217:
362:, and brought it to a larger audience. Because they were recording acousticly into a horn that was directly connected to the needle making the record master, Armstrong notably had to stand in the corner of the room, away from the horn, because his powerful playing bounced the needle off the master. In addition, white musicians would visit Lincoln Gardens in order to learn from Oliver and his band. Because Lincoln Gardens was in Chicago's black neighborhood and only admitted blacks, the white players listened outside near the front door. A prospective tour in the midwestern states ultimately broke up the band in 1924.
49:
394:
675:
311:. He became leader of Duhé's band, playing at a number of Chicago clubs. In the summer of 1921, he took a group to the West Coast, playing engagements in San Francisco and Oakland, California. On the west coast, Oliver and his band engaged with the vaudeville tradition, performing in plantation outfits.
365:
In the mid-1920s Oliver enlarged his band to nine musicians, performing under the name King Oliver and his Dixie
Syncopators, and began using more written arrangements with jazz solos. This band led by Oliver at the Plantation Café was in direct competition with Louis Armstrong's Sunset Stompers, who
290:
with his wife, Estelle "Stella" Dominick, whom he had married in New
Orleans in September 1911. He continued to work at the Dreamland, forming a band there in January 1920, which included Johnny Dodds, Honoré Dutrey, and Lil Hardin, the nucleus of his famous Creole Jazz Band. After Storyville closed,
249:, to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his true year of birth.
460:
Oliver was also a talented composer, and wrote many tunes that are still regularly played, including "Dippermouth Blues," "Sweet Like This," "Canal Street Blues," and "Doctor Jazz." "Dippermouth Blues," for example, was adapted by Don Redman for
Fletcher Henderson's Orchestra under the new name of
491:
As mentor to
Armstrong in New Orleans, Oliver taught young Louis and gave him his job in Kid Ory's band when he went to Chicago. A few years later Oliver summoned him to Chicago to play with his band. Louis remembered Oliver as "Papa Joe" and considered him his idol and inspiration. In his
411:
412:
370:. In 1927 the band went to New York, but he disbanded it to do freelance jobs. In the later 1920s, he struggled with playing trumpet due to his gum disease, so he employed others to handle the solos, including his nephew Dave Nelson, Louis Metcalf, and
530:, a gum disease that was partly caused by his love of sugar sandwiches and it made it very difficult for him to play and he soon began delegating solos to younger players, but by 1935, he could no longer play the trumpet at all. Oliver was stranded in
444:
Instrument
Company, with which he played his famous solo on his composition the "Dippermouth Blues" (an early nickname for fellow cornetist Louis Armstrong). His recording "Wa Wa Wa" with the Dixie Syncopators can be credited with giving the name
661:
by Walter C. Allen and Brian A. L. Rust, Jazz
Monographs No. 1, February 1956, published by Walter C. Allen Beleville, N.J. (This is the second printing; Jazz Monographs No. 1. October 1955 was the first printing of this biography and
439:
As a player, Oliver took great interest in altering his horn's sound. He pioneered the use of mutes, including the rubber plumber's plunger, derby hat, bottles and cups. His favorite mute was a small metal mute made by the
410:
294:
Noticeably different in his approach were faster tempos, unlike the slow drags in the
African-American dance halls of New Orleans. In Chicago, he found work with colleagues from New Orleans, such as clarinetist
523:
brought hardship to Oliver. He lost his life savings to a collapsed bank in
Chicago, and he struggled to keep his band together through a series of hand-to-mouth gigs until the group broke up.
268:
was considered one of the best and hottest in New
Orleans in the late 1910s. He was popular in New Orleans across economic and racial lines and was in demand for music jobs of all kinds.
496:, Armstrong wrote: "It was my ambition to play as he did. I still think that if it had not been for Joe Oliver, Jazz would not be what it is today. He was a creator in his own right."
