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1042:, who was visiting Paris in 1820â21 and reserved judgment until he had heard several performed, assessed them in a letter home (which he included in his autobiography) as having too many ideas linked carelessly or not at all ("were he less rich, he would be richer"), "yet the minuets and scherzi, as short pieces, are less open to this objection, and some of them are real masterpieces in form and contents". Spohr was generally impressed by the virtuosity of the wind soloists and was very pleased with their performance of his own piano and wind quintet. Berlioz also comments on two of the players (in other works): "
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1431:(1818), on composition, translated into German by Czerny (From Chapter 9 of Czerny's Letters to a Young Lady: "My view was only to give you a general idea of Harmony or Thorough Bass; and when you begin the study of it in a regular manner â and I hear with pleasure that you are shortly about to do so, and that your worthy teacher has selected for the purpose the excellent Treatise on Harmony by Reicha...")
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my verve and imagination were indefatigable. Ideas came to me so rapidly it was often difficult to set them down without losing some of them. I always had a great penchant for doing the unusual in composition. When writing in an original vein, my creative faculties and spirit seemed keener than when following the precepts of my predecessors." In 1801, Reicha's opera
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1183:, published in Paris by 1817, are similarly advanced. Each composition is preceded by Reicha's comments for young composers. Thirty of the 34 Ă©tudes included are fugues, and every Ă©tude is preceded by a prelude based on a particular technical or compositional problem. Again an exceptionally large number of forms and textures is used, including, for example, the
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714:, philosophy and, significantly, methods of teaching composition. In 1799 he moved to Paris, hoping to achieve success as an opera composer. These hopes were dashed, however: he could neither get his old librettos accepted nor find suitable new ones despite support from friends and influential members of the aristocracy, and moved on to
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form, the repeating theme however being on different instruments in each case so not necessarily in the bass. The earlier
Beethoven connection, now severed, is revisited in the scherzo of the quintet in E-flat Op. 100 no. 3, which contains clear musical quotations (most obvious in the horn part) from
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by some of the world's finest wind soloists, to such effect that they were played all over Europe shortly afterward. Reicha claimed in his memoirs that his wind quintets filled a void: "At that time, there was a dearth not only of good classic music, but of any good music at all for wind instruments,
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was in gestation, and it is likely that the two men exchanged ideas on fugues in modern composition. Reicha's move to Vienna marked the beginning of a more productive and successful period in his life. As he wrote in his memoirs, "The number of works I finished in Vienna is astonishing. Once started,
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are similarly advanced, and also anticipate numerous later developments. The eight Vienna string quartets (1801â1805) are among his most important works. Though largely ignored since Reicha's death, they were highly influential during his lifetime and left their mark on the quartets of
Beethoven and
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period. In the quintets, as he describes in his preface, Reicha wanted to expand the technical limits of the five still evolving wind instruments (hand horn, 'un-rationalised' flute and clarinet, double reeds with fewer keys), and thereby also the ambitions of amateur wind players, by establishing a
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of the city, died when Anton was just 10 months old. Apparently Reicha's mother was not interested in her son's education, and so in 1780 he ran away from home following a sudden impulse â as he recounted in his memoirs, he jumped onto a passing carriage. He first visited his paternal grandfather in
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of the last century). His writing combines virtuoso display (often still very challenging today, yet idiomatic for each instrument), popular elements (from the comic opera his soloists played, from his
Bohemian folk heritage, from the military background to his life â many marches, 'walking' themes
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variant that could accommodate as many as five principal themes. Reicha wrote his first experimental quintet in 1811; the 'incomparably superior' first two of the later published quintets of Opus 88 were written by 1814 after further study of the instruments and collaboration with his players, with
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Much of Reicha's music remained unpublished and/or unperformed during his life, and virtually all of it fell into obscurity after his death. This is partly explained by Reicha's own decisions he reflected on in his autobiography: "Many of my works have never been heard because of my aversion to
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978:, because the opus numbers assigned to them at the time of publication are in disarray, some pieces were supposedly lost, and many works were published several times, sometimes as part of larger collections. His surviving oeuvre covers a vast array of genres and forms, from opera to piano
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stability of the fugue. The fugues of the collection not only illustrate this point, but also employ a variety of extremely convoluted technical tricks such as polyrhythm (no. 30), combined (nos. 24, 28), asymmetrical (no. 20) and simply uncommon (no. 10 is in 12/4, no. 12 in 2/8)
810:(stopping at Prague to see his mother for the first time since 1780), but because Leipzig was blockaded by the French, not only was the performance cancelled but he could not return to Vienna for several months. When he did return it was not for long, because by 1808 the
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to extend significantly the technique and musical ambitions of future players of the still evolving wind instruments. In 1818 he married
Virginie Enaust, who bore him two daughters. Around this time he taught composition to the future pioneer of the modern oboe
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chords, formulating a simple law for its successful employment; this article was so innovative and celebrated, that it was published even by itself in the past and in the present, the latest
English translation being the one by Lorenzo M. A. Giorgi
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playing he says (p. 23): "However remarkable the singer...I find it hard to believe she can ever have made it sound as natural and touching as it did on Vogt's instrument". Reicha was particularly close personally to the horn player
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acknowledges that Reicha was 'an admirable teacher of counterpoint' who cared about his pupils and whose 'lessons were models of integrity and thoroughness' â high praise indeed from one so critical of the
Conservatoire in general.
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745:, whom he had met several times in Bonn and Hamburg during the 1790s, and renewed his friendship with Beethoven, whom he had not seen since 1792, when the latter moved from Bonn to Vienna. At this time (late 1802â1803)
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being one of his pupils by 1808. This time three of his many operas were produced, but they all failed; yet his fame as theorist and teacher increased steadily, and by 1817 most of his pupils became professors at the
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considered studying with him in
December 1831 shortly after arriving in Paris from his native Poland, but ultimately decided otherwise. From June 1835 until Reicha's death in May 1836, the young
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589:, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as
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was ignored by the public but well known to
Beethoven and Chopin. Reicha also wrote prolifically for various kinds of ensembles other than wind quintets and string quartets, including
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which proved to be his most enduring works: far more conservative musically than the experimental fugues he had written in Vienna, but exploiting the skill of his virtuosi from the
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quartets, various works for solo wind or string instruments accompanied by strings, and works for voice. He also wrote in larger-scale genres, including at least eight known
1468:(4 vols., 1833), on the writing of opera. Provides an exhaustive account of contemporary performance techniques and is supplemented with examples from Reicha's own operas.
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1136:. Six fugues employ two subjects, one has three, and No. 15 has six. In several of the fugues, Reicha established a link with the old tradition by using subjects by
1394:(1803), a didactic work that includes 25 sight-reading exercises of extreme difficulty, some of which were later published separately or in collections such as the
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seeking performances I counted the time spent in such efforts as lost, and preferred to remain at my desk." He also frequently advocated ideas, such as the use of
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Dr David
Whitwell's essay on Reicha's pioneering composition for wind band, including extensive quotation from Berlioz' tribute to Reicha in his column for the
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766:, which was only privately performed. His studies in Hamburg came to fruition here with the publication of several semi-didactic, encyclopedic works such as
1441:(2 vols. 1824â1826), translated into German by Czerny around 1835. In this late treatise Reicha expressed some of his most daring ideas, such as the use of
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the remaining four completed before publication in 1817. Three further sets of six were published as Opus 91 in 1818, Opus 99 in 1819 and Opus 100 in 1820.
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Musically, the wind quintets represent a more conservative trend in Reicha's oeuvre when compared to his earlier work, namely the compositions of the
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must have helped in the creation of these pieces, in which he systematically explored the possibilities of the wind ensemble and invented an extended
917:(1833) (Art of dramatic composition), on writing opera. His ideas expressed in the former work sparked some controversy at the Conservatoire. In 1826
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symphonies. Berlioz says the quintets "enjoyed a certain vogue in Paris for a number of years. They are interesting pieces but a little cold", while
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710:, vowed never to perform in public again and began to earn a living teaching harmony, composition and piano. He continued composing and studied
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which had piqued
Beethoven. Reicha proposed that second entries of fugue subjects in major keys could occur in keys other than the standard
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resumed the teaching of counterpoint at the Conservatoire, replacing Reicha's heretical work on fugue with his own as the standard text.
