117:
22:
195:
283:
In 1764, he was forced to reduce his work load, due to a serious illness. Contemporary sources described him as being so beset by "melancholy" that he could make only the most feeble efforts. This condition was aggravated by increasing difficulties with his sight, which eventually resulted in
233:. There, he established his style, participated in several commissions, and was able to open his own workshop in 1731. That same year, he married Custodia Fernández and they had four children. She died in 1759 and he married again; to Antonia Ros, who died barely two years later.
263:
Although he had numerous assistants, it appears that they were closely supervised and that he provided the finishing touches to each work himself. Among those who trained with him were his son, Bruno, who accompanied several scientific expeditions as an artist, his nephews
51:
248:
were named the
Lieutenant-Directors of sculpture. His popularity was widespread and he worked in several locations outside Madrid, including
241:
436:
431:
333:
410:
426:
365:
441:
377:
73:
44:
446:
307:
236:
His first commissions as a professional involved stone work at several public buildings and sculptures for the
277:
269:
230:
284:
blindness. In 1765, he was forced to resign from his position at the
Academia, and he died two years later.
353:
34:
343:
323:
38:
30:
265:
237:
55:
229:
to study. This was followed by an apprenticeship in Madrid, at the workshop of the sculptor,
456:
451:
245:
8:
240:(1750-1753). At the Royal Court, he made acquaintances who were involved in planning the
225:
His parents were of modest means, but when he showed artistic aptitude, they sent him to
116:
373:
298:
420:
206:
133:
87:
249:
194:
176:
384:
Luis
Salvador Carmona en el Real sitio de S. Ildefonso de la Granja
273:
294:
257:
253:
226:
214:
186:
91:
210:
151:
166:
155:
137:
413:, by María Concepción García Gaínza @ Arte Historia
418:
43:but its sources remain unclear because it lacks
98: and the second or maternal family name is
242:Real Academia de Bellas Artes de San Fernando
386:, Archivo Español de Arte, XXXVI, 101, 1953.
316:t (1756), Convent of Capuchins, Nava del Rey
217:sculptor who came from a family of artists.
115:
74:Learn how and when to remove this message
193:
244:and, after its opening in 1752, he and
419:
400:, Ars Hispaniae, XVII. Madrid, 1965.
15:
13:
393:. Fundacion Lazaro Galdiano, 1959.
14:
468:
432:18th-century Spanish male artists
404:
370:El escultor Luis Salvador Carmona
287:
398:Escultura y Pintura del s. XVIII
20:
437:Sculptors from Castile and León
366:Garcia Gainza, María Concepción
427:18th-century Spanish sculptors
198:Christ, Picking Up His Clothes
1:
231:Juan Alonso Villabrille y Ron
391:Escultura Barroca Castellana
334:National Museum of Sculpture
297:(1743-1747), Parish church,
220:
90:, the first or paternal
7:
278:Francisco Gutiérrez Arribas
10:
473:
359:
85:
442:Spanish Baroque sculptors
354:Detroit Institute of Arts
182:
172:
162:
144:
126:
114:
107:
272:, who became well-known
29:This article includes a
389:J. J. Martín González,
58:more precise citations.
447:Spanish male sculptors
411:Commentary on his work
396:F. J. Sánchez Cantón,
199:
203:Luis Salvador Carmona
197:
109:Luis Salvador Carmona
246:Juan Pascual de Mena
306:(1747), Convent of
293:Sculptures for the
276:, and the sculptor
340:Flagellated Christ
200:
31:list of references
192:
191:
84:
83:
76:
464:
350:Virgin and Child
213:) was a Spanish
130:15 November 1708
119:
105:
104:
79:
72:
68:
65:
59:
54:this article by
45:inline citations
24:
23:
16:
472:
471:
467:
466:
465:
463:
462:
461:
417:
416:
407:
362:
290:
223:
158:
149:
148:4 February 1767
140:
131:
122:
110:
103:
80:
69:
63:
60:
49:
35:related reading
25:
21:
12:
11:
5:
470:
460:
459:
454:
449:
444:
439:
434:
429:
415:
414:
406:
405:External links
403:
402:
401:
394:
387:
380:
361:
358:
357:
356:
347:
337:
327:
317:
311:
310:, Nava del Rey
304:Divina Pastora
301:
289:
288:Selected works
286:
222:
219:
190:
189:
184:
180:
179:
174:
173:Known for
170:
169:
164:
160:
159:
150:
146:
142:
141:
132:
128:
124:
123:
120:
112:
111:
108:
82:
81:
39:external links
28:
26:
19:
9:
6:
4:
3:
2:
469:
458:
455:
453:
450:
448:
445:
443:
440:
438:
435:
433:
430:
428:
425:
424:
422:
412:
409:
408:
399:
395:
392:
388:
385:
381:
379:
378:84-87146-26-0
375:
371:
367:
364:
363:
355:
351:
348:
345:
341:
338:
335:
331:
328:
325:
324:New Cathedral
321:
318:
315:
312:
309:
305:
302:
300:
296:
292:
291:
285:
281:
279:
275:
271:
267:
261:
259:
255:
251:
247:
243:
239:
234:
232:
228:
218:
216:
212:
208:
204:
196:
188:
185:
181:
178:
175:
171:
168:
165:
161:
157:
153:
147:
143:
139:
135:
129:
125:
118:
113:
106:
101:
97:
93:
89:
78:
75:
67:
64:February 2020
57:
53:
47:
46:
40:
36:
32:
27:
18:
17:
397:
390:
383:
369:
349:
339:
336:, Valladolid
329:
319:
313:
303:
282:
270:Juan Antonio
262:
238:Royal Palace
235:
224:
207:Nava del Rey
202:
201:
134:Nava del Rey
99:
95:
88:Spanish name
70:
61:
50:Please help
42:
457:1767 deaths
452:1708 births
346:, Salamanca
344:La Clerecía
326:, Salamanca
163:Nationality
56:introducing
421:Categories
382:E. Lord,
308:Capuchins
274:engravers
250:Guipúzcoa
221:Biography
177:Sculpture
342:(1760),
330:Crucifix
322:(1760),
209:– 1767,
183:Movement
96:Salvador
86:In this
372:(1990)
360:Sources
295:retable
258:Navarra
254:Seville
227:Segovia
215:Baroque
205:(1708,
187:Baroque
167:Spanish
100:Carmona
92:surname
52:improve
376:
299:Segura
266:Manuel
211:Madrid
152:Madrid
320:Pieta
314:Chris
156:Spain
138:Spain
121:Faith
37:, or
374:ISBN
268:and
256:and
145:Died
127:Born
94:is
423::
368:.
352:,
332:,
280:.
260:.
252:,
154:,
136:,
41:,
33:,
102:.
77:)
71:(
66:)
62:(
48:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_01.jpg)
