817:
34:
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463:
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263:
695:. It is the most widely performed blues song and the most popular jazz standard written before the 1920s. It was the most recorded jazz standard for over 20 years. The song was initially only moderately successful, but later became a big hit when vaudeville and revue performers started singing it in their shows. The
1732:
Eastman School of Music - University of
Rochester - Sibley Music Library: John J. Serry Sr. Collection "John Serry Sextette" Audio recording for RCA Thesaurus of arrangements and performances by John Serry at the RCA Victor Studios in 1954 p. 18-19 The John J. Serry Sr. Collection archived at the
166:
in their repertoire, and record companies often used their power to dictate which songs were to be recorded by their artists. Certain songs were pushed by recording executives and therefore quickly achieved standard status; this started with the first jazz recordings in 1917, when the
1012:" from the same session) is one of the earliest recorded jazz performances. It became an instant hit, selling over a million copies. Sheet music sales for the song exceeded three million. The song is also known as "At the Darktown Strutters' Ball" or "Strutters' Ball".
147:
publication or reference work. Some of the tunes listed were instant hits and quickly became well-known standards, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list.
3707:
I Went Down to St. James
Infirmary: Investigations in the Shadowy World of Early Jazz-Blues in the Company of Blind Willie McTell, Louis Armstrong, Don Redman, Irving Mills, Carl Moore, and a Host of Others, and Where Did This Dang Song Come from
481:
333:, who recorded it more than 40 times during his career. The song is often called "The Saints". It is requested notoriously often in performances of Dixieland bands, and sometimes requests for it even have a higher price than normal requests.
848:", has disputed the song's authorship, asserting that he had composed it. Warfield copyrighted the song as "I Ain't Got Nobody and Nobody Cares for Me" with David Young and Marie Lucas in 1914. It was introduced by
479:
606:
in
Chicago, it was Berlin's first international hit and the biggest Tin Pan Alley hit of the time. Although the music contained few ragtime elements, it started a ragtime craze and introduced the
1328:
recorded the first hit version. The song is often played as a ballad, although the sheet music indicates "medium bounce tempo". Williams himself recorded the song in 1928 with his Blue Five.
480:
403:". Composition by Porter Steele. Originally written as a march and published as a rag, the song soon became one of the most popular tunes of the early New Orleans jazz repertoire. A
1262:. It is described as a "small-combo ensemble piece with strong links to the march tradition". It was influential on a number of jazz musicians in the 1920s, later popularized by
112:
587:(1944). Brooks's distinctively modern composition was not derived from any of the popular song elements of the time, and the song is considered one of the earliest American
151:
From its conception at the change of the twentieth century, jazz was music intended for dancing. This influenced the choice of material played by early jazz groups:
1223:'s recording reached number one in 1919. It was also performed by Judy Garland in the film For me and my Gal. The song was popularized by the 1927 recordings of
637:
titled "Mr. Crump". Handy claimed composer credit for "Mr. Crump", but some
Memphis musicians claimed it was actually written by Handy's clarinetist, Paul Wyer.
982:
3293:
143:
artists as part of the genre's musical repertoire. This list includes compositions written before 1920 that are considered standards by at least one major
1141:, and lyrics to Harry Da Costa; however, several New Orleans musicians claimed that the tune had already existed for years before the ODJB's recording.
446:
in 1902. Its popularity inspired a host of "Bill Bailey" songs, including Cannon's own "He Done Me Wrong", which used a variation of the melody from "
23:
4985:
472:
2099:
1161:
made an influential piano recording of the tune in 1932. Immediately popular after its initial release, the tune fell out of fashion during the
942:'s 1917 hit recording started Handy's commercial success as a composer, earning him more money in royalties than he had ever seen in one place.
1270:
in 1927 and introduced to many white groups in the late 1920s. The original is dominated by Larry
Shields's solo on clarinet, accompanied by
1359:-based popular songs. The song was introduced by the George Morrison Jazz Orchestra in 1920 and popularized by the 1921 recordings of the
1297:
made a hit recording in of it in 1918. The song was written as a parody of popular Asian-influenced songs of the early twentieth century.
329:". Traditional gospel hymn possibly originating in nineteenth-century New Orleans as a funeral march. The song was popularized in 1938 by
5288:
1059:, who performed the song almost every year starting in 1972 until 2014. The song is one of the most popular pre-1920s standards, and its
1055:
pre-race ceremonies since 1946, with the alternative title "Back Home Again in
Indiana". The tradition is most closely associated with
2457:
1086:. Also known as "In Sunny Roseland", the tune is usually played as an instrumental because of its flowery lyrics. First recorded by
5227:
119:
5247:
950:
caused a sensation in
Broadway circles previously unexposed to blues music. The song later became a signature tune of trombonist
625:
with lyrics by George A. Norton. It is one of the earliest printed blues compositions, and two of its three sections are in the
5212:
4502:
4466:
4357:
4278:
3942:
3855:
3715:
3552:
3405:
3278:
2861:
2828:
450:". Originally titled "Bill Bailey, Won't You Please Come Home?", the song is also known as "Won't You Come Home Bill Bailey".
381:
442:, "Ain't Dat a Shame" by Walter Wilson and John Queen. The song was introduced by Queen in vaudeville and first recorded by
5943:
5237:
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1036:
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19:
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1427:
and His
Orchestra in 1922. Other popular versions were the Benson Orchestra's 1922 recording with an arrangement by
5053:
88:
1667:
1367:. Smith's recording with her Jazz Hounds has been called the earliest genuine jazz recording by a black ensemble.
5985:
3097:
222:". Tin Pan Alley songwriters contributed several songs to the jazz standard repertoire, including "Indiana" and "
748:. It started out as a rag, and is now included in Dixieland jazz repertoire. The first recording was in 1917 by
4980:
4618:
4553:
326:
5615:
5995:
5990:
5174:
5149:
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5005:
4995:
2820:
The
Uncrowned King of Swing : Fletcher Henderson and Big Band Jazz: Fletcher Henderson and Big Band Jazz
4512:
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1005:
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376:
168:
81:
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67:
38:
5620:
6000:
5010:
4924:
1200:
1191:
1110:
Sextet in 1939, appearing uninvited at a gig and playing a 45-minute rendition of the song with the band.
1083:
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989:
595:
583:
541:
223:
172:
4904:
2482:
2086:
1786:
5189:
4990:
1688:
1244:
1016:
1009:
828:
400:
176:
27:
5267:
5184:
4934:
447:
299:
219:
3023:
1400:, who recorded the song in 1923 and again in 1926, has claimed that the song was actually his idea.
5283:
5222:
4939:
2984:
2336:
1122:
908:
753:
668:
666:
on July 31, 1914. The song introduced a dance of the same name, which can be seen in the 1942 film
416:
407:
to the melody was arranged by Robert Recker for the piccolo in 1901 and made famous by clarinetist
361:
156:
1744:
807:'s 1948 recording sold over three million copies, making the tune the best-selling rag in history.
5257:
5159:
5109:
5015:
4975:
4954:
4944:
4914:
3289:
2784:
2172:
1432:
577:
513:
443:
179:". Originally simply called "jazz", the music of early jazz bands is today often referred to as "
105:
5610:
2880:"Come in and Hear the Truth": Jazz, Race, and Authenticity on Manhattan's 52nd Street, 1930-1950
2115:
1894:
1377:
5487:
5360:
5242:
5232:
5199:
4959:
4919:
4891:
4041:
Mister Jelly Roll: The
Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz"
2044:
1963:
1837:
1240:
1145:
claimed in an interview that he had composed it. The music was possibly based on an old French
900:
688:
645:
366:
275:
215:
3765:
Herzhaft, Gérard; Harris, Paul; Debord, Brigitte; Haussler, Jerry; Mikofsky, Anton J. (1997).
2853:
2818:
575:, who used it as her theme song. Tucker recorded the song six times, and sang it in the films
5936:
5327:
5252:
5217:
4949:
4929:
4909:
4899:
4596:
3874:
2276:
1187:
837:
800:
5595:
1051:") is one of the earliest recorded jazz performances. The song has been used as part of the
915:. Originally titled "The Pastime Rag #8", the song is also known as "Shake It and Break It".
719:
rhythm, and its success earned Handy the title "Father of the Blues". Called the "jazzman's
5887:
5702:
5314:
5089:
5000:
4228:
2703:
2664:
2461:
892:
873:
2602:
206:, and some of the most popular early standards come from these influences. Ragtime songs "
8:
5732:
5332:
5179:
5084:
4673:
4638:
641:
419:'s Jazz Band popularized the tune in 1923, and other influential recordings were made by
136:
5600:
2817:
University, Jeffrey Magee Associate Professor of Musicology Indiana (23 November 2004).
22:
and may never be able to satisfy particular standards for completeness. You can help by
5712:
5502:
5475:
5365:
5144:
4748:
4601:
4546:
4098:
Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s
4036:
3992:
3627:
3605:
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
3394:
3249:
2894:
2636:
1385:
1344:
1275:
1263:
1251:
1183:
927:
919:
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and Mort Greene are almost never performed. It was written for a competition publisher
776:
737:
658:
630:
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279:
227:
207:
95:
2406:
5920:
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4101:
4082:
4063:
4044:
4018:
3999:
3976:
3957:
3938:
3919:
3900:
3897:
A Century of American Popular Music: 2000 Best-Loved and Remembered Songs (1899-1999)
3881:
3851:
3832:
3813:
3794:
3772:
3766:
3751:
3732:
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as a valid form of expression in song lyrics. The melody was allegedly copied from a
491:
424:
388:
371:
356:
271:
251:
203:
3726:
2207:
2205:
2203:
2201:
1153:
recorded the tune in 1930, and based his 1927 composition "Hotter Than That" on its
310:
was credited as composer; later releases gave the name Joe Primrose, a pseudonym of
5914:
5727:
5605:
5482:
5403:
5139:
5129:
4827:
4681:
3869:
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2359:
1348:
1099:
1052:
935:
841:
784:
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712:
663:
626:
533:
4015:
Jazz in Print (1856-1929): An Anthology of Selected Early Readings in Jazz History
3461:
1239:
Orchestra in 1941. The song is the third most recorded pre-1920s standard, after "
5929:
5645:
5625:
5577:
5382:
5119:
5114:
4817:
4797:
4785:
4576:
3865:
3482:
3366:
3342:
2878:
2522:
2520:
2198:
1480:
1368:
1298:
1150:
1087:
1020:
911:
recorded their version in 1923. It was the first jazz number to be played in the
820:
792:
780:
730:
700:
545:
330:
303:
295:
in 1921. Handy published his version with modified lyrics titled "Loveless Love".
