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The audience anticipated great things, having got word from the rehearsal, and so, Mendelssohn wrote, "frenetic applause began" as soon as
Joachim stepped in front of the orchestra. The beginning was applauded still more, and "cheers of the audience accompanied every ... part of the concerto." Reviewers also had high praise. One for 'The Musical World' wrote "The greatest violinists hold this concerto in awe ... Young Joachim ... attacked it with the vigour and determination of the most accomplished artist ... no master could have read it better," and the two cadenzas, written by Joachim, were "tremendous feats ... ingeniously composed". Another reviewer, for the 'Illustrated London News', wrote that Joachim "is perhaps the first violin player, not only of his age, but of his siècle" . "He performed Beethoven's solitary concerto, which we have heard all the great performers of the last twenty years attempt, and invariably fail in ... its performance was an eloquent vindication of the master-spirit who imagined it." A third reviewer, for the 'Morning Post', wrote that the concerto "has been generally regarded by violin-players as not a proper and effective development of the powers of their instrument" but that Joachim's performance "is beyond all praise, and defies all description" and "was altogether unprecedented." Joachim remained a favorite with the English public for the rest of his career. He visited England in each year 1858, 1859, 1862 largely at the behest of his friend
495:, and their followers, as defined by journalist Franz Brendel). "The worship of Wagner's music permeating musical taste in Weimar was to Joachim inordinate and unacceptable." Joachim's break with Liszt became final in August 1857, when he wrote to his former mentor: "I am completely out of sympathy with your music; it contradicts everything which from early youth I have taken as mental nourishment from the spirit of our great masters." Hanover "was then an independent kingdom, later to be absorbed in the German empire." King Georg of Hanover was totally blind and very fond of music; he paid Joachim a good salary and gave him considerable freedom. Joachim's duties in Hanover included playing the main violin part in opera performances and that or conducting state concerts. He had five summer months off, in which he made concert tours around Europe. In March 1853 he sent to Liszt a copy of the Overture to Hamlet he had recently composed.
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536:, his first orchestral piece. He sent a score of the first movement to Joachim, requesting his advice. After getting Joachim's response, Brahms wrote to him "A thousand thanks for having studied the first movement in such a sympathetic and careful manner. I have learned a great deal from your remarks. As a musician I really have no greater wish than to have more talent so that I can learn still more from such a friend." Later in the composition of the concerto, which took four years, Brahms wrote to Joachim "I am sending you the rondo once more. And just like the last time, I beg for some really severe criticism." The final manuscript of the concerto "shows many alterations in the handwriting of Joachim".
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528:, and wrote of him that his playing "shows the intense fire...which predicts the artist" and "his compositions already betoken such power as I have seen in no other musician of his age". Joachim strongly recommended Brahms to Robert. Brahms was received by the Schumanns with great enthusiasm. After Robert's mental breakdown in 1854 and death in 1856, Joachim, Clara, and Brahms remained lifelong friends and shared musical views. Joachim's performing style with the violin, like Clara's at the piano, is said to have been "restrained, pure, antivirtuosic, expressing the music rather than the performer."
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presented him with "an exceptionally fine" violin made in 1715 by
Antonio Stradivari, called "Il Cremonese". About ten years later, for the sixtieth jubilee, a concert in honor of Joachim was given by his former students of violin and viola playing and cellists who had studied quartet playing with him, on 22 April 1899. The total of some 140 string players was impressive, as were their instruments (made by Stradivari, Guarneri, Bergonzi, Amati, etc.). An honor such as that concert "had been accorded to no other musician during his lifetime".
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411:. This was a triumph in several respects, as described by R. W. Eshbach. The Philharmonic had a policy against performers so young, but an exception was made after auditions persuaded gatherings of distinguished musicians and music lovers that Joachim had mature capabilities. Despite Beethoven's recognition as one of the greatest composers, and the ranking nowadays of his violin concerto as among the greatest few, it was far from being so ranked before Joachim's performance.
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559:" of chamber music, of which programmes from 1867 through 1904 are preserved. Joachim appears a great many times. He visited London each year from 1866 on. In March 1898 and in 1901–1904 Joachim appeared in his own quartet of players, but otherwise far more often he appeared with resident Popular Concerts artists Louis Ries, second violin, J. B. Zerbini, first viola, and
587:, by Joachim, Clara, her oldest daughter Marie, Ries, Zerbini, Piatti, two English sisters "Miss Pyne," one a singer, and a Mr. Saunders who managed all the arrangements. Marie Schumann wrote home from Manchester that in Edinburgh Clara "was received with tempestuous applause and had to give an encore, so had Joachim. Piatti, too, is always tremendously liked."
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575:. She wrote to Brahms 27 February 1882 from London that the piece had received "much applause". About a performance of it in Liverpool 11 February she had written in her diary that it was "warmly received, much to my surprise as the public here is far less receptive than that in London." In January 1867 there had been a tour to
749:. Brahms, certain that Joachim's suspicions were groundless, wrote a sympathetic letter to Amalie, which she later produced as evidence in Joachim's divorce proceeding against her. This led to a cooling of Brahms' and Joachim's friendship, which was not restored until some years later, when Brahms composed the
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at Zürich, Switzerland; Brahms conducted and
Joachim was assistant conductor. But in April, two years later, Joachim was to lose forever this revered friend, as Johannes Brahms died at the age of 64 at Vienna. At Meiningen, in December 1899, it was Joachim who made the speech when a statue to Brahms
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of
Germany. There, he gathered a circle of young avant-garde disciples, vocally opposed to the conservatism of the Leipzig circle. Joachim was amongst the first of these. He served Liszt as concertmaster, and for several years enthusiastically embraced the new "psychological music," as he called it.
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Moser (p. 28 ff.) writes "After the appearance of the six String
Quartets (Op. 18) Beethoven had complete command of the field of chamber-music", although in the later quartets he "makes many exacting demands" of string players. Moser (p. 29) further writes that "at the time of Beethoven's
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did not necessarily esteem the late quartets above the earliest ones. Moser, p. 30 writes that in Vienna "the public showed a marked hostility toward" the late quartets. But
Joachim's teacher Böhm had an appreciation of the late quartets, which he communicated to Joachim. At the age of 18, "in
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had harshly criticized it, and after the London premiere by violinist Edward
Eliason, a critic had said it "might have been written by any third or fourth rate composer." But Joachim was very well prepared to play Beethoven's concerto, having written his own cadenzas for it and memorized the piece.
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A Johannes
Theodorus Cuypers anno 1807 was bought by Joachim in the mid 19th century and taken on tour throughout Europe. There is also evidence that the instrument was played by Joachim in a recital in Paris a half century later, in 1895. The same instrument was also played by Fritz Kreisler in a
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of the opera in Pest, said to be the best violinist in Pest. Although
Joachim's parents were "not particularly well off", they had been well advised to choose not just an "ordinary" violin teacher. Joachim's first public performance was 17 March 1839 when he was of age 7. (Serwaczyński later moved
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At 18 of the
Popular Concerts at least, Clara Schumann performed along with Joachim, Zerbini and Piatti, presumably playing piano quartets (without second violin), or sometimes piano trios (for piano, violin, and cello). (The programs of those concerts very likely also included string quartets in
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Joachim quit service in Hanover in 1865, and the family moved to Berlin, where he was entrusted with founding and directing a new department at the Royal Conservatory, for performing music. He formed a string quartet, and kept performing chamber music on tours. His playing was recorded in 1903.
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In Berlin, on 17 August 1903, Joachim recorded five sides for The Gramophone & Typewriter Ltd (G&T), which remain a fascinating and valuable source of information about 19th-century styles of violin playing. He is the earliest violinist of distinction known to have recorded, only to be
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In December 1854, Joachim visited Robert at the Endenich asylum where he had been since February, Joachim being his first visitor. Early on, Brahms already played and composed for the piano, which "he had mastered in a supreme fashion", but he felt deficient in orchestration. In 1854 he began
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In March 1877, Joachim received an honorary Doctorate of Music from Cambridge University. For the occasion he presented his Overture in honor of Kleist, Op. 13. Near the 50th anniversary of Joachim's debut recital, he was honored by "friends and admirers in England" on 16 April 1889 who
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A letter preserved in the EMI archives records the stringent conditions Joachim expected for the publicity for his recordings: sensational adverts were to be avoided, with no comparisons between his art and that of other violinists. The letter also stated that "it was only with the greatest
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Joachim had extensive correspondence with both Clara and Brahms, as Brahms greatly valued Joachim's opinion of his new compositions. In 1860 Brahms and Joachim jointly wrote a manifesto against the "progressive" music of the 'New German' School, in reaction to the polemics of Brendel's
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Fuller-Maitland, p. 56, lists the 14 pieces with opus numbers, not necessarily with the same details as below. On p. 57 he lists 6 of the 14 pieces given here as WoO, plus the orchestration of the Schubert Grand Duo and the Beethoven and Brahms concerto cadenzas.
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became the dominant German state and city, Joachim moved to Berlin, where he was invited to help found, and to become the first director of, a new department of the Royal Academy of Music, concerned with musical performance and called the Hochschule für ausübende Tonkunst.
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Joachim's time in Hanover was his most prolific period of composition. Then and during the rest of his career, he frequently performed with Clara Schumann. For example, in October–November 1857 they took a recital tour together to Dresden, Leipzig, and Munich.
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Joachim's own compositions are less well known. He gave opus numbers to 14 compositions and composed about an equal number of pieces without opus numbers. Among his compositions are various works for the violin (including three concerti) and
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Also in 1853, a committee headed by Schumann invited Joachim to the Lower Rhine Music Festival. At the Festival, Joachim again soloed in the Beethoven violin concerto. His success made him, it is said, "the most renowned artist of Germany".
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The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is
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orchestra. In 1843 Joachim became a protégé of Mendelssohn, who arranged for him to study theory and composition with Moritz Hauptmann and violin with Ferdinand David. In his début performance in the Gewandhaus Joachim played the
362:, on which Moser writes "Only in Haydn's admiration for Mozart does the history of music know a parallel case of such ungrudging veneration of one great artist for his equal." in 1835, Mendelssohn had become director of the
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established cultural life. From 1852, Joachim served at the court of Hanover, playing principal violin in the opera and conducting concerts, with months of free time in summer for concert tours. In 1853, he was invited by
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Ruprecht Kamlah, Joseph Joachims Guarneri-Geigen, Eine Untersuchung im Hinblick auf die Familie Wittgenstein, Wiener Geschichtsblätter 2013, Vol. 1, p. 33, posted on "Joseph Joachim: Biography and Research",
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was formed, which quickly gained a reputation as Europe's finest. It continued to perform until Joachim's death in 1907. The first personnel of the quartet were: Ernst Schiever (1869–1871) a pupil of Joachim,
1966:(1860–1929), German-born English pianist, organist and teacher; student, friend and accompanist of Joachim; student of Haupt, Lebert, Liszt, Mischalek and Oscar; founded College of Music at Leicester
1914:(1859–1925), violinist and assistant to Joachim; Moser wrote the first biography of Joachim, Moser (1901), on Joachim's life up through 1899. He helped recover original scores of J.S. Bach's
900:, composed concerti with Joachim in mind, many of which entered the standard repertory. Nevertheless, Joachim's solo repertoire remained relatively restricted. He never performed Schumann's
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the whole of Germany" Joachim had no equal, either in the rendering of Bach or in the concertos of Beethoven and Mendelssohn; while as quartet player, "he had no cause to fear rivalry."
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On Good Friday, 10 April 1868, Joachim and his wife joined their friend, Johannes Brahms, in the celebration of one of Brahms' greatest triumphs, the first complete performance of his
347:, who introduced him to the world of chamber music). In 1843 he was taken by his cousin, Fanny Figdor, who later married "a Leipzig merchant" named Wittgenstein, to live and study in
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and presented to him at the 1904 "Diamond Jubilee" celebration of his sixtieth anniversary of his first appearance in London. Joachim remained in Berlin until his death in 1907.
1908:(1853–1924), Portuguese violinist and teacher; director of the "Conservatório de Música do Porto"; director and founder of the "Orpheon Portuense"; studied with Joachim in Berlin
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635:. In 1865 Joachim quit the service of the King of Hanover in protest, when the Intendant (artistic director) of the Opera refused to advance one of the orchestral players (
928:(which can be translated as "free but lonely", "free but alone", or "free but solitary"). Although the sonata is rarely performed in its entirety, the third movement, the
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wrote that the Popular Concerts had helped greatly to spread and enlighten musical taste in England. Joachim had been a mainstay of the chamber music Popular Concerts.