1400:. The exercises are divided into three groups: one for polyrhythm, one for polytonality and one that included exercises written on four
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and folk music (which was almost completely neglected at the time). An article in this treatise deals with the problem of irregular
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616:, were accepted or employed by other nineteenth-century composers. Due to Reicha's unwillingness to have his music published (like
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2526:. (The standard monograph on Reicha. Contains numerous errors, but is richly informative on many aspects of Reicha's life; see
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and fanfares), and his lifelong more academic interests in variation form and counterpoint. Four of the quintets have trios in
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in 1789, where he studied and performed until 1794, when Bonn was attacked and captured by the French. He managed to escape to
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In addition to these, a number of smaller texts by him exist. These include an outline of Reicha's system for writing fugues,
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2015:
890:; after interrupting her studies for her own marriage, she completed studies at the Paris Conservatory with Reicha in 1825.
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Practische Beispiele: ein Beitrag zur Geistescultur des Tonsetzers ... begleitet mit philosophisch-practischen Anmerkungen
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nucleus for a corpus of substantial work like that available to string players (and consciously more serious than the
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From about 1785 Reicha studied composition secretly, against his uncle's wishes, composing and conducting his first
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before him), he fell into obscurity soon after his death and his life and work have yet to be intensively studied.
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The final piano exercise of Reicha's Op. 30, featuring two staves of music for each hand, and four different clefs
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818:, so Reicha decided to move back to Paris. He was soon teaching composition privately, future prolific composer
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Jan Racek. Foreword to the critical edition of "L'art de varier", Praha: StĂĄtnĂ hudebnĂ vydavatelstvĂ, 1961
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simply because the composers knew little of their technique." Indeed, Reicha's experiences as a
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Technical wizardry also prevails in compositions that illustrate Reicha's theoretical treatise
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None of the advanced ideas he advocated in the most radical of his music and writings, such as
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1626:(2011). OndĆej Kukal conducting Prague Radio Symphony Orchestra. 2 CDs, Radioservis, CR0572-2
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Essay on Anton Reicha by Charles-David Lehrer for the International Double Reed Society
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1562:(c. 1814, a short "practical treatise" on harmony), a number of articles and the poem
802:'s November 1805 occupation of the city by French troops. In 1806 Reicha travelled to
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2011:
2010:. London: Longman, republished Travis & Emery Music Bookshop(2010). p. 131.
1982:'s "A World of Winds: Making Your Own Quintet â The Father of the Wind Quintet", see
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Reicha Rediscovered, Volume 3, L'Art de varier ou 57 variations pour le piano, Op. 57
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561:(Rejcha) (26 February 1770 â 28 May 1836) was a Czech-born, Bavarian-educated, later
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2437:(Actes du Colloque international tenu Ă Paris du 18 au 20 avril 2013). Olms Verlag.
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Bernard de Raymond, Louise (2013). Schneider, Herbert; Bartoli, Jean-Pierre (eds.).
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A new theory for the resolution of discords, according to the Modern Musical System
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A new theory for the resolution of discords, according to the Modern Musical System
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873:, was published by 1817. It was also in Paris that Reicha started composing the 25
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entered the Hofkapelle as violist and organist in 1789 and Reicha befriended him.
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Variations for bassoon and a string quartet, transcription for bassoon and piano
1427:
Cours de composition musicale, ou Traité complet et raisonné d'harmonie pratique
1160:(no. 15). Many of the technical accomplishments are unique to fugue literature.
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2901:
2653:"John Humphries' liner note for CD 8.550432 by Michael Thompson Wind Quintet"
2535:
2452:
2170:"Rejcha: Tria pro lesnĂ rohy â ZdenÄk TylĆĄar, BedĆich TylĆĄar, Emanuel Hrdina"
1954:"John Humphries' liner note for CD 8.550432 by Michael Thompson Wind Quintet"
1401:
1246:
1209:-like hand-crossing variations, etc., foreshadowing in many aspects not only
1202:
1113:
1082:
954:
in Paris) with Reicha's annotations (and a later cryptic comment possibly by
638:
617:
5712:
2470:
1814:"Program Notes for a Performance of AntonĂn Rejcha's C Minor String Quartet"
6490:
6465:
6440:
6407:
6377:
6297:
6257:
6159:
6104:
6014:
5982:
5972:
5957:
5697:
5560:
5550:
5369:
5324:
5048:
4980:
4970:
4910:
4860:
4805:
4616:
4534:
4505:
4356:
3880:
3795:
3775:
3740:
3590:
3585:
3570:
3550:
3510:
3495:
3475:
3305:
3285:
3088:
2976:
2819:
2772:
2104:
1917:
1809:
1617:
1442:
1274:
1137:
1125:
1054:
1031:
987:
983:
874:
828:
742:
734:
647:
609:
586:
570:
569:, he is now best remembered for his substantial early contributions to the
5855:
3425:
857:
This second Paris period produced several important theoretical writings.
565:
French composer and music theorist. A contemporary and lifelong friend of
6505:
6372:
6222:
5819:
5722:
5666:
5473:
5339:
5043:
4975:
4709:
4570:
4529:
4478:
4351:
4263:
4143:
3890:
3825:
3630:
3610:
3455:
3430:
3026:
2991:
2871:
2846:
2486:
1646:
Reicha Rediscovered, Volume 2, Ătudes dans le genre FuguĂ©, Op.97 Nos 1â13
1632:(2017). Solistes de la Chapelle Musicale Reine Elisabeth. 3 CDs, ALPHA369
1419:
1058:
1039:
1022:
996:
918:
711:
574:
2251:"Complete Recordings of Reicha's Wind Quintets by Westwood Wind Quintet"
1387:
Reicha's major theoretical and pedagogical works include the following:
5626:
4945:
4925:
4915:
4564:
4401:
4032:
3635:
3150:
3093:
2804:
1538:
1315: in this section. Unsourced material may be challenged and removed.
1250:
1078:
1074:
955:
883:
605:
546:
444:
198:
2478:
1742:
1610:(2005â2012). The Westwood Wind Quintet. 12 CDs, Crystal Records, CD260
6287:
5616:
5498:
4830:
4549:
3975:
3380:
3320:
3098:
793:
1290:
1132:
are possible on all but the 7th degree of the scale without further
629:
1770â1805: early years, first visit to Paris and the Viennese period
6427:
4067:
2708:
1734:
1700:ÄernuĆĄĂĄk, GraciĂĄn; Ć tÄdroĆ, BohumĂr; NovĂĄÄek, Zdenko, eds. (1963).
1262:
1108:
1017:
992:
699:
1176:
1091:, published in 1803, was conceived as an illustration of Reicha's
594:
21:
6099:
4850:
4441:
4042:
3229:
1266:
1224:
1206:
803:
707:
643:
2024:
827:. The following year, Reicha himself was appointed professor of
4544:
1558:(before 1814, literally "On music as a purely emotional art"),
1220:
1096:
1012:
866:
754:, which failed in Paris, was performed at the palace of Prince
715:
634:
4232:
1704:(in Czech). Prague: StĂĄtnĂ hudebnĂ vydavatelstvĂ. p. 415.
845:
677:
in the court orchestra under his uncle's direction. The young
1879:. Feminist Press at the University of New York. p. 103.
1258:
1192:
979:
893:
Reicha stayed in Paris for the rest of his life. He became a
832:
738:
674:
655:
590:
1195:
harmonic progression. Reicha's massive cycle of variations,
886:, and in 1819 he began teaching harmony and music theory to
4500:
4037:
1598:(1990). The Albert Schweitzer Quintet. 10 CDs, CPO, 9992502
1405:
913:(1824â1826) (Treatise on advanced musical composition) and
662:
2605:
Bill McGlaughlin's article on Reicha for Saint Paul Sunday
2113:
367:
No. 6 in C minor â 1. Marcia Poco adagio â Allegro vivace
1715:
Hoyt, Peter A. (March 1993). "Review of Olga Sotolova's
1840:
Louise Farrenc, 1804â1875: Composer, Performer, Scholar
1073:(Practical Examples) of 1803, where techniques such as
869:, was also widely studied. Another semi-didactic work,
798:
Reicha's life and career in Vienna were interrupted by
650:, a virtuoso cellist, conductor and composer living in
573:
literature and his role as teacher of pupils including
421:
No. 6 in C minor â 4. Finale â Capriccio, allegro assai
2060:
Franz Liszt: Volume One, the Virtuoso Years, 1811â1847
1931:
1699:
1191:(no. 3), or an Andante in C minor based on the famous
1171:
of 1803 features six subjects developed simultaneously
806:
to arrange a performance of his new work, the cantata
790:(published in 1803), which contained 24 compositions.