541:, too broke to afford treatment" in a Savannah rooming house on April 8 or 10, 1938. His sister spent her rent money to have his body brought to New York, where he was buried at
413:
504:
Oliver's business acumen could not equal his musical skill. A succession of managers stole money from him, and he tried to negotiate more money for his band than the
534:, where he pawned his trumpet and finest suits and briefly ran a fruit stall, then he worked as a janitor at Wimberly's Recreation Hall (526–528 West Broad Street).
449:
to such techniques. This "freak" style of trumpet playing was also featured in his composition, "Eccentric." One of his protégés, Louis Panico (cornetist with the
403:
1339:
17:
760:
1389:
1314:
1359:
1239:
283:
with Oliver's widow, Stella, a fight broke out at a dance where Oliver was playing, and the police arrested him, his band, and the fighters.
468:
as an early influence, and in turn was a major influence on numerous younger cornet/trumpet players in New
Orleans and Chicago, including
1114:
1394:
1304:
1254:
464:
Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late 1920s. He credited jazz pioneer
378:
one year later. He continued with modest success until a downturn in the economy made it more difficult to find bookings. His
1364:
1344:
1259:
1011:
833:
1309:
1349:
542:
213:. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."
256:
in his youth. He first studied the trombone, then changed to cornet. From 1908 to 1917, he played cornet in New Orleans
1374:
1369:
1354:
1319:
1279:
1274:
1264:
1043:
869:
1334:
1289:
1269:
808:
216:
1324:
1379:
375:
1329:
1284:
795:
508:
was willing to pay – losing the job. He lost the chance of an important engagement at New York City's famous
318:
as King Oliver and his Creole Jazz Band. In addition to Oliver on cornet, the personnel included his protégé
31:
246:
197:
player and bandleader. He was particularly recognized for his playing style and his pioneering use of
242:
1063:
1035:
989:
861:
261:
457:, which is illustrated with photos showing some of the mute techniques he learned from Oliver.
339:
300:
1206:
291:
he moved to Chicago in 1918 with his wife and step-daughter, Ruby Tuesday Oliver (born 1905).
1212:
1122:
304:
1092:
1299:
1294:
331:
8:
1217:
527:
379:
1229:
1223:
854:
280:
1384:
1160:
1039:
1007:
865:
829:
804:
730:
588:
562:
531:
351:
276:
202:
201:
in jazz. Also a notable composer, he wrote many tunes still played today, including "
116:
1156:
1093:"Oliver, Joseph "King" (1885-1938) | The Black Past: Remembered and Reclaimed"
849:
598:
538:
520:
355:
314:
Oliver and his band returned to Chicago in 1922, where they started playing in the
335:
296:
1027:
722:
558:
446:
420:
382:
made playing the trumpet progressively difficult. He quit playing music in 1937.
343:
319:
315:
238:
210:
103:
260:
and dance bands and in the city's red-light district, which came to be known as
747:
513:
505:
485:
477:
358:
demonstrated the New Orleans style of collective improvisation, also known as
48:
1248:
1197:
578:
469:
308:
1235:
1171:
date from Oliver's Chatham County, Georgia, death certificate No. 8483.
1148:
1143:
There is disagreement on the date of Oliver's death. His grave marker says
1032:
The World of Jazz Trumpet: A Comprehensive History and Practical Philosophy
800:
680:
634:
481:
465:
347:
327:
272:
198:
1059:
618:
608:
509:
450:
367:
253:
206:
734:
473:
431:
323:
257:
148:
546:
441:
371:
359:
135:
1068:
549:. Armstrong and other loyal musician friends were in attendance.
1201:
689:
287:
265:
221:
194:
158:
990:
https://qpress.ca/product/the-novelty-cornettist-louis-panico/
499:
220:
Joe "King" Oliver's Draft Card, signed September 12, 1918, in
631:
Sugar Foot Stomp Vocalion & Brunswick Recordings Vol. 1
419:
1923 recording by King Oliver's Creole Jazz Band featuring
191:
130:
342:
on double bass. Recordings made by this group in 1923 for
1006:. New York City: W.W. Norton & Company. p. 149.
