119:, who also became a concert pianist but who died in 1859 aged thirty-three. In the 1830s, Farrenc gained considerable fame as a performer and her reputation was such that in 1842 she was appointed to the permanent position of Professor of Piano at the Paris Conservatory, a position she held for thirty years and one which was among the most prestigious in Europe. In fact, Farrenc was the only woman to hold the esteemed position and rank at the Paris Conservatory throughout the 19th century. Accounts of the time record that she was an excellent instructor, with many of her students graduating with first prizes and becoming professional musicians. Despite this, Farrenc was paid less than her male counterparts for nearly a decade. Only after the triumphant premiere of her
97:, a flute student ten years her senior, who performed at some of the concerts regularly given at the artists' colony of the Sorbonne, where Louise's family lived. Following her marriage, Farrenc interrupted her studies to give concerts throughout France with her husband. He, however, soon grew tired of the concert life and, with her help, opened a publishing house in Paris, which, as Ăditions Farrenc, became one of France's leading music publishers for nearly 40 years.
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2194:
29:
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101:
243:. Her nonet had achieved around 1850 some popularity, as did her two piano quintets and her trios. But, despite some new editions of her chamber music after her death, her works were largely forgotten until, in the late 20th century, an interest in women composers led to the rediscovery â and thence to the performance and recording â of many of her works. In December 2013, Farrenc was the subject of the long-running
231:
knowledgeable one, whose only standard for measuring the quality of a work is the name of its author. If the composer is unknown, the audience remains unreceptive, and the publishers, especially in France, close their ears anyway when someone offers them a halfway decent work; they believe in success only for trinkets. Such were the obstacles that Madame
Farrenc met along the way and which caused her to despair.
2232:
2256:
2220:
161:. In the 1830s, she tried her hand at larger compositions for both chamber ensemble and orchestra. It was during the 1840s that much of her chamber music was written. While the great bulk of Farrenc's compositions were for the piano alone, her chamber music is generally regarded as her best work.
230:
Unfortunately, the genre of large scale instrumental music to which Madame
Farrenc, by nature and formation, felt herself called involves performance resources which a composer can acquire for herself or himself only with enormous effort. Another factor here is the public, as a rule not a very
172:, Opp. 33 and 34; the nonet for winds and strings, Op. 38; a trio for clarinet (or violin), cello, and piano, Op. 44; a trio for flute (or violin), cello, and piano, Op. 45; and several instrumental
645:
199:, an important gap as opera was at the time the central musical form in France. Several sources indicate that she was also ambitious in that field, but did not succeed in being given a
261:
Farrenc wrote exclusively for the piano from 1820 to 1830, expanding her range to include works for orchestra beginning in 1834. Her work includes 49 compositions with opus numbers.
115:
In Paris, Farrenc returned to her studies with Reicha, after which she re-embarked on a concert career, briefly interrupted in 1826 when she gave birth to a daughter,
757:"Louise Farrenc's piano Ă©tudes : dates, purpose, reception, and function," in Women composers in new perspectives, 1800-1950: genres, contexts and repertoire
2291:
164:
Throughout her life, chamber music remained of great interest. She wrote works for various combinations of winds and or strings and piano. These include two
93:. However, she was taught through private lessons as women were forbidden to enroll in the traditional composition classes at that time. In 1821 she married
2086:
2296:
132:
157:
At first, during the 1820s and 1830s, she composed exclusively for the piano. Several of these pieces drew high praise from critics, including
127:
took part, did she demand and receive equal pay. Besides her teaching and performing career, she also produced and edited an influential book,
2331:
889:
85:, and, given the talent she showed as a composer, her parents decided to let her, in 1819 at the age of fifteen, study composition with
192:
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1061:
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For several decades after
Farrenc's death, her reputation as a performer survived and her name continued to appear in such books as
1227:
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913:
2301:
1007:(2008). "The Making of a Dictionary: François-Joseph Fétis, Aristide Farrenc, and the "Biographie universelle des musiciens".
2326:
2091:
764:
666:
208:
57:. Her compositions include three symphonies, a few choral works, numerous chamber pieces and a wide variety of piano music.
77:. When it became clear that she had the ability to become a professional pianist she was given lessons by such masters as
2316:
168:, Opp. 30 and 31; a sextet for piano and winds, Op. 40, which later appeared in an arrangement for piano quintet; two
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sometimes attributed to her is regarded by specialists as the work of another composer, not yet identified).
