31:
109:
356:, New York). After these films, he produced a body of video works in 1/2, 3/4 and 1-inch tape. These works included video sculpture, video installations, “Videoviews,” (1970–1974), Video performances (1973–1977), cable television programs (1985–1986), and broadcast TV programs (2001–2008). In 1970 Sharp's film “Place and Process” was included in
709:
1968–1969 AIR ART, Arts
Council, YM/YWHA, Philadelphia, PA; traveled to: Contemporary Arts Center, Cincinnati, OH; Lakeview Center for the Arts and Sciences, Peoria, Illinois; University Art Museum, University of California, Berkeley, CA; Lamont Gallery, Phillips Exeter Academy, Exeter, NH; Edmonton
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work made by artists. His participation in Send/Receive in part led to Sharp's current preoccupation with global collaborative work through a series of interactive telecommunications and streaming transmissions. This ongoing series of projects honors the accomplishments of electrical geniuses
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In 1958, Sharp met Joseph Beuys in Düsseldorf and maintained a close, collaborative relationship until Beuys' death in 1986. Sharp was influential in bringing Beuys’ work to the attention of the
American art world. Starting with an
443:(1974), and Dennis Oppenheim (1974). Later, while working with ARTENGINE, N.Y., Sharp produced a series of 30-minute documentary programs on Dennis Oppenheim (2001), Keith Sonnier (2002),
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1973 AVALANCHE DIE ENTWICKLUNG EINER AVANTGARDE-ZEITSCHRIFT, Cologne
Kunstverein; traveled to: Hanover Kunstverein; Munster Kunstverein; Frankfurt Kunstverein. No catalogue.
485:, In September 1977, he participated in Send/Receive Satellite Network: Phase II, co-produced and directed by Keith Sonnier and Liza BĂ©ar in collaboration with a group of
713:
1968 KINETICISM: SYSTEMS SCULPTURE IN ENVIRONMENTAL SITUATIONS (Official
Olympic Games Exhibition), University Museum of Arts and Science, Mexico City, Mexico. Catalogue.
477:. Shortly afterward, Sharp began production on a series of international, multi-casting, pre-Internet projects which simultaneously interlaced information from
324:. In March 1969, Sharp created “Einstein’s Eye,” a closed-circuit b/w video sculpture exhibited at the Richard L. Feigen Gallery in New York City.
1128:
119:(January 23, 1936 – December 17, 2008) was an American artist, independent curator, independent publisher (he was co-founder and co-editor of
200:
Sharp received numerous grants, awards, and fellowships; both as an individual or under the sponsorship of non-profit arts organizations.
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167:(1984–1986). He published three monographs on contemporary artists, contributed to many exhibition catalogues, and wrote on art for
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Between 1970 and 1972, Sharp began work the on the “Videoviews”, a series of dialogues with artists using one of the first
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1967 LIGHT–MOTION-SPACE, Walker Art Center, Minneapolis, MN. and the
Milwaukee Art Center, Milwaukee, WI. Catalogue.
652:
360:’s “INFORMATION” exhibition curated by Kynaston McShine. Also in 1970, Sharp curated “Body Works,” an exhibition of
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3400 Porta-Pac video recording systems at San Jose State TV studios. The series consists of Sharp's dialogues with
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1970 THIS IS YOUR ROOF exhibition is presented at the international art festival held in
Pamplona, Spain.
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619:(1974–2003). In 1979, Beuys invited Sharp to curate the film/video sections of his retrospective at the
644:
565:
804:
1990 MICROSCULPTURE, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island. Catalogue.
244:
Beginning in 1969, Sharp had more than twenty solo exhibitions at museums, and art galleries such as:
1150:
277:
760:
1973 JOSEPH BEUYS, Ronald
Feldman Fine Arts, Inc., NY. Beuys’ first show in the U.S. No catalogue.
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which constituted Beuys’ first solo show at Ronald
Feldman Fine Arts, Inc., N.Y. He also produced
892:
451:(2003). In 1976, under an NEA grant to Center for New Art Activities, Inc., he co-produced with
852:
716:
1969 EARTH ART, Andrew
Dickson White Museum of Art, Cornell University, Ithaca, NY. Catalogue.