575:
Papa Joe: King Oliver and His Dixie Syncopators 1926–1928
828:. New York, NY: W.W. Norton & Company. p. 31.
190:(December 19, 1881 – April 8/10, 1938) was an American
1213:
King Oliver's Creole Jazz Band @ Red Hot Jazz Archive
1207:
King Oliver's Dixie Syncopators, Red Hot Jazz Archive
856:
American Musicians II: Seventy-one Portraits in Jazz
670:
1224:
King Oliver's WWI Draft Registration Card and Essay
1184:. Barnes; Perpetua (1961), p. 31. ASIN: B0007ECVCE.
568:
101:
December 19, 1881 (other sources cite 1884 or 1885)
853:
516:took the job and subsequently catapulted to fame.
205:", "Sweet Like This", "Canal Street Blues", and "
1246:
1087:
1085:
647:The Complete Set: King Oliver's Creole Jazz Band
750:, doctorjazz.co.uk. Accessed November 10, 2022.
557:Oliver was inducted as a charter member of the
1340:Burials at Woodlawn Cemetery (Bronx, New York)
605:Sugar Foot Stomp The Original Decca Recordings
374:. He reunited the band in 1928, recording for
1240:Discography of American Historical Recordings
1082:
500:Hardships in later years, decline and death
748:Profile (search by surname alphabetically)
47:
27:American jazz cornet player and bandleader
721:
717:
715:
526:Oliver also had health problems, such as
488:and, the most famous of all, Armstrong.
1167:, by Peter Hanley, the author quotes an
1026:
1001:
974:
959:
944:
929:
914:
899:
884:
848:
823:
796:The Virgin Encyclopedia of Popular Music
788:
786:
784:
782:
215:
1390:20th-century African-American musicians
1315:People from Ascension Parish, Louisiana
1165:Portraits from Jelly Roll's New Orleans
753:
512:when he held out for more money; young
14:
1247:
792:
712:
653:The Complete 1923 Jazz Band Recordings
1058:
779:
709:Some other sources cite 1884 or 1885.
625:Great Original Performances 1923–1930
453:Orchestra), authored a book entitled
385:
1360:20th-century American male musicians
1004:Louis Armstrong: Master of Modernism
826:Louis Armstrong: Master of Modernism
761:"Kid Ory, 86, Dead; Jazz Trombonist"
552:
209:". He was the mentor and teacher of
334:(later Armstrong's wife) on piano,
264:. A band he co-led with trombonist
24:
18:King Oliver's Creole Jazz Band
1112:
767:. New York Times. January 24, 1973
392:
25:
1406:
1395:20th-century American songwriters
1191:
237:Joseph Nathan Oliver was born in
673:
569:Selected compilation discography
430:Problems playing this file? See
408:
1305:Jazz musicians from New Orleans
1255:African-American jazz musicians
1174:
1137:
1106:
1052:
1020:
995:
983:
968:
953:
938:
923:
908:
727:Satchmo: My Life In New Orleans
585:Louis Armstrong and King Oliver
494:Satchmo: My Life in New Orleans
1119:Encyclopedia of Jazz Musicians
1064:"King Oliver | Biography"
893:
878:
842:
817:
741:
703:
376:Victor Talking Machine Company
13:
1:
1218:Joe "King" Oliver (1885-1938)
696:
54:
1365:American male jazz musicians
1345:Deaths from arteriosclerosis
1260:African-American songwriters
227:
32:Oliver King (disambiguation)
7:
1310:Jazz musicians from Chicago
1182:King Oliver (Kings of Jazz)
1095:. Blackpast.org. 1922-06-17
666:
537:Oliver died in poverty "of
10:
1411:
1350:Songwriters from Louisiana
1121:. jazz.com. Archived from
29:
1375:Olympia Orchestra members
1370:Onward Brass Band members
1355:Songwriters from Illinois
1320:Paramount Records artists
1280:American male songwriters
1275:American jazz songwriters
1265:American jazz bandleaders
1147:and this date appears in
1002:Brothers, Thomas (2014).
824:Brothers, Thomas (2014).
