33:
195:
152:
The poles are painted with elaborate and intricate designs, which relate to the deceased's clan, and are believed to help guide the soul to its home, where spirits and ancestors would then recognise it. The designs relate to ancestral identity, and sometimes link groups connected to the same
117:), ḻarrakitj (in the east), or ḏupun by the Yolngu people. The names derive from the name of the burial ceremony, also variously called djalumbu, badurru, mudukundja, mululu and larajeje.
252:
380:
684:
136:. Sometimes there is a small painted or carved hole near the top, provided to allow the deceased's soul to look out on the land. Traditionally, the log is that of the
338:
679:
372:
132:), to be kept by their family for some time. They can also represent the deceased person, with designs mirroring those painted on the body during the
736:
711:
165:
for the designs of the artists. Burial ceremonies are associated with a celebration of life, and the designs represent identity and
128:
Hollow log coffins vary in size: those made for a burial ceremony are large, while smaller logs may hold the bones of a person (as
906:
788:
596:
282:
500:
901:
763:
311:
302:
363:
An exhibition of larrikitj, bark paintings and other works by a number of women artist at Buku, including sisters
793:
349:
326:
251:
in 1788, and made for public display. There is a path through the installation, representing the course of the
569:
222:
215:
204:
92:
37:
408:
210:
The poles are sometimes displayed as individual works of art, or grouped, usually according to the Yolngu
816:
179:
654:
248:
628:
161:. As works of art, they celebrate the ancestors and old cultural wisdom, as well as operating as a
17:
531:
364:
916:
392:
244:
846:
166:
141:
564:
396:
376:
278:
8:
662:
315:
235:
199:
97:
880:
404:
400:
384:
84:
32:
872:
737:"Larrakitj: Aboriginal memorial poles by Wukun Wanambi on view at the British Museum"
472:
368:
334:
307:
921:
864:
712:"The Aboriginal Memorial – A Smouldering Reproach at News Aboriginal Art Directory"
424:
230:
911:
388:
298:
290:
88:
194:
271:
183:
895:
876:
357:
267:
256:
173:
154:
114:
72:
353:
259:
before reaching the sea. The exhibit, which was created by 43 artists from
133:
120:
English names include hollow log coffins, burial pole, and memorial pole.
87:
of
Australia. Originally used to hold the bones of deceased people or for
319:
260:
240:
137:
110:
80:
884:
172:
Yolngu women were not allowed to paint sacred themes on larrakitj (or
68:
851:
680:"NGV International presents Bark Ladies: Eleven Artists from Yirrkala"
342:
263:, was moved to a prominent new location in the gallery in June 2022.
129:
868:
176:) until 1970, but since then many women have taken up the practice.
157:. The designs are filled in with cross-hatching, in a form known as
445:
407:, were included in a December 2021 – April 2022 exhibition at the
360:
people, taken without consent and returned 50 years later in 2019.
330:
322:. This exhibition increased demand for the poles in the art world.
294:
226:
27:
Hollow log coffin, now created as artworks, from northern
Australia
91:, they are now made as works of art. The permanent exhibit at the
146:
287:
Inside World: Contemporary
Aboriginal Australian Memorial Poles
182:
have supported the creation of memorial poles as artworks. The
162:
76:
158:
101:, consists of 200 hollow log coffins, created by 43 artists.
601:
211:
325:
There is a "forest" of larrakitj in the Elder Wing of the
852:"The Aesthetics and Politics of an Arnhem Land Ritual"
186:(Buku) produces the poles to be sold internationally.
109:
The poles are variously known as lorrkkon (in West
501:"Aboriginal Memorial Poles to Guide the Spirit Home"
239:, consisting of 200 hollow log coffins from Central
352:in Canberra, to commemorate the return of over 200
850:
348:In May 2021, two burial poles were erected at the
270:, which focuses on larritj, was exhibited at the
893:
473:"Australian Aboriginal Larrakitj Memorial Poles"
652:
597:"Ceremony marks return of stolen Yolngu blood"
71:decorated with elaborate designs, made by the
764:"Explore the Elder Wing with a curator's eye"
729:
705:
703:
341:. Larrakitj by Wunungmurra were shown in the
247:who have died defending their land since the
243:. It is intended to commemorate all of the
817:"Bark Ladies to open at NGV International"
700:
467:
465:
463:
461:
459:
559:
557:
555:
553:
526:
524:
522:
452:. Bininj Kunwok Regional Language Centre.
