460:"In order to have spontaneity while working with a sequencer and a drum machine he's developed his own vocabulary of button-pushing and knob-twiddling which allows him to punch individual sequencer tracks in and out in real time, adjust volume levels, select new sequences and songs (he plays without any break between songs, like a DJ cutting from one record to another), select new drum patterns, cut the drum machine in and out (using the 909's main volume knob) and adjust individual drum parameters, select drum-machine patterns "on the fly", stop and start sequences midsong and use the start/stop buttons to create rhythmic stuttering effects. He'll also add a part live on the keyboard, or drop the sequence out altogether and play solo for a short while, then bring the same or another sequence in again, with or without the drums. All of which requires a great deal of concentration and manual dexterity. For Adamski his music only really takes shape when he performs it live, but he goes a step beyond traditional conceptions of what live performance is all about, drawing more on the way a DJ works the crowd."
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249:", the album itself peaked at number 47 in mid-1990, after originally peaking at number 65 in December 1989. A VHS release with the same name as the album was released in 1990 and contained the music videos for the aforementioned singles and live footage. The album received positive reviews from music critics, with some noting the stylistic variety. For the album's 20th anniversary in 2009, Adamski recorded a studio recreation of the album entitled
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on a brass sound." Working in short sequences, Adamski recorded all his keyboard parts onto the
Ensoniq SQ-80's onboard sequencer in real time. He said: "The most energetic tracks are built over two-bar units. In general I use four bars, but I also like to append sequences so that I can have, for
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is not a live album but a studio creation, using the same original equipment, melodies and riffs as the original album in conjunction with a contemporary feel and modern software. The album also includes a mashed-up version of his 1999 club hit "One of the People" and a radical recreation of
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At the time of release, house and rave DJs and producers were referred to as "faceless" by the press due to their lack of public image. Adamski appeared onstage in raves and clubs without any lighting, and this "faceless" approach continued to the album artwork of
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magazine were favourable, writing that: " heavy on the filter resonance and string machine, and has no artistic pretensions whatever. Lots of variety, though, and some genuinely interesting two-bar patterns. A rave-up for the severely brain-damaged."
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sequencer for the other instrumental sounds. Although the SQ-80's piano and strings sounds are factory presets, Adamski programmed the rest of the sounds in himself, contributing to a distinctive "Adamski sound" according to Simon Trask from
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was relatively slow; Adamski said that "the fastest thing was only about 125bpm — and that actually felt fast!" A short version of
Adamski's debut single, "N-R-G", opens the album. "I Dream of You" also appeared on a 4-track
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FZ10M sampler, it is not used for rhythmic loops; it only surfaces sporadically on the album in a sparing fashion, namely with an "I love technology" sample and several percussion sounds taken from
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in
December 1989 at number 65, then returned to the chart in February 1990, now reaching a height of number 53, and then finally re-charting in May 1990 after the success of his number-one hit "
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magazine wrote: "Each side of this instrumental LP is one continuous groove, with arrangement breaks between tunes but never a pause in the beat." Adamski described the music as "instrumental,
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it was only natural that I gravitated to acid house. I loved how this album felt live and just has a different vibe and flow to other stuff at the time." To mark the 20th anniversary of
609:, exemplifying the subsequent backlash against live rave acts from producers and other parties who promoted a return to pre-acid house clubbing. In a retrospective review, John Bush of
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parties across London. The rave scene in London was new and flourishing fast, and he was catapulted into becoming one of the UK rave scene's leading names very quickly.
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in the United
Kingdom in November 1989. Also released that month was his debut single, "N-R-G", a "squiggly acid piano shuffler" which also featured in live form on
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is by no means the worst rave crossover LP released during the late '80s and early '90s." He rated the album four stars out of five and named it an "Album Pick".
404:-ish stuff." The material is predominated by four-on-the-floor bass drum with periodical breaks provided by solo synth riffs. Also conspicuous on the album is
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210:. Having gained a following and positive reputation in the UK rave scene in the late 1980s where he made his name, Adamski signed to MCA and recorded
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music. To ensure spontaneity while working with the TR-909 and SQ-80, he developed several of his own techniques, described by Trask as follows:
222:, in summer 1989. It has since been considered to be both the first live rave album and the first rave album overall. Employing acid house and
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With
Adamski having built up a reputation and following via his live work, he attracted the interest of major labels, subsequently signing to
516:. This footage, alongside the music videos for "N-R-G" and "Killer", were released by MCA as a 26-minute VHS release in 1990, also entitled
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instance, an eight-bar strings sequence over a repeating bassline. The most I ever do is 16 bars." Although
Adamski was in possession of a
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as "the first rave album" and therefore also the first rave album released on MCA. Influential graffiti artist Xenz cited
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of
Adamski's work recorded in summer 1989 at various raves, nightclubs and parties in the United Kingdom as well as at
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sold well. "Killer" was added as a bonus track to the
American edition, which was released on 10 July 1990 by MCA.
