175:. That work, as Weiner later developed his practice as a painter, became an epiphany for the turning point in his career. His work in the early 1960s included six years of making explosions in the landscape of California to create craters as individual sculptures. Weiner's early body of work is also known for his having created gestures described in simple statements leading to the ambiguity of whether the artwork was the gesture or the statement describing the gesture: e.g."Two minutes of spray paint directly on the floor.." or " A 36" x 36" removal of lathing or support wall ..." (both 1968). In 1968, when
94:
310:
33:
585:
216:
also published by Seth
Siegelaub in 1968. Weiner's composed texts describe process, structure, and material, and though Weiner's work is almost exclusively language-based, he regarded his practice as sculpture, citing the elements described in the texts as his materials. In the late 1960s Weiner's
773:
1101:
528:'s legendary music video for "Subterranean Homesick Blues" with placards featuring Weiner text pieces like "stars don't stand still in the sky" and "water in milk exists."
398:
1151:
124:
Lawrence
Charles Weiner was born on February 10, 1942, in Manhattan, to Toba (Horowitz) and Harold Weiner. His parents owned a candy store. After graduating from
1102:"[:cs]LAWRENCE WEINER: ODEBRĂNO VÄTRU A PĆIKOVĂNO K ZEMI[:en]LAWRENCE WEINER: TAKEN FROM THE WIND AND BOLTED TO THE GROUND[:] on ArtyÄok"
512:, City University of New York City, (2013), the Roswitha Haftmann Prize, Zurich, Switzerland (2015), and the Aspen Award for Art (2017). On the occasion of the
830:
293:, Merrill Wagner, and Paul Kos. Weiner's installations and text-based work are included and on view in several collections across the globe including the
314:
488:
434:
196:
Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.
260:
1276:
1026:
770:
128:
at 16, he had a variety of jobsâhe worked on an oil tanker, on docks, and unloading railroad cars. After studying philosophy and literature at
104:(February 10, 1942 – December 2, 2021) was an American conceptual artist. He was one of the central figures in the formation of
968:
1412:
1360:
228:(1993) he recast the iron weighbridge of the Dean Clough carpet factory, incorporating the words of the title as an embossing inscription.
1219:
1372:
1079:
326:
1858:
1152:"Lawrence Weiner: Inherent in the Rhumb Line : New Visions : Art & New Visions : Explore online : RMG"
1008:
1838:
614:
338:
1823:
451:
1155:
1853:
1843:
569:, in what was once an old laundromat built in 1910 and was transformed into a five-level town house designed by the firm
325:
A comprehensive retrospective of Weiner's nearly 50-year career was organized by Ann
Goldstein and Donna De Salvo at the
982:
802:
350:
1828:
1405:
273:
171:. An action piece, the work consisted of explosives set to ignite simultaneously in the four corners of a field in
884:
1833:
827:
501:
204:
in 1968, a small 64-page paperback with texts describing projects. Published by The Louis
Kellner Foundation and
934:
1848:
1258:
1119:
508:(1995), a Skowhegan Medal for Painting/Conceptual Art (1999), An Honorary Doctorate of Humane Letters from the
474:
430:
342:
330:
516:'s 2012 Spring Gala, where Weiner was being honored for his contributions to contemporary art, fellow artist
1244:
954:
1398:
1065:
447:
September 21, 2013 â January 5, 2014 â Lawrence Weiner: written in the wind, Stedelijk Museum, Amsterdam
789:
358:
334:
1030:
231:
From the early 1970s on wall installations have been Weiner's primary medium, and he has shown at the
1436:
860:"A WALL BUILT TO FACE THE LAND & FACE THE WATER AT THE LEVEL OF THE SEA âą PĂ©rez Art Museum Miami"
690:
298:
240:
235:
gallery. Recent examples can be found in numerous museum walls across the United States such as the
481:
461:
278:
172:
1044:
410:
October 10 â December 20, 2015, WITHIN A REALM OF DISTANCE: Lawrence Weiner at
Blenheim Palace at
394:
1765:
1706:
1312:
411:
1355:
1330:
552:. Brest: Zédélé éditions, Reprint Collection. (First edition : London: Jack Wendler, 1972.)