269:
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in 1957, where he studied art history. He then undertook graduate study in art history at the
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1117:(First ed.). Nice: Musee D'art Moderne et D'art Contemporain. 1992. pp. 11, 15.
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and while Beuys was in New York, Sharp suggested he visit and support the turmoil around
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Art Stars in
Hollywood: The DeccaDance (with Chip Lord and Megan Williams) (1974) 60 min
647:, Kingston, where he was also the director of the Fine Arts Center (1988–1990); and the
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1971 PIER 18, a site/non-site exhibition on an abandoned Pier on Manhattan's West Side.
615:, his performance at the Rene Block Gallery, New York City, which has been released as
321:
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811:, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island. No catalogue.
499:
801:, Fine Arts Center, University of Rhode Island, Kingston Rhode Island. No catalogue.
794:, Fine Arts Center, University of Rhode Island, Kingston Rhode Island. No catalogue.
16:
American artist, curator, publisher, gallerist, teacher, author and telecom activist
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Emily Harvey Foundation artists-in-residence grant with Pamela Seymour Smith (2006)
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1969 PLACE & PROCESS, The Edmonton Art Gallery, Alberta, Canada. No catalogue.
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30:
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1964 POP ART: AN ART HISTORICAL APPROACH, Columbia University, NY. No Catalogue.
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exhibition Sharp curated din 1974. In 1974, at Beuys’ request, Sharp videotaped
881:
814:
2003 POLARITIES, The Lobby Gallery, 1155 Avenue of the Americas, NY. Brochure.
503:
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Five Video Pioneers: Acconci, Serra, Sharp, Sonnier & Wegman (1977) 30 min
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1129:"Legendary Willoughby Sharp Gallery Storefront Rediscovered on Spring Street"
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1966 GUNTHER UECKER, Alfred Schmela Gallery, DĂĽsseldorf, Germany. Catalogue.
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Selected video works distributed by Electronic Arts Intermix, Inc., New York
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1964 ROBERT RAUSCHENBERG, Museum Haus Lange, Krefeld, Germany. Catalogue.
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interview (December, 1969), Beuys was also featured in the first issue of
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in English and Spanish, by Kuenstlerhaus Bethanien and Smart Art Press.
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Art Stars Interviews (with Chip Lord and Megan Williams) (1974) 60 min
777:, Guggenheim Retrospective, curated the film/video section. Catalogue.
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published interviews they conducted with contemporary artists such as
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Willoughby Sharp's Downtown New York (1986, in collaboration with
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1974 VIDEOPERFORMANCE, 112 Greene Street, Gallery, NY. Catalogue:
663:
Beginning in 1964, Sharp curated numerous exhibitions, including:
312:, he presented a three-part video installation, “Earthscopes,” at
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1966 KINETIC AND PROGRAMMED ART, November 25 – December 4, 1966.
655:, Graduate Faculty, Digital Design Department, N.Y. (2000–2003).
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145:. Sharp also was contributing editor to four other publications:
965:"Profiles: Willoughby Sharp, 23 January, 1936–12 December, 2008"
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Sharp's video and film works are in the collections of the
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artists; this was the first trans-continental interactive
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Willoughby Sharp Videoviews Chris Burden (1975) 27:45 min
533:
292:. His work has also been seen in many group shows in the
398:
Points of View: A Taped Conversation with Four Painters,
332:
Sharp began his media work in 1967 by shooting films in
929:
Willoughby Sharp's Videoperformances (1973–1974) 58 min
730:'s Museum of Conceptual Art, San Francisco, California.
514:(conceptual artist) has been published under the title
1020:
Willoughby Sharp, 72, Versatile Avant-Gardist, Is Dead
843:
National Endowment for the Arts (1976–1978, 1980–1981)
874:
Dennis Oppenheim By Artengine, New York (2001) 28 min
784:, Machine Language Book by Willoughby Sharp, 74 pages
757:, Yeast, 93 Grand Street, NY. Videotaped performance.