247:
4369:
Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience
4140:
3786:
5661:
5458:
4859:
4847:
3502:
1401:
1372:
1091:
993:
974:
970:
951:
904:
884:
769:
757:
699:
recorded the first jazz version in 1921; other notable jazz recordings include
568:
549:
525:
517:
408:
2517:
1571:
1569:
1567:
5979:
5892:
5875:
5860:
5787:
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5772:
5767:
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5757:
5752:
5747:
5742:
5562:
5539:
5437:
5425:
5415:
5398:
5025:
4869:
4728:
4663:
4648:
4628:
4539:
4418:
3440:
Turn Your Radio On: The Stories Behind Gospel Music's All-Time Greatest Songs
1420:
1333:
1306:
1294:
1290:
1255:
1228:
1220:
1208:
1204:
1179:
1138:
1134:
1126:
1107:
978:
966:
857:
853:
849:
783:. There are three versions of the lyrics, written by Jack S. Sumner in 1916,
765:
716:
599:
572:
557:
553:
521:
435:
412:
341:
336:
319:
288:
243:
239:
186:
The origins of jazz are in the musical traditions of early twentieth-century
160:
132:
52:
5882:
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5797:
5792:
5546:
5534:
5527:
5517:
5470:
5465:
5432:
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5293:
5164:
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4713:
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2313:
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796:
761:
704:
673:
634:
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404:
311:
163:
2241:
2239:
860:
in 1917; Harris recorded the song several times afterwards. The 1939 film
5963:
5865:
5828:
5522:
5512:
5507:
5492:
5453:
5408:
5322:
5298:
5154:
5134:
5099:
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5079:
4864:
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1405:
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1310:
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1001:
962:
939:
923:
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869:
865:
768:
with Biviano Accordion and Rhythm Sextette in 1947. Television comedian
745:
741:
692:
653:
622:
487:
351:
346:
292:
267:
235:
187:
3872:; Tracy, Steven Carl; Hubbard, Dolan; Sanders, Leslie Catherine (2001).
3688:
Exploring Early Jazz: The Origins and Evolution of the New Orleans Style
2589:
2308:
816:
5850:
5838:
5682:
5666:
5572:
5497:
5355:
4822:
4807:
4780:
4760:
4658:
4643:
4032:
2660:
2510:
2508:
2236:
1519:
1476:
1393:
1320:". Blues song written by Charles Warfield and co-credited to publisher
1236:
1056:
1028:
943:
788:
677:
607:
603:
503:
315:
307:
270:
was the first to transcribe and publish blues songs. His compositions "
231:
191:
183:" or "New Orleans jazz", to distinguish it from more recent subgenres.
3348:
The Rough Guide to Jazz: The Essential Companion to Artists and Albums
3316:
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
2848:
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
2778:
2776:
2774:
5818:
5567:
5420:
5370:
5262:
4881:
4842:
4765:
4753:
4743:
4738:
4733:
4723:
4718:
4708:
4623:
4586:
3728:
The Melody Lingers On: The Great Songwriters and Their Movie Musicals
2434:
2432:
1913:
1911:
1440:
1428:
1216:
1162:
1158:
1146:
1114:
1075:
1068:
708:
681:
439:
420:
214:" have become popular numbers for jazz artists, as have blues tunes "
211:
180:
144:
42:
4269:
Sisson, Richard; Zacher, Christian K.; Cayton, Andrew R. L. (2007).
3210:
Axelrod, Steven Gould; Roman, Camille; Travisano, Thomas J. (2005).
2978:
2976:
2974:
2505:
1293:, who became a big name in vaudeville due to the song's popularity.
5823:
5722:
5104:
4832:
4775:
4701:
4691:
4591:
3334:
2771:
2551:
1436:
1174:
302:" is an American blues song and jazz standard of uncertain origin.
3586:
The Poets of Tin Pan Alley: A History of America's Great Lyricists
2429:
1908:
532:
and became popular among vaudeville performers in the 1910s. Many
5870:
5855:
5717:
4812:
4696:
3916:
Tin Pan Alley: An Encyclopedia of the Golden Age of American Song
3333:
2971:
2764:
2762:
1763:
1761:
1301:'s unreleased 1952 composition "Sixteen" was based on the song's
1032:
726:
234:
performers. The most often recorded standards of this period are
199:
2329:
1957:
1955:
1953:
1396:
was added to the credits when the song was copyrighted in 1924.
1324:. Williams published the sheet music in 1923, and the same year
872:
recorded an influential arrangement of it in 1944, paired with "
648:
with lyrics by Jim Burris. It was introduced in the Harlem play
5375:
4802:
4792:
3193:
That Old-Time Rock & Roll: A Chronicle of an Era, 1954-1963
961:". Song composed by Countess Ada de Lachau. It was recorded by
721:
2759:
1758:
985:. The song is also known as "Little Liza Jane" or "Liza Jane".
5958:
5833:
5707:
4686:
4121:
City of Gabriels: The History of Jazz in St. Louis, 1895-1973
3271:
They All Played Ragtime – The True Story of an American Music
1950:
1450:
1313:". The song is also known as "Ja Da, Ja Da, Jing Jing Jing!".
1282:
415:
was often used in auditions for brass band clarinet players.
195:
3764:
3564:
The Book of World-Famous Music: Classical, Popular, and Folk
903:", and quickly became a hit. The first recording was by the
844:
with lyrics by Roger Graham. Charles Warfield, composer of "
629:
form. The song possibly originated from a campaign tune for
314:. Other jazz-oriented versions include a 1941 recording by
4562:
3994:
The American Musical and the Formation of National Identity
3864:
3295:
All Music Guide to Jazz: The Definitive Guide to Jazz Music
1356:
140:
33:
3484:
An Offer We Can't Refuse: The Mafia in the Mind of America
3396:
A Trumpet Around the Corner: The Story of New Orleans Jazz
2698:
2696:
2694:
2692:
2690:
2655:
2653:
262:
3287:
1814:
1812:
831:" (1917) is one of the most popular pre-1920s standards.
4531:
4290:
Body and Soul: Jazz and Blues in American Film, 1927–63
3935:
Ragtime: An Encyclopedia, Discography, and Sheetography
2687:
2650:
1555:
1063:
has been used in numerous jazz compositions, including
4392:
American Popular Song: The Great Innovators, 1900–1950
3128:
3126:
3116:
3114:
3044:
3042:
3040:
2883:. University of Wisconsin--Madison. pp. 230, 350.
983:
Grammy Award for Best Country Instrumental Performance
852:
in vaudeville, where it was also a popular number for
291:". Traditional song of unknown origin, copyrighted by
3463:
Jazz Standards on Record, 1900–1942: A Core Repertory
3209:
2063:
2061:
2027:
2025:
1809:
965:'s Famous Jazz Band in 1917. It was based on earlier
791:
in 1942. The earliest jazz recording is from 1927 by
230:" and "Darktown Strutters' Ball", were introduced by
2837:
2253:
2251:
1709:
1707:
1705:
1644:
1642:
1596:
1594:
1446:
306:
made the song famous in his 1928 recording on which
4210:
Dancing in Your Head: Jazz, Blues, Rock, and Beyond
3123:
3111:
3037:
2577:
2526:
Bogdanov, Woodstra & Erlewine 2002, p. 961
2103:- Tony Mottola, John Serry, Joe Biviano, Leone Jump
1274:. In 1919, the song became a staple of the touring
1008:'s instrumental recording from 1917 (coupled with "
494:". Recorded by Victor Military Band, July 15, 1914.
4271:The American Midwest: An Interpretive Encyclopedia
4268:
4185:
4162:
4139:
3991:
3873:
3829:American History in Song: Lyrics from 1900 to 1945
3626:
3545:Ramblin' on My Mind: New Perspectives on the Blues
3416:
3393:
3370:
3169:
3007:
2845:
2058:
2022:
1165:, and is rarely performed by jazz musicians today.
711:in 1933. The composition combines the traditional
528:. The song was included in the 1910 musical revue
4031:
2932:Axelrod, Roman & Travisano 2005, p. 595.
2812:
2810:
2248:
1702:
1639:
1591:
926:. Written about the lively black neighborhood in
552:arrangement of the song was also recorded by the
139:that are widely known, performed and recorded by
5977:
3807:
3312:
2843:
1408:had a best-selling record with the song in 1927.
1121:in 1917. The music was credited to band members
3313:Brooks, Tim; Spottswood, Richard Keith (2004).
3228:
2844:Brooks, Tim; Spottswood, Richard Keith (2004).
1651:
257:
4165:Dead Man Blues: Jelly Roll Morton Way Out West
3826:
3650:Popular American Recording Pioneers, 1895–1925
3647:
3231:Memphis Blues: Birthplace of a Music Tradition
2807:
2173:"I Ain't Got Nobody (and Nobody Cares for Me)"
1404:was the first to record the song in 1921, and
1106:used the song as his "audition" piece for the
996:. It was introduced by the vaudeville trio of
37:The earliest jazz recordings were made by the
4547:
3808:Hoffmann, Frank W.; Ferstler, Howard (2005).