1498:
294:
164:
125:
333:, New York in 2007â2008. Major solo exhibitions of the artist's work have been mounted at the
319:
Zerschmettert in StĂŒcke (im
Frieden der Nacht) / Smashed to pieces (in the still of the night)
1791:
1595:
1087:
939:
729:
509:
467:
May 19 â June 19, 2010, Lawrence Weiner in the House of Art, ÄeskĂ© BudÄjovice, Czech
Republic
264:
149:
1476:
1194:
1818:
1813:
1559:
1365:
846:
441:
634:. New York: Whitney Museum of American Art, Los Angeles: Museum of Contemporary Art, 2007.
8:
542:
366:
256:
132:
for less than a year, he traveled throughout North
America before returning to New York.
93:
32:
1655:
1488:
1446:
1422:
1294:
346:
243:. Nevertheless, Weiner works in a wide variety of media, including video, film, books,
224:
An important aspect of audience participation in Weiner's work is site-specificity. In
1615:
1390:
747:
648:. Köln / Villeurbanne: Verlag der Buchhandlung Walther König / Le Nouveau Musée, 1989.
473:
November 15, 2007 â February 10, 2008, Lawrence Weiner: As Far The Eye Can See at the
1712:
1639:
1541:
1052:
698:
610:
470:
May 27 â July 19, 2008, Lawrence Weiner: Water in Milk Exists at Kino
Mascotte, Basel
378:
374:
354:
666:
619:
Alberro, Alexander; Zimmerman, Alice; Buchloch, Benjamin H.D. and
Batchelor, David.
309:
1759:
1735:
1700:
1599:
1545:
1516:
1316:
1298:
248:
209:
1676:
1579:
1777:
1771:
1741:
1694:
1524:
1520:
1504:
1381:
1280:
834:
806:
777:
562:
390:
218:
145:
1133:
565:
for over thirty years before moving to another residence and studio also in the
1635:
1629:
1609:
1565:
1492:
1262:
733:
521:
513:
205:
141:
129:
105:
85:
440:
September 26, 2014 â November 23, 2014, Lawrence Weiner: All in due course at
221:, an avant-garde journal which experimented with language and meaning-making.
1807:
1787:
1753:
1718:
1688:
1649:
1645:
1625:
1605:
1589:
1585:
1569:
1470:
1442:
725:
702:
624:
505:
382:
362:
167:. His debut public work/exhibition was at the age of 19, with what he called
153:
1456:
480:
March 22 â December 9, 2007, Lawrence Weiner: Inherent in the Rhumb Line at
1747:
1682:
1672:
1619:
1510:
1460:
566:
422:
370:
290:
232:
969:"Lawrence Weiner al Museo Nivola: l'Installazione dell'artista newyorkese"
163:
Weiner began his career as an artist as a very young man at the height of
1575:
1555:
1482:
1452:
909:
859:
426:
369:
in Berlin (2000), Museo Tamayo Arte ContemporĂĄneo in Mexico City (2004),
252:
1080:"The Jewish Museum New York | Art Exhibition | Lawrence Weiner: NO TREâŠ"
639:
Having Been Said: Writings & Interviews of Lawrence Weiner 1968â2003
237:
A Wall Built to Face the Land and Face the Water at the Level of the Sea
593:
286:
176:
157:
109:
1120:"Water in Milk Exists | The Art Newspaper | Swiss Institute"
1549:
1466:
584:
525:
517:
455:
386:
244:
1220:"Lawrence Weiner receives 2015 Roswitha Haftmann Prize / Art Review"
113:
487:
April 22 - November, 2022, THE LANGUAGE OF LAWRENCE WEINER at the
259:
Time-Space-Existence" a project which was initiated by the artist
1385:
576:
Weiner died on December 2, 2021, in Manhattan, at the age of 79.
