130:, who also became a concert pianist but who died in 1859 aged thirty-three. In the 1830s, Farrenc gained considerable fame as a performer and her reputation was such that in 1842 she was appointed to the permanent position of Professor of Piano at the Paris Conservatory, a position she held for thirty years and one which was among the most prestigious in Europe. In fact, Farrenc was the only woman to hold the esteemed position and rank at the Paris Conservatory throughout the 19th century. Accounts of the time record that she was an excellent instructor, with many of her students graduating with first prizes and becoming professional musicians. Despite this, Farrenc was paid less than her male counterparts for nearly a decade. Only after the triumphant premiere of her
108:, a flute student ten years her senior, who performed at some of the concerts regularly given at the artists' colony of the Sorbonne, where Louise's family lived. Following her marriage, Farrenc interrupted her studies to give concerts throughout France with her husband. He, however, soon grew tired of the concert life and, with her help, opened a publishing house in Paris, which, as Ăditions Farrenc, became one of France's leading music publishers for nearly 40 years.
2195:
1202:
2205:
40:
2255:
112:
254:. Her nonet had achieved around 1850 some popularity, as did her two piano quintets and her trios. But, despite some new editions of her chamber music after her death, her works were largely forgotten until, in the late 20th century, an interest in women composers led to the rediscovery â and thence to the performance and recording â of many of her works. In December 2013, Farrenc was the subject of the long-running
242:
knowledgeable one, whose only standard for measuring the quality of a work is the name of its author. If the composer is unknown, the audience remains unreceptive, and the publishers, especially in France, close their ears anyway when someone offers them a halfway decent work; they believe in success only for trinkets. Such were the obstacles that Madame
Farrenc met along the way and which caused her to despair.
2243:
2267:
2231:
172:. In the 1830s, she tried her hand at larger compositions for both chamber ensemble and orchestra. It was during the 1840s that much of her chamber music was written. While the great bulk of Farrenc's compositions were for the piano alone, her chamber music is generally regarded as her best work.
241:
Unfortunately, the genre of large scale instrumental music to which Madame
Farrenc, by nature and formation, felt herself called involves performance resources which a composer can acquire for herself or himself only with enormous effort. Another factor here is the public, as a rule not a very
183:, Opp. 33 and 34; the nonet for winds and strings, Op. 38; a trio for clarinet (or violin), cello, and piano, Op. 44; a trio for flute (or violin), cello, and piano, Op. 45; and several instrumental
656:
210:, an important gap as opera was at the time the central musical form in France. Several sources indicate that she was also ambitious in that field, but did not succeed in being given a
272:
Farrenc wrote exclusively for the piano from 1820 to 1830, expanding her range to include works for orchestra beginning in 1834. Her work includes 49 compositions with opus numbers.
126:
In Paris, Farrenc returned to her studies with Reicha, after which she re-embarked on a concert career, briefly interrupted in 1826 when she gave birth to a daughter,
768:"Louise Farrenc's piano Ă©tudes : dates, purpose, reception, and function," in Women composers in new perspectives, 1800-1950: genres, contexts and repertoire
2302:
175:
Throughout her life, chamber music remained of great interest. She wrote works for various combinations of winds and or strings and piano. These include two
104:. However, she was taught through private lessons as women were forbidden to enroll in the traditional composition classes at that time. In 1821 she married
2097:
2307:
143:
168:
At first, during the 1820s and 1830s, she composed exclusively for the piano. Several of these pieces drew high praise from critics, including
138:
took part, did she demand and receive equal pay. Besides her teaching and performing career, she also produced and edited an influential book,
2342:
900:
96:, and, given the talent she showed as a composer, her parents decided to let her, in 1819 at the age of fifteen, study composition with
203:
2317:
2297:
1072:
246:
For several decades after
Farrenc's death, her reputation as a performer survived and her name continued to appear in such books as
1238:
1100:
1205:
924:
2312:
1018:(2008). "The Making of a Dictionary: François-Joseph Fétis, Aristide Farrenc, and the "Biographie universelle des musiciens".
2337:
2102:
775:
677:
219:
68:. Her compositions include three symphonies, a few choral works, numerous chamber pieces and a wide variety of piano music.
88:. When it became clear that she had the ability to become a professional pianist she was given lessons by such masters as
2327:
179:, Opp. 30 and 31; a sextet for piano and winds, Op. 40, which later appeared in an arrangement for piano quintet; two
2178:
952:
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812:
1657:
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386:
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sometimes attributed to her is regarded by specialists as the work of another composer, not yet identified).