439:. Trusk cited "N-R-G", for instance, as the track's distinguished bass sound originated via "some tweaking of the
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with help from entrepreneur Paul Smith, who ran the Le Petit Prince restaurant in London. His debut album,
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takes 13 tracks recorded live from the aforementioned DJ sets that are accordingly mixed together. As
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did feel that the album had "dated just as badly as its contemporaries," but nonetheless wrote that "
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in
January 1990. The album itself was released to modest success. It originally entered the
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described the album as " together bits and bobs of live recordings from raves." In his book
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Adamski (born Adam Tinley) made his chart debut in the early 1980s with the adolescent-aged
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at various raves, nightclubs and parties across the United
Kingdom, as well as at
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645:(an anagram of the original title) on the Germanys Major label in summer 2009.
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Throughout the album's material, Adamski uses his preferred live set-up of a
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as an influence, saying: "Having spent most my childhood breakdancing to
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band The Stupid Babies, and later became a member of Diskord Datkord, a
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styles, the music on the album is instrumental and was created using a
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and synthesised strings. Compared to other contemporary rave albums,
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The album's release coincided with the release of his debut single "
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1454:"British album certifications – Adamski – Live And Direct"
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Reynolds, Simon (22 September 1990). "Adamski Space Cadet".
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Energy Flash: A Journey Through Rave Music and Dance Culture
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245:. After the number-one success of Adamski's second single "
1290:"HOW DID THE SMILEY FACE BECAME AN ICON OF RAVE CULTURE?"
951:"Club favourite Adamski is set to perform in west Dorset"
641:, Adamski released a re-recording of the album entitled
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pioneer Jimi Polo, who taught him the basics of using a
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fusion band, in the mid 1980s. He became interested in
272:(pictured 2006), where some of the album was recorded.
320:, ultimately began playing live DJ sets at numerous
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grew, and as a self-employed keyboard player on the
658:said that, "in spite of its nostalgic undertones,"
62:Various clubs and raves in the United Kingdom and
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1342:: CS1 maint: others in cite AV media (notes) (
1240:: CS1 maint: others in cite AV media (notes) (
993:: CS1 maint: others in cite AV media (notes) (
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1070:"Godfathers of Pop – Adamski interview"
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292:by the decade's end, and after meeting
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206:. It was released in December 1989 by
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884:Schlichting, Lars (7 November 2012).
684:"The Bassline Changed My Life" – 2:49
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480:. The track reached number 12 on the
1437:"Adamski | Artist | Official Charts"
1332:(liner). Adamski. MCA Records. 1990.
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1230:(liner). Adamski. MCA Records. 1990.
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983:(liner). Adamski. MCA Records. 1989.
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740:The Thunder Jockeys – sleeve design
312:as his love for the house subgenre
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1412:"Adamski 20th anniversary release"
702:"I Love Teknology (Part 1)" – 2:42
514:Dancing into the Nineties (Part 2)
241:", which reached number 12 on the
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194:and the first release by English
171:Doctor Adamski's Musical Pharmacy
1359:"Adamski interviewed by Actress"
1357:Nesbitt, Huw (28 January 2014).
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417:covermount into a 1989 issue of
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851:"Artist Biography by John Bush"
1288:Bernard-Cedervall, Christian.
1264:"AllMusic Review by John Bush"
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949:Davis, Joanna (20 July 2017).
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18:1989 live album by Adamski
1:
1458:British Phonographic Industry
1443:. Retrieved 27 January 2021.
1058:. GPI Publications: 21. 1990.
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584:In a contemporary review of
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318:Enterprise Allowance Scheme
10:
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696:"A Brand New World" – 2:51
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1500:1980s instrumental albums
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745:Charts and certifications
705:"Rap You in Sound" – 2:59
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371:as a "live house album."
