, The Contemporary Jewish Museum (San Francisco).
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Her projects explore technology in digital media and science. Hershman Leeson was the first artist to launch an interactive piece using
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in Cleveland. After graduation, she moved to California intending to study painting and join the student activism at the
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The concept of an alter ego is not new at all. Writers have been protecting themselves in that way for centuries.
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In 1963, Hershman graduated with a bachelor's degree in Education, Museum Administration and Fine Arts from
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in New York City hosted the first solo museum exhibition in New York of Hershman Leeson's work, entitled
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1705:"A New Future from the Passed: Lynn Hershman Leeson Comes into Her Own After 50 Years of Prophetic Work"
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Lynn Hershman Leeson has directed 26 films, including six feature-length films. According to Leeson:
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features a series of seductive television ads in which a sexy woman asked for viewers to call her.
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1932:"Lynn Hershman Leeson: Origins of the Species (Part 2) review – always alert to the future"
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2163:"Exhibitions + Events | Calendar | Lynn Hershman Leeson: The Agent Ruby Files"
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1470:"The Flickering Flame takes out the ARTE International Prize for The Pixel Market 2014"
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2723:"Lynn Hershman Leeson: A Manual for Automatons, Bionic Beings and Cyborgs, 1962-1982"
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Lynn Hershman Leeson: A Manual for Automatons, Bionic Beings and Cyborgs, 1962-1982
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film department in 2007. She also served as an A. D. White Professor at Large at
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Hershman Leeson created the "Agent Ruby" website as a companion to her 2002 film
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1859:"SFAI Proudly Welcomes Lynn Hershman Leeson as New Head of Its Film Department"
1168:, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia
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3125:"Artist probes appearances in video, drawings, sculpture ... and, yes, robots"
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3148:"Bringing Creativity to Science: Dawn L. Hershman Is a Giant of Cancer Care"
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As part of her 2014 exhibition "How To Disappear," she premiered her video
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491:. What remains are the physical artefacts of any life: documentation and
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2310:"The Trauma of Political Engagement: Lynn Hershman Leeson's Tania Libre"
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Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century
1074:, San Francisco Museum of Modern Art (SFMoMa), San Francisco, California
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2527:"Lynn Hershman Leeson – How to Disappear, Ausstellung Aanant & Zoo"
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Work by Hershman Leeson is featured in the public collections of the
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1565:"The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I
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Prize for Writing and Directing. In 2009 she was the recipient of a
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and was the 2013–2014 Dorothy H. Hirshon "Director in Residence" at
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The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I
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2416:, Museum of Contemporary Art in Krakow, Retrieved 19 January 2019.
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From 1990 to 1993, Lynn Hershman Leeson produced a project called
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University, © Stanford; Stanford; California 94305 (2016-08-25).
1730:"Commencement 2023 to Be Held on May 17 at Radio City Music Hall"
1504:"At 80, S.F. artist celebrated by industry that once shunned her"
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1208:, Centro de Arte Dos de Mayo Comunidad de Madrid, Madrid, Spain
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2015:"Hacking the Codes of Self-representation LEA Magazine Article"
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and performance tradition, with an emphasis on interactivity.
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from the article and its talk page, especially if potentially
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in Ferrara, Italy in 1978, during an exorcism at the grave of
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From 1974 until 1978, Hershman Leeson 'developed' a fictional
2348:"Lynn Hershman Leeson: Civic Radar, February 10–May 21, 2017"
1175:, Yerba Buena Center for the Arts, San Francisco, California
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3025:"Women's eNews Announces 21 Leaders for 21st Century 2014"
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386:, among many others. Commissions include projects for the
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2940:"Visual Arts Faculty featured in Artforum's Top Ten List"
2255:"Immediate Kinship: Laura Albert on Lynn Hershman Leeson"
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2476:, Akademie der Kunste Berlin, Retrieved 19 January 2019.
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in 2005 on the occasion of another retrospective at the
549:. The project is said to be inspired by Thomas Edison's
2658:"Lynn Hershman Leeson: Origins of the Species (Part 2)"
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The Importance of Being Roberta, Katerina Gregos (2011)
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Datebook | San Francisco Arts & Entertainment Guide
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1427:. Hershman Leeson has two grandchildren, Noa and Eli.