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247:
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1937:
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1327:
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230:
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Biographie universelle des musiciens et bibliographie générale de la musique. Supplément et complément
154:
2004:
1322:
1170:
1912:
1737:
818:
497:
233:, a leading Francophone 19th-century music biographer and critic, wrote in the 2nd edition of his
84:, also a sculptor. She began piano studies at an early age with Cecile Soria, a former student of
2198:
1807:
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17:
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55:
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1988:
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93:
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1907:
8:
2157:
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1777:
1612:
1164:
77:
1752:
1552:
1542:
1387:
962:
Friedland, Bea (April 1974). "Louise
Farrenc, 1804â1875: Composer, Performer, Scholar".
636:
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1507:
1357:
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31:
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1302:
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814:
Louise
Farrenc's Trio for Flute, Cello and Piano: A Critical Edition and Analysis
407:
169:
89:
1607:
1492:
422:
Sextet in C minor, Op. 40 (1852; piano, flute, oboe, clarinet, bassoon and horn)
2135:
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1347:
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1337:
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1038:
F. Launay, "Les
Compositrices en France au XIXe siĂšcle", Fayard, Paris, 2006.
745:
302:
Grand variations on the song "Le premier pas", for piano and orchestra, Op. 4
176:
131:
868:
795:
Biographie universelle des musiciens et bibliographie générale de la musique
2271:
1867:
1787:
1782:
1762:
1727:
1577:
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1557:
1537:
1497:
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97:
1412:
977:
39:
2130:
1877:
1812:
1617:
1597:
1442:
1417:
766:
Stratigou, Maria (2023). Storino, Mariateresa; Wollenberg, Susan (eds.).
255:
44:
1031:
206:
in 1849. The one area which is conspicuously missing from her output is
2019:
1622:
1020:
Revue belge de
Musicologie / Belgisch Tijdschrift voor Muziekwetenschap
180:
1041:
R. H. R. Silvertrust, "The
Chamber Music of Louise Farrenc â Part I",
985:
576:
1962:
1367:
1307:
508:
194:
In addition to chamber music and works for solo piano, she wrote two
2054:
211:
199:
195:
61:
2029:
1216:
1078:
856:
377:
Concertante
Variations on a Swiss tune, Op. 20 (piano and violin)
142:, about early music performance style, and was twice awarded the
111:
337:
Le suicide, scĂšne et air (music same as Le prisonnier de guerre)
1002:"Louise Farrenc, 19th-Century Composer, Surges Back Into Sound"
357:
O pĂšre qu'adore mon pĂšre (hymn by
Lamartine), (choir and piano)
184:
207:
553:
Trente Ă©tudes in all the major and minor keys, Op. 26 (1838)
76:
Born Jeanne-Louise Dumont in Paris, she was the daughter of
2024:
869:"Composer, Performer, Scholar â Louise Farrenc (1804â1875)"
60:; 31 May 1804 â 15 September 1875) was a French composer,
879:
713:
480:
Variations sur l'air favori "O ma tendre musette!", Op. 6
434:
Trio in E minor, Op. 45 (1854â56; piano, flute and cello)
202:. She heard her third symphony, Op. 36, performed at the
901:"French composer gets a premiĂšre â and makes a comeback"
2219:
686:
616:
404:
Sonata for violin and piano in C minor, Op. 37 (1848)
654:Bea Friedland (2001). "Farrenc , (Jeanne-)Louise".
389:(1840; piano, violin, viola, cello and double bass)
383:(1839; piano, violin, viola, cello and double bass)
572:Vingt études de moyenne difficulté, Op. 42 (1854)
401:Trio in D, Op. 34 (1844; piano, violin and cello)
2279:
704:
419:Sonata for violin and piano in A, Op. 39 (1850)
30:"Farrenc" redirects here. For other uses, see
1232:
1094:
653:
597:Various works for piano, without opus numbers
431:, Op. 44 (1854â56; piano, clarinet and cello)
360:O salutaris hostia, (soprano, alto and tenor)
2303:19th-century French women classical pianists
797:. 2nd ed., vol. 3, pp. 186â188. Libraire de
634:
725:
723:
398:, Op. 33 (1841â44; piano, violin and cello)
1239:
1225:
1101:
1087:
1058:. Parts II and III in nos. 14.4 and 15.1.