3785:
3456:
2317:Sisson, Zacher & Cayton 2007, p. 568
1117:". Ragtime composition first recorded by the
571:. It was popularized by vaudeville performer
536:performers sang the song in both English and
113:
4057:
3666:
3066:Lomax, Gushee & Martin 2001, p. 175
2245:Gracyk & Hoffmann 2000, pp. 169–170
1524:"Jazz History: The Standards (Early Period)"
1090:'s Orchestra in 1918, it was popularized by
282:" (1916) have become popular jazz standards.
4385:
4114:
3602:
3414:
2823:. Oxford University Press. pp. 156–7.
1392:. Publisher Spikes's brother and associate
756:recorded their rendition in 1923. An early
4554:
4540:
3603:Furia, Philip; Lasser, Michael L. (2006).
3480:
2870:
2816:
1443:made it a million-selling pop hit in 1951.
120:
106:
4287:
3845:
3251:King of Ragtime: Scott Joplin and His Era
3229:Bearden, William; Phillips, Knox (2006).
2514:Hoffmann & Ferstler 2005, p. 536
2386:Brooks & Spottswood 2004, p. 424
2377:Brooks & Spottswood 2004, p. 436
1371:recorded an influential version in 1927.
1094:in 1932; Ellington later used the tune's
895:organized to compete with the success of
729:dance step and the name of the St. Louis
4306:
4233:The Jazz Age: Popular Music in the 1920s
4137:
4076:
3970:
3951:
3667:Green, Stanley; Schmidt, Elaine (1999).
3648:Gracyk, Tim; Hoffmann, Frank W. (2000).
3391:
3365:
3176:. Marshall Cavendish Corporation. 2003.
2852:. University of Illinois Press. p.
1668:"Bill Bailey Won't You Please Come Home"
1435:revived it in their 1950 recording, and
1173:
815:
261:
32:
5588:
4366:
4331:Blackface. Au confluent des voix mortes
4325:
4249:
4206:
4160:
3724:
3704:
3621:
3437:
2438:Gracyk & Hoffmann 2000, p. 140
2356:
1917:Holloway & Cheney 2001, p. 114
1866:Bearden & Phillips 2006, p. 22
1431:and Frank Banta's 1928 piano solo. The
946:'s performance in the Broadway musical
856:. The first of many hit records was by
680:. The dance was later blended with the
473:Victor Military Band: The Memphis Blues
438:. It continued the story of an earlier
5978:
4183:
4012:
3876:The Collected Works of Langston Hughes
3745:
3685:
3247:
3190:
3098:"The World Is Waiting for the Sunrise"
2982:
2634:
2404:
2357:Norment, Lynn (June 1981). "Memphis".
2211:
1609:Hodeir & Pautrot 2006, p. 301
1575:
4535:
4347:
4058:Martin, Henry; Waters, Keith (2005).
3989:
3932:
3913:
3894:
3827:Holloway, Diane; Cheney, Bob (2001).
3580:
3542:
3501:
3288:Bogdanov, Vladimir; Woodstra, Chris;
3268:
2876:
2305:Crawford & Magee 1992, p. 92
2076:Crawford & Magee 1992, p. 82
1926:Green & Schmidt 1999, p. 116
1776:Furia & Lasser 2006, pp. 1–2
1215:, it was introduced in vaudeville by
1211:. Originally included in the musical
602:. Introduced by vaudeville performer
45:" has become a popular jazz standard.
4227:
4095:
3954:The Blackwell Guide to Recorded Jazz
3561:
3523:
3212:The New Anthology of American Poetry
2959:Wilder & Maher 1972, p. 27.
2768:Furia & Lasser 2006, p. 20.
1413:The World Is Waiting for the Sunrise
1355:. It is considered one of the first
1037:On the Banks of the Wabash, Far Away
4479:(2nd ed.). Hal Leonard. 2006.
4461:(2nd ed.). Hal Leonard. 2007.
4443:(6th ed.). Hal Leonard. 2004.
3507:Blues and Gospel Records: 1890-1943
3400:. University Press of Mississippi.
1992:Wilder & Maher 1972, p. 20
1857:Wilder & Maher 1972, p. 18
1767:Wilder & Maher 1972, p. 14
1027:. It was heavily influenced by the
13:
4169:. University of California Press.
4043:. University of California Press.
3629:Visions of Jazz: The First Century
3161:
2782:
2600:
2544:
1961:
772:used it in his shows in the 1950s.
540:. Hit recordings were made by the
461:
382:Nobody Knows the Trouble I've Seen
14:
6012:
5909:Album covers of Blue Note Records
4307:Studwell, William Emmett (1997).
3526:Florence Mills: Harlem Jazz Queen
3415:Christensen, Lawrence O. (1999).
3392:Charters, Samuel Barclay (2008).
2214:"Baby Won't You Please Come Home"
979:Alison Krauss & Union Station
969:, and contains similarities with
760:arrangement was also recorded by
423:and His Orchestra in 1932 and by
5957:
4292:. University of Illinois Press.
3880:. University of Missouri Press.
3793:. University of Michigan Press.
3771:. University of Arkansas Press.
3547:. University of Illinois Press.
3466:. Center for Black Music Rsrch.
3423:. University of Missouri Press.
3419:Dictionary of Missouri Biography
3319:. University of Illinois Press.
3195:. University of Illinois Press.
3144:
3135:
3090:
3078:
3069:
3060:
3051:
3016:
2998:
2962:
2953:
2944:
2935:
2926:
2917:
2908:
2887:
2877:Burke, Patrick Lawrence (2003).
2659:
1578:"When the Saints Go Marching In"
1543:Herzhaft et al. 1997, p. 79
1518:
1475:
1449:
1235:recorded a famous solo with the
1182:popularized the jazz standards "
868:revived the song's success, and
502:Problems playing this file? See
477:
4252:From Manila to the Monkey Trial
3669:Hollywood Musicals Year by Year
3156:
2798:
2747:
2735:
2726:
2717:
2678:
2628:
2616:
2565:
2538:
2529:
2496:
2475:
2450:
2441:
2420:
2398:
2389:
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2371:
2350:
2320:
2299:
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2269:
2260:
2227:
2186:
2165:
2156:
2147:
2138:
2129:
2108:
2093:
2079:
2070:
2037:
2013:
2004:
2001:Marshall Cavendish 2003, p. 200
1995:
1986:
1977:
1941:
1929:
1920:
1887:
1878:
1869:
1860:
1851:
1830:
1821:
1800:
1779:
1770:
1737:
1725:
1716:
1681:
1660:
1630:
1621:
1612:
1603:
1318:Baby Won't You Please Come Home
846:Baby Won't You Please Come Home
427:'s New Orleans Jazzmen in 1939.
96:A–Z of jazz standards and tunes
5289:Institutions and organizations
4395:. Oxford University Press US.
4352:. Greenwood Publishing Group.
4235:. Oxford University Press US.
4213:. Oxford University Press US.
4077:Matteson, Richard Jr. (2006).
3998:. Princeton University Press.
3975:. Oxford University Press US.
3810:Encyclopedia of Recorded Sound
3789:; Pautrot, Jean-Louis (2006).
3750:. Courier Dover Publications.
3633:. Oxford University Press US.
3588:. Oxford University Press US.
3566:. Courier Dover Publications.
3254:. Oxford University Press US.
2914:Christensen 1999, p. 274.
2019:Hostetler 2007, pp. 89–90
1875:Hughes et al. 2001, p. 81
1546:
1537:
1512:
1503:
1494:
1469:
1415:". Popular ballad composed by
799:played an influential solo on
327:When the Saints Go Marching In
153:King Oliver's Creole Jazz Band
1:
4986:Cool jazz and West Coast jazz
4514:The Real Vocal Book, Volume I
4411:
4333:(in French). Editions Allia.
4146:. University of Texas Press.
3952:Kernfeld, Barry Dean (1995).
3848:Walk Your Way to Better Dance
3345:; Alexander, Charles (2004).
1561:Studwell 1997, pp. 42–43
1351:and co-credited to publisher
1254:"'. Dixieland composition by
707:in 1925 and virtuoso pianist
4420:The New Real Book, Volume II
4371:. Harvard University Press.
4273:. Indiana University Press.
4100:. Rutgers University Press.
4079:Bluegrass Picker's Tune Book
3973:The Oxford Companion to Jazz
3846:Hostetler, Lawrence (2007).
3791:The André Hodeir Jazz Reader
3214:. Rutgers University Press.
2754:The New Real Book, Volume II
2684:Waksman 2001, pp. 27–28
2603:"Back Home Again in Indiana"
2535:De Stefano 2006, p. 267
2460:. Grammy.com. Archived from
1375:used the song in his ballet
1361:Original Dixieland Jazz Band
1289:. It was written for singer
1260:Original Dixieland Jass Band
1203:". Popular song composed by
1169:
1119:Original Dixieland Jass Band
1045:Original Dixieland Jass Band
1019:". Popular song composed by
1006:Original Dixieland Jass Band
811:
697:Original Dixieland Jazz Band
644:". Popular song composed by
454:
393:
377:Just a Closer Walk with Thee
258:Traditional (author unknown)
169:Original Dixieland Jass Band
41:in 1917. Their composition "
39:Original Dixieland Jass Band
7:
3705:Harwood, Robert W. (2008).
3671:. Hal Leonard Corporation.
3509:. Oxford University Press.
3481:De Stefano, George (2006).
3172:America in the 20th Century
3004:Kirchner 2005, p. 769.
2804:Kirchner 2005, p. 207.
1552:Fuld 2000, pp. 162–163
934:, it was first recorded by
662:. It was first recorded by
434:". Ragtime song written by
246:'s "After You've Gone" and
10:
6017:
4389:; Maher, James T. (1972).
3748:500 Best-Loved Song Lyrics
3248:Berlin, Edward A. (1995).
3075:Pastras 2003, p. 127.
3057:Pastras 2003, p. 125.
2941:Giddins 2000, p. 310.