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influential works of female artists over the decades.
1251:, Museum of Modern Art (MoMa), New York City, New York
343:, 1984–1989). Her networked robotic art installation (
335:, 1983–84), as well the first artist to incorporate a
1161:, Armory Gallery, Virginia Tech, Blacksburg, Virginia
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Lynn Hershman Leeson: Origins of the Species (Part 2)
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Civic Radar. Lynn Hershman Leeson - The Retrospective
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The Floating Museum (1975–1978): Lynn Hershman Leeson
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Heresies: A Feminist Publication on Art and Politics
2580:"Lynn Hershman Leeson in Berlin Gegen den Datenstro"
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1276:, Scott Nichols Gallery, San Francisco, California.
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655:, the Toronto International Film Festival and The
450:while pregnant in 1965, Leeson, created her piece
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495:such as legal and medical documents and a diary.
413:From 1993 to 2004, Hershman Leeson taught at the
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2464:, Seattle Art Museum, Retrieved 19 January 2019.
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479:credit card, and letters from her psychiatrist.
233:; born June 17, 1941) is an American multimedia
2684:Lynn Hershman Leeson, Retrieved 17 October 2022
2660:, Modern Art Oxford, Retrieved 19 January 2019.
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2487:"Lynn Hershman Leeson, Aanat & Zoo, Berlin"
2428:, Kunsthalle Bremen, Retrieved 19 January 2019.
1592:"Lynn Hershman Leeson: The Artist Is Prescient"
358:(Zentrum fur Kunst und Medientechnologie), the
2965:Kroker, Arthur and Marilouise (January 2013).
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797:In 2014 The ZKM Museum of Contemporary Art in
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3182:!Women Art Revolution - Spotlight at Stanford
2725:Anglim Gilbert Gallery, Retrieved 7 May 2020.
2629:"Lynn Hershman Leeson: Ăśber das Verschwinden"
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2404:, de Young Museum, Retrieved 19 January 2019.
2218:!Women Art Revolution - Spotlight at Stanford
1885:Cornell Rose Goldsen Archive of New Media Art
1753:Wardrip-Fruin, Noah, and Nick Montfort, eds.
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3367:Elizabeth A. Sackler Center for Feminist Art
2439:"Lynn Hershman Leeson: The Agent Ruby Files"
1625:Art of the 1980s: As If the Digital Mattered
378:, in addition to the private collections of
251:Art of the 1980s: As If the Digital Mattered
3545:Why Have There Been No Great Women Artists?
3345:New York School of Applied Design for Women
3250:Guide to the papers of Lynn Hershman-Leeson
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2867:. John Simon Guggenheim Memorial Foundation
2648:, ZKM Karlsruhe, Retrieved 19 January 2019.
2557:"Tracing the Invisible on the Cutting Edge"
2236:: CS1 maint: numeric names: authors list (
1957:"Breitmore, Roberta (Lynn Hershman Leeson)"
1327:Fellowship. Also in 2009, she received the
673:. Artists interviewed for the film include
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3296:Feminist art movement in the United States
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3259:Women Art Revolution: Voices of a Movement
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1907:"Lynn Hershman Film Screening and Q&A"
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1154:, Cleveland Museum of Art, Cleveland, Ohio
1072:Lynn Hershman Leeson: The Agent Ruby Files
889:about living persons that is unsourced or
748:In 2017, Leeson released her latest film,
667:feminist art movement in the United States
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580:Lynn Hershman Leeson: The Agent Ruby Files
312:Hershman Leeson's work concerns identity,
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3178:"Artist, Curator & Critic Interviews"
3049:"Lynn Hershman Leeson Papers Finding Aid"
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2214:"Artist, Curator & Critic Interviews"
1569:. University of California. pp. xi.