690:
1967 SLOW-MOTION, Rutgers University, NJ. Catalogue.
643:, Humanities and Science Department (1984–1988); the
129:), gallerist, teacher, author, and telecom activist.
316:, which included a video catalogue of the historic “
877:Keith Sonnier By Artengine, New York (2002) 28 min
710:Art Gallery, Edmonton, Alberta, Canada. Catalogue.
579:
1186:
701:Front cover, LUMINISM exhibition catalogue, 1967
352:) and “Place & Process,” (1969, Collection:
1146:Willoughby In His Own Words: A Memorial Tribute
840:Canada Council, Explorations Department, (1981)
706:1967 LUMINISM, The Artists Club, NY. Catalogue.
597:magazine (1970). In 1972, Sharp produced the
536:(Zentrum fur Kunst und Medientechnologie) in
926:Joseph Beuys' Public Dialogue (1974) 120 min
908:Willoughby Sharp's Beta 1: DBS (1982) 20 min
469:, N.Y.). That year, he also represented the
388:at Tom Marioni's Museum of Conceptual Art,
905:The Space Shuttle Is A Robot (1983) 20 min
743:, Claim, 93 Grand Street, NY. Performance.
29:
510:(2005–2006). In 2006, his interview with
308:. In February 1969, at the invitation of
1173:Willoughby Sharp Videoviews Vito Acconci
902:Art And Telecommunications (1983) 60 min
865:Joseph Beuys' America (1974–2003) 12 min
696:
607:in which Beuys performed as part of the
107:
99:
821:grant with Pamela Seymour Smith, (2006)
1187:
1161:Tribute: Willoughby Sharp, 1936 – 2008
962:
687:, Museum of Art, Providence. Brochure.
576:and in private collections worldwide.
344:including “Earth,” (1968, Collection:
639:Sharp taught on the faculties of the
232:. Sharp wrote his graduate thesis on
196:Public Arts International/Free Speech
1050:
932:Chris Burden Videoview (1973) 30 min
871:By Artengine, New York (2002) 28 min
1013:
787:1988–1991 WILLOUGHBY SHARP GALLERY.
460:, Willoughby Sharp, Keith Sonnier,
456:Five Video Pioneers: Vito Acconci,
239:
13:
1225:University of Rhode Island faculty
1014:Fox, Margalit (31 December 2008).
963:Larsen, Lars Bang (January 2009).
847:New York State Council on the Arts
658:
634:
516:Have You Ever Done Anything Right?
404:, a live interview with painters:
14:
1241:
1139:
722:1970 BODY WORKS an exhibition of
653:Parsons The New School for Design
613:I Like America, America Likes Me
252:; The Museum of Conceptual Art,
1159:artcritical.com Tobey Crockett
859:
855:individual artists grant (1971)
580:Collaboration with Joseph Beuys
1175:(1973) UbuWeb Film & Video
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961:name="Frieze profile obit">
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833:Department of Communications,
750:, 93 Grand Street. Performance
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1115:Harry Shunk Projects: Pier 18
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685:Rhode Island School of Design
562:Rhode Island School of Design
435:(1972), Vito Acconci (1973),
248:; the University Art Museum,
208:Sharp was born and raised in
198:documentary booklet in 1979.
1091:"Willoughby Sharp Biography"
621:Solomon R. Guggenheim Museum
530:Solomon R. Guggenheim Museum
203:
7:
1220:American conceptual artists
627:and even took Beuys to the
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1215:American magazine founders
645:University of Rhode Island
212:. He received his BA from
86:Pamela Seymour Smith Sharp
914:Two-Way Demo(1977) 20 min
396:. In 1971, Sharp created
327:
228:, where he studied under
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1180:Avalanche Magazine Index
1041:Willoughby Sharp at MoMA
770:magazine Issue Number 9.
544:; The Collection of the
278:University of California
224:(1958–59), finishing at
104:Willoughby Sharp in 1973
1151:artnet, Charlie Finch,
849:(1975–1977, 1979, 1985)
680:Gallery, NY. Catalogue.
572:; The Western Front in
194:. He was editor of the
1153:Remembering Willoughby
1051:Boch, Richard (2017).