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had earnestly solicited his advice about the piece, dedicated it to him, and would have liked him to premiere it. The most unusual work written for Joachim was the
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3522:, 2 vols. Berlin: Verlag der Deutschen Brahms-Gesellschaft, vol. 1: 1908; vol. 2: 1910. (Published after the following translation, so must be a revised edition?)
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310:(through his brother Henry) was one of the first British suffragettes to go on hunger strike in prison in protest at not being treated as a political prisoner.
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624:(stage name: Amalie Weiss) (1839–99). Amalie gave up her own promising career as an opera singer and gave birth to six children. She continued to perform in
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881:, and remained a tireless advocate of Brahms's compositions through all the vicissitudes of their friendship. He conducted the English premiere of Brahms's
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conducting. He returned to London many times throughout life. After years of teaching at the Leipzig Conservatory and playing as principal violinist of the
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Original pressings are single-sided and have a flat red G&T label. Later reeditions have a black G&T label (or, from 1909, a label showing the '
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1670:. Note the strongly incurving, arthritic first finger of his left hand. The chair in which he is sitting was a special present to him. He willed it to
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for violin and cello, Op. 102, 1887, as a peace offering to his old friend. It was co-dedicated to the first performers, Joachim and Robert Hausmann.
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at Cambridge on 8 March 1877, on the same day that he received a D. Mus. degree there (Brahms had declined an invitation to go to England himself).
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J. S. Bach: Partita for Violin No. 1 in B minor, BWV 1002: 7th movement, Tempo di Bourrée, Pearl Catalog: 9851 (also on Testament (749677132323)).
1072:(1857, published in 1861); dedicated to Johannes Brahms. It is said that the solo violin part of the Hungarian Concerto is very difficult to play.
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Op. 10, Variationen über ein eigenes Thema (Variations on an Original Theme) in E major for viola and piano (1854); dedicated to Hermann Grimm.
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Following Mendelssohn's death in 1847, Joachim stayed briefly in Leipzig, teaching at the Conservatorium and playing on the first desk of the
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Op. 2, Drei Stücke (3 Pieces) for violin or viola and piano, (circa 1848–1852): Romanze, Fantasiestück, Eine Frühlingsfantasie; dedicated to
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Brahms: Hungarian Dances (21) for Piano 4 hands, WoO 1: No. 1 in G minor (arr. Joachim), Opal Recordings (also on Testament (749677132323)).
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Ruprecht Kamlah, "Joseph Joachims Geigen, Ihre Geschichten und Spieler, besonders der Sammler Wilhelm Kux, Palm und Enke, Erlangen 2018,
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711:(1871–1892), and Wilhelm Muller (1869–1879). Schiever resigned after their second season with de Ahna taking the second violin part and
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3529:, translated by Lilla Durham, introduction by J. A. Fuller-Maitland, London: Philip Wellby, 1901. (Published during Joachim's lifetime)
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178:(28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in
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for a number of other composers' concerti (including the Beethoven and Brahms concerti). His most highly regarded composition is his
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Most, but not all, of the many violins (and two violas) Joachim is said to have had during his career are shown on the website of
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Robert W. Eshbach, "Verehrter Freund! Liebes Kind! Liebster Jo! Mein einzig Licht. Intimate letters in Brahms's Freundeskreis",
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Dietmar Schenk, "Aus einer Gründerzeit: Joseph Joachim, die Berliner Hochschule für Musik und der deutsch-französische Krieg",
601:, had originally few (four) signers (more later) and met with a mixed reception, being heavily derided by followers of Wagner.
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Beatrix Borchard, "Groß-männlich-deutsch? Zur Rolle Joseph Joachims für das deutsche Musikleben in der Wilhelminischen Zeit",
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3351:, "'Ihr Sie hochachtender, dankbarer Schüler Peppi', Joseph Joachims Jugend im Spiegel bislang unveröffentlicher Briefe",
1237:, K. 208, Concerto No. 3 in G major, K. 216, Concerto No. 4 in D major, K. 218, and Concerto No. 5 in A major, K. 219
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Joachim's cadenza to Brahms's concerto came to be 'almost always' played, according to Fuller-Maitland, 1905, p. 55
738:, Brahms consulted Joachim, who "freely gave him encouragement and technical advice". Brahms asked Joachim to write the
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were deeply impressed, and formed a "close connection" with Joachim. Joachim met the then publicly unknown 20-year-old
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Ute Bär, "Sie wissen ja, wie gerne ich, selbst öffentlich, mit Ihnen musicire! Clara Schumann und Joseph Joachim",
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In 1884, Joachim and his wife separated after he became convinced that she was having an affair with the publisher
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1844:, violinist of the Klingler Quartet and Joachim's successor at the Berlin Hochschule; Klingler was the teacher of
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278:, Austria). He was the seventh of eight children born to Julius, a wool merchant, and Fanny Joachim, who were of
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2012:, American violinist; born in St. Louis, lived in Chicago; Concertmaster (1909–1911) of New York Philharmonic
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669:. It was a glorious occasion, after which about 100 of the composer's friends, the Joachims, Clara Schumann,
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Joseph Joachim, Fantasy on Hungarian Themes (1850), Fantasy on Irish Themes (1852) for Violin and Orchestra
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Op. 9, Hebräische Melodien, nach Eindrücken der Byron'schen Gesänge (Hebrew Melodies, after Impressions of
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2651:(Melbourne) 1 January 1892 says he was "acknowledged to be one of the finest viola players in the world."
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WoO, Fantasie über ungarische Motive (ca. 1850); premiered in Weimar under Franz Liszt in October 1850
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The famous Joachim Quartet. From left to right: Robert Hausmann (cello), Josef Joachim (1st violin),
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Josef Joachim. Ein Lebens- und Künstlerbild. Festschrift zu seinem 60. Geburtstage, am 28. Juni 1891
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which she of course did not play, as Ries is also listed.) A favorite piece of Clara's was Brahms's
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1689:, violinist and teacher; studied with Joachim in Hanover. Among his many outstanding students were
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WoO, Romance in C major, for violin and piano; pub. C. F. Kahnt Nachfolge, Leipzig, 1894.
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665:. Amalie Joachim sang "I Know that My Redeemer Liveth" and Joseph Joachim played Robert Schumann's
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1777:, born in Pest, 1837; Joachim resigned a position to protest his non-advancement for being Jewish.
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3442:, London & New York: John Lane, 1905, a Google Books; repr. Bibliobazaar, 2010, public domain
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Brahms: Hungarian Dance No. 2 in D minor (arr. Joachim), Grammophon Catalogue #047905; HMV, D88.
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Op. 5, Three Pieces for Violin and Piano: Lindenrauschen, Abendglocken, Ballade; dedicated to
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2139:"San Francisco Symphony – BRUCH: Concerto No. 1 in G minor for Violin and Orchestra, Opus 26"
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715:(1871–1877) on viola. Later members of the Quartet were Johann Kruse (1892–1897) followed by
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1577:(Violin), László Kovács (Conductor), North Hungarian Symphony Orchestra, Hungaroton #: 32185
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Katharina Uhde, "Rediscovering Joseph Joachim’s ‘Hungarian’ and ‘Irish’ fantasias.", In:
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sleeve note, naxos 8.557428, BRAHMS: Sym. No. 1/Tragic Overture/Academic Festival Overture
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Gerhard Winkler (ed.) "Geigen-Spiel-Kunst: Joseph Joachim und der 'Wahre' Fortschritt",
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Uhde, Katharina. The Music of Joseph Joachim (Suffolk: Boydell & Brewer, 2018), 21.
1927:
1716:
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Overture (1853, to a play by Herman Friedrich Grimm; overture dedicated to Franz Liszt)
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186:, he is widely regarded as one of the most significant violinists of the 19th century.
76:
47:
6044:
5924:
5121:
4390:
3719:
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Uhde, Katharina. The Music of Joseph Joachim (Suffolk: Boydell & Brewer, 2018), 41
2635:. For a listing of Joachim's concert which includes some Monday Popular Concerts, see
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5116:
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4495:
4480:
4420:
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4325:
4260:
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4245:
4240:
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4210:
4205:
3980:
3975:
3880:
3648:
3560:
3502:
3467:
3401:
3370:
Stimme und Geige: Amalie und Joseph Joachim, Biographie und Interpretationsgeschichte
3332:
3270:
3187:
2831:
2032:
2009:
1945:
1939:
1499:
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1429:
877:, which he studied with the composer. Joachim played a pivotal role in the career of
870:
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793:
400:
359:
332:
303:
295:
202:
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6314:
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1921:
1745:
1617:
Katharina Uhde (Violin), Dennis Friesen-Carper (Conductor), Radio Orchestra Warsaw,
1340:(Conductor), Luxembourg Radio/Television Symphony Orchestra, Vox Catalog #: CDX 5102
1282:
688:—an engraving based on a painting (currently lost) by Felix Possart, published as a
226:
and Brahms, with whom he performed for years to come. In 1879, he premiered Brahms'
6702:
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6524:
6441:
6405:
6283:
6258:
6253:
5954:
5944:
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2054:
2026:
1973:
1809:
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1348:
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1029:
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957:
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556:
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279:
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6085:
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5038:
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4000:
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2189:
2071:
His first (full-size) violin was a Guarneri Filius Andreae 1703, which he gave to
861:, BWV 1001–1006, especially the Chaconne from the Partita No. 2, BWV 1004, and of
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Katharina Uhde, "An Unknown Beethoven Cadenza by Joseph Joachim: 'Dublin 1852'",
3494:
3491:, Translated from the fourth German edition by Grace E. Hadow, MacMillan, London.
2996:
2090:. It was presented to Joachim on the occasion of his Jubilee celebration in 1889.
2057:, cozio.com. Further information, in German, is in the article by Kamlah (2013).
1726:
1698:
1606:
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1309:
1059:
919:
889:
878:
849:
Among the most notable of Joachim's achievements were his revival of Beethoven's
728:
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670:
525:
517:
355:
287:
234:, an opera singer, in 1863, who gave up her career; the couple had six children.
219:
183:
6482:
5420:
4815:
4135:
4020:
1710:
563:, first cello, reputed to be "one of the most celebrated cellists" of the time.
539:
189:
Joachim studied violin early, beginning in Buda at age five, then in Vienna and
7025:
6995:
6960:
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6837:
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5435:
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5249:
5146:
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4663:
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4370:
4365:
4330:
4190:
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4055:
4040:
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3900:
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3815:
3775:
3489:
Clara Schumann: An Artist's Life based on material found in Diaries and Letters
2940:
2111:
2015:
1999:
1889:
1694:
1574:
1319:
1188:
1171:
1164:
1147:
WoO, Andantino in A minor, for violin and orchestra (also for violin and piano)
843:
703:
621:
544:
521:
492:
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family. He was a first cousin of Fanny Wittgenstein, née Figdor, the mother of
231:
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3215:
2086:
Stradivarius of 1715 is currently held by the Collezione Civica del Comune di
1179:
WoO, Fantasie über irische Motive (ca. 1852); premiered in London in May 1852
1004:
784:
During 1899, Joachim was invited to become president of the newly established
344:
7189:
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3641:
Briefwechsel Robert und Clara Schumanns mit Joseph Joachim und seiner Familie
2043:
2029:, studied with Hubay, then Joachim; dedicatee of the Sibelius violin concerto
1994:
1911:
1841:
1825:
1751:
1741:
1721:
1323:
1301:
1192:
1170:
WoO, Variations for Violin and Orchestra in E minor (ca. 1879); dedicated to
1141:
WoO, Overture in C major (Konzertouvertüre zum Geburtstag des Kaisers) (1896)
746:
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609:
478:
had lived. Liszt was determined to re-establish the town's reputation as the
451:
327:
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22:
6227:
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In late 1895 both Brahms and Joachim were present at the opening of the new
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1690:
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1671:
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1505:
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914:
412:
307:
263:
6370:
3940:
3230:"Bowed Stringed Instruments Made Before 1800 at the National Music Museum"
1163:
for piano (first publ. by J. Schuberth & Co. Hamburg, 1989. Edited by
7020:
6887:
6737:
6334:
6237:
6181:
5988:
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5224:
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4993:
4866:
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3143:
3001:
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1957:
1951:
1933:
1851:
1618:
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1016:
680:
463:
214:
3452:
3362:, with a preface by J. A. Fuller-Maitland, New York: Vienna House, 1972.