2637:"Harry Williams Biography"
2547:"Shelton Brooks biography"
2447:Matteson 2006, p. 147
2426:Charters 2008, p. 357
2326:Kernfeld 1995, p. 187
2010:Stanfield 2005, p. 83
1818:Furia 1992, pp. 49–50
1787:"Alexander's Ragtime Band"
1423:. It was the first hit of
1098:for his 1939 composition "
887:; the published lyrics by
779:". Ragtime composition by
266:Songwriter and bandleader
17:
5953:
5901:
5811:
5695:
5675:
5654:
5638:
5555:
5446:
5391:
5348:
5341:
5315:See Template: Jazz theory
5276:
5198:
5062:
5024:
4968:
4890:
4672:
4569:
4477:The Real Book, Volume III
4309:The Americana Song Reader
4288:Stanfield, Peter (2005).
4096:Moon, Krystyn R. (2005).
4060:Jazz: The First 100 Years
3768:Encyclopedia of the Blues
3460:; Magee, Jeffrey (1992).
3150:Aquila 2000, p. 288.
3141:Santoro 1995, p. 151
3013:Giddins 2000, p. 46.
2950:Herder 1998, p. 176.
2742:The Real Book, Volume III
2723:Kirchner 2005, p. 26
2623:The Real Book, Volume III
2483:"Darktown Strutters Ball"
2233:Tosches 2003, p. 149
2193:The Real Book, Volume III
2153:Oliphant 1996, p. 29
2144:Oliphant 1996, p. 30
1947:Shaw 1989, pp. 67–68
1884:Charters 1975, p. 39
1689:"Chinatown, My Chinatown"
1388:". Jazz song credited to
1347:". Blues song written by
1336:sang it in the 1945 film
1078:". Jazz song composed by
1047:'s 1917 recording (with "
300:St. James Infirmary Blues
159:and others included many
4561:
4459:The Real Book, Volume II
4350:Music of the Postwar Era
4192:. Taylor & Francis.
4161:Pastras, Philip (2003).
4081:. Mel Bay Publications.
3933:Jasen, David A. (2007).
3918:. Taylor & Francis.
3914:Jasen, David A. (2003).
3899:. Taylor & Francis.
3895:Jasen, David A. (2002).
3367:Charters, Samuel Barclay
3290:Erlewine, Stephen Thomas
3191:Aquila, Richard (2000).
3132:Jasen 2003, p. 196.
3120:Jasen 2002, p. 218.
3048:Jasen 2002, p. 177.
2923:Jasen 2002, p. 108.
2572:The Real Book, Volume II
2395:Koenig 2002, p. 138
2266:Giddins 2000, p. 47
2105:, Classicajazzguitar.com
1936:The Real Book, Volume II
1827:Berlin 1995, p. 210
1806:Hemming 1999, p. 30
1618:Shuster 2006, p. 26
1500:Kernfeld 1995, p. 2
1463:
1049:Darktown Strutters' Ball
1004:and Jack Salisbury. The
990:Darktown Strutters' Ball
981:'s 1997 recording won a
909:New Orleans Rhythm Kings
754:New Orleans Rhythm Kings
691:". Blues composition by
621:". Blues composition by
596:Alexander's Ragtime Band
520:influences, composed by
389:Spirituals#Notable songs
362:Swing Low, Sweet Chariot
318:and His Orchestra, with
173:Darktown Strutters' Ball
157:New Orleans Rhythm Kings
4440:The Real Book, Volume I
4367:Waksman, Steve (2001).
4138:Oliphant, Dave (1996).
3990:Knapp, Raymond (2005).
3971:Kirchner, Bill (2005).
3746:Herder, Ronald (1998).
3686:Hardie, Daniel (2002).
3562:Fuld, James J. (2000).
3085:The Real Book, Volume I
2968:Jasen 2002, p. 15.
2296:Blesh 2007, p. 263
2162:Jasen 2007, p. 264
2067:Jasen 2007, p. 252
1733:University of Rochester
1600:Evans 2008, p. 301
1509:Hardie 2002, p. 27
1433:Firehouse Five Plus Two
725:", it has inspired the
578:Broadway Melody of 1938
514:Chinatown, My Chinatown
5986:Lists of musical works
4250:Shuster, Gary (2006).
4207:Santoro, Gene (1995).
3233:. Arcadia Publishing.
2407:"W.C. Handy Biography"
2257:Jasen 2002, p. 80
2135:Tyler 2008, p. 41
1983:Furia 1992, p. 35
1722:Jasen 2002, p. 36
1713:Moon 2005, p. 100
1657:Fuld 2000, p. 234
1648:Jasen 2003, p. 94
1636:Knapp 2005, p. 75
1627:Jasen 2002, p. 75
1195:
832:
715:form with sections in
466:
283:
238:'s "St. Louis Blues",
46:
4517:. Hal Leonard. 2006.
4184:Powell, Neil (2000).
4013:Koenig, Karl (2002).
3725:Hemming, Roy (1999).
3543:Evans, David (2008).
3438:Collins, Ace (1999).
2732:Shaw 1989, p. 16
2639:. JazzBiographies.com
2502:Egan 2004, p. 28
2409:. JazzBiographies.com
1178:Vaudeville performer
1177:
883:". Ragtime number by
819:
801:Count Basie Orchestra
516:". Popular song with
465:
265:
36:
5996:1910s jazz standards
5991:1900s jazz standards
5703:Bibliography of jazz
5483:Continental European
4423:. Sher Music. 1991.
4188:The Language of Jazz
4062:. Cengage Learning.
4035:; Gushee, Lawrence;
3269:Blesh, Ridi (2007).
3024:"Someday Sweetheart"
2985:"Royal Garden Blues"
2983:Burlingame, Sandra.
2635:Burlingame, Sandra.
2405:Burlingame, Sandra.
2337:"Beale Street Blues"
2212:Burlingame, Sandra.
1745:"Some of These Days"
1576:Burlingame, Sandra.
1378:La création du monde
840:". Song composed by
740:". Song composed by
650:The Darktown Follies
530:Up and Down Broadway
226:". Others, such as "
137:musical compositions
24:adding missing items
5944:Straight, No Chaser
5733:Straight-ahead jazz
5190:Winter & Winter
4639:French horn in jazz
4348:Tyler, Don (2008).
4037:Martin, David Stone
4017:. Pendragon Press.
3956:. Wiley-Blackwell.
3731:. Newmarket Press.
3528:. Scarecrow Press.
3524:Egan, Bill (2004).
3503:Dixon, Robert M. W.
3100:. JazzStandards.com
3026:. JazzStandards.com
2987:. JazzStandards.com
2897:. JazzStandards.com
2787:. JazzStandards.com
2785:"After You've Gone"
2706:. JazzStandards.com
2667:. JazzStandards.com
2605:. JazzStandards.com
2585:The Real Vocal Book
2485:. JazzStandards.com
2339:. JazzStandards.com
2279:. JazzStandards.com
2216:. JazzStandards.com
2175:. JazzStandards.com
2118:. JazzStandards.com
2047:. JazzStandards.com
1966:. JazzStandards.com
1897:. JazzStandards.com
1840:. JazzStandards.com
1789:. JazzStandards.com
1747:. JazzStandards.com
1691:. JazzStandards.com
1670:. JazzStandards.com
1580:. JazzStandards.com
1526:. JazzStandards.com
1483:. JazzStandards.com
1285:". Popular song by
992:". Popular song by
803:'s 1939 recording.
795:and His Hot Seven.
598:". Popular song by
567:". Popular song by
554:John Serry Sextette
367:Mary Don't You Weep
220:St. James Infirmary
6001:Jazz-related lists
5888:West African music
5713:British dance band
5503:European free jazz
5476:British dance band
4969:Musicians by genre
4749:Free improvisation
4495:The Real Jazz Book
3339:Fairweather, Digby
3298:. Backbeat Books.
2087:"Accordion Capers"
2033:The Real Jazz Book
1895:"Ballin' the Jack"
1386:Someday Sweetheart
1345:Royal Garden Blues
1305:, also similar to
1276:James Reese Europe
1264:Fletcher Henderson
1252:Clarinet Marmalade
1196:
1188:I Ain't Got Nobody
1184:Some of These Days
928:Memphis, Tennessee
920:Beale Street Blues
838:I Ain't Got Nobody
833:
777:Twelfth Street Rag
703:with blues singer
659:The Girl from Utah
565:Some of These Days
467:
448:Frankie and Johnny
284:
280:Beale Street Blues
228:Some of These Days
208:Twelfth Street Rag
47:
5971:
5970:
5844:New Orleans blues
5691:
5690:
5634:
5633:
5208:Beaches (Toronto)
4619:Swing performance
4504:978-91-85041-36-7
4468:978-1-4234-2452-9
4359:978-0-313-34191-5
4311:. Haworth Press.
4280:978-0-253-34886-9
3944:978-0-415-97862-0
3870:Rampersad, Arnold
3857:978-1-4067-7508-2
3717:978-0-9809743-0-0
3710:. Harland Press.
3652:. Haworth Press.
3554:978-0-252-07448-6
3458:Crawford, Richard
3407:978-1-57806-898-2
3377:. Da Capo Press.
3373:The Country Blues
3280:978-1-4067-7326-2
2863:978-0-252-02850-2
2830:978-0-19-535814-8
2116:"12th Street Rag"
2045:"That's a Plenty"
1964:"St. Louis Blues"
1398:Jelly Roll Morton
1353:Clarence Williams
1338:That's the Spirit
1322:Clarence Williams
1303:chord progression
1268:Frankie Trumbauer
1201:After You've Gone
1192:After You've Gone
1155:chord progression
1143:Jelly Roll Morton
1104:Charlie Christian
1096:chord progression
1061:chord progression
1025:Ballard MacDonald
922:". Blues song by
907:in 1919, and the
669:For Me and My Gal
619:The Memphis Blues
492:The Memphis Blues
482:
425:Jelly Roll Morton
372:Deep River (song)
357:Wade in the Water
322:providing vocals.