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236:
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1926:
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219:
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739:
Biographie universelle des musiciens et bibliographie générale de la musique. Supplément et complément
143:
1993:
1311:
1159:
1901:
1726:
807:
486:
222:, a leading Francophone 19th-century music biographer and critic, wrote in the 2nd edition of his
73:, also a sculptor. She began piano studies at an early age with Cecile Soria, a former student of
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44:
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1977:
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82:
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1936:
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8:
2146:
2064:
1766:
1601:
1153:
66:
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1541:
1531:
1376:
951:
Friedland, Bea (April 1974). "Louise
Farrenc, 1804â1875: Composer, Performer, Scholar".
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20:
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1004:
803:
Louise
Farrenc's Trio for Flute, Cello and Piano: A Critical Edition and Analysis
396:
158:
78:
1596:
1481:
411:
Sextet in C minor, Op. 40 (1852; piano, flute, oboe, clarinet, bassoon and horn)
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1911:
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1336:
1331:
1326:
1271:
1027:
F. Launay, "Les
Compositrices en France au XIXe siĂšcle", Fayard, Paris, 2006.
734:
291:
Grand variations on the song "Le premier pas", for piano and orchestra, Op. 4
165:
120:
857:
784:
Biographie universelle des musiciens et bibliographie générale de la musique
2260:
1856:
1776:
1771:
1751:
1716:
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1401:
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28:
2119:
1866:
1801:
1606:
1586:
1431:
1406:
755:
Stratigou, Maria (2023). Storino, Mariateresa; Wollenberg, Susan (eds.).
244:
33:
1020:
195:
in 1849. The one area which is conspicuously missing from her output is
2008:
1611:
1009:
Revue belge de
Musicologie / Belgisch Tijdschrift voor Muziekwetenschap
169:
1030:
R. H. R. Silvertrust, "The
Chamber Music of Louise Farrenc â Part I",
974:
565:
1951:
1356:
1296:
497:
183:
In addition to chamber music and works for solo piano, she wrote two
2043:
200:
188:
184:
50:
2018:
1205:
1067:
845:
366:
Concertante
Variations on a Swiss tune, Op. 20 (piano and violin)
131:, about early music performance style, and was twice awarded the
100:
326:
Le suicide, scĂšne et air (music same as Le prisonnier de guerre)
991:"Louise Farrenc, 19th-Century Composer, Surges Back Into Sound"
346:
O pĂšre qu'adore mon pĂšre (hymn by
Lamartine), (choir and piano)
173:
196:
542:
Trente Ă©tudes in all the major and minor keys, Op. 26 (1838)
65:
Born Jeanne-Louise Dumont in Paris, she was the daughter of
2013:
858:"Composer, Performer, Scholar â Louise Farrenc (1804â1875)"
49:; 31 May 1804 â 15 September 1875) was a French composer,
868:
702:
469:
Variations sur l'air favori "O ma tendre musette!", Op. 6
423:
Trio in E minor, Op. 45 (1854â56; piano, flute and cello)
191:. She heard her third symphony, Op. 36, performed at the
890:"French composer gets a premiĂšre â and makes a comeback"
2208:
675:
605:
393:
Sonata for violin and piano in C minor, Op. 37 (1848)
643:Bea Friedland (2001). "Farrenc , (Jeanne-)Louise".
378:(1840; piano, violin, viola, cello and double bass)
372:(1839; piano, violin, viola, cello and double bass)
561:Vingt études de moyenne difficulté, Op. 42 (1854)
390:Trio in D, Op. 34 (1844; piano, violin and cello)
2268:
693:
408:Sonata for violin and piano in A, Op. 39 (1850)
19:"Farrenc" redirects here. For other uses, see
1221:
1083:
642:
586:Various works for piano, without opus numbers
420:, Op. 44 (1854â56; piano, clarinet and cello)
349:O salutaris hostia, (soprano, alto and tenor)
2292:19th-century French women classical pianists
786:. 2nd ed., vol. 3, pp. 186â188. Libraire de
623:
714:
712:
387:, Op. 33 (1841â44; piano, violin and cello)
1228:
1214:
1090:
1076:
1047:. Parts II and III in nos. 14.4 and 15.1.
