196:, which showed on Manhattan Cable's Channel D. The show debuted as the 10-week series "The WARC Report", providing coverage of the 1979 World Administrative Radio Conference at which frequencies were allocated for various uses of the spectrum by broadcast and other technologies. The series included a Slow Scan feed from Geneva, Switzerland as well as live studio interviews with telecommunications experts. Of the WARC report programs, Rachel Wetzler has written that they "were fundamentally concerned with the intermingling of governmental, corporate, and military interests that determined and regulated access to information on a global scale." The show continued uninterruptedly on Manhattan Cable's access channel but changed its name to
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technology as a means to continue interactive visual exchanges between individual artists and artist groups, but using the phone lines rather than a satellite connection. The largest of these demonstrations included eleven cities in the United States and Canada. Among the participating artist groups
873:
Ballmer, Amy. "In the Words of the Artist." Art
Documentation 30, 1 (Spring 2011): 21–26. Errata: Page 21 of the article states "A few months after the meeting, Béar had relocated to New York, and she and Sharp founded Avalanche." This statement misconstrues the timeline of Avalanche’s founding.
107:, from the artist's perspective and featured interviews with artists done by either Béar, Sharp, or both of the editors together, documenting artists' work and news and avoiding criticism as a matter of editorial policy. Among the artists featured in early editions of
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was also influential in its design. Béar was especially attuned to the possibilities of the interview as an artistic form in its own right. For example, in her interview with Joel
Shapiro in
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is a New York-based filmmaker, writer, photographer, and media activist who makes both individual and collaborative works. Béar co-founded two early independent art publications
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240:, Anthology Film Archives, the Edinburgh International Film Festival, "American Independents", Berlinale, the Institute of Contemporary Arts, London, UK and the
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link set up via a NASA satellite between participants in New York City and San
Francisco. The live feed was relayed directly by infrared link to via
459:, a selection of her interviews with 55 filmmakers from 23 countries. She also co-authored "The Early History of Avalanche 1968–1972" (2005) with
182:(originally named the Green Corporation) of which Béar was a founding member with forty to fifty other artists. She also appeared in the 1979
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Béar has written both fiction and non-fiction. In the late 80s and early 90s her first-person short stories set in
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and diversified its focus to include experimental programs by artists and filmmakers, including satire and comedy.
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Béar, Liza and Hans Haacke. "Artist in
Residence: Liza Béar and Hans Haacke on Willoughby Sharp (1936–2008)."
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Sharp and Béar decided to work on a magazine together during their second meeting, also in
November 1968.
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212:, Béar has made a number of films in formats ranging from Super 8 to 35mm. They include the shorts
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Hulser, Kathleen. "Artists Gain Access to Cable," Videography, Vol. 10, Issue 1, January 1985
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Liza Béar and
Willoughby Sharp, The Early History of Avalanche (London: Chelsea Space, 2005).
388:. As a freelance reporter, her features, interviews and filmmaker profiles have appeared in
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Allen, Gwen. "Against
Criticism: The Artist Interview in Avalanche Magazine, 1970–1976."
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228:(1989), a political intrigue set in Casablanca and Washington DC, starring Boris Major,
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12, she conceived of the conversation through the narrative and formal devices of film.
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Allen, Gwen. "In on the Ground Floor: Avalanche and the Soho Art Scene, 1970–1976."
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740:"An Enchanted Evening: A Q&A With Video Pioneers Liza Béar and Milly Iatrou"
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Artists’ Magazines: An
Alternative Space for Art. Cambridge: MIT Press, 2011.
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on the cover. The title of the publication was both a reference to
British
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From 1979 – 1991 Béar co-founded the artist public access television show
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In 1978–79, following the Send/Receive project, Béar pioneered the use of
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766:"CABLE TV NOTES - EXPERIMENTATION SHAPES 'CAST IRON TV' - NYTimes.com"
611:"The Business of Art: An Interview with Liza Bear by Mary Ann Miller"
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Béar was raised in France and
England. She studied Philosophy at the
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1990 Philafilm, Silver Award, Feature Film "Force of Circumstance"
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Avalanche Magazine Archives at the Museum of Modern Art New York
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525:"Send/Receive: Liza Bear and Willoughby Sharp After Avalanche"
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cable in New York, and to a Bay Area public access station.
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1985 National Endowment for the Arts, Film Production Award
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Ebony, David (October 2010). "An Art History: Avalanche".
53:. Since 1968 she has lived and worked in New York City.
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and several other artists to stage the two-day project
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91:, producing thirteen issues between 1970 and 1976.
449:Beyond the Frame: Dialogues with World Filmmakers
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645:Artists' Magazines: An Alternative Space for Art
648:. Cambridge, MA: MIT Press. pp. 107–110.
471:Béar's awards in film and literature include:
840:, Video Data Bank, Retrieved 13 October 2014.
482:1984 Jerome Independent Filmmaker Fellowship
216:(1982), a post-colonial comedy of manners,
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296:Oued Nefifik: A Foreign Movie
214:Oued Nefifik: A Foreign Movie
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895:Liza Béar: THIS LONG CENTURY
838:"Liza Béar: Video Data Bank"
728:, Retrieved 12 October 2014.
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244:, Huntington, Long Island.
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881:47, 7 (March 2009): 57–60.
642:Allen, Gwen (March 2011).
627:"Chelsea Space: Avalanche"
860:64, 3 (Fall 2005): 50–61.
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208:Beginning in 1978 with
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180:Collaborative Projects
910:Communications Update
790:Lang, Robert (1990).
308:Force of Circumstance
226:Force of Circumstance
224:and the feature film
198:Communications Update
178:in New York City was
238:Museum of Modern Art
63:University of London
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535:on 22 February 2014
451:, (Praeger: 2007),
425:New York Daily News
254:Five Video Pioneers
378:were published in
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336:Sarah Charlesworth
248:Select filmography
242:Cinema Arts Centre
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320:Spring Lake
268:(1975–1978)
31:Nationality
929:Categories
802:7 February
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539:7 February
503:References
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290:Lost Oasis
218:Lost Oasis
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431:indiewire
352:Vorticism
302:Earthglow
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171:Slow Scan
161:Manhattan
137:Avalanche
133:Avalanche
109:Avalanche
95:explored
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25:Liza Béar
563:Archived
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376:New York
330:magazine
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105:land art
77:Magazine
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399:Newsday
390:Variety
372:Jamaica
175:Telefax
34:British
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467:Awards
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368:Hawaii
322:(2013)
316:(1988)
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256:(1977)
236:, the
127:, and
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475:1983
356:Blast
204:Films
155:, an
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650:ISBN
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490:NYFA
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394:Bomb
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