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1325:John Simon Guggenheim Memorial Foundation
1299:Leeson has been honored with grants from
960:Learn how and when to remove this message
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3333:American Association of University Women
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2139:"Lynn Hershman : Room of One's Own"
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1627:by Patrick Frank, Walter de Gruyter GmbH
1339:In 2014, IFP Pixel Market Prize went to
1215:, Thoma Foundation, Santa Fe, New Mexico
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3809:Artists from the San Francisco Bay Area
3789:University of California, Davis faculty
2886:"SIGGRAPH Distinguished Artist Award".
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2508:"Spiel mit dem Feuer von Dr. Inge Pett"
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2402:"Lynn Hershman Leeson: No Body Special"
2081:"Brooklyn Museum: Lynn Hershman Leeson"
1987:"Pardon Me But the Art is Mouthing Off"
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780:Los Angeles Museum of Contemporary Art
614:Hershman Leeson's six feature films -
245:through algorithms and data tracking.
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3492:WACK! Art and the Feminist Revolution
3339:National Association of Women Artists
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2414:"Lynn Hershman Leeson. Me as Robert."
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1269:, P! gallery, New York City, New York
1147:, Lehmbruck Museum, Duisburg, Germany
776:WACK! Art and the Feminist Revolution
197:Sloan Prize for Writing and Directing
3433:The Women's Building (San Francisco)
3392:National Museum of Women in the Arts
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2915:"An art prize called [ddaa]"
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354:, the William Lehmbruck Museum, the
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3188:from the original on March 26, 2018
2646:"Lynn Hershman Leeson: Civic Radar"
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1114:, Aanant & Zoo, Berlin, Germany
984:University of California, Riverside
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200:Siggraph Distinguished Artist Award
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3423:Women's Art Resources of Minnesota
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3123:Hamlin, Jesse (December 3, 2005).
2803:. Artforum International Magazine.
2747:"Lynn Hershman Leeson: Anti-Aging"
2736:New Museum, Retrieved 5 March 2021
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1590:Steinhauer, Jillian (2021-07-08).
1472:. October 14, 2014. Archived from
1419:, is an oncologist who researches
1188:Fine Arts Museums of San Francisco
1159:Lynn Hershman Leeson: Body Collage
657:Berlin International Film Festival
392:San Francisco Museum of Modern Art
294:University of California, Berkeley
261:Lynn Hershman was born in 1941 in
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3755:Feminist movements and ideologies
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2280:"Interview: Lynn Hershman Leeson"
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1385:awarded Hershman Leeson with the
1173:Lynn Hershman Leeson: Civic Radar
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3100:"WCA Lifetime Achievement Award"
1883:"lynn hershman leeson archive".
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1315:International Media Arts Award,
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592:Lynn Hershman Leeson filmography
360:Los Angeles County Museum of Art
87:Artist, filmmaker, new media art
3397:New York Feminist Art Institute
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3074:"!W.A.R.: Voices of a Movement"
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2608:Hinrichsen, Jens (2014-08-09).
2578:Hinrichsen, Jens (2014-07-31).
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2379:"Lynn Hershman Leeson: Twisted"
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2013:Aceti, Lanfranco (2011-08-06).
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1305:National Endowment for the Arts
1260:Yerba Buena Center for the Arts
1249:New Acquisitions in Photography
803:Yerba Buena Center for the Arts
715:website documenting the project
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415:University of California, Davis
374:and the University Art Museum,
290:Case Western Reserve University
73:Case Western Reserve University
3824:American women digital artists
3744:Women in the art history field
3428:Woman's Building (Los Angeles)
2815:"Women: Seeing and Being Seen"
2797:"New York: "Post-Speculation""
2627:Berner, Irmgard (2014-08-12).
2525:Ansaldo, Carmen (2014-07-29).
2062:. Lynnhershman.com. 2011-02-23
2060:"Lynn Hershman Leeson – Lorna"
1887:. Cornell University Library.
1616:
1583:
847:
805:in San Francisco, California.
788:University of California Press
441:
298:San Francisco State University
78:San Francisco State University
1:
3412:Washington Women's Art Center
3245:Stanford University Libraries
3023:Jensen, Rita (January 2014).
2308:Thill, Vanessa (2017-05-22).
1502:Bravo, Tony (April 6, 2022).
1430:
1220:Lynn Hershman Leeson: Twisted
564:
465:
462:femininity and gender roles.