272:The Memphis Blues
252:Ballard MacDonald
224:After You've Gone
130:
129:
6008:
5962:
5961:
5728:Continental jazz
5621:Washington, D.C.
5586:
5585:
5488:Czech and Slovak
5346:
5345:
5130:India Navigation
4828:Progressive jazz
4682:Avant-garde jazz
4556:
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4115:Owsley, Dennis;
4111:
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4054:
4028:
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3997:
3986:
3967:
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3891:
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3866:Hughes, Langston
3861:
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3477:
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3434:
3422:
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3399:
3388:
3376:
3362:
3351:. Rough Guides.
3343:Priestley, Brian
3330:
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2783:Wilson, Jeremy.
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2601:Wilson, Jeremy.
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2545:Arwulf, Arwulf.
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2151:
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2123:
2112:
2106:
2101:Accordion Capers
2097:
2091:
2090:
2083:
2077:
2074:
2068:
2065:
2056:
2055:
2053:
2052:
2041:
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2029:
2020:
2017:
2011:
2008:
2002:
1999:
1993:
1990:
1984:
1981:
1975:
1974:
1972:
1971:
1962:Wilson, Jeremy.
1959:
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1933:
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1498:
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1489:
1488:
1473:
1459:
1454:
1453:
1349:Spencer Williams
1100:In a Mellow Tone
1053:Indianapolis 500
1039:", published by
948:Gaieties of 1919
842:Spencer Williams
785:Spencer Williams
713:twelve-bar blues
656:'s 1914 musical
652:and included in
642:Ballin' the Jack
627:twelve-bar blues
542:American Quartet
534:Chinese American
484:
483:
464:
122:
115:
108:
49:
48:
28:reliable sources
6016:
6015:
6011:
6010:
6009:
6007:
6006:
6005:
5976:
5975:
5972:
5967:
5964:Jazz portal
5956:
5949:
5930:The Jazz Singer
5897:
5876:Novelty ragtime
5807:
5687:
5671:
5650:
5630:
5584:
5551:
5442:
5387:
5342:Regional scenes
5337:
5272:
5194:
5120:Groove Merchant
5110:Flying Dutchman
5058:
5020:
4964:
4886:
4818:Orchestral jazz
4798:Mainstream jazz
4786:Afro-Cuban jazz
4668:
4577:Outline of jazz
4565:
4560:
4525:
4511:
4505:
4497:. Warner Bros.
4493:
4487:
4475:
4469:
4457:
4451:
4437:
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4300:
4281:
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4154:
4131:
4123:. Reedy Press.
4108:
4089:
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3359:
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3184:
3168:
3164:
3162:Reference works
3159:
3154:
3149:
3145:
3140:
3136:
3131:
3124:
3119:
3112:
3103:
3101:
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2513:
2506:
2501:
2497:
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2481:
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2476:
2467:
2465:
2458:"Grammy Awards"
2456:
2455:
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2437:
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2023:
2018:
2014:
2009:
2005:
2000:
1996:
1991:
1987:
1982:
1978:
1969:
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1960:
1951:
1946:
1942:
1934:
1930:
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1900:
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1892:
1888:
1883:
1879:
1874:
1870:
1865:
1861:
1856:
1852:
1843:
1841:
1838:"Memphis Blues"
1836:
1835:
1831:
1826:
1822:
1817:
1810:
1805:
1801:
1792:
1790:
1785:
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1513:
1508:
1504:
1499:
1495:
1486:
1484:
1474:
1470:
1466:
1455:
1448:
1419:with lyrics by
1369:Bix Beiderbecke
1299:Thelonious Monk
1241:St. Louis Blues
1207:with lyrics by
1172:
1151:Louis Armstrong
1088:Joseph C. Smith
1082:with lyrics by
1023:with lyrics by
1021:James F. Hanley
901:St. Louis Blues
862:Paris Honeymoon
814:
793:Louis Armstrong
781:Euday L. Bowman
744:with lyrics by
738:That's a Plenty
701:Louis Armstrong
689:St. Louis Blues
584:Follow the Boys
546:Louis Armstrong
544:in 1915 and by
524:with lyrics by
509:
508:
500:
498:
497:
496:
495:
485:
478:
475:
468:
462:
457:
396:
331:Louis Armstrong
304:Louis Armstrong
276:St. Louis Blues
260:
216:St. Louis Blues
126:
89:1950s and later
31:
12:
11:
5:
6014:
6004:
6003:
5998:
5993:
5988:
5969:
5968:
5954:
5951:
5950:
5948:
5947:
5940:
5937:Round Midnight
5933:
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5903:
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5898:
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5895:
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5885:
5880:
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5693:
5692:
5689:
5688:
5686:
5685:
5679:
5677:
5673:
5672:
5670:
5669:
5667:Latin American
5664:
5658:
5656:
5655:South American
5652:
5651:
5649:
5648:
5642:
5640:
5636:
5635:
5632:
5631:
5629:
5628:
5623:
5618:
5613:
5608:
5603:
5598:
5596:Baltimore jazz
5592:
5590:
5583:
5582:
5581:
5580:
5573:Latin American
5570:
5565:
5559:
5557:
5556:North American
5553:
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5296:
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5278:
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5137:
5132:
5127:
5122:
5117:
5112:
5107:
5102:
5097:
5092:
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5077:
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5066:
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5060:
5059:
5057:
5056:
5051:
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5041:
5036:
5030:
5028:
5022:
5021:
5019:
5018:
5013:
5008:
5003:
4998:
4993:
4988:
4983:
4978:
4972:
4970:
4966:
4965:
4963:
4962:
4957:
4952:
4947:
4942:
4937:
4932:
4927:
4925:Percussionists
4922:
4917:
4912:
4907:
4902:
4896:
4894:
4888:
4887:
4885:
4884:
4879:
4874:
4873:
4872:
4862:
4857:
4856:
4855:
4848:Spiritual jazz
4845:
4840:
4835:
4830:
4825:
4820:
4815:
4810:
4805:
4800:
4795:
4790:
4789:
4788:
4778:
4773:
4768:
4763:
4758:
4757:
4756:
4751:
4746:
4736:
4731:
4726:
4721:
4716:
4711:
4706:
4705:
4704:
4699:
4694:
4684:
4678:
4676:
4670:
4669:
4667:
4666:
4661:
4656:
4651:
4646:
4641:
4636:
4631:
4626:
4621:
4616:
4611:
4606:
4605:
4604:
4594:
4589:
4584:
4579:
4573:
4571:
4570:General topics
4567:
4566:
4559:
4558:
4551:
4544:
4536:
4530:
4529:
4523:
4509:
4503:
4491:
4485:
4473:
4467:
4455:
4449:
4435:
4429:
4413:
4410:
4408:
4407:
4401:
4383:
4377:
4364:
4358:
4345:
4339:
4323:
4317:
4304:
4298:
4285:
4279:
4266:
4260:
4247:
4241:
4225:
4219:
4204:
4198:
4181:
4175:
4158:
4152:
4135:
4129:
4112:
4106:
4093:
4087:
4074:
4068:
4055:
4049:
4029:
4023:
4010:
4004:
3987:
3981:
3968:
3962:
3949:
3943:
3930:
3924:
3911:
3905:
3892:
3886:
3862:
3856:
3850:. Read Books.
3843:
3837:
3824:
3818:
3805:
3799:
3783:
3777:
3762:
3756:
3743:
3737:
3722:
3716:
3702:
3696:
3683:
3677:
3664:
3658:
3645:
3639:
3619:
3613:
3600:
3594:
3578:
3572:
3559:
3553:
3540:
3534:
3521:
3515:
3499:
3493:
3478:
3472:
3454:
3448:
3435:
3429:
3412:
3406:
3389:
3383:
3363:
3357:
3331:
3325:
3310:
3304:
3285:
3279:
3273:. Read Books.
3266:
3260:
3245:
3239:
3226:
3220:
3207:
3201:
3188:
3182:
3165:
3163:
3160:
3158:
3155:
3153:
3152:
3143:
3134:
3122:
3110:
3089:
3077:
3068:
3059:
3050:
3036:
3015:
3006:
2997:
2970:
2961:
2952:
2943:
2934:
2925:
2916:
2907:
2886:
2869:
2862:
2836:
2829:
2806:
2797:
2770:
2758:
2746:
2734:
2725:
2716:
2686:
2677:
2649:
2627:
2615:
2588:
2576:
2564:
2537:
2528:
2516:
2504:
2495:
2474:
2449:
2440:
2428:
2419:
2397:
2388:
2379:
2370:
2349:
2328:
2319:
2307:
2298:
2289:
2268:
2259:
2247:
2235:
2226:
2197:
2185:
2164:
2155:
2146:
2137:
2128:
2107:
2092:
2078:
2069:
2057:
2036:
2021:
2012:
2003:
1994:
1985:
1976:
1949:
1940:
1928:
1919:
1907:
1886:
1877:
1868:
1859:
1850:
1829:
1820:
1808:
1799:
1778:
1769:
1757:
1736:
1724:
1715:
1701:
1680:
1659:
1650:
1638:
1629:
1620:
1611:
1602:
1590:
1563:
1554:
1545:
1536:
1511:
1502:
1493:
1481:"Jazz History"
1467:
1465:
1462:
1461:
1460:
1445:
1444:
1409:
1402:Alberta Hunter
1382:
1373:Darius Milhaud
1341:
1314:
1309:'s 1954 tune "
1279:
1248:
1213:So Long, Letty
1171:
1168:
1167:
1166:
1111:
1092:Duke Ellington
1084:Harry Williams
1072:
1067:'s 1947 tune "
1013:
994:Shelton Brooks
986:
975:Camptown Races
973:'s 1850 song "
971:Stephen Foster
967:minstrel songs
959:Li'l Liza Jane
955:
952:Jack Teagarden
916:
905:Louisiana Five
885:Artie Matthews
877:
813:
810:
809:
808:
773:
770:Jackie Gleason
758:easy listening
734:
685:
638:
615:
592:
569:Shelton Brooks
561:
550:easy listening
526:William Jerome
499:
486:
476:
471:
470:
469:
460:
459:
458:
456:
453:
452:
451:
444:Arthur Collins
428:
411:. The complex
409:Alphonse Picou
395:
392:
385:
384:
379:
374:
369:
364:
359:
354:
349:
344:
339:
334:
323:
296:
278:" (1914) and "
259:
256:
254:'s "Indiana".