945:New Historical Anthology of Music by Women
810:
1073:International Music Score Library Project
961:
947:. Vol. 1. Indiana University Press.
765:
729:
670:10.1093/omo/9781561592630.013.90000380816
720:
559:Variations sur un thĂšme allemand, Op. 28
287:Symphony No. 3 in G minor, Op. 36 (1847)
284:Symphony No. 2 in D major, Op. 35 (1845)
281:Symphony No. 1 in C minor, Op. 32 (1842)
110:
38:
942:
919:
917:
915:
770:. Speculum musicae. Turnhout: Brepols.
692:
622:
566:, arrangements for two or three pianos)
416:(1849; string quartet and wind quintet)
334:Le prisonnier de guerre, dramatic scene
267:
80:, a successful sculptor, and sister to
27:French composer and pianist (1804â1875)
14:
2308:19th-century French classical pianists
2280:
1050:.3, Autumn 2003, Riverwoods, Illinois
569:Douze Ă©tudes brillantes, Op. 41 (1853)
519:Variations (Galopade favorite), Op. 12
467:Variations brillantes on a theme from
381:Piano Quintet No. 1 in A minor, Op. 30
222:, for reasons still to be discovered.
1220:
1082:
1014:
237:(1862) of Louise Farrenc as follows:
204:Société des concerts du Conservatoire
54:
912:
784:
235:Biographie universelle des musiciens
2343:19th-century French women composers
2098:Tchaikovsky and the Belyayev circle
752:, vol. 1, pp. 314â315. Libraire de
275:
24:
1246:
1108:
993:
350:O pĂšre qu'adore mon pĂšre (hymn by
290:Overture in E minor, Op. 23 (1834)
71:
25:
2354:
1062:
929:, Brilliant Classics 96352 (2023)
759:
591:Vingt cinq Ă©tudes faciles, Op. 50
309:, for piano and orchestra, Op. 25
100:, the composition teacher at the
2318:French women classical composers
2298:19th-century classical composers
2265:
2253:
2241:
2229:
2203:
2194:
2193:
1201:
1200:
594:DeuxiĂšme valse brillante, Op. 51
489:Rondeau sur un air du pirate de
387:Piano Quintet No. 2 in E, Op. 31
364:
134:, at which the famous violinist
1000:Allen, David (8 October 2021).
943:Briscoe, James R., ed. (2004).
894:
861:
846:
833:
804:
437:Sonata for cello and piano in B
344:
305:Grand variations on a theme by
843:Indiana University Press, 1991
735:
698:
647:
628:
544:Souvenir des Huguenots, Op. 19
447:
313:
13:
1:
2313:19th-century French composers
1069:Free scores by Louise Farrenc
841:Women & Music: A History.
710:"The women who changed music"
604:
562:Variations (Bellini) Op. 29 (
370:Grand Variations on the song
116:
2338:French women music educators
811:Tischauser, Andreas (2005).
637:"Louise Farrenc (1804â1875)"
609:
600:MĂ©lodie, without opus number
319:Andréa la censurado, ballade
7:
2141:Gothic Revival architecture
64:pianist and teacher of the
43:Farrenc portrait (1835) by
10:
2359:
2082:Neue Zeitschrift fĂŒr Musik
1257:List of Romantic composers
936:
248:Antoine François Marmontel
220:Théùtre de l'Opéra-Comique
58: Jeanne-Louise Dumont
29:
2328:French Romantic composers
2173:
2118:
2063:
1997:
1976:
1263:
1254:
1196:
1180:
1171:Augustin-Alexandre Dumont
1145:
1116:
926:Piano Trios, Cello Sonata
556:Hymne russe varié, Op. 27
547:Les jours heureux, Op. 21
522:Rondeau (Rossini), Op. 13
331:Le berger fidĂšle, romance
225:
2103:Tchaikovsky and The Five
876:70th Anniversary Special
819:Florida State University
503:Rondeau sur des thĂšmes d
354:), (unaccompanied choir)
163:
999:
662:Oxford University Press
585:Valse brillante, Op. 48
538:Air russe varié, Op. 17
528:Variations brillantes (
483:Air suisse varié, Op. 7
325:La tourterelle, romance
214:to set to music by the
160:Farrenc died in Paris.