421:. She was named chair of the
16:American artist and filmmaker
3452:Exhibitions or installations
3254:Online Archive of California
3008:. 2014-10-10. Archived from
2286:. 2016-08-03. Archived from
2261:. 2014-07-29. Archived from
1640:Kholeif, Omar (2021-01-26).
1415:Hershman Leeson's daughter,
1404:Hershman Leeson is based in
1274:Women: Seeing and Being Seen
1061:W.A.R. Documentary screening
1050:W.A.R. Documentary screening
867:biography of a living person
824:series (1973–78), her video
761:A 2007 retrospective at the
339:interface into her artwork (
7:
3577:Women Artists in Revolution
3417:Women Artists in Revolution
3241:Lynn Hershman-Leeson papers
2586:(in German). Archived from
1985:Finkel, Jori (2005-11-27).
1675:"Lynn Hershman (biography)"
1262:, San Francisco, California
1201:, San Francisco, California
1190:, San Francisco, California
1023:, San Francisco, California
1012:, San Francisco, California
894:must be removed immediately
423:San Francisco Art Institute
417:, where she is currently a
320:. Her work grew out of an
10:
3865:
3794:American new media artists
3779:Filmmakers from California
3169:
2900:10.1162/leon.2009.42.4.296
2143:www.fondation-langlois.org
1679:www.fondation-langlois.org
1646:. MIT Press. p. 332.
1561:Tromble, Meredith (2005).
1387:Lifetime Achievement Award
1309:Nathan Cummings Foundation
1152:Cyborgs and Self-Promotion
1090:Taking a Stand Against War
589:
364:National Gallery of Canada
3829:American feminist artists
3784:Filmmakers from Cleveland
3752:
3731:
3595:
3554:
3520:
3502:
3451:
3354:
3325:
3302:
2819:Wall Street International
2795:Fateman, Johanna (2014).
1643:Art in the Age of Anxiety
1321:Alfred P Sloan Foundation
1287:, New York City, New York
1237:, New York City, New York
1226:, New York City, New York
1140:, England, United Kingdom
519:interactive laser artdisk
307:
210:
194:D.velop Digital Art Award
187:
112:
91:
83:
68:
37:
28:
21:
3819:American digital artists
3739:List of feminist artists
3537:The Feminist Art Journal
2514:(in German). 2014-09-02.
2165:. SFMOMA. Archived from
999:University of Washington
345:The Difference Engine #3
257:Early life and education
3443:Women's Studio Workshop
3438:Women's Interart Center
3355:Venues or organizations
2894:(4): 296. August 2009.
2695:"Lynn Hershman Leeson:
2610:"Kreuzung mit Computer"
986:, Riverside, California
982:, Sweeney Art Gallery,
786:, was published by The
586:Films and documentaries
517:Described as the first
436:
3799:American video artists
3582:Women's Caucus for Art
3503:Films or documentaries
3377:Feminist Art Coalition
2703:Legion of Honor museum
2567:on September 23, 2015.
2085:www.brooklynmuseum.org
2037:Cite journal requires
1834:"Lynn Hershman Leeson"
1810:"Lynn Hershman Leeson"
1531:"Lynn Hershman Leeson"
1383:Women's Caucus for Art
1353:Sundance Film Festival
1199:Anglim Gilbert Gallery
1184:Legion of Honor museum
909:"Lynn Hershman Leeson"
881:Please help by adding
746:
722:The Ballad of JT LeRoy
653:Sundance Film Festival
651:have been part of the
645:The Electronic Diaries
603:
525:tells the story of an
331:, a precursor to DVD (
285:during her childhood.
203:IFP Pixel Market Prize
3511:!Women Art Revolution
3312:Feminist art movement
3236:Kadist Art Foundation
3080:. Stanford University
1376:!Women Art Revolution
1085:, Seattle, Washington
1001:, Seattle, Washington
826:Seduction of a Cyborg
763:Whitworth Art Gallery
737:
662:!Women Art Revolution
635:!Women Art Revolution
598:
178:!Women Art Revolution
3217:Lynn Hershman Leeson
3006:"Power to the Pixel"
2555:Parker, Guy (2014).