934:New Historical Anthology of Music by Women
799:
1062:International Music Score Library Project
950:
936:. Vol. 1. Indiana University Press.
754:
718:
659:10.1093/omo/9781561592630.013.90000380816
709:
548:Variations sur un thĂšme allemand, Op. 28
276:Symphony No. 3 in G minor, Op. 36 (1847)
273:Symphony No. 2 in D major, Op. 35 (1845)
270:Symphony No. 1 in C minor, Op. 32 (1842)
99:
27:
931:
908:
906:
904:
759:. Speculum musicae. Turnhout: Brepols.
681:
611:
555:, arrangements for two or three pianos)
405:(1849; string quartet and wind quintet)
323:Le prisonnier de guerre, dramatic scene
256:
69:, a successful sculptor, and sister to
16:French composer and pianist (1804â1875)
2297:19th-century French classical pianists
2269:
1039:.3, Autumn 2003, Riverwoods, Illinois
558:Douze Ă©tudes brillantes, Op. 41 (1853)
508:Variations (Galopade favorite), Op. 12
456:Variations brillantes on a theme from
370:Piano Quintet No. 1 in A minor, Op. 30
211:, for reasons still to be discovered.
1209:
1071:
1003:
226:(1862) of Louise Farrenc as follows:
193:Société des concerts du Conservatoire
43:
901:
773:
224:Biographie universelle des musiciens
2332:19th-century French women composers
2087:Tchaikovsky and the Belyayev circle
741:, vol. 1, pp. 314â315. Libraire de
264:
13:
1235:
1097:
982:
339:O pĂšre qu'adore mon pĂšre (hymn by
279:Overture in E minor, Op. 23 (1834)
60:
14:
2343:
1051:
918:, Brilliant Classics 96352 (2023)
748:
580:Vingt cinq Ă©tudes faciles, Op. 50
298:, for piano and orchestra, Op. 25
89:, the composition teacher at the
2307:French women classical composers
2287:19th-century classical composers
2254:
2242:
2230:
2218:
2192:
2183:
2182:
1190:
1189:
583:DeuxiĂšme valse brillante, Op. 51
478:Rondeau sur un air du pirate de
376:Piano Quintet No. 2 in E, Op. 31
353:
123:, at which the famous violinist
989:Allen, David (8 October 2021).
932:Briscoe, James R., ed. (2004).
883:
850:
835:
822:
793:
426:Sonata for cello and piano in B
333:
294:Grand variations on a theme by
832:Indiana University Press, 1991
724:
687:
636:
617:
533:Souvenir des Huguenots, Op. 19
436:
302:
1:
2302:19th-century French composers
1058:Free scores by Louise Farrenc
830:Women & Music: A History.
699:"The women who changed music"
593:
551:Variations (Bellini) Op. 29 (
359:Grand Variations on the song
105:
2327:French women music educators
800:Tischauser, Andreas (2005).
626:"Louise Farrenc (1804â1875)"
598:
589:MĂ©lodie, without opus number
308:Andréa la censurado, ballade
7:
2130:Gothic Revival architecture
53:pianist and teacher of the
32:Farrenc portrait (1835) by
10:
2350:
2071:Neue Zeitschrift fĂŒr Musik
1246:List of Romantic composers
925:
237:Antoine François Marmontel
209:Théùtre de l'Opéra-Comique
47: Jeanne-Louise Dumont
18:
2317:French Romantic composers
2162:
2107:
2052:
1986:
1965:
1252:
1243:
1185:
1169:
1160:Augustin-Alexandre Dumont
1134:
1105:
915:Piano Trios, Cello Sonata
545:Hymne russe varié, Op. 27
536:Les jours heureux, Op. 21
511:Rondeau (Rossini), Op. 13
320:Le berger fidĂšle, romance
214:
2092:Tchaikovsky and The Five
865:70th Anniversary Special
808:Florida State University
492:Rondeau sur des thĂšmes d
343:), (unaccompanied choir)
152:
988:
651:Oxford University Press
574:Valse brillante, Op. 48
527:Air russe varié, Op. 17
517:Variations brillantes (
472:Air suisse varié, Op. 7
314:La tourterelle, romance
203:to set to music by the
149:Farrenc died in Paris.