6670:
2125:
2036:
1604:(1991â1992). Tiny Wirtz (piano). 2 CDs, CPO 999 065-2
2109:"The String Quartets of Anton Reicha â Introduction"
2062:. Ithaca, NY: Cornell University Press. p. 94.
1856:
1749:
1418:(Paris, 1814), on melody, translated into German by
950:
took private lessons. His notebooks survive (in the
897:
of his adopted country in 1829 and Chevalier of the
665:, where Reicha became a member of the Hofkapelle of
2518:Deryck Viney, translator. Supraphon, Prague, 1990.
2516:
AntonĂn Rejcha: A Biography and Thematic Catalogue.
762:commissioned another opera after this performance,
46:
No. 2 in E-flat major â 1. Lento â Allegro Moderato
2432:
2030:
1819:
794:1806â1836: departure from Vienna and life in Paris
6840:18th-century composers from the Holy Roman Empire
6706:
2534:Stone, Peter Eliot (2001). "Antoine Reicha". In
1550:(published as a foreword to the 1805 edition of
1404:and so required knowledge of the alto and tenor
2545:The New Grove Dictionary of Music and Musicians
2148:. CreateSpace Independent Publishing Platform.
2086:, Kassel: BĂ€renreiter, 1973, Nos. 19117â19119.
1875:Jezic, Diane Peacock; Wood, Elizabeth (1994).
4248:
3245:
2724:
1900:
1898:
1896:
1800:
1798:
1556:Sur la musique comme art purement sentimental
277:No. 1 in C major â 4. Finale, Rondo â Allegro
6835:Academic staff of the Conservatoire de Paris
2082:VĂĄclav Jan SĂœkora. Preface to an edition of
1948:
1946:
1672:The Harvard Biographical Dictionary of Music
1560:Petit traité d'harmonie pratique à 2 parties
1462:
1435:
1425:
1412:
772:(published in 1803, dedicated to Haydn) and
172:No. 3 in G major â 4. Finale, Allegro vivace
1654:(2021). Ivan IliÄ (piano). 1 CD, CHAN 20194
1648:(2018). Ivan IliÄ (piano). 1 CD, CHAN 20033
1265:, seven operas, and choral works such as a
814:was already preparing for another war, the
758:, a prominent patron of Beethoven. Empress
537:Performed by the Soni Ventorum Wind Quintet
435:Performed by the Soni Ventorum Wind Quintet
154:No. 3 in G major â 3. Scherzo, Allegro vivo
118:No. 3 in G major â 1. Lento â Allegro assai
4255:
4241:
3252:
3238:
2731:
2717:
1893:
1795:
1128:fugue played on white keys only, in which
259:No. 1 in C major â 3. Menuetto, Allegretto
2694:"Anton Reicha Wind Quintets: free scores"
2687:International Music Score Library Project
2435:Antoine Reicha, compositeur et théoricien
1943:
1877:Women Composers: The Lost Tradition Found
1874:
1837:
1768:
1766:
1764:
1729:(3). Music Library Association: 996â998.
1375:Learn how and when to remove this message
929:became students of his, as did composers
909:. He published two more large treatises,
835:at the Conservatoire with the support of
721:Once there, like Beethoven and the young
2610:Beethoven's Contemporaries: Anton Reicha
1162:
1002:
844:
20:
1695:
1693:
1691:
1689:
1687:
1685:
1683:
1681:
82:No. 2 in E-flat major â 3. Poco andante
6820:Pupils of Johann Georg Albrechtsberger
6707:
2635:of him in the Digital archives of the
2451:
2143:
2131:
2119:
2054:
2042:
1862:
1842:. UMI Research Press. pp. 10â14.
1761:
1755:
1702:ÄeskoslovenskĂœ hudebnĂ slovnĂk II. MâĆœ
1592:, Emanuel Hrdina. Supraphon, VT 2976-2
974:It is difficult to present a coherent
901:in 1835. That same year, he succeeded
223:No. 1 in C major â 1. Allegro moderato
6602:Romanticism and the French Revolution
4236:
3233:
2712:
2587:from the original on 14 December 2007
2493:. Lanham, Maryland: Scarecrow Press.
2485:
2005:
1995:"Anton Reicha: A Biographical Sketch"
1937:
1825:
1573:
403:No. 6 in C minor â 3. Minuetto vivace
295:No. 3 in D major â 1. Lento â Allegro
100:No. 2 in E-flat major â 4. Allegretto
64:No. 2 in E-flat major â 2. Allegretto
2738:
2624:written by or concerning Reicha and
2527:
1714:
1678:
1504:(flute) and Marshall Winslow (piano)
1437:Traité de haute composition musicale
1313:adding citations to reliable sources
1284:
1081:are explored in extremely difficult
982:. He is best known today for his 25
911:Traité de haute composition musicale
760:Maria Theresa (of Naples and Sicily)
4111:Tchaikovsky and the Belyayev circle
1777:"Beethoven, Reicha, and the Eroica"
1708:
13:
6735:19th-century French male musicians
3259:
2508:
1616:(2006). Jaroslav TĆŻma (fortepiano
1537:Problems playing these files? See
1474:
1103:), to widen the possibilities for
545:Problems playing these files? See
454:
443:Problems playing these files? See
208:
197:Problems playing these files? See
31:
14:
6851:
6830:Burials at PĂšre Lachaise Cemetery
2568:
1570:(which were dedicated to Haydn).
1529:(bassoon) and Neil O'Doan (piano)
6745:Czech Classical-period composers
6725:19th-century classical composers
6692:
6680:
6655:
6654:
4216:
4207:
4206:
3213:
3204:
3203:
2491:CĂ©sar Franck: His Life and Times
2455:(April 1948). "Antonin Reicha".
1772:
1515:
1490:
1289:
1034:) and the first movement of his
527:
509:
491:
487:2. Andante con variazioni (5:44)
473:
425:
407:
389:
371:
353:
349:No. 3 in D major â 4. Allegretto
335:
317:
299:
281:
263:
245:
227:
176:
158:
140:
122:
104:
86:
68:
50:
6795:French male non-fiction writers
4262:
2749:List of Classical-era composers
2696:. The Royal Library, Copenhagen
2406:"Reicha Rediscovered, Volume 3"
2398:
2381:"Reicha Rediscovered, Volume 2"
2373:
2351:"Reicha Rediscovered, Volume 1"
2343:
2318:
2293:
2268:
2243:
2213:
2188:
2162:
2137:
2098:
2089:
2076:
2048:
1999:
1987:
1968:
1904:Berlioz, Hector, translated by
1868:
1464:L'art du compositeur dramatique
1300:needs additional citations for
1107:and undermine the conservative
937:sometime later. Berlioz in his
782:cycle (composed in 1803/04 for
523:4. Finale Allegro vivace (7:37)
385:No. 6 in C minor â 2. Larghetto
6785:Naturalized citizens of France
6750:Czech male classical composers
1831:
1664:
1566:, published in the preface to
1219:, but also works by Schubert,
646:, and then his paternal uncle
585:. He was also an accomplished
331:No. 3 in D major â 3. Menuetto
1:
6730:19th-century French composers
6625:Wanderer above the Sea of Fog
2668:Klassiekemuziek: Anton Reicha
2276:"Reicha: 36 Fugues for Piano"
1910:The Memoirs of Hector Berlioz
1719:(Deryck Viney, translator)".
1636:Reicha Rediscovered, Volume 1
1095:, i.e. those new ideas about
915:Art du compositeur dramatique
859:Cours de composition musicale
849:Anton Reicha's gravestone at
241:No. 1 in C major â 2. Andante
136:No. 3 in G major â 2. Andante
2326:"Reicha: Musique de Chambre"
1620:, 1790). 2 CDs, ARTA F101462
731:Johann Georg Albrechtsberger
673:, playing violin and second
661:In 1785 the family moved to
313:No. 3 in D major â 2. Adagio
7:
6780:French male opera composers
4154:Gothic Revival architecture
2683:Free scores by Anton Reicha
2221:"Reicha: 36 Fugues, Op. 36"
2144:Giorgi, Lorenzo MA (2017).