627:(Louisiana Red Hot, 1998)
164:
154:
144:
123:
110:
90:
80:
70:
65:
46:
39:
1335:Vocalion Records artists
1290:Dixieland jazz musicians
1270:American jazz cornetists
692:" – song by King Oliver.
30:Not to be confused with
1325:Gennett Records artists
1036:Hal Leonard Corporation
862:Oxford University Press
641:The Best of King Oliver
232:
1380:The Eagle Band members
1236:King Oliver recordings
793:Larkin, Colin (1997).
655:(Off the Record, 2006)
397:
224:
66:Background information
1220:, syncopatedtimes.com
1209:, syncopatedtimes.com
1157:biography at AllMusic
643:(Blues Forever, 2001)
595:The New York Sessions
455:The Novelty Cornetist
396:
219:
1330:Okeh Records artists
1285:Big band bandleaders
1155:, as well as in his
799:(Concise ed.).
461:"Sugar Foot Stomp".
76:Joseph Nathan Oliver
1115:"Joe 'King' Oliver"
114:April 8 or 10, 1938
1226:, doctorjazz.co.uk
1125:on 18 October 2012
992:accessed 20/4/2024
765:The New York Times
398:
386:Work and influence
322:on second cornet,
281:Hogan Jazz Archive
225:
1153:Who's Who in Jazz
1013:978-0-393-06582-4
975:Brothers (2014).
960:Brothers (2014).
945:Brothers (2014).
930:Brothers (2014).
915:Brothers (2014).
900:Brothers (2014).
885:Brothers (2014).
850:Balliett, Whitney
835:978-0-393-06582-4
649:(Retrieval, 2004)
615:Dippermouth Blues
563:Richmond, Indiana
553:Honors and awards
543:Woodlawn Cemetery
532:Savannah, Georgia
414:
404:Dippermouth Blues
366:performed at the
338:on trombone, and
286:He was living in
277:Tulane University
203:Dippermouth Blues
174:
173:
117:Savannah, Georgia
41:Joe "King" Oliver
16:(Redirected from
1402:
1232:, findagrave.com
1185:
1178:
1172:
1141:
1135:
1134:
1132:
1130:
1110:
1104:
1103:
1101:
1100:
1089:
1080:
1079:
1077:
1076:
1056:
1050:
1049:
1028:Barnhart, Scotty
1024:
1018:
1017:
999:
993:
987:
981:
980:
972:
966:
965:
957:
951:
950:
942:
936:
935:
927:
921:
920:
912:
906:
905:
897:
891:
890:
882:
876:
875:
859:
846:
840:
839:
821:
815:
814:
790:
777:
776:
774:
772:
757:
751:
745:
739:
738:
723:Armstrong, Louis
719:
710:
707:
683:
678:
677:
676:
561:Walk of Fame in
539:arteriosclerosis
521:Great Depression
416:
415:
395:
271:According to an
247:Ascension Parish
167:
100:
98:
83:
73:
59:
56:
51:
37:
36:
21:
1410:
1409:
1405:
1404:
1403:
1401:
1400:
1399:
1245:
1244:
1200:discography at
1194:
1189:
1188:
1179:
1175:
1142:
1138:
1128:
1126:
1113:Gerler, Peter.
1111:
1107:
1098:
1096:
1091:
1090:
1083:
1074:
1072:
1057:
1053:
1046:
1025:
1021:
1014:
1000:
996:
988:
984:
977:Louis Armstrong
973:
969:
962:Louis Armstrong
958:
954:
947:Louis Armstrong
943:
939:
932:Louis Armstrong
928:
924:
917:Louis Armstrong
913:
909:
902:Louis Armstrong
898:
894:
887:Louis Armstrong
883:
879:
872:
847:
843:
836:
822:
818:
811:
803:. p. 919.