155:Académie des Beaux-Arts
140:Le Trésor des pianistes
2323:French music educators
2126:Common practice period
1188:Conservatoire de Paris
535:Les allemandes, Op. 16
525:Les italiennes, Op. 14
322:Je me taisais, romance
244:
123:
102:Conservatoire de Paris
47:
1044:Chamber Music Journal
965:The Musical Quarterly
791:François-Joseph Fétis
742:François-Joseph Fétis
486:Trois rondeaux, Op. 8
239:
231:François-Joseph Fétis
114:
94:Johann Nepomuk Hummel
42:
2333:Composers from Paris
2163:Romantic nationalism
2109:War of the Romantics
903:. Arthur Kaptainis,
874:Composer of the Week
839:Pendle, Karin (ed.)
706:Clemency Burton-Hill
588:1er nocturne, Op. 49
514:Carl Maria von Weber
464:, Op. 4 (piano solo)
268:List of compositions
261:Composer of the Week
157:, in 1861 and 1869.
2158:Musical nationalism
2076:Musical nationalism
1165:Jacques-Edme Dumont
1130:Piano Quintet No. 2
1124:Piano Quintet No. 1
978:10.1093/mq/LX.2.257
541:La Sylphide, Op. 18
460:Grandes variations
78:Jacques-Edme Dumont
2071:Indianist movement
1989:Romantic orchestra
1007:The New York Times
882:. 16 December 2013
801:et Cie, Paris 1862
756:et Cie, Paris 1878
732:, pp. 257â274
657:Grove Music Online
635:Braeden Weyhrich.
252:Pianistes célÚbres
216:Théùtre de l'Opéra
124:
48:
2217:
2216:
2088:New German School
1683:Felix Mendelssohn
1678:Fanny Mendelssohn
1214:
1213:
1159:Victorine Farrenc
777:978-2-503-60630-9
679:978-1-56159-263-0
340:Toi que j'appelle
32:Farrenc (surname)
16:(Redirected from
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2197:
2196:
2093:Post-romanticism
1958:Vaughan Williams
1241:
1234:
1227:
1218:
1217:
1204:
1203:
1153:Aristide Farrenc
1103:
1096:
1089:
1080:
1079:
1035:
1016:Ellis, Katharine
1011:
989:
958:
930:
923:Louise Farrenc.
921:
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906:Montreal Gazette
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660:(8th ed.).
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564:Piano four hands
506:
455:Aristide Farrenc
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397:
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307:Count Gallenberg
298:
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276:Orchestral works
152:
121:
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106:Aristide Farrenc
59:
21:
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2213:
2190:
2186:Modernist music
2182:
2179:Classical music
2169:
2114:
2059:
2040:Romantic ballet
2035:Orchestral song
2015:Chorale prelude
2010:Character piece
1993:
1984:Romantic guitar
1977:Instrumentation
1972:
1808:Rimsky-Korsakov
1428:Ferdinand David
1265:
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994:Further reading
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909:, 21 April 2016
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855:discography at
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817:(DMus thesis).
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582:Scherzo, Op. 47
504:
450:
443:, Op. 46 (1857)
439:
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394:
393:
367:
347:
316:
299:, Op. 24 (1834)
295:
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278:
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170:Robert Schumann
166:
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119:
90:Ignaz Moscheles
74:
72:Life and career
66:Romantic period
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2050:Symphonic poem
2047:
2045:Romantic opera
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2064:Other topics
1888:J. Strauss I
1778:Rachmaninoff
1533:Gretchaninov
1467:
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823:. Retrieved
813:
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799:Firmin Didot
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754:Firmin Didot
749:
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693:Briscoe 2004
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623:Briscoe 2004
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496:Variations (
468:
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453:Variations (
371:
345:Choral works
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98:Anton Reicha
75:
50:
49:
36:
2293:1875 deaths
2288:1804 births
2131:Romanticism
1913:Tchaikovsky
1848:R. Schumann
1843:C. Schumann
1828:Saint-Saëns
1723:Niedermeyer
1613:Leoncavallo
1583:Kalkbrenner
1358:Bortkiewicz
886:12 December
448:Piano works
314:Vocal works
256:BBC Radio 3
181:piano trios
147: [
120: 1855
45:Luigi Rubio
2282:Categories
2119:Background
2020:Intermezzo
1953:Wieniawski
1933:Vieuxtemps
1898:R. Strauss
1823:Rubinstein
1748:Paderewski
1718:Mussorgsky
1713:Moszkowski
1688:Mercadante
1161:(daughter)
605:References
408:Nonet in E
258:programme
200:symphonies
198:and three
2236:Biography
1733:Offenbach
1708:Moscheles
1703:Moniuszko
1698:Meyerbeer
1653:Marschner
1638:MacDowell
1453:Donizetti
1398:Cherubini
1388:Chaminade
1313:Beethoven
1298:Balakirev
1288:Atterberg
1266:musicians
1173:(brother)
1155:(husband)
1056:1535-1726
1026:: 63â78.
