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850:. It challenged both commercial movie making and the avant-garde with a style that combined amateur enthusiasm with sophisticated visual know-how and a sharp sense of social and political observation diametrically opposite of the staid formalism of the
486:(1978), his first feature, took on political terrorism, recasting it in the form of a group improvisation for jaded, aimless bohemian types. The deadpan acting style the actors indulge in owes much to the work of
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hang around a cramped lower east side apartment. Coolly, they talk with each other (often reading directly off the script that has been taped to the wall) and dance and fight with each other as the
249:(1978), where he plays a young Frenchman in New York that is hotly pursued up and down the busy streets of New York City by thugs. Along the way he encounters a couple of bizarre young women (a
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as Vicky, an aging actress who still thinks of herself as young and attractive and, in her vulnerability, falls for a hustler named Victor (played by
Mitchell). Even with cinematography by
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feel. Mitchell has called his movie "a portrait of a bored, disenchanted woman in post-war Italy." Indeed, disillusion and boredom are
Mitchell's major themes in
866:. "No More '60s, No More '70s" reads the actor-director's press release for the film. When the 16mm film was first released in 1980, it ran for six months at
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plays on the stereo within the movie set. Like in a Warhol film, oftentimes nothing much happens in the plot, until towards the end the players go and kidnap
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music of the period (from which the movement garnered its label), Mitchell pillaged the nascent East
Village art scene for co-conspirators like
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hipster (played by Harald Vogl) in love with Monica, and the "Italian" Gino (played by Eric
Mitchell himself). Gino is a young disillusioned
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and 16mm films in which he combined darkly sinister images to explore the manner in which the individual is constrained by society.
826:(16mm, 85 min). Made for $ 25,000 (considered by no-wave standards a big budget), written in two days and created in three weeks,
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is directly quoted in a scene. It tells a story of a lost post-war generation through a small cast of participants (supposedly in
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1039:/11/not-nothing-the-remains-of-no-wave-three-decades-later/ "Not Nothing: The Remains of No Wave, Three Decades Later"
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film establishment. But while paying generous tribute to the Warhol era (the cast is filled with Warhol veterans like
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Rising from the ashes of a bankrupt and destitute 1970's
Manhattan, and reacting to the modernist aesthetic of 1960's
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As a lifelong painter, draughtsman, and illustrator, Mitchell had a retrospective exhibition of his work called
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In 1980, Eric
Mitchell directed, wrote and starred in one of the most ambitious films of the No Wave movement,
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art scene, the film was not a huge commercial success, but did succeed in bringing in a whole new audience to
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and many others. Mitchell's fast and cheap mindset was catalyzed by these collaborations and the New York
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Mitchell came of age in the French art world, as his father was the longtime companion of painter
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During the late 1970s to early 1980s, Mitchell was among the most significant proponents of the
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in 2006 at
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is supposedly set in Rome but was actually shot at "Italian movie'"-type locations in
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is used as a set devise that subverts the early 60s time period and gives the film a
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NO WAVELENGTH: THE PARA-PUNK UNDERGROUND Jim
Hoberman Village Voice, May 1979
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sponsored St Mark's Cinema and since has received a
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583:(1979). Here the actor-director created a tongue-in-cheek parody/homage to
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1265:, foreword by Lynn Gumpert. Princeton: Princeton University Press, 2006.
1191:"The Way It Is or Eurydice in the Avenues (1984) SCREEN: 'THE WAY IT IS'"
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in New York that were documented by Jimmy DeSana. With fellow artist
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is a French born writer, director, and actor who moved to downtown
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In the mid-1970s, Mitchell mounted several multi-media events at
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Martin
Kippenberger, 43, Artist Of Irreverence and Mixed Styles
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Reynolds, Simon. "Contort Yourself: No Wave New York." In
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Eric Mitchell by David Ehrenstein BOMB 1/Spring 1981, FILM
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music and art scene. Mitchell's influential stylist neo-
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New York: ABC No Rio with Collaborative Projects, 1985.