2008:Louis Spohr's Autobiography
1280:
747:Beethoven's Eroica symphony
469:1. Adagio â Allegro (11:20)
10:
6856:
6805:French non-fiction writers
6542:Coleridge's theory of life
4095:Neue Zeitschrift fĂŒr Musik
3270:List of Romantic composers
1181:Ătudes dans le genre fuguĂ©
816:War of the Fifth Coalition
756:Joseph Franz von Lobkowitz
505:3. Minuetto allegro (2:49)
464:Wind Quintet Op. 100 No. 4
188:Soni Ventorum Wind Quintet
16:Czech-born French composer
6825:University of Bonn alumni
6815:Pupils of Antonio Salieri
6770:French Romantic composers
6755:Czech non-fiction writers
6634:
6597:Romanticism and economics
6534:
6426:
6173:
5995:
5940:
5909:
5833:
5782:
5731:
5690:
5599:
5543:
5507:
5461:
5452:
5297:
5241:
5190:
5149:
5108:
5062:
5004:
4874:
4753:
4675:
4612:Manuel AntĂŽnio de Almeida
4594:
4585:
4471:
4339:
4270:
4186:
4131:
4076:
4010:
3989:
3276:
3267:
3183:
3138:
3117:
3081:
3060:
2755:
2746:
2301:"Reicha: Four Symphonies"
1642:(piano). 1 CD, CHAN 10950
1548:Ăber das neue Fugensystem
903:François-Adrien Boieldieu
764:Argine, regina di Granata
741:theory. Reicha called on
702:in 1787 and entering the
692:The Well-Tempered Clavier
6790:String quartet composers
6765:Czech Romantic composers
4377:German historical school
4116:Tchaikovsky and The Five
2548:(2nd ed.). London:
2196:"Reicha's Wind Quintets"
1976:Notes sur Antoine Reicha
1974:Reicha's autobiography,
1806:Notes sur Antoine Reicha
1804:Reicha's autobiography,
1658:
1026:both the scherzo of his
969:
637:. His father Ć imon, the
5024:JĂłzef Ignacy Kraszewski
2031:Bernard de Raymond 2013
1838:Friedland, Bea (1980).
1189:invertible counterpoint
865:of 1814, a treatise on
683:Christian Gottlob Neefe
623:
6800:French music theorists
6775:French opera composers
6607:Romanticism in science
6562:Middle Ages in history
6557:List of Romantic poets
5269:Josiah Gilbert Holland
4139:Common practice period
3146:Common practice period
1608:Complete Wind Quintets
1596:Complete Wind Quintets
1479:
1463:
1436:
1426:
1413:
1187:with extensive use of
1172:
1008:
976:list of Reicha's works
960:PĂšre Lachaise Cemetery
952:BibliothĂšque Nationale
854:
825:Conservatoire de Paris
784:Prince Louis Ferdinand
459:
213:
36:
26:
6810:Composers from Prague
6760:Czech opera composers
6577:Romantic epistemology
6567:Opium and Romanticism
5136:StojadinoviÄ-Srpkinja
4362:Counter-Enlightenment
3109:Turkish music (style)
2763:First Viennese School
2631:11 March 2016 at the
2620:11 March 2016 at the
2471:10.1093/ml/XXIX.2.165
2006:Spohr, Louis (1865).
1478:
1242:Well-Tempered Clavier
1166:
1006:
848:
687:Johann Sebastian Bach
458:
212:
35:
24:
6641:Age of Enlightenment
4283:England (literature)
4176:Romantic nationalism
4122:War of the Romantics
3156:Age of Enlightenment
2550:Macmillan Publishers
2361:on 12 September 2017
1908:(1865, 1912, 2002).
1309:improve this article
1071:Practische Beispiele
788:Practische Beispiele
786:), and the treatise
652:Wallerstein, Bavaria
218:Wind Quintets Op. 91
41:Wind Quintets Op. 88
6740:Composers for piano
6592:Romantic psychology
4387:Hudson River School
4331:Sweden (literature)
4316:Russia (literature)
4171:Musical nationalism
4089:Musical nationalism
3068:Classical orchestra
2458:Music & Letters
2231:on 20 December 2016
2122:, pp. 169â170.
2084:36 Fugues for Piano
1624:Complete Symphonies
1216:Diabelli Variations
1088:36 fugues for piano
895:naturalized citizen
871:34 Ătudes for piano
769:36 Fugues for piano
633:Reicha was born in
557:(AntonĂn, Antoine)
4577:White Mountain art
4518:Historical fiction
4326:Spain (literature)
4084:Indianist movement
4002:Romantic orchestra
2645:Journal des débats
1914:Everyman's Library
1783:on 6 December 2022
1630:Musique de Chambre
1574:Notable recordings
1480:
1235:Schubert, much as
1173:
1167:Fugue No. 15 from
1009:
907:Académie Française
855:
725:, he studied with
704:University of Bonn
671:Elector of Cologne
460:
214:
37:
27:
25:Anton Reicha, 1815
6668:
6667:
6582:Romantic medicine
6552:List of romantics
5991:
5990:
5642:Felix Mendelssohn
5637:Fanny Mendelssohn
5448:
5447:
5162:RosalĂa de Castro
5100:Soares dos Passos
4448:Transcendentalism
4412:Nazarene movement
4372:DĂŒsseldorf School
4230:
4229:
4101:New German School
3696:Felix Mendelssohn
3691:Fanny Mendelssohn
3227:
3226:
2583:. Classical.net.
2574:General reference
2559:978-1-56159-239-5
2500:978-0-8108-8207-2
2444:978-3-4871-5096-3
2017:978-1-84955-111-3
1940:, pp. 22â23.
1725:. Second Series.
1520:
1495:
1486:Grand Duo â Lento
1414:Traité de mélodie
1385:
1384:
1377:
1359:
1230:Many of Reicha's
863:Traité de mélodie
532:
514:
496:
478:
430:
412:
394:
376:
358:
340:
322:
304:
286:
268:
250:
232:
186:Performed by the
181:
163:
145:
127:
109:
91:
73:
55:
6847:
6697:
6696:
6695:
6685:
6684:
6683:
6676:
6658:
6657:
6617:Evolution theory
5459:
5458:
4592:
4591:
4453:Ukrainian school
4257:
4250:
4243:
4234:
4233:
4220:
4210:
4209:
4106:Post-romanticism
3971:Vaughan Williams
3254:
3247:
3240:
3231:
3230:
3217:
3207:
3206:
2740:Classical period
2733:
2726:
2719:
2710:
2709:
2705:
2703:
2701:
2672:
2664:
2662:
2660:
2596:
2594:
2592:
2563:
2504:
2482:
2448:
2421:
2420:
2418:
2416:
2402:
2396:
2395:
2393:
2391:
2377:
2371:
2370:
2368:
2366:
2357:. Archived from
2347:
2341:
2340:
2338:
2336:
2322:
2316:
2315:
2313:
2311:
2297:
2291:
2290:
2288:
2286:
2272:
2266:
2265:
2263:
2261:
2247:
2241:
2240:
2238:
2236:
2227:. Archived from
2217:
2211:
2210:
2208:
2206:
2200:Presto Classical
2192:
2186:
2185:
2183:
2181:
2166:
2160:
2159:
2141:
2135:
2129:
2123:
2117:
2111:
2102:
2096:
2093:
2087:
2080:
2074:
2073:
2052:
2046:
2040:
2034:
2028:
2022:
2021:
2003:
1997:
1991:
1985:
1980:Bill McGlaughlin
1972:
1966:
1965:
1963:
1961:
1950:
1941:
1935:
1929:
1902:
1891:
1890:
1872:
1866:
1860:
1854:
1853:
1835:
1829:
1823:
1817:
1802:
1793:
1792:
1790:
1788:
1779:. Archived from
1770:
1759:
1753:
1747:
1746:
1712:
1706:
1705:
1697:
1676:
1675:
1668:
1602:36 Fugues Op. 36
1522:
1521:
1497:
1496:
1477:
1466:
1439:
1429:
1416:
1380:
1373:
1369:
1366:
1360:
1358:
1317:
1293:
1285:
1093:neue Fugensystem
1052:
899:LĂ©gion d'honneur
778:, a large-scale
614:microtonal music
534:
533:
516:
515:
498:
497:
480:
479:
457:
432:
431:
414:
413:
396:
395:
378:
377:
360:
359:
342:
341:
324:
323:
306:
305:
288:
287:
270:
269:
252:
251:
234:
233:
211:
183:
182:
165:
164:
147:
146:
129:
128:
111:
110:
93:
92:
75:
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34:
6855:
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6699:Classical music
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6587:Romantic poetry
6572:Romantic ballet
6547:German idealism
6530:
6496:Lacoue-Labarthe
6422:
6169:
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5886:Rimsky-Korsakov
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5539:
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5186:
5145:
5104:
5058:
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4941:Maria Edgeworth
4877:
4870:
4749:
4671:
4581:
4560:Romantic genius
4490:Gesamtkunstwerk
4467:
4428:Sturm und Drang
4335:
4266:
4261:
4231:
4226:
4203:
4199:Modernist music
4195:
4192:Classical music
4182:
4127:
4072:
4053:Romantic ballet
4048:Orchestral song
4028:Chorale prelude
4023:Character piece
4006:
3997:Romantic guitar
3990:Instrumentation
3985:
3821:Rimsky-Korsakov
3441:Ferdinand David
3278:
3272:
3263:
3258:
3228:
3223:
3200:
3192:
3179:
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3130:Galant Schemata
3113:
3104:Sensitive style
3077:
3061:Instrumentation
3056:
2790:Mannheim school
2751:
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2651:
2633:Wayback Machine
2622:Wayback Machine
2590:
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2560:
2533:
2514:Olga Ć otolovĂĄ,
2511:
2509:Further reading
2501:
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2255:Crystal Records
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1564:An Joseph Haydn
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1530:
1527:Arthur Grossman
1523:
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1502:Felix Skowronek
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1283:
1232:string quartets
1198:L'art de varier
1118:time signatures
1046:
972:
964:Luigi Cherubini
944:Frédéric Chopin
935:Pauline Viardot
841:Luigi Cherubini
812:Austrian Empire
796:
775:L'art de varier
727:Antonio Salieri
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6535:Related topics
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5400:OehlenschlÀger
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5070:Castelo Branco
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4796:Brothers Grimm
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4496:Gothic fiction
4493:
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4484:British Marine
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4382:Gothic revival
4379:
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4063:Symphonic poem
4060:
4058:Romantic opera
4055:
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3436:FĂ©licien David
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3261:Romantic music
3257:
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3249:
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3222:
3221:
3211:
3196:Romantic music
3193:
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3168:
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3127:
3125:Notes inégales
3121:
3119:
3115:
3114:
3112:
3111:
3106:
3101:
3096:
3091:
3085:
3083:
3079:
3078:
3076:
3075:
3073:String quartet
3070:
3064:
3062:
3058:
3057:
3055:
3054:
3049:
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3039:
3034:
3029:
3024:
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2999:
2994:
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2944:
2942:MartĂn y Soler
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2649:
2640:
2637:Beethoven-Haus
2612:
2607:
2602:
2597:
2581:"Anton Reicha"
2570:
2569:External links
2567:
2566:
2565:
2558:
2536:Sadie, Stanley
2531:
2510:
2507:
2506:
2505:
2499:
2483:
2465:(2): 165â172.
2453:Demuth, Norman
2449:
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2317:
2292:
2267:
2242:
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2187:
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2155:978-1546308607
2154:
2136:
2134:, p. 172.
2124:
2112:
2097:
2088:
2075:
2068:
2047:
2045:, p. 171.
2035:
2023:
2016:
1998:
1993:Ron Drummond,
1986:
1967:
1942:
1930:
1892:
1885:
1867:
1865:, p. 167.
1855:
1848:
1830:
1818:
1794:
1760:
1758:, p. 166.
1748:
1735:10.2307/898945
1717:Antonin Rejcha
1707:
1677:
1674:. p. 735.
1662:
1660:
1657:
1656:
1655:
1649:
1643:
1633:
1627:
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1590:BedĆich TylĆĄar
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1383:
1382:
1324:"Anton Reicha"
1297:
1295:
1288:
1282:
1279:
1247:violin sonatas
1185:variation form
1124:. No. 13 is a
1044:Joseph Guillou
988:Théùtre Favart
971:
968:
931:Charles Gounod
923:Hector Berlioz
888:Louise Farrenc
795:
792:
630:
627:
625:
622:
599:string quartet
597:for piano and
579:Hector Berlioz
542:
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40:
39:
30:
29:
28:
15:
9:
6:
4:
3:
2:
6852:
6841:
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5470:
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5408:
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5401:
5398:
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5393:
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5388:
5386:
5383:
5381:
5378:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5358:
5356:
5355:Nikolai Gogol
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5311:
5308:
5306:
5303:
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5300:
5296:
5290:
5287:
5285:
5282:
5280:
5277:
5275:
5272:
5270:
5267:
5265:
5262:
5260:
5257:
5255:
5252:
5250:
5247:
5246:
5244:
5240:
5234:
5231:
5229:
5226:
5224:
5221:
5219:
5216:
5214:
5211:
5209:
5206:
5204:
5201:
5199:
5196:
5195:
5193:
5189:
5183:
5180:
5178:
5175:
5173:
5170:
5168:
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5148:
5142:
5139:
5137:
5134:
5132:
5129:
5127:
5124:
5122:
5119:
5117:
5114:
5113:
5111:
5107:
5101:
5098:
5096:
5093:
5091:
5088:
5086:
5083:
5081:
5078:
5076:
5073:
5071:
5068:
5067:
5065:
5061:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5011:
5009:
5007:
5003:
4997:
4994:
4992:
4989:
4987:
4986:P. B. Shelley
4984:
4982:
4979:
4977:
4974:
4972:
4969:
4967:
4966:Mary Robinson
4964:
4962:
4959:
4957:
4954:
4952:
4949:
4947:
4944:
4942:
4939:
4937:
4934:
4932:
4929:
4927:
4924:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4892:
4889:
4887:
4884:
4883:
4881:
4879:
4873:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4787:
4784:
4782:
4779:
4777:
4774:
4772:
4769:
4767:
4764:
4762:
4759:
4758:
4756:
4752:
4746:
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4718:
4716:
4713:
4711:
4708:
4706:
4703:
4701:
4698:
4696:
4695:Chateaubriand
4693:
4691:
4688:
4686:
4683:
4682:
4680:
4678:
4674:
4668:
4665:
4663:
4660:
4658:
4655:
4653:
4650:
4648:
4645:
4643:
4640:
4638:
4635:
4633:
4630:
4628:
4625:
4623:
4620:
4618:
4615:
4613:
4610:
4608:
4605:
4603:
4600:
4599:
4597:
4593:
4590:
4588:
4584:
4578:
4575:
4573:
4572:
4568:
4566:
4563:
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4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4525:
4524:Mal du siĂšcle
4521:
4519:
4516:
4512:
4509:
4507:
4504:
4503:
4502:
4499:
4497:
4494:
4492:
4491:
4487:
4485:
4482:
4480:
4477:
4476:
4474:
4470:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4443:
4439:
4437:
4434:
4430:
4429:
4425:
4424:
4423:
4420:
4418:
4415:
4413:
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4388:
4385:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4365:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4345:
4344:
4342:
4338:
4332:
4329:
4327:
4324:
4322:
4319:
4317:
4314:
4312:
4309:
4307:
4304:
4302:
4299:
4297:
4294:
4292:
4289:
4286:
4284:
4281:
4279:
4276:
4275:
4273:
4269:
4265:
4258:
4253:
4251:
4246:
4244:
4239:
4238:
4235:
4223:
4219:
4215:
4213:
4205:
4204:
4201:
4200:
4194:
4193:
4185:
4177:
4174:
4173:
4172:
4169:
4165:
4162:
4160:
4157:
4155:
4152:
4150:
4147:
4146:
4145:
4142:
4140:
4137:
4136:
4134:
4130:
4123:
4119:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4097:
4096:
4092:
4090:
4087:
4085:
4082:
4081:
4079:
4075:
4069:
4066:
4064:
4061:
4059:
4056:
4054:
4051:
4049:
4046:
4044:
4041:
4039:
4036:
4034:
4031:
4029:
4026:
4024:
4021:
4019:
4016:
4015:
4013:
4009:
4003:
4000:
3998:
3995:
3994:
3992:
3988:
3982:
3979:
3977:
3974:
3972:
3969:
3967:
3964:
3962:
3959:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3919:
3917:
3914:
3912:
3909:
3907:
3906:J. Strauss II
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3842:
3839:
3837:
3834:
3832:
3829:
3827:
3824:
3822:
3819:
3817:
3814:
3812:
3809:
3807:
3804:
3802:
3799:
3797:
3794:
3792:
3789:
3787:
3784:
3782:
3779:
3777:
3774:
3772:
3769:
3767:
3764:
3762:
3759:
3757:
3754:
3752:
3749:
3747:
3744:
3742:
3739:
3737:
3734:
3732:
3729:
3727:
3724:
3722:
3719:
3717:
3714:
3712:
3709:
3707:
3704:
3702:
3699:
3697:
3694:
3692:
3689:
3687:
3684:
3682:
3679:
3677:
3674:
3672:
3669:
3667:
3664:
3662:
3659:
3657:
3654:
3652:
3649:
3647:
3644:
3642:
3639:
3637:
3634:
3632:
3629:
3627:
3624:
3622:
3619:
3617:
3614:
3612:
3609:
3607:
3604:
3602:
3599:
3597:
3594:
3592:
3589:
3587:
3584:
3582:
3579:
3577:
3574:
3572:
3569:
3567:
3564:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3544:
3542:
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3522:
3519:
3517:
3514:
3512:
3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3482:
3479:
3477:
3474:
3472:
3469:
3467:
3464:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3283:
3281:
3277:Composers and
3275:
3271:
3266:
3262:
3255:
3250:
3248:
3243:
3241:
3236:
3235:
3232:
3220:
3216:
3212:
3210:
3202:
3201:
3198:
3197:
3191:
3190:
3189:Baroque music
3182:
3172:
3169:
3167:
3164:
3162:
3159:
3158:
3157:
3154:
3153:
3152:
3149:
3147:
3144:
3143:
3141:
3137:
3131:
3128:
3126:
3123:
3122:
3120:
3116:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3086:
3084:
3080:
3074:
3071:
3069:
3066:
3065:
3063:
3059:
3053:
3050:
3048:
3045:
3043:
3040:
3038:
3035:
3033:
3030:
3028:
3025:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3007:Saint-Georges
3005:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
2903:
2900:
2898:
2895:
2893:
2890:
2888:
2885:
2883:
2880:
2878:
2875:
2873:
2870:
2868:
2865:
2863:
2860:
2858:
2855:
2853:
2850:
2848:
2845:
2843:
2840:
2838:
2837:C. P. E. Bach
2835:
2833:
2830:
2826:
2823:
2821:
2818:
2816:
2813:
2811:
2808:
2806:
2803:
2801:
2798:
2796:
2793:
2792:
2791:
2788:
2784:
2781:
2779:
2776:
2774:
2771:
2769:
2766:
2765:
2764:
2761:
2760:
2758:
2754:
2750:
2745:
2741:
2734:
2729:
2727:
2722:
2720:
2715:
2714:
2711:
2695:
2691:
2688:
2684:
2681:
2680:
2679:
2678:
2669:
2666:
2654:
2650:
2648:
2646:
2641:
2638:
2634:
2630:
2627:
2623:
2619:
2616:
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2586:
2582:
2578:
2577:
2576:
2575:
2561:
2555:
2551:
2547:
2546:
2541:
2540:Tyrrell, John
2537:
2532:
2529:
2525:
2524:80-7058-169-7
2521:
2517:
2513:
2512:
2502:
2496:
2492:
2488:
2484:
2480:
2476:
2472:
2468:
2464:
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2454:
2450:
2446:
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2436:
2431:
2430:
2429:
2428:
2411:
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2401:
2386:
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2356:
2352:
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2296:
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2256:
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2230:
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2222:
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2201:
2197:
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2175:
2171:
2165:
2157:
2151:
2147:
2140:
2133:
2128:
2121:
2116:
2110:
2106:
2101:
2092:
2085:
2079:
2071:
2069:0-8014-9421-4
2065:
2061:
2057:
2051:
2044:
2039:
2033:, p. 22.
2032:
2027:
2019:
2013:
2009:
2002:
1996:
1990:
1984:
1981:
1977:
1971:
1955:
1949:
1947:
1939:
1934:
1927:
1926:0-375-41391-X
1923:
1919:
1915:
1911:
1907:
1906:Cairns, David
1901:
1899:
1897:
1888:
1886:1-55861-074-X
1882:
1878:
1871:
1864:
1859:
1851:
1849:0-8357-1111-0
1845:
1841:
1834:
1828:, p. 21.
1827:
1822:
1815:
1811:
1807:
1801:
1799:
1782:
1778:
1775:
1774:Rice, John A.
1769:
1767:
1765:
1757:
1752:
1744:
1740:
1736:
1732:
1728:
1724:
1723:
1718:
1711:
1703:
1696:
1694:
1692:
1690:
1688:
1686:
1684:
1682:
1673:
1667:
1663:
1653:
1650:
1647:
1644:
1641:
1637:
1634:
1631:
1628:
1625:
1622:
1619:
1615:
1612:
1609:
1606:
1603:
1600:
1597:
1594:
1591:
1587:
1586:ZdenÄk TylĆĄar
1583:
1582:
1578:
1577:
1571:
1569:
1565:
1561:
1557:
1553:
1549:
1542:
1540:
1528:
1525:Performed by
1512:
1503:
1500:Performed by
1487:
1467:
1465:
1460:
1457:
1452:
1448:
1444:
1443:quarter tones
1440:
1438:
1433:
1430:
1428:
1423:
1421:
1417:
1415:
1410:
1407:
1403:
1399:
1398:
1393:
1390:
1389:
1388:
1379:
1376:
1368:
1365:February 2018
1357:
1354:
1350:
1347:
1343:
1340:
1336:
1333:
1329:
1326: â
1325:
1321:
1320:Find sources:
1314:
1310:
1304:
1303:
1298:This section
1296:
1292:
1287:
1286:
1278:
1276:
1275:quarter tones
1270:
1268:
1264:
1260:
1256:
1252:
1248:
1244:
1243:
1238:
1233:
1228:
1226:
1222:
1218:
1217:
1212:
1208:
1204:
1203:program music
1200:
1199:
1194:
1190:
1186:
1182:
1178:
1170:
1165:
1161:
1159:
1156:(no. 14) and
1155:
1151:
1147:
1143:
1139:
1135:
1131:
1127:
1123:
1119:
1115:
1110:
1106:
1102:
1098:
1094:
1090:
1089:
1084:
1083:sight-reading
1080:
1076:
1072:
1067:
1065:
1060:
1056:
1050:
1045:
1041:
1037:
1033:
1029:
1024:
1019:
1018:Harmoniemusik
1014:
1005:
1001:
998:
994:
989:
985:
984:wind quintets
981:
977:
967:
965:
961:
957:
953:
949:
945:
940:
936:
932:
928:
924:
920:
916:
912:
908:
904:
900:
896:
891:
889:
885:
880:
879:Opéra Comique
876:
875:wind quintets
872:
868:
864:
860:
852:
851:PĂšre Lachaise
847:
843:
842:
838:
834:
830:
826:
821:
820:George Onslow
817:
813:
809:
805:
801:
791:
789:
785:
781:
777:
776:
771:
770:
765:
761:
757:
753:
748:
744:
740:
736:
732:
728:
724:
719:
717:
713:
709:
705:
701:
696:
694:
693:
688:
684:
680:
676:
672:
668:
664:
659:
657:
653:
649:
645:
640:
636:
621:
619:
618:Michael Haydn
615:
611:
607:
602:
600:
596:
592:
588:
584:
580:
576:
572:
568:
564:
560:
559:Joseph Reicha
556:
550:
548:
524:
506:
488:
470:
448:
446:
422:
404:
386:
368:
350:
332:
314:
296:
278:
260:
242:
224:
202:
200:
189:
173:
155:
137:
119:
101:
83:
65:
47:
23:
19:
6653:
6646:
6639:
6623:
6343:Porto-Alegre
5997:Philosophers
5881:Rachmaninoff
5524:
5330:Chavchavadze
5320:Baratashvili
5080:JoĂŁo de Deus
5049:Wincenty Pol
4841:KĂŒchelbecker
4569:
4535:Noble savage
4522:
4488:
4463:Wallenrodism
4440:
4426:
4357:Coppet group
4291:(literature)
4197:
4190:
4093:
4077:Other topics
3901:J. Strauss I
3800:
3791:Rachmaninoff
3546:Gretchaninov
3194:
3187:
3089:Galant music
2981:
2698:. Retrieved
2676:
2675:
2657:. Retrieved
2644:
2589:. Retrieved
2573:
2572:
2543:
2515:
2490:
2487:Stove, R. J.