610:Citations
532:), Op. 15
530:Donizetti
509:Euryanthe
500:), Op. 10
425:Trio in E
392:Trio in E
352:Lamartine
328:La madone
196:overtures
128:Victorine
2199:Category
2176: â
2055:Symphony
1918:Thalberg
1883:Spontini
1858:Sibelius
1853:Scriabin
1838:Schubert
1833:Sarasate
1798:Respighi
1793:Reinecke
1753:Paganini
1663:Massenet
1658:Masarnau
1643:Madetoja
1588:Kreisler
1578:Kalivoda
1523:J. Gomis
1508:Glazunov
1503:Giuliani
1393:Chausson
1383:Chadwick
1373:Bruckner
1206:Category
1167:(father)
1032:25486037
579:, Op. 43
577:mélodies
516:, Op. 11
457:), Op. 2
440:♭
428:♭
414:, Op. 38
411:♭
395:♭
296:♭
212:libretto
122:portrait
62:virtuoso
2222:Portals
2189:â
2151:Science
2030:Mazurka
2005:Ballade
1938:VoĆĂĆĄek
1908:TĂĄrrega
1903:Taneyev
1863:Smetana
1818:Rossini
1773:Puccini
1768:Prudent
1728:Nielsen
1693:MĂ©reaux
1668:Medtner
1633:Lysenko
1603:Lachner
1568:Joachim
1548:Herbert
1468:Farrenc
1433:Delibes
1408:Crusell
1353:Borodin
1343:Berwald
1333:Berlioz
1323:Bennett
1318:Bellini
1303:Bazzini
1283:Arensky
1181:Related
1075:(IMSLP)
1071:at the
937:Sources
857:Discogs
825:20 June
493:, Op. 9
491:Bellini
477:, Op. 5
475:Rossini
374:, Op. 4
218:or the
185:sonatas
153:of the
18:Farrenc
2260:France
2209:Portal
2146:Poetry
1998:Genres
1943:Wagner
1923:Tobias
1788:Reicha
1763:Popper
1743:Pacini
1738:Onslow
1648:Mahler
1628:Lumbye
1593:Kuhlau
1573:Joplin
1563:Hummel
1553:HĂ©rold
1543:Halévy
1528:Gounod
1513:Glinka
1493:Franck
1488:Foster
1458:DvoĆĂĄk
1448:d'Indy
1438:Delius
1418:Czerny
1403:Chopin
1378:Busoni
1363:Brahms
1338:Bertin
1328:BĂ©riot
1146:Family
1138:(1849)
1132:(1840)
1126:(1839)
1054:
1030:
986:741636
984:
951:
774:
676:
575:Trois
226:Legacy
2272:Music
2136:Chess
1968:YsaĂże
1948:Weber
1928:Verdi
1878:Spohr
1873:Sousa
1758:Paine
1673:MĂ©hul
1623:Loewe
1618:Liszt
1598:Kuula
1558:Holst
1538:Grieg
1518:Gomes
1498:Franz
1483:Foote
1478:Field
1473:Fauré
1463:Elgar
1443:Denza
1368:Bruch
1348:Bizet
1308:Beach
1293:Auber
1278:Alkan
1136:Nonet
1117:Music
1028:JSTOR
982:JSTOR
505:'
208:opera
164:Music
151:]
132:nonet
2025:Lied
1963:Wolf
1813:Rode
1803:Ries
1783:Raff
1608:Lalo
1273:Adam
1052:ISSN
949:ISBN
888:2020
827:2021
772:ISBN
674:ISBN
92:and
1868:Sor
1413:Cui
974:doi
880:BBC
714:BBC
666:doi
512:by
473:by
250:âs
187:(a
56:née
2284::
1048:14
1024:62
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980:.
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914:^
878:.
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722:^
712:.
708:.
672:.
664:.
639:.
264:.
149:fr
117:c.
2224::
2111:"
2107:"
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1233:t
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53:(
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20:)
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