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in the East Village. On a warm summer day, the body of
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The Downtown Book: The New York Art Scene, 1974–1984
1218:
The Downtown Book: The New York Art Scene, 1974–1984
678:). The musical soundtrack is provided mainly by the
1166:. London: Black Dog Publishing, 2007, pp. 156 - 157
601:) that include a black American soldier (played by
183:, shooting with leading glamour models of the day.
1228:Dinero: The Story of a Lower East Side Art Gallery
975:. London: Black Dog Publishing, 2007, pp.139 - 160
624:at night. He sings and dances to a version of the
360:filmmakers like Mitchell embraced their brand of
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16:French-born American actor, writer, and director
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364:vanguard moviemaking. Inspired by the films of
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1085:The Refined Sloppiness of a No Wave Cinema Gem
1251:. Chicago: University Of Chicago Press, 2003.
758:, but Mitchell also touches on the themes of
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682:music by the American instrumental pop group
1256:Rip It Up and Start Again: Post-punk 1978–84
1179:. London: Black Dog Publishing, 2007, p. 141
1137:. London: Black Dog Publishing, 2007, p. 150
1101:. London: Black Dog Publishing, 2007, p. 149
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1019:"No Wavelength: The Para-Punk Underground"
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265:(2005) by Serge Le PĂ©ron and SaĂŻd Smihi,
91:in the early 1970s. He has acted in many
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918:The Way It Is or Eurydice in the Avenues
911:The Way It Is or Eurydice in the Avenues
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122:The Way It Is or Eurydice in the Avenues
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261:). Mitchell also performs in the films
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1258:. London: Faber and Faber, Ltd., 2005.
1237:. London: Black Dog Publishing, 2007.
345:that were then typical of an emerging
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253:songstress delivering a rendition of
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579:black and white 60 minute feature,
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646:. Cameo performances are given by
321:and in Bergdorf Goodman Magazine.
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1302:Film directors from New York City
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1223:Alan Moore and Marc Miller, eds.
1189:Goodman, Walter (April 4, 1986).
1307:American experimental filmmakers
575:also figured in Mitchell's next
561:owner Steve Mass and abuse him.
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862:) Mitchell's approach is never
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732:. A poster of a painting of
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690:songs, that are danced to.
555:Teenage Jesus and the Jerks
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882:has cameo performances by
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1261:Taylor, Marvin J. (ed.).
804:1980 Publicity photo for
700:, including the rides at
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620:factory worker living a
616:singer who is a daytime
488:Rainer Werner Fassbinder
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444:films were showcased at
169:between her marriage to
710:Little Italy, Manhattan
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756:Michelangelo Antonioni
511:directed by Warhol at
374:Michelangelo Antonioni
305:(1978), among others.
263:J'ai vu tuer Ben Barka
225:Mitchell has acted in
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257:'s Bilbao Song and a
207:in 1979 according to
199:Mitchell put out the
187:Performance and music
25:Eric Mitchell (skier)
23:. For the skier, see
21:Eric Mitchell (boxer)
1045:. November 10, 2010.
788:Museum of Modern Art
774:and love. Following
237:'s no wave classics
1027:. Luxonline.org.uk.
816:& Eric Mitchell
808:with left to right
686:and two uncredited
589:Pier Paolo Pasolini
378:Pier Paolo Pasolini
197:Martin Kippenberger
147:performance artists
19:For the boxer, see
1247:Pearlman, Alison,
1196:The New York Times
993:The New York Times
987:(March 11, 1997),
906:and Duncan Smith.
880:Underground U.S.A.
828:Underground U.S.A.
823:Underground U.S.A.
818:
806:Underground U.S.A.
795:Underground U.S.A.
790:in New York City.
585:Italian Neorealism
538:A Clockwork Orange
333:bohemian style of
227:Permanent Vacation
214:The New York Times
116:Underground U.S.A.