2474:"Vertigo of Reality"
2265:on January 22, 2017.
2192:Lynn Hershman Leeson
2109:Lynn Hershman Leeson
1961:fictive.arts.uci.edu
1814:Lynn Hershman Leeson
1755:The New Media Reader
1449:Lynn Hershman Leeson
1317:Prix Ars Electronica
1166:Lynn Hershman Leeson
1125:, Karlsruhe, Germany
980:Media & Identity
887:Contentious material
605:A 1990 documentary,
485:Palazzo dei Diamanti
459:Breathing Machine II
352:Museum of Modern Art
231:Lynn Lester Hershman
227:Lynn Hershman Leeson
42:Lynn Lester Hershman
23:Lynn Hershman Leeson
3834:Feminist filmmakers
3804:Interactive artists
3643:Helen Frankenthaler
3387:Lesbian Art Project
2772:"Dissident Futures"
2105:"Room of One's Own"
1703:Greenberger, Alex.
1476:on October 18, 2014
1425:Columbia University
1372:Stanford University
1361:The Infinity Engine
1341:The Infinity Engine
1206:First Person Plural
1105:Akademie der KĂĽnste
1096:, Duisburg, Germany
1067:, Stockholm, Sweden
778:, organized by the
404:Stanford University
3708:Carolee Schneemann
3468:Three Weeks in May
3078:Stanford Libraries
3053:Stanford Libraries
1596:The New York Times
1394:The Milk of Dreams
1389:, in Los Angeles.
1101:Vertigo of Reality
1083:Seattle Art Museum
865:This section of a
707:Carolee Schneemann
427:Cornell University
3761:
3760:
3633:Mary Beth Edelson
3628:Elaine de Kooning
3476:The Sister Chapel
3146:Benyon, Brielle.
2913:Sterling, Bruce.
2840:"Manual Override"
2705:. 30 October 2017
2383:www.newmuseum.org
1893:1813.001/7761936f
1653:978-1-907071-80-5
1576:978-0-520-23970-8
1292:Grants and awards
1256:Dissident Futures
1242:Group exhibitions
1134:Modern Art Oxford
1107:, Berlin, Germany
1045:, Bremen, Germany
1043:Kunsthalle Bremen
1041:, Retrospective,
995:Henry Art Gallery
970:
969:
962:
944:
870:needs additional
822:Roberta Breitmore
818:Breathing Machine
771:Roberta Breitmore
767:Autonomous Agents
724:, which examined
691:Howardena Pindell
669:, distributed by
555:Room of One’s Own
547:Room of One's Own
539:Room of One's Own
452:Breathing Machine
419:professor emerita
372:Walker Art Center
224:
223:
3856:
3703:Rachel Rosenthal
3678:Georgia O'Keeffe
3613:Louise Bourgeois
3484:The Dinner Party
3289:
3282:
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3212:
3210:Official website
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2614:Der Tagesspiegel
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2563:. Archived from
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2533:. Archived from
2522:
2516:
2515:
2504:
2498:
2497:
2496:. November 2014.
2491:
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2477:
2471:
2465:
2462:"Pop Departures"
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2017:. Leoalmanac.org
2010:
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1963:. Archived from
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1417:Dawn L. Hershman
1301:Creative Capital
1267:Post Speculation
1112:How to Disappear
1094:Lehmbruck Museum
1034:, Krakow, Poland
1021:New Langton Arts
973:Solo exhibitions
965:
958:
954:
951:
945:
943:
902:
883:reliable sources
860:
859:
852:
832:(1976–present),
730:literary persona
493:personal effects
322:installation art
220:
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122:America's Finest
115:
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3688:Louise Nevelson
3591:
3567:Guerrilla Girls
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3407:tArt Collective
3371:Brooklyn Museum
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2946:on 7 April 2014
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2751:Bridget Donahue
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2561:ArtSlant Berlin
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2426:"Seducing Time"
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1294:
1281:Manual Override
1244:
1235:Bridget Donahue
1056:, Madrid, Spain
1010:De Young Museum
1006:No Body Special
975:
966:
955:
949:
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901:
880:
861:
857:
850:
842:Infinity Engine
765:in Manchester,
759:
617:Strange Culture
594:
588:
569:
543:
515:
489:Lucrezia Borgia
468:
457:Her 1968 piece
444:
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400:Daniel Langlois
396:de Young Museum
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3202:External links
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3012:on 2014-10-18.