1015:
Op. 3, Violin Concerto in One Movement, in G minor (1851); dedicated to
6141:
5460:
5440:
5430:
5079:
4916:
4547:
4150:
3083:"Stradivari, Guarneri, Amati. The Legendary Italian String Instruments"
1876:
Karl Markees (1865–1926), a Swiss violinist who at one point owned the
1763:
1589:
1056:
503:
394:
363:
275:
3679:
Joseph Joachim's autograph and handwritten note to Marianne Scharwenka
3331:, ed. Alison Latham, Oxford University Press, 2002, pp. 637–638,
2813:
1771:(born 1859), professor of violin at the Royal College of Music, London
1650:' trade-mark), and those made for the German market are double-sided.
1540:
Anna Barbara Dütschler (Viola), Marc Pantillon (Piano), Claves #: 9905
1138:(unpublished, autograph in Hamburg Staats- und Universitätsbibliothek)
826:
wrote three violin concertos. Joachim was presumably referring to his
6802:
6131:
6013:
5345:
5064:
4490:
3895:
3835:
3541:
3348:
3229:
1509:
1088:
Op. 13, Elegiac Overture "In Memoriam Heinrich von Kleist" (ca. 1877)
893:
823:
674:
576:
3165:"Mr Ernst Schiever: Distinguished Liverpool Musician's Retirement".
639:) because of the latter's Jewish birth. In 1866, as a result of the
6942:
4582:
3408:
Robert W. Eshbach, "Der Geigerkönig: Joseph Joachim as Performer",
2060:
1614:
WoO, Fantasie über ungarische Motive; Fantasie über irische Motive
1294:
Violin Concerto No. 2 in d minor, Op. 11 "In the Hungarian Style":
942:
625:
604:
584:
475:
323:
2704:, Knopf (1997), reprinted in the UK by Papermac (1999) pp. 207–211
6614:
5365:
4956:
4557:
3744:
3309:
2087:
962:
739:
644:
632:
580:
484:
348:
271:
256:
190:
179:
72:
3664:
2990:
The University of Edinburgh Museums, Galleries & Collections
1240:
Rode, Concerto No. 10 in B minor, and Concerto No. 11 in D major
5059:
2619:, ed. Alison Latham, Oxford University Press, 2002–2003, p. 637
2115:
2097:, Brescia, before 1609 is held by the Shrine to Music No. 3368.
1680:
List of music students by teacher: G to J § Joseph Joachim
951:
648:
479:
471:
467:
399:
On 27 May 1844 Joachim, not quite 13, in his London debut with
210:
4747:
3396:, Doubleday, Garden City, New York. (Has a chapter on Joachim)
1783:(1859–1909), Bohemian violinist, member of the Joachim Quartet
166:
3459:, transl. from German by Joseph Stein, Knopf, New York, 1971.
3429:
Robert W. Eshbach, "Joachim's Youth – Joachim's Jewishness",
2647:
Zerbini was of Australian origin. An obituary for him in the
1985:
Orchestra, member of the original Joachim Quartet (1869–1871)
1662:
283:
3042:
2956:
Joachim's was an early cadenza; later many others wrote more
1744:(1865–1943), Concertmaster of the Berlin Philharmonic under
1674:, and it is now owned by the University of Edinburgh Museum.
1266:
5015:
4552:
1110:
Lied for high voice and piano; pub. Verlag des Ungar, 1846.
810:
At his 75th birthday observance in June 1906, Joachim said
629:
282:
origin. He spent his childhood as a member of the Köpcsény
3713:
Brahms Hungarian Dance No. 2 played by Joseph Joachim 1903
3705:
Brahms Hungarian Dance No. 1 played by Joseph Joachim 1903
1131:, Merlin's Song (Tennyson), pub. C. Kegan & Co., 1880.
1070:
Violin Concerto No. 2 in D minor "in the Hungarian Manner"
1948:, Concertmaster of the New York Philharmonic (1915–1917),
1082:
1654:
difficulty that Professor Joachim was induced to play".
1642:
Joachim: Romance in C major, Op. 20, Pearl Catalog: 9851
932:, composed by Brahms, is still frequently played today.
2725:
Cobbett's Cyclopedic Survey of Chamber Music, Volume II
1824:(1871–1953), American violinist and music professor at
1261:
904:, which Schumann wrote especially for him, or Dvořák's
788:
in London. He remained club president until his death.
322:, which in 1873 was united with Buda and Óbuda to form
3515:, 2nd ed., Berlin: Deutsche Brahms-Gesellschaft, 1912.
7301:
University of Music and Performing Arts Vienna alumni
2662:
London Music in 1888–89 as heard by Corno di Bassetto
1918:, and collaborated with Joachim on numerous editions.
888:
A number of Joachim's composer colleagues, including
555:, London, which opened in 1858, hosted a series of "
395:
London Philharmonic debut, Beethoven Violin Concerto
290:('Seven Communities') under the protectorate of the
7256:Honorary members of the Royal Philharmonic Society
3697:Joachim Romanze in C played by Joseph Joachim 1903
3626:, Vol. 103, Issue 3–4 (Fall-Winter 2020): 394–424.
3571:Joseph Joachim: Violinist, Pedagogue, and Composer
3513:Johannes Brahms im Briefwechsel mit Joseph Joachim
1954:(1868–1953), Italian violinist, violist, pedagogue
1597:String Quartet Movement (Quartettsatz) in c minor
1150:WoO, Romance in B-flat major, for violin and piano
3686:Bach Adagio G minor played by Joseph Joachim 1903
1873:, Concertmaster of the Boston Symphony Orchestra.
1502:(Violin), John Lenehan (Piano), Naxos #: 8.553026
695:Zeitschrift der Internationalen Musikgesellschaft
677:, and others gathered at the Bremen Rathskeller.
335:.) In 1839, Joachim continued his studies at the
7187:
2469:
2467:
2118:about Joachim in his first major work of poetry
1860:, Concertmaster of the Theodore Thomas Orchestra
1079:for Violin and Small Orchestra in A major (1858)
918:, a collaboration between Schumann, Brahms, and
498:
222:to the Lower Rhine Music Festival, where he met
2847:
2845:
1571:Variations for Violin and Orchestra in e minor
1025:Overture (1853); dedicated to Kapelle of Weimar
723:(viola) from 1877 on (occasionally replaced by
286:(Jewish community), one of Hungary's prominent
193:. He made his debut in London in 1844, playing
7291:Recipients of the Pour le Mérite (civil class)
2018:(1888–1967), American violinist, music teacher
1736:Technics of Violin Playing on Joachim's Method
922:, based upon the initials of Joachim's motto,
457:
4763:
3760:
2464:
2412:Swafford, p. 174, in another translation
2162:
2160:
620:On 10 May 1863 Joachim married the contralto
3720:Short biography of Joseph and Amalie Joachim
2842:
1627:
1003:, for violin and piano (1848): dedicated to
423:
3580:, Leipzig: Hermann Seemann Nachfolger, n.d.
3445:Johannes Joachim and Andreas Moser (eds.),
2790:
2788:
1760:(born 1834), Hofconcertmeister in Meiningen
1748:; Concertmaster of the Meininger Hofkapelle
1582:Variations for Violin and Piano in e minor
1359:, Marco Polo #: 8.223373, Naxos #: 8.554733
971:(Violin Concerto No 2 in D minor, Op. 11).
7296:Royal Philharmonic Society Gold Medallists
4770:
4756:
3767:
3753:
3681:(Violinist and wife of Philipp Scharwenka)
3372:, Wien, Köln, Weimar, Böhlau Verlag, 2005.
2157:
1812:(1878–1947), British composer and teacher.
1204:In 1855 Joachim orchestrated the Schubert
1144:WoO, Two Marches for orchestra, in C and D
865:. Joachim was the second violinist, after
343:; finally – and most significantly – with
46:
16:Hungarian violinist, composer, and teacher
3729:International Music Score Library Project
3585:Cambridge Companion to the String Quartet
3457:Johannes Brahms: His Work and Personality
3449:, 3 vols., Berlin: Julius Bard, 1911–1913
3183:Famous Violinists of To-Day and Yesterday
2042:in his "Die Violine und Ihre Meister". •
1738:, London: The Strad Library, No. I, 1894.
1085:, Violin Concerto No. 3 in G major (1875)
796:made some recordings the following year.
3665:Joseph Joachim — Biography and Research.
3647:, series II, vol. 2), Köln: Dohr, 2019,
3308:
3118:"Russian Symphony Orchestra of New York"
2943:, and the Houston Symphony conducted by
2785:
2596:, St. James's Hall Concerts (1867–1904)"
2592:"Arts & Humanities Research Council
2318:
2316:
2093:The Ex Joachim, Joseph Vieland Viola by
2059:
2048:
1661:
1275:Violin Concerto No. 1 in g minor, Op. 3
1265:
1182:
993:
973:
837:
799:Joachim's portrait was twice painted by
772:
679:
603:
538:
502:
454:on taking up the conductorship in 1835.
385:
377:
331:back to Lublin, Poland, where he taught
250:
7231:Conductors (music) from Austria-Hungary
3527:Joseph Joachim: A Biography (1831–1899)
3358:Nora Bickley, selector and translator,
2895:
2893:
2722:
2177:Ludwig Wittgenstein: The Duty of Genius
1563:Variations for Viola and Piano, Op. 10
1161:Variationen über ein irisches Elfenlied
1156:WoO, String Quartet Movement in C minor
1117:for voice and piano, pub. Wigand, 1854.
984:
803:. A portrait of Joachim was painted by
298:and the grandmother of the philosopher
7188:
3735:Guide to the Joseph Joachim Collection
3435:, vol. 94, no. 4, Winter 2011, 548–592
3422:Robert W. Eshbach, "Joachims Jugend",
3275:: CS1 maint: archived copy as title (
2977:International Classic Record Collector
2105:
1460:Drei Stücke für Violine und Pianoforte
1442:Drei Stücke für Violine und Pianoforte
1221:Beethoven, Concerto in D major, Op. 61
1136:Melodrama zu einer Schillergedenkfeier
842:Amalie's and Joseph's grave in Berlin-
764:
684:The Joachim Quartet performing in the
420:, and for several decades thereafter.
407:, played the solo part in Beethoven's
382:Joachim's birth house in Kittsee today
7117:Romanticism and the French Revolution
4751:
3748:
3499:Les Joachim: Une Famille de Musiciens
3426:, vol. 5, nr. 2, April 2011, 176–190.
3405:, 48/775 (1 September 1907): 577–583.
3385:, "Joseph Joachim zum 65. Todestag",
3179:
2313:
1806:(born 1843), Concertmaster in Breslau
1657:
1512:(Piano), Biddulph Recordings: LAW 003
1052:(1854); dedicated to Fritz Steinbach.
230:with Brahms as conductor. He married
7286:People from Neusiedl am See District
3552:, vol. 1, nr. 3, July 2007, 232–246.
3419:, vol. 2, nr. 2, April 2008, 178–193
3412:, vol. 1, nr. 3, July 2007, 205–217.
3379:, vol. 1, nr. 3, July 2007, 218–231.
3355:, vol. 1, nr. 3, July 2007, 200–204.
3345:, vol. 1, nr. 3, July 2007, 247–257.
3013:IMSLP: Free Sheet Music PDF Download
3009:"Violin-technik (Courvoisier, Carl)"
2902:
2890:
2215:"Maud Joachim · Suffragette Stories"
1678:For Joachim's notable students, see
1262:Recordings of Joachim's compositions
1243:Spohr, Concerto in A minor, Op. 47 (
1230:Kreutzer, Concerto No. 19 in D minor
1227:Hiller, Concerto in A major, Op.152a
859:Sonatas and Partitas for solo violin
698:4/5 (1903), between pp. 240 and 241.
450:, whom Mendelssohn had appointed as
182:and Berlin. A close collaborator of
7271:Hungarian male classical violinists
4626:Tchaikovsky and the Belyayev circle
3587:, Cambridge University Press, 2003.
3573:, Ph.D. Diss., Univ. of Iowa, 1978.
3327:Styra Avins, "Joachim, Joseph", in
2615:Avins, Styra, "Joseph Joachim", in
1713:(1871–1932), composer and violinist
1224:Brahms, Concerto in D major, Op. 77
1198:
786:Oxford & Cambridge Musical Club
780:, by Philip Alexius de László, 1903
13:
3774:
3360:Letters From and To Joseph Joachim
2974:Jenkins, Lyndon. The EMI Archive.