98:Permanent Vacation
1243:978-1-906155-02-5
935:Mark Boone Junior
658:, Scott Wardell,
509:experimental film
448:'s New Cinema on
339:neo-expressionism
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1017:(May 1979).
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860:Taylor Mead
838:, sound by
836:Tom DiCillo
832:Patti Astor
814:Patti Astor
810:Rene Ricard
738:Andy Warhol
656:James Nares
652:Rene Ricard
648:Patti Astor
527:- an early
513:The Factory
492:Andy Warhol
450:Astor Place
414:Patti Astor
398:Lydia Lunch
382:John Waters
370:Andy Warhol
299:James Nares
243:(1976) and
240:Unmade Beds
193:The Kitchen
125:, starring
52:Nationality
1322:Punk films
1296:Categories
1226:ABC No Rio
1208:References
1079:review at
1060:|url=
900:John Lurie
896:Steve Mass
742:postmodern
734:Mao Zedong
660:John Lurie
614:rock music
603:Tom Wright
529:adaptation
504:(1965), a
494:. Indeed,
430:Nan Goldin
422:John Lurie
366:Jack Smith
343:simulation
325:Film style
293:(1988) by
285:(1978) by
279:John Lurie
277:(1979) by
269:(1979) by
267:Minus Zero
229:(1980) by
175:Jonas Salk
161:Early life
145:and other
101:(1980) by
1116:Red Italy
1077:Kidnapped
959:Footnotes
953:punk rock
864:nostalgic
830:featured
780:Red Italy
776:Red Italy
764:Communism
746:Red Italy
694:Red Italy
680:surf rock
640:punk rock
611:Communist
594:Accattone
581:Red Italy
577:Super 8mm
566:Red Italy
559:Mudd Club
553:music of
515:starring
496:Kidnapped
484:Kidnapped
478:Kidnapped
458:Mudd Club
454:punk rock
442:film noir
438:post-punk
297:, and in
201:punk rock
155:Super 8mm
111:Red Italy
107:Kidnapped
1051:cite web
949:Eurydice
706:espresso
662:(of the
644:The Nuns
591:'s 1961
535:' novel
384:and The
331:punk art
251:new wave
235:Amos Poe
56:American
1332:No wave
1235:No Wave
1177:No Wave
1164:No Wave
1135:No Wave
1099:No Wave
1062:value (
973:No Wave
944:Orpheus
760:Fascism
672:no wave
551:no wave
452:and at
394:No Wave
358:No Wave
309:Artwork
303:Rome 78
233:and in
203:single
171:Picasso
93:No Wave
66:No Wave
1269:
1241:
1058:Check
933:, and
666:) and
587:film.
571:Jaded
525:Ondine
466:Tier 3
259:sadist
221:Acting
45:France
868:Colab
704:, an
688:Twist
674:band
642:band
628:song
607:Czech
605:), a
501:Vinyl
472:Films
446:Colab
205:Luxus
143:Colab
77:actor
1287:IMDb
1267:ISBN
1239:ISBN
1120:MoMA
1064:help
872:MoMA
858:and
618:Fiat
599:Rome
545:and
523:and
490:and
464:and
462:CBGB
341:and
149:and
137:and
119:and
40:Born
1285:at
1118:at
1083:in
941:'s
876:BBC
754:by
736:by
676:DNA
531:of
362:DIY
211:of
180:Lui
1298::
1216:,
1193:.
1142:^
1126:^
1106:^
1055::
1053:}}
1049:{{
1041:.
1021:.
955:.
929:,
925:,
902:,
898:,
894:,
890:,
886:,
812:,
770:,
766:,
762:,
724:,
720:,
716:,
654:,
650:,
519:,
468:.
460:,
432:,
428:,
424:,
420:,
416:,
412:,
408:,
404:,
400:,
380:,
376:,
372:,
368:,
356:,
349:.
289:,
281:,
273:,
217:.
133:,
129:,
113:,
109:,
75:,
71:,
1199:.
1066:)
27:.
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