791:
780:
770:
768:
759:
758:
754:
746:
742:
720:
713:
708:
704:
699:
679:
674:
672:
669:
659:King Joe Oliver
571:
559:Gennett Records
555:
502:
492:autobiography,
437:
436:
428:
426:
425:
424:
423:
421:Louis Armstrong
417:
409:
406:
399:
393:
388:
320:Louis Armstrong
316:Lincoln Gardens
239:Aben, Louisiana
235:
230:
211:Louis Armstrong
177:
165:
140:
115:
104:Aben, Louisiana
102:
96:
94:
81:
71:
61:
57:
42:
35:
28:
23:
22:
15:
12:
11:
5:
1408:
1398:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1352:
1347:
1342:
1337:
1332:
1327:
1322:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1272:
1267:
1262:
1257:
1243:
1242:
1233:
1227:
1221:
1215:
1210:
1204:
1193:
1192:External links
1190:
1187:
1186:
1180:Williams, MT.
1173:
1159:. However, in
1136:
1105:
1081:
1062:(1938-04-08).
1051:
1045:978-0634095276
1044:
1038:. p. 21.
1019:
1012:
994:
982:
967:
952:
949:. p. 256.
937:
934:. p. 116.
922:
907:
892:
877:
871:978-0195095388
870:
841:
834:
816:
809:
778:
752:
740:
729:. Ulan Press.
711:
701:
700:
698:
695:
694:
693:
685:
684:
668:
665:
664:
663:
656:
650:
644:
638:
628:
622:
619:ASV Living Era
612:
602:
592:
582:
570:
567:
554:
551:
514:Duke Ellington
506:Savoy Ballroom
501:
498:
486:Frank Guarente
478:Muggsy Spanier
427:
418:
407:
402:
401:
400:
391:
390:
389:
387:
384:
307:, and drummer
243:Donaldsonville
234:
231:
229:
226:
176:Musical artist
175:
172:
171:
168:
162:
161:
156:
152:
151:
146:
142:
141:
139:
138:
133:
127:
125:
121:
120:
112:
108:
107:
92:
88:
87:
84:
78:
77:
74:
68:
67:
63:
62:
52:
44:
43:
40:
26:
9:
6:
4:
3:
2:
1407:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1336:
1333:
1331:
1328:
1326:
1323:
1321:
1318:
1316:
1313:
1311:
1308:
1306:
1303:
1301:
1298:
1296:
1293:
1291:
1288:
1286:
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1261:
1258:
1256:
1253:
1252:
1250:
1241:
1237:
1234:
1231:
1230:Joseph Oliver
1228:
1225:
1222:
1219:
1216:
1214:
1211:
1208:
1205:
1203:
1199:
1196:
1195:
1183:
1177:
1170:
1166:
1162:
1161:his biography
1158:
1154:
1150:
1146:
1140:
1124:
1120:
1116:
1109:
1094:
1088:
1086:
1071:
1070:
1065:
1061:
1055:
1047:
1041:
1037:
1033:
1029:
1023:
1015:
1009:
1005:
998:
991:
986:
979:. p. 83.
978:
971:
964:. p. 89.
963:
956:
948:
941:
933:
926:
919:. p. 33.
918:
911:
904:. p. 62.
903:
896:
889:. p. 30.
888:
881:
873:
867:
863:
858:
857:
851:
845:
837:
831:
827:
820:
812:
810:1-85227-745-9
806:
802:
798:
797:
789:
787:
785:
783:
766:
762:
756:
749:
744:
736:
732:
728:
724:
718:
716:
706:
702:
691:
687:
686:
682:
671:
662:discography.)