2462:
2456:
2434:
2426:
2425:
2413:. Retrieved
2409:
2400:
2388:. Retrieved
2384:
2375:
2365:12 September
2363:. Retrieved
2359:the original
2354:
2345:
2333:. Retrieved
2330:Presto Music
2329:
2320:
2308:. Retrieved
2304:
2295:
2283:. Retrieved
2279:
2270:
2258:. Retrieved
2254:
2245:
2233:. Retrieved
2229:the original
2224:
2215:
2203:. Retrieved
2199:
2190:
2178:. Retrieved
2173:
2164:
2145:
2139:
2127:
2115:
2105:Ron Drummond
2100:
2091:
2083:
2078:
2059:
2056:Walker, Alan
2050:
2038:
2026:
2007:
2001:
1989:
1978:, quoted in
1975:
1970:
1958:. Retrieved
1933:
1918:Random House
1912:. Hardback.
1909:
1876:
1870:
1858:
1839:
1833:
1821:
1810:Ron Drummond
1808:, quoted in
1805:
1785:. Retrieved
1781:the original
1751:
1726:
1720:
1716:
1710:
1701:
1671:
1666:
1651:
1645:
1635:
1629:
1623:
1618:Anton Walter
1613:
1607:
1601:
1595:
1579:
1567:
1563:
1559:
1555:
1551:
1547:
1545:
1536:
1461:
1455:
1434:
1424:
1411:
1395:
1391:
1386:
1371:
1362:
1352:
1345:
1338:
1331:
1319:
1307:Please help
1302:verification
1299:
1271:
1240:
1229:
1214:
1205:variations,
1196:
1180:
1174:
1168:
1092:
1086:
1070:
1068:
1055:Gustave Vogt
1032:E-flat major
1010:
973:
948:CĂ©sar Franck
938:
914:
910:
892:
870:
862:
858:
856:
829:counterpoint
807:
797:
787:
773:
767:
763:
751:
735:counterpoint
720:
697:
690:
660:
648:Josef Reicha
632:
610:polytonality
603:
583:CĂ©sar Franck
571:wind quintet
558:
554:
553:
544:
442:
196:
18:
6720:1836 deaths
6715:1770 births
6333:MichaĆowski
6165:Wackenroder
6130:F. Schlegel
6125:A. Schlegel
5901:Tchaikovsky
5790:Bortkiewicz
5662:R. Schumann
5657:C. Schumann
5622:Kalkbrenner
5591:Saint-Saëns
4896:Anne Brontë
4781:Eichendorff
4766:B. v. Arnim
4761:A. v. Arnim
4571:Weltschmerz
4530:Medievalism
4479:Blue flower
4407:Nationalist
4352:Bohemianism
4264:Romanticism
4144:Romanticism
3926:Tchaikovsky
3861:R. Schumann
3856:C. Schumann
3841:Saint-Saëns
3736:Niedermeyer
3626:Leoncavallo
3596:Kalkbrenner
3371:Bortkiewicz
2907:Hoffmeister
2877:Dittersdorf
2659:19 November
2655:. Naxos.com
2132:Demuth 1948
2120:Demuth 1948
2043:Demuth 1948
1960:19 November
1956:. Naxos.com
1863:Demuth 1948
1756:Demuth 1948
1251:piano trios
1179:of op. 97,
1154:Frescobaldi
1122:BĂ©la BartĂłk
1105:modulations
1085:exercises.
1064:L-F Dauprat
1059:cor anglais
1047: [
1040:Louis Spohr
1023:passacaglia
997:sonata form
927:Henri Cohen
919:Franz Liszt
837:Louis XVIII
712:mathematics
575:Franz Liszt
563:naturalized
6709:Categories
6208:Chassériau
6183:Aivazovsky
5891:Rubinstein
5876:Mussorgsky
5825:Wieniawski
5810:Paderewski
5652:Moszkowski
5435:Vörösmarty
5425:Shevchenko
5279:Longfellow
5203:Batyushkov
5198:Baratynsky
5167:Espronceda
5034:Mickiewicz
5029:Malczewski
4996:Wordsworth
4981:M. Shelley
4936:de Quincey
4801:GĂŒnderrode
4685:Baudelaire
4565:Wanderlust
4402:Lake Poets
4132:Background
4033:Intermezzo
3966:Wieniawski
3946:Vieuxtemps
3911:R. Strauss
3836:Rubinstein
3761:Paderewski
3731:Mussorgsky
3726:Moszkowski
3701:Mercadante
3151:Classicism
3139:Background
3118:Techniques
3094:Intermezzo
3052:Zingarelli
2957:MysliveÄek
2852:Boccherini
2842:J. C. Bach
2825:J. Stamitz
2820:C. Stamitz
2700:29 October
2671:(in Dutch)
2415:4 February
2390:4 February
2355:ArkivMusic
2225:ArkivMusic
2176:(in Czech)
1938:Stove 2012
1826:Stove 2012
1581:Horn Trios
1539:media help
1447:resolution
1335:newspapers
1263:symphonies
1134:alteration
1079:polyrhythm
1075:bitonality
956:Erik Satie
884:Henri Brod
689:, such as
639:town piper
606:polyrhythm
547:media help
445:media help
199:media help
6687:Biography
6648:Modernism
6308:Kiprensky
6268:GĂ©ricault
6253:Friedrich
6243:Delacroix
6218:Constable
6198:Bonington
6188:Bierstadt
6140:Senancour
6115:Schelling
6070:Lamennais
6065:Khomyakov
6030:Coleridge
6025:Chaadayev
5932:StankoviÄ
5927:Mokranjac
5846:Balakirev
5805:Moniuszko
5754:Donizetti
5749:Cherubini
5647:Meyerbeer
5632:Marschner
5607:Beethoven
5520:Moscheles
5454:Musicians
5440:Wergeland
5405:Orbeliani
5360:Grundtvig
5264:Hawthorne
5233:Zhukovsky
5228:Vyazemsky
5213:Lermontov
5172:Gutiérrez
5131:RadiÄeviÄ
5095:Herculano
5019:KrasiĆski
4961:Radcliffe
4931:Coleridge
4906:E. Brontë
4901:C. Brontë
4831:Jean Paul
4826:Hölderlin
4715:Lamartine
4652:MagalhĂŁes
4642:GuimarĂŁes
4550:Pantheism
4540:Nostalgia
4392:Indianism
4340:Movements
4271:Countries
3746:Offenbach
3721:Moscheles
3716:Moniuszko
3711:Meyerbeer
3666:Marschner
3651:MacDowell
3466:Donizetti
3411:Cherubini
3401:Chaminade
3326:Beethoven
3311:Balakirev
3301:Atterberg
3279:musicians
3166:Economics
3099:Pastorale
3047:Wranitzky
2967:Paisiello
2952:L. Mozart
2857:Cherubini
2800:Cannabich
2768:Beethoven
2756:Composers
2626:portraits
2591:30 August
2528:Hoyt 1993
2174:Supraphon
1928:pp. 20â21
1787:30 August
1640:Ivan IliÄ
1614:36 Fugues
1568:36 fugues
1552:36 fugues
1451:dissonant
1397:36 fugues
1211:Beethoven
1169:36 Fugues
1152:(no. 9),
1150:Scarlatti
1148:(no. 7),
1144:(no. 5),
1140:(no. 3),
1030:(also in
780:variation
752:L'ouragan
718:in 1801.
679:Beethoven
667:Max Franz
567:Beethoven
6660:Category
6476:Dahlhaus
6461:Blanning
6428:Scholars
6398:Tropinin
6393:Tidemand
6383:Stattler
6378:Scheffer
6278:GĆowacki
6248:Edelfelt
6203:Bryullov
6145:Snellman
6120:Schiller
6110:Rousseau
6090:Michelet
6035:Constant
6005:Belinsky
5978:Sibelius
5922:KonjoviÄ
5896:Scriabin
5866:Lyapunov
5800:LipiĆski
5769:Spontini
5759:Paganini
5703:Goldmark
5494:Thalberg
5489:Schubert
5469:Bruckner
5430:Topelius
5420:Runeberg
5410:PreĆĄeren
5380:Leopardi
5345:Frashëri
5335:Eminescu
5315:Andersen
5223:Tyutchev
5208:Karamzin
5182:Zorrilla
5177:Saavedra
5075:Castilho
5063:Portugal
5054:SĆowacki
4956:Polidori
4886:Barbauld
4821:Hoffmann
4776:Brentano
4690:Bertrand
4511:Romantic
4347:Ancients
4321:Scotland
4212:Category
4189: â
4068:Symphony
3931:Thalberg
3896:Spontini
3871:Sibelius
3866:Scriabin
3851:Schubert
3846:Sarasate
3811:Respighi
3806:Reinecke
3766:Paganini
3676:Massenet
3671:Masarnau
3656:Madetoja
3601:Kreisler
3591:Kalivoda
3536:J. Gomis
3521:Glazunov
3516:Giuliani
3406:Chausson
3396:Chadwick
3386:Bruckner
3209:Category
3186: â
3002:Sacchini
2972:Piccinni
2927:Kreutzer
2922:KoĆŸeluch
2902:M. Haydn
2897:Gyrowetz
2867:Clementi
2862:Cimarosa
2847:G. Benda
2783:Schubert
2629:Archived
2618:Archived
2585:Archived
2542:(eds.).