133:Jazz standards
128:
127:
125:
124:
117:
110:
102:
99:
98:
92:
91:
85:
84:
78:
77:
71:
70:
64:
63:
57:
56:
53:Jazz standards
9:
6:
4:
3:
2:
6013:
6002:
5999:
5997:
5994:
5992:
5989:
5987:
5984:
5983:
5981:
5974:
5966:
5965:
5960:
5952:
5946:
5945:
5941:
5939:
5938:
5934:
5932:
5931:
5927:
5925:
5923:
5919:
5917:
5916:
5912:
5910:
5907:
5906:
5904:
5900:
5894:
5893:Western swing
5891:
5889:
5886:
5884:
5881:
5877:
5874:
5873:
5872:
5869:
5867:
5864:
5862:
5859:
5857:
5854:
5852:
5849:
5845:
5842:
5840:
5837:
5836:
5835:
5832:
5830:
5827:
5825:
5822:
5820:
5817:
5816:
5814:
5810:
5804:
5801:
5799:
5796:
5794:
5791:
5789:
5786:
5784:
5781:
5779:
5776:
5774:
5771:
5769:
5766:
5764:
5761:
5759:
5756:
5754:
5751:
5749:
5746:
5744:
5741:
5739:
5736:
5734:
5731:
5729:
5726:
5724:
5721:
5719:
5716:
5714:
5711:
5709:
5706:
5704:
5701:
5700:
5698:
5694:
5684:
5681:
5680:
5678:
5674:
5668:
5665:
5663:
5660:
5659:
5657:
5653:
5647:
5644:
5643:
5641:
5637:
5627:
5624:
5622:
5619:
5617:
5616:New York City
5614:
5612:
5609:
5607:
5604:
5602:
5599:
5597:
5594:
5593:
5591:
5587:
5579:
5576:
5575:
5574:
5571:
5569:
5566:
5564:
5561:
5560:
5558:
5554:
5548:
5545:
5541:
5540:Flamenco jazz
5538:
5537:
5536:
5533:
5529:
5526:
5525:
5524:
5521:
5519:
5516:
5514:
5511:
5509:
5506:
5504:
5501:
5499:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5477:
5474:
5473:
5472:
5469:
5467:
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5460:
5457:
5456:
5455:
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5451:
5449:
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5439:
5436:
5434:
5431:
5427:
5424:
5422:
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5418:
5417:
5414:
5410:
5407:
5406:
5405:
5402:
5400:
5397:
5396:
5394:
5390:
5384:
5381:
5377:
5374:
5372:
5369:
5368:
5367:
5366:South African
5364:
5362:
5359:
5357:
5354:
5353:
5351:
5347:
5344:
5340:
5334:
5331:
5329:
5326:
5324:
5321:
5317:
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5312:
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5307:
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5300:
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5088:
5086:
5083:
5081:
5078:
5076:
5073:
5071:
5068:
5067:
5065:
5063:Discographies
5061:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5031:
5029:
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5017:
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5012:
5009:
5007:
5004:
5002:
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4992:
4989:
4987:
4984:
4982:
4979:
4977:
4974:
4973:
4971:
4967:
4961:
4958:
4956:
4953:
4951:
4950:Vibraphonists
4948:
4946:
4943:
4941:
4938:
4936:
4933:
4931:
4928:
4926:
4923:
4921:
4918:
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4908:
4906:
4903:
4901:
4898:
4897:
4895:
4893:
4889:
4883:
4880:
4878:
4875:
4871:
4870:Swing revival
4868:
4867:
4866:
4863:
4861:
4858:
4854:
4851:
4850:
4849:
4846:
4844:
4841:
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4779:
4777:
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4772:
4769:
4767:
4764:
4762:
4759:
4755:
4752:
4750:
4747:
4745:
4742:
4741:
4740:
4737:
4735:
4732:
4730:
4729:Flamenco jazz
4727:
4725:
4722:
4720:
4717:
4715:
4712:
4710:
4707:
4703:
4700:
4698:
4695:
4693:
4690:
4689:
4688:
4685:
4683:
4680:
4679:
4677:
4675:
4671:
4665:
4664:Women in jazz
4662:
4660:
4657:
4655:
4652:
4650:
4649:Jazz trombone
4647:
4645:
4642:
4640:
4637:
4635:
4632:
4630:
4629:Jazz drumming
4627:
4625:
4622:
4620:
4617:
4615:
4612:
4610:
4607:
4603:
4600:
4599:
4598:
4597:Improvisation
4595:
4593:
4590:
4588:
4585:
4583:
4580:
4578:
4575:
4574:
4572:
4568:
4564:
4557:
4552:
4550:
4545:
4543:
4538:
4537:
4534:
4526:
4524:0-634-06080-5
4520:
4516:
4515:
4510:
4506:
4500:
4496:
4492:
4488:
4486:0-634-06136-4
4482:
4478:
4474:
4470:
4464:
4460:
4456:
4452:
4450:0-634-06038-4
4446:
4442:
4441:
4436:
4432:
4430:0-9614701-7-8
4426:
4422:
4421:
4416:
4415:
4404:
4402:0-19-501445-6
4398:
4394:
4393:
4388:
4384:
4380:
4378:0-674-00547-3
4374:
4370:
4365:
4361:
4355:
4351:
4346:
4342:
4340:2-84485-110-X
4336:
4332:
4328:
4327:Tosches, Nick
4324:
4320:
4318:0-7890-0150-0
4314:
4310:
4305:
4301:
4299:0-252-02994-1
4295:
4291:
4286:
4282:
4276:
4272:
4267:
4263:
4261:1-4116-8422-2
4257:
4253:
4248:
4244:
4242:0-19-506082-2
4238:
4234:
4230:
4226:
4222:
4220:0-19-510123-5
4216:
4212:
4211:
4205:
4201:
4199:1-57958-277-X
4195:
4190:
4189:
4182:
4178:
4176:0-520-23687-4
4172:
4167:
4166:
4159:
4155:
4153:0-292-76045-0
4149:
4144:
4143:
4136:
4132:
4130:1-933370-04-1
4126:
4122:
4118:
4113:
4109:
4107:0-8135-3507-7
4103:
4099:
4094:
4090:
4088:0-7866-7160-2
4084:
4080:
4075:
4071:
4069:0-534-62804-4
4065:
4061:
4056:
4052:
4050:0-520-22530-9
4046:
4042:
4038:
4034:
4030:
4026:
4024:1-57647-024-5
4020:
4016:
4011:
4007:
4005:0-691-11864-7
4001:
3996:
3995:
3988:
3984:
3982:0-19-518359-2
3978:
3974:
3969:
3965:
3963:0-631-19552-1
3959:
3955:
3950:
3946:
3940:
3937:. CRC Press.
3936:
3931:
3927:
3925:0-415-93877-5
3921:
3917:
3912:
3908:
3906:0-415-93700-0
3902:
3898:
3893:
3889:
3887:0-8262-1372-3
3883:
3878:
3877:
3871:
3867:
3863:
3859:
3853:
3849:
3844:
3840:
3838:0-595-19331-5
3834:
3831:. iUniverse.
3830:
3825:
3821:
3819:0-415-93835-X
3815:
3812:. CRC Press.
3811:
3806:
3802:
3800:0-472-06883-0
3796:
3792:
3788:
3787:Hodeir, André
3784:
3780:
3778:1-55728-452-0
3774:
3770:
3769:
3763:
3759:
3757:0-486-29725-X
3753:
3749:
3744:
3740:
3738:1-55704-380-9
3734:
3730:
3729:
3723:
3719:
3713:
3709:
3703:
3699:
3697:0-595-21876-8
3693:
3690:. iUniverse.
3689:
3684:
3680:
3678:0-634-00765-3
3674:
3670:
3665:
3661:
3659:1-56024-993-5
3655:
3651:
3646:
3642:
3640:0-19-513241-6
3636:
3631:
3630:
3624:
3623:Giddins, Gary
3620:
3616:
3614:0-415-97246-9
3610:
3607:. CRC Press.
3606:
3601:
3597:
3595:0-19-507473-4
3591:
3587:
3583:
3582:Furia, Philip
3579:
3575:
3573:0-486-41475-2
3569:
3565:
3560:
3556:
3550:
3546:
3541:
3537:
3535:0-8108-5007-9
3531:
3527:
3522:
3518:
3516:0-19-816239-1
3512:
3508:
3504:
3500:
3496:
3494:0-571-21157-7
3490:
3487:. Macmillan.
3486:
3485:
3479:
3475:
3473:0-929911-03-2
3469:
3465:
3464:
3459:
3455:
3451:
3449:0-310-21153-0
3445:
3442:. Zondervan.