2997:
2992:"Screen Daily"
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2776:www.e-flux.com
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2002:
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1788:. 16 June 2010
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987:
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891:poorly sourced
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758:
757:Retrospectives
755:
728:'s use of the
711:Cecilia Vicuña
699:Faith Ringgold
685:, Mike Kelly,
679:Guerilla Girls
671:Zeitgest Films
629:Conceiving Ada
590:Main article:
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448:cardiomyopathy
443:
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408:Charles Schwab
384:Arturo Schwarz
380:Donald M. Hess
318:virtual worlds
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3774:Living people
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3713:Cindy Sherman
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3609:
3608:Lynda Benglis
3606:
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3596:Notable women
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3317:Women artists
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3257:
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3252:published at
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3176:Anon (2018).
3174:
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3119:
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3030:
3026:
3019:
3011:
3007:
3001:
2994:. 2014-10-10.
2993:
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2615:
2611:
2604:
2590:on 2014-08-03
2589:
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2566:
2562:
2558:
2551:
2537:on 2014-10-19
2536:
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2513:
2512:Art in Berlin
2509:
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2343:
2335:
2334:"Civic Radar"
2329:
2315:
2311:
2304:
2290:on 2019-02-14
2289:
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2273:
2264:
2260:
2256:
2250:
2248:
2239:
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2219:
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2208:
2193:
2189:
2183:
2169:on 2014-04-07
2168:
2164:
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2144:
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2134:
2132:
2130:
2128:
2126:
2110:
2106:
2100:
2086:
2082:
2076:
2061:
2055:
2053:
2044:
2031:
2016:
2009:
2007:
1992:
1988:
1981:
1967:on 2013-11-10
1966:
1962:
1958:
1952:
1937:
1933:
1927:
1912:
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1787:
1786:dirosaart.org
1783:
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1428:
1426:
1422:
1421:breast cancer
1418:
1413:
1411:
1407:
1406:San Francisco
1400:Personal life
1397:
1395:
1390:
1388:
1384:
1381:In 2018, The
1379:
1377:
1373:
1368:
1364:
1362:
1358:
1355:winning film
1354:
1350:
1349:Academy Award
1346:
1345:Tilda Swinton
1342:
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1080:
1076:
1073:
1069:
1066:
1062:
1058:
1055:
1051:
1047:
1044:
1040:
1039:Seducing Time
1036:
1033:
1029:
1028:Me as Roberta
1025:
1022:
1018:
1014:
1011:
1007:
1003:
1000:
996:
992:
988:
985:
981:
977:
976:
964:
961:
953:
950:February 2021
942:
939:
935:
932:
928:
925:
921:
918:
914:
911: –
910:
906:
905:Find sources:
899:
895:
892:
888:
884:
878:
877:
873:
868:
863:
854:
853:
845:
843:
840:(1996–2006),
839:
835:
831:
827:
823:
819:
815:
811:
808:In 2021, the
806:
804:
800:
795:
793:
792:Henry Gallery
789:
785:
781:
777:
772:
768:
764:
754:
751:
745:
742:
736:
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731:
727:
723:
718:
716:
712:
708:
704:
703:Martha Rosler
700:
696:
695:Yvonne Rainer
692:
688:
687:Joyce Kozloff
684:
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99:New media art
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84:Occupation(s)
82:
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71:
67:
61:
54:(age 83)
52:June 17, 1941
40:
36:
32:
27:
20:
3668:Jane Kaufman
3653:Nancy Graves
3648:Mary Garrard
3623:Judy Chicago
3618:Norma Broude
3535:
3527:
3521:Publications
3509:
3490:
3482:
3474:
3466:
3458:
3382:Hera Gallery
3307:Feminist art
3190:. Retrieved
3181:
3155:. Retrieved
3151:
3141:
3129:. Retrieved
3118:
3107:. Retrieved
3103:
3094:
3082:. Retrieved
3077:
3068:
3056:. Retrieved
3052:
3043:
3032:. Retrieved
3028:
3018:
3010:the original
3000:
2986:
2974:. Retrieved
2970:
2960:
2948:. Retrieved
2944:the original
2934:
2922:. Retrieved
2918:
2908:
2891:
2887:
2881:
2869:. Retrieved
2859:
2847:. Retrieved
2843:
2834:
2823:. Retrieved
2821:. 2014-09-04
2818:
2809:
2800:
2790:
2779:. Retrieved
2775:
2766:
2754:. Retrieved
2750:
2741:
2730:
2718:
2707:. Retrieved
2702:
2696:
2689:
2653:
2641:
2635:(in German).