2489:(2012).
2335:7 August
2180:26 April
2058:(1987).
1638:(2017).
1584:(1980).
1458:, 2017).
1281:Writings
1130:cadences
1101:dominant
1013:Viennese
993:flautist
800:Napoleon
723:Schubert
700:symphony
587:theorist
6673:Portals
6501:Lovejoy
6436:Abraham
6358:Richard
6348:Préault
6273:Girodet
6155:Thoreau
6100:Novalis
6085:Mazzini
6080:Maistre
6055:Hazlitt
6040:Emerson
6020:Carlyle
6010:Berchet
5953:Berwald
5948:Bennett
5917:HristiÄ
5871:Medtner
5851:Borodin
5841:Arensky
5764:Rossini
5739:Bellini
5718:Joachim
5691:Hungary
5672:Strauss
5600:Germany
5566:Berlioz
5535:VoĆĂĆĄek
5530:Smetana
5508:Czechia
5462:Austria
5395:Maturin
5390:Manzoni
5365:Heliade
5340:Foscolo
5310:Alfieri
5305:Abovian
5259:Emerson
5218:Pushkin
5157:BĂ©cquer
5090:Garrett
5044:Potocki
4991:Southey
4951:Maturin
4921:Carlyle
4878:Britain
4851:Novalis
4806:Gutzkow
4754:Germany
4720:Mérimée
4705:Gautier
4632:Barreto
4627:Azevedo
4607:Alencar
4587:Writers
4506:Byronic
4442:Purismo
4296:Germany
4278:Denmark
4202:â
4164:Science
4043:Mazurka
4018:Ballade
3951:VoĆĂĆĄek
3921:TĂĄrrega
3916:Taneyev
3876:Smetana
3831:Rossini
3786:Puccini
3781:Prudent
3741:Nielsen
3706:MĂ©reaux
3681:Medtner
3646:Lysenko
3616:Lachner
3581:Joachim
3561:Herbert
3481:Farrenc
3446:Delibes
3421:Crusell
3366:Borodin
3356:Berwald
3346:Berlioz
3336:Bennett
3331:Bellini
3316:Bazzini
3296:Arensky
3199:â
3171:Physics
3032:Traetta
3012:Salieri
2997:Rosetti
2932:Krommer
2815:Richter
2689:(IMSLP)
2685:at the
2639:, Bonn.
2615:Letters
2530:above.)
2427:Sources
2410:Chandos
2385:Chandos
2310:12 June
2285:12 June
2260:12 June
2235:12 June
2205:12 June
1349:scholar
1267:Requiem
1257:trios,
1225:Debussy
1207:toccata
939:Memoirs
905:at the
853:, Paris
804:Leipzig
708:Hamburg
644:Klatovy
6526:Wellek
6506:de Man
6491:Janion
6481:Ferber
6456:Berlin
6451:Beiser
6446:Barzun
6441:Abrams
6418:Wiertz
6403:Turner
6353:RĂ©voil
6338:Palmer
6328:Martin
6323:Leutze
6298:Janmot
6258:Fuseli
6213:Church
6105:Quinet
6095:MĂŒller
6050:Goethe
6045:Fichte
5968:Franck
5910:Serbia
5861:Glinka
5834:Russia
5820:Tausig
5815:Stolpe
5795:Chopin
5783:Poland
5744:Busoni
5708:Heller
5677:Wagner
5612:Brahms
5586:Onslow
5576:Halévy
5544:France
5525:Reicha
5515:DvoĆĂĄk
5484:Mahler
5479:Hummel
5474:Czerny
5370:Isaacs
5350:Geijer
5284:Lowell
5274:Irving
5254:Cooper
5249:Bryant
5191:Russia
5126:NjegoĆĄ
5121:KostiÄ
5116:JakĆĄiÄ
5109:Serbia
5039:Norwid
5014:Fredro
5006:Poland
4976:Seward
4866:Uhland
4856:Schwab
4846:Mörike
4836:Kleist
4791:Goethe
4786:Fouqué
4735:Nodier
4730:Nerval
4725:Musset
4677:France
4667:Varela
4662:Taunay
4647:Macedo
4595:Brazil
4545:Ossian
4472:Themes
4311:Poland
4306:Norway
4288:France
4222:Portal
4159:Poetry
4011:Genres
3956:Wagner
3936:Tobias
3801:Reicha
3776:Popper
3756:Pacini
3751:Onslow
3661:Mahler
3641:Lumbye
3606:Kuhlau
3586:Joplin
3576:Hummel
3566:HĂ©rold
3556:Halévy
3541:Gounod
3526:Glinka
3506:Franck
3501:Foster
3471:DvoĆĂĄk
3461:d'Indy
3451:Delius
3431:Czerny
3416:Chopin
3391:Busoni
3376:Brahms
3351:Bertin
3341:BĂ©riot
3219:Portal
3082:Genres
3042:Wanhal
3037:Viotti
2982:Reicha
2977:Pleyel
2962:Neruda
2937:Kuhlau
2912:Hummel
2892:Gossec
2882:Dussek
2872:Czerny
2810:FrÀnzl
2778:Mozart
2677:Scores
2647:, 1836
2556:
2522:
2497:
2479:730884
2477:
2441:
2305:Amazon
2280:Amazon
2152:
2066:
2014:
1924:
1883:
1846:
1743:898945
1741:
1420:Czerny
1402:staves
1351:
1344:
1337:
1330:
1322:
1221:Wagner
1177:Ă©tudes
1158:Handel
1146:Mozart
1114:meters
1097:fugues
1028:Eroica
980:fugues
962:, and
867:melody
808:Lenore
716:Vienna
635:Prague
595:Ă©tudes
591:fugues
6612:Bacon
6521:Rosen
6516:Ricks
6511:Nancy
6471:Blume
6466:Bloom
6388:Stroy
6373:Saleh
6368:Runge
6318:Lampi
6303:Jones
6293:Hayez
6228:Corot
6193:Blake
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6150:Staël
6075:Larra
6060:Hegel
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5973:Grieg
5963:Field
5958:Elgar
5941:Other
5774:Verdi
5732:Italy
5723:Liszt
5713:Hubay
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5682:Weber
5667:Spohr
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5581:MĂ©hul
5571:Fauré
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5385:MĂĄcha
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5325:Botev
5298:Other
5150:Spain
5085:Dinis
4971:Scott
4946:Keats
4926:Clare
4916:Byron
4911:Burns
4891:Blake
4876:Great
4861:Tieck
4816:Heine
4811:Hauff
4745:Vigny
4740:Staël
4700:Dumas
4622:Assis
4617:Alves
4602:Abreu
4555:Rhine
4458:Ultra
4301:Japan
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2773:Haydn
2475:JSTOR
1739:JSTOR
1722:Notes
1659:Notes
1406:clefs
1356:JSTOR
1342:books
1259:flute
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1109:tonal
1051:]
970:Works
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675:flute
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5242:U.S.
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4771:Beer
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4367:Dark
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3976:Wolf
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3816:Ries
3796:Raff
3621:Lalo
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2992:Rode
2987:Ries
2832:Abel
2805:Fils
2795:Beck
2702:2008
2661:2019
2593:2018
2554:ISBN
2520:ISBN
2495:ISBN
2439:ISBN
2417:2021
2392:2021
2367:2017
2337:2022
2312:2016
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2262:2016
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2207:2016
2182:2023
2150:ISBN
2064:ISBN
2012:ISBN
1962:2019
1922:ISBN
1881:ISBN
1844:ISBN
1789:2018
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