3441:
3436:
3432:
3430:0-8262-1222-0
3426:
3421:
3420:
3413:
3409:
3403:
3398:
3397:
3390:
3386:
3384:0-306-70678-4
3380:
3375:
3374:
3368:
3364:
3360:
3358:1-84353-256-5
3354:
3350:
3349:
3344:
3340:
3336:
3332:
3328:
3326:0-252-02850-3
3322:
3318:
3317:
3311:
3307:
3305:0-87930-717-X
3301:
3297:
3296:
3291:
3286:
3282:
3276:
3272:
3267:
3263:
3261:0-19-510108-1
3257:
3253:
3252:
3246:
3242:
3240:0-7385-4237-7
3236:
3232:
3227:
3223:
3221:0-8135-3164-0
3217:
3213:
3208:
3204:
3202:0-252-06919-6
3198:
3194:
3189:
3185:
3183:0-7614-7364-5
3179:
3174:
3173:
3167:
3166:
3147:
3138:
3129:
3127:
3117:
3115:
3099:
3093:
3086:
3081:
3072:
3063:
3054:
3045:
3043:
3041:
3025:
3019:
3010:
3001:
2986:
2979:
2977:
2975:
2965:
2956:
2947:
2938:
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2920:
2911:
2896:
2890:
2882:
2881:
2873:
2865:
2859:
2855:
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2849:
2840:
2832:
2826:
2822:
2821:
2813:
2811:
2801:
2786:
2779:
2777:
2775:
2765:
2763:
2755:
2750:
2743:
2738:
2729:
2720:
2705:
2699:
2697:
2695:
2693:
2691:
2681:
2666:
2662:
2656:
2654:
2638:
2631:
2624:
2619:
2604:
2597:
2595:
2593:
2586:
2580:
2573:
2568:
2554:
2553:
2548:
2541:
2532:
2523:
2521:
2511:
2509:
2499:
2484:
2478:
2464:on 2010-02-04
2463:
2459:
2453:
2444:
2435:
2433:
2423:
2408:
2401:
2392:
2383:
2374:
2366:
2362:
2361:
2353:
2338:
2332:
2323:
2314:
2312:
2302:
2293:
2278:
2277:"Weary Blues"
2272:
2263:
2254:
2252:
2242:
2240:
2230:
2215:
2208:
2206:
2204:
2202:
2194:
2189:
2174:
2168:
2159:
2150:
2141:
2132:
2117:
2111:
2104:
2102:
2096:
2088:
2082:
2073:
2064:
2062:
2046:
2040:
2034:
2028:
2026:
2016:
2007:
1998:
1989:
1980:
1965:
1958:
1956:
1954:
1944:
1937:
1932:
1923:
1914:
1912:
1896:
1890:
1881:
1872:
1863:
1854:
1839:
1833:
1824:
1815:
1813:
1803:
1788:
1782:
1773:
1764:
1762:
1746:
1740:
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1728:
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1710:
1708:
1706:
1690:
1684:
1669:
1663:
1654:
1645:
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1624:
1615:
1606:
1597:
1595:
1579:
1572:
1570:
1568:
1558:
1549:
1540:
1525:
1521:
1515:
1506:
1497:
1482:
1478:
1472:
1468:
1458:
1452:
1447:
1442:
1438:
1434:
1430:
1426:
1422:
1421:Gene Lockhart
1418:
1414:
1410:
1407:
1403:
1399:
1395:
1391:
1387:
1383:
1380:
1379:
1374:
1370:
1366:
1362:
1358:
1354:
1350:
1346:
1342:
1339:
1335:
1334:Nat King Cole
1331:
1327:
1323:
1319:
1315:
1312:
1308:
1307:Sonny Rollins
1304:
1300:
1296:
1295:Arthur Fields
1292:
1291:Cliff Edwards
1288:
1284:
1280:
1277:
1273:
1269:
1265:
1261:
1257:
1256:Larry Shields
1253:
1249:
1246:
1242:
1238:
1234:
1230:
1229:Sophie Tucker
1226:
1222:
1221:Marion Harris
1218:
1214:
1210:
1209:Henry Creamer
1206:
1205:Turner Layton
1202:
1198:
1197:
1193:
1189:
1185:
1181:
1180:Sophie Tucker
1176:
1164:
1160:
1156:
1152:
1148:
1144:
1140:
1139:Larry Shields
1136:
1135:Tony Sbarbaro
1132:
1128:
1127:Nick La Rocca
1124:
1123:Eddie Edwards
1120:
1116:
1112:
1109:
1108:Benny Goodman
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1077:
1073:
1070:
1066:
1062:
1058:
1054:
1050:
1046:
1043:in 1913. The
1042:
1038:
1034:
1030:
1026:
1022:
1018:
1014:
1011:
1007:
1003:
999:
995:
991:
987:
984:
980:
976:
972:
968:
964:
960:
956:
953:
949:
945:
941:
937:
936:Prince's Band
933:
929:
925:
921:
917:
914:
910:
906:
902:
898:
894:
890:
886:
882:
878:
875:
874:Just a Gigolo
871:
867:
863:
859:
858:Marion Harris
855:
854:Sophie Tucker
851:
850:Bert Williams
847:
843:
839:
835:
834:
830:
826:
822:
818:
806:
802:
798:
794:
790:
786:
782:
778:
774:
771:
767:
763:
759:
755:
751:
750:Prince's Band
747:
743:
739:
735:
732:
728:
724:
723:
718:
714:
710:
706:
702:
698:
694:
690:
686:
683:
679:
675:
671:
670:
665:
664:Prince's Band
661:
660:
655:
651:
647:
643:
639:
636:
632:
628:
624:
620:
616:
613:
609:
605:
601:
600:Irving Berlin
597:
593:
590:
589:pop standards
586:
585:
580:
579:
574:
573:Sophie Tucker
570:
566:
562:
559:
558:RCA Thesaurus
555:
551:
547:
543:
539:
535:
531:
527:
523:
522:Jean Schwartz
519:
515:
511:
510:
507:
505:
493:
489:
474:
449:
445:
441:
437:
436:Hughie Cannon
433:
429:
426:
422:
418:
414:
413:countermelody
410:
406:
402:
398:
397:
391:
390:
383:
380:
378:
375:
373:
370:
368:
365:
363:
360:
358:
355:
353:
350:
348:
345:
343:
342:Go Down Moses
340:
338:
337:Amazing Grace
335:
332:
328:
324:
321:
320:Hot Lips Page
317:
313:
309:
305:
301:
297:
294:
290:
289:Careless Love
286:
285:
281:
277:
273:
269:
264:
255:
253:
249:
245:
244:Henry Creamer
241:
240:Turner Layton
237:
233:
229:
225:
221:
217:
213:
209:
205:
201:
197:
193:
189:
184:
182:
178:
174:
170:
165:
164:popular songs
162:
161:Tin Pan Alley
158:
154:
149:
146:
142:
138:
134:
123:
118:
116:
111:
109:
104:
103:
101:
100:
97:
94:
93:
90:
87:
86:
83:
80:
79:
76:
73:
72:
69:
66:
65:
62:
59:
58:
54:
51:
50:
44:
40:
35:
29:
25:
21:
16:
5973:
5955:
5942:
5935:
5928:
5924:(miniseries)
5921:
5913:
5883:Sophisti-pop
5737:
5313:
5304:Jazz royalty
5294:Jazz funeral
5090:Contemporary
5033:
4981:Chamber jazz
4935:Saxophonists
4905:Clarinetists
4877:Third stream
4714:Chamber jazz
4614:Scat singing
4513:
4494:
4476:
4458:
4439:
4419:
4391:
4387:Wilder, Alec
4368:
4349:
4330:
4308:
4289:
4270:
4254:. Lulu.com.
4251:
4232:
4229:Shaw, Arnold
4209:
4187:
4164:
4141:
4120:
4117:Terry, Clark
4097:
4078:
4059:
4040:
4014:
3993:
3972:
3953:
3934:
3915:
3896:
3875:
3847:
3828:
3809:
3790:
3767:
3747:
3727:
3706:
3687:
3668:
3649:
3628:
3604:
3585:
3563:
3544:
3525:
3506:
3483:
3462:
3439:
3418:
3395:
3372:
3347:
3315:
3294:
3270:
3250:
3230:
3211:
3192:
3171:
3157:Bibliography
3146:
3137:
3102:. Retrieved
3092:
3084:
3080:
3071:
3062:
3053:
3028:. Retrieved
3018:
3009:
3000:
2989:. Retrieved
2964:
2955:
2946:
2937:
2928:
2919:
2910:
2899:. Retrieved
2889:
2879:
2872:
2847:
2839:
2819:
2800:
2789:. Retrieved
2753:
2749:
2741:
2737:
2728:
2719:
2708:. Retrieved
2680:
2669:. Retrieved
2641:. Retrieved
2630:
2622:
2618:
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2584:
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2550:
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2477:
2466:. Retrieved
2462:the original
2452:
2443:
2422:
2411:. Retrieved
2400:
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2331:
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2192:
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2167:
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2131:
2120:. Retrieved
2110:
2100:
2095:
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2072:
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2039:
2032:
2015:
2006:
1997:
1988:
1979:
1968:. Retrieved
1943:
1935:
1931:
1922:
1899:. Retrieved
1889:
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1871:
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1853:
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1557:
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1528:. Retrieved
1514:
1505:
1496:
1485:. Retrieved
1471:
1417:Ernest Seitz
1376:
1337:
1326:Bessie Smith
1287:Bob Carleton
1266:in 1926 and
1233:Roy Eldridge
1225:Bessie Smith
1212:
1041:Paul Dresser
998:Benny Fields
947:
932:Beale Street
889:George Cates
861:
805:Pee Wee Hunt
797:Lester Young
787:in 1929 and
762:Tony Mottola
720:
705:Bessie Smith
674:Judy Garland
667:
657:
649:
635:Edward Crump
614:composition.