349:, New York (1991), Musée d'Art Contemporain, Bordeaux (1991/92),
1045:
http://www.southlondongallery.org/page/144/Lawrence-Weiner/1015
721:
719:
691:"Lawrence Weiner, Artist Whose Medium Was Language, Dies at 79"
570:
460:
March 1 â May 13, 2012, Lawrence Weiner: NO TREE NO BRANCH at
504:
Fellowships (1976 and 1983), a Guggenheim Fellowship (1994),
1169:
716:
609:, Dokumente unserer Zeit XXXIV; Chorus-Verlag; Mainz 2011;
208:, "Statements" is considered one of the seminal conceptual
524:
created a three-minute tribute in the form of a parody of
935:"Trilingual Lawrence Weiner on View at the Jewish Museum"
389:
V (1972), VI (1977), and VII (1982), as well as the 2005
183:, Weiner formulated his "Declaration of Intent" (1968):
1420:
1376:
1170:"Arsenale Institute / The language of Lawrence Weiner"
790:
Lawrence Weiner: En Route, February 24 â April 2, 2005
226:
SOME LIMESTONE SOME SANDSTONE ENCLOSED FOR SOME REASON
353:(1992), The Arnhem (Sonsbeek) The Netherlands (1993)
269:
The Society Architect Ponders the Golden Gate Bridge
263:. In 2008 an excerpt from his opera with composer
489:Arsenale Institute for Politics of Representation
1805:
605:Beate Reifenscheid und Dorothea van der Koelen;
401:in 2013 with his work 'The Grace of a Gesture'.
1027:"ARTIST ROOMS: Lawrence Weiner â London | Tate"
828:Lawrence Weiner, October 19 â November 23, 2002
212:of the era. He was a contributor to the famous
144:'s Conceptual art, which includes artists like
1195:"Commencement 2013: Honorary Degree Citations"
247:using audio tape, sculpture, performance art,
108:in the 1960s. His work often took the form of
1406:
637:Fietzek, Gerti and Stemmrich, Gregor. (eds.)
281:. In 2009 he participated in the art project
255:. In 2007, he participated at the symposium "
910:"Artworks Archive âą PĂ©rez Art Museum Miami"
140:Weiner is regarded as a founding figure of
1413:
1399:
1245:"Lawrence Weiner wins Aspen Award for Art"
632:Lawrence Weiner: As Far as the Eye Can See
630:De Salvo, Donna and Goldstein, Ann (eds.)
385:, Orani, Italy (2019). He participated in
31:
1356:Work for the Abbey of Corbigny, "Au pays"
983:"Lawrence Weiner: The Grace of a Gesture"
684:
682:
680:
583:
308:
119:
92:
1311:Thessaly La Force (February 14, 2011),
688:
419:Straight Down to Below: Lawrence Weiner
327:Museum of Contemporary Art, Los Angeles
187:1. The artist may construct the piece.
1806:
1277:In the studio: Lawrence Weiner, artist
766:
764:
677:
271:â was issued on the compilation album
1394:
885:"Collection | Carnegie Museum of Art"
641:. Ostfildern-Ruit: Hatje Cantz, 2004.
607:Arte in Movimento â Kunst in Bewegung
397:in 2006, and the Venice Biennale and
339:Hirshhorn Museum and Sculpture Garden
97:Lawrence Wiener in Speaking Portraits
550:GREEN AS WELL AS BLUE AS WELL AS RED
539:Skimming The Water â Menage A Quatre
761:
689:Kennedy, Randy (December 5, 2021).
561:Weiner and his wife Alice lived on
13:
579:
417:October 25, 2014 â April 19, 2015
351:San Francisco Museum of Modern Art
14:
1870:
1349:
1275:Karen Wright (January 17, 2014),
1029:. October 3, 2015. Archived from
792:Marian Goodman Gallery, New York.
1086:. April 16, 2013. Archived from
646:Lawrence Weiner: Books 1968â1989
556:
274:Crosstalk: American Speech Music
193:3. The piece need not be built.
190:2. The piece may be fabricated.