2632:
2622:
2616:(in German).
2613:
2603:
2592:. Retrieved
2588:the original
2583:
2573:
2565:the original
2560:
2550:
2539:. Retrieved
2535:the original
2530:
2520:
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2502:
2493:
2481:
2469:
2457:
2446:. Retrieved
2442:
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2421:
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2397:
2386:. Retrieved
2382:
2355:. Retrieved
2352:www.ybca.org
2351:
2342:
2328:
2317:. Retrieved
2313:
2303:
2292:. Retrieved
2288:the original
2283:
2263:the original
2258:
2221:. Retrieved
2217:
2207:
2196:. Retrieved
2194:. 2016-06-16
2191:
2182:
2171:. Retrieved
2167:the original
2157:
2146:. Retrieved
2142:
2113:. Retrieved
2111:. 2021-03-20
2108:
2099:
2088:. Retrieved
2084:
2075:
2064:. Retrieved
2030:cite journal
2019:. Retrieved
1994:. Retrieved
1990:
1980:
1969:. Retrieved
1965:the original
1960:
1951:
1940:. Retrieved
1938:. 2015-05-31
1936:The Guardian
1935:
1926:
1914:. Retrieved
1910:
1901:
1884:
1878:
1866:. Retrieved
1862:
1853:
1841:. Retrieved
1837:
1828:
1817:. Retrieved
1813:
1790:. Retrieved
1785:
1776:
1754:
1749:
1737:. Retrieved
1733:
1724:
1712:. Retrieved
1708:
1682:. Retrieved
1678:
1642:
1624:
1618:
1607:. Retrieved
1595:
1585:
1564:
1538:. Retrieved
1534:
1511:. Retrieved
1507:
1478:. Retrieved
1474:the original
1464:
1452:. Retrieved
1448:
1439:
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1403:
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923:
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893:
876:verification
869:
841:
837:
834:Phantom Limb
833:
829:
825:
821:
817:
813:
807:
796:
794:in Seattle.
783:
775:
770:
766:
760:
750:Tania Libre,
749:
747:
741:Mary Shelley
738:
726:Laura Albert
721:
719:
683:Miranda July
675:Judy Chicago
660:
639:
633:
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572:
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522:
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504:Henry Lowood
497:
481:
469:
458:
456:
451:
445:
412:
349:
344:
341:Deep Contact
340:
337:touch screen
332:
326:
311:
287:
283:sexual abuse
260:
250:
247:
230:
226:
225:
216:lynnhershman
176:
169:
162:
155:
148:
141:
136:
131:
126:
121:
114:Notable work
62:, Ohio, U.S.
3814:1941 births
3718:Alma Thomas
3673:Lee Krasner
3663:Lila Katzen
3638:Suzi Ferrer
3587:Where We At
3540:(1972–1977)
3532:(1977–1992)
3479:(1974–1978)
3084:19 November
3058:19 November
2976:19 November
2950:19 November
2924:19 November
2871:19 November
2314:ARTnews.com
1916:19 November
1279:2019–2020,
1254:2013–2014,
1247:2013–2014,
1178:2017–2018,
1117:2014–2015,
1054:Reina Sofia
848:Exhibitions
836:(1985–88),
830:Water Women
641:Tania Libre
608:Desire Inc.