413:Bark Ladies: Eleven Artists from Yirrkala
145:which has been naturally hollowed out by
629:"Memorial Pole - N.E.Arnhemland Artists"
590:
588:
495:
493:
193:
31:
456:
123:
14:
894:
709:
594:
550:
519:
297:. The exhibition included the work of
233:originally created in 1988 called the
674:
672:
623:
621:
619:
585:
490:
443:
845:
761:
283:Kluge-Ruhe Aboriginal Art Collection
24:
839:
710:Eccles, Jeremy (10 October 2018).
669:
616:
285:co-presented an exhibition called
25:
933:
762:Keen, Suzie (16 February 2020).
809:
781:
755:
653:Schorpp, Lesley (5 July 2022).
450:Bininj Kunwok Online Dictionary
184:Buku-Larrnggay Mulka Art Centre
794:Art Gallery of South Australia
646:
437:
350:Australian National University
327:Art Gallery of South Australia
104:
13:
1:
907:Australian Aboriginal culture
863:(4). The MIT Press: 107–127.
570:National Gallery of Australia
532:"About hollow log coffin art"
444:Garde, Murray (5 July 2022).
430:
255:estuary, flowing through the
223:National Gallery of Australia
205:National Gallery of Australia
93:National Gallery of Australia
38:National Gallery of Australia
595:Liddle, Ryan (27 May 2021).
409:National Gallery of Victoria
7:
418:
345:art festival in 2017–2018.
189:
10:
938:
381:Eunice Djerrkngu Yunupingu
333:, which includes works by
902:Australian Aboriginal art
565:"The Aboriginal Memorial"
249:colonisation of Australia
716:Aboriginal Art Directory
685:Australian Design Review
633:Aboriginal Art Galleries
365:Nancy Gaymala Yunupingu
847:Ross, Margaret Clunies
393:Naminapu Maymuru-White
245:Indigenous Australians
207:
40:
36:Memorial poles at the
266:In 2014, the work of
197:
167:connection to Country
142:Eucalyptus tetrodonta
35:
655:"Hollow log coffins"
397:Nonggirrnga Marawili
377:Nyapanyapa Yunupingu
339:Nawurapu Wunungmurra
279:Fralin Museum of Art
124:Description and uses
789:"Tarnanthi at AGSA"
663:Columbia University
316:Gabriel Maralngurra
236:Aboriginal Memorial
200:Aboriginal Memorial
98:Aboriginal Memorial
538:. 17 November 2018
536:Aboriginal Gallery
405:Margaret Wirrpanda
401:Dhambit Mununggurr
385:Dhuwarrwarr Marika
289:at the Fralin, in
216:moiety and kinship
208:
85:Northern Territory
41:
797:. 13 October 2017
743:. 15 January 2014
688:. 6 December 2021
659:Thing Theory 2006
477:Kate Owen Gallery
373:Barrupu Yunupingu
369:Gulumbu Yunupingu
335:Gulumbu Yunupingu
308:Djambawa Marawili
89:burial ceremonies
49:hollow log coffin
16:(Redirected from
929:
888:
854:
833:
832:
830:
828:
823:. 18 August 2021
813:
807:
806:
804:
802:
785:
779:
778:
776:
774:
759:
753:
752:
750:
748:
733:
727:
726:
724:
722:
707:
698:
697:
695:
693:
676:
667:
666:
650:
644:
643:
641:
639:
625:
614:
613:
611:
609:
592:
583:
582:
580:
578:
561:
548:
547:
545:
543:
528:
517:
516:
514:
512:
505:Art & Object
497:
488:
487:
485:
483:
469:
454:
453:
441:
425:Treetrunk coffin
314:
305:
155:ancestral beings
47:, also known as
21:
937:
936:
932:
931:
930:
928:
927:
926:
892:
891:
869:10.2307/1145970
842:
840:Further reading
837:
836:
826:
824:
815:
814:
810:
800:
798:
787:
786:
782:
772:
770:
760:
756:
746:
744:
735:
734:
730:
720:
718:
708:
701:
691:
689:
678:
677:
670:
651:
647:
637:
635:
627:
626:
617:
607:
605:
593:
586:
576:
574:
563:
562:
551:
541:
539:
530:
529:
520:
510:
508:
499:
498:
491:
481:
479:
471:
470:
457:
442:
438:
433:
421:
389:Malaluba Gumana
310:
301:
299:John Mawurndjul
291:Charlottesville
192:
126:
107:
28:
23:
22:
15:
12:
11:
5:
935:
925:
924:
919:
914:
909:
904:
890:
889:
841:
838:
835:
834:
821:green magazine
808:
780:
754:
728:
699:
668:
645:
615:
584:
549:
518:
489:
455:
435:
434:
432:
429:
428:
427:
420:
417:
272:British Museum
191:
188:
174:bark paintings
125:
122:
106:
103:
67:, is a hollow
26:
9:
6:
4:
3:
2:
934:
923:
920:
918:
917:Death customs
915:
913:
910:
908:
905:
903:
900:
899:
897:
886:
882:
878:
874:
870:
866:
862:
858:
853:
848:
844:
843:
822:
818:
812:
796:
795:
790:
784:
769:
765:
758:
742:
738:
732:
717:
713:
706:
704:
687:
686:
681:
675:
673:
664:
660:
656:
649:
634:
630:
624:
622:
620:
604:
603:
598:
591:
589:
573:. 31 May 2022
572:
571:
566:
560:
558:
556:
554:
537:
533:
527:
525:
523:
507:. 5 July 2022
506:
502:
496:
494:
478:
474:
468:
466:
464:
462:
460:
451:
447:
440:
436:
426:
423:
422:
416:
414:
410:
406:
402:
398:
394:
390:
386:
382:
378:
374:
370:
366:
361:
359:
355:
354:blood samples
351:
346:
344:
340:
336:
332:
328:
323:
321:
317:
313:
309:
304:
300:
296:
292:
288:
284:
280:
277:In 2020, The
275:
273:
269:
268:Wukun Wanambi
264:
262:
258:
257:Arafura Swamp
254:
250:
246:
242:
238:
237:
232:
228:
224:
219:
217:
213:
206:
202:
201:
196:
187:
185:
181:
177:
175:
170:
168:
164:
160:
156:
150:
148:
144:
143:
139:
135:
131:
121:
118:
116:
115:Bininj Kunwok
112:
102:
100:
99:
94:
90:
86:
82:
78:
74:
70:
66:
62:
58:
54:
50:
46:
45:memorial pole
39:
34:
30:
19:
860:
856:
825:. Retrieved
820:
811:
799:. Retrieved
792:
783:
771:. Retrieved
767:
757:
745:. Retrieved
740:
731:
719:. Retrieved
715:
690:. Retrieved
683:
658:
648:
636:. Retrieved
632:
606:. Retrieved
600:
575:. Retrieved
568:
540:. Retrieved
535:
509:. Retrieved
504:
480:. Retrieved
476:
449:
439:
412:
362:
347:
324:
286:
276:
265:
234:
231:installation
220:
209:
198:
178:
171:
151:
140:
134:burial rites
127:
119:
108:
96:
64:
60:
56:
52:
48:
44:
42:
29:
320:Joe Guymala
261:Ramingining
253:Glyde River
241:Arnhem Land
138:stringybark
111:Arnhem Land
105:Terminology
81:Arnhem Land
79:peoples of
53:burial pole
896:Categories
446:"Lorrkkon"
431:References
358:Galiwin'ku
69:tree trunk
877:1054-2043
411:, called
343:Tarnanthi
229:holds an
130:ossuaries
61:ḻarrakitj
849:(1989).
741:Artdaily
419:See also
331:Adelaide
295:Virginia
281:and the
227:Canberra
190:Exhibits
147:termites
57:lorrkkon
18:Lorrkkon
922:Coffins
885:1145970
768:SA Life
356:to the
218:rules.
203:at the
83:in the
912:Yolngu
883:
875:
827:7 July
801:7 July
773:7 July
747:6 July
721:6 July
692:7 July
638:6 July
608:6 July
577:6 July
542:6 July
511:6 July
482:6 July
403:; and
399:; and
379:, and
180:Elders
163:canvas
77:Bininj
73:Yolngu
881:JSTOR
159:rarrk
65:ḏupun
63:, or
873:ISSN
829:2022
803:2022
775:2022
749:2022
723:2022
694:2022
640:2022
610:2022
602:NITV
579:2022
544:2022
513:2022
484:2022
337:and
318:and
221:The
212:clan
75:and
865:doi
857:TDR
383:;
329:in
225:in
55:,
898::
879:.
871:.
861:33
859:.
855:.
819:.
791:.
766:.
739:.
714:.
702:^
682:.
671:^
661:.
657:.
631:.
618:^
599:.
587:^
567:.
552:^
534:.
521:^
503:.
492:^
475:.
458:^
448:.
415:.
395:;
391:;
387:;
375:,
371:,
367:,
312:AM
306:,
303:AM
293:,
274:.
214:,
169:.
149:.
113:,
95:,
59:,
51:,
43:A
887:.
867::
831:.
805:.
777:.
751:.
725:.
696:.
665:.
642:.
612:.
581:.
546:.
515:.
486:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