942:Vito Acconci Videoview
936:Joseph Beuys Videoview
853:Rockefeller Foundation
702:
676:1966 GUNTHER UECKER,
270:Ontario College of Art
222:University of Lausanne
113:
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1210:American art curators
1057:. Port Townsend, WA:
891:, George M. Chaikin,
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649:New School University
641:School of Visual Arts
288:, and Pumps Gallery,
286:Vancouver Art Gallery
161:(1984–1985), and the
112:Willoughby Sharp 2002
111:
103:
1205:Mass media theorists
1061:. pp. 214–215.
1016:"The New York Times"
884:? (1986–1987) 20 min
625:The Real Estate Show
566:National Art Gallery
523:Museum of Modern Art
250:Berkeley, California
994:Primary Information
835:Canadian Government
558:Museum of Fine Arts
346:Museum of Fine Arts
226:Columbia University
218:University of Paris
703:
322:Cornell University
266:University of Iowa
122:Avalanche Magazine
114:
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1068:978-1-62731-051-2
500:Guglielmo Marconi
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609:Videoperformance
449:Morton Subotnick
406:Ronnie Landfield
382:Dennis Oppenheim
246:Brown University
240:Solo exhibitions
214:Brown University
164:East Village Eye
139:Dennis Oppenheim
117:Willoughby Sharp
72:Brown University
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51:January 23, 1936
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860:Body of work
809:Adrian Piper
775:Joseph Beuys
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741:Vito Acconci
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94:Saskia Sharp
61:(2008-12-17)
1200:2008 deaths
1195:1936 births
1059:Feral House
1025:October 28,
999:October 28,
990:"Avalanche"
880:Who Killed
869:Earle Brown
728:Tom Marioni
678:Howard Wise
631:one night.
506:(1986) and
445:Earle Brown
418:John Walker
414:Larry Poons
310:Hans Haacke
282:Los Angeles
234:kinetic art
1189:Categories
1100:2022-09-10
949:References
799:Joan Jonas
773:1979–1980
394:California
47:1936-01-23
1077:972429558
828:ACE award
768:Avalanche
755:Terry Fox
724:Video art
629:Mudd Club
594:Avalanche
574:Vancouver
538:Karlsruhe
495:satellite
479:computers
453:Liza BĂ©ar
374:Terry Fox
362:Video art
338:Super 8mm
318:Earth Art
290:Vancouver
262:Argentina
204:Education
131:Avalanche
127:Liza BĂ©ar
899:) 58 min
588:Artforum
526:New York
502:(1981),
491:New York
439:(1973),
431:(1970),
256:; CAYA,
170:Artforum
91:Children
974:25 July
617:America
542:Germany
483:telefax
473:in the
274:Toronto
188:Quadrum
159:Art Com
148:Impulse
1075:
1065:
969:Frieze
837:(1981)
830:(1986)
819:Berlin
790:1988
753:1971
746:1971
739:1971
570:Ottawa
564:; the
560:; the
556:; The
550:Venice
528:; the
416:, and
350:Boston
340:, and
328:Career
302:Europe
298:Canada
284:; the
276:; the
268:; the
264:; the
83:Spouse
817:DAAD
807:1990
797:1989
780:1984
554:Italy
192:Rhobo
125:with
1073:OCLC
1063:ISBN
1027:2011
1001:2011
976:2020
895:and
489:and
467:MoMA
425:Sony
400:for
384:and
358:MoMA
354:MoMA
342:16mm
306:Asia
304:and
190:and
141:and
56:Died
41:Born
568:in
534:ZKM
334:8mm
1191::
1093:.
1071:.
1018:.
992:.
967:.
651:,
552:,
548:,
540:,
532:;
481:,
420:.
412:,
408:,
392:,
380:,
376:,
372:,
368:,
348:,
336:,
300:,
296:,
280:,
272:,
260:,
236:.
186:,
182:,
178:,
172:,
137:,
76:BA
1131:.
1103:.
1079:.
1029:.
1003:.
978:.
78:)
74:(
49:)
45:(
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