551:kinetograph
541:(1990–1993)
527:agoraphobic
500:Second Life
442:Early works
388:Tate Modern
314:consumerism
132:CybeRoberta
3768:Categories
3723:June Wayne
3460:Womanhouse
3326:Precursors
3243:housed at
3226:Agent Ruby
3192:August 23,
3131:January 2,
3109:2018-03-24
3034:2014-02-05
2825:2022-04-14
2781:2022-04-14
2709:2019-09-15
2697:VertiGhost
2594:2014-10-14
2541:2014-10-14
2448:2022-04-14
2388:2022-11-04
2357:2018-03-23
2319:2021-03-26
2294:2014-10-14
2223:2022-10-18
2198:2022-10-18
2173:2014-04-04
2148:2021-04-16
2115:2021-04-16
2090:2021-04-16
2066:2014-04-04
2021:2014-04-04
1996:2022-04-13
1971:2018-03-08
1942:2021-03-26
1819:2022-11-03
1792:2016-11-03
1684:2022-11-04
1609:2022-11-04
1540:2019-09-08
1513:2022-04-14
1445:"Timeline"
1431:References
1410:California
1231:Anti-Aging
1224:New Museum
1180:VertiGhost
920:newspapers
810:New Museum
566:Agent Ruby
466:Alter egos
143:Agent Ruby
48:1941-06-17
3658:Eva Hesse
3228:at SFMoMA
2967:"Top Ten"
2531:KubaParis
2284:KubaParis
1604:0362-4331
1535:art21.org
1480:April 30,
1370:In 2004,
1343:starring
872:citations
799:Karlsruhe
744:problems.
623:Teknolust
574:Teknolust
476:alter ego
329:Videodisc
304:in 2023.
263:Cleveland
239:filmmaker
164:Teknolust
69:Education
60:Cleveland
3693:Yoko Ono
3547:" (1971)
3186:Archived
3127:. SFGate
2971:Artforum
2888:Leonardo
2844:The Shed
2801:Artforum
2232:cite web
1838:UC Davis
1357:Precious
1334:Artforum
1329:SIGGRAPH
1285:The Shed
898:libelous
733:JT LeRoy
376:Berkeley
275:Montreal
3562:subRosa
3170:Sources
3152:OncLive
2584:Monopol
2336:. 2014.
1709:ARTnews
1313:Siemens
934:scholar
814:Twisted
472:persona
368:di Rosa
211:Website
127:Synthia
3555:Groups
3495:(2007)
3487:(1979)
3471:(1977)
3463:(1972)
3347:(1892)
3341:(1889)
3335:(1881)
3232:Leeson
3157:9 June
2849:9 June
2756:7 June
2188:"Film"
1868:9 June
1863:e-flux
1843:9 June
1739:7 June
1714:9 June
1650:
1602:
1573:
1454:9 June
1319:, and
1303:, The
1272:2014,
1265:2014,
1229:2024,
1218:2021,
1211:2019,
1204:2019,
1193:2018,
1171:2017,
1164:2016,
1157:2016,
1150:2016,
1143:2016,
1138:Oxford
1128:2015,
1110:2014,
1099:2014,
1088:2014,
1077:2014,
1070:2013,
1059:2012,
1048:2012,
1037:2012,
1026:2012,
1015:2008,
1004:2008,
989:2005,
978:2001,
936:
929:
922:
915:
907:
838:Cyborg
643:, and
559:voyeur
513:(1983)
406:, and
370:, the
362:, the
308:Career
235:artist
188:Awards
137:Tillie
3732:Lists
3419:(WAR)
2919:Wired
2490:(PDF)
1213:Lorna
941:JSTOR
927:books
523:Lorna
511:Lorna
333:Lorna
273:from
229:(née
3221:IMDb
3194:2018
3159:2024
3133:2021
3086:2013
3060:2013
2978:2013
2952:2013
2926:2013
2873:2013
2851:2024
2758:2024
2238:link
2043:help
1918:2013
1870:2024
1845:2024
1741:2024
1716:2024
1648:ISBN
1600:ISSN
1571:ISBN
1482:2018
1456:2024
1351:and
913:news
874:for
474:and
437:Work
402:and
382:and
281:and
267:Ohio
237:and
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