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1011:Reynolds, Simon (2013).
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675:(Part 1 & 2)" – 3:09
1495:MCA Records live albums
693:"You. Me. House" – 2:16
678:"I Dream of You" – 2:05
601:magazine soon parodied
711:"Love and Live" – 2:42
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687:"In Your Face" – 2:54
681:"Tekno Krisna" – 2:16
625:have since described
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1050:"Keyboard reviews".
690:"Magik Piano" – 3:12
529:Professional ratings
524:Reception and legacy
430:for drum sounds and
1384:"Xenz - Influences"
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989:cite AV media notes
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708:"Into Orbit" – 2:19
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1203:"Adamski's Thing"
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1418:. 29 April 2009
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1100:"About Adamski"
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886:"Game Changer"
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666:Track listing
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622:Dazed Digital
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441:filter cutoff
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432:Ensoniq SQ-80
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428:Roland TR-909
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420:Record Mirror
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308:. He visited
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70:, summer 1989
69:
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54:December 1989
53:
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27:
22:
16:
1461:. Retrieved
1448:
1432:
1420:. Retrieved
1415:
1391:. Retrieved
1387:
1378:
1366:. Retrieved
1362:
1352:
1329:
1324:
1316:Melody Maker
1315:
1309:
1297:. Retrieved
1293:
1283:
1271:. Retrieved
1267:
1262:Bush, John.
1228:Liveandirect
1227:
1222:
1210:. Retrieved
1206:
1197:
1185:. Retrieved
1181:
1172:
1160:. Retrieved
1156:
1132:. Retrieved
1128:
1119:
1107:. Retrieved
1104:Livemusic.fm
1103:
1077:. Retrieved
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1064:
1055:
1051:
1028:. Retrieved
1013:
981:Liveandirect
980:
958:. Retrieved
954:
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932:. Retrieved
928:
893:. Retrieved
889:
858:. Retrieved
854:
849:Bush, John.
822:
715:
714:
699:"M25" – 3:19
659:
655:
646:
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639:Liveandirect
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631:Liveandirect
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410:Liveandirect
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360:Energy Flash
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341:live release
337:Liveandirect
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1505:Rave albums
1422:20 November
1393:20 November
1368:20 November
1299:20 November
1273:20 November
1212:20 November
1187:20 November
1162:20 November
1134:20 November
1109:20 November
1079:20 November
1030:20 November
960:20 November
955:Dorset Echo
934:20 November
895:20 November
860:20 November
494:ZTT Records
474:MCA Records
375:Composition
333:MCA Records
290:house music
234:sequencer.
208:MCA Records
1479:Categories
1416:Music News
833:References
656:Music News
607:Liveandire
367:refers to
314:acid house
257:Background
196:acid house
192:live album
149:chronology
89:acid house
39:Live album
1463:1 January
1125:"ADAMSKI"
768:UK Albums
762:position
732:Personnel
598:Boys' Own
445:resonance
363:, writer
326:warehouse
282:post-punk
278:punk rock
202:producer
1268:AllMusic
1052:Keyboard
855:AllMusic
727:" – 4:11
611:AllMusic
591:Keyboard
548:AllMusic
397:Keyboard
137:Producer
59:Recorded
51:Released
41: by
929:Muzines
817:60,000
814:Silver
802:/sales
793:Region
635:electro
465:Release
454:bhangra
345:Amnesia
286:hip hop
266:Amnesia
216:Amnesia
204:Adamski
175:(1990)
166:(1989)
147:Adamski
141:Adamski
64:Amnesia
44:Adamski
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890:DJ Mag
725:Killer
652:Killer
542:Rating
539:Source
490:Killer
402:techno
354:DJ Mag
302:Adonis
247:Killer
224:techno
108:Length
94:techno
1363:Dazed
673:N-R-G
450:Casio
349:Ibiza
339:is a
322:raves
310:Ibiza
270:Ibiza
239:N-R-G
220:Ibiza
190:is a
125:Label
84:House
76:Genre
68:Ibiza
1465:2020
1424:2017
1395:2017
1370:2017
1344:link
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1301:2017
1294:Trax
1275:2017
1242:link
1214:2017
1189:2017
1164:2017
1136:2017
1111:2017
1081:2017
1032:2017
1019:ISBN
995:link
962:2017
936:2017
897:2017
862:2017
760:Peak
443:and
324:and
304:and
200:rave
198:and
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