612:Scott Joplin
582:
576:
548:in 1932. An
529:
501:
405:counterpoint
401:High Society
386:
312:Irving Mills
248:James Hanley
190:, including
185:
150:
131:
60:
20:dynamic list
15:
5866:Quiet storm
5829:Contradanza
5611:New Orleans
5606:Kansas City
5409:Jazz mugham
5404:Azerbaijani
5328:Second line
5323:Rare groove
5309:Jazz theory
5299:Jazz poetry
5284:Contrafacts
5268:Saint Lucia
5248:New Orleans
5180:Strata-East
5155:MPS Records
5085:Cobblestone
5006:Smooth jazz
4996:Jazz fusion
4940:Trombonists
4853:Sacred jazz
4838:Smooth jazz
4771:Jazz fusion
4654:Jazz violin
4634:Jazz guitar
4609:Jam session
4582:Jazz (word)
4033:Lomax, Alan
2704:"Tiger Rag"
2665:"Rose Room"
2661:Tyle, Chris
1520:Tyle, Chris
1477:Tyle, Chris
1457:Jazz portal
1425:Isham Jones
1406:Gene Austin
1390:John Spikes
1365:Mamie Smith
1330:Jo Stafford
1272:Henry Ragas
1131:Henry Ragas
1080:Art Hickman
1065:Miles Davis
1002:Benny Davis
963:Earl Fuller
940:Earl Fuller
924:W. C. Handy
913:White House
897:W. C. Handy
881:Weary Blues
870:Louis Prima
866:Bing Crosby
746:Ray Gilbert
742:Lew Pollack
731:hockey team
693:W. C. Handy
654:Jerome Kern
646:Chris Smith
633:politician
623:W. C. Handy
581:(1937) and
488:W. C. Handy
432:Bill Bailey
417:King Oliver
347:Oh, Freedom
293:W. C. Handy
274:" (1912), "
268:W. C. Handy
236:W. C. Handy
194:music, the
188:New Orleans
61:Before 1920
5980:Categories
5851:Brass band
5839:Jump blues
5683:Ethno jazz
5646:Australian
5626:West Coast
5383:Zimbabwean
5223:Copenhagen
5145:Mainstream
4955:Violinists
4945:Trumpeters
4915:Guitarists
4823:Organ trio
4808:Modal jazz
4781:Latin jazz
4761:Gypsy jazz
4659:Vocal jazz
4644:Jazz piano
4412:Fake books
4142:Texan Jazz
3104:2009-02-20
3030:2009-02-20
2991:2009-02-20
2901:2009-02-20
2791:2009-02-20
2710:2009-02-20
2671:2009-05-24
2643:2009-06-18
2609:2009-02-20
2583:Listed in
2558:2009-06-15
2489:2009-02-20
2468:2009-07-11
2413:2009-06-14
2343:2009-02-20
2283:2009-02-20
2220:2009-02-20
2179:2009-03-18
2122:2009-02-20
2051:2009-02-20
2031:Listed in
1970:2009-02-20
1901:2009-02-20
1844:2009-02-20
1793:2009-02-20
1751:2009-02-20
1695:2009-02-20
1674:2009-02-20
1584:2009-02-20
1530:2009-06-18
1487:2009-05-18
1394:Reb Spikes
1237:Gene Krupa
1057:Jim Nabors
1029:state song
944:Gilda Gray
893:John Stark
789:Andy Razaf
766:John Serry
752:, and the
678:Gene Kelly
608:vernacular
604:Emma Carus
504:media help
316:Artie Shaw
308:Don Redman
232:vaudeville
204:spirituals
192:brass band
171:recorded "
18:This is a
5819:Acid jazz
5676:Worldwide
5662:Brazilian
5459:Bulgarian
5421:Indo jazz
5371:Cape jazz
5258:North Sea
5213:Cape Town
5200:Festivals
5175:Riverside
5150:Milestone
5075:Blue Note
5070:Bethlehem
5054:post-1950
5026:Standards
5011:Soul jazz
4960:Vocalists
4920:Organists
4892:Musicians
4882:Trad jazz
4843:Soul jazz
4766:Jazz-funk
4754:Punk jazz
4744:Free funk
4739:Free jazz
4734:Folk jazz
4724:Dixieland
4719:Cool jazz
4709:Cape jazz
4624:Jazz bass
4587:Jazz band
3335:Carr, Ian
3087:, p. 451.
2367:(8): 120.
1441:Mary Ford
1429:Roy Bargy
1217:Al Jolson
1170:1918–1919
1163:swing era
1159:Art Tatum
1147:quadrille
1115:Tiger Rag
1076:Rose Room
1069:Donna Lee
938:in 1917.
825:MacDonald
812:1915–1917
709:Art Tatum
682:Lindy Hop
538:Cantonese
455:1910–1914
440:coon song
421:Abe Lyman
394:1900–1909
387:see also
212:Tiger Rag
181:Dixieland
145:fake book
55:and tunes
43:Tiger Rag
5824:Afrobeat
5738:Pre-1920
5723:Jazz Age
5639:Oceanian
5589:American
5563:Canadian
5447:European
5438:Japanese
5399:Armenian
5361:Malawian
5356:Ethiopia
5243:Montreux
5238:Montreal
5233:Monterey
5170:Prestige
5140:Landmark
5125:Impulse!
5105:ESP-Disk
5034:Pre-1920
4991:Hard bop
4930:Pianists
4910:Drummers
4900:Bassists
4833:Ska jazz
4776:Jazz rap
4702:Post-bop
4692:Hard bop
4592:Big band
4329:(2003).
4231:(1989).
4119:(2006).
4039:(2001).
3625:(2000).
3584:(1992).
3505:(1997).
3369:(1975).
3292:(2002).
2744:, p. 12.
2625:, p. 340
2574:, p. 201
2552:Allmusic
2195:, p. 151
1938:, p. 366
1437:Les Paul
1411:1919 – "
1384:1919 – "
1343:1919 – "
1316:1919 – "
1281:1918 – "
1250:1918 – "
1199:1918 – "
1113:1917 – "
1074:1917 – "
1015:1917 – "
988:1917 – "
957:1916 – "
918:1916 – "
879:1915 – "
836:1915 – "
775:1914 – "
736:1914 – "
687:1914 – "
640:1913 – "
617:1912 – "
594:1911 – "
563:1910 – "
560:in 1954.
512:1910 – "
430:1902 – "
399:1901 – "
5871:Ragtime
5856:Exotica
5812:Related
5718:Ragtime
5696:History
5601:Chicago
5568:Haitian
5547:Swedish
5535:Spanish
5518:Italian
5471:British
5466:Belgian
5433:Iranian
5349:African
5277:Culture
5253:Newport
5228:Jakarta
5218:Chicago
5115:Freedom
4813:Nu jazz
4697:Neo-bop
3708:Anyway?
2895:"Ja-Da"
2756:, p. 5.
2089:. 1947.
1258:of the
1245:Indiana
1243:" and "
1190:" and "
1033:Indiana
1017:Indiana
1010:Indiana
829:Indiana
727:Foxtrot
631:Memphis
518:Chinese
352:Hold On
218:" and "
210:" and "
200:ragtime
177:Indiana
175:" and "
5523:Polish
5513:German
5508:French
5493:Danish
5454:Balkan
5416:Indian
5376:Marabi
5333:Venues
4860:Stride
4803:Marabi
4793:M-Base
4674:Genres
4521:
4501:
4483:
4465:
4447:
4427:
4399:
4375:
4356:
4337:
4315:
4296:
4277:
4258:
4239:
4217:
4196:
4173:
4150:
4127:
4104:
4085:
4066:
4047:
4021:
4002:
3979:
3960:
3941:
3922:
3903:
3884:
3854:
3835:
3816:
3797:
3775:
3754:
3735:
3714:
3694:
3675:
3656:
3637:
3611:
3592:
3570:
3551:
3532:
3513:
3491:
3470:
3446:
3427:
3404:
3381:
3355:
3323:
3302:
3277:
3258:
3237:
3218:
3199:
3180:
2860:
2827:
1231:, and
930:, the
821:Hanley
722:Hamlet
5902:Media
5861:Plugg
5834:Blues
5788:2010s
5783:2000s
5778:1990s
5773:1980s
5768:1970s
5763:1960s
5758:1950s
5753:1940s
5748:1930s
5743:1920s
5708:Blues
5578:Cuban
5498:Dutch
5426:Sitar
5392:Asian
5185:Verve
5049:1940s
5044:1930s
5039:1920s
5016:Swing
4976:Bebop
4865:Swing
4687:Bebop
2360:Ebony
1464:Notes
1283:Ja-Da
1278:band.
864:with
717:tango
672:with
196:blues
82:1940s
75:1930s
68:1920s
26:with
5922:Jazz
5915:Bird
5803:2022
5798:2021
5793:2020
5528:Yass
5263:Pori
5165:Muse
5001:Scat
4602:Jazz
4563:Jazz
4519:ISBN
4499:ISBN
4481:ISBN
4463:ISBN
4445:ISBN
4425:ISBN
4397:ISBN
4373:ISBN
4354:ISBN
4335:ISBN
4313:ISBN
4294:ISBN
4275:ISBN
4256:ISBN
4237:ISBN
4215:ISBN
4194:ISBN
4171:ISBN
4148:ISBN
4125:ISBN
4102:ISBN
4083:ISBN
4064:ISBN
4045:ISBN
4019:ISBN
4000:ISBN
3977:ISBN
3958:ISBN
3939:ISBN
3920:ISBN
3901:ISBN
3882:ISBN
3852:ISBN
3833:ISBN
3814:ISBN
3795:ISBN
3773:ISBN
3752:ISBN
3733:ISBN
3712:ISBN
3692:ISBN
3673:ISBN
3654:ISBN
3635:ISBN
3609:ISBN
3590:ISBN
3568:ISBN
3549:ISBN
3530:ISBN
3511:ISBN
3489:ISBN
3468:ISBN
3444:ISBN
3425:ISBN
3402:ISBN
3379:ISBN
3353:ISBN
3321:ISBN
3300:ISBN
3275:ISBN
3256:ISBN
3235:ISBN
3216:ISBN
3197:ISBN
3178:ISBN
2858:ISBN
2825:ISBN
1439:and
1363:and
1357:riff
1332:and
1311:Doxy
1227:and
1186:", "
1137:and
899:'s "
827:'s "
823:and
764:and
676:and
556:for
490:'s "
250:and
242:and
202:and
141:jazz
135:are
5160:MPS
5135:JMT
5100:ECM
5095:CTI
5080:BYG
2854:286
1102:".
1035:, "
1031:of
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