2664:, etc. (Constable, London), p. 297
2425:, Dover, New York, 1980, p. 5
1416:Stuttgart Radio Symphony Orchestra
1386:Stuttgart Radio Symphony Orchestra
1357:Stuttgart Radio Symphony Orchestra
1257:Viotti, Concerto No. 22 in A minor
853:already mentioned, the revival of
597:. This manifesto, a volley in the
462:In 1848, the pianist and composer
390:Memorial plaque on his birth house
14:
7312:
3658:
3559:, Oxford University Press, 1998,
3387:Oesterreichische Musikzeitschrift
3085:. 22 October 2021. Archived from
2908:Fuller-Maitland, 1905, p. 60
2899:Fuller-Maitland, 1905, p. 57
2782:Fuller-Maitland, 1901, p. 18
2141:. 7 November 2014. Archived from
2038:Other pupils may be mentioned by
1916:Sonate e Partite per violino solo
1345:Violin Concerto No. 3 in G major
1062:) for viola and piano (1854–1855)
532:composing what was to become his
429:death", such people as Spohr and
7170:
7169:
4731:
4722:
4721:
3670:Works by or about Joseph Joachim
3601:, 158/1941 (Winter 2017): 75–99.
3594:, Knopf and Vintage Books, 1997.
3557:The Concerto: A Listener's Guide
3447:Briefe von und an Joseph Joachim
2869:Fuller Maitland, pp. 39, 49
2723:Cobbett, Walter Willson (1963).
1548:Overture, Op. 7 (2 pianos, arr.
863:Beethoven's late string quartets
165:
7211:Violinists from Austria-Hungary
4777:
3283:
3243:
3222:
3200:
3180:Lahee, Henry C. (August 2008).
3173:
3158:
3128:
3110:
3101:
3075:
3057:
3027:
2983:
2980:. Summer 1997, Vol.2 No.9, p40.
2968:
2959:
2950:
2929:
2920:
2911:
2881:
2872:
2863:
2854:
2824:
2806:
2797:
2776:
2767:
2758:
2749:
2740:
2731:
2716:
2707:
2694:
2685:
2676:
2667:
2654:
2641:
2622:
2609:
2584:
2575:
2566:
2557:
2548:
2539:
2530:
2521:
2512:
2503:
2494:
2485:
2476:
2455:
2446:
2437:
2428:
2415:
2406:
2397:
2388:
2379:
2370:
2361:
2352:
2343:
2325:
2304:
2295:
2286:
2277:
2268:
1942:(1874–1957), American violinist
1833:, Hungarian violinist, composer
1489:Berlin Radio Symphony Orchestra
1424:Andantino and Allegro scherzoso
1122:Scene from Schiller's Demetrius
1001:Andantino and Allegro scherzoso
935:
875:Violin Concerto in E minor
403:conducting at a concert of the
339:(briefly with Miska Hauser and
313:
7226:Hungarian classical violinists
7206:Composers from Austria-Hungary
3520:Joseph Joachim: Ein Lebensbild
2259:
2250:
2241:
2232:
2207:
2182:
2169:
2131:
2040:Wilhelm Joseph von Wasielewski
1854:(1855–1885), Russian violinist
1603:, Classic Talent #: B001HADEWI
1592:(Piano), Hyperion #: CDA 67663
792:followed soon thereafter when
358:was highly enthusiastic about
262:Joachim was born in Köpcsény,
1:
7221:Hungarian classical composers
7140:Wanderer above the Sea of Fog
3739:Leo Baeck Institute, New York
3725:Free scores by Joseph Joachim
3631:Burgenländische Heimatblätter
3608:, Boydell & Brewer, 2018.
3329:The Oxford Companion to Music
2935:There are recordings, by the
2660:Shaw, George Bernard (1937),
1972:, teacher of leading violist
1401:London Philharmonic Orchestra
1372:London Philharmonic Orchestra
1328:London Philharmonic Orchestra
1050:Overture to a Comedy by Gozzi
833:
742:for the concerto, as he did.
499:The Schumanns, Brahms; Berlin
7216:Hungarian Romantic composers
3592:Johannes Brahms: A Biography
3399:F. G. E., "Joseph Joachim",
3107:archives.nyphil.orgindex.php
2937:Vienna State Opera Orchestra
2631:, born 1830, was the son of
2581:Litzmann, 1913, p. 152
2423:Violin Playing as I Teach It
2219:suffragettestories.omeka.net
2075:after he acquired his first
1477:Notturno in A major, Op. 12
1377:Mariss Jansons (Conductor),
1250:Tartini, Sonata in G minor (
318:In 1833 his family moved to
33:when mentioning individuals.
7:
7266:Jewish classical violinists
4669:Gothic Revival architecture
3606:The Music of Joseph Joachim
3578:Joseph Joachim: Eine Studie
3389:XXVII (June 1972): 352–355.
2649:Illustrated Australian News
2333:"London Philharmonic Debut"
2101:1955 Carnegie Hall concert.
1981:(1844–1915), Leader of the
1818:(born 1855), solo violinist
1399:Leon Botstein (Conductor),
1379:Oslo Philharmonic Orchestra
1370:Leon Botstein (Conductor),
1215:
719:(2nd violin) from 1897 on;
458:Weimar, Liszt; then Hanover
437:
10:
7317:
7261:Jewish classical composers
7236:Jewish Hungarian musicians
7057:Coleridge's theory of life
4610:Neue Zeitschrift für Musik
3785:List of Romantic composers
3545:, (December 1932) 884–885.
3304:
2764:Fuller-Maitland p. 56
2727:. London: OUP. p. 38.
2434:Auer, 1923, pp. 58–59
2385:Moser, 1901, pp. 39, 43–44
1936:, Concertmaster in Leipzig
1677:
1436:(Piano), Naxos #: 8.553026
1306:Chicago Symphony Orchestra
1115:Ich hab' im Traum geweinet
906:Violin Concerto in A minor
902:Violin Concerto in D minor
751:Double Concerto in A minor
734:In 1878 while writing his
594:Neue Zeitschrift für Musik
353:Neue Zeitschrift für Musik
246:
20:
7251:Deaths from actinomycosis
7241:Child classical musicians
7149:
7112:Romanticism and economics
7049:
6941:
6688:
6510:
6455:
6424:
6348:
6297:
6246:
6205:
6114:
6058:
6022:
5976:
5967:
5812:
5756:
5705:
5664:
5623:
5577:
5519:
5389:
5268:
5190:
5127:Manuel Antônio de Almeida
5109:
5100:
4986:
4854:
4785:
4701:
4646:
4591:
4525:
4504:
3791:
3782:
3539:Anne Russell, "Joachim",
3487:Berthold Litzmann, 1913,
3392:Margaret Campbell, 1981,
2617:Oxford Companion to Music
1906:Bernardo V. Moreira de Sá
1628:Joachim's own discography
1414:Meir Minsky (Conductor),
1384:Meir Minsky (Conductor),
883:Symphony No. 1 in C minor
424:Beethoven string quartets
418:William Sterndale Bennett
255:Joachim's birth house in
164:
159:
149:
125:
105:
95:
83:
54:
45:
38:
4892:German historical school
4631:Tchaikovsky and The Five
3484:, Berlin: A. Glas, 1891.
3324:, F. A. Stokes, New York
2125:
1496:Romance in B-flat major
731:(cello), from 1879 on.
573:Piano Quartet in A major
341:Georg Hellmesberger, Sr.
29:. This article uses
21:The native form of this
5539:Józef Ignacy Kraszewski
3633:, vol. 69, nr. 2, 2007.
3501:, Paris: Fayard, 1999.
3438:J. A. Fuller-Maitland,
2803:Moser 1901, p. 325
2794:Moser 1901, p. 324
2773:Moser 1901, p. 282
1884:Charles Martin Loeffler
1754:, Joachim's great-niece
1734:(1846–1908), author of
1211:into a "Symphony in C."
686:Sing-Akademie zu Berlin
241:
7276:Musicians from Hanover
7122:Romanticism in science
7077:Middle Ages in history
7072:List of Romantic poets
5784:Josiah Gilbert Holland
4654:Common practice period
3316:
2860:Fuller Maitland, p. 25
2851:Steinberg, p. 265
2572:Fuller Maitland, p. 55
2358:Fuller-Maitland, p. 13
2238:Moser, 1901, p. 3
2067:
1675:
1666:Joachim and the young
1609:, Thorofon #: CTH 2120
1403:, IMP Masters #: MCD27
1374:, IMP Masters #: MCD27
1330:, IMP Masters #: MCD27
1271:
1195:
981:
846:
821:
781:
699:
617:
547:
512:
391:
383:
373:Heinrich Wilhelm Ernst
259:
7092:Romantic epistemology
7082:Opium and Romanticism
5651:Stojadinović-Srpkinja
4877:Counter-Enlightenment
3645:Schumann-Briefedition
3624:The Musical Quarterly
3611:Katharina Uhde, ed.,
3583:Robert Stowell, Ed.,
3511:Andreas Moser (ed.),
3432:The Musical Quarterly
3322:My long Life in Music
3312:
3136:"Department of Music"
2887:Fuler Maitland, p. 52
2691:Litzmann, pp. 249–250
2527:Swafford, p. 133
2518:Swafford, p. 130
2403:Campbell, 1981, p. 76
2292:Fuller Maitland, p. 4
2274:Fuller-Maitland, p. 3
2256:Fuller-Maitland, p. 2
2194:Spartacus Educational
2063:
2049:Joachim's instruments
1822:Rebecca Wilder Holmes
1665:
1601:Israel String Quartet
1558:, Hungaroton #: 32003
1491:, Schwann #: CD 11622
1269:
1186:
994:Original compositions
977:
841:
812:
776:
702:In 1869, the Joachim
683:
607:
542:
506:
466:took up residence in
389:
381:
254:
7156:Age of Enlightenment
4798:England (literature)
4691:Romantic nationalism
4637:War of the Romantics
3532:Hans Joachim Moser,
3394:The Great Violinists
3320:Leopold Auer, 1923,
3035:"Bronislaw Huberman"
2945:Christoph Eschenbach
2755:Campbell, p. 81
2713:Moser (1901) 202–206
2509:Swafford, p. 75
2491:Swafford, p. 63
2482:Swafford, p. 62
2301:Moser, 1901, pp. 8–9
2283:Campbell, p. 75
2166:Campbell, p. 74
1960:, American violinist
1878:Markees Stradivarius
1529:(Piano), Tacet #: 56
1527:Birgitta Wollenweber
1472:(Piano), Tacet #: 56
1470:Birgitta Wollenweber
1454:(Piano), Tacet #: 56
1452:Birgitta Wollenweber
1287:Weimar Staatskapelle
1099:'s unfinished drama
985:List of compositions
599:War of the Romantics
534:first piano concerto
483:In 1852 he moved to
444:Gewandhaus Orchestra
405:Philharmonic Society
195:Ludwig van Beethoven
7107:Romantic psychology
4902:Hudson River School
4846:Sweden (literature)
4831:Russia (literature)
4686:Musical nationalism
4604:Musical nationalism
3637:Klaus Martin Kopitz
3555:Michael Steinberg,
3257:on 29 February 2008
2106:Cultural references
2022:Agnes Tschetschulin
1705:Dora Valesca Becker
1566:Numerous recordings
1426:, Op. 1: Andantino
1418:, Naxos #: 8.554733
1409:Elegische Ouvertüre
1388:, Naxos #: 8.554733
1381:, Simax #: PSC 1206
1191:(1854), drawing by
805:John Singer Sargent
765:Honors and Jubilees
641:Austro-Prussian war
565:George Bernard Shaw
509:John Singer Sargent
337:Vienna Conservatory
300:Ludwig Wittgenstein
207:Gewandhausorchester
133:Gewandhausorchester
112:Classical Violinist
100:Vienna Conservatory
5092:White Mountain art
5033:Historical fiction
4841:Spain (literature)
4599:Indianist movement
4517:Romantic orchestra
3317:
3089:on 22 October 2021
2995:3 May 2009 at the
2737:Stowell, ed., 2003
2637:Joachim’s Concerts
2594:Concert Programmes
2500:Moser, p. 127
2443:Moser, pp. 116–117
2349:Moser, 1901, p. 57
2145:on 7 November 2014
2120:The Growth of Love
2068:
2005:Maria Soldat-Röger
1928:Johannes Palaschko
1864:Bernhard Listemann
1837:Bronisław Huberman
1797:Richard Himmelstoß
1781:Karel (Carl) Halíř
1717:Hugo Leichtentritt
1676:
1658:Joachim's students
1648:His Master's Voice
1518:Romance in C major
1298:Rachel Barton Pine
1272:
1233:Mozart, Aria from
1196:
1129:Rain, rain and sun
1097:Friedrich Schiller
982:
968:Hungarian concerto
930:Scherzo in C minor
847:
782:
700:
622:Amalie Schneeweiss
618:
548:
513:
392:
384:
364:Leipzig Gewandhaus
268:Kingdom of Hungary
260:
138:Opernhaus Hannover
77:Kingdom of Hungary
31:Western name order
7183:
7182:
7097:Romantic medicine
7067:List of romantics
6506:
6505:
6157:Felix Mendelssohn
6152:Fanny Mendelssohn
5963:
5962:
5677:Rosalía de Castro
5615:Soares dos Passos
4963:Transcendentalism
4927:Nazarene movement
4887:Düsseldorf School
4745:
4744:
4616:New German School
4211:Felix Mendelssohn
4206:Fanny Mendelssohn
3653:978-3-86846-013-1
3599:The Musical Times
3472:978-3-7896-1023-3
3402:The Musical Times
3337:978-0-19-866212-9
3218:on 24 March 2005.