144:Académie des Beaux-Arts
129:Le Trésor des pianistes
2312:French music educators
2115:Common practice period
1177:Conservatoire de Paris
524:Les allemandes, Op. 16
514:Les italiennes, Op. 14
311:Je me taisais, romance
233:
112:
91:Conservatoire de Paris
36:
1033:Chamber Music Journal
954:The Musical Quarterly
780:François-Joseph Fétis
731:François-Joseph Fétis
475:Trois rondeaux, Op. 8
228:
220:François-Joseph Fétis
103:
83:Johann Nepomuk Hummel
31:
2322:Composers from Paris
2152:Romantic nationalism
2098:War of the Romantics
892:. Arthur Kaptainis,
863:Composer of the Week
828:Pendle, Karin (ed.)
695:Clemency Burton-Hill
577:1er nocturne, Op. 49
503:Carl Maria von Weber
453:, Op. 4 (piano solo)
257:List of compositions
250:Composer of the Week
146:, in 1861 and 1869.
2147:Musical nationalism
2065:Musical nationalism
1154:Jacques-Edme Dumont
1119:Piano Quintet No. 2
1113:Piano Quintet No. 1
967:10.1093/mq/LX.2.257
530:La Sylphide, Op. 18
449:Grandes variations
67:Jacques-Edme Dumont
2060:Indianist movement
1978:Romantic orchestra
996:The New York Times
871:. 16 December 2013
790:et Cie, Paris 1862
745:et Cie, Paris 1878
721:, pp. 257â274
646:Grove Music Online
624:Braeden Weyhrich.
241:Pianistes célÚbres
205:Théùtre de l'Opéra
113:
37:
2206:
2205:
2077:New German School
1672:Felix Mendelssohn
1667:Fanny Mendelssohn
1203:
1202:
1148:Victorine Farrenc
766:978-2-503-60630-9
668:978-1-56159-263-0
329:Toi que j'appelle
21:Farrenc (surname)
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2186:
2185:
2082:Post-romanticism
1947:Vaughan Williams
1230:
1223:
1216:
1207:
1206:
1193:
1192:
1142:Aristide Farrenc
1092:
1085:
1078:
1069:
1068:
1024:
1005:Ellis, Katharine
1000:
978:
947:
919:
912:Louise Farrenc.
910:
899:
895:Montreal Gazette
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649:(8th ed.).
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553:Piano four hands
495:
444:Aristide Farrenc
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402:
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386:
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296:Count Gallenberg
287:
286:
265:Orchestral works
141:
110:
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95:Aristide Farrenc
48:
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2209:
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2202:
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2175:Modernist music
2171:
2168:Classical music
2158:
2103:
2048:
2029:Romantic ballet
2024:Orchestral song
2004:Chorale prelude
1999:Character piece
1982:
1973:Romantic guitar
1966:Instrumentation
1961:
1797:Rimsky-Korsakov
1417:Ferdinand David
1254:
1248:
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983:Further reading
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898:, 21 April 2016
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844:discography at
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806:(DMus thesis).
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571:Scherzo, Op. 47
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432:, Op. 46 (1857)
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383:
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356:
336:
305:
288:, Op. 24 (1834)
284:
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217:
159:Robert Schumann
155:
135:
108:
79:Ignaz Moscheles
63:
61:Life and career
55:Romantic period
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2034:Romantic opera
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1412:FĂ©licien David
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71:Auguste Dumont
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2053:Other topics
1877:J. Strauss I
1767:Rachmaninoff
1522:Gretchaninov
1456:
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795:
788:Firmin Didot
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743:Firmin Didot
738:
726:
689:
682:Briscoe 2004
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612:Briscoe 2004
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496:
485:Variations (
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442:Variations (
360:
334:Choral works
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87:Anton Reicha
64:
39:
38:
25:
2282:1875 deaths
2277:1804 births
2120:Romanticism
1902:Tchaikovsky
1837:R. Schumann
1832:C. Schumann
1817:Saint-Saëns
1712:Niedermeyer
1602:Leoncavallo
1572:Kalkbrenner
1347:Bortkiewicz
875:12 December
437:Piano works
303:Vocal works
245:BBC Radio 3
170:piano trios
136: [
109: 1855
34:Luigi Rubio
2271:Categories
2108:Background
2009:Intermezzo
1942:Wieniawski
1922:Vieuxtemps
1887:R. Strauss
1812:Rubinstein
1737:Paderewski
1707:Mussorgsky
1702:Moszkowski
1677:Mercadante
1150:(daughter)
594:References
397:Nonet in E
247:programme
189:symphonies
187:and three
2225:Biography
1722:Offenbach
1697:Moscheles
1692:Moniuszko
1687:Meyerbeer
1642:Marschner
1627:MacDowell
1442:Donizetti
1387:Cherubini
1377:Chaminade
1302:Beethoven
1287:Balakirev
1277:Atterberg
1255:musicians
1162:(brother)
1144:(husband)
1045:1535-1726
1015:: 63â78.