660:
657:
654:
651:
648:
645:
642:
639:
636:
632:
629:
626:
623:
620:
616:
613:
610:
606:
603:
600:
596:
593:
590:
586:
583:
580:
576:
573:
572:
566:
564:
560:
550:
548:
544:
540:
535:
533:
529:
524:
522:
517:
515:
511:
507:
497:
495:
489:
487:
483:
479:
475:
471:
470:Tommy Ladnier
467:
462:
458:
456:
452:
448:
443:
435:
433:
422:
405:
383:
381:
380:periodontitis
377:
373:
369:
363:
361:
357:
353:
349:
345:
341:
337:
336:Honoré Dutrey
333:
330:on clarinet,
329:
325:
321:
317:
312:
310:
309:Paul Barbarin
306:
303:, trombonist
302:
298:
297:Lawrence Duhé
292:
289:
284:
282:
278:
275:interview at
274:
269:
267:
263:
259:
255:
250:
248:
244:
240:
223:
218:
214:
212:
208:
204:
200:
196:
193:
189:
185:
181:
180:Joseph Nathan
169:
163:
160:
157:
153:
150:
147:
143:
137:
134:
132:
129:
128:
126:
122:
118:
113:
109:
105:
93:
89:
85:
82:Also known as
79:
75:
69:
64:
50:
45:
38:
33:
19:
1181:
1176:
1168:
1164:
1152:
1149:John Chilton
1144:
1139:
1127:. Retrieved
1123:the original
1118:
1108:
1097:. Retrieved
1073:. Retrieved
1067:
1060:Yanow, Scott
1054:
1031:
1022:
1003:
997:
985:
976:
970:
961:
955:
946:
940:
931:
925:
916:
910:
901:
895:
886:
880:
860:. New York:
855:
844:
825:
819:
801:Virgin Books
794:
769:. Retrieved
764:
755:
743:
726:
705:
681:Music portal
658:
652:
646:
640:
630:
624:
614:
604:
594:
584:
574:
556:
536:
525:
518:
503:
493:
490:
482:Johnny Wiggs
466:Buddy Bolden
463:
459:
454:
438:
429:
364:
340:Bill Johnson
328:Johnny Dodds
313:
301:Bill Johnson
293:
285:
273:oral history
270:
252:He moved to
251:
236:
187:
183:
179:
178:
166:Years active
1300:1938 deaths
1295:1881 births
1198:King Oliver
771:February 1,
510:Cotton Club
451:Isham Jones
368:Sunset Café
258:brass bands
254:New Orleans
207:Doctor Jazz
86:King Oliver
1249:Categories
1099:2015-06-13
1075:2015-06-13
735:B00AIGW6AS
697:References
474:Paul Mares
432:media help
332:Lil Hardin
326:on drums,
324:Baby Dodds
305:Roy Palmer
299:, bassist
262:Storyville
155:Instrument
149:Bandleader
145:Occupation
97:1881-12-19
72:Birth name
589:Milestone
565:in 2007.
547:The Bronx
442:C.G. Conn
372:Red Allen
360:Dixieland
352:Paramount
228:Biography
170:1907−1937
136:Dixieland
1385:Janitors
1169:April 10
1129:22 April
1069:AllMusic
1030:(2005).
852:(1996).
725:(2012).
667:See also
599:Bluebird
528:pyorrhea
356:Columbia
53:Oliver,
1238:at the
1202:Discogs
1145:April 8
690:Snag it
637:, 2000)
621:, 1996)
611:, 1992)
601:, 1989)
591:, 1974)
581:, 1969)
447:wah-wah
344:Gennett
288:Chicago
266:Kid Ory
241:, near
222:Chicago
1042:
1010:
868:
832:
807:
733:
354:, and
195:cornet
188:Oliver
159:Cornet
124:Genres
119:, U.S.
106:, U.S.
58:
579:Decca
199:mutes
60:1915.
1131:2012
1040:ISBN
1008:ISBN
866:ISBN
830:ISBN
805:ISBN
773:2019
731:ASIN
635:Frog
519:The
348:Okeh
233:Life
192:jazz
184:King
131:Jazz
111:Died
91:Born
1163:at
1151:'s
609:GRP
545:in
279:'s
245:in
1251::
1117:.
1084:^
1066:.
1034:.
864:.
781:^
763:.
714:^
484:,
480:,
476:,
472:,
350:,
346:,
186:"
55:c.
1133:.
1102:.
1078:.
1048:.
1016:.
874:.
838:.
813:.
775:.
737:.
688:"
633:(
617:(
607:(
597:(
587:(
577:(
434:.
182:"
99:)
95:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