3193:978-0-554-34448-5
3069:theviolinsite.com
2110:The English poet
2033:Alfred Wittenberg
2010:Theodore Spiering
1964:Willibald Richter
1946:Maximilian Pilzer
1940:Lili Petschnikoff
1900:Waldemar J. Meyer
1500:Marat Bisengaliev
1485:Jesus Lopez-Cobos
1430:Marat Bisengaliev
1312:: CDR 90000 068 (
1289:, Naxos: 8.570991
1270:Joachim at age 53
360:Felix Mendelssohn
351:. In the journal
304:Paul Wittgenstein
296:Karl Wittgenstein
203:Felix Mendelssohn
173:
172:
7308:
7173:
7172:
7132:Evolution theory
5974:
5973:
5107:
5106:
4968:Ukrainian school
4772:
4765:
4758:
4749:
4748:
4735:
4725:
4724:
4621:Post-romanticism
4486:Vaughan Williams
3769:
3762:
3755:
3746:
3745:
3714:
3706:
3698:
3687:
3674:Internet Archive
3604:Katharina Uhde,
3383:Siegfried Borris
3366:Beatrix Borchard
3299:
3298:
3291:"Robert Bridges"
3287:
3281:
3280:
3274:
3266:
3264:
3262:
3253:. Archived from
3247:
3241:
3240:
3238:
3236:
3226:
3220:
3219:
3214:. Archived from
3204:
3198:
3197:
3186:. BiblioBazaar.
3177:
3171:
3170:
3162:
3156:
3155:
3153:
3151:
3142:. Archived from
3132:
3126:
3125:
3114:
3108:
3105:
3099:
3098:
3096:
3094:
3079:
3073:
3072:
3061:
3055:
3054:
3052:
3050:
3041:. Archived from
3031:
3025:
3024:
3022:
3020:
3005:
2999:
2987:
2981:
2972:
2966:
2963:
2957:
2954:
2948:
2933:
2927:
2924:
2918:
2915:
2909:
2906:
2900:
2897:
2888:
2885:
2879:
2876:
2870:
2867:
2861:
2858:
2852:
2849:
2840:
2839:
2828:
2822:
2821:
2810:
2804:
2801:
2795:
2792:
2783:
2780:
2774:
2771:
2765:
2762:
2756:
2753:
2747:
2744:
2738:
2735:
2729:
2728:
2720:
2714:
2711:
2705:
2698:
2692:
2689:
2683:
2682:Litzmann, p. 294
2680:
2674:
2673:Litzmann, p. 289
2671:
2665:
2658:
2652:
2645:
2639:
2626:
2620:
2613:
2607:
2606:
2604:
2602:
2588:
2582:
2579:
2573:
2570:
2564:
2561:
2555:
2552:
2546:
2543:
2537:
2534:
2528:
2525:
2519:
2516:
2510:
2507:
2501:
2498:
2492:
2489:
2483:
2480:
2474:
2471:
2462:
2459:
2453:
2450:
2444:
2441:
2435:
2432:
2426:
2419:
2413:
2410:
2404:
2401:
2395:
2392:
2386:
2383:
2377:
2374:
2368:
2365:
2359:
2356:
2350:
2347:
2341:
2340:
2329:
2323:
2320:
2311:
2308:
2302:
2299:
2293:
2290:
2284:
2281:
2275:
2272:
2266:
2263:
2257:
2254:
2248:
2247:Moser, p. 6
2245:
2239:
2236:
2230:
2229:
2227:
2225:
2211:
2205:
2204:
2202:
2200:
2186:
2180:
2173:
2167:
2164:
2155:
2154:
2152:
2150:
2135:
2055:Tarisio Auctions
2027:Franz von Vecsey
1974:William Primrose
1872:
1816:Gustav Holländer
1810:Theodore Holland
1805:
1769:Richard Gompertz
1732:Carl Courvoisier
1668:Franz von Vecsey
1396:Overture, Op. 7
1367:Overture, Op. 4
1349:Takako Nishizaki
1338:Louis de Froment
1199:An orchestration
1030:Gisela von Arnim
1011:Moritz Hauptmann
961:. He also wrote
925:Frei aber Einsam
801:Philip de László
709:Heinrich de Ahna
663:Bremen Cathedral
647:and its capital
557:Popular Concerts
553:St. James's Hall
302:and the pianist
280:Hungarian-Jewish
169:
118:Academic teacher
90:
68:
66:
50:
36:
35:
7316:
7315:
7311:
7310:
7309:
7307:
7306:
7305:
7281:Oberlander Jews
7186:
7185:
7184:
7179:
7178:
7167:
7159:
7145:
7102:Romantic poetry
7087:Romantic ballet
7062:German idealism
7045:
7011:Lacoue-Labarthe
6937:
6684:
6502:
6451:
6420:
6401:Rimsky-Korsakov
6344:
6293:
6242:
6201:
6110:
6054:
6018:
5959:
5808:
5752:
5701:
5660:
5619:
5573:
5515:
5456:Maria Edgeworth
5392:
5385:
5264:
5186:
5096:
5075:Romantic genius
5005:Gesamtkunstwerk
4982:
4943:Sturm und Drang
4850:
4781:
4776:
4746:
4741:
4718:
4714:Modernist music
4710:
4707:Classical music
4697:
4642:
4587:
4568:Romantic ballet
4563:Orchestral song
4543:Chorale prelude
4538:Character piece
4521:
4512:Romantic guitar
4505:Instrumentation
4500:
4336:Rimsky-Korsakov
3956:Ferdinand David
3793:
3787:
3778:
3773:
3712:
3704:
3696:
3685:
3661:
3569:Barrett Stoll,
3525:Andreas Moser,
3518:Andreas Moser,
3495:Brigitte Massin
3307:
3302:
3289:
3288:
3284:
3268:
3267:
3260:
3258:
3251:"Archived copy"
3249:
3248:
3244:
3234:
3232:
3228:
3227:
3223:
3206:
3205:
3201:
3194:
3178:
3174:
3164:
3163:
3159:
3149:
3147:
3146:on 12 July 2012
3134:
3133:
3129:
3116:
3115:
3111:
3106:
3102:
3092:
3090:
3081:
3080:
3076:
3063:
3062:
3058:
3048:
3046:
3045:on 17 July 2011
3033:
3032:
3028:
3018:
3016:
3015:. 28 March 2022
3007:
3006:
3002:
2997:Wayback Machine
2988:
2984:
2973:
2969:
2964:
2960:
2955:
2951:
2934:
2930:
2925:
2921:
2916:
2912:
2907:
2903:
2898:
2891:
2886:
2882:
2877:
2873:
2868:
2864:
2859:
2855:
2850:
2843:
2830:
2829:
2825:
2812:
2811:
2807:
2802:
2798:
2793:
2786:
2781:
2777:
2772:
2768:
2763:
2759:
2754:
2750:
2745:
2741:
2736:
2732:
2721:
2717:
2712:
2708:
2702:Johannes Brahms
2699:
2695:
2690:
2686:
2681:
2677:
2672:
2668:
2659:
2655:
2646:
2642:
2627:
2623:
2614:
2610:
2600:
2598:
2590:
2589:
2585:
2580:
2576:
2571:
2567:
2562:
2558:
2553:
2549:
2544:
2540:
2535:
2531:
2526:
2522:
2517:
2513:
2508:
2504:
2499:
2495:
2490:
2486:
2481:
2477:
2472:
2465:
2460:
2456:
2451:
2447:
2442:
2438:
2433:
2429:
2420:
2416:
2411:
2407:
2402:
2398:
2393:
2389:
2384:
2380:
2375:
2371:
2366:
2362:
2357:
2353:
2348:
2344:
2331:
2330:
2326:
2321:
2314:
2309:
2305:
2300:
2296:
2291:
2287:
2282:
2278:
2273:
2269:
2264:
2260:
2255:
2251:
2246:
2242:
2237:
2233:
2223:
2221:
2213:
2212:
2208:
2198:
2196:
2188:
2187:
2183:
2174:
2170:
2165:
2158:
2148:
2146:
2137:
2136:
2132:
2128:
2108:
2095:Gasparo da Salò
2051:
1989:Ossip Schnirlin
1866:
1846:Shinichi Suzuki
1799:
1758:F. Fleischhauer
1727:Willy Burmester
1699:Nathan Milstein
1683:
1660:
1630:
1607:Joachim Quartet
1556:Duo Egri-Pertis
1550:Johannes Brahms
1535:Hebrew melodies
1310:Cedille Records
1264:
1218:
1201:
1093:Szene der Marfa
1045:Overture (1854)
996:
987:
938:
920:Albert Dietrich
867:Ferdinand David
851:violin concerto
836:
767:
736:violin concerto
729:Robert Hausmann
713:Eduard Rappoldi
671:Albert Dietrich
518:Robert Schumann
501:
460:
448:Ferdinand David
440:
426:
409:Violin Concerto
397:
356:Robert Schumann
316:
288:Siebengemeinden
249:
244:
228:violin concerto
220:Robert Schumann
213:in 1848, where
199:Violin Concerto
184:Johannes Brahms
145:
142:Joachim Quartet
121:
88:
79:
70:
64:
62:
61:
60:
41:
34:
17:
12:
11:
5:
7314:
7304:
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7253:
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7246:Concertmasters
7243:
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7059:
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7051:
7050:Related topics
7047:
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7013:
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6998:
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6790:
6785:
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6778:Gallen-Kallela
6775:
6770:
6765:
6760:
6755:
6753:David d'Angers
6750:
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6694:
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6690:Visual artists
6686:
6685:
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5311:Brothers Grimm
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5035:
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5013:
5011:Gothic fiction
5008:
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4999:British Marine
4996:
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4909:
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4897:Gothic revival
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4578:Symphonic poem
4575:
4573:Romantic opera
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3951:Félicien David
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3813:
3808:
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3783:
3780:
3779:
3776:Romantic music
3772:
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3757:
3749:
3743:
3742:
3732:
3722:
3717:
3709:
3701:
3693:
3682:
3676:
3667:
3660:
3659:External links
3657:
3656:
3655:
3634:
3627:
3620:
3609:
3602:
3595:
3590:Jan Swafford,
3588:
3581:
3574:
3567:
3553:
3546:
3537:
3534:Joseph Joachim
3530:
3523:
3516:
3509:
3492:
3485:
3475:
3464:
3460:
3450:
3443:
3440:Joseph Joachim
3436:
3427:
3420:
3413:
3406:
3397:
3390:
3380:
3373:
3363:
3356:
3346:
3339:
3325:
3314:Joseph Joachim
3306:
3303:
3301:
3300:
3282:
3242:
3221:
3199:
3192:
3172:
3169:. 13 May 1911.
3167:Liverpool Echo
3157:
3127:
3109:
3100:
3074:
3056:
3026:
3000:
2982:
2967:
2958:
2949:
2941:Felix Prohaska
2928:
2919:
2910:
2901:
2889:
2880:
2871:
2862:
2853:
2841:
2834:Joseph Joachim
2823:
2814:"OCMC history"
2805:
2796:
2784:
2775:
2766:
2757:
2748:
2739:
2730:
2715:
2706:
2700:Jan Swafford,
2693:
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2666:
2653:
2640:
2621:
2608:
2583:
2574:
2565:
2556:
2547:
2538:
2529:
2520:
2511:
2502:
2493:
2484:
2475:
2463:
2461:Moser, p. 120.
2454:
2445:
2436:
2427:
2421:Leopold Auer,
2414:
2405:
2396:
2387:
2378:
2369:
2360:
2351:
2342:
2339:. 3 July 2013.