1323:
1305:
1287:
1269:
1251:
1237:
1212:
1187:
1162:
1154:. April 3, 2012. Archived from
1144:
1126:
1112:
1094:
1072:
1037:
1019:
1001:
975:
961:
947:
927:
902:
877:
852:
502:National Endowment for the Arts
1259:How Do Artists Say I Love You?
840:
821:
795:
783:
740:
659:
495:
475:Whitney Museum of American Art
431:National Galleries of Scotland
404:
343:Institute of Contemporary Arts
331:Whitney Museum of American Art
304:
200:Weiner created his first book
1:
1859:Stuyvesant High School alumni
1331:"Lawrence Weiner (1942â2021)"
1313:Studio Visit: Lawrence Weiner
1134:"LAWRENCE WEINER: Exhibition"
730:The Well-Shaped Phrase as Art
652:
277:(Bridge Records) produced by
1839:Wolf Prize in Arts laureates
1333:. Artforum. December 2, 2021
1293:Geoff Manaugh (April 2010),
837:Regen Projects, Los Angeles.
454:Museu d'Art Contemporani de
181:Paragraphs on Conceptual Art
7:
1824:American conceptual artists
500:Among his many honors were
341:, Washington, D.C. (1990),
16:American artist (1942â2021)
10:
1875:
1854:20th-century American Jews
1844:21st-century American Jews
1257:Bill Power (May 1, 2012),
889:collection.carnegieart.org
849:MoMA Collection, New York.
833:December 31, 2010, at the
592:painted on pilings in the
437:, Northumberland, Scotland
381:, Austria (2016), and the
359:Philadelphia Museum of Art
335:Stedelijk Museum Amsterdam
1728:
1665:
1534:
1429:
776:February 7, 2012, at the
81:
65:
42:
30:
23:
531:
482:National Maritime Museum
399:European Cultural Centre
289:, in company of artists
173:Marin County, California
1829:Jewish American artists
1766:Michelangelo Pistoletto
1707:Michelangelo Pistoletto
1013:Blenheim Art Foundation
545:Art Projects Number 01)
412:Blenheim Art Foundation
347:Dia Center for the Arts
135:
102:Lawrence Charles Weiner
47:Lawrence Charles Weiner
1834:Artists from the Bronx
1499:Eduardo Souto de Moura
914:PĂ©rez Art Museum Miami
864:PĂ©rez Art Museum Miami
780:Guggenheim Collection.
644:Schwarz, Dieter (ed.)
597:
357:, Minneapolis (1994),
322:
299:PĂ©rez Art Museum Miami
297:, Pittsburgh, and the
295:Carnegie Museum of Art
241:PĂ©rez Art Museum Miami
217:work was published in
198:
165:Abstract Expressionism
126:Stuyvesant High School
98:
1849:Hunter College alumni
1596:Mstislav Rostropovich
940:The New York Observer
728:(November 16, 2007),
587:
395:Biennale de SĂŁo Paulo
312:
279:Mendi + Keith Obadike
185:
120:Early life and career
96:
1560:Krzysztof Penderecki
1247:. February 24, 2017.
484:, Greenwich, England
442:South London Gallery
1525:Yoshiharu Tsukamoto
1361:Guggenheim bio page
1033:on October 3, 2015.
543:Personal Structures
541:- Lawrence Weiner (
506:Wolfgang Hahn Prize
367:Deutsche Guggenheim
257:Personal Structures
1489:David Chipperfield
1477:Ălvaro Siza Vieira
1447:Giancarlo De Carlo
1423:Wolf Prize in Arts
1090:on April 16, 2013.
695:The New York Times
598:
590:At the Same Moment
373:in London (2006),
365:, Cologne (1995),
323:
99:
1801:
1800:
1713:Rosemarie Trockel
1542:Vladimir Horowitz
1421:Laureates of the
1158:on April 3, 2012.
1060:Missing or empty
1009:"Lawrence Weiner"
955:"Lawrence Weiner"
943:. March 16, 2012.
748:"Lawrence Weiner"
615:978-3-926663-44-3
596:, as seen in 2011
462:The Jewish Museum
379:Kunsthaus Bregenz
375:The Jewish Museum
355:Walker Art Center
345:, London (1991),
179:came up with his
112:texts, a form of
91:
90:
76:New York City, US
60:New York City, US
57:February 10, 1942
1866:
1760:Louise Bourgeois
1736:Eduardo Chillida
1701:Louise Bourgeois
1600:Daniel Barenboim
1546:Olivier Messiaen
1517:Elizabeth Diller
1415:
1408:
1401:
1392:
1391:
1343:
1342:
1340:
1338:
1327:
1321:
1317:The Paris Review
1309:
1303:
1291:
1285:
1273:
1267:
1255:
1249:
1248:
1241:
1235:
1234:
1232:
1230:
1216:
1210:
1209:
1207:
1205:
1191:
1185:
1184:
1182:
1180:
1174:www.arsenale.com
1166:
1160:
1159:
1148:
1142:
1141:
1130:
1124:
1123:
1116:
1110:
1109:
1098:
1092:
1091:
1076:
1070:
1069:
1063:
1058:
1056:
1048:
1041:
1035:
1034:
1023:
1017:
1016:
1005:
999:
998:
996:
994:
979:
973:
972:
971:. June 25, 2019.
965:
959:
958:
951:
945:
944:
931:
925:
924:
922:
920:
906:
900:
899:
897:
895:
881:
875:
874:
872:
870:
856:
850:
844:
838:
825:
819:
818:
816:
814:
809:on June 20, 2010
805:. Archived from
803:"DIA Center Bio"
799:
793:
787:
781:
768:
759:
758:
756:
754:
744:
738:
723:
714:
713:
711:
709:
686:
675:
674:
663:
249:installation art
72:
69:December 2, 2021
56:
54:
35:
21:
20:
1874:
1873:
1869:
1868:
1867:
1865:
1864:
1863:
1804:
1803:
1802:
1797:
1782:Lawrence Weiner
1778:Laurie Anderson
1772:Olafur Eliasson
1742:Claes Oldenburg
1724:
1695:Gerhard Richter
1661:
1616:PlĂĄcido Domingo
1530:
1505:Phyllis Lambert
1425:
1419:
1384:discography at
1382:Lawrence Weiner
1377:Video Data Bank
1373:Lawrence Weiner
1352:
1347:
1346:
1336:
1334:
1329:
1328:
1324:
1310:
1306:
1292:
1288:
1281:The Independent
1274:
1270:
1256:
1252:
1243:
1242:
1238:
1228:
1226:
1218:
1217:
1213:
1203:
1201:
1199:www.gc.cuny.edu
1193:
1192:
1188:
1178:
1176:
1168:
1167:
1163:
1150:
1149:
1145:
1132:
1131:
1127:
1118:
1117:
1113:
1108:. May 24, 2010.
1100:
1099:
1095:
1078:
1077:
1073:
1061:
1059:
1050:
1049:
1043:
1042:
1038:
1025:
1024:
1020:
1007:
1006:
1002:
992:
990:
981:
980:
976:
967:
966:
962:
953:
952:
948:
933:
932:
928:
918:
916:
908:
907:
903:
893:
891:
883:
882:
878:
868:
866:
858:
857:
853:
847:Lawrence Weiner
845:
841:
835:Wayback Machine
826:
822:
812:
810:
801:
800:
796:
788:
784:
778:Wayback Machine
771:Lawrence Weiner
769:
762:
752:
750:
746:
745:
741:
724:
717:
707:
705:
687:
678:
665:
664:
660:
655:
621:Lawrence Weiner
582:
580:Further reading
563:Bleecker Street
559:
534:
510:Graduate Center
498:
491:, Venice, Italy
435:Woodhorn Museum
407:
391:Venice Biennale
329:(MOCA) and the
307:
219:0 to 9 magazine
169:Cratering Piece
146:Douglas Huebler
138:
122:
77:
74:
70:
61:
58:
52:
50:
49:
48:
38:
26:
25:Lawrence Weiner
17:
12:
11:
5:
1872:
1862:
1861:
1856:
1851:
1846:
1841:
1836:
1831:
1826:
1821:
1816:
1799:
1798:
1796:
1795:
1785:
1775:
1769:
1763:
1757:
1751:
1745:
1739:
1732:
1730:
1726:
1725:
1723:
1722:
1716:
1710:
1704:
1698:
1692:
1686:
1680:
1669:
1667:
1663:
1662:
1660:
1659:
1653:
1643:
1636:Paul McCartney
1633:
1630:Murray Perahia
1623:
1613:
1610:Claudio Abbado
1603:
1593:
1583:
1573:
1566:Yehudi Menuhin
1563:
1553:
1538:
1536:
1532:
1531:
1529:
1528:
1521:Momoyo Kaijima
1514:
1508:
1502:
1496:
1493:Peter Eisenman
1486:
1480:
1474:
1464:
1450:
1440:
1433:
1431:
1427:
1426:
1418:
1417:
1410:
1403:
1395:
1389:
1388:
1379:
1370:
1369:
1368:
1366:Lisson Gallery
1358:
1351:
1350:External links
1348:
1345:
1344:
1322:
1304:
1295:Village People
1286:
1268:
1263:New York Times
1250:
1236:
1211:
1186:
1161:
1143:
1125:
1111:
1093:
1071:
1036:
1018:
1000:
989:. May 24, 2013
974:
960:
946:
926:
901:
876:
851:
839:
820:
794:
782:
760:
739:
734:New York Times
715:
676:
657:
656:
654:
651:
650:
649:
642:
635:
628:
617:
602:
601:
581:
578:
558:
555:
554:
553:
546:
533:
530:
522:Mason Williams
514:Drawing Center
497:
494:
493:
492:
485:
478:
471:
468:
465:
458:
448:
445:
438:
415:
406:
403:
306:
303:
261:Rene Rietmeyer
210:artist's books
206:Seth Siegelaub
142:Postminimalism
137:
134:
130:Hunter College
121:
118:
106:conceptual art
89:
88:
86:Conceptual art
83:
82:Known for
79:
78:
75:
73:(aged 79)
67:
63:
62:
59:
46:
44:
40:
39:
37:Weiner in 2011
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1871:
1860:
1857:
1855:
1852:
1850:
1847:
1845:
1842:
1840:
1837:
1835:
1832:
1830:
1827:
1825:
1822:
1820:
1817:
1815:
1812:
1811:
1809:
1793:
1789:
1788:Fujiko Nakaya
1786:
1783:
1779:
1776:
1773:
1770:
1767:
1764:
1761:
1758:
1755:
1754:James Turrell
1752:
1749:
1746:
1743:
1740:
1737:
1734:
1733:
1731:
1727:
1720:
1719:Cindy Sherman
1717:
1714:
1711:
1708:
1705:
1702:
1699:
1696:
1693:
1690:
1689:Anselm Kiefer
1687:
1684:
1681:
1678:
1677:Antoni TĂ pies
1674:
1671:
1670:
1668:
1664:
1657:
1656:György Kurtåg
1654:
1651:
1650:Olga Neuwirth
1647:
1646:Stevie Wonder
1644:
1641:
1637:
1634:
1631:
1627:
1626:Jessye Norman
1624:
1621:
1617:
1614:
1611:
1607:
1606:Giya Kancheli
1604:
1601:
1597:
1594:
1591:
1590:Riccardo Muti
1587:
1586:Pierre Boulez
1584:
1581:
1580:György Ligeti
1577:
1574:
1571:
1570:Luciano Berio
1567:
1564:
1561:
1557:
1554:
1551:
1547:
1543:
1540:
1539:
1537:
1533:
1526:
1522:
1518:
1515:
1512:
1509:
1506:
1503:
1500:
1497:
1494:
1490:
1487:
1484:
1481:
1478:
1475:
1472:
1471:Aldo van Eyck
1468:
1465:
1462:
1458:
1454:
1451:
1448:
1444:
1443:Fumihiko Maki
1441:
1438:
1437:Ralph Erskine
1435:
1434:
1432:
1428:
1424:
1416:
1411:
1409:
1404:
1402:
1397:
1396:
1393:
1387:
1383:
1380:
1378:
1374:
1371:
1367:
1364:
1363:
1362:
1359:
1357:
1354:
1353:
1332:
1326:
1319:
1318:
1314:
1308:
1301:
1300:
1296:
1290:
1283:
1282:
1278:
1272:
1265:
1264:
1260:
1254:
1246:
1240:
1225:
1224:artreview.com
1221:
1215:
1200:
1196:
1190:
1175:
1171:
1165:
1157:
1153:
1147:
1139:
1135:
1129:
1121:
1115:
1107:
1103:
1097:
1089:
1085:
1081:
1075:
1067:
1054:
1046:
1040:
1032:
1028:
1022:
1014:
1010:
1004:
988:
984:
978:
970:
964:
956:
950:
942:
941:
936:
930:
915:
911:
905:
890:
886:
880:
865:
861:
855:
848:
843:
836:
832:
829:
824:
808:
804:
798:
791:
786:
779:
775:
772:
767:
765:
749:
743:
737:
735:
731:
727:
726:Roberta Smith
722:
720:
704:
700:
696:
692:
685:
683:
681:
672:
668:
662:
658:
647:
643:
640:
636:
633:
629:
626:
625:Phaidon Press
622:
618:
616:
612:
608:
604:
603:
600:
599:
595:
591:
586:
577:
574:
572:
568:
564:
557:Personal life
551:
547:
544:
540:
537:2010 :
536:
535:
529:
527:
523:
519:
515:
511:
507:
503:
490:
486:
483:
479:
476:
472:
469:
466:
463:
459:
457:
453:
449:
446:
443:
439:
436:
432:
428:
424:
420:
416:
414:, Oxfordshire
413:
409:
408:
402:
400:
396:
392:
388:
384:
383:Nivola Museum
380:
377:, NY (2012),
376:
372:
368:
364:
363:Museum Ludwig
360:
356:
352:
348:
344:
340:
336:
332:
328:
320:
316:
315:EsterhĂĄzypark
311:
302:
300:
296:
292:
288:
284:
280:
276:
275:
270:
266:
262:
258:
254:
250:
246:
242:
238:
234:
229:
227:
222:
220:
215:
211:
207:
203:
197:
194:
191:
188:
184:
182:
178:
174:
170:
166:
161:
159:
155:
154:Joseph Kosuth
151:
147:
143:
133:
131:
127:
117:
115:
111:
107:
103:
95:
87:
84:
80:
68:
64:
45:
41:
34:
29:
22:
19:
1792:Richard Long
1781:
1748:Bruce Nauman
1683:Jasper Johns
1673:Marc Chagall
1640:ĂdĂĄm Fischer
1620:Simon Rattle
1511:Moshe Safdie
1461:Denys Lasdun
1430:Architecture
1335:. Retrieved
1325:
1315:
1307:
1297:
1289:
1279:
1271:
1261:
1253:
1239:
1227:. Retrieved
1223:
1214:
1202:. Retrieved
1198:
1189:
1179:February 24,
1177:. Retrieved
1173:
1164:
1156:the original
1146:
1137:
1128:
1114:
1105:
1096:
1088:the original
1083:
1074:
1062:|title=
1039:
1031:the original
1021:
1012:
1003:
991:. Retrieved
986:
977:
963:
949:
938:
929:
919:September 4,
917:. Retrieved
913:
904:
894:September 4,
892:. Retrieved
888:
879:
869:September 6,
867:. Retrieved
863:
854:
842:
823:
811:. Retrieved
807:the original
797:
785:
751:. Retrieved
742:
732:
706:. Retrieved
694:
670:
661:
645:
638:
631:
620:
606:
589:
575:
567:West Village
560:
549:
548:2012 :
538:
499:
423:Artist Rooms
418:
371:Tate Gallery
324:
318:
313:Flakturm at
291:Robert Ryman
282:
272:
268:
265:Peter Gordon
236:
233:Leo Castelli
230:
225:
223:
213:
201:
199:
195:
192:
189:
186:
180:
168:
162:
150:Robert Barry
139:
123:
101:
100:
71:(2021-12-02)
18:
1819:2021 deaths
1814:1942 births
1576:Zubin Mehta
1556:Isaac Stern
1483:Jean Nouvel
1453:Frank Gehry
1337:December 3,
1138:whitney.org
708:December 5,
496:Recognition
427:Tate Modern
425:on Tour at
405:Select list
337:(1988/89),
317:in Vienna:
305:Exhibitions
253:graphic art
239:(2008), at
110:typographic
1808:Categories
1457:JĂžrn Utzon
1229:October 2,
1204:October 2,
1084:archive.is
653:References
623:. London:
594:East River
477:, New York
464:, New York
287:Gema Alava
202:Statements
177:Sol LeWitt
158:Sol LeWitt
53:1942-02-10
1729:Sculpture
1550:Josef Tal
1467:Frei Otto
813:April 18,
753:August 5,
703:0362-4331
588:Weiner's
573:in 2008.
526:Bob Dylan
518:Ed Ruscha
456:Barcelona
421:(part of
387:Documenta
245:sound art
214:Xeroxbook
1768:(2006/7)
1762:(2002/3)
1738:(1984/5)
1709:(2006/7)
1703:(2002/3)
1697:(1994/5)
1666:Painting
1582:(1995/6)
1473:(1996/7)
1439:(1983/4)
1053:cite web
993:July 11,
831:Archived
774:Archived
671:ArtFacts
444:, London
361:(1994),
114:word art
1386:Discogs
1375:in the
1106:ArtyÄok
667:"Lists"
627:, 1998.
450:2013 â
283:Find Me
1794:(2023)
1784:(2017)
1774:(2014)
1756:(1998)
1750:(1993)
1744:(1989)
1721:(2020)
1715:(2011)
1691:(1990)
1685:(1986)
1679:(1981)
1658:(2024)
1652:(2021)
1642:(2018)
1632:(2015)
1622:(2012)
1612:(2008)
1602:(2004)
1592:(2000)
1572:(1991)
1562:(1987)
1552:(1982)
1527:(2022)
1513:(2019)
1507:(2016)
1501:(2013)
1495:(2010)
1485:(2005)
1479:(2001)
1463:(1992)
1449:(1988)
701:
613:
571:LOT-EK
393:, the
321:(1991)
251:, and
156:, and
1535:Music
1299:Dwell
987:Artsy
532:Books
452:MACBA
285:, by
1339:2021
1231:2015
1206:2015
1181:2023
1066:help
995:2017
921:2024
896:2024
871:2023
815:2010
755:2022
710:2021
699:ISSN
611:ISBN
520:and
429:and
136:Work
66:Died
43:Born
433:),
301:.
1810::
1790:/
1780:/
1675:/
1648:/
1638:/
1628:/
1618:/
1608:/
1598:/
1588:/
1578:/
1568:/
1558:/
1548:/
1544:/
1523:/
1519:/
1491:/
1469:/
1459:/
1455:/
1445:/
1222:.
1197:.
1172:.
1136:.
1104:.
1082:.
1057::
1055:}}
1051:{{
1011:.
985:.
937:.
912:.
887:.
862:.
763:^
736:'.
718:^
697:.
693:.
679:^
669:.
267:â
160:.
152:,
148:,
116:.
1414:e
1407:t
1400:v
1341:.
1320:.
1302:.
1284:.
1266:.
1233:.
1208:.
1183:.
1140:.
1122:.
1068:)
1064:(
1047:.
1015:.
997:.
957:.
923:.
898:.
873:.
817:.
757:.
712:.
673:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.