599:Citations
521:), Op. 15
519:Donizetti
498:Euryanthe
489:), Op. 10
414:Trio in E
381:Trio in E
341:Lamartine
317:La madone
185:overtures
117:Victorine
2188:Category
2165: â
2044:Symphony
1907:Thalberg
1872:Spontini
1847:Sibelius
1842:Scriabin
1827:Schubert
1822:Sarasate
1787:Respighi
1782:Reinecke
1742:Paganini
1652:Massenet
1647:Masarnau
1632:Madetoja
1577:Kreisler
1567:Kalivoda
1512:J. Gomis
1497:Glazunov
1492:Giuliani
1382:Chausson
1372:Chadwick
1362:Bruckner
1195:Category
1156:(father)
1021:25486037
568:, Op. 43
566:mélodies
505:, Op. 11
446:), Op. 2
429:♭
417:♭
403:, Op. 38
400:♭
384:♭
285:♭
201:libretto
111:portrait
51:virtuoso
2211:Portals
2178:â
2140:Science
2019:Mazurka
1994:Ballade
1927:VoĆĂĆĄek
1897:TĂĄrrega
1892:Taneyev
1852:Smetana
1807:Rossini
1762:Puccini
1757:Prudent
1717:Nielsen
1682:MĂ©reaux
1657:Medtner
1622:Lysenko
1592:Lachner
1557:Joachim
1537:Herbert
1457:Farrenc
1422:Delibes
1397:Crusell
1342:Borodin
1332:Berwald
1322:Berlioz
1312:Bennett
1307:Bellini
1292:Bazzini
1272:Arensky
1170:Related
1064:(IMSLP)
1060:at the
926:Sources
846:Discogs
814:20 June
482:, Op. 9
480:Bellini
466:, Op. 5
464:Rossini
363:, Op. 4
207:or the
174:sonatas
142:of the
2249:France
2198:Portal
2135:Poetry
1987:Genres
1932:Wagner
1912:Tobias
1777:Reicha
1752:Popper
1732:Pacini
1727:Onslow
1637:Mahler
1617:Lumbye
1582:Kuhlau
1562:Joplin
1552:Hummel
1542:HĂ©rold
1532:Halévy
1517:Gounod
1502:Glinka
1482:Franck
1477:Foster
1447:DvoĆĂĄk
1437:d'Indy
1427:Delius
1407:Czerny
1392:Chopin
1367:Busoni
1352:Brahms
1327:Bertin
1317:BĂ©riot
1135:Family
1127:(1849)
1121:(1840)
1115:(1839)
1043:
1019:
975:741636
973:
940:
763:
665:
564:Trois
215:Legacy
2261:Music
2125:Chess
1957:YsaĂże
1937:Weber
1917:Verdi
1867:Spohr
1862:Sousa
1747:Paine
1662:MĂ©hul
1612:Loewe
1607:Liszt
1587:Kuula
1547:Holst
1527:Grieg
1507:Gomes
1487:Franz
1472:Foote
1467:Field
1462:Fauré
1452:Elgar
1432:Denza
1357:Bruch
1337:Bizet
1297:Beach
1282:Auber
1267:Alkan
1125:Nonet
1106:Music
1017:JSTOR
971:JSTOR
494:'
197:opera
153:Music
140:]
121:nonet
2014:Lied
1952:Wolf
1802:Rode
1792:Ries
1772:Raff
1597:Lalo
1262:Adam
1041:ISSN
938:ISBN
877:2020
816:2021
761:ISBN
663:ISBN
81:and
1857:Sor
1402:Cui
963:doi
869:BBC
703:BBC
655:doi
501:by
462:by
239:âs
176:(a
45:née
2273::
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1013:62
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138:fr
106:c.
2213::
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42:(
23:.
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