2337:Joseph Joachim
2324:
2312:
2303:
2294:
2285:
2276:
2267:
2258:
2249:
2240:
2231:
2206:
2190:"Maud Joachim"
2181:
2168:
2156:
2129:
2127:
2124:
2112:Robert Bridges
2107:
2104:
2103:
2102:
2098:
2091:
2082:A violin, the
2080:
2073:Felix Schumann
2065:Joseph Joachim
2050:
2047:
2036:
2035:
2030:
2024:
2019:
2016:Kemp Stillings
2013:
2007:
2002:
2000:Axel Skovgaard
1997:
1992:
1986:
1979:Ernst Schiever
1976:
1970:Camillo Ritter
1967:
1961:
1955:
1949:
1943:
1937:
1931:
1925:
1922:Tivadar Nachéz
1919:
1909:
1903:
1897:
1892:
1890:Martin Marsick
1887:
1881:
1874:
1861:
1855:
1849:
1839:
1834:
1828:
1819:
1813:
1807:
1794:
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1772:
1766:
1761:
1755:
1749:
1746:Hans von Bülow
1739:
1729:
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1719:
1714:
1708:
1702:
1695:Jascha Heifetz
1659:
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1604:
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1575:Vilmos Szabadi
1569:
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1341:
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1320:Elmar Oliveira
1317:
1292:
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1283:Michael Halász
1263:
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1258:
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1225:
1222:
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1214:
1213:
1212:
1200:
1197:
1189:Clara Schumann
1181:
1180:
1177:
1174:
1172:Pablo Sarasate
1168:
1165:Michael Struck
1157:
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1007:
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992:
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979:Joseph Joachim
937:
934:
844:Charlottenburg
835:
832:
828:Concerto No. 1
778:Joseph Joachim
766:
763:
761:was unveiled.
704:String Quartet
673:and his wife,
658:German Requiem
561:Alfredo Piatti
545:Amalie Joachim
500:
497:
493:Hector Berlioz
489:Richard Wagner
459:
456:
439:
436:
425:
422:
396:
393:
369:Otello Fantasy
315:
312:
248:
245:
243:
240:
224:Clara Schumann
209:, he moved to
176:Joseph Joachim
171:
170:
162:
161:
157:
156:
154:Amalie Joachim
151:
147:
146:
144:
143:
140:
135:
129:
127:
123:
122:
120:
119:
116:
113:
109:
107:
103:
102:
97:
93:
92:
91:(aged 76)
87:15 August 1907
85:
81:
80:
71:
59:Joachim József
58:
56:
52:
51:
43:
42:
40:Joseph Joachim
39:
27:Joachim József
15:
9:
6:
4:
3:
2:
7313:
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6021:
6015:
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6007:
6005:
6002:
6000:
5997:
5995:
5992:
5990:
5987:
5985:
5982:
5981:
5979:
5975:
5972:
5970:
5966:
5956:
5953:
5951:
5948:
5946:
5943:
5941:
5938:
5936:
5933:
5931:
5928:
5926:
5923:
5921:
5918:
5916:
5913:
5911:
5908:
5906:
5903:
5901:
5898:
5896:
5893:
5891:
5888:
5886:
5883:
5881:
5878:
5876:
5873:
5871:
5870:Nikolai Gogol
5868:
5866:
5863:
5861:
5858:
5856:
5853:
5851:
5848:
5846:
5843:
5841:
5838:
5836:
5833:
5831:
5828:
5826:
5823:
5821:
5818:
5817:
5815:
5811:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5775:
5772:
5770:
5767:
5765:
5762:
5761:
5759:
5755:
5749:
5746:
5744:
5741:
5739:
5736:
5734:
5731:
5729:
5726:
5724:
5721:
5719:
5716:
5714:
5711:
5710:
5708:
5704:
5698:
5695:
5693:
5690:
5688:
5685:
5683:
5680:
5678:
5675:
5673:
5670:
5669:
5667:
5663:
5657:
5654:
5652:
5649:
5647:
5644:
5642:
5639:
5637:
5634:
5632:
5629:
5628:
5626:
5622:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5598:
5596:
5593:
5591:
5588:
5586:
5583:
5582:
5580:
5576:
5570:
5567:
5565:
5562:
5560:
5557:
5555:
5552:
5550:
5547:
5545:
5542:
5540:
5537:
5535:
5532:
5530:
5527:
5526:
5524:
5522:
5518:
5512:
5509:
5507:
5504:
5502:
5501:P. B. Shelley
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5482:
5481:Mary Robinson
5479:
5477:
5474:
5472:
5469:
5467:
5464:
5462:
5459:
5457:
5454:
5452:
5449:
5447:
5444:
5442:
5439:
5437:
5434:
5432:
5429:
5427:
5424:
5422:
5419:
5417:
5414:
5412:
5409:
5407:
5404:
5402:
5399:
5398:
5396:
5394:
5388:
5382:
5379:
5377:
5374:
5372:
5369:
5367:
5364:
5362:
5359:
5357:
5354:
5352:
5349:
5347:
5344:
5342:
5339:
5337:
5334:
5332:
5329:
5327:
5324:
5322:
5319:
5317:
5314:
5312:
5309:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5273:
5271:
5267:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5241:
5238:
5236:
5233:
5231:
5228:
5226:
5223:
5221:
5218:
5216:
5213:
5211:
5210:Chateaubriand
5208:
5206:
5203:
5201:
5198:
5197:
5195:
5193:
5189:
5183:
5180:
5178:
5175:
5173:
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5143:
5140:
5138:
5135:
5133:
5130:
5128:
5125:
5123:
5120:
5118:
5115:
5114:
5112:
5108:
5105:
5103:
5099:
5093:
5090:
5088:
5087:
5083:
5081:
5078:
5076:
5073:
5071:
5068:
5066:
5063:
5061:
5058:
5056:
5053:
5051:
5048:
5046:
5043:
5041:
5040:
5039:Mal du siècle
5036:
5034:
5031:
5027:
5024:
5022:
5019:
5018:
5017:
5014:
5012:
5009:
5007:
5006:
5002:
5000:
4997:
4995:
4992:
4991:
4989:
4985:
4979:
4976:
4974:
4971:
4969:
4966:
4964:
4961:
4959:
4958:
4954:
4952:
4949:
4945:
4944:
4940:
4939:
4938:
4935:
4933:
4930:
4928:
4925:
4923:
4920:
4918:
4915:
4913:
4910:
4908:
4905:
4903:
4900:
4898:
4895:
4893:
4890:
4888:
4885:
4883:
4880:
4878:
4875:
4873:
4870:
4868:
4865:
4863:
4860:
4859:
4857:
4853:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4801:
4799:
4796:
4794:
4791:
4790:
4788:
4784:
4780:
4773:
4768:
4766:
4761:
4759:
4754:
4753:
4750:
4738:
4734:
4730:
4728:
4720:
4719:
4716:
4715:
4709:
4708:
4700:
4692:
4689:
4688:
4687:
4684:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4661:
4660:
4657:
4655:
4652:
4651:
4649:
4645:
4638:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4611:
4607:
4605:
4602:
4600:
4597:
4596:
4594:
4590:
4584:
4581:
4579:
4576:
4574:
4571:
4569:
4566:
4564:
4561:
4559:
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4539:
4536:
4534:
4531:
4530:
4528:
4524:
4518:
4515:
4513:
4510:
4509:
4507:
4503:
4497:
4494:
4492:
4489:
4487:
4484:
4482:
4479:
4477:
4474:
4472:
4469:
4467:
4464:
4462:
4459:
4457:
4454:
4452:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4421:J. Strauss II
4419:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4362:
4359:
4357:
4354:
4352:
4349:
4347:
4344:
4342:
4339:
4337:
4334:
4332:
4329:
4327:
4324:
4322:
4319:
4317:
4314:
4312:
4309:
4307:
4304:
4302:
4299:
4297:
4294:
4292:
4289:
4287:
4284:
4282:
4279:
4277:
4274:
4272:
4269:
4267:
4264:
4262:
4259:
4257:
4254:
4252:
4249:
4247:
4244:
4242:
4239:
4237:
4234:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4212:
4209:
4207:
4204:
4202:
4199:
4197:
4194:
4192:
4189:
4187:
4184:
4182:
4179:
4177:
4174:
4172:
4169:
4167:
4164:
4162:
4159:
4157:
4154:
4152:
4149:
4147:
4144:
4142:
4139:
4137:
4134:
4132:
4129:
4127:
4124:
4122:
4119:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4087:
4084:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4064:
4062:
4059:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4017:
4014:
4012:
4009:
4007:
4004:
4002:
3999:
3997:
3994:
3992:
3989:
3987:
3984:
3982:
3979:
3977:
3974:
3972:
3969:
3967:
3964:
3962:
3959:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3919:
3917:
3914:
3912:
3909:
3907:
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3842:
3839:
3837:
3834:
3832:
3829:
3827:
3824:
3822:
3819:
3817:
3814:
3812:
3809:
3807:
3804:
3802:
3799:
3798:
3796:
3792:Composers and
3790:
3786:
3781:
3777:
3770:
3765:
3763:
3758:
3756:
3751:
3750:
3747:
3740:
3736:
3733:
3730:
3726:
3723:
3721:
3718:
3715:
3710:
3707:
3702:
3699:
3694:
3692:
3688:
3683:
3680:
3677:
3675:
3671:
3668:
3666:
3663:
3662:
3654:
3650:
3646:
3643:, 2 vols. (=
3642:
3638:
3635:
3632:
3628:
3625:
3621:
3618:
3614:
3610:
3607:
3603:
3600:
3596:
3593:
3589:
3586:
3582:
3579:
3576:Karl Storck,
3575:
3572:
3568:
3566:
3565:0-19-510330-0
3562:
3558:
3554:
3551:
3547:
3544:
3543:
3538:
3535:
3531:
3528:
3524:
3521:
3517:
3514:
3510:
3508:
3507:2-213-60418-5
3504:
3500:
3496:
3493:
3490:
3486:
3483:
3479:
3476:
3473:
3469:
3465:
3461:
3458:
3454:
3451:
3448:
3444:
3441:
3437:
3434:
3433:
3428:
3425:
3421:
3418:
3414:
3411:
3407:
3404:
3403:
3398:
3395:
3391:
3388:
3384:
3381:
3378:
3374:
3371:
3367:
3364:
3361:
3357:
3354:
3350:
3347:
3344:
3340:
3338:
3334:
3330:
3326:
3323:
3319:
3318:
3315:
3311:
3296:
3292:
3286:
3278:
3272:
3256:
3252:
3246:
3231:
3225:
3217:
3213:
3209:
3203:
3195:
3189:
3185:
3184:
3176:
3168:
3161:
3145:
3141:
3137:
3131:
3123:
3122:stokowski.org
3119:
3113:
3104:
3088:
3084:
3078:
3070:
3066:
3060:
3044:
3040:
3039:huberman.info
3036:
3030:
3014:
3010:
3004:
2998:
2994:
2991:
2986:
2979:
2978:
2971:
2962:
2953:
2946:
2942:
2938:
2932:
2923:
2914:
2905:
2896:
2894:
2884:
2875:
2866:
2857:
2848:
2846:
2837:
2835:
2827:
2819:
2815:
2809:
2800:
2791:
2789:
2779:
2770:
2761:
2752:
2743:
2734:
2726:
2719:
2710:
2703:
2697:
2688:
2679:
2670:
2663:
2657:
2650:
2644:
2638:
2634:
2630:
2625:
2618:
2612:
2597:
2595:
2587:
2578:
2569:
2560:
2551:
2542:
2533:
2524:
2515:
2506:
2497:
2488:
2479:
2473:Moser, p. 121
2470:
2468:
2458:
2452:Moser, p. 117
2449:
2440:
2431:
2424:
2418:
2409:
2400:
2391:
2382:
2373:
2364:
2355:
2346:
2338:
2334:
2328:
2319:
2317:
2307:
2298:
2289:
2280:
2271:
2262:
2253:
2244:
2235:
2220:
2216:
2210:
2195:
2191:
2185:
2178:
2172:
2163:
2161:
2144:
2140:
2134:
2130:
2123:
2121:
2117:
2113:
2099:
2096:
2092:
2089:
2085:
2081:
2078:
2074:
2070:
2069:
2066:
2062:
2058:
2056:
2046:
2045:
2044:Karl Scheurer
2041:
2034:
2031:
2028:
2025:
2023:
2020:
2017:
2014:
2011:
2008:
2006:
2003:
2001:
1998:
1996:
1995:Emily Shinner
1993:
1990:
1987:
1984:
1980:
1977:
1975:
1971:
1968:
1965:
1962:
1959:
1956:
1953:
1950:
1947:
1944:
1941:
1938:
1935:
1932:
1929:
1926:
1923:
1920:
1917:
1913:
1912:Andreas Moser
1910:
1907:
1904:
1901:
1898:
1896:
1895:Pietro Melani
1893:
1891:
1888:
1885:
1882:
1879:
1875:
1870:
1865:
1862:
1859:
1856:
1853:
1850:
1847:
1843:
1842:Karl Klingler
1840:
1838:
1835:
1832:
1829:
1827:
1826:Smith College
1823:
1820:
1817:
1814:
1811:
1808:
1803:
1798:
1795:
1793:
1790:
1788:
1785:
1782:
1779:
1776:
1773:
1770:
1767:
1765:
1762:
1759:
1756:
1753:
1752:Adila Fachiri
1750:
1747:
1743:
1742:Bram Eldering
1740:
1737:
1733:
1730:
1728:
1725:
1723:
1722:Aylmer Buesst
1720:
1718:
1715:
1712:
1709:
1706:
1703:
1700:
1696:
1692:
1688:
1685:
1684:
1681:
1673:
1669:
1664:
1655:
1651:
1649:
1641:
1638:
1635:
1632:
1631:
1620:
1616:
1615:
1613:
1608:
1605:
1602:
1599:
1598:
1596:
1591:
1587:
1584:
1583:
1581:
1576:
1573:
1572:
1570:
1565:
1564:
1562:
1557:
1554:
1553:
1551:
1547:
1544:
1539:
1538:
1536:
1533:
1528:
1524:
1521:
1520:
1519:
1516:
1511:
1507:
1504:
1501:
1498:
1497:
1495:
1490:
1487:(Conductor),
1486:
1482:
1479:
1478:
1476:
1471:
1467:
1464:
1463:
1461:
1458:
1453:
1449:
1446:
1445:
1443:
1440:
1435:
1431:
1428:
1427:
1425:
1422:
1417:
1413:
1412:
1410:
1407:
1402:
1398:
1397:
1395:
1392:
1387:
1383:
1380:
1376:
1373:
1369:
1368:
1366:
1363:
1358:
1355:(Conductor),
1354:
1350:
1347:
1346:
1344:
1339:
1335:
1332:
1329:
1326:(Conductor),
1325:
1324:Leon Botstein
1321:
1318:
1315:
1311:
1307:
1304:(Conductor),
1303:
1302:Carlos Kalmar
1299:
1296:
1295:
1293:
1288:
1285:(Conductor),
1284:
1280:
1277:
1276:
1274:
1273:
1268:
1256:
1253:
1252:Devil's Trill
1249:
1246:
1242:
1239:
1236:
1235:Il re pastore
1232:
1229:
1226:
1223:
1220:
1219:
1210:
1208:
1203:
1202:
1194:
1193:Adolph Menzel
1190:
1185:
1178:
1175:
1173:
1169:
1166:
1162:
1158:
1155:
1152:
1149:
1146:
1143:
1140:
1137:
1133:
1130:
1126:
1123:
1119:
1116:
1112:
1109:
1108:Haidenröslein
1105:
1102:
1098:
1094:
1090:
1087:
1084:
1081:
1078:
1074:
1071:
1067:
1064:
1061:
1058:
1054:
1051:
1047:
1044:
1040:
1037:
1033:
1031:
1027:
1024:
1020:
1018:
1014:
1012:
1008:
1006:
1002:
998:
997:
991:
980:
976:
972:
970:
969:
964:
960:
959:
954:
953:
948:
944:
933:
931:
927:
926:
921:
917:
916:
911:
907:
903:
899:
895:
891:
886:
884:
880:
876:
872:
868:
864:
860:
856:
852:
845:
840:
831:
829:
825:
820:
818:
817:Mendelssohn's
811:
808:
806:
802:
797:
795:
789:
787:
779:
775:
771:
762:
759:
754:
752:
748:
747:Fritz Simrock
743:
741:
737:
732:
730:
726:
725:Karl Klingler
722:
721:Emanuel Wirth
718:
714:
710:
705:
697:
696:
691:
687:
682:
678:
676:
672:
668:
664:
660:
659:
653:
650:
646:
642:
638:
634:
631:
627:
623:
616:(2nd violin).
615:
612:(viola), and
611:
610:Emanuel Wirth
606:
602:
600:
596:
595:
588:
586:
582:
578:
574:
568:
566:
562:
558:
554:
546:
541:
537:
535:
529:
527:
523:
520:and his wife
519:
510:
505:
496:
494:
490:
486:
481:
477:
473:
469:
465:
455:
453:
452:concertmaster
449:
445:
435:
432:
421:
419:
414:
410:
406:
402:
388:
380:
376:
374:
370:
365:
361:
357:
354:
350:
346:
342:
338:
334:
329:
328:concertmaster
325:
321:
311:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
270:(present-day
269:
265:
258:
253:
239:
235:
233:
229:
225:
221:
216:
212:
208:
204:
200:
196:
192:
187:
185:
181:
177:
168:
163:
158:
155:
152:
148:
141:
139:
136:
134:
131:
130:
128:
126:Organizations
124:
117:
114:
111:
110:
108:
104:
101:
98:
94:
86:
82:
78:
74:
57:
53:
49:
44:
37:
32:
28:
24:
23:personal name
19:
7168:
7161:
7154:
7138:
6858:Porto-Alegre
6512:Philosophers
6396:Rachmaninoff
6232:
5845:Chavchavadze
5835:Baratashvili
5595:João de Deus
5564:Wincenty Pol
5356:Küchelbecker
5084:
5050:Noble savage
5037:
5003:
4978:Wallenrodism
4955:
4941:
4872:Coppet group
4806:(literature)
4712:
4705:
4608:
4592:Other topics
4416:J. Strauss I
4306:Rachmaninoff
4095:
4061:Gretchaninov
3644:
3640:
3630:
3623:
3612:
3605:
3598:
3591:
3584:
3577:
3570:
3556:
3550:Die Tonkunst
3549:
3540:
3533:
3526:
3519:
3512:
3498:
3488:
3481:
3478:Adolph Kohut
3474:, 230 pages.
3456:
3446:
3439:
3430:
3424:Die Tonkunst
3423:
3417:Die Tonkunst
3416:
3410:Die Tonkunst
3409:
3400:
3393:
3386:
3377:Die Tonkunst
3376:
3369:
3359:
3353:Die Tonkunst
3352:
3343:Die Tonkunst
3342:
3328:
3321:
3313:
3294:
3285:
3259:. Retrieved
3255:the original
3245:
3233:. Retrieved
3224:
3216:the original
3211:
3202:
3182:
3175:
3166:
3160:
3148:. Retrieved
3144:the original
3139:
3130:
3121:
3112:
3103:
3091:. Retrieved
3087:the original
3077:
3068:
3059:
3047:. Retrieved
3043:the original
3038:
3029:
3017:. Retrieved
3012:
3003:
2985:
2975:
2970:
2961:
2952:
2931:
2922:
2913:
2904:
2883:
2874:
2865:
2856:
2833:
2826:
2817:
2808:
2799:
2778:
2769:
2760:
2751:
2742:
2733:
2724:
2718:
2709:
2701:
2696:
2687:
2678:
2669:
2661:
2656:
2648:
2643:
2624:
2616:
2611:
2599:. Retrieved
2593:
2586:
2577:
2568:
2559:
2550:
2541:
2532:
2523:
2514:
2505:
2496:
2487:
2478:
2457:
2448:
2439:
2430:
2422:
2417:
2408:
2399:
2394:Moser, p. 78
2390:
2381:
2376:Moser, p. 76
2372:
2367:Moser, p. 32
2363:
2354:
2345:
2336:
2327:
2310:Moser, p. 38
2306:
2297:
2288:
2279:
2270:
2265:Moser, p. 17
2261:
2252:
2243:
2234:
2222:. Retrieved
2218:
2209:
2197:. Retrieved
2193:
2184:
2176:
2171:
2147:. Retrieved
2143:the original
2133:
2119:
2109:
2083:
2077:Stradivarius
2064:
2052:
2037:
1915:
1792:Gustav Hille
1735:
1711:Henri Berény
1691:Mischa Elman
1687:Leopold Auer
1672:Donald Tovey
1652:
1645:
1586:Hagai Shaham
1545:
1534:
1517:
1506:Aaron Rosand
1459:
1441:
1434:John Lenehan
1423:
1408:
1393:
1364:
1334:Aaron Rosand
1251:
1245:Gesangsszene
1244:
1234:
1206:
1187:Joachim and
1160:
1135:
1128:
1121:
1114:
1107:
1100:
1092:
1076:
1049:
1042:
1035:
1022:
1000:
988:
978:
966:
956:
950:
939:
936:Compositions
929:
923:
915:F-A-E Sonata
913:
887:
848:
822:
813:
809:
798:
790:
783:
777:
768:
755:
744:
733:
701:
694:
689:
666:
656:
654:
628:and to give
619:
592:
589:
569:
549:
530:
514:
461:
441:
427:
413:Ludwig Spohr
398:
368:
352:
317:
314:Early career
308:Maud Joachim
306:. His niece
264:Moson County
261:
236:
188:
175:
174:
89:(1907-08-15)
69:28 June 1831
26:
18:
7201:1907 deaths
7196:1831 births
6848:Michałowski
6680:Wackenroder
6645:F. Schlegel
6640:A. Schlegel
6416:Tchaikovsky
6305:Bortkiewicz
6177:R. Schumann
6172:C. Schumann
6137:Kalkbrenner
6106:Saint-Saëns
5411:Anne Brontë
5296:Eichendorff
5281:B. v. Arnim
5276:A. v. Arnim
5086:Weltschmerz
5045:Medievalism
4994:Blue flower
4922:Nationalist
4867:Bohemianism
4779:Romanticism
4659:Romanticism
4441:Tchaikovsky
4376:R. Schumann
4371:C. Schumann
4356:Saint-Saëns
4251:Niedermeyer
4141:Leoncavallo
4111:Kalkbrenner
3886:Bortkiewicz
3617:Bärenreiter
3295:sonnets.org
3150:13 February
3093:9 September
3065:"Hans Letz"
3049:13 February
2818:ocmc.org.uk
2746:Gal, p. 216
2633:Hubert Ries
2563:Gal, p. 115
2554:Gal, p. 114
2322:Avins, 2002
2179:: p. 5
2149:16 December
1958:Maud Powell
1952:Enrico Polo
1934:Henri Petri
1930:(1877–1932)
1924:(1859–1930)
1902:(1853–1940)
1886:(1861–1935)
1867: [
1852:Iosif Kotek
1800: [
1707:(1870–1958)
1546:Heinrich IV
1523:Florin Paul
1466:Florin Paul
1448:Florin Paul
1353:Meir Minsky
1314:liner notes
1017:Franz Liszt
1005:Joseph Böhm
947:Shakespeare
908:, although
871:Mendelssohn
717:Karel Halíř
643:, in which
614:Karel Halíř
543:Joseph and
507:Joachim by
464:Franz Liszt
401:Mendelssohn
345:Joseph Böhm
215:Franz Liszt
106:Occupations
7190:Categories
6723:Chassériau
6698:Aivazovsky
6406:Rubinstein
6391:Mussorgsky
6340:Wieniawski
6325:Paderewski
6167:Moszkowski
5950:Vörösmarty
5940:Shevchenko
5794:Longfellow
5718:Batyushkov
5713:Baratynsky
5682:Espronceda
5549:Mickiewicz
5544:Malczewski
5511:Wordsworth
5496:M. Shelley
5451:de Quincey
5316:Günderrode
5200:Baudelaire
5080:Wanderlust
4917:Lake Poets
4647:Background
4548:Intermezzo
4481:Wieniawski
4461:Vieuxtemps
4426:R. Strauss
4351:Rubinstein
4276:Paderewski
4246:Mussorgsky
4241:Moszkowski
4216:Mercadante
3716:on YouTube
3708:on YouTube
3700:on YouTube
2939:conductor
2629:Louis Ries
2545:Gal, p. 61
2536:Gal, p. 60
2084:ex-Joachim
1991:(? – 1937)
1831:Jenő Hubay
1787:Willy Hess
1775:Jakob Grün
1764:Sam Franko
1590:Arnon Erez
1588:(Violin),
1525:(Violin),
1508:(Violin),
1483:(Violin),
1481:Hans Maile
1468:(Violin),
1450:(Violin),
1432:(Violin),
1351:(Violin),
1336:(Violin),
1322:(Violin),
1300:(Violin),
1281:(Violin),
1279:Suyoen Kim
1209:piano duet
1103:(ca. 1869)
892:, Brahms,
869:, to play
834:Repertoire
637:Jakob Grün
333:Wieniawski
276:Burgenland
65:1831-06-28
7163:Modernism
6823:Kiprensky
6783:Géricault
6768:Friedrich
6758:Delacroix
6733:Constable
6713:Bonington
6703:Bierstadt
6655:Senancour
6630:Schelling
6585:Lamennais
6580:Khomyakov
6545:Coleridge
6540:Chaadayev
6447:Stanković
6442:Mokranjac
6361:Balakirev
6320:Moniuszko
6269:Donizetti
6264:Cherubini
6162:Meyerbeer
6147:Marschner
6122:Beethoven
6035:Moscheles
5969:Musicians
5955:Wergeland
5920:Orbeliani
5875:Grundtvig
5779:Hawthorne
5748:Zhukovsky
5743:Vyazemsky
5728:Lermontov
5687:Gutiérrez
5646:Radičević
5610:Herculano
5534:Krasiński
5476:Radcliffe
5446:Coleridge
5421:E. Brontë
5416:C. Brontë
5346:Jean Paul
5341:Hölderlin
5230:Lamartine
5167:Magalhães
5157:Guimarães
5065:Pantheism
5055:Nostalgia
4907:Indianism
4855:Movements
4786:Countries
4261:Offenbach
4236:Moscheles
4231:Moniuszko
4226:Meyerbeer
4181:Marschner
4166:MacDowell
3981:Donizetti
3926:Cherubini
3916:Chaminade
3841:Beethoven
3826:Balakirev
3816:Atterberg
3794:musicians
3542:The Etude
3349:Otto Biba
3261:17 August
3212:cozio.com
3208:"Tarisio"
2224:1 October
2199:1 October
1858:Hans Letz
1510:Hugh Sung
1411:, Op. 13
1207:Grand Duo
1101:Demetrius
1036:Demetrius
943:overtures
675:Max Bruch
667:Abendlied
626:oratorios
577:Edinburgh
431:Hauptmann
292:Esterházy
160:Signature
115:Conductor
96:Education
7175:Category
6991:Dahlhaus
6976:Blanning
6943:Scholars
6913:Tropinin
6908:Tidemand
6898:Stattler
6893:Scheffer
6793:Głowacki
6763:Edelfelt
6718:Bryullov
6660:Snellman
6635:Schiller
6625:Rousseau
6605:Michelet
6550:Constant
6520:Belinsky
6493:Sibelius
6437:Konjović
6411:Scriabin
6381:Lyapunov
6315:Lipiński
6284:Spontini
6274:Paganini
6218:Goldmark
6009:Thalberg
6004:Schubert
5984:Bruckner
5945:Topelius
5935:Runeberg
5925:Prešeren
5895:Leopardi
5860:Frashëri
5850:Eminescu
5830:Andersen
5738:Tyutchev
5723:Karamzin
5697:Zorrilla
5692:Saavedra
5590:Castilho
5578:Portugal
5569:Słowacki
5471:Polidori
5401:Barbauld
5336:Hoffmann
5291:Brentano
5205:Bertrand
5026:Romantic
4862:Ancients
4836:Scotland
4727:Category
4704: ←
4583:Symphony
4446:Thalberg
4411:Spontini
4386:Sibelius
4381:Scriabin
4366:Schubert
4361:Sarasate
4326:Respighi
4321:Reinecke
4281:Paganini
4191:Massenet
4186:Masarnau
4171:Madetoja
4116:Kreisler
4106:Kalivoda
4051:J. Gomis
4036:Glazunov
4031:Giuliani
3921:Chausson
3911:Chadwick
3901:Bruckner
3453:Hans Gál
3271:cite web
3235:28 March
3019:28 March
2993:Archived
2601:28 March
2114:wrote a
1621:#SR1122.
1619:Soundset
1537:, Op. 9
1462:, Op. 5
1444:, Op. 2
1394:Henry IV
1216:Cadenzas
1091:Op. 14,
1077:Notturno
1075:Op. 12,
1068:Op. 11,
1043:Henry IV
963:cadenzas
958:Henry IV
890:Schumann
794:Sarasate
758:Tonhalle
633:recitals
585:Scotland
476:Schiller
470:, where
438:Maturity
324:Budapest
73:Köpcsény
7016:Lovejoy
6951:Abraham
6873:Richard
6863:Préault
6788:Girodet
6670:Thoreau
6615:Novalis
6600:Mazzini
6595:Maistre
6570:Hazlitt
6555:Emerson
6535:Carlyle
6525:Berchet
6468:Berwald
6463:Bennett
6432:Hristić
6386:Medtner
6366:Borodin
6356:Arensky
6279:Rossini
6254:Bellini
6233:Joachim
6206:Hungary
6187:Strauss
6115:Germany
6081:Berlioz
6050:Voříšek
6045:Smetana
6023:Czechia
5977:Austria
5910:Maturin
5905:Manzoni
5880:Heliade
5855:Foscolo
5825:Alfieri
5820:Abovian
5774:Emerson
5733:Pushkin
5672:Bécquer
5605:Garrett
5559:Potocki
5506:Southey
5466:Maturin
5436:Carlyle
5393:Britain
5366:Novalis
5321:Gutzkow
5269:Germany
5235:Mérimée
5220:Gautier
5147:Barreto
5142:Azevedo
5122:Alencar
5102:Writers
5021:Byronic
4957:Purismo
4811:Germany
4793:Denmark
4717:→
4679:Science
4558:Mazurka
4533:Ballade
4466:Voříšek
4436:Tárrega
4431:Taneyev
4391:Smetana
4346:Rossini
4301:Puccini
4296:Prudent
4256:Nielsen
4221:Méreaux
4196:Medtner
4161:Lysenko
4131:Lachner
4096:Joachim
4076:Herbert
3996:Farrenc
3961:Delibes
3936:Crusell
3881:Borodin
3871:Berwald
3861:Berlioz
3851:Bennett
3846:Bellini
3831:Bazzini
3811:Arensky
3737:at the
3731:(IMSLP)
3727:at the
3691:YouTube
3672:at the
3639:(ed.),
3619:, 2018.
3305:Sources
3140:acu.edu
2088:Cremona
1983:Richter
1057:Byron's
1048:Op. 8,
1041:Op. 7,
1034:Op. 6,
1021:Op. 4,
999:Op. 1,
740:cadenza
727:); and
692:to the
690:Beilage
661:at the
645:Prussia
581:Glasgow
485:Hanover
349:Leipzig
284:Kehilla
272:Kittsee
257:Kittsee
247:Origins
201:, with
191:Leipzig
180:Hanover
7041:Wellek
7021:de Man
7006:Janion
6996:Ferber
6971:Berlin
6966:Beiser
6961:Barzun
6956:Abrams
6933:Wiertz
6918:Turner
6868:Révoil
6853:Palmer
6843:Martin
6838:Leutze
6813:Janmot
6773:Fuseli
6728:Church
6620:Quinet
6610:Müller
6565:Goethe
6560:Fichte
6483:Franck
6425:Serbia
6376:Glinka
6349:Russia
6335:Tausig
6330:Stolpe
6310:Chopin
6298:Poland
6259:Busoni
6223:Heller
6192:Wagner
6127:Brahms
6101:Onslow
6091:Halévy
6059:France
6040:Reicha
6030:Dvořák
5999:Mahler
5994:Hummel
5989:Czerny
5885:Isaacs
5865:Geijer
5799:Lowell
5789:Irving
5769:Cooper
5764:Bryant
5706:Russia
5641:Njegoš
5636:Kostić
5631:Jakšić
5624:Serbia
5554:Norwid
5529:Fredro
5521:Poland
5491:Seward
5381:Uhland
5371:Schwab
5361:Mörike
5351:Kleist
5306:Goethe
5301:Fouqué
5250:Nodier
5245:Nerval
5240:Musset
5192:France
5182:Varela
5177:Taunay
5162:Macedo
5110:Brazil
5060:Ossian
4987:Themes
4826:Poland
4821:Norway
4803:France
4737:Portal
4674:Poetry
4526:Genres
4471:Wagner
4451:Tobias
4316:Reicha
4291:Popper
4271:Pacini
4266:Onslow
4176:Mahler
4156:Lumbye
4121:Kuhlau
4101:Joplin
4091:Hummel
4081:Hérold
4071:Halévy
4056:Gounod
4041:Glinka
4021:Franck
4016:Foster
3986:Dvořák
3976:d'Indy
3966:Delius
3946:Czerny
3931:Chopin
3906:Busoni
3891:Brahms
3866:Bertin
3856:Bériot
3651:
3563:
3505:
3470:
3335:
3190:
2175:Monk,
2116:sonnet
1697:, and
1365:Hamlet
1124:(1878)
1023:Hamlet
952:Hamlet
910:Dvořák
898:Dvořák
896:, and
879:Brahms
649:Berlin
630:lieder
526:Brahms
511:, 1904
480:Athens
472:Goethe
468:Weimar
232:Amalie
211:Weimar
150:Spouse
7127:Bacon
7036:Rosen
7031:Ricks
7026:Nancy
6986:Blume
6981:Bloom
6903:Stroy
6888:Saleh
6883:Runge
6833:Lampi
6818:Jones
6808:Hayez
6743:Corot
6708:Blake
6675:Tieck
6665:Staël
6590:Larra
6575:Hegel
6530:Burke
6488:Grieg
6478:Field
6473:Elgar
6456:Other
6289:Verdi
6247:Italy
6238:Liszt
6228:Hubay
6213:Erkel
6197:Weber
6182:Spohr
6142:Loewe
6132:Bruch
6096:Méhul
6086:Fauré
6076:Auber
6071:Alkan
5930:Raffi
5900:Mácha
5890:Lenau
5840:Botev
5813:Other
5665:Spain
5600:Dinis
5486:Scott
5461:Keats
5441:Clare
5431:Byron
5426:Burns
5406:Blake
5391:Great
5376:Tieck
5331:Heine
5326:Hauff
5260:Vigny
5255:Staël
5215:Dumas
5137:Assis
5132:Alves
5117:Abreu
5070:Rhine
4973:Ultra
4816:Japan
4664:Chess
4496:Ysaÿe
4476:Weber
4456:Verdi
4406:Spohr
4401:Sousa
4286:Paine
4201:Méhul
4151:Loewe
4146:Liszt
4126:Kuula
4086:Holst
4066:Grieg
4046:Gomes
4026:Franz
4011:Foote
4006:Field
4001:Fauré
3991:Elgar
3971:Denza
3896:Bruch
3876:Bizet
3836:Beach
3821:Auber
3806:Alkan
3463:2015.
2126:Notes
1871:]
1804:]
1159:WoO,
1134:WoO,
1127:WoO,
1120:WoO,
1113:WoO,
1095:from
1060:Songs
894:Bruch
824:Bruch
522:Clara
446:with
7001:Frye
6928:Ward
6923:Veit
6878:Rude
6828:Koch
6803:Gude
6798:Goya
6748:Dahl
6738:Cole
6066:Adam
6014:Wolf
5757:U.S.
5656:Zmaj
5286:Beer
5225:Hugo
5172:Reis
5152:Dias
5016:Hero
4951:Post
4912:Jena
4882:Dark
4553:Lied
4491:Wolf
4341:Rode
4331:Ries
4311:Raff
4136:Lalo
3801:Adam
3649:ISBN
3561:ISBN
3503:ISBN
3468:ISBN
3333:ISBN
3277:link
3263:2007
3237:2022
3188:ISBN
3152:2006
3095:2023
3051:2006
3021:2022
2603:2022
2226:2023
2201:2023
2151:2020
1106:WoO
955:and
855:Bach
579:and
474:and
320:Pest
242:Life
84:Died
55:Born
6498:Sor
6371:Cui
5804:Poe
4937:Pre
4932:Neo
4396:Sor
3941:Cui
3689:on
1083:WoO
949:'s
945:to
873:'s
857:'s
371:by
274:in
197:'s
25:is
7192::
7153:←
3615:,
3497:,
3480:,
3455:,
3368:,
3293:.
3273:}}
3269:{{
3210:.
3138:.
3120:.
3067:.
3037:.
3011:.
2892:^
2844:^
2816:.
2787:^
2466:^
2335:.
2315:^
2217:.
2192:.
2159:^
2122:.
1869:de
1802:de
1693:,
1552:)
1308:,
1167:.)
583:,
491:,
375:.
266:,
75:,
7166:→
4771:e
4764:t
4757:v
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4635:"
3768:e
3761:t
3754:v
3741:.
3297:.
3279:)
3265:.
3239:.
3196:.
3154:.
3124:.
3097:.
3071:.
3053:.
3023:.
2947:.
2838:.
2836:"
2832:"
2820:.
2605:.
2228:.
2203:.
2153:.
2079:.
1880:.
1848:.
1701:.
1682:.
1316:)
1254:)
1247:)
819:.